#other people: what if the narrative is shaped by loss

[foxofninetales]

Angle of Elevation - Chapter 5

Fandom: DMBJ / The Lost Tomb Reboot

Relationships: Wu Xie/Zhang Qiling/Liu Sang, Iron Triangle

Summary: Liu Sang comes home to them a fraction at a time.

Excerpt:

Bao Haotian sat and worried about her pencils.

She wasn't worried about the first pencil. One was, after all, the minimum amount of pencil needed to be able to take notes. It was the second one that was worrying her. Was two too many? Did it look weird that she had two pencils? But what if something happened to her first pencil? Or - even better - what if someone else needed a pencil and Bao Haotian would be able to lean across and give them one?

Two tables over from her, a solidly built older woman settled into her seat. She rummaged in her bag and set a fat notebook on the table in front of her, then opened a case and arranged three pencils next to the notebook in a neat row.

Bao Haotian relaxed.

Around her, the seats were slowly filling up. It was raining, and a growing flock of folded umbrellas huddled in the corner by the classroom door. She hadn’t expected that there would be this many people here, and it comforted and stressed her in equal measure. Stress, because there being more people here meant there were more people to see if she messed up, but comfort too, because there were this many people who were like her, at least a little.

Several minutes passed, while she sat with her pencils and notebook and the minutes ticked slowly by on the clock on the wall. She counted the number of red notebooks in the room (three) and the number of blue ones (two, including her own). She counted the number of concrete blocks she could see in the wall at the head of the classroom and calculated how many must be hidden by the chalkboard. And all the while, she tried not to think about the new worry that was slowly growing, because more people were coming in a little at a time, but the seat beside her remained horribly, gapingly empty.

Read Chapter 5 on AO3

[thewriteadviceforwriters]

Creating Compelling Character Arcs: A Guide for Fiction Writers

As writers, one of our most important jobs is to craft characters that feel fully realized and three-dimensional. Great characters aren't just names on a page — they're complex beings with arcs that take them on profound journeys of change and growth. A compelling character arc can make the difference between a forgettable story and one that sticks with readers long after they've turned the final page.

Today, I'm going to walk you through the art of crafting character arcs that are as rich and multi-layered as the people you encounter in real life. Whether you're a first-time novelist or a seasoned storyteller, this guide will give you the tools to create character journeys that are equal parts meaningful and unforgettable.

What Is a Character Arc?

Before we go any further, let's make sure we're all on the same page about what a character arc actually is. In the most basic sense, a character arc refers to the internal journey a character undergoes over the course of a story. It's the path they travel, the obstacles they face, and the ways in which their beliefs, mindsets, and core selves evolve through the events of the narrative.

A character arc isn't just about what happens to a character on the outside. Sure, external conflict and plot developments play a major role — but the real meat of a character arc lies in how those external forces shape the character's internal landscape. Do their ideals get shattered? Is their worldview permanently altered? Do they have to confront harsh truths about themselves in order to grow?

The most resonant character arcs dig deep into these universal human experiences of struggle, self-discovery, and change. They mirror the journeys we all go through in our own lives, making characters feel powerfully relatable even in the most imaginative settings.

The Anatomy of an Effective Character Arc

Now that we understand what character arcs are, how do we actually construct one that feels authentic and impactful? Let's break down the key components:

The Inciting Incident

Every great character arc begins with a spark — something that disrupts the status quo of the character's life and sets them on an unexpected path. This inciting incident can take countless forms, be it the death of a loved one, a sudden loss of power or status, an epic betrayal, or a long-held dream finally becoming attainable.

Whatever shape it takes, the inciting incident needs to really shake the character's foundations and push them in a direction they wouldn't have gone otherwise. It opens up new struggles, questions, and internal conflicts that they'll have to grapple with over the course of the story.

Lies They Believe

Tied closely to the inciting incident are the core lies or limiting beliefs that have been holding your character back. Perhaps they've internalized society's body image expectations and believe they're unlovable. Maybe they grew up in poverty and are convinced that they'll never be able to escape that cyclical struggle.

Whatever these lies are, they'll inform how your character reacts and responds to the inciting incident. Their ingrained perceptions about themselves and the world will directly color their choices and emotional journeys — and the more visceral and specific these lies feel, the more compelling opportunities for growth your character will have.

The Struggle

With the stage set by the inciting incident and their deeply-held lies exposed, your character will then have to navigate a profound inner struggle that stems from this setup. This is where the real meat of the character arc takes place as they encounter obstacles, crises of faith, moral dilemmas, and other pivotal moments that start to reshape their core sense of self.

Importantly, this struggle shouldn't be a straight line from Point A to Point B. Just like in real life, people tend to take a messy, non-linear path when it comes to overcoming their limiting mindsets. They'll make progress, backslide into old habits, gain new awareness, then repeat the cycle. Mirroring this meandering but ever-deepening evolution is what makes a character arc feel authentic and relatable.

Moments of Truth

As your character wrestles with their internal demons and existential questions, you'll want to include potent Moments of Truth that shake them to their core. These are the climactic instances where they're forced to finally confront the lies they believe head-on. It could be a painful conversation that shatters their perception of someone they trusted. Or perhaps they realize the fatal flaw in their own logic after hitting a point of no return.

These Moments of Truth pack a visceral punch that catalyzes profound realizations within your character. They're the litmus tests where your protagonist either rises to the occasion and starts radically changing their mindset — or they fail, downing further into delusion or avoiding the insights they need to undergo a full transformation.

The Resolution

After enduring the long, tangled journey of their character arc, your protagonist will ideally arrive at a resolution that feels deeply cathartic and well-earned. This is where all of their struggle pays off and we see them evolve into a fundamentally different version of themselves, leaving their old limiting beliefs behind.

A successfully crafted resolution in a character arc shouldn't just arrive out of nowhere — it should feel completely organic based on everything they've experienced over the course of their thematic journey. We should be able to look back and see how all of the challenges they surmounted ultimately reshaped their perspective and led them to this new awakening. And while not every character needs to find total fulfillment, for an arc to feel truly complete, there needs to be a definitive sense that their internal struggle has reached a meaningful culmination.

Tips for Crafting Resonant Character Arcs

I know that was a lot of ground to cover, so let's recap a few key pointers to keep in mind as you start mapping out your own character's trajectories:

Get Specific With Backstory

To build a robust character arc, a deep understanding of your protagonist's backstory and psychology is indispensable. What childhood wounds do they carry? What belief systems were instilled in them from a young age? The more thoroughly you flesh out their history and inner workings, the more natural their arc will feel.

Strive For Nuance

One of the biggest pitfalls to avoid with character arcs is resorting to oversimplified clichés or unrealistic "redemption" stories. People are endlessly complex — your character's evolution should reflect that intricate messiness and nuance to feel grounded. Embrace moral grays, contradictions, and partial awakenings that upend expectations.

Make the External Match the Internal

While a character arc hinges on interior experiences, it's also crucial that the external plot events actively play a role in driving this inner journey. The inciting incident, the obstacles they face, the climactic Moments of Truth — all of these exterior occurrences should serve as narrative engines that force your character to continually reckon with themselves.

Dig Into Your Own Experiences

Finally, the best way to instill true authenticity into your character arcs is to draw deeply from the personal transformations you've gone through yourself. We all carry with us the scars, growth, and shattered illusions of our real-life arcs — use that raw honesty as fertile soil to birth characters whose journeys will resonate on a soulful level.

Happy Writing!

[bucky-bucky-bucky-bucky]

I Can Go Anywhere I Want- Just Not Home | Bucky Barnes x Reader

Hi, friends. I've been BUSY with school and this one took fucking forever. But it means a lot to me, I hope you like it. :)

Word count: 13.3k

AUTHOR'S NOTE: do me a favor and pretend Bucky didn't disappear in the blip. ok thanks bye.

Warnings: talk of financial struggles, food insecurity, housing insecurity

A familiar shape stepped onto the sidewalk just ahead, freeing itself from the shadows of a rundown motel. The lines and curves of this body forced your heart into your throat. Time seemed to stop. The world round you ceased its turning. You’d know those broad shoulders anywhere, and you’d remember that sharp jaw even after your soul left this mortal coil. 

You stood there, your feet rooted in the concrete, watching him with a longing that tore through your chest. How long had it been since you last saw him? How many months had passed since you last spoke? You made yourself stop counting the days long ago; it was too depressing, too pathetic. But while you forced your brain not to continue the tally, your heart kept count. 

His sudden motion caught your attention, pulling you from your thoughts. The shape that once resembled home headed down the street, slipping through your fingers a second time. But you couldn’t let him get away- not again. 

Even after you freed your feet and increased your pace, he remained ahead. His long legs carried him away from you as he glided past people on the sidewalk. His hands rested in his pockets, concealing his trademark from the world. His head bowed forward, he kept his gaze down. He didn’t want to catch the eye of the public. But he caught yours. 

“Bucky?” your call came out a desperate plea. Blowing his cover wasn’t your goal, but he was too fast. You had to stop him before he vanished again.

He stopped in his tracks at the sound of your voice. You could’ve sworn you saw his head fall another inch or two, as though he were disappointed to know you’d found him.

But he turned. And for the first time in almost a year, he faced you. 

“Bucky.” It wasn’t a question this time, but an affirmation. A reassurance. An unstoppable smile pulled at your lips, a sigh of relief left your chest. You almost wept. “Hi…” 

The darkness that clouded your mind in his absence parted all at once, making way for a golden glow of twinkling lights. You hadn’t seen him since the battle. Since the shimmering portals. Since everyone returned home after Thanos fell. 

He simply stopped answering your calls. Your texts. He didn’t return your voicemails. 

To this day, you wondered what you did wrong. What you did that pushed him so far away. It wasn’t like him to ice you out, to cut you off without warning. He had baggage, sure, but he never shied away from you. Not like this. At one time, you were his closest friend. His most trusted confidante. And he was yours. You spent every moment together, taking shelter in each other. But not anymore. 

Each night, you recounted the last time you saw him. You analyzed every detail, scrutinizing the minutiae of the interaction. Maybe you said something that offended him. Maybe you did something hurtful. But no matter how hard you wracked your brain, not one single red flag made an appearance. And it made Bucky’s sudden disappearance from your life all the more maddening. More hurtful.

Sometimes, you liked to think that he just used you. That he got what he needed from you and moved on. It somehow softened the blow of his loss. Painting him as a manipulator took the blame off your shoulders and made him the villain. But you could never convince yourself of this narrative for long. Bucky wasn’t the type of person to use others. He gave and gave until he had nothing left. Or until he left.

With a few strides, you closed the gap between the two of you. “It’s so good to see you, Buck,” your instinctive reach for a hug left your arms hanging in the air as he took a small step back. It was then you realized just how embarrassing it was to drop your arms to your sides after an unwanted embrace.

“Hey- hi,” he cleared his throat and cut his eyes to the side, almost like he couldn’t bear to look at you. He stared at the passing cars, the flier-covered streetlight. Anything to keep his gaze from lingering on you. He wasn’t sure he had the strength. 

But he couldn’t help himself- he had to look at you. And as his eyes finally landed on yours, a familiar warmth sliced through his trepidations. He’d been aching for so long now; he’d didn’t know what a life without pain felt like. Every day, he hurt. He suffered. But the biting agony stilled as he stared at you. 

His lungs filled to capacity for the first time in months. The knots in his stomach untangled themselves. He’d forgotten how light he felt around you. You had a way of making things feel so easy, so simple. Everything in his life was complicated, and each day grew more difficult than the last. No matter how hard he tried, he never quite got his head above water. But with you standing there before him, he broke through the surface for the first time in ages.

He drank you in for a long moment, taking inventory of the ways you’d changed, and the ways you’d stayed the same. Your radiant smile still poked dimples into your cheeks. Freckles still splashed across your skin. But he noted the all too familiar braid in which your hair was twisted. The letter ‘N’ dangling from a dainty gold chain around your neck.  

Bucky knew losing Nat wasn’t easy on you. Knew that you’d been mourning her all on your own. He should’ve been there for you, should’ve been your shoulder to cry on. He hated himself every day for making you go it alone.

“It’s um,” Bucky didn’t know where to start. “It’s been a while…”

A quiet, awkward laugh rasped out of your throat at his understatement, “Yeah, you could say that.” 

A long pause forced its way between you. Things with Bucky never used to be this awkward, this tense. He was nearly a stranger now. And it killed you. Your friendship always flowed without difficulty, without pressure. It became second nature. The two of you moved together almost as though choreographed, anticipating the other’s actions instinctually.

But those instincts died and were buried, along with your hope of ever patching things up.

“Um, are you- where are you headed?” you asked, breaking the silence.

“I was just gonna- I thought I’d grab some breakfast.”

“Oh! Me too!” Finally, you had something in common. “Can I-” you quickly rephrased, fearing you may scare him off. “Do you wanna go together? Maybe we could catch up?” You knew you were throwing yourself at him, but you couldn’t stop. You were so overwhelmed, so desperate to be near him; you didn’t care how crazed you seemed. 

Bucky’s shy smile made an appearance, “Yeah, that would be nice.” He kicked himself for not appearing more excited, more overjoyed by the reunion. But he couldn’t find it in himself to feel anything other than anxious. 

The walk to the diner was less awkward than you anticipated. The conversation flowed a little smoother, the words came a little easier. But it was still clunky. And though more silence than you would’ve liked hung in the air, you breathed easier knowing that he was merely a few inches away. 

Things between you simply needed to thaw. You needed to shake the rust off and find your way back into the groove you carved out for one another. At least, that’s what you told yourself.

“I thought you said you were getting breakfast,” you joked, “not just coffee.” You sat across from Bucky in a beat-up booth, it’s cracked, torn vinyl dating the restaurant. When the waitress asked for your order, Bucky insisted you go first. And when you’d finished rattling off your perfect breakfast, Bucky dismissed her with a “nothing for me.”

He shrugged and took a sip of his coffee, “I’m not really hungry anymore.”

“Wow, I didn’t know I had that kind of effect on people,” you said, only half-joking. Maybe he really did hate you, after all. The months of dead silence suggested as much. 

More often than not, you tried lived in denial. You told yourself any lie you could come up with- anything to ease the pain of missing him. Even after his less than enthusiastic reaction to your reunion, you buried your head in the sand. Surely, he was just surprised to see you. He just needed some time to warm up, to come out of his shell.

But he only ordered coffee; clearly, he didn’t plan on staying long. He had an escape strategy locked and loaded. You knew he planned to fulfill your request for a catch-up session and run for the hills as soon as he emptied his mug. Upon your realization, everything came crashing down. His scant order slapped you with the cold hard facts: he’d cut off all communication, ignored you for months, and seemed to lose his appetite at the very prospect of sharing a meal with you. 

Maybe missing him was a waste of your time.

“No, it’s not like that,” very real concern coated Bucky’s words. “I’m so- I’m really happy to see you.” 

His fingers twitched as the logical side of his brain shut down his attempt to touch you. All he wanted to do was reach out and rest a hand atop yours, maybe stroke your knuckles a few times. It was something he used to do all the time, something that, at one point, reassured the both of you. But things were different these days. He didn’t have the right to be so familiar with you, not after he chose to make himself a stranger. 

He gripped his coffee mug with both hands, stemming any impulses to reach for you. “How have you been?”

There’d been a time when you would’ve told him everything. You would’ve spilled your soul and let loose every ugly detail of your life. Being honest with each other used to be easy. Neither one of you had to fear judgment or ridicule; you were safe in the other’s hands.

But those days were long gone. He clearly didn’t want to be your best friend anymore- he barely wanted to know you at all. He was, at most, an acquaintance whose soul used to be tied to yours. And so, you opted to forego the truth. You didn’t tell him that you cried yourself to sleep most nights. You didn’t tell him that you missed him so badly it caused you physical pain. You didn’t tell him that you needed him. Instead, you gave him what he wanted: an easy, canned response.

“I’ve been good,” you forced a smile to your face and shrugged. “Just been working, doing the whole SWORD thing.”

He raised his brow, “Oh, wow. You work for SWORD now? I had no idea. Good for you.” 

He feared his feigned surprise came off too fake, too forced. But you didn’t seem to clock it. You really believed that he was out of the loop, but you should’ve known better. It was ludicrous to think he’d ever be uninformed about your life. Of course, he already knew you worked for SWORD He knew that you moved into a new apartment. He even knew that you were planning on adopting a cat soon. He asked Sam about you almost daily, scrounging for any details he could get. 

He just needed to know that you were okay, that you were safe. And happy. 

“Yeah, I started a few months ago. It’s been-” You paused a moment, allowing the waitress to set down your food. The table in front of Bucky looked so empty; with no food anchoring him to the restaurant, he could leave at any moment. “It’s been alright. But how about you? What have you been up to?”

He took a moment to formulate his response. He needed to be careful. Precise. Allowing too much to slip could ruin everything. “I’ve just been working with Sam,” he shrugged. “We had to take care of that whole Flag Smashers thing.”

“I saw that!” you said, your mouth full of pancakes. “You guys did a great job.”

“Thanks, yeah,” Bucky’s cheeks flushed pink. “And I had my pardon hearing.”

You nodded, “I watched all the news coverage about it.”

He forced his eyes down to his mug; he never used to get embarrassed around you. “You did?”

“Of course.”

Bucky wanted you there that day. He wanted to rest his hand in yours and experience the peace only you could provide as he waited for the judge to call his name. And when he finally received his pardon, he wanted to turn around and see you- wide smile, eyes brimming with happy tears. He wanted to wrap his body around yours and thank you for being his rock. 

But he didn’t invite you along.

He, instead, sat alone in the hall, with no one to hold his shaking hand, until a bailiff ushered him into the courtroom. Sam wanted to be there, but his nephew begged Captain America to make an appearance for Bring Your Dad to Work Day. And who was he to say no?

When the judge awarded Bucky his pardon, no one cheered. No one ran to his side and granted him a congratulatory hug. He collected his papers and made his way out of the courthouse. Alone. 

He got a heap of texts and calls from you that day, though. He watched his phone ring with your name and picture taking up his screen. He poured over your kind texts and listened to your congratulatory voicemails. Even after he shut you out, you made sure he knew that you supported him. That you still cared. But he didn’t return your messages.

He did, however, listen to your voicemails on a loop. Hearing your voice again gave him an escape, a life preserver. You’d never know how much those messages meant, how often they saved him. He promised himself he’d tell you- one day.

 “Honestly, you shouldn’t have even needed a pardon,” you said with an eyeroll. “I mean, you didn’t do anything. None of it was your fault.”

Bucky had nearly forgotten how unabashedly supportive you were. How you were always on his side, no matter what. He wondered why you still wanted to be on his team after months of silence.

“Well, the US government feels differently,” he sighed out a soft laugh. “And it’s taken care of now, so it’s all good.”

He appeared hopeful, almost optimistic. He had Sam, he had his pardon- he seemed to be doing well. And though you wanted more than anything to be in his life, you just wanted him to be happy. Maybe your friendship didn’t serve him the way it served you. Maybe he felt like you didn’t give him what he needed. Maybe his life was better without you in it. The thought stung. It forced your throat closed, nearly sending you into a choking fit. But you swallowed your pancakes along with your pride, and vowed never to beg Bucky to come back to you. 

“Good. I’m happy for you.” You stopped yourself from reaching for his hand. “Can I ask something that might be a little invasive?”

Bucky’s heart stopped, “Um, sure.”

“I saw you coming out of that motel…” you shot him a suggestive glance. “What was that about?”

Bucky stiffened. He grew tense, anxiety flooding his system. “What do you mean?”

“I mean… was there maybe a little-” you raised a brow at him, “hook up situation going on?” 

He laughed at your overdramatic wink, the way you licked your lips. And he thanked his lucky stars you came up with a cover story for him. “Oh, yeah…” he grew bashful about his fictional sexcapades. “It’s just a- it’s casual, you know. Nothing serious.”

The confirmation of your suspicions made your jaw drop. Bucky Barnes, the old-fashioned gentleman, actually had a friend with benefits. He’d had a secretive, motel rendezvous. Hell, he probably had hickeys and nail marks hiding under his shirt. 

A pang of jealousy tore through you like the nails of his lover. Why did she get to be near him? How did she rank above you? The unsettling feeling of envy almost possessed you, but you pushed it aside.

“Woah, look at you,” you feigned appluase. “I always knew you were a ladies’ man, I just never got to see it in real time.”

He rolled his eyes, “yeah, yeah, I’m a real heartbreaker.” He regretted his word choice immediately, knowing full well he broke your heart.

You sidestepped his comment and forced the conversation forward, his comment stinging your open wound. “Seriously, Buck. I’m happy for you.” Once again, you stifled the urge to touch him. “You deserve to have some fun.”

He stared at you for a long moment, a genuine smile on his face. You were so sincere in your support of him, so unashamed of how deeply you cared. Sam was an incredible friend, of course- but you were his soulmate. He was tied to you with an unbreakable thread, unable to free himself even if he wanted to. And he wanted to. But not because he didn’t adore you; it was a simple matter of worthiness. 

But no matter how hard he tried, he still thought of you daily. Almost constantly. He missed you, pined over you, wished he could exist in your world. But he couldn’t- not yet. 

He shook the grin from his face and pulled his gaze down to his mug once again. “I’m um- I’m sorry I haven’t been around. Things have just gotten…” He cleared his throat, “I’ve been really busy.”

A scream scratched at your throat, but you forced it away with a bite of eggs and a swig of coffee. Of course, Bucky was busy. But he wasn’t the only one. It seemed that SWORD wanted to run you ragged. They were always assigning you extra operations and looking to you to solve problems. But even with the mountains of work, even in your sea of grief for Nat, you still managed to reach out to Bucky. You still called, still texted. 

But he clearly didn’t want to make the time for you.

“I totally understand,” you lied. “Shit has been crazy. Don’t worry about it.”

You worried about it every day.

Breakfast wrapped up all too soon. Bucky argued when you paid for his coffee, you hushed him with a promise to let him cover yours next time. And in the blink if an eye, you found yourself standing next to him on the sidewalk, praying he wouldn’t walk away.  

“I should really get going,” he said, taking a step away from you. “I have a meeting.”

“Cool, yeah,” you forced a smile, “this was great- I’m so glad we ran into each other.”

Bucky nodded, “yeah, me too.”

It seemed to you that Bucky couldn’t care less if he ever saw you again. He was disengaged, disinterested, inching ever farther away. He tried to be subtle about it, tried to slowly escape the interaction. But you caught his tiny steps in the opposite direction. His body remained closed off, the space between you growing with each long, awkward pause. 

But even so, you couldn’t let go. You couldn’t let him walk away without knowing if this was the last time you’d see him. 

“We should do this again-” you sounded so needy, so anxious, but couldn’t find it in you to care, “but only if you want.” Never had you felt so pathetic. There you were, practically begging Bucky to signal that he gave a shit about you. 

But all he could muster was a nod. 

“Awesome,” you pulled out your phone. “Do you still have the same number?”

Again, he nodded. 

It killed you. All this time, you’d hoped that he got a new number and simply forgot to tell you. That your texts and calls went unanswered because he didn’t receive them. But he did, indeed, receive them. He just chose to ignore them.

With a swell of tears gathering behind your eyes, you sped through your goodbyes. You threw Bucky a hurried “great to see you, I’ll call soon” and quick smile before turning away and heading for a hiding spot, a concealed place to cry. The person you cared about more than anything, the person you adored, the person for whom you’d lay down your life, didn’t want you anymore. The bitter taste of rejection coated the inside of your mouth. And as you ducked into a bodega down the street, you feared you might get a second look at your breakfast.

You were gone too soon. Bucky wanted to call your name, to run after you. Even after months apart, he could still sus out when you were upset. He remembered your tells. Your dead giveaways. The way your jaw hardened against oncoming emotion. The tendency of your voice to grow thin and hollow as tears loomed on the horizon. 

He knew he hurt you. 

But he found himself stuck, his body defying the orders of his brain. He couldn’t speak, couldn’t move. He could only stand there, helpless, watching as you disappeared. 

He knew you couldn’t possibly be happy with him after he abandoned you; he was surprised that you even acknowledged him on the street- let alone invited him to breakfast. And after the way he acted at the diner, he was shocked that you asked to see him again. 

The conversation you had replayed on a loop inside his head, and he kicked himself for being so closed off. So cold. He’d sullied your reunion so severely- it was almost aggressive. He was dismissive. Curt. And he lied to your face- multiple times. 

He was so happy to see you- he didn’t want you to think otherwise. But he didn’t expect to run into you like that. He didn’t expect to be near you for another few months, at least. He had a plan, and he was doing his best to follow it with as few setbacks as possible. If he kept his head down and pushed himself, he could get to the point where he could explain. He could tell you the truth and make you part of his life again if you even wanted anything to do with him. Though he wouldn’t blame you if you didn’t.

But running into you outside the motel wasn’t part of the blueprint. And he panicked.

He'd held you at arm’s length, never daring to get too close. He kept everything superficial. Surface level. It was the shallowest interaction he’d had with you to date. And it felt wrong. It didn’t fit who you were as people, who you were as friends. Your bond was never the skin deep, small talk type. No, you delved into one another’s deepest thoughts. Bared your souls. He’d never kept a secret from you- nor you him. But that was a different time.

Disappointed, Bucky unrooted his boots from the concrete and trudged off in the direction of his morning meeting. And while he did his best to focus, to participate, he could think of only you. The heartbreak in your eyes. The hurt in your voice. A wave of nausea barreled into him as he replayed the interaction again and again. You deserved better. And Bucky wished more than anything he that could be better. For you. 

But two nights later, your phone rang.

It was late- nearly midnight. You were curled up on the couch under a blanket, neck deep in your Vampire Diaries rewatch when your phone started to buzz. An unfamiliar number popped up on your screen, accompanied only by Siri’s suggestion of who might be calling.

‘Maybe: Kings County Jail’

You stared at it for three rings, wondering how someone from the jail got your number. And just as you were about to deny the call, something in your gut told you to answer it. Maybe it was curiosity, maybe it was divine intervention. Either way, you hit accept and held the phone up to your ear. 

“Um, hello?”

An automated message responded, “You are being contacted by a detainee at Kings County Jail. The detainee-” the recording paused, leaving space for someone to state their name.  Your favorite gruff voice followed, “Bucky-”

“-is trying to contact you. Do you accept the charges?”

A riptide coursed through your brain. Questions upon questions piled up, each one trying to escape your lips first. But you swallowed them for the time being. 

“Yeah- yes, I accept.”

The line connected, and Bucky’s soft “hey…” came through from the other end. “Thanks for picking up.”

“Buck? Is everything okay?”

He sighed, “Yeah, I’m- I’ve been better. But I’m fine. I was just wondering if,” he couldn’t believe he was doing this. “I was wondering if you could come bail me out?”

He gave no context, no reasoning, for his stint in the county jail. But you didn’t care. “I’ll be there in twenty minutes.”

Even after he ditched you and left radio silence in his wake, even after he practically ran from your reunion at the diner- you’d do anything for him. And there was no way in hell you’d ever just leave him there; you couldn’t. Bucky didn’t belong behind bars.

And so, you pulled yourself off the couch, found some shoes, and headed in his direction. 

The bail money didn’t matter to you. Sure, things were easier now that SWORD paid you the big bucks. But even if your account was running on empty, you’d sacrifice your last remaining cents to free Bucky. 

A guard led him down the hall by the arm and shoved him through the door. This wasn’t how he wanted you to see him. None of this fit into the plan he’d so carefully crafted all those months ago. But there you sat in the lobby of the police station, clad in your sweats, waiting for him. The shame nearly tore him apart from the inside out. 

But as he locked eyes with you across the room, he didn’t find the judgement or irritation that he expected. You should’ve been angry with him- why weren’t you angry with him? He’d called in a favor after abandoning you. He made you come down to the police station, made you pay his bail. You should’ve left him to rot in a jail cell. But you didn’t. Because you cared. Even after everything he did, you still cared about him. He wished you didn’t. He wished you’d scream at him in front of everyone- but you were too good for that. Too kind. 

He threw you a bashful wave, but averted his gaze when a warm smile crossed your face. He couldn’t quite stand the way your gracious expression made him feel. Why did you seem so happy to see him? Why weren’t you furious- or even a little frustrated? 

As he waited in line to gather his backpack and personal belongings from the desk, he hoped for something to prolong his time away from you. A clerical error. A massive stack of paperwork. What was he supposed to say to you? How was he supposed to explain this whole mess? He needed time to put his thoughts in order. To organize his lies. 

But, for the first time in history, a United States government agency did things efficiently and without error. And after only a few minutes, he made his way to your side. 

“Hey,” he granted you only a flash of eye contact before dragging his gaze to the floor. “Thanks for- thank you for coming to get me. And for paying my bail…”

You shrugged, “yeah, absolutely”.

“I’ll pay you back, I swear.” It was then he realized that he didn’t want you to be angry with him. Sure, you cursing him out in front of everyone would be easier. Less complicated. But he’d rather die than upset you again. 

“I know. I’m not worried about it,” you granted him another kind smile, “I trust you.”

It was a dagger to the heart. How- and why- did you still trust him? He’d excised you from his life without warning and left you in the cold; he wasn’t worthy of your trust. 

“Are you all good here?” you asked, “Should we get going?”

“Sure- yeah.”

The walk to the car was quiet; Bucky couldn’t bring himself to walk next to you. Existing in your sphere, being seen by you- it was too much for him. Too shameful. Even if he was only in your peripheral. And so, he opted to position himself a few paces behind you. In the safety of your shadow. 

He got settled in the passenger seat of your car as you turned the key in the ignition. But you couldn’t bring yourself to pull out of your parking spot. Everything in you wanted to ask how he ended up in handcuffs. He wasn’t a troublemaker. He wasn’t violent. He wasn’t the type to make waves. Something bad must’ve happened- something out of his control.

But you knew it wasn’t your business. He clearly didn’t want you around anymore, didn’t want to clue you in on the details of his life. And you never liked to pry. 

As the seconds passed, however, your resolve crumbled. No matter what happened between the two of you, you’d always care about Bucky. You’d always worry about him. And your concern finally got the best of you.

Before you could stop yourself, the words came tumbling out of your mouth. “Are you okay?” you stared at him, anxiety brewing in your chest. “You don’t have to tell me what happened- I won’t force you- but I’m worried about you.”

He nodded, “I’m fine.” It wasn’t rude, but his tone didn’t invite further probing. 

With a sigh and an unconvinced “okay”, you put the car in drive and prepared to take Bucky home.

Your blinker clicked incessantly as you waited for a few cars to grant you a clear path. Bucky had ample time to give you directions, but he remained quiet. He didn’t offer up information of any kind, not even a neighborhood. It broke your heart that you didn’t know his address.

“Um, where do you live? Should I turn left or right?” 

You waited patiently for an answer that Bucky didn’t seem to have.

“Actually, do you mind if-” he flashed you an apologetic smile, “could we just drive around for a while?”

Maybe he had some residual adrenaline from being arrested. Maybe being in jail gave him flashbacks to his captivity under Hydra. Either way, you knew he wouldn’t have asked to go for a drive unless he really needed it. Part of you was surprised, though, that he’d willingly spend more time with you. That he’d choose to share a confined space with you. He was all too happy with removing you from his life, and practically sprinted through your reunion breakfast. But after so many months of missing him, you’d take whatever extra time you could get.

The drive was quiet, though it did seem to help Bucky relax some. His leg stopped bouncing; his shoulders loosened up. Being around you had that effect on him; it wasn’t something he could help. But as he mellowed out, the questions swirling around your brain only multiplied.

At a red light, you tested the waters. “Can I ask you something?”

Bucky nodded. 

“What happened tonight? How did you end up in jail?”

A litany of emotions ran across Bucky’s face. Frustration, worry, shame, and sadness tied his expression in a knot. Part of him wanted to lie. He could say it was a bar fight. He could make up an elaborate story and placate you for the rest of the ride. But you bailed him out. You answered his call and showed up for him when he needed you. You sat, clad in your pajamas, in the waiting area of a dirty police station. For him. He owed you the truth.

“I was arrested for sleeping in the park,” he said, his tone flat.

It wasn’t at all what you expected to hear. No answer formed on your lips. You couldn’t pull your eyes from his face. The words sunk in, burrowing their way through your flesh and plunging into your heart. 

“Um, it’s- the light is green,” he said, snapping you out of your trance.

You hit the gas and accelerated on autopilot. And as soon as you made it through the intersection, you pulled over. Bucky’s confession knocked the wind out of you and robbed you of your focus. And if he had more to say, you wanted to give him your undivided attention.

“Why are we stopping-”

“Buck, why were you sleeping in the park?”

Bucky let loose a deep sigh that seemed to come right from his soul. “Because I don’t have anywhere else to sleep,” he shrugged. “I ran out of money.” He was silent for a moment, wondering just how honest he should be. “I’m supposed to be getting some POW benefits from the government, but you know, bureaucracy is slow.”

“Oh, Buck…” After everything he suffered through under Hydra, after the way the US treated him upon his arrival home, the least his country could do was pay him back. Or provide him with a safe place to sleep. But, once again, they failed him.

“You know that motel you saw me at the other day? I wasn’t there for a hook up; I’ve been staying there-” He corrected himself, “Well, I’ve actually been staying at a few different motels. None of them are extended stay, so I can’t be there more than a few nights.” 

He noticed the way your eyes grew sad, the way your mouth fell open the slightest bit. Heartbreak was written all over your face. “Sorry to disappoint you, I know you hoped I was getting some strange with someone from Tinder,” he shot you a wink and flashed a smile your way. But you couldn’t bring yourself to laugh.

Bucky, of all people, deserved a comfortable home. Someplace warm. Permanent. Someplace he could call his own. Someplace he could feel safe. But, instead, life gave him the short end of the stick. Again. 

“Anyway, no matter how cheap those motels are, paying for them every night adds up, you know? So, now I’m broke,” a rush of heat flooded his cheeks. Admitting to his situation was so embarrassing, so shameful, he thought he might drown in it. He was a grown- overgrown- adult who didn’t even have a roof over his head. “I got a warning from the cops last night -and the night before- for sleeping in the park. But tonight was my third strike, so…” He shrugged, “they arrested me.”

“Jesus Christ, cause not having a place to live is criminal?” you scoffed, “This country is ridiculous.”

“Trust me, it’s not for lack of trying,” Bucky quickly added on. He didn’t want you to think he wasn’t working on it, that he was slacking, that we was complacent in his situation. “I tried for a long time to get an apartment, but I either didn’t have enough money for the deposit or I’d get turned away when they realized who I was. Though it’s not like I could ever make rent…” 

When he learned how much an apartment in Brooklyn cost these days, a suffocating sense of hopelessness swallowed him whole. He knew he’d never be able to afford the one place he ever really saw as home.

“And I tried a few shelters, but they wouldn’t take me, either.” He didn’t know a shelter could turn people away; experiencing it first-hand broke him. “So um, the motels were my only option.”

Sobs blocked your airway and burned the inside of your nose. Tears pooled along your inner lash line; you prayed to god Bucky wouldn’t see them. You could sense his shame, his embarrassment; the last thing he needed was you crying over his circumstances. 

“What um,” you fought to keep your voice steady. “What about Sam?”

Bucky shrugged. “Sam’s been helping me with all the stuff for my benefits and getting my record expunged- he’s been a godsend. And he’s offered to let me stay with him more times than I can count. He’s offered me money- he even snuck some cash into my jacket pocket the other day,” Bucky gave a soft laugh. “But I can’t take any more from him; he’s already done too much for me.”

“I get that…” You knew Sam would happily let Bucky crash. But Bucky wasn’t the type to impose. “Sam’s a good friend.”

“He’s the best. I’m gonna pay him- and you- back, either when my benefits come through or whenever I can get a job. Whichever comes first.” It was a promise, a verbal contract. He didn’t want you thinking he wasn’t good for it- even if he wasn’t good for it quite yet. He knew he would be someday. And as soon as he had the money, you and Sam would be his first priority. 

“I keep applying for jobs on the off chance that someone will cut me some slack, but until my record gets expunged, I’m fucked. Every place I’ve applied to has done a background check, and every time, my name is surrounded by red flags.” He let out a sigh, “I’m still a criminal.”

Your heart buckled. He wasn’t a criminal- he never should’ve been burdened with such a title. He didn’t do anything wrong, he didn’t choose to be the Winter Soldier. But people didn’t care about the truth.

“What about SWORD?”

He shook his head, “They don’t want me. Hiring an ex-Hydra assassin doesn’t really work for their image. They’re trying to steer clear of the whole SHIELD thing…”

The two of you sat in silence for a long moment. Bucky hadn’t originally planned on laying everything so bare, he just couldn’t help himself. Opening up to you came naturally. But in the quiet, he felt naked. Exposed. He regretted spilling the details of his pathetic existence for you to see. 

But you’d never judge him. You simply wanted better for him. And wished he’d come to you when times got tough. 

The shards of your broken heart sliced through you with every breath. Imagining Bucky in rundown, roach infested motels or sleeping on an uncomfortable park bench on a cold night made you want to vomit. Waves of utter devastation crashed into you one after another, barely giving you enough time to breathe. But you couldn’t allow yourself to fall apart. Not when Bucky needed you.

When you finally steadied your breathing, you spoke. “Buck, can I ask- and I don’t mean this in an accusatory way,” you prefaced, “but why didn’t you come to me?”

“Because I care what you think about me,” he said, almost automatically. “Your opinion of me is important.”

“Well, my opinion of you hasn’t changed now that I know what’s been going on…”

A smile fought its way to Bucky’s lips. Logically, he knew you didn’t think less of him now that you knew the truth. He knew you were too kind to look down on him. But his anxiety didn’t think logically. The smile lasted only a second, as his worries about your perception got the better of him. 

“My life is a disaster,” he said. “I have almost nothing to my name. I don’t have any money. I don’t have a place to live. It’s humiliating.” He ran his palms up and down the length of his thighs, fighting the nervous energy. “I wouldn’t have even called you to bail me out if Sam was in town; I didn’t want you to know about all this.” 

Without a word, you pulled back onto the road. 

Bucky eyed the surrounding street, “Um, where are we going?” 

“My place,” you kept your eyes on the road. “I’m taking you to my apartment.”

Panic bloomed in Bucky’s chest. “Oh, no, it’s- that’s okay. I’m fine. You don’t have to do that.” A swell of anxiety barreled into him at the thought of you taking him home like a dirty, stray dog. He didn’t want to be a charity case or your good deed of the day. And as much as he would’ve loved to spend time in your home, he wished to do so under different circumstances. Circumstances that didn’t involve pity.

“You can really just drop me off anywhere-”

His words tore through you. “Buck, it’s late,” you cut a glance at him. “And it’s cold out. I’m not just leaving you on the side of the road somewhere. I-” you cleared your throat, “I care about you” 

Part of him wanted to open the door and jump from the moving car. Surely, it would be less humiliating. But the look on your face kept him from pulling the rip cord. Concern pulled your brows together. Worry made you bite at your lip. You genuinely cared about him, genuinely wanted to help. And though he could actually feel embarrassment seeping from his pores, he chose to stay. Because you caring about him trumped any and every other feeling.

“Okay, so, this is my place,” you said as you led Bucky though the front door of your apartment. You flicked on a few lights and kicked off your shoes, “make yourself at home.”

Bucky didn’t know how to do that anymore.

He stood stone still just inside the door, too overwhelmed and unsure to move. 

“Um, so, obviously, this is the kitchen- and that’s the living room,” you said, pointing to an area with a massive suede couch. “My bedroom and the guest room are down that hall, laundry is to the left, and guest bathroom is to the right, next to the office.” 

Bucky was impressed. The apartment was beautiful. You’d decorated to match your warm personality; it made him instantly comfortable. And it was nice- fancier than anything he could ever dream of affording. He was so proud of you. He knew you’d worked hard to get here, and seeing the fruits of your labor brought a smile to his face. He only wished he could’ve been a part of your journey. 

“This is really nice,” he said, taking a few more steps inside. “Is it all yours? Or do you have a roommate?”

“Nope, no roommate. Just me.”

Bucky’s brows lifted as he drank in the space. You paid for this place all on your own, no help from a roommate. He wondered what it felt like to be that stable, that secure. He never knew where he was sleeping from one night to the next, and you practically lived in a penthouse. 

“Um, we can sit, if you like,” you gestured toward the fancy couch, “it’s more comfortable than it looks, I promise.”

But Bucky didn’t go for it. “Actually, would you mind if I took a shower? I’m just- I feel pretty grimy from the motels. And the park. And the jail,” he felt his cheeks flush at the admission. He really was the filthy mutt you brought home from the pound. “I just don’t wanna sit on your couch when I’m gross like this.”

“Oh, sure. That’s- I totally get it. I should probably change my clothes, too.” 

With a wave of your hand, you gestured for Bucky to follow you to the bathroom. As you guided him through your apartment, he admired the art on your walls and the expensive rugs covering your floors. 

With a clearing of your throat, you gestured to the guest bathroom. “Everything you need should be in there but let me know if I can get you anything else. Can I throw your clothes in the laundry? I’ll wash whatever’s in your bag, too.”

Bucky gave you a strange look, “I appreciate it, but I don’t think you want me walking around here in a towel.”

You didn’t necessarily shy away from the idea, but this wasn’t the time for a suggestive response. “Okay, but- what are you gonna put on after you shower?”

Bucky shrugged, “I don’t know. Whatever I have in my backpack.”

You eyed the bag slung over his shoulder and imagined the heap of clothes he’d balled up and shoved inside. “Are they clean?”

Bucky thought for a moment, “Define ‘clean’.”

“Buck,” you laughed,  “just let me put your stuff in the wash.” You gave his backpack a gentle swat and motioned for him to relinquish it to you.

“So, you do want me walking around in a towel,” Bucky quirked a brow at you. “I knew it.”

“Oh my god,” you rolled your eyes, “just come with me.” 

Bucky did as he was told and followed you into your bedroom. It cloaked him in an instant warmth, a sense of home he hadn’t experienced in eighty years. The whole room seemed to glow with a cozy, welcoming aura. He wondered what it was like to fall asleep here every night, to wake here each morning. Well-loved books populated a large bookcase in the corner, an armchair sat near the window. Bucky could practically see you curled up on its large cushion, your nose buried in Pride and Prejudice. But a photo on the wall near your bed caught his eye. 

“Is that me?” He took a few steps inside your door and found his suspicion to be correct. 

It was a slightly out of focus candid shot of you and Bucky laying on the floor of the war room at the compound. Nat snapped it as the team talked through different strategies to bring everyone back from the blip. In the photo, you sported a massive smile, and had your face smushed against Bucky’s arm to stifle your laughter. Bucky’s eyes were squeezed shut, his metal hand covering his mouth. You were both exhausted, and loopy, enjoying a moment of levity amidst a sea of tragedy.

“That’s my favorite picture,” something about your words came off sad. And Bucky knew it was because of him. The joy, the closeness exhibited in the photo didn’t exist anymore. He’d stripped your friendship of everything warm and left you out in the cold. Alone. 

You made your way over to the dresser and fished around in the bottom drawer, “let’s find you something to wear.”

“Um, I don’t…” Bucky chuckled, “I’m not gonna fit into any of your clothes.”

You cut glance at him, “I know that. That’s why I’m giving you…” With a grand gesture, you unearthed a pair of sweatpants, “your clothes.”

Bucky’s mouth fell open. He stared at the pair of charcoal gray sweats he lent to you ages ago, the pair you loved, the pair he told you to keep. He didn’t say anything when you plopped them in his hands; he was too stunned to speak.

“And here’s this,” you said as you draped a faded blue ‘NYC’ t-shirt over his shoulder. He’d loaned you that shirt so many times back at the compound, you wore it more than he did. Eventually, he started putting it in your closet instead of his on laundry day.

“Now, give me your bag and I’ll throw your stuff in the wash.”

Bucky finally dragged his eyes from the pair of pants and furrowed his brow at you. “Why do you still have this stuff?”

Something in you grew nervous. Was he mad? Or did he think you were a creep for holding onto his things? Maybe it was too weird of a gesture. Maybe you should’ve let him hang around in a towel after all.

“Cause I like wearing it,” you said with trepidation in your voice. “Your clothes were always more comfortable than mine. And I-” you cut yourself off. Saying ‘I miss you’ was too much. Instead, you rerouted, “I like to wear oversized stuff.”

Bucky nodded and gave a quiet “right” before thanking you and heading for the bathroom. At your request, he left his bag in the hall. You scooped it up and dumped his clothes into the washer before doubling back to the bathroom, where Bucky had dropped his dirty jail-clothes outside the door. You changed out of your dirty clothes from the police station and threw them in the laundry with Bucky’s. It was the closest you’d been in months.

Bucky nearly teared up as the water sliced through the layer of grime coating his skin. He couldn’t remember the last time he’d had a shower this hot. The motels always seemed to have faulty water heaters that only allowed for subzero temperatures. And at some of them, the water didn’t quite run clear. Sometimes, there was a brown tint. Other times, it was gray. And showers like those left only him feeling dirtier. 

But he didn’t want to think about the rust-eaten pipes of the decrepit motels in which he stayed. Instead, he basked in the nearly scalding water, the tiles that didn’t have moldy grout. For the first time in a while, he didn’t feel like a husk of himself, but a real person. All his time shuffling between park benches and rat-infested motels had stripped him of his personhood. And something as simple as a shower restored it. Though, deep down, he knew it wasn’t the incredible water pressure or the lavender body wash that had him feeling human again. It was you.

With the entirety of Bucky’s wardrobe in the washing machine, you paced lap after lap around the kitchen. Only a few days ago, you feared you’d never see Bucky again. And now, he was in your shower. After your chilly reunion at the diner, you couldn’t help but be mad at him, no matter how much you’d missed him. He was cool and aloof. He didn’t open up. And he didn’t seem at all interested in repairing your friendship.

But listening to him in the car laid almost every piece of the puzzle out before you. And though there were still gaps and empty spots, you nearly had the picture complete. Bucky didn’t ice you out because he hated you or didn’t want you anymore. He was simply too embarrassed to admit what he was going through. 

A sharp twinge of guilt needled at you. You shouldn’t have been mad at him after what happened at the diner. You shouldn’t have jumped to conclusions or assumed the worst. Bucky deserved better. You should’ve known in your heart that he was only pushing you away to protect himself. It was his nature; it always had been. You’d just been too hurt to see it.

“Your shower is unbelievable,” Bucky said as he padded into the kitchen, his hair still damp. “And those towels? They’re amaz-” A stack of Tupperware on the island caught his attention. “What’s all this?”

“Leftovers. I cooked dinner earlier tonight…” You shrugged, “I thought you might be hungry.”

He shifted his wide-eyed gaze from the food, forcing his eyes to land anywhere else. “Oh, no, that’s okay. I’m fine.”

You quirked a brow at him, “You’re not hungry?”

“No.” It was quiet but firm. 

“Really? Cause the Bucky I knew needed to eat like, six thousand calories a day.” Bucky’s insatiable hunger was a running joke between the two of you back then. He always finished your food when you couldn’t clear your plate, and snacked on anything he could get his hands on. On one occasion, he even fell asleep in your bed with his hand in bag of honey mustard pretzels. Hearing him refuse food was strange, almost alarming. “You always called yourself ‘Earth’s hungriest hero’”.

Bucky gave a small laugh, “yeah, damn super soldier serum will do that to your metabolism.”

You stared at him, “So…” 

“So?”

“So, do you want something to eat?” 

“No, really,” he shook his head, “I’m fine.” 

But you noticed the way his stare always returned to the stack of containers. Even after he’d pulled his focus from the food, his eyes found their way back. You sensed a longing in him, a deep desperation that left you gutted. Any jovial, lighthearted quality your words held fell to the wayside, making way for concern. 

“Buck, when’s the last time you ate?”

Bucky did his best to think back to his last meal but couldn’t find an answer. Part of him wanted to lie, to appease you with details of a made-up dinner from earlier that night. But he didn’t get the chance; his pause was too long for your liking. 

“Okay, if it’s taking you that long to remember, you need to eat.” It wasn’t an offer or a request, but an order. “Help yourself.”

But once again, he shook his head. “No, it’s okay. I don’t want to impose-”

“It’s not an imposition,” your words came out with an unexpected fierceness; it almost sounded like a scold. The idea, the mere suggestion that Bucky could impose on you was ridiculous. You took a breath and softened your tone, “I live alone, and every recipe is for more than one person. There’s plenty.”

Before Bucky could refuse again, you opened the Tupperware and allowed him a look at the fruits of your labor. “There’s roasted chicken with rosemary and thyme, garlic mashed potatoes, and maple-glazed brussels sprouts.” Bucky’s eyes lit up. You could practically see drool leaking from the corner of his mouth. 

A sense of satisfaction enveloped you, like you’d finally banished Bucky’s unnecessary fear of imposition. But just in case he wasn’t sure, just in case you hadn’t won him over, you threw one last piece of information his way. “Oh, and there’s chocolate chip cookies over there.”

Bucky was almost overwhelmed. He took in the beautiful spread and gave the cookies a long glance; it was almost too much. “Woah, you weren’t kidding…” He gave a small laugh, “this is a lot of food.”

You shrugged, “I don’t know how to cook for one.”

With that, you handed Bucky a plate and let him go to town. He filled his dish with chicken, mashed potatoes, and brussels sprouts. But the look on his face signaled more relief than joy, more solace than happiness. You wondered how long he’d been without food, how long he’d worried about where his next meal would come from. As he stood over those plastic containers, that anxiety vanished- for the most part.

A debate raged inside of Bucky’s head. He was famished, literally starving. And you’d given him full access to a massive meal. But he didn’t want to overdo it. He knew he shouldn’t empty your Tupperware and leave you with nothing; he just he didn’t know when he’d eat again. And he could practically feel his body digesting itself. 

Before he could tighten the reigns, though, you spoke up. “Seriously, Buck, don’t be shy. I can’t finish all of this- it’ll just go bad.”

He nearly broke down. For so long, he knew only wanting, only appetite, only emptiness. And you offered him a respite. “I haven’t had a home cooked meal in…” Once again, his pause was too long; it crushed you. “Anyway, I really appreciate this.” He pulled his gaze from the food and gave you a long look filled with admiration. “And I’m impressed- I didn’t know you were such a culinary talent. I distinctly remember you burning ramen noodles to a blackened crisp more than once.”

The laugh that erupted from your chest filled the kitchen, “Well, I distinctly remember you eating my disgusting ramen without hesitation.”

Back when things were good between you and Bucky, you’d always volunteer to make dinner. Between strategy sessions and long, complicated meetings, the team simply forgot to eat. But you knew they needed nourishment to make defeating Thanos a realistic option. No one, however, wanted your charred ramen. Except for Bucky. He always accepted your offerings with a kind smile and a mountain of appreciation. He was grateful, no matter how awful it tasted, because it came from you.

“My therapist actually suggested I get into cooking,” you told Bucky as he popped his plate in the microwave. “I was really depressed and stopped caring about eating or taking care of myself. It felt pointless. But she told me some people find comfort in cooking. It’s almost meditative, you know? And if you focus on the recipe, you can’t think about all the um, the painful stuff.” 

Bucky knew he was ‘the painful stuff’.

“There was a bit of a learning curve, but now,” you shrugged, “I love it.”

“Oh, wow, that awesome. So you get some peace and a delicious meal? Sounds like a good deal.” He mulled it over, wishing he had a kitchen into which he could retreat. But the motels only ever had a microwave, and most of the time, it didn’t work.

“I had a therapist- well, a court appointed therapist,” he said, “she was the worst.”

You sighed. Why were things always so hard for him? Why did people treat him so terribly? 

“What was so terrible about her?”

“Honestly, I think she hated me,” defeat coated his words. “She was mean- I know that sounds childish, but I mean, the things she said were biting. They hurt. And she did it on purpose. I left every session feeling worse.” He thought back on his sessions with Dr. Raynor, on how she broke him down piece by piece until he was only a pile of ash. “She said I wasn’t a victim, and that I needed to take responsibly for the things I did and the choices I made.”

Anger surged inside your chest, “The choices you made?”

He nodded. “She was actually so terrible that I thought she worked for Hydra. I thought they were trying to get me back and that she was working undercover with them to manipulate me.” A small laugh broke free from his chest, “But she wasn’t. She’s just an asshole.”

“Jesus Christ, Buck…” You couldn’t imagine anyone being so awful, so hateful, toward Bucky. He was kind and warm. He showed people compassion and understanding. Why the world didn’t show him the same baffled you. “I hope you don’t see her anymore.”

He removed his plate from the microwave, “Oh, I don’t.” 

You sighed with relief, but it was a short-lived respite.

“I couldn’t afford to.”

He dove into his food before you could even usher him to the table. Between huge bites of potatoes and chicken, he praised your cooking. He swore on his life that this was some of the best food he’d ever had. It warmed your heart for a brief moment, but reality put a stop to the fuzzy feeling. Sure, you were a good cook. But you were certain than Bucky’s gushing compliments were the product of his empty stomach. He couldn’t even determine how long it had been since his last meal; of course, he was going to inhale his food with gusto and deem it ‘the best’.

It gnawed at you to see him like this. He laughed as you guided him to the table and settled into the seat across from him, but you didn’t match his lighthearted energy. He’d been struggling, suffering in silence without knowing where he’d get his next meal. For decades, Bucky knew nothing but pain. He was tortured, abused, treated like an animal. Hydra infected him like a parasite and devoured him from the inside out. They saddled him with PTSD and enough demons to fill even the deepest pits of hell. And after all that, life refused to give him a break. It killed you.

“I thought- correct me if I’m wrong, but- I thought court appointed therapy was paid for...” 

“Sometimes it is, sometimes it isn’t,” Bucky said with a mouth full of brussels sprouts. “It depends on the situation”. He threw a shrug your way and speared a piece of chicken with his fork, but a thought stopped him from shoveling it into his mouth. “Even if my appointments were supposed to be covered, I don’t think anyone wanted to give me anything for free.”

A heavy silence fell over the room. Only the sound of Bucky’s fork scraping his plate interrupted the blanket of quiet. But the stillness made him squirm. Suddenly, he piped up.

“So, I did the required amount of sessions with that therapist and promised myself I’d never go back. It was tough, but I made it work. I scraped by.” His gaze took on a hollow quality, “That’s when I started staying in the really shitty places. The ones with asbestos and mold. And there was this one place where the sheets were stained with what looked like blood.” He grimaced, “I haven’t been back there.”

You forced a laugh, “Good call.”

Bucky shifted his focus back to his plate; he’d sprinted through his meal, leaving only a few bites remaining. The flicker of a frown ghosted across his face. The food was gone too soon, replaced by an empty plate. He was tired of everything in his life being empty- his bank account, his stomach, his heart. But he didn’t dare let himself wallow in self-pity with you sitting mere inches away. Instead, he overcorrected with a large smile, hoping you hadn’t noticed the look of disappointment he wore just moments earlier. He’d rather die than appear ungrateful, even if his hunger pangs had already returned.

“You can help yourself to seconds, there’s more than enough,” you took a look at the containers still sitting on the counter. Even after he’d piled his plate high, not a dent was made. “You can have thirds, fourths- I don’t care.”

Bucky shook his head as he cleaned his plate, “No, that’s alright. I’m good. Thank you, though.”

It was an egregious lie; maybe the worst you’d ever heard. 

“Buck, I can practically hear your stomach rumbling from here.” You knew him. Even after all this time apart, you knew him. You knew he was still hungry, especially after having gone so long without eating. His metabolism burned through fuel at a massively accelerated pace; he needed the calories. “Please, have some more.”

Once again, he shook his head. “I’m okay, really,” he gave you a smile. “Plus, I don’t want you to think I’m a freeloader.”

His words struck you in a strange way. Bucky never used to worry about your perception of him. And you never thought twice about how he saw you. There was a mutual respect and sense of comfort that didn’t fall victim to judgement. You accepted each other without hesitation. But Bucky couldn’t find his sense of security. He shifted in his seat and averted his eyes every so often, fearful of your inner monologue.

“Why are you so worried about what I think?”

Confusion lifted Bucky’s brow, “what do you mean?”

“You just said that you don’t want me to think you’re a freeloader. And in the car earlier, you said you didn’t reach out and ask me for help because you care about what I think.” You shrugged, “I just want to know why my opinion matters so much to you.”

“Because you’re my friend,” his tone was sure, steadfast. “I’ve always cared about your opinion.”

“Yeah,” hearing him call you his friend eased some of the tension in your neck. “And I care about what you think of me, too, but- I was never worried about it.” A sudden thought popped into your head, “I mean, I’ve been worrying about it lately, cause it kinda seemed like you hated my guts for a while there, but…” 

Bucky stared down at his empty plate. He didn’t want you pulling at this thread, didn’t want you unraveling his thought process. He prayed you’d drop the whole thing and move on. 

You didn’t.

“Sam’s your friend, too. Don’t you care what he thinks?” You feared coming on too strong, but you needed answers. “He knows about what you’ve been going through. You let him help you. You didn’t-” you stopped yourself. 

Bucky gave you an expectant look, “I didn’t what?”

“You didn’t cut him off.”

Bucky’s face fell. You never meant to hurt him, to make him feel bad about pushing you away. No matter how badly he hurt you, you’d never throw it in his face- especially after you learned why he did it.

“Buck, I’m sorry, I didn’t mean it like-”

 “No, don’t apologize,” a sad smile crossed his face. “You’re right.” He was quiet for a moment as he gathered his thoughts. He planned on having this conversation with you someday, months from now. He didn’t have his script organized, didn’t know how to best express what he was feeling. Worry encapsulated him. What if he misspoke? What if he messed things up even worse?

“Things with Sam are different. He and I became friends because of Steve. We promised him we’d look out for each other.”

It sounded all too familiar. “You and I promised each other the same thing…” It was a pinky promise made on the living room floor of the compound. In the middle of the night, by the light of the fireplace, you swore to be there for one another come hell or high water. Never did you even consider breaking that covenant, that bond. You upheld your end of the bargain without issue. But Bucky fell short. 

He thought about that promise every night, berating himself for breaking it until he fell asleep. 

He sighed, “I know we did, but- that’s not the same thing. You and I became friends when everything fell apart. The entire universe was in chaos, everyone’s lives imploded.” He dragged his gaze downward, “You and I were on an even playing field back then.”

“What do you mean?”

“Back then, we were equals,” a faint smile flickered on his lips at the thought of those days he spent with you. They were dark, sure, but he remembered them fondly. Those were the days when he never left your side, the days when we woke up and fell asleep next to you. His favorite days. “We slept on the floor at the compound. We lived off ramen and red bull and worked around the clock to try and figure out how bring everyone back. We struggled. Together. But now…” He looked around your beautiful kitchen, “everything is okay again, and everyone has gone back to their lives. You’re doing well- really well. And I’m stillstruggling. I’m in almost the exact same position as I was back then.”

Words formed a traffic jam in your throat. Each new idea of how to comfort Bucky seemed too sappy, too corny. Just as a new phrase tried to exit your lips, you swallowed it. How were you supposed to make him feel better? How were you going to make any of this okay?

Bucky knew you were at a loss. He could see your desperate attempts to come up with a fix-it phrase for his situation, a way to assuage the way he felt. All you ever wanted was to make him feel better. “You have this great apartment and you’re working for SWORD. You found your way out. Meanwhile, I’m scrounging together any cash I can find to pay for a few nights in a rat-infested motel. Or I’m sleeping in the park- and getting arrested for it.”

He was going through a hard time- a really hard time. His life was in shambles and a new hardship greeted him at every turn. But you couldn’t make sense of his departure from your life. If anything, he should’ve grown closer to you, shouldn’t he? He should’ve leaned on you, asked you for help, sought comfort in your arms. 

“I guess I’m just- does that automatically mean we can’t be friends?”

Bucky’s humiliation piled on top of itself. It grew with each breath, with each passing moment. Admitting just how destitute he was, how utterly lacking- it destroyed him. “No, but- who wants to be friends with that guy? Who wants to hang out with the guy who can’t figure his shit out?” A strange mixture of frustration and melancholy dripped from his words. “I have nothing. And I’m just not- I can’t be your friend yet.”

His words hit you like a train. “We were already friends; you were my closest friend-”

“We were rock bottom friends,” his voice was low, hollow. “We were wartime friends.” It came out almost as a recitation, as thought this was something he told himself to justify his actions. 

You swore he made up that phrase right there in your kitchen. It seemed more like an excuse than an explanation. “What does that even mean?”

“A wartime friend, it’s- it’s the person you cling to when the world implodes. The person you’d never actually be friends with in real life, but you lean on them when life falls apart because they’re just- they’re there.”

The day you two met, Bucky found you crying in a supply closet at the compound. You were at the end of your rope, heartbroken over the loss of friends and family. Never had you experienced such an earth-shattering loss. You had no one- nothing. But Bucky was there for you. For a moment, you weren’t alone. You had someone. And he quickly became your favorite someone.

“People get desperate during wartime, you know?” Bucky continued, “They’ll befriend anyone if it brings them even a sliver of peace or comfort.”

“So, you thought-”

“I thought for sure that’s what you were doing.” 

Bucky stood from his chair. Anxiety ate away at him from the inside, leaving him unable to sit any longer. “I mean, you knew who I was. You knew I was a mentally ill, train wreck of a person. I figured we’d buddy up until the clouds parted- since neither of us had any other options- and then when things when back to normal, you’d find your real friends.”

He considered himself a consolation prize, a leftover. He didn’t know that, from the very beginning, you considered him a ‘real’ friend.

“But after knowing you for a few days, I wasn’t okay with that anymore,” his words came out hurried, almost frantic. “I wanted to be friends with you for real. I wanted you to want me around after we fixed everything. But I knew there was no way you’d want me as a friend outside of the shitstorm.” 

The realization played out across his face in real time. You watched happiness turn to disappointment, to despair, to desperation. 

“So, I just resigned myself to enjoy our time while it lasted. I knew it was all the friendship I could ever hope to get from you-” A shy smile pulled at his lips, “though, I was lucky to be close to you for any measure of time.” 

The smile faded, “but then when it was all over, and things went back to normal, you kept reaching out. You kept trying to get in touch with me and I- I couldn’t handle it. I couldn’t make sense of it-” 

You gave a small shake of your head, “I missed you. I needed you. I just wanted to see you…”

“I know, and I’m sorry. I just didn’t know how to react. I panicked.” The nervous energy left Bucky’s buddy all at once. He slid into his chair and let his spine rest heavy against the wood. A sense of dejection befell him like and angry, icy sleet. “I didn’t want you to see me struggle in real life. I didn’t want you to see how much my actual life resembled the disaster we’d been living in. Cause when you look at my situation in the cold light of day it’s…” he swallowed the urge to hide from his humiliation. “It’s ugly. There’s no romanticizing what I’m dealing with.”

“I know you’re going through a lot right now.” For the first time in almost a year, you reached across the table for his hand. And for the first time in almost a year, he let you. “But Buck, you are not the only person struggling. I know it feels that way, but there are still so many people trying to get their lives on track after the blip- I’m still trying to get my head right. No one has a perfect life.”

Bucky gave a gentle scoff, “I know, but yours is a lot closer to perfect than mine.”

Again, you found yourself at a loss. No pep talk, no encouraging words, could make Bucky feel better about his situation. And nothing you could say had the power to fix how he felt about the state of his life. Instead of speaking, you opted to wrap his hand in both of yours the way you used to. You only hoped it would comfort him like the old days.

After a while, Bucky spoke again, “I just wanted to get my life together before I saw you again. You know? Cause my situation right now is embarrassing. I was afraid to admit the truth of my reality.”

You nodded, “And that’s why-”

“That’s why I was so weird when we ran into each other the other day,” he confirmed. He cringed at the way he acted, the way he treated you. It was all wrong. “I knew you saw me leave the motel. I knew I couldn’t pay for a meal at that diner. I was afraid that, as we spent more time together, you’d put the puzzle pieces in place and figure out that I’m a mess.”

His sense of frantic desperation reclaimed him all at once. He leaned forward and captured your hands in his own as his gaze bore into yours. “I never wanted to cut you out of my life- you have to know that. I need you to know that.” 

Tears formed along your lash line, creating a haze around your vision. “I know.”

“I just needed time,” he said. “I needed time to prove that I’m not a loser, that I’m good enough- I just wanted to be good enough for you.”

“Buck, you didn’t have to prove anything to me. And what do you mean you needed to be good enough? I’ve only ever wanted you to be yourself...” It was the most certain, the surest you’d ever been of anything. Bucky was exactly enough. He was himself, and that was all you could ever ask.

“And hey, I bailed you out of jail tonight without having any idea what you did- I didn’t even ask. I didn’t care. I was going to be there for you, regardless. Because I care about you.”

The storm clouds in his eyes parted. He hadn’t even thought about that, about how you paid for his release without context. If ever he doubted how you felt about him, that gesture was enough to set him straight.

He bowed his head a moment, thanking his lucky stars for your gracious nature. “I know you care about me. And I’m so sorry I abandoned you like that- I never wanted to hurt you. I just didn’t know what to do…”

“It’s okay,” you sniffled. 

Bucky freed your hands for a moment, allowing you to wipe the tears flowing down your cheeks. He recaptured them as soon as he could, even if your knuckles were still damp. 

“Well, it’s not okay- like, don’t do it again,” you joked. “But I understand now why you felt the way you felt. And you understand that I want you in my life, full stop. Right?”

Bucky nodded, “Yeah, I get that now.”

With the deepest sigh of relief you could muster, you banished the feeling of abandonment Bucky with which Bucky saddled you. You shed your fears, your worries. The deep pit that formed in your stomach all those months ago closed, the prickling anxiety in your chest faded away. And for the first time in long time, you breathed easy.

“Just so you know- and I don’t wanna hear any complaints or refusals on this-” you gave Bucky a look, prompting him to nod in agreement. “You have to have at least one more plate of food.”

A rebuttal brewed beneath Bucky’s surface, his fear of imposing rearing its ugly head. He’d already called in a massive favor, had you pay his bail, used your shower, and eaten your food. The anxiety of overstepping vibrated inside his skull. But he kept his promise and nodded in agreement. 

“And-”

“And?” he gave you an exasperated look. 

You gave a firm nod, “Yes, there’s an ‘and’!” 

Bucky sighed out a tired laugh, “What more could there be?” A sudden darkness eclipsed his expression. His smile fell, his laugh halted. Anxiety had him by the throat. His snaked his hands away from yours and tightened them into tight fists. “I already feel like I’m taking advantage…”

“You’re not. I promise.” All at once, you were fed up with sitting across from him. You needed to be closer, as close as possible. Bucky needed to feel your sincerity, to hear your words loud and clear. In a flash, you gave up your seat across the table for the one right next to him. “You can’t impose or take advantage- not here. Because…”

Bucky eyed you with a nervous glance, “because?”

“Because… you live here now!” A victorious laugh fluttered out of your throat, “Sorry, I don’t make the rules.”

Shock overtook Bucky’s expression. He didn’t know what to say, what to do. His heart raced, his hand shook. All color drained from his face. “No, I can’t- that’s too nice…” He stared at you, “Are you serious?”

You nodded, “Dead serious. This is your home now, too.” Suddenly, you felt the need to clarify. “But only if you want. This isn’t like, a hostage situation or anything.”

Bucky’s head fell back in a loud laugh that nearly brought tears to your eyes. He hadn’t felt this carefree, this at peace, in a very long time. He didn’t remember the last time he laughed this way. 

“Well, that is a relief,” he said with a chuckle. “I’d love to live here with you, I’d be- I’m so…” Suddenly, his hands found yours. He squeezed your fingers until your pulse throbbed against your skin. His anxiety practically seeped into your bones. “But I swear, I’m not gonna stop looking for a job or trying to get my benefits. I promise. I’m not gonna sit around like a deadbeat and mooch off you-”

“Buck, don’t worry about that right now, okay?” 

He shook his head, “And I won’t stay here too long, I’ll-”

“Hey,” With great effort, you pulled your hands from his and places your palms against his cheeks. “There’s no move out date. There’s no ticking clock. You’re allowed to live here as long as you want- I want you here.” You shot him a smile, “Plus, I’ve missed you- a lot. So this arrangement is good for me, too.”

A swirling cloud of worry hovered above Bucky’s head. He was overwhelmed, you could tell. He tensed his jaw, his shoulders. His every muscle went rigid. “But are you sure? This is generous- it’s too generous.”

“I’m sure. Here-” You stood from your chair and gestured for him to do the same, “I thought you might need this.”

With that, you enveloped him in a tight hug. Back at the compound, a hug from you could solve any and every problem for Bucky. And his embrace did the same for you. There was something so warm, so welcoming about the arms of the other. It was salvation, it was solace. It was home. Without a place to live, Bucky could survive. But without you, without his home, he’d been lost. As he wrapped his arms around you, though, his entire world changed. And the severed soul tie you feared would never heal grew back once again, stronger than ever.

-----------------------------------------

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[linkspooky]

If there's a next time, maybe I'll change how I live...

Sukuna's last moment in the manga ends with him accepting that his loss, and showing even the strongest of all time Sukuna, someone powerful enough to do what he wants, when he wants, could not only lose but he could be wrong. This is something considering that you could make an argument that the entire manga, and sorcerer society as a whole is shaped around Sukuna's morality of the pursuit of selfish desire and strength of all else. In fact someone else argues it right here.

What led to this journey of the most irredeemable character in the comics who lived only for selfish pleasure acknowledging the love he rejected in the end? Well, we'll cover that under the cut.

The Cycle

Before analyzing Shinjuku as a whole, I want to start with its conclusion. I'll first break down the final moment in Sukuna's character arc, and then go back to the start and analyze how we got there. That being said, let's get on with it.

Sukuna loss begins with him contradicting his own nature. I'll explain what I mean by this. If you read the thread above, detective_critics observes characters like Sukuna who live for themselves and characters who embody Sukuna's ideals like Gojo are rewarded in the manga whereas characters like Yuji who fight primarily for others are punished relentlessly.

This is well supported by Yuji's continual losses throughout the manga. Yuji swallows Sukuna's fingers in order to permanently execute Sukuna and stop future people from being harmed by curses, but because of Yuji's decision to swallow the finger thousands die in Shibuya. Yuji's desire to save others only seems to backfire and he's continually presented with those he can't save, Junpei, Nanami, Nobara. He's even robbed of his own purpose of being Sukuna's vessel when Sukuna takes Megumi's body instead.

I mostly agree with this idea that the manga rewards people more true to their desires like Sukuna and Gojo, but I'd like to add an addendum that the manga doesn't specifically reward selfishness, but rather self-actualization.

To backtrack slightly, Sukuna observes that many sorcerers in the past have faced him but they didn't truly believe in their ideals the way that Yuji did. Yuji is punished by the narrative yes, but he's not unceremoniously killed off the way that Toji, and Mahito are. Rather, Yuji's durability, his ability to cling to life instead of just dying off like Sukuna suggests weak people should do comes from the fact that his ideal is unshakable.

Let's look at Sukuna's words a little more closely. He says that many sorcerers killed him in the past and they all had different ideals, but none of them truly believed in their ideals. Because Sukuna could so easily point out how their idealism was false he came to think of all ideals as worthless. This is shown in the way that he easily picks apart both Gojo and Hajime, two characters who lose because they ultimately don't believe in their own ideals. Sukuna is very easily able to point out the hypocrisy in both of them.

Sukuna basically points out that Kashimo and Gojo were both happy to bully anyone who came near them, they'll throw around their power all they like and revel in their own superiority and then go back and complain about being lonely. A classic case of wanting to have your cake and eat it too, or as Sukuna said they were being greedy. They were the ones who rejected everyone around them, they were the ones who rejected the love they were shown, and yet they put the blame on everyone else.

Gojo even in death acts like everyone else is a flower, an inferior being incapable of understanding him. Yet, a few panels later he says that the fight with Sukuna the only person who rivaled him in strength and therefore shouldn't be able to understand him didn't satisfy him, and he would only have been satisfied if Geto were there.

These two statements contradict each other. The thing is, Gojo has at this point long surpassed Geto in strength. People often clown Geto on the fact that he never had a domain expansion, and that Kenjaku seemed to use his cursed technique far better than he ever could. Geto is someone who's far behind Gojo in strength, and yet he's the one who could satisfiy Gojo, not Sukuna. Which means Gojo was the one who was wrong. Gojo was betraying his ideals. He believed he was living to be the strongest, that he was satisfied being the strongest while all along wanting something else and it's that contradiction that killed him.

Let me make a brief comparison to another manga. Aizen from Bleach is a character with a god complex to rival Gojo's, and just like Gojo exists on a different level of power than everyone else. He is not only the strongest soul reaper, but one of the smartest, and has been isolated by that strength since he was a child. Aizen then believes that he needs to become god, because it's his right as a naturally superior being, but Aizen is a fraud.

Aizen loses becuase the hogyoku the source of his power rejected him right as he seemed to be at the peak of his power. However, Ichigo reflects that maybe the Hogyoku didn't reject him. The Hogyoku is in plot, a wish granting macguffin, that grants your subconscious desire. Ichigo speculates that maybe Aizen didn't truly want to ascend to godhood, but rather he wanted someone like Ichigo to defeat him. That he wanted an equal like Ichigo so he wouldn't have to be alone on the top anymore. Aizen not being fully aware of this desire and clinging to his sense of superiority instead, the very thing that makes him lonely is what causes him to lose. Aizen is cut down by Ichigo, and instead of becoming a god he becomes just another soul reaper.

Sukuna cuts through Gojo by cutting through the world, bypassing the infinity, and therefore making him just like everyone else. Just as Aizen wished to be just another soul reaper, Gojo becomes just another sorcerer now that his position of the strongest has been taken by Sukuna.

So Gojo's loss came when he betrayed his ideals. His stated ideal of "I am the strongest", but this was contradicted by what he really wanted which was the time of his life when him and Geto together said "We are the Strongest." Strength didn't satisfy him, but rather it was Geto and Gojo's inability to realize the real reason he was fighting leads to his loss.

The manga doesn't reward selfishness, but rather self-actualization. Characters with a strong sense of self are just more likely to be self-actualized, because they possess a deep sense of self awareness.

Sukuna at least is self-aware. He knows you can't be the strongest, to relentlessly bully others with your power and yet want to be close to other people too. He knows that's wanting to have your cake and eat it too, so he rejects love. Sukuna knows you can't have it both ways, so he decides I don't need love, love won't satisfy me, I'll live only to be the strongest.

My main example of a character betraying their ideals is Toji though.

Toji moves to face a newly awakened Gojo. He has not only a solid plan to fight him, curse tools that can penetrate his infinity, but he's also got inside knowledge of the Limitless. Toji believes he can win, and yet at the same time he feels uneasy.

As he died, Toji reflects that the reason he died is because he deviated from his true self. He believed that he was jumping from job to job, just working for money. That he didn't care about the sorcerer world. He killed sorcerers, got paid, and then gambled it all away.

Yet, when he was faced with the pinnacle of Jujutsu his motivation changed from living to fulfill his own selfish desires, to revenge. Toji wasn't as over the way the Zen'in Clan rejected him as he thought he was. He needed to defeat Gojo in order to affirm himself, and the moment he betrayed his own ideals like that he lost.

Now this moment can be directly paralleled back to Sukuna, who feels a similiar unease the entire time that he's fighting Yuji, an unease that makes him more and more irrational over the course of the fight.

Sukuna betrays his ideals in two ways, one that he's never once cared what other sorcerers think and say and lives only for himself and two that he is merely killing time before he dies. The first leads to his breakdown over the fight as he tries to crush Yuji, but finds himself unable to. The second is as I said above the final nail in the coffin.

When faced with a stronger opponent, or rather opponents as the sorcerers of the modern era all work together to trump the sorcerer of the golden age of sorcerery Sukuna doesn't accept his death. In his last moments he's clinging desperately to Megumi, trying to keep living in his body. At which point Megumi remarks that even someone like Sukuna must fear death too.

You could connect this to Mahito too. Many people even said that Sukuna got the Mahito treatment. Both characters lived freely slaughtering everyone else, and yet when they are about to be killed they try and run away from it. This is obviously deliberate as not only do the words "You are Me' parallel "I am you" but Sukuna's last moment in the manga is a conversation with Mahito.

Mahito also betrayed his ideal. Number one curses don't truly die, Jogo and Hanami and Dagan all accept their deaths because they'll be reborn as different curses but they'll always come back. However, Mahito clings to his own existence. Mahito is also not true to his nature, because he longs to be a true curse, but Mahito is also the most human curse. He's the representative of the fear and hate humans have for one another, and he spends his last moments terrified of the human being known as Yuji Itadori.

Which is why Mahito is appropriate to have this final conversation with Sukuna. Mahito calls out the way Sukuna betrayed his ideals. Sukuna always believed he was only living to satisfy himself and he didn't care what others thought, but Mahito points out that he was really living for revenge towards the people who rejected that unlovable wretch. Sukuna wasn't rejecting people because he was a god towering far above others, but because he had been rejected and hated in the past and then decided to hate them in turn.

However, unlike Mahito Sukuna is able to grow up so to speak. Mahito doesn't want to be anything else but Sukuna comes to the realization that you can choose your nature. That the decision to hate and reject everyone was a choice, and that he can choose a different path in another life.

You define who you are, that is the literal definition of self actualization. So we see Sukuna having become enlightened about himself escape the cycle, whereas Mahito who's still a curse is still trapped in that cycle. Something that Mahito complains about, that he's just a child unable to grow up while even Sukuna has changed.

Escaping the Cycle

Now that I've shown you how Sukuna has changed, I'm going to go over all of Shinjuku to describe the events that led to this change. This change is brought about everyone, but most of all by Yuji Itadori someone who unlike Sukuna reached self-realization. Yuji is the one who remains true to himself, whereas Sukuna who has only lived for himself is the one who betrays himsellf in the end.

The first hint that Sukuna may not entirely believe his own words comes in his conversation with Kashimo. Sukuna lives for his own self-satisfaction, other people exist for him to amuse himself until he dies. Since he's a complete being who doesn't need anyone else to satisfy him, since he's satisfied then why did he need to divide himself into twenty parts and keep living after death.

Sukuna doesn't answer this quesiton, but rather just continues on with his monologue. If life to Sukuna is just killing time until he dies then why does he go above and beyond to prolong his life? Why not accept his natural death?

Then after quickly dispatching Higuruma, Sukuna finds himself unsatisfied. Even though he was doing exactly what Kashimo told him, he was tasting an interesting sorcerer and swallowing him whole.

Sukuna doesn't feel satisfied in his victory. At first he thinks it's just because Higuruma lost too early, and then he realizes that his current disatisfaction comes from Yuji. Sukuna doesn't care what others think, he hates the concept of ideals themselves, at yet the same time Yuji holding an unbreakable ideal bothers him. If Sukuna is being true to himself, then he shouldn't care what Yuji believes in.

Yet, Sukuna changes for the first time in a thousand years. He acquires a new ideal and that's killing every sorcerer present and then initating the merger. Something that Kusakabe even notes is out of character for Sukuna. He thought Sukuna wouldn't have a need to start the merger, he doesn't care about big picture things like Kenjaku he just wants to strong opponent.

Sukuna begins to drift further and further from his nature because of Yuji over the course of the fight. As I said Sukuna shouldn't have to fight Yuji to prove that Yuji's ideal is wrong. If he rejects all ideologies then he shouldn't even care. Yet the things that set Sukuna off the most in the fight, the things that motivate him to fight the hardest to crush his enemy are people like Yuji and Maki who challenge his beliefs. Yuji by fighting for others instead of himself, and Maki by rejecting cursed energy entirely and instead having a strong body to fight.

Sukuna who is supposed to be completely satisfied with himself, has something to prove when fighting against these opponents. We learn that Yuji isn't just some boring child like Sukuna suggested. He's actually made from the other half of Sukuna's soul. Rather, Sukuna rejected his twin and ate him in the womb. All of his superiority as a sorcerer, his four arms, the mouth on his stomach comes from this. However, that twin didn't disappear, he reincarnated and mated with Kenjaku to produce Yuji.

So Sukuna is Yuji's uncle technically, but symbolically, Yuji is the other half of his soul. The half that Sukuna rejected. How can Sukuna be someone at peace with all of himself, if he rejects half of himself? It goes along with what Mahito said, Sukuna didn't reject others because he was compeltely satisfied with living alone, but because of revenge. He was born a malformed retch and never shown love so he rejected all forms of love.

Sukuna is not at ease with himself because he's not whole. Yuji represents the love that Sukuna rejectected. Rejecting yourself doesn't work though, because one he tried to reject his twin and his twin's soul reincarnted, and two rejecting yourself is completely at odds with the complete self-acceptance that Sukuna preaches is the source of his strength.

Sukuna's incessant need to reject Yuji, to prove that Yuji is wrong, that he's inferior is what leads to his demise. Not only that, but Sukuna's rejection of Yuji's method of fighting, relying on his allies leaves him blind to several elements of Yuta's strategy. He falls for the copy technique bluff twice, because Sukuna didn't factor that both the original users Angel and Toge could still use their techniques too. He's beaten by the cooperation that Yuta uses in his strategy, because Sukuna rejects that same kind of cooperation and sees it as a weakness.

Sukuna's proven to be wrong. He told Jogo that working with others limits your individual strength and he should have tried fighting on his own, but Sukuna is continually outfoxed by Yuta's strategy which relies entirely on team coordination.

It's also a direct parallel to the way that Gojo lost in Shibuya. Gojo was absolutely infuriated that the curses would work together to fight him and they'd rely on a strategy instead of just overpowering him with brute strength. But Gojo lost, precisely because they made a strategy around Gojo's exact weakness, that he's strongest when he's alone.

If Sukuna didn't feel the need to reject the others, then he wouldn't be so blind to Yuta's way of fighting with strategy and cooperation. If he could accept other ways of thinking other than his own he wouldn't have been hoodwinked multiple times in the fight. Yet, it isn't just Sukuna rejecting them on principle, he has to reject companionship otherwise the curses and hatred churning inside of him would burn him up inside. So Sukuna isn't really choosing his nature as he believes, but rather he's a slave to it.

There's also parts where Sukuna just straight up lies. He says he feels nothing, and yet two panels later he's completely enraged.

You could say that Sukuna is just saying he feels nothing about Yuji's attempts to empathize with him, but that's not the case. He definitely feels something, because that empathy, or rather pity as Sukuna frames it compeltely infuriates him.

if Sukuna lived entirely according to his own desires and didn't care about the opinions of others, as he stated a hundred times above why does Yuji's pity infuriate him? If he was so confident in his godlike superiority to others, why does he feel the need to prove it, by ripping apart all of Yuji's friends right in front of it in a gesture of revenge for being pitied.

This leads to what is the greatest moment of growth for Yuji, and the greatest moment of stagnation for Sukuna. Yuji's moment of growth isn't just in rejecting the cog mentality, but also in accepting Megumi. Specifically, he accepts the fact that Megumi is different than him, that it's alright if Megumi's not strong enough to keep living.

Sukuna is compelled by his own nature, his desire for revenge to reject everything around him, but the conclusion of Yuji's character arc is defined by acceptance. Not only does he accept that Megumi's own feelings are different than his, but he's willing to accept Sukuna back into his soul.

I don't think Yuji empathizes with Sukuna. He still doesn't understand him. However, in spite of that lack of understanding, he's willing to accept Sukuna into his soul and keep living with him, because as I said above Yuji and Sukuna are two halves of the same soul. Sukuna is the embodiment of everything he hates, someone who carelessly disregards life and hurts others with a thought, and yet Yuji is willing to give a second chance to that person.

In that moment Yuji lives true to his ideal of saving people, whereas by clinging to life Sukuna was betraying his ideal. I think it's important that Yuji didn't empathize with Sukuna though because Yuji and Sukuna might be two halves but they're meant to represent opposites.

Sukuna also had to learn to accept that Yuji was different than him. He spent the entire story trying to reject him and step on him like a bug. If Sukuna were truly confident in his ideals he wouldn't care that other people had different thoughts, but no Yuji had to be wrong.

Yuji doesn't empathize with Sukuna but he does change him. He alters Sukuna's fundamental nature "You are me" by showing Sukuna there was a different path he could have taken all along. That Sukuna wasn't the strongest he could be, that someone could have compeltely different ideals and be stronger.

Uraume says that the main characters didn't win because they were stronger, but because Sukuna was in Megumi's body a thousand years later instead of his own original body. Which basically means that Sukuna being a parasite in the modern era, pointlessly extending his life is exactly what led to his defeat because he couldn't accept his own death.

I think it's significant that it's not Yorozu or Yuji who Sukuna finally decides to accept as someone he can love, but Uraume. Sukuna even references there were people who tried to teach him about love in life. Assuming the one on the right in Yorozu, the way both uraume and Yorozu approach their relationship with Sukuna is compelte opposites.

Yorozu in the end seemed to recognize Sukuna's isolation, but she projected her desires onto him entirely like everyone else in the manga. Yorozu, Gojo, Kashimo, they don't seek to understand Sukuna but rather to make him understand then. They're in the end kind of self-serving in their love, making Sukuna into a symbol. Specifically Gojo and Kashimo project their loneliness onto Sukuna when Sukuna never asked for it. I mean if you want an example Gojo says this in his dying dream.

Yet, moments later Sukuna declares that Gojo Satoru cleared his skies. That he would never forget his name. Sukuna was completely satisfied with the fight, Gojo just didn't understand him.

Ironically, the one who Sukuna finally shows love to is the one who never bothered to try teaching love to Sukuna in the first place. Ura Ume spends the entire time at Sukuna's side, and while they seem to have more of a servant master relationship I'd argue that Ura Ume has a better read on Sukuna than anyone else. They can tell when Sukuna is enjoying himself, they can tell when Sukuna is holding back, they don't ever try to make Sukuna into something he's not they just stay by his side and accept them.

Sukuna's final scene in the manga is a deliberate callback to this scene. Jogo begins to cry and Sukuna says he doesn't undertand the reason why Jogo is crying. Immediately afterwards, UraUme appears in front of him.

Then, in their final scene together Sukuna is shown musing on how two people showed him there were different ways of living, Uraume and Yorozu. As he decides to go north, and become someone new as Mei Mei once put it in the going north and going south metaphor, he holds Ura Ume's hand and comforts him as he cries.

There are two people in the manga who showed Sukuna unconditional acceptance, Yuji and Uraume. Through them Sukuna was finally able to accept his own humanity.

So in conclusion: Sukume canon!

[yearnerspermit]

The thing I keep coming back to about the finale is how much the writers get it

Anne Rice wrote the book because of the loss of her daughter. It grew and developed a world and life of its own in the years and decades after that, but at its core, Interview With the Vampire was born from a death. And doesn’t that just make so much sense? For vampires, where birth and death are inextricably linked?

And again, even here in adaptation, no matter how much else is changed:

Louis tells the story. He’s the perspective. It’s filtered through him, remembered imperfectly by him, shaped by him. And Louis is shaped by Lestat, there’s no denying it

But at the end of the day, the story is about Claudia. Lestat only matters here because he became her maker, Louis only matters as far as being the one who initiates that change, and the one who recounts it all

Because what story is there to even be told, without her? Without her life, and her anger? The unfairness of her existence and the unfairness of her destruction? The tragedy that at every step she could have been helped, this could have been avoided, but the only way to avoid it entirely would have been her never entering the narrative?

That truly the only way you could ever avoid the death of the one you love is if you never had them to begin with. And would that be better? For them? For you? It feels like logically the answer is yes. But emotionally? Even considering erasing someone you love from your life feels worse than being the one to kill them. I cannot say even now that I regret Claudia

Every important beat after her introduction — the good, the bad, the ugly — is motivated by messy, imperfect love for her. The story only exists for the love of Claudia, it’s only told for the love of Claudia. The story is Claudia

The tragedy is that they can’t forget her. The tragedy is they can never remember her as she was. Memory is a monster because it’s an incomplete, blurry copy of the people we love who are gone, and it can never be killed, even if you wanted to. But we never really want to, do we? So you cling to that monster, keep it, make it part of you

And at the end? Louis and Lestat, meeting again?

It’s perfect. It’s them, broken. It’s them, on the threshold of learning how not to be. It’s not about romance, its not about betrayal. It’s not about them

It’s two parent, grieving a child. It’s two parents, looking at each other, knowing how badly they failed that child, and knowing how much they loved her still. It’s two parents, embracing and crying and grieving a loss that only they will every truly understand

Because the story is about Claudia. And even when she’s gone? The story is about learning to exist without her. Her absence is still a presence, though. The space she filled, the space it left behind, matters. Because it will never go away, and it will shape them and what happens next, forever

Whatever madness and plot and love and hate spirals out from here, it started from the love of a child, and the loss of a child. And whatever happens next, that will never go away

The story will always be about Claudia

[i-heart-hxh]

One thing that I deeply love about HxH as a whole is how seriously it takes the trauma of its characters.

Rather than things that happened in the characters' pasts being relegated to just simple flashbacks, their pasts legitimately feel like they shaped who they are as people in the present of the series, in both obvious and subtle ways.

I love how the significant events of their past and how they grew up are shown continuing to affect them even many years later, and not just in a straightforward "Oh, that's sad," or "This one personality trait/goal and nothing else came from that," kind of way. They make decisions based on what they've been through, the ways they understand the world are different as a result of it, what they prioritize and strive for often comes out of it, even their nen choices are often related to it.

It gives the characters a strong sense of being human, and I think this theme of trauma and how it affects people is something Togashi explores with unusual sensitivity, care, and weight. HxH doesn't lose sight of how much a deep loss or a life of abuse or neglect or abandonment shapes someone, and at the same time the narrative offers so much hope for the way connections with others provide second chances, meaning, and eventually healing.

I could go into examples, but honestly the series is full of them, almost wherever you look. All of the main four especially exemplify this. It's one of the elements that makes HxH so special to me, why it resonates with me so deeply. Plenty of stories explore this kind of theme, and a lot of them do it well, but HxH does it in an especially convincing and beautiful way, in my opinion. Because the way the characters are affected is so genuine and multifaceted, it's easy to empathize with them and find meaning in their struggles.

[easays]

To Ragh; or, On Fatness

Hi! Below is an actual play mini-essay. These are written as part of a personal writing practice of thinking critically about actual play. I hope you find this reading engaging and know that all I write reflects my own interpretations rather than as an official representation/canonization of these shows. Keep reading for my interpretation of Ragh Barkrock's fatness as part of queer representation in Dimension20.

Ragh Barkrock may be one of the most beloved NPCs in Dimension20. It would be easy for Ragh, a bloodrush player good enough to potentially play professionally, to be presented as hypermasculine. In fact, the freshmen year art for Ragh, when he was antagonist rather than beloved ally, showed him in a muscular, inverted Dorito shaped body typical of a jock.

He's, obviously, built, and his cut jaw and cheekbones only bolster that image. As Ragh comes to terms with being gay at the end of Fantasy High, his countenance changes. When we see him again, the new art reflects a chubbier, happier Ragh.

The show aligning weight gain with acceptance and happiness already works against prevailing stereotypes that use weight loss as a quick metaphor for improving yourself and being the "real you." Moreover, connecting Ragh's acceptance of his sexuality with what seems like a larger comfort in his own body is a strong indictment of hypermasculine gay culture. As Gabriel Arana writes, gay men "must reconcile their sense of masculinity with their failure to conform to its heterosexuality." Not doing so has negative mental health outcomes, as Arana points out, and contributes to a culture that devalues fat queer people (see the popular "no fats, no femmes, no Asians" that often is touted in masculine gay subculture).

All of this, I think, is why Ragh's art for Junior Year was particularly impactful for me as a fat queer person. If being a gay man (or half-Orc, in Ragh's case) means having to situate your life in relationship to failing compulsory masculinity, then it seems there is an inherent queer aspect to embracing, celebrating, and showcasing a beloved NPC in an explicitly fat and happy body.

FHJY Ragh art by @caitmayart

Ragh is still strong and he is still fat. His body radiates a commitment to the power of fat bodies to exist in spaces they are often violently unwelcome in, such as gyms. Existing in gyms and sports spaces as fat people means dealing the "impossible standard that rejects nearly all of us" and upholds a diet culture rooted in impossible, Eurocentric and colonial body standards. In TTRPGS or actual plays, there is a unique opportunity to think about how bodies might exist in worlds different from ours, to imagine bodyminds as otherwise. However, as queer critics like Paul Preciado have noted, sci-fi and fantasy representations of cyborgs and other transformative bodies often lean into "fixing" disabled people or moving gender nonconforming bodies more easily towards technologies upholding a normative standard rather than questioning the standard all together.

Spyre is a world that deals with similar issues to ours, even without direct one-to-one correlations, so it, too, is a place where the narrative and artistic choices should be examined in how it helps us interpolate the world the audience resides in. From the Applebees cultish adherence to a deity-based nationalism to the various representations of parental neglect and abuse and every side story in-between, Dimension20's flagship show does not shy away from difficult realities even when recasting them through fantasy. Ragh, as a half-orc gay son of a disabled single mother, then, I see the arc his fat body goes through as meaningful and intertwined with his self-acceptance and queerness. He moves away from the toxic masculinity engineered into his blood rush team to instead pursue coalition comraderie with his friends to the point that he and his mother end up joining a communal living situation with those friends and their parents. Ragh's body expands as his family does, as his ties to community do, and to me, the gift of his fatness is the invitation to expansion that it holds out to us as viewers.

[youremyheaven]

The 12th House in Astrology 🧜‍♀️🧚‍♀️ 🦋

(this can apply to both tropical and vedic placement of 12th house because regardless of the system employed, the energy felt and experienced is the same :-)

Most people have a lot of prejudice about the 12h and its energies. There is a largely negative portrayal of it in the mainstream astro community and very little nuanced discussion of the same. So, I thought I'd make a post exploring the 12th and final house in astrology and add more to the existing narrative regarding it.

The 12h is commonly described as the house of loss, liberation, isolation and decline

This house is said to governs misery, waste, expenses as well as divine knowledge, sympathy, Moksha (final emancipation) and life after death. It is also the house of detachment.

Now those are a lot of very contradictory terms. How could a house govern both loss and divine knowledge?

The 12th house and water houses (4h, 8h & 12h) in general are very complex and easily misunderstood. The thing about water is that it has no shape or form of its own, it takes the form of whatever vessel its poured into. another thing about water is that its the most easily polluted element. Water energy is one that must be precariously balanced because these natives easily absorb the influence of others (good or bad), this is one reason why the 12h is the house of "loss" because it truly is the death of the individual. you know those quotes about "i am an amalgamation of every person ive met, every book ive read, every song i loved...." 12housers are actually built like that.

being a 12h native can be rewarding because you absorb absolutely everything like a cosmic sponge but on the other hand, its very easy to lose all sense of self.

especially natives with 12h stelliums may often find it difficult to not take everything so personally. this is not because they think the world revolves around them but because its hard for them to separate themselves from others and their actions. they're personally of the type where everything they say or do is tailored specifically to the person they're interacting with. they may not even be aware that they're doing this, they pick up on energies almost by osmosis and guide their conduct that way. however they must realize that this is peculiar to them and is not something others are naturally accustomed to doing.

there is a reason why Venus exalts in the 12h. you lose all sense of self and give yourself completely to your lover with utmost devotion. love is sacred and profound to them, they will do absolutely anything for their love. which is why they have to be so careful with picking their partners. they have limitless capacity for giving but if you give to the wrong person, you'll be drained. when you merge with the right person, your cup never goes empty with your giving because your union satiates you completely.

if we were to think of houses 1 to 11 as a path of linear development, starting with the 1st house of self & identity and ending with the 11th house of friendship, community & legacy, then we will understand that after an individual goes through all these stages, the only thing left for them to do is seek liberation from this cycle; this is why 12h is the house of Moksha. once you've fulfilled your material desires, you will feel a lack in your life and the only thing left to do is pursue the path of spirituality. Moksha is however not given to one; one must strive for it.

this journey is a deeply personal one and liberation from one's ego and earthly pursuits is far from easy. no matter what these natives do, ultimately, they wont feel satisfied unless they've nourished themselves spiritually.

sometimes these natives may indulge in drugs or other substances to fill the void but as they evolve they will understand what theyre truly yearning for is the spiritual truth.

more often than not, these natives experience "spiritual awakenings" completely unprompted. god decides its time and it happens. much of their early life can be very dark and this "awakening" marks the beginning of a shift in their life. this happens in stages depending on the level of their spiritual evolution.

the 12th house is the house of isolation because what these natives experience is not something that others can understand easily. they are the most likely to develop psychosomatic conditions, simply because their energetic body is so susceptible to influence.

think of the vast endless ocean. can one individual possibly drink up all of that water? its absurd to even consider it. thats kind of what its like to be a 12h native. there's a limitless reservoir to tap into, the energy is so vast that its confusing and disorienting and you have no idea what to do with it. its very easy to be misguided as well. this is why its the house of decline. you have to constantly be on the look out in order to avoid the pitfalls, otherwise its easy to stagnate and easy to harm yourself.

There is a Latin quote that goes as follows:

"What nourishes me, destroys me"

This sums up 12th house energy pretty much. Its the energy of opposites and paradoxes. You need this endless reservoir to function, its the thing that feeds you but if you're not careful, it can also lead you to your own ruin.

Fun fact: Angelina Jolie has this quote tattooed on her. She is a Revati Moon. Pisces occupies the 12th house.

remember that Pisces' symbol is of two fishes swimming in opposite directions. this shows that the innate nature of these natives is to be torn between polarising energies and opposing forces. it is a balancing act to say the least.

these natives are easily misunderstood, simply because there is SO much to them. whatever you think they are, thats what they're not.

going back to the cosmic ocean metaphor, its easy to see how such abundance can feel like an excess and lead to misery and wastefulness. its simply a LOT to handle, not just for others but even for these natives themselves. this is one reason why so many of these natives tend to keep to themselves.

even the more sociable 12h natives often have an interior life that no one will know about, they have a whole another side to them that they keep separate, just because they want to assert complete ownership of this private side as something that belongs only to them and the other, more "public" side that they give to others.

these natives are the most empathetic and if you look at the charts of most "legendary" actors, they'll either have pisces/12h luminaries. empathy does not quite cut it, they can not only feel what others are feeling but embody it fully and experience it as their own. this is what makes them incredible actors. even non-actor 12h natives process things this way and often find that others around them are insensitive or lacking the same capacity. they do not understand why others don't feel as deeply as they do or understand situations the way they do. they find society at large to be very callous and apathetic.

a 12th house native is also capable of feeling apathy and absolute indifference but this is very selective; the 12h is the house of detachment because as it is, they're tethered to the world by a thin cord and are only very mildly connected to things. they're in this world but seldom inhabit it. another side to this is that they're wildly imaginative. although mercury debilitates in the 12h, it does not affect the native too badly, as they simply channel their thoughts into other forms. they are gifted at communicating abstract ideas and make excellent artists due to the same reason. robbed of any sense of what is "practical" or "realistic", they roam free in the realm of the mind. many abstract, surrealist and expressionist artists have either Pisces or other water sign placements in their big 3.

these natives live a life of non-being, as they're already so detached from everything, including themselves; this is not negative on its own and will manifest differently for different individuals; this can mean that they're extremely empathetic or detached to the point of inaction and passivity in extreme cases; they dont find a lot of things to be meaningful and its hard for them to apply themselves because of it. this gives us a glimpse of what life is like after death.

the 12th house also represents spirituality, introspection, foreign travels, hidden enemies, & the subconscious mind and it is the house of endings and undoing.

12th house natives are always intrigued by all things foreign, they feel like they do not belong to the place they're from and feel connected to cultures and people that are foreign to them. since they themselves feel like an alien or are made to feel that way, they feel naturally at ease in foreign places and cultures where everything is alien. they often settle overseas.

these natives court attention wherever they go, because the 12h energy is a very distinct and potent one. a lot of celebrities have it and its a very common fame indicator. due to this reason, they also attract enemies who remain unknown to them. these natives are seldom if ever, engaged in actual feuds with people and if they are, its usually for righteous reasons or because the other person started it. theyre wayyyy too peace loving and lowkey to pick fights with others. this is why they dont know who is speaking ill of them behind their back. they're always minding their own business and it surprises them that others are not doing the same.

everybody is guided by their subconscious and one major part of spirituality is to try and make ourselves more conscious. 12h representing spirituality (the cosmic ocean) makes even more sense considering its opposite (2 fishes swimming in opposite directions) which is the unknown, the subconscious. to be spiritual means to seek truth and to seek answers and swim towards the subconscious to shed light to it and understand it better.

lastly, it is the house of endings and undoing. 12h being the final concluding house represents the end of the cycle. when a cycle ends, the energy is of a complete transformation. only when something has reached completion can it come to an end. the butterfly does not emerge unformed but as a completely fully formed butterfly. the end marks the beginning. the 12h gives way to the 1h.

the creature in the cocoon was not a butterfly. it only became a butterfly when it emerged from the cocoon and to do so means loss of an old identity, loss of self, loss of all that you've ever known. this is your undoing. in order to become somebody else, in order to ascend, we have to be willing to undo ourselves. this is essential to any spiritual practice. we have to rid ourselves and our flimsy shell of identity in order to grow further.

for the same reason, 12housers are constantly transforming. they're the type of people who seem to have lived 10 different lives in one. be it their style, lifestyles, jobs, you name it, they're constantly undoing and transforming themselves. it seems to be the only way they know how to live. once theyve gathered all they can at one place, they outgrow it and change themselves almost entirely afterwards as they venture into something new.

thats it for now. i hope this shed some light on the 12h condition hehe<333

[literaryvein-reblogs]

Writing Notes: Thinking Historically

What Does it Mean to Think Historically?

Rather than focusing on dates or facts, thinking historically means recognizing the ways humans shape history through their words, thoughts, and actions.

People do not experience events in the same way.

As a result, history is often told from multiple points of view.

Identifying these perspectives deepens understandings of the past and the ways in which history is created.

A Process for Thinking Historically

The first step of thinking historically is to learn more about the historical context.

Some important aspects to research include:

Who were the key people involved?

What happened?

When did it happen?

Where did it happen?

After studying the historical context, the next step is to consider how the Who, What, When, and Where work together to create a narrative and why.

Other questions to ask when examining a historical narrative may be:

How does the Who involved influence What happened?

How does the What change depending on Who is describing it?

Why did the Who describe the What that way?

How does the When impact the way it happened?

How does the Where affect the way it happened?

Example of Historical Thinking

Event: The Boston Tea Party

Historical Context:

Who: Parties involved included the Sons of Liberty, Loyalists, colonial merchants, and British Empire.

What: The Sons of Liberty dumped imported British tea into the Boston Harbor to protest a tax and business monopoly on tea.

When: The Boston Tea Party took place on December 16, 1773, prior to the American Revolution.

Where: This event occurred in Boston, Massachusetts, a city in the American colonies.

Narrative details:

Backed by colonial merchants, the Sons of Liberty disrupted the tea trade from Britain, describing their actions as a patriotic means to protect the economic interests of the American colonies.

Loyalists, American colonists loyal to the British Empire, described the actions of the Sons of Liberty as unlawful, reasserting their allegiance to Britain.

The British Empire suffered an economic loss and political humiliation from the Boston Tea Party, so the empire described the event as reprehensible, closing the port of Boston.

Note

By examining the Who involved in the Boston Tea Party, one can see how each group experienced and perceived the event influenced the ways it was described:

The Sons of Liberty benefited from the event and therefore described it positively.

The British Empire and Loyalists, on the other hand, experienced a loss; hence, they described it in negative terms.

Thus, thinking historically allows scholars to understand how and why multiple accounts are created for historical events.

Source ⚜ More: Writing Notes & References

[mswyrr]

kanthony thoughts: wrestling with love and death

The bee is such a perfect symbol for the love story of S2 - it symbolizes the duality of life. It is a symbol of fertility: bees are associated with spring, the act of pollination, and sex (e.g. "the birds and the bees"). But here it is also a symbol of death and trauma. It is what killed Papa Bridgerton, took Violet's true love, stole a father from the kids, and what (in this patriarchy) forced an 18 year old boy to become the "father" of the family, trapping him emotionally in time at that period of loss which Anthony never processed.

Through this duality, the bee embodies the themes and core struggle Kate and Anthony are confronted with. It is both Eros, sexual love and reproduction, and Thanatos, a representation of death. Both are interwoven throughout our lives. And we all end up in death's country eventually, some sooner than others. People like Kate and Anthony, who've met the heartbreak of the world very young, often see death and loss everywhere - because it is everywhere, but so too is life.

There is another fertility symbol that is also a death symbol: the pregnant Violet in flashbacks. The great love she and Edmund shared has brought beautiful children into the world - but the act of creating life can kill a mother. Violet herself has suicidal thoughts about wishing the act of giving life had killed her. It is an inescapable part, even with the best modern medicine, of procreation for someone who gives birth. Bringing life is also risking death.

This is the truth that Anthony and Kate both know and fear and have shaped themselves around. They fear living because they've both suffered losses young and known, from a young age, that death is always there. Uncertainty and loss are woven throughout all joy and love. Their solution to this problem has been simple: they will choose to not participate in living.

They both make statements to this effect. Anthony to Violet, saying he will be not happy but "content" without love.

And Kate shares her similar plans for a miserable "contentment" without love:

Anthony will make himself the image not even of his vibrant and loving father, but of something worse: an old man before his time. No joy, no pleasure, no love. Just duty and a rigid focus exclusively on the mind over the heart. Violet tells him - your father allowed himself to love. The truth is Anthony cannot be like him like this.

Kate has a similar scene - she has made herself exiled from life by choosing to be a spinster. As she explains, she wants to be like Lady Danbury, but in the same way Anthony cannot be like Edmund without letting himself live, Lady Danbury tells her: you will *never* be like me if you go on like this. I had a life! I lived and now I enjoy my social games very much because I am satisfied that I have lived.

These two young people, they're not even thirty yet, and both of them have buried themselves alive. They've done it in a futile effort to escape the pain, the loss, that comes along with the joy of living. We open ourselves to it when we open our hearts. And keeping our hearts shut is not an escape from death, it's giving our lives up to it before we've even had our measure of joy.

In case we missed the point, Kate and Anthony's little sisters come in to drive it home: you think we respect you for the things you do, emptying your life of anything but duty, Daphne tells Anthony, knowing that he longs to be the respected and great figure their father was. We don't. We pity you. OUCH. Harsh but so so necessary - when someone has created a toxic and false narrative in their mind and they're giving all their energy to it, sacrificing everything to this... broken coping mechanism, sometimes a jolt is required. Daphne is letting him know that the thing he consoles himself with, the idea he is respected by his family for his dutiful sacrifice, is a lie.

He cannot be the man he wants to be if he won't let himself live, like Edmund did. Edmund spent every moment of the short time he got on earth living and loving deeply. And when he died, it broke so many hearts. But, as Violet tells Anthony later: I'd do it all over again, I'd suffer the pain again, just to have the time we got together. The love Edmund and I shared was worth all the pain.

And Edwina, for her part, is brave enough to see the truth. She finally realizes that Kate has inadvertently been living vicariously through her - trying to give her little sister her own dreams, not realizing the problem with that. Edwina is a grown woman and she still doesn't actually know what she truly wants her life to be. Again, this is such an OUCH moment. Kate never would have intentionally done such a thing to her beloved little sister. But she needs to hear that she has!

The kind of repression Kate and Anthony engaged in - it comes from a place that makes sense, they even mean it lovingly, but it doesn't work. As Daphne said earlier: these kind of feelings will find a way out. Kate accidentally imposed her own dreams on her sister and thwarted Edwina's growth and choices.

Both younger sibs are courageous enough to demand more, for themselves, and for the elder siblings they love - even though they can be overbearing. Even though, in this moment, both of them need their younger sibs to give them some "tough love" to shock them out of the nonsense they've fallen into and dragged their families along with them.

The parallels are so gorgeous. And the power of these two fearful people, who have buried themselves alive, choosing risk and joy and love finally? Embracing life and all its pain for the joy it brings? Soaringly romantic and such a beautiful affirmation of life.

I adore this romance!

[merwgue]

Tamlin is one of the most misunderstood and controversial characters in the ACOTAR series, and while some of his actions—like locking Feyre up—were inherently wrong and abusive, they stem from deep-rooted trauma and manipulation, making his story much more complex than people give him credit for.

1. Trauma from Amarantha – 50 Years of Hell Tamlin spent 50 years under Amarantha’s rule, being groomed and manipulated. He was powerless to save his court and the other courts from suffering, and that burden fell squarely on his shoulders. For half a century, Tamlin lived under the constant pressure of being the one to break the curse, with everyone’s freedom hanging on him. He was traumatized, broken, and desperate, having endured endless torment. This trauma shaped his every decision when it came to Feyre, and while his actions—like locking her up—were wrong, they were driven by deep-seated fear and an overwhelming need to protect her, which he saw as his only chance at redemption.

Tamlin’s fear wasn’t just about control; it was about trying to keep Feyre safe after having lost control over everything else for decades. But, of course, that doesn’t excuse his abusive behavior. It was wrong, but it’s important to understand where that behavior came from—trauma, manipulation, and the belief that if he failed to protect her, he would fail once again.

2. Reactive Abuse in ACOWAR – Feyre Deliberately Provoking Tamlin In A Court of Wings and Ruin, Feyre plays a dangerous game of provoking Tamlin to make him react in ways that paint him as the villain. This is reactive abuse. She comes back to the Spring Court with the intention of tearing it down from the inside, manipulating Tamlin’s emotions and pushing him to his breaking point. She does things deliberately to make him angry and hurt him, knowing he will react out of frustration and heartbreak.

While Tamlin’s actions in earlier books were abusive, Feyre’s calculated manipulations in ACOWAR cannot be ignored. She deliberately enrages him, knowing exactly what buttons to push, and when he reacts, he’s painted as the bad guy. But let’s not forget: Tamlin was already mentally broken and reeling from losing Feyre, and she intentionally took advantage of that vulnerability.

3. Feyre Destroying His Court – Overkill Feyre’s decision to destroy Tamlin’s entire court is a massive overreaction. Yes, they broke up, and yes, Tamlin made mistakes, but wiping out his entire kingdom because of a failed relationship? It’s spiteful and malicious. Feyre didn’t just want to hurt him emotionally—she wanted to ruin his entire life, his legacy, and everything he had worked to protect. And for what? A breakup? The level of destruction she brings to the Spring Court is wildly disproportionate to Tamlin’s mistakes. She knowingly and willfully destroyed the home and people he loved, leaving him with nothing but ruin.

4. Tamlin Saving Rhysand’s Life in ACOWAR – And Still Getting Trashed Tamlin’s good deeds get completely overlooked in favor of villainizing him. In ACOWAR, he literally saved Rhysand’s life during the battle. Rhys was on the brink of death, and despite everything, Tamlin stepped in to rescue him. Tamlin put aside his grievances and his heartbreak to do the right thing, proving that despite his flaws, he still cared enough to save someone who had wronged him.

But instead of gratitude or any kind of recognition, Rhysand continues to trash Tamlin in ACOFAS and ACOSF. He makes snide comments, mocks him, and even invades Tamlin’s court just to taunt him. It’s infuriating when you consider that Rhys wouldn’t even be alive without Tamlin’s help. How can someone who owes his life to Tamlin continue to treat him like dirt? It’s an example of how skewed the narrative is in Rhysand’s favor.

5. Rhysand’s Hypocrisy – His Own Crimes Ignored Let’s not forget that Rhysand literally murdered Tamlin’s family. Yes, Rhysand’s family suffered a great loss, but they initiated the blood feud by attacking first. Tamlin’s family was killed in retaliation for Rhysand’s father and brothers attacking them, and yet, all the sympathy is directed at Rhysand’s loss. Tamlin’s pain and trauma from losing his entire family is brushed aside, while Rhysand’s grief is front and center, as if only his loss matters.

Rhysand is glorified, and his family’s death is framed as this great tragedy, but Tamlin’s loss? Barely a footnote. It’s a double standard, especially when you consider that Rhysand’s family brought the conflict on themselves. Tamlin’s trauma from losing his family is completely ignored in favor of building up Rhysand as the hero.

6. Rhysand Telling Tamlin to Kill Himself – Beyond Cruel Rhysand’s treatment of Tamlin post-ACOWAR is downright despicable. Tamlin is left broken, suffering from depression, having lost his court, Feyre, and his family. Instead of showing any empathy, Rhysand invades his court and tells him to kill himself. This is someone who is already at his lowest, and instead of being left in peace, Rhysand shows up just to make his suffering worse. It’s not just toxic—it’s cruel beyond measure. For someone who has supposedly suffered so much himself, Rhysand shows an astonishing lack of empathy for someone else in pain.

7. Tamlin as a Victim of Trauma – Deserving of Understanding In the end, Tamlin is a victim of years of trauma, manipulation, and immense pressure. His actions were wrong, but they were driven by fear and desperation, not malice. Tamlin suffered from Amarantha’s grooming, lost his entire family because of Rhysand’s blood feud, and had his court destroyed by Feyre’s revenge. He is not a one-dimensional villain; he’s a deeply flawed character who was broken by his circumstances.

While Tamlin’s mistakes should be acknowledged, it’s unfair to completely vilify him while Rhysand gets away with far worse. Tamlin’s trauma, pain, and losses are real, and they deserve to be treated with the same understanding and empathy that Rhysand’s story receives. At the very least, Tamlin deserves recognition for the good he has done—saving Rhysand, fighting for his court, and suffering through immense trauma without any support. Tamlin deserved better from both the narrative and the characters around him.

(This took me an hour to write I better see NO ONE discrediting me🤣)

[the-badger-mole]

Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?

I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.

Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.

Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.

Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.

Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?

Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.

Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[lurkingshan]

After reading this post from @waitmyturtles about her read on Fire and Dynamite, I was thinking a bit more about the way the show has handled their story and what I love about it. And I think it comes down to a crucial point: Cooking Crush, unlike most Thai bl, is NOT in the bubble, and the presence of homophobia, both internal and external, cannot be separated from their story. This is a queer narrative to the core.

Both Fire and Dynamite are shaped by their sexuality and their experiences or fear of rejection because of it. Dynamite is out and proud and unapologetic about what he wants, and as we learn when his backstory is revealed to us, this is a direct response to the familial rejection he experienced when he came out. Dy is defiant and in your face with his desires because he has already experienced the worst kind of rejection and is always bracing for more. So he dares people to do it right out of the gate. He likes to know where he stands with people, so he’d rather be his brashest self and suffer the loss early before getting attached. He deals with fear by daring people to prove him right.

Fire takes his fear in the opposite direction, denying who he is and rejecting anything that makes him think too hard about the aspects of himself he does not want to deal with. Even without Dynamite in the picture, it was clear that he was trying to talk himself into liking Jane in a way he simply did not. Once we got to know his mother, the source of his fear became crystal clear, and it was easy to see why he worked so hard to suppress himself. Fire was unhappy living that way, and Dynamite was a constant reminder of what he was trying to keep down, so it’s no wonder he reacted so viscerally to him.

But that’s exactly why their story works. Fire needed someone who he couldn’t ignore to draw out his true self, and because Dynamite is so unwilling to put up with mixed messages and half-hearted declarations, Fire had to work himself all the way out before Dy would accept him. One of the genius things this show did in their arc was have Dy pull away as soon as Fire began sending mixed signals. Dynamite was fine in the face of Fire’s firm rejection—it as what he always expected to get from him along with everyone else. But he wouldn’t allow Fire to run hot and cold on him and play with his emotions, because that was where he knew he could get really hurt. And this boundary that Dy set forced Fire to figure out what he actually wanted and communicate it clearly.

Which is why we saw Fire change so much as soon as they were together, because in the process of deciding what he wanted from Dynamite, Fire had to make some decisions about who he wanted to be and how he wanted to live. And he chose to embrace his queerness and live a more authentic life. He is a new man in this relationship because he is being himself for the first time ever, and he’s finally breaking free from the weight of his own internalized homophobia. It’s a positive change and one that is clearly making him happy, and part of him must feel grateful to Dy for pushing him into figuring out what he wanted.

But crucially, that is where Dy’s pushing ends. He is utterly unwilling to make any further demands of Fire regarding coming out, to the point that Dy puts his own friendships at risk to hide their relationship and protect Fire until he’s ready. He understands the fear of rejection Fire is still dealing with because he lived it. And he has already proven that he’s up to the task of handling Fire’s mother whenever Fire is ready to face her. These two are still early in their relationship but they have already fallen into a very natural and easy pattern of providing each other emotional support and stability, and we can see them shoring each other up. They make a great pair and theirs is a story that can only exist between queer characters.

I just love that in this show that feels so light on the surface they have made room for such depth in the storytelling. Watching Cooking Crush feels like a warm hug because even though it’s gentle and funny and often silly, there are real emotional struggles to ground us, and the story takes them seriously. We’ve seen this consistently in the main storyline with Ten and Prem, and Fire and Dynamite are no exception.

[alshamswelnahr]

I understand the tendency to view Sanemi and Giyū's fate after the war as a tragedy. While it's true they might lose their lives earlier than expected—depending on our understanding and interpretation of the mark, they might not—but even if they do, I don't see them as doomed individuals invoking pettiness.

Their situation isn't ideal, and I'd be thrilled if their generation was remarkable enough to end the curse. However, even if that doesn't happen, I believe they'd feel fortunate to have lived, and that's a key message in KNY. Despite the pain each character endures, including the former Hashira with all their losses, scars, and looming threat, their lives aren't defined by suffering alone. Their lives are about what they achieved despite their hardships, the purpose they carved out for themselves, the lives they saved, and the people they impacted.

The narrative doesn't glorify suffering and pain; instead, it emphasizes human beauty and resilience despite adversity. Life is beautiful despite hardships, and our responses to the horrors we face—how we let that pain shape us to become better and help others—define who we are.

People are not defined by what they endure, nor does it make them pitiable. The difference between the slayers and the demons is how they view the blessing of life, appreciating its ephemeral nature, and refusing to see themselves merely as victims. They extend their hands to others to prevent similar suffering.

Being poor, ill, or experiencing grief and hardships is part of life, but it doesn't preclude happiness, luck, or leading a fulfilling life, as exemplified by characters like Nezuko, Muichiro, and Yoriichi.

The narrative asserts that life is not less satisfying or worthy because it isn't perfect or easy. Love and effort put into the world are never wasted. Life matters, even if it's short, and the happiness experienced within it still counts. The existence of past, present, or future hardships doesn't negate the happiness, satisfaction, and meaningfulness of our existence.

[zahri-melitor]

Thinking about the shape of A Lonely Place of Living in relation to Tim's story and what Tynion was trying to do with it, and it's interesting to me, as I don't think it's his most successful story in terms of a narrative beyond re-establishing and re-centring a character, but he's once again playing with a lot of Tim's storylines and echoing various things (and not just ALPOD though obviously ALPOD, it's in the name).

Like you cannot get around that the story is about Gun Batman, because Gun Batman is right there. But the shape of how that works: it's a recapitulation of Red Robin themes. Because Tim's trapped, and Tim strategises a way to escape from his prison, and he has to cooperate with his enemy somewhat to achieve his goals, and as soon as he gets out the first thing he says to his family, to those he's closest to - is to warn them that Gun Batman is coming for them and particularly for Batwoman. It's SO Yost arc coded.

Gun Batman and Tim's discussions over whether the ends justify the means, and whether killing is acceptable echo through a lot of stories where Tim faces that and refuses to do so (The Young El and Dava arcs in Robin around #50 are always worth pointing out, because people don't know they're there, but of course also Red Robin #26 and trapping Captain Boomerang), but it's interesting here, as the story also establishes...if Tim doesn't even remember who Conner is, this Tim also may not remember having that fight with himself and redrawing that line, and then he gets to do it all over again.

And then we also get to do a Brother Eye aspect of the story, with the intertwined narrative of Bruce's paranoia, Tim's growing paranoia over the years, the echo between those all the way back for Tower of Babel when Tim tells his friends he'd never go so far as to have protocols like Bruce, but we know by 2010 he does have protocols as the life he's led has brought him to that, and what Brother Eye in itself says about Bruce's paranoia and that whole arc of Infinite Crisis and ongoing, about programming and about watching and observation and about control and about the overwriting of control of Brother Eye over the years (want to talk about OMACs and REMACs? there is stuff here to dig out about both) and about the similarities that exist between Bruce and Tim for Gun Batman to be able to exploit this faultline.

And also: you have Bruce's guilt threaded through all of this. Because the last 25 issues have been about Bruce mourning the loss of Tim in his heroic sacrifice, but interestingly in a way that is not like he mourns Jason and not like he mourns Damian, but in a way where he refuses to lose control.

In ALPOD the reason Tim approaches first Dick and then Alfred and then Bruce is because Bruce is losing control as he doesn't have a network. For Tynion's run, Bruce DOES have a network; and not only his family, he has all the other allies that Tim specifically recruited and anchored and befriended and he helped design and set up the Belfry for - a system that Tim sees as greater than himself and that he hopes can sustain things if he is selfish and steps away for his own purposes. But while it works, it's also shaky, because part of what made the post-Crisis Bat family and Gotham network function was Tim's presence as an anchor and a recruiter and a linchpin holding people together, and Tynion is saying things don't work as well without Tim's actual presence, and repeating the narrative that Tim learns over the years - he can't retire, he cannot step away, because when he tries to bad things happen.

Bruce can avoid losing his mind with grief because Tim built him a network (like he did while initially mourning Jason). But Bruce also doesn't allow himself to try to resurrect Tim after his sacrifice; whereas Bruce had to be talked through the 5 stages of grief by family members after Damian's death and then set out on a quest to alternately protect Damian's corpse/find ways to resurrect Damian (it ping ponged back and forth) when it was Damian who was dead.

And Bruce is so mad at himself when he realises that by allowing himself to process his grief like he did with Jason and live through having a dead son, every day, and remember his sacrifice...he's left Tim trapped, thinking people were searching for him and coming for him, when...they weren't. And he starts working to try and find Tim. Especially as Tim lived through Jason's death and Damian's death and Bruce's under-reaction to Dick's 'death' and he knows how Bruce reacted - and he's waiting for rescue. He could expect Bruce to come for him and storm the Gods themselves to get Tim back: because that's what Bruce so recently did for Damian.

Tim came looking for Bruce, because he didn't believe Bruce was dead. But Bruce didn't come looking for Tim, even though he's fought to resurrect another son, and realising that you haven't gone searching for the son who searched so hard for you when you were lost and believed dead? Yeah. Ouch.

And so Tim has to rescue himself and find his own way out - but he comes back still full of belief and forgiveness for Bruce. I also think there's something here in an inflection where Bruce gets the alert as they ARE now looking, and he storms into a hospital to get to Tim, as opposed to Jason's unknown, unrecognised resurrection and HIS hospital stay in Gotham.

The layers are there! There's a bunch of interesting themes! I just really wish it wasn't held together by Gun Batman. Though admittedly it's interesting to me that Tynion's version of Gun Batman posits that this is a universe where Damian was still Batman!666 and Tim had to kill him for it. AND that it can't be the future, because Gun Batman is being torn apart by the timeline, because of the changes made. He's not Tim's future. He's a nightmare, instead.