#or well. her corpse at least.
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lost your appetite, hm?
#tsv#the silt verses#brother faulkner#sister carpenter#or well. her corpse at least.#katabasian mason#<- that tag's more for my personal reference than anything it is not clear that it's him in the back#im once again using my powers for evil. it will happen again#carp n faulk#eyeteeth art tag#i don't think i have to tag this for violence cause it's mostly in the Implications yknow but if it needs it i'll add it in
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Hot take (probably idk): J may have sided with Cyn out of fear, but she still chose to side with her in the final confrontation.
She chose her path, and it ended with her alone.
The major theme of MD, at least from what I can tell, is togetherness. V, Doll, and J denied this at some point (yes due to trauma, I’m aware. Major thing for V to apologize for it.), and look what happened. V almost died in the woods, Doll’s corpse was never even recovered and her funeral was basically “Damn, she’s dead. Should’ve been you, Rachel, u suck majorly”, and J ended up possibly banned from the bunker and forced to live outside.
#murder drones#murder drones spoilers#murder drones analysis#i guess#they did at least remember Doll enough to make a funeral for her#nobody looked happy to be there tho lmao#prolly not the best take but oh well#anyway common J L#I was wrong about Doll they brought her corpse to class
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well one of us is going to have to change
#ffxiv#geese art#ocs#fray myste#oc: yesui#pre-arr yesui#same skirt is a coincidence in-universe and out. just looked good with her glam teehee#they do not get along very well BUT. in this one instance here? getting along scarily well#1) neither of em are in armor 2) yesui is taking her hair down 3) her back is to him 4) her scales are going back to blue#and nary a sid in sight they’re not even being civil just to keep him from getting on their asses about it#i like thinking about their relationship a lot they don’t like each other#on a personal level#but they both like the same guy and their goals are essentially the same. yesui especially has a lot of real respect for fray#even tho outwardly she hopes he explodes.#fray likes kiril a Lot more than he likes yesui but there is still a base level of respect there too#at the very least he can trust that she’s not going to try to kill sidurgu anymore so he appreciates that if nothing else#if things had gone differently they probably could have ended up being friends but. alas#someone had to go and get executed. and then seven years later fray also went and got executed#and then SOMEONE. just HAD to possess his corpse#this is getting too long anyways send post
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What's Your Role in a Found Family Dynamic?
The Hermit Who Helps
At first, you were a resource for the established characters to turn to, but you quickly began to steal the show due to your personality, your usefulness, or your inherently interesting perspective on life. You were pretty much already able to provide for yourself, but the next thing you know, these people are growing on you. Instead of asking favors, it becomes an invitation to socialize. You find yourself sticking around for no apparent reason other than you like it here. The people are fun to watch, if nothing else, but ultimately they're just--oh no. Oh no, you care about them. You always thought you stayed away from this "relationship" stuff for a reason. It gets messy and isn't worth it unless it really works. For some reason, this group really works. These weirdos are now your weirdos, and if anything happens to them, there will be hell to pay. You were basically already looking after them before this, after all. Welcome to the family, hermit.
Tagged by: @distrxst (thank you!)
Tagging: @quillheel , @tazmilyxfamily (or your other blog!) , @bladesfromthedark , @pri-rp , @legalbrats (or your bug blog!) , @hopeful-hugz (or one of your other blogs!) , @musescfmusic (or one of your other blogs!) !
#.🪲#ooc#.dash game#((just. tags Everyone because i don't want anyone to feel left out agssgfhfs))#((anyway. yeah this fits!! at least for the most part))#((just in the sense of like. ghost starting out hollow when they first enter hallownest))#((but over time as they gain more void they become more conscious and truly 'alive'))#((and they come to care about the people of hallownest! they find friends. family. a home.))#((they didn't really *avoid* ''relationship stuff'' in the past. they just weren't capable of it due to basically being a walking corpse))#((but they have bonds now. and they don't give a damn about the ''purpose'' the pale beings created them for))#((but their new friends are in danger. and their newfound sister is asking them for help.))#((so they face the infection at its source and give it everything they've got to take her down once and for all))#((and when the fight is over and they should be dead? they find a way to come back. to be with their friends and family.))#((i did try it for a couple other muses as well but just. didn't feel like properly including them gfsfgd))#((this post is long enough with just ghost))#((but glados got ''the brains'' and. yeah. if she's anything she's that.))#((but also good luck getting her into a found family situation in the first place lmao))#((honestly i see bits of papyrus in a LOT of the possible results. but i don't know which one i'd say fits him best))#((comic relief was one of the results i got for him though and that certainly does fit))
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Ok no one asked but I've been tempted to make Jackie and Olivia stalien designs since I've been working on some new icons for the eternal gales stalien kiddos and it's been making me also think abt how disastrous it would be if they were in the same stalien society that the main cast are from because dear god would they either die instantly or make things so much worse. Even if they did get lucky enough to be able to be remotely near a position to found a stalien version of gravitas, no way in hell they'd be able to get far enough to even begin their own morally corrupt downfall before one of the other big companies forcibly assimilated gravitas into their own corporations and do the same shit but way WAY worse. Even if Jackie Was in a position to eventually climb the ladder enough to get to a more ceo position shed probably end up painting a target on her back way before she could get there, as her and Olivia's whole infinite power research would be very much unwanted by most of the ceo elders. Oh and Olivia would be fucked even beyond that because she's a biologist lol so at best she's going to be forced to drop every last one of her morals and barely scrape by
#rat rambles#oni posting#eternal gales#posts that will immediately isolate every last one of my followers rip the the recent oni followers sorry for the no context#anyways realistically olivia and jackie wouldnt be in positions of power just statistically and as such would be dead in their early 20s#well by their early 20s most dont make it that long#but assuming they ended up in jobs that sort of line up with their canon jobs theyd both likely be working at the convieor facility#aka where mason was supposed to work at and where dancer and helmet where both held as lil kids#and if you know anything abt that whole situation then you know that olivia and jackie are not winning in the job lottery here lol#now assuming that they stick to similar specialties olivia definitely has the more extreme shit to be stuck doing here since well. y'know.#but jackie might theoretically be able to luck out a bit and not be hands on in the surgons branch#she would probably still have to work with them but shed be more so in charge of collecting the data and deciding what to do with it#this means shed be more closely working with the twos boss for better or for worse#most likely for worse but yknow#olivia and jackie Could stand a chance at making it past the first culling checkpoint due to them being useful enough but thats a maybe#it mostly just depends on what direction they try to take their research and if it's smth their boss would take interest in#so less 'bettering society' and more 'making our lives specifically easier'#so no infinite power or at least not with any intent on wide scale application#if olivia could figure out the whole biolengineering thing somehow without ever having seen an animal then that could save her#one big issue that the facility is meant to be solving is the whole corpse crisis#aka stalien corpses dont rly decompose well especially without other wildlife to help#and as you might have been able to gleam there are a lot of corpses on these guys hands#so finding methods of body desposal is a big research point of the surgons branch#now ofc this research does indeed make more corpses but hey at least theyre smaller ones. iykyk.#anyways the main question for me when it comes to hypothetical jackie and olivia stalien designs is what color energy do they have#because usually I just go off eye color but they dont have canon eye colors so I could get more creative#also if I just go with my designs for them then theyd both just have red or yellow energy#which I could certainly work with but idk if I want either to be red and I dont want both to be yellow#plus red and yellow are technically both based in the same color energy anyways so it still feels unapealing#I could make jackie a pale purple or black varient and olivia a particularly dense yellow varient
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so walter blatantly pointing out misty has serial killer qualities rly has me back on that theory she is one...
#yellowjackets#yellowjackets spoilers#she stockpiles fetanyl#abuses the elderly#she already had a wheelchair in the basement when she kidnapped jessica and she's physically abled#so she was probably using it to transfer bodies too big for her to lift#she has restraints#she knows how to dispose of corpses very well#and even in the 90s she's undettered while all the other girls are having a cannibalism hangover#misty fucking quigley#is at least 50% chance a serial killer
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this is how shes looking ^_^ still needs to be fiddled with but wowww shes looking so much better !!! i really do need doll stands tho i wanna pose them better + lots of room to fit in more things as i need :)
#top shelf is two...sort of plastic mixed with fabric dolls? not sure exactly but theyre very pretty ! very light as well#i wanna put something 'better' in between them but for now is my beautiful beaded crown i got a ren faire last year ❤️#second shelf. on the right are unopened dolls bc i want to open them when im feeling very sad LOL lagoona was one but i opened her#shes my fav monster high doll and tbh...i do like her redesign hehe...appearence wise as least i wanna fiddle w her hair and clothes a bit#then i have three fashion dolls - barbie surprise i think? some gimmick doll. barbie down syndrome. and a natruralista#in my mind theyre like in a band. i only customized dawn (the middle one.) shes the lead singer <3#sophie is the drummer and sort of mascot. and claudia plays guitar. i sort of habe a vision i just need to make their clothes#i also want to give dawn corpse paint but im soooo bad at faceups so im nervous..#behind them is just an empty box but i might do smth w it#then next to them is my manhwa / manga that are in english lol usually i read comics online but ive picked up a lot in thrift stores ! some#i know / read but some i dont ^_^#then on the third shelf i have all my japanese manga / manhwa in the back. all ive read i just grabbed it in japan cause it was cheap and i#thought it would be cool to own haha#then my carmilla / danny / caroline plushes ^_^#some other books in the back on the right and i got comics or other random larger books in front / to side#then my caroline and danny licca chan dolls :D#then ive already shown the bottom layer#yippeee !!!!
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DPxDC Danny the Guy Who Won't Die
He lives in Gotham, and he is just A Guy. Nothing weird about him, he's just there to study/work/help Lady Gotham to lift her curse/on vacation with Sam. Point is, he is not there to cause trouble and there's no GIW on his tail. Just a dude living his (after)life.
And Gotham, being Gotham, still finds a way to be annoying. There are mugging attempts, robbery, Rogues running around. Only Danny really doesn't want to deal with any of it.
Now there's a dilemma. If he uses his powers to fight, it will sooner or later come to Bats' attention. And if he fights as a human, it will also alert some of the Bats since he doesn't really do a great job at keeping his power levels low. Not to mention the fact he is really not enthusiastic about accidentally punching someone hard enough he sends them to a hospital.
What does he do instead? He pulls the 'I guess I'll die' act.
So every time he is attacked, he just plays dead. The mugger shot him in the chest? He falls down and stops breathing. Caught up in the middle of a Poison Ivy attack? Skewers himself on the vine and goes lax. Scarecrow's Fear Gas? Very dramatically chokes himself and plays a corpse. He makes sure to disappear before any ambulances arrive later, and it all goes well for a few months - he is just a casualty, who cares, really - until one day, he runs into that same mugger who shot him in the chest a while ago.
The man does a double take. Danny doesn't notice - he's been mugged so many times, who has the brain capacity to remember all of those fuckers. But the rumor goes out anyway.
A guy-who-won't-die. It's more of a city legend, really, and the Bats don't give it much thought since, well, it sounds stupid and not very important. A rumor of some man who was shot dead and then showed up like nothing happened? Yeah, it's probably because the mugger didn't check if he was actually dead. That happens. Maybe it wasn't even the same man, Gotham is a big city. If anything, hey, at least that was one less casualty? That's a good thing.
That is, until one day, they show up to Joker's hostage situation and witness the clown screaming at one of the hostages. He is so enraged he is shaking, spit flying out of his mouth, and, contrary to the usual Joker's evil sneers and maniacal laughter, he seems just... furious. But, like, the normal-human-level furious. The 'I just lost the last ounce of patience with you' furious.
"Don't you look away from me, you think I don't remember you?! Na-ah, I do. You were the one I drowned in the shark tank last week! And you were the one run through the chainsaw trap two weeks before that! And you were in the guillotine!!! I saw your fucking head get deattached from your body, how the fuck are you here again?!"
And the guy he is screaming at just looks at him, confused and incomprehensive.
"Um, I'm pretty sure I'd remember getting my head cut off, you know? So, err, wrong guy."
"Wrong guy my fucking ass-"
Joker is so distracted by his screaming match that it makes it almost too easy for the Bats to fight him down and drag to Arkham. Yet, a few of them get just a bit suspicious.
Now, imagine all the shenanigans when they try keeping a watch on Danny the Won't Die Guy.
#danny phantom#dc x dp#dpxdc#batman#joker#danny refuses to die#not again#at least this time he gets to make it funny#the bats are mostly confused#is he a meta?#but what kind of meta just... cant die?#what?#cork prompts#just silly thoughts
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accidents | Spencer Reid x Reader
Summary: during a long case away, Spencer accidentally sees Reader's nudes on her phone and can't cope because he is a MESS for reader whoops [5.5k]
Warnings: SMUT MDNI, 18+ only, fem!reader, fluff, some angst mainly Spencer doubting himself aww :(, Spencer is PINING for you hard (haha get it), nudes, Spencer loves you so much, pls someone give him a hug, m!masturbation, talk about sex, proofread but prolly not perfect lol, like you aren't probably ready for the amount of longing in this, *slaps Spencer* this bad boy can fit so much pining and yearning
read pt.II here
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Spencer swears it was an accident.
You were all away on a case, somewhere in Florida. And of course, something like that can only happen in Florida, because as much as he dislikes connecting random events with random locations, non-sequitur fallacy and all that, he cannot not say that many of his most embarrassing moments aren’t attributable to the south-eastern state. (He will not elaborate on these moments, he very much likes to keep most of his dignity still intact, thank you very much.)
But his dignity isn’t really the only thing that had been shattered to pieces by… by the accident. Far from it really and it- well, it- God, this really won’t end well for him, will it? He’s well and truly, as Emily likes to say, fucked.
It happened on the fourth day he and the team were cooped up in a small, dingy police station, chasing down an unsub that liked to paint intricate body art on the victim’s corpses as part of his MO. Aside from, y’know, slitting their throats with what seemed to be an old, rusty saw. The paradoxical duality of these two aspects, of the interplay of carefulness and diligence put into the painting process and the absolute careless way the unsub ends his victims was fascinating really – but not as much as it is disturbing, still.
Thus, this case is a very photography-heavy one. Most of the cases they solve involve photographs of some kinds of course, but Spencer has never sat in front of quite as many pictures of art and gore in his life before. It was strange, to say the least, even to him. Strange and annoying, to be honest.
Because Spencer isn’t exactly fond of all things that come with some electrical inner life, i.e. smartphones, his old brick of a phone isn’t exactly helpful for this case. He still feels the need to roll his eyes at Garcia after she, for the umpteenth time, called him an old grandpa and his phone a potato trying to pass as a phone. And failing miserably, especially when looking at the pictures it takes and their quality. Well, Penelope would say “pictures”, because she would also say that a resolution of beneath 60 PPI should be considered a war crime against modern technology, but Spencer doesn’t know and doesn’t want to know what that even means, so. Jokes on her.
Well, actually, the joke is on him. And yes, he knows, the joke is almost always on him, he knows his pipe-cleaner physique and too big eyes and long hair and everything about him really, makes him the perfect target for the occasional bullying he gets still as an adult, but he’s used to that. It’s normal, part of his everyday life. He can deal with that (more or less).
What he so brilliantly cannot deal with however, is having you around him almost 24/7. Because Hotch had had the amazing idea of fixing you to his hip as his personal photographer to circumvent his technological potato-problem. Uh- not that you, that you take pictures of him, why would you ever do that, but more like, taking pictures for him. Of their victims. And the body art.
Spencer was actually waiting for your protest, because there seems to be nothing worse for you than to stay inside the office when you could be out there, on the fields, in midst of all the action. Where Spencer usually isn’t. But that’s fine of course. Completely, absolutely fine. Spencer doesn’t look up every time the door to the tiny room he’s set up his camp in opens to see if it’s you bringing him another coffee just the way he likes, if it’s your smile that will make him feel more energized than any overly sweet coffee ever could. If it’s your voice and smell and aura (Penelope is definitely getting into his head) that for the short while you are there, makes everything seem so much more manageable.
It’s an energy burst unlike any other and Spencer is aware of what that means, so aware his body burns with it sometimes… Often. Okay, fine, most of the time. He just prefers to ignore it and enjoy the precarious friendship he built with you for what it is because he just likes to have you around so very much and – this was so not the point he wanted to make. He’s hopeless, when it comes to you, and it really is kind of embarrassing.
So, this is why the joke is so entirely on him that it’s not even a joke anymore. It’s basically bullying, he feels bullied. Because you actually had beamed the prettiest smile he’s ever seen at him, said ‘Oh finally, I can unpack all the dark hidden talents from within me’ which was so cryptic but so you and then you also winked at him. And well, Spencer has to lie if he were to say that he was being totally normal about this. That you didn’t just upheave his insides like an earthquake of magnitude eight with a single wink. Oh, he’s in so much trouble.
The first two days the two of you work side by side proceed without any unforeseen occurrences. And Spencer is so glad about that he could cry. From the moment you had joined the team two years ago, from the moment he met you, it was an undeniable fact that you were nice. Not only that, but truly, selflessly kind in a way that has left him all too choked up to even speak on multiple occasions now. The team is nice to Spencer, of course they are, they’re his family. But nothing in the entire world could have adequately prepared him to the spring of kindness you so freely distribute to anyone willing to receive it. And god, Spencer is willing. Is it every time you listen to him ramble on and on, unable to really hold his tongue despite the embarrassment clouding his cheeks darker. Is it every time you ask him about the book he’s reading, every time you ask him how his mother is doing and just- all these tiny things that add up and completely smush his brain into a fuzzy mess of warmth that leaks down his body.
He literally could spend every minute of every day just sitting next to you and soak up your presence and he would be the happiest person alive. That’s why he cherishes your friendship to him so strongly, and that’s why it’s the worst thing that Spencer is, well, himself.
He knows that you would probably be too nice to outright state that something he does unsettles you. Changes the way you think about him. Still. There is the worry. Buried so deep in his mind it’s as if he was born with it. And that’s why he’s so relieved that he is keeping the worst of the ‘Reid effect’ at bay while working with you on this twisted painter case.
It all goes well, until it doesn’t. Of course. Good things never seem to last for Spencer.
It’s already later in the afternoon on the fourth day you are working the case, no end in sight, unfortunately. Spencer is bend over the table, hands entwined in front of his mouth as he’s staring down the printed pictures of the unsub’s latest victim from three days ago. The brushstrokes seem remarkably stable, the colours uncannily vibrant. Spencer does not know much about art, but he does recognise talent when he sees it. And this unsub seems to have it in abundance. It’s almost a shame he’s a deranged killer. But oh well.
He jumps in his seat when the door to his room abruptly bangs open and a dishevelled looking you is bustling into the room.
Your expression turns apologetic. “Oh Spencer, shit, sorry. I didn’t wanna startle you, but they just found another victim.”
And oh. Spencer feels his heart sink in his chest. Guilt tugging it further down into the abyss. Why wasn’t he faster with figuring out these paintings?
“Really? Where?”
You immediately launch into a rapid-fire list of details, all in the wrong order because you do tend to be a bit all over the place. Spencer doesn’t mind. Gives him a bit more of a challenge to order the information in his brain the way it works for him. You two work surprisingly well in that regard.
While talking, you round the desk that almost takes up all the little space available in the room. You sit in the chair next to him, so close he can feel the stressed warmth radiating from you and it takes a very good portion of his brain’s capacity to stop his hand from reaching out. Or do something else even stupider. More stupid? Oh hell. It’s a wonder he can talk in complete sentences with you.
He watches you pull out your phone, fingers typing in the passcode he guessed right after two weeks of knowing you. The indignant expression on your face had been adorable. That’s why he still guesses your new passwords weekly, just to mess with you a little bit. Because he’s apparently insane like that.
“Here”, you turn the display of your phone towards him, “Precinct’s out of ink. Do you mind looking at the pictures on my phone until I come back from the store?”
This is where Spencer should have said no. Declined politely, smile on his face. Tell you that sorry, I don’t really get the same detail on screen like on a printed version. Should’ve emigrated to Tristan da Cunha, change his name to Ferdinand. Whatever. Anything, except say, “Oh, of course. That’s no trouble.”
You smile that breathtaking smile of yours, fingers touching his slightly while giving him your phone. Spencer sucks his lower lip between his teeth to keep himself from making any kind of noise at the tingly feeling skittering down his back.
He can’t not smile back at you. It’s one of his many weaknesses. Jello, trying to out-solve himself every day with New York Times’ new crossword puzzles, dairy. Halloween themed socks. Old obscure movies no one has ever heard of. Reading the most difficult books in twenty minutes. You.
Once you left, Spencer starts diligently going through the photographs of their latest victim. Not yet identified white male. Average height, average weight. Short-buzzed sandy brown hair. Striking blue eyes that seem to stare at him accusingly even after death.
He works through approximately forty pictures taken off the intricate and detailed body art. This time, the unsub left many smaller paintings woven in a bigger, overall painting. There’s still one that Spencer hasn’t seen a close up of, that’s kind of hidden behind the victim’s ears. Maybe you saved it to a different folder. He clicks around your gallery for some time, opening and closing folders full of holiday pictures. Pictures of you, smiling, at the beach. A folder full of memes that he doesn’t get but is familiar with because you keep sending them to him anyways. Spencer is aware that he probably shouldn’t have just- perused your gallery like that. But he was in case-mode. Hyper-focused on finding the next clue, on detangling the next hint that would bring them further. That would finally be the key to end this case and bring justice to all the victims.
He isn’t really thinking, when he clicks on a folder titled ‘xxx lol’. Thinks it’s another one full of memes because of the abbreviation, but maybe you accidentally saved pictures of the case in there, wouldn’t be too out of character for you and-
Spencer sucks in a breath.
Drops your phone almost as an afterthought. The noise of it clattering to the table makes him flinch.
It lands display down. Small mercies and all that.
And Spencer is- he is-
… That was not-
Not -
There’s a weird buzzy feeling in his limbs, his chest and head. Like his blood turned into a swarm of bees. He feels like someone dumped a bucket of ice over his head and like he’s on fire simultaneously.
Okay. Okay.
That was not- pictures of the case.
Definitely not.
Oh Jesus Christ.
Spencer was definitely not supposed to see. That. Not supposed to see you- like that. Ever.
His heart is totally beating itself into a frenzy. There are at least two litres of blood rushing to his head. The other four are gathering somewhere down down down and oh. Oh shit.
Spencer is actually fucked. More than that. He wants to get fucked and that’s. Just. Even worse.
He wants to scream.
He ends up biting his knuckles and letting out a frustrated noise against his fingers.
Did he really.
Did he really just see your nudes?
(And yes, he knows that word. Penelope is a bad influence on him.)
His head is kind of a- a mess. More than usual when you are around. And… what. What does he do now? He can’t just- can’t just leave your phone like that. You’d obviously see what he was looking at and that’s just- unacceptable.
But the other option appears just as preposterous. Because, because, he’d have to look at your phone again. At you, like that, again. To get out of ‘xxx lol’. Damn you. Why did you have to be so unserious and name your, uhm, very personal folder like that? And no password-block?
Spencer feels a different kind of warmth enveloping him because it’s just- so you, silly and funny and kind of unbelievable and Spencer is so deeply in love with you that he feels like he’s going crazy with it. Of course, you’d be like that about stuff like that as well. Spencer would give everything to just once experience what it’d feel like to kiss you. To feel your lips twisted in a silly smile against his, flicking a finger at his ear because you would. Do that. When kissing someone. And okay. Okay. Spencer needs to get his shit together, like, yesterday.
You could come back any second now, actually and fuck. He needs to close the gallery app on your phone, asap.
His hands are trembling as they retrieve your phone from the table.
He allows himself a deep breath. And then. With eyes squeezed almost close, he taps the return arrow. Well, tries to. He thinks he managed to escape your nudes-folder without any hiccups but well.
Spencer is freaking inept with technology.
So. He finds himself looking at another picture of you and god, it actually might kill him.
It’s inappropriate. So so so so inappropriate. You would kill him dead if you ever knew Spencer was ogling your pictures like that. Like a perverted stalker.
But. But.
There shouldn’t even be a ‘but’.
But.
You’re just. You’re just- You’re incredible. Not even in a sexual way, just-
You’re so beautiful it hurts.
And call Spencer selfish, a pervert, whatever. Because he knows, okay? But he also knows that he’d never, ever get to see you like that. And it hurts in a different way now, because Spencer just wants. Wants you so much. You and you, just you.
But…he’d never get to have you. Which is fine, of course. Having you as a friend is actually one of the best things that ever happened to him, and he’d never do anything to endanger that-
…Well. He’s not perfect. So, sue him, for only once, giving into his deepest darkest desires. He’s only human. And pathetically in love with you. And attracted to you. Oh, he wants to be with you so badly. Wants to- wants to get kissed and held by you. Wants to make love with you, which just. Sounds so dumb and cliche. But maybe he just is that for you.
Still. He shouldn’t think how absolutely breathtaking you look, sprawled across the white linen of presumably your bed. He knew you worked out regularly, but. Spencer feels hot all over when he thinks how easily you could just. Manhandle him around. To wherever you wanted him. And this is something he apparently likes. (He consciously stores that information away for later. Later.)
He shouldn’t think how you would tease him, how you would make him beg for you before he’d even taken off his clothes. He would. He would beg for you, go on his knees. Everything, everything.
He shouldn’t think how warm and safe you’d make him feel, even after knowing he’s inexperienced in everything. You’d take his face in your hands, smile at him so beautifully he’d cry. Tell that ugly internalized shame to go ‘fuck off to Jupiter’.
Oh, he shouldn’t be looking at you like this. He shouldn’t, shouldn’t, shouldn’t.
But there’s always so much he shouldn’t do. Friends shouldn’t think of other friends like that. Friends don’t imagine how it would feel to be taken apart and put together again by their friend. Friends shouldn’t want to touch, touch, touch-
Maybe, for once, he just. Has enough of that. Maybe, he could just. Indulge. For a minute. To know what it’d be like. Just. A little.
To know what it’d be like if this picture was meant for him. What it’d be like- Be like to see you. And for you to see him. Like that. What it’d feel like to crawl into your lap, bury his face in your neck. Set his teeth on the gentle skin there and hear you gasp for him. How you’d bury your hands in his hair, and he’d make the most miserable noises until you pulled and-
Something in the corner of his eyes catches his attention and- shit.
Shit shit shit shit shit shit shit.
That’s you. Walking towards the door.
His hands are shaking so badly he has difficulties navigating your phone. But thankfully, this time, he manages to leave ‘xxx lol’ and find his way back to the evidence folder.
Oh god.
Oh god.
Did he actually- He actually-
The door springs open. Spencer startles kind of violently.
(Oh god.)
You have a big grin on your face. Some magenta ink smutched across your left cheek. And Spencer knows what you look like without-
“Heya, Spence, you won’t believe what just happened-“
(Oh god.)
“Uh… you okay there?”
His face feels like it’s on fire. His heartbeat is spiking and, well. He’s never been quite this turned on his entire life. He feels himself hard and aching against his trousers and Spencer wants you to push him down on the table and-
Oh god oh god oh god oh god oh god-
He needs to- leave. Right now.
“Fine”, he squeaks, voice all over the place and he cringes, “Just-“
He wags his hands around in a very confusing, general manner. Grabs some photographs.
“I need to- Need to. Bathroom”, is all he somehow manages, photographs surely placed in front of his, ahhhh, problem.
You look at him as if he lost his mind. He probably has. “Oh-kay? Then… go?”
Spencer goes.
------------------------------
Spencer can’t stop thinking about those pictures.
He’d known it would come to this. Him, lying wide awake on the uncomfortable hotel bed.
Having an eidetic memory has never felt more like a curse to him as now.
He buries his head further into the pillow. Fingers digging into it. Pulling his legs closer to him and, ah. That. Probably wasn’t the greatest idea of his.
He’s still- turned on. Uncomfortably so.But just thinking of taking care of that. Well. He’s 100% sure that that’s not the way to go about forgetting these pictures.
Also, it’s bad enough already that he even saw them. It would be so much creepier to jerk himself off to them. To you. His best friend. But- ugh.
It’s always kind of uncomfy for him to be away on a case. He prefers his own four walls over anything else, kind of, except maybe the university library. And now, being sexually frustrated away on a case that requires even more focus than other cases do?
Oh, Spencer is so fucked.
------------------------------
You notice that something is off with him. It really would have been a miracle if not, because then Spencer would’ve had to question your profiling skills. But even then- he doesn’t think that you’d even need to have these skills to notice him acting off.
Because Spencer is so not the person to play incidents like that cool. He is painfully aware of that, thank you very much.
So, the next day, when you came to say hi to him (“Hey there, Mr. Doctor.”), after he basically ran off the day before, and you, as always, casually put your hand on his shoulder, Spencer, he-
He spit out his coffee.
He could feel you freeze through the hand on his shoulder. Your expression would’ve been comical if Spencer wasn’t dying.
“Uhh… Do you… Do you need a moment?”
Well, that was a freaking understatement. Spencer needs not a moment but all of them to try to get his act together.
…which he didn’t. Not for the rest of that day, and also not for the day after. And the day after. This case apparently will never end. Fucking Florida.
You, of course being the kind soul you are, tried talking to him.
(“Spencer, are you okay? You’ve been acting kinda-“
“What? What do you mean? I’m fine, completely.”
“Uhm… Sure. If you wanna talk about it, you got my number.”)
And well. Spencer feels like he is going insane.
It’s come down to him not being able to spend more than thirty minutes uninterrupted in your vicinity without getting semi-hard, because he knows. Without him almost doing something stupid and drop to his knees then and there and beg you to either forgive him or to please let him eat you out.
Ah, yes, because apart from being so frustrated he could scream, he’s also feeling so guilty it’s slowly killing him.
There you are, still being his absolute favourite person on the planet, unaware of what kind of person you are laughing with. Of what Spencer did. It was an accident yes, but- He should’ve said something. Maybe warned you so that it would not happen again. Ugh, but the more time passes the worse it gets. The more impossible it feels to just- go to you and say ‘ah, uhm, by the way, I saw your nudes and maybe you should put those behind a password block’.
Spencer is just- the worst friend. What friend doesn’t give their friend a heads-up about something like that? He’ so, hopeless, incompetent, and he gets it now why he didn’t have that many friends in school.
It’s gotten so bad so quickly that the others started noticing too, obviously. It really is a curse working with profilers. Spencer should reconsider his move to Tristan da Cunha.
“What’s got pretty boy so worked up, huh?”, Morgan asked him on the day after the incident.
“Did something happen, Spence?”, JJ pulled him aside on the second day after.
“Are they cancelling Doctor Who?”, Emily, on the first day after.
“Kid, you need to eat something”, as Rossi pressed a protein bar into his hands.
Even Penelope texted him.
is it what i think it is? ;))))))
He did not dignify her with an answer.
When Hotch comes to him on the evening on the second day after, Spencer is a mess. He’s practically spent the entire day in some state of fluster. He noticed he’s trailing off when he’s info-dumping. That he’s just- staring off into space more often than he usually does. That he can’t talk to you properly without stuttering, that he avoids looking you in the eyes. So, it really was only a matter of time until their unit chief would scold him. Or whatever Hotch is here to do.
“Listen, Reid”, he says, tone of voice a little too similar to when he is talking to Jack when he did something mildly inconvenient, “whatever it is, and I don’t want to know unless it’s something bad, deal with it. We need you with a clear head here, okay?”
And well, that could’ve gone a lot worse.
------------------------------
He still thinks so once he falls into bed that evening. But now-
Deal with it.
How? How should he deal with that? It’s not like he can just press the ‘Delete’-button in his memories. Thanks for nothing, Hotch.
His eyes strain from staring at the ceiling in the dark. Closing them doesn’t really help because all he’d see is you. He’s such a mess.
A pining, pathetic loser mess and he’s so hard again he can’t properly think. It’s just- Spencer has had rather inappropriate thoughts about you before. Has actually spent way too many hours in his apartment just lazing around, thoughts occupied on all the countless ways he’d like you to make him lose his goddamn mind. It had been kind of an accident (isn’t that just the story of his life), the first time it happened.
Spencer had almost been finished with his report, he’d just needed an additional detail from you to finish up. He’d asked Morgan where you were, and this is how he found himself walking down the corridor to Penelope’s ‘Dungeon’. Which, he’d never say out loud because that’s just ridiculous, right?
He saw the door to her office was slightly ajar, a mix of yellowish-red light splitting the hallway in half where it spilled out of the open gap.
There’s a giggle coming from inside the room and Spencer smiles- can’t help it really, because your laugh is just so absolutely ridiculous, a kind of high-pitched screech that ends in airy laughter and he’s so obsessed with it he wants to engrave it on a CD to listen to it again and again.
“No way, gorgeous, I don’t believe that”, Penelope whisper-giggled.
Spencer didn’t realize his steps slowed down, too curious by what you two could be talking about. And also, kind of forgetting that you shouldn’t just listen to other people’s conversations like that.
“Oh yes”, your voice was low, and Spencer would be lying if he said it didn’t send a tingle along his spine, “He broke up with me, but he came crawling back to me not even two months later because I apparently ‘ruined him’ for anyone else.”
Ruined him? What did you mean?
Both Penelope and you were laughing now, louder than before.
“You really, really gotta teach me your devious ways, buttercup.”
You snicker. “I guess it all boils down to making them come so hard they cry and forget their own name, really.”
Spencer didn’t get the detail he needed from you that day.
He’d gotten something much worse and that was curious. From the limited sexual encounters he’s had in his life before (a rushed hand-job somewhen in university in a toilet cubicle by that one other student he was into back then) he couldn’t really imagine something like sexual gratification that made one cry. Sure, getting himself off felt good. Sure, that orgasm had been fine. But… it could feel better?
He kind of didn’t think of that before.
So, when flustered-he had returned to his apartment after that overheard conversation, he kind of… thought about what these things could be that you did, to make others feel so good they lose the basic functions of their memory.
And the rest is basically history.
Of course, he’d never touched himself while doing… research about your techniques. It just felt- wrong. You are his friend and despite of his crush on you, it didn’t feel right.
But now…
He really really shouldn’t. But, he’s just so- desperate. For you and for things to go back to how they were. Without him almost bursting at the seams each time you look at him because before, he never had any problems with categorizing his mind like he does now.
So maybe… Maybe he can just… Do it once? Real quick, to get it out of his system?
The longer Spencer turns the thought in his head, the more… it seems like a good idea. You’d never know. Spencer could forget about- about the accident and move on. Solve the case and finally leave cursed Florida behind. If he just does it this one time, it’s not that bad right?
The fuzzy pleasure that shoots up his spine when he finally, finally presses his hand against himself through his pyjama pants answers him. Yes, yes, it says and more more more-
Spencer has never been good in denying himself things that make him feel good, better than good, things that make him forget about any pain that has nestled inside of his body or mind. Right now, that thing is you. Oh, perfect beautiful lovely you. He can’t stop the way his lips twitch into a smile, almost shy, even though he’s alone. But something about you just-
He gasps, back arching a little when he slides the palm of his hand along himself, still through two layers of fabric.
Something about you just- god, how can he put this into words- something about you just makes him feel- safe. Seen. Taken care of. And it’s just, so foreign to him. Strange. He’s always been looking after himself. After dad left and mom-
He’s kind of addicted to it. To the way you make him feel. Spencer can’t get enough of it, can’t get enough of you. Never never enough.
His fingers trail circles around the head of his cock, light and unhurried, enjoying the shivers of good good amazing it sends through his limbs, to his fingertips. Spencer can feel the tension leaking out of him, can feel his muscles relax and his mind become hazy. He should do this more often, god he always forgets how good it is, it feels.
He almost forgets why he decided to get off right now. It had something to do with you. You. Naked and there, here with Spencer. He whines a little because you aren’t here, why aren’t you here he wants that so badly-
But all he has is the crystal-clear mental snapshot of your nudes. Spencer doesn’t remember ever remembering something with such clarity before. He feels kind of embarrassed by that, how obviously desperate he is for you. How he would do everything for you, with you. But this feels so good that he doesn’t care about any kind of embarrassment or shame that might trigger his self-loathing.
He increases the pressure of his palm slightly, oh god oh oh, it’s so good already and Spencer hasn’t even touched yet, not properly at least, but oh. Oh, he wants moremoremore-
It’s so easy letting his thoughts tangle, mixing old and new. Fantasies and reality. The you from the pictures merges with the you from his daydreams and oh shit. Oh fuck.
Spencer moans, high and needy at the back of his throat and god how are you so beautiful?
Imagined-you has absolutely nothing on the real you. Spencer could have never himself come up with you because he just lacks the imaginative capabilities to conjure the absolute vision you are. The vision you portray on those freaking pictures that have branded themselves into his very neurons. He’s sure, absolutely sure, that he will never get over them. Over you. Doesn’t even really want to.
Because he is quite certain that the sight of you, your stomach your thighs your arms your tits your- oh he forgot where he was going with this.
By now, Spencer’s hand has dipped beneath his pyjamas and beneath his boxers and he moans again, his lips pulled between his teeth and eyes shut because the feeling of good good better more almost peaks when he grabs himself, finally.
His right hand starts an even, slow pace along his cock because if he is only ever doing this once, he is going to make most of it.
It doesn’t take long for him to get close, though. He’s been so wound up the last few days, it really is no surprise. It’s actually more surprising he hasn’t come all over himself already.
Soft, keening noises are continuously spilling from between his lips, hips moving together with his hand because he just can’t help himself. The heat in his abdomen is building and building and he whimpers because he wants it to be you so so badly, his thoughts are a mess, he is a mess and he wishes he could be your mess, yours, yours to make a mess of and oh god he’s going to-
A knock. On his door.
He freezes, blood rushing loud in his ears, heart pounding and his cock hot in his hand and begging him to not stop but-
“Spencer? It’s me, can you let me in?”
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
pt. II? 👀
#spencer reid x reader#spencer reid x y/n#spencer reid imagine#spencer reid x you#tinywrites#spencer reid x fem!reader#spencer reid x reader fanfic#spencer reid fic#spencer reid smut#spencer reid x reader smut#criminal minds x reader#criminal minds smut#tinywrites:accidents
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Bro I swear to god you can never trust the “young popular male teacher” in anything jfc theyre always committing crimes
#desiree talks#desiree reads#also this is from a manga where a guy has the desire to kill the girl he likes#this is after a guy infected? with something causing that feeling#im just hoping that the girl is infected too bc i am already tired of seeing her mutilated corpse#i’m like 2 chapters in and theres been like 3 or 4 senarios that intruded into the MCs head#like the amout of this shit towards female characters in malecentric manga is gross#it feels like gross fetishi/sm#at the very least if the girl gets the thoughts as well it’ll be sorta balanced out
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i love how as you read more into tlt, the ninth house seems more and more normal. Like if i'm at an immoral evil government competition, and i use human fat as soap and animate skeletons to do menial labor, i'm gonna LOSE if my competition is the third house, represented by ianthe "who HASN'T eaten human flesh and fucked a corpse" tridentarius. My weird skeleton thing seems normal, suddenly. Well-adjusted, even. It's recycling. They're using resources in a sustainable way. Normal and regular and productive for a post-climate change apocalypse universe.
People go on and on about how Muir drops you into gtn hearing from the person who knows the least about whats happening, and does not hand hold the reader through the crazy shit that occurs, and that's all true. It truly is a crazy writing decision to make your first pov character come from the universe's equivalent of amish fundamentalists. But the reader is actually done a huge favor being dropped into the ninth house first, because we already understand that space is cold and what catholic nuns are, and what goths look like, and what lesbians are. Very little time is wasted in the first chunk of gtn ripping hair out of your head wondering what the fuck is going on, because for all of its strangeness, the ninth house is already the most familiar thing we're gonna get.
Because THEN we learn that this whole universe's medieval chivalry system is designed to groom people from CHILDREN to not only be exploited and used as human batteries for necromancers, but to LIKE it. to wax poetic about it. to confuse it for love, to write fucking academic papers about it! Then we learn about planet flipping, an act so horrific and violent it turns the planet's soul into a massive vengeful monster capable of killing GOD. Like what do you MEAN the animals "change"? Is this why noodle has six legs? I would MUCH prefer to wear skeleton makeup and repent forever if the alternative was to witness my family dog grow TWO EXTRA LIMBS because the planet he lived on fucking died. Suddenly, living in the asscrack of a planet where no light gets in seems like a sweet deal when the whole solar system is lit by a sun that MAKES YOU GO CRAZY. The ninth house's WORST sin, killing 200 babies to make Harrow, a waste of resources and an act so terrible it haunts Harrow for the entire span of her life, is like a BLIP compared to the death count Jod's empire. God even hears about it and he's like, no big deal! The cohort probably kills that amount of people in a DAY.
And its ALSO tragic because you realize that all of this trauma and abuse that Gideon goes through is not really because of the ninth house at all. It's really just an individual skill issue that she wasn't treated with compassion. Nobody hated her because she's jesus or a bomb, nobody even KNOWS she's a bomb. It's just Priamhark and Pelleamena being deeply guilty and scared people that motivates her treatment, and absolutely nothing else.
They did something bad, and they know it, and Gideon survived it, and they can't kill her to cover it up, and that's IT. They killed themselves for pride, because they were afraid of the consequences of their actions (both the baby killing and Harrow opening the tomb) coming back to bite them. You can argue this is the catholicism of it all, and I wouldn't say you're wrong, but compared to the cavalier system, where exploitation is in the very lining of the house's institutions, the ninth house is really removed from the space empire's blood factory. This is compared to the fourth house where they have tons of children to be CANNON FODDER to join the cohort at fucking 14, compared to the eight house uncle nephew fuckery, even the fifth house which actually does seems nice to live on but also seems to have the fourth house in some sort of fucked up political bear hug??? (maybe the fourth house has so many kids in order to fight the fifth's battles? which is EXACTLY what jod's whole empire is about; politely stirring your tea and acting nice while you destroy everything) compared to ALL OF THAT, the cruelty that Gideon faces is really more a bug of the ninth's system than a feature.
There's nothing baked into the culture and everyday life of the ninth house that necessitated that cruelty; in fact, for such a pragmatic and resource-scarce place, it's WEIRD that a strong able-bodied young person was treated like a waste of space and resources. It could just have easily not happened, if Harrow's parents had been different people. Maybe they were products of their environment, but so was Harrow, and she values Gideon's life SO MUCH that she'd literally rather carve out parts of her own brain than exploit her. Gideon grows up knowing really NOTHING about cavaliers, so remote from the horrors of the empire that she develops an idea of what the cohort is from porn magazines. And in a lot of ways, that upbringing was desolate and terrible, and in a lot of other ways it literally DID NOT HAVE TO BE.
Gideon's MAIN THING is that she wants to be useful, to be needed, to be loved and it SUCKS that she couldn't even get it in the one place where she was actually an invaluable resource, where the death empire had the weakest reach. Gideon can't even blame her lack of love on the fucked up chivalry system like everyone else can because it JUST WASNT REALLY RELEVENT!?!?! This is like if i rolled up to the trauma competition and everyone else was raised in a nuclear warzone by wolves or something and i grew up in like, the suburbs and was raised by teachers and i somehow STILL WON. truly what the fuck guys.
#tlt#the locked tomb#gideon the ninth#harrow the ninth#nona the ninth#tlt gender studies#none gender with left grief#the locked tomb trilogy
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Phantom Pains (and other hints of you)
Post-Tragedy Ghost AU, Mystery and Hurt/Comfort
Ladynoir and Adrienette
1/6 chapters, to be updated every other day, 49k once complete
She couldn't remember anything. Not where she was going, where she'd been, why she was in this stairwell, or even her own name. But as she watched the blood pool at the base of the steps, she at least knew one thing for certain: the corpse was hers. Getting used to being dead was going to have its growing pains. — “Well, unlucky lady,” Chat Noir greeted with a bow, “Can I get your name?” “Didn’t we just talk about this? I told you, I don’t remember it.” “And I told you,” he reminded, “that you can just pick whatever fits you best.” — Ladybug and Chat Noir may not remember who they once were, but at least the two lost souls can find comfort in each other's company. But as Ladybug starts uncovering more and more memories of her life, letting the past go doesn't seem as easy as Chat Noir claims it to be.
OooooooOoOoOoOoooOOOOo!! Finished this one recently, and then realized I should post it before October ends. Feels appropriate.
#ppaohoy#I've never written a weird AU like this before but it was a lot of fun#ladynoir#adrienette#adrinette
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Alice in Marvel-land
𐙚Yandere! Deadpool (Wade Wilson) x Reader x Yandere Wolverine (Logan Howlett)
˚ʚ♡ɞ˚ In some worlds, you were Logan's little darling. In others, you were Wade's starry-eyed lover. But here in the void, there is only one of you and two of them.
⁀➷ GORE, yandere behavior, kidnapping, Deadpool being Deadpool.
⁺₊𝄞₊⁺ IDK, probs the Deadpool and Wolverine soundtrack
Logan feels the world slipping away.
Piece by piece, atom by atom.
In a blink, he's falling down darkness.
An endless rabbit hole.
What was the name of that fairy tale you liked so much?
The one with the girl who gets lost in splendor?
The dust is kicking up, framing the sunset portrait along the horizon.
The envoys are nearly home, this time they've brought someone back. The cage balls chime along the unsteady road. If you squint just far enough you can almost make out vibrant specks of red and yellow.
Strange, the void tends to wash out bright colors. Well, it tends to wash out just about everything.
You scrape your nails along the skeleton's sockets. Leave crescents in the decaying cartilage. "They're almost here" you call out awaiting Cassandra's next move. You watch dolefully as she's transfixed on a portal. The sparky thing unfurled like a fresh wound, strewing salt on persistent lacerations. She watches her brother, or well some variation of her brother. Surrounded by his new family, surrounded by those he loves. He's forgotten her, or maybe never even knew her. You think that the latter would hurt the most.
"Cassandra" Your voice rises in octave, this time getting her attention. "They're here".
"Coming" She sings, voice so chip it almost sounds like unshed tears. You send a final glare at the portal before it collapses on itself.
If you tried hard enough, maybe you could bring yourself to understand her pain. Those pesky notions of desperation for someone to love. But it
doesn't matter now everyone you've ever loved is dead anyway. And unlike Cassandra, you've long since given up on the childish dreams of being rescued by someone who would offer up love so freely.
"Maybe shut up now"
Logan's nerves are frying. Thin strings snapping with every syllable that leaves the red merc's mouth. He's starting to appreciate Stryker in a way he didn't even know he could. The man was a psychotic sadist but at least he knew when to sew someone's mouth shut. Maybe he can convince this Cassadra chick to do the same.
Logan's eyes are almost at 90 degrees of a roll when they stop. He stops, frozen. In the gaping mouth of the rotting skull, something all too familiar stands.
Or rather someone.
Someone he knew.
Someone he loved.
Your name tastes bitter on his tongue. All death and whisky.
Maybe cause it's been so long since the attack. Since he walked off for the night and left his family to die. Cause the last time he saw you, you were a mangled corpse laying in an open grave. Deadweight as he cradled you in his arms.
You walk closer. Face painted in too many shades of confusion.
Curiouser and curiouser.
Damn, he's started quoting that stupid book again.
"How do you know my name" You ask. You look just as beautiful as he remembers. Spine carved straight in pride with perfect lips, perfect eyes. His talons itch to glide across your soft skin, to feel you so intimately once more.
"LOOOGAN did you see what the bald chick just- HEY!!"
It takes too much effort to pull his gaze away. To stare at red and black and be reminded of cruel realities. But Wade has a tendency to be a persistent ache, some unwelcomed anchor to every problem he's ever had.
Only this time when he actually looks at him. Looks at the jittery body that's stilled abruptly. He can't help but be glad that he did. A bitter laugh bubbles in his throat. Maybe Wade's shut up for good this time.
He always knew you were special but this is truly a miracle.
"IT'S YOU!!"
Nope, didn't work. He knew he couldn't be that lucky.
Wade whispers your name, a forgotten prayer. Logan didn't even know the loudmouth knew how to pray. But he seems to almost soften when he sees you. That feral, cheeky killer, looks so so soft when he stares into your doe-eyes. Reaching out zealously to twirl a lock of your hair around his blood-soaked finger.
He can almost feel Wade choking on your essence, heart erratic, like a child finding a lost toy. He's drowning in ecstasy, and Logan is almost tempted to join him. You're here, a breath away. So close it's taking every ounce of self-control not to pull you to his chest and keep you locked between his arms until he finally dies too.
"Penunt look that's my girl!!"
"Your girl!?"
He had taken you for granted as he tends to do with most peaceful things. The realization had occurred a little too late. Right as he had been emptying a round into the target of the week's head.
He lands.
Arms high like an Olympian pleasing the crowd.
He wonders if he can make you cheer for him.
Clap and shout his name as he twirls around the mess he's made.
He wants to feel loved, although he'll never say it out loud. He's only ever been good with words when they're laced with sarcasm and profanity.
And maybe 'I love you' is just about the most obscene thing he can ever say to someone as sweet as you.
Wade plays the white rabbit, fluffy coat stained red from every kill. Tricking poor Alice into following him down cruel rabbit holes. Making you chase him through labyrinths then leaving you at every turn. He leads you to every kill, makes you watch as he dances in slaughter. He can even feel your eyes right now. Starlight slicing him open to quench vulgar interests.
Alice always follows the rabbit.
He stalks closer, white eyes fixated on your deliciously bewildered expression. Precious thing caught in a warzone. He can almost taste you on his tongue, the sharp tip of a star slivering the inside of his mouth, soft hands painting crescent moons along the back of his neck. He needs to carve his essence across your lips, to pour the after-kill adrenaline into your soul. He needs you.
Only this time...
This time he'd been too distracted. So caught up in claiming you as his victory prize that he didn't notice the grizzled man clinging to life...
And a pistole.
The bullet punctures his shoulder. An afterthought.
But the lead keeps going.
Penetrating the air until it lands bunglingly between your eyes.
You fall into his arms.
Deadweight.
Did the white rabbit ever miss Alice?
Did he ever realize how truly special such a curious girl made him feel?
He doubts it.
Doubts that a stupid rodent would have better emotional stability than him.
He's been given a second chance. A whole plethora of them actually. He's been deemed holy, righteous. And aren't gifts of marvel bestowed upon the truly blessed? What better blessing than the sight of you standing amongst the sand and skulls?
Good to see your affinity for dainty dresses spans across all universes...
He lets the blood trickle down his claws.
What else is there to do but dream of you?
It's the fourth day of his massacre and he's lost count of how many humans he's killed. Maybe cause after the first hundred the faces tend to blur.
He leaves your pleasants in between the rotting carcasses and broken glass. Only taking the torturous parts of you. The things that can hurt him. The sharp edges that he can slit his pulse point on, the vague memory of your glare before you cried. The soft skin of your neck between his jagged teeth.
Enough to keep the hate burning.
He wonders if the creatures of Wonderland wept after Alice left. He wonders if Wonderland lost its wonder.
But now you're standing here.
Alive.
And he wants so badly to remember the sweet taste of your lips. The soft push against his chapped lips as he swallows you whole. Even desperate rabbits can go a little feral. His eyes take in every breath, every scowl.
Alive.
Alive.
Alive.
Good to see your affinity for dainty dresses spans across all universes...
Aliath skids forward, mystified in lightning and smoke. You feel your bones collapsing under the rugged man's, Logan's, vice grip. You thrash and scream trying to break free but he only barks out orders to his friend before they take off running.
"Your safe, don't worry we got you." There's a comedic cadence to every word Wade says. You can almost fool yourself into enjoying it if the two weren't actively attempting to defy Cassandra, to defy Aliath, to defy deities and absolutes. To ripe you away from the only semblance of opulence you've come to know.
"Let me go, you custome-wearing freaks." His gripe tenses. "Don't struggle so much, we said you're safe, now hold still" Logan's anger ripples through you. It's almost muscle memory to still, to obey.
Did you know him? Know them?
In some past life too out of reach?
The ground shutters to a jagged rhythm. You're flying up, escaping the misty horrors of the ground. Your head pounds with the force, air slapping across your body as you taste the cotton of the clouds between your teeth.
Is this how Alice felt as her head hit the roof?
Wade mutters about the stars and educated wishes. About people who live and matter. Logan slices through his thigh, the mercenary's optimism making his body ring with phantom pains.
No one matters.
And when they start to, they die.
There are cruel absolutes in this world. He's tasted them all. Let them slice his tongue and heart and danced to every tune they've sung. He rips his claws out and digs them into Wade's chest.
Again
And again.
Wade savors the salty tang of blood inside his mouth.
Licks his teeth and runs his tongue over the gaping holes.
He's sitting in the front seat head rolled back.
High off the blood and adrenaline and the thought of having you so close.
"I take it all back, the Honda odysseys fucks hard"
Bones crack, interrupted mid-heal as Logan turns his head to glare. "Shut up" he rasps and Wade almost, almost, hears approval.
There's a low moan reverberating across the broken car. Late night sleepy mumble that's half 'I love you' and half 'I need you'. Neither one has heard it in such a long time.
"Finally awake sleeping beauty? Kinda surprised you could sleep through all of that" Wade shimmies to the back, only to be greeted by your foot smashing into his face, cracking his nose open, and sending a fresh wave of blood into his mouth. He pins your knee to the seat and wiggles himself between you. caging you with his elbows as he stares down at your pretty face. "Miss me, angel baby?"
"Wrong fairy tale" Logan turns around in his seat, claws out running them across your cheek "Please stop, just let me go" you've never begged before, never fallen so low. But these two things, mutants, mutates, or whatever they are, scare you. Reckless, suicidal, dangerous. You feel so helpless in their presence. Never knowing you're to be kissed or killed.
"You're as lovely as I remember" The melancholy colors him in a monochrome of sympathy. Here is a man who's gone through every horror and still gets out of bed. Or maybe he has to, maybe he can't quite die and can't quite reach heaven. So he gulps down his immortality with black coffee to at least pretend he's being buried six feet deep. "Even after all this time I still love you" You almost melt in his brown eyes. So lonely, so desperate.
Kill or kiss
You want him to do both. Want to kiss extinction on his lips while being impaled by the claws. Kill or kiss.
Both, both, both.
"You know~" Wade pushes himself up, "I think your dress should be red...and black. To match your favorite man."
"Who the hell said you were the favorite?" Wade leans forward, in a blink he's gripped Logan's wrist and lunged the Wolvarine's claws into your abdomen.
You writhe, the bones and metal feel almost heavenly inside of you. When he retracts the claws you moan out, it's too saccharine to hold back. Everything feels so much lighter, colorful. You feel your essence slipping out, gushing over the back seat.
Red waterfall, so pretty.
Dress stained red.
"Told ya so!"
Wade pulls you roughly by the shoulders and smashes his lips against yours. He's so cute, fickle Cheshire cat, tongue dancing across your mouth, slitting itself on your peaked teeth, and filling your mouth with thick red caterpillar smoke. "What the hell is wrong with you? You really are God's perfect idiot" Logan's anger is tangible, sweet, and bitter like hatter tea at midnight.
"S'okay Logan, it feels nice" Your words slur, slipping gauche from your tongue as you giggle profusely. You feel like Alice cracking open Wonderland's ribs, crawling inside, and smearing the wonder across your face.
"When I used to read fairy tales, I fancied that kind of thing never happened, and now here I am in the middle of one" You've heard these words before, Alice's words. she's right. Your fairy tale is painted red with pretty, crazy, princes who think that slicing open a princess is easier than kissing her. You reach out for Logan, desperate for a kiss. "eat me" you mutter, and Logan's face morphs into pure terror "Wade what the hell have you done to her?".
"What? It's better this way trust me"
"I hate you"
Logan bends, meeting you halfway. He kisses you with all the wary of a dead man walking. All teeth and heart and bitter memories left to rot three lifetimes ago. He pushes himself between your bones, trying to carve out his ethos in your body. He'd burn the world so long as he gets to keep you.
You squeeze your thighs around Wade's muscular thighs and hips unlocking a gibby giggle from the man. His mask is half pulled up as he trails sloppy fervorous kisses across your neck and chest. The nostalgia slithering under your skin has you squirming, you've been through this all before. In a past life somewhere where storm monsters and voids don't exist. "Remember how good this feels?" Wade mumbles as his fingers dig into your puncture wounds, drawing slow, desperate moans from your puffy lips. You don't dare answer you don't know what would be worst admitting to liking the loudmouth ministrations or admitting there were other versions of you out there, other happy versions.
"Oh for hell's sake," Logan reclines the front seat and shuffles closer. Pulling down the back of your dress. His kisses are bite marks in disguise rabid and feral, the two things the man will never escape. His name rolls across your tongue, you let it slip in an airy moan. "No fair " Wade complains "I want you to say my name too." He pulls out his baby knife and etches the skin of your thighs. Scribbling doodles of stars and half hearts and the little symbol he wears on his belt. "W-wade" you gasp never knowing whether to scream in pain or giggle in bliss.
Logan laughs into your neck. You didn't even know he was capable of such a gentle thing. You bite his lip playfully. Dragging your fingers across his muscular arms. Your thumb pushes into the space between his knuckles asking for the claws. For the most macabre parts of him. You glide your tongue across the parish where flesh meets metal. Kissing the metal and bones and lapping at the blood. Watch curiously as he draws out a long airy sigh. "Good girl" he mumbles voice marred with ecstasy and you almost see the ghost of a smile smear across his pretty lips.
Wade's thumb gently rubs against your hips. Softly usering you into peace, tranquility. Your eyes get heavy, the car gets blurry. The grotesque realignment of their bones steering you into a deep, content sleep.
"Hey Peanut, you think Alice in Wonderland here would mind if we keep going? "
"Shut it, moron "
"Oh, how I wish I could shut up like a telescope! I think I could, if only I knew how to begin.”
🎀Bonus
Deadpool: "Do you think the author's going to write about us again? Or is she planning to finally write that Dune fic she keeps talking about?
Wolverine: "I have no fucking idea what the hell you're even talking about.
🪐@yandere-romanticaa @bad4amficideas @sugarplumz100 @oscarissac2099 @facelessfionna @siphite @tocotuesday69 @linoleunm @mei-simp @shamelessdarkprince @gabriqllas @lovely-liliacs @shiroi-asashin17 @failinguniversity
#deadpool and wolverine#deadpool x reader#deadpool x you#wolverine#deadpool#logan howlett#logan howlett x reader#logan howlett x you#wade wilson#wade wilson x reader#wade wilson x you#yandere wolverine#yandere deadpool#yandere wade wilson#yandere logan howlett#yandere#yandere x reader#yancore#yandere x you#yandere aesthetic#yandere imagines#yandere male#yandere male x reader#marvel#yandere marvel
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it is the first snow today. i think we should all have off work, even though it didn't stick. i think there should be 4 national holidays, one for each season. happy first snow, go home and make cookies. for spring it can be the first crocus. for summer the first lightning bug. for autumn, the first golden leaf. go home, kiss your dog, feed your cat (who is absolutely already-fed but somehow still starving.)
i think we should all take more showers together, but i mean that in the soft way. i mean it like taking a nap. two years ago i had 5 adult friends in my queen bed, all of us laying across each other, head over belly over thigh over hand. any time one of us would giggle, it would ripple over each of us, like pulling on a spiderweb. kim actually needed to nap and didn't get to sleep and i am still sorry for it even though this is one of my most precious memories.
i think we should all wash each other's hair, i mean. i walk my dog and i watch someone put up twinkle lights around their front porch. alex and i just moved, and i love the neighborhood. already so many of our new neighbors have stopped by to say hello. the nice lady downstairs also collects plants, like me. she gave us her number on a pink post-it note. i am trying to decide whether to make her cookies or brownies.
i am going through a very hard time. something bad happened this weekend that i do not wish to discuss. it is hanging over me. i think of the green ribbon, and the woman who had her throat cut. it feels like that sometimes, inside of my body. like i am walking and talking despite being half-corpsed. like i am hanging on by a ribbon, standing on some kind of cusp. i keep saying - at least it wasn't worse. we are so lucky it wasn't worse. the idea is river-rock smooth now, all the edges worried off.
in this very dark night - the sun sets by 3 now - people don't need to, but they try anyway. they paint the missing light into things. i have an embarrassing number of missed calls and texts, but i feel the love from them nevertheless - hey. if you need something, i'm here. i will bring you food/puzzles/anything. i got you.
i think we should all have a big group chat where we do errands with strangers. this week i got lost in a home depot, which is wild because i'm a lesbian and we are actually hatched in a lowe's lumber section. there were two other women in the whole store. we ended up shopping together, at first by accident (we all needed things in the same aisle), and then because, well, why not. one of the ladies was taller than me, so she pulled down the screws i needed. i am agile and have the personality of a raccoon, so they sent me after anything below 3 feet. we talked about holiday plans and never learned each other's names, but did learn all the drama about each other's families.
i am making you cupcakes, because i have so much affection i want to pour it into batter. you ask me if i am eating enough per meal. i wrap your gift twice, trying to do it prettily. i get excited to give it to you, just because i hope you'll be excited too.
my parents drive an hour just to see the new apartment and to do the parent thing; standing in the kitchen saying things like "oh you'll get so much use from this dishwasher" and "well, you could paint that" and "when your mother and i moved it was uphill both ways and in a snowstorm and of course your brother was an infant." my mother brought me a plant for housewarming. i always say i love you before she leaves.
i play dnd on tuesdays still, after all these years. we all keep that night free. at one point, between grad school and marriage and all of it, we had to have a serious discussion about how to keep it running. we will keep going, we decided eventually. just to see each other, even if we don't play - you are all important to me. sebastian is not prone to affection but last night he stole my usual sign off - i love you all, be good, he said. he was laughing.
i don't love the winter, actually. i like snow in theory, but i grew up in the north, and am too-familiar with the season of "mud and sludge". i don't like being cold. but i do love something kind of soft and rare: every year around this time, people remember oh yes. you and i are human together. and i have love to spare.
it is the first snow, and something in my heart is finally warm again. i have spent what felt like the last 18 months just going-through-the-motions. it has felt blank and immediate, like i would never actually feel again. that sounds extremely trite and stupid - but that is the boring and familiar experience of depression. life just washes up against your windows, and you watch it happening. you see things that should be lovely and affecting, and it just whispers too-thin. i was desperately uncreative. uninterested in my hobbies. unimpressed by my writing. i told my therapist, often, i don't know how to find hope again.
almost sheepishly, something strange and lovely is burning in my chest. i keep not-looking at it, worried it will scamper back into the shadows again. it is skittish and wild, but it is so warm i want to sink my hands into its fur and feel it breathing. i love-hate it: if it's real, it can hurt me when it leaves again. but i am icarus-born, sun-lover and poet: i can't help myself. despite my best intentions, i am falling in love with life again.
i am planning to make cookies for my friends. alex and i are going to go christmas tree shopping. we picked out matching dish towels last night, and they have little mushrooms on them.
i love you. it does come back. yes, even after a long time. even for you. i promise. keep trying. you will wake up and it will be a day you can smile about.
write me when you get there. we will take the day off of work, and i will wash your hair, and we will both be laughing.
#spilled ink#writeblr#pos#recovery#my brain is like - don't trust it!!!!!!! AHHHHHHH!!!!! we can't be wrong again!!!!!!#and im like. what if the sorrow is the thing that's wrong though.#what if this - this!!!!! - is the truth
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Break Like an Artist
My fic for @hermitadaymay's Solstice Social Collaborative Fanwork Event! I was paired up with the wonderful @eydilily to create something spooky, dramatic and contemplative featuring Gem and Pearl, and it's been an absolute blast putting this together. Please go check out Eydi's art for this AU, it's absolutely gorgeous. CWs: description of a corpse, dismemberment, loss of awareness, fire/flooding/destruction, and depiction of a panic attack. Wordcount: 5.8k
There is a plague sweeping Pearl's hometown.
One by one, she watches as her friends fall to the infection, the colour and life drained out of them and leaving hollow, apathetic husks behind. Even with the devastating loss of her friends, her village, and her regular life, the worst part of this situation is not the infection.
It's that Pearl knows that Gem is the one spreading it.
[Read on AO3]
It’s a grey day in the fishing village that Pearl calls her home. Not that it’s ever not a grey day, at least not anymore. She stares out of her window at the thick encompassing fog that’s claimed the bay, at the desaturated buildings that dot the shore, and she twirls her paintbrush in her fingers.
The canvas is blank, of course. She doesn’t remember the last time she sat down to paint and didn’t end up with a blank canvas. It must have been—months ago, at least. Back when the last monster from the depths had attacked, and not a single person had had the heart to fight back. When Tango’s house had been shattered in two, and Tango with it.
(He seems to be dealing well with the loss of his arm, at least. Or, as well as you can deal with anything, when the only things inside of you are all-consuming numbness and apathy. Pearl feels it in her chest, the yawning emptiness, and thinks that if she were to lose her arm right here and now, she also wouldn’t be able to summon the energy to care.)
She’d painted after that, though. She remembers it vividly, waking from a nightmare and running to her studio to capture lashing tentacles and inky waters and splatters of crimson blood. It’s a frenzied piece, a disturbing piece, and the moment she’d finished it she’d been filled with so much dread that she’d turned it around to face the wall and refused to look at it since.
The dread’s gone now. Along with the anxiety, and the uncertainty, and the fear. It’s all gone, and Pearl’s left sitting here, paints drying on the palette as she stares at an empty canvas.
Across the house, she hears her front door swing open and closed. A familiar voice shouts, “Pearl? Pearl, where are you?”
“Studio,” Pearl calls back, her voice flat. She continues to twirl the paintbrush as she waits for Gem to trek her way across the house to find her.
“Studio,” Gem echoes as she pushes open the door. “Oh, Pearl, are you painting again? Oh, I’m so happy for—oh.” The joy in her voice vanishes as she takes in Pearl, sitting on her stool, paintbrush raised and canvas empty. “Oh, Pearl…”
Sympathy. Pity. Concern. Pearl can pick apart the emotions in Gem’s voice, even if she can’t feel them herself. She stares back blankly, because she can’t find it in herself to care about either aspect of the situation, whether it be her own inability to paint or the way that Gem’s looking at her like she’s a wounded animal.
“Come on,” Gem says softly, crossing the room and gently prying the brush from Pearl’s fingers. Pearl lets her. She’s not really painting, anyway. “Let’s get you to bed, shall we? A nap will do you some good.”
Pearl lets Gem help her up, lets Gem allow Pearl to lean on her for support as they make their way back to Pearl’s bedroom. It’s not like Pearl has any difficulty walking. She’s not sick, she’s not injured, she’s just…
Cold. Empty. Not quite lifeless, not in the way Mumbo had been when she’d last seen him, skin and eyes and hair all the same shade of grey-white-nothingness as he’d stared into the distance, completely unresponsive. Listless, maybe, is the better word. She’s halfway to a fate worse than death and she cannot find it in her to care at all.
She feels colder where Gem touches her. She looks down, and she’s not sure if it’s her eyes playing tricks on her, or if her skin is more desaturated where it brushes against Gem’s. She lets Gem help her into bed, lets Gem fluff the pillows and fuss around her, lets Gem sit next to her as she hands Pearl a bowl of soup (“Your favourite!”) and watches her to make sure she eats.
If Pearl were more herself, she would care about what Gem’s doing to her. Care enough to stop it, maybe. Care enough to—no, not to confront her. Every time she’d tried, the words had gotten stuck in her throat. Because she’s known for a long time who’s been behind all of this, behind the corruption leeching all colour from their village, their home, their friends—
And she’d never said anything. Too worried about Gem’s feelings. Too worried about their friendship.
…Pearl realises, as Gem goes to take the empty bowl and brushes her hands against Pearl’s, that she’s not worried anymore.
She waits quietly as Gem washes the bowl in her kitchen, chattering to fill the silence as she does, updating Pearl on their friends’ conditions. Her tone is bright and optimistic, even as her words are dour. Scar seems to be doing the same. Grian’s getting worse. Joel’s down to communicating only in broken phrases—but he should be fine. It definitely won’t be like Mumbo, or Cub, or…
Gem returns to Pearl’s room, regarding her for a long moment before bending down to give her a hug. “Get better soon, okay?” she says into Pearl’s ear. “It’s not the same doing my rounds without you.”
Pearl knows that she’s not getting better. So does Gem, so Pearl doesn’t bother pointing it out. She just nods, lets Gem withdraw, lets Gem run one last hand through her hair.
“You should rest, Pearl,” Gem says, stepping away from Pearl’s bedside. “I’m going to go check on Impy now—”
Pearl’s moving before she’s even properly registered it, grabbing onto Gem’s wrist with force, holding her in place. Gem freezes. Pearl looks up at her through strands of greasy, greying hair.
“Gem,” she says, and it’s the first thing she’s said in days, and her voice is hoarse and her throat sore from the strain.
“...Pearl?” Gem replies, and she sounds almost scared.
“Gem,” Pearl repeats, getting used to the sound of her own voice in her mouth again. “I know.”
Gem laughs. It’s a nervous, tittering sound, the laugh Pearl remembers from when they’d gotten into trouble together as kids. “Know what?” she asks, voice strained.
“That it’s you,” Pearl says flatly.
Gem stares at her.
Pearl stares back.
Gem swallows. “I don’t know what you’re talking about,” she says. “Pearl—”
“I know you’re the one doing this to us,” Pearl says, more specific this time, choosing her words carefully, and Gem—
Gem tries to pull away.
Pearl tightens her grip.
“Pearl,” Gem whines, eyes wide, tugging. “Let me go—”
“Why?” Pearl croaks, and Gem snaps her mouth shut.
---
Pearl’s in the midst of mixing a particularly tricky shade of green when there’s a loud, frantic knock on her front door. She sighs, setting down her brush to rest, and gets to her feet. “I’m coming, I’m coming, hold on!” she calls as the knocks continue, echoing through the house.
She pulls the door open and Tango’s there, a nervous ball of energy, just about ready to bolt. “Pearl!” he calls. “Pearl, come on, we gotta go—”
He grabs her by the arm and drags her off. Pearl just barely manages to close her front door behind her.
“Wha—? Where are we going? What’s going on?”
“Something washed up on shore,” Tango explains. “The whole town’s there, c’mon.”
Accepting that she’s not going to get an explanation out of him, and now deeply curious about this something, she lets Tango lead her down to the shore by the lighthouse. Sure enough, the whole town is there, a chattering crowd gathered around a spot on the shore that Pearl can’t quite see. Impulse is standing on the edge of the crowd and catches sight of them, raising his arm in a wave. Tango makes a beeline towards him, ducking under the crowd, and Pearl follows behind, apologising to False and Keralis as she bumps into them.
“Did you decide what to do with it yet?” Tango asks as he comes to a halt and finally lets Pearl go.
Impulse shakes his head. “We’ve decided it’s Gem’s call,” he says. “After all, she’s the—”
He doesn’t finish his sentence as the crowd suddenly goes silent and parts for Gem, her hair wild and eyes wide behind her thick-rimmed glasses. She’s got her lab coat pulled on over her day clothes, clearly not prepared for this in the slightest. She reaches the front of the crowd and stops dead still, staring at the thing that has washed up on the shore.
Pearl follows her friend’s gaze, and sees it for the first time.
It’s a body. Of course it is. A corpse, taken by the sea and ravaged by the waves and washed ashore by the brutal bay currents. The body’s clothes are torn and sodden, the skin beneath so pale that it could practically be paper. Pearl is stricken, for a moment, with the mental image of her taking a brush to this canvas, filling it back in with colour, painting contours back into its skin, breathing life back into the body.
She shakes her head violently, banishing the thought. Where did that come from? This isn’t a canvas, it’s—
It’s a person. A person who was alive, and is now dead, washed up on the beach like a dead whale and just as much of a spectacle. His eyes are open but rolled back, only the whites showing, and his hair is white too, just as pale as his skin. It stands as sharp contrast against the dark fabric of his torn clothes, a mask wrapped around the bottom half of his face.
Pearl swallows hard and averts her gaze back to Gem, who looks just as disturbed by the body as Pearl feels. It takes Gem longer to pull her eyes away, to glance around the crowd. “I’ll—I’ll take it back to my lab,” she says. “Investigate, and—and give him a proper burial.”
The words reassure the crowd, a low chatter beginning up again.
“Skizz, will you help me carry him?” Gem calls.
Skizz does, stepping forward from the crowd and helping Gem maneuver the bloated corpse. Pearl finds herself looking at it again, noticing dark striations in the skin, caught in glimpses between the tears in the clothing as it’s moved.
She shakes her head again, forces herself to look away as the body is carried out and the crowd disperses. The image of the body lingers in her mind. Something settles uncomfortably in her stomach, and she wishes that she’d never opened the door.
---
Things go back to normal after that. Or, well, as normal as they get in the village, at least. False monitors the currents and warns of any incoming floods or monster attacks. Impulse and Tango work maintenance on the fishing boats that Grian and Skizz and Keralis take out into the bay. Mumbo runs the fish market. Cub and Scar come and go along the trading routes. Joel maintains security, or at least the illusion of it.
Gem hides away in her lab running experiments she never explains, and Pearl paints.
She tries to return to her usual fare, brightly-coloured landscapes with fantastical features, but something about her paintings rings hollow when she looks at them. She decides she needs a change, to switch things up and just relax, so she pulls out her paints and a blank canvas and begins with no intentions. Her movements are fluid and free and thoughtless and she falls into a flow state that lasts hours, until she blinks her eyes and awakes to find a portrait before her, a colourless face in full saturation.
The corpse’s visage, so alive she can’t believe it’s not breathing, stares back at her from her easel, and Pearl flinches like she’s been burned.
She hides that painting away, face turned towards the wall, and returns to painting landscapes. They come easier now, and for a time Pearl feels normal, as long as she ignores the canvas in the corner.
It’s Impulse who notices that there’s something wrong first. It’s not surprising that he’d be the first to pick up on it, really. Skizz is his best friend, after all. Of course he’d notice when Skizz stopped laughing, stopped joking, stopped drumming out tunes with his fingers on the side of his boat. And when Pearl sees him, she notices changes too—his skin paler, like he’s spent several weeks locked inside a basement instead of out in the summer sun, his eyes no longer their regular bright blue.
“Hey, Skizzly,” she greets brightly, trying to play at normal, throwing him a bone to grab onto.
Skizz just glances at her before responding with a flat, “Oh, hey Pearl.”
Pearl’s smile falters. “How are you feeling? Impulse told me you’re a little under the weather.”
Skizz shrugs. “Fine, I guess. Did you need something?”
Pearl swallows, something cold sinking in her guts. “No, no, just checking in on you.”
“Gem already checked on me,” Skizz says. “She said I’m not sick.”
“Gem’s not that type of doctor,” Pearl reminds him with a weak smile.
Skizz shrugs again. “She’s the only doctor we’ve got.”
Pearl tries her best not to let that unsettle her.
---
It’s not just Skizz.
It starts with him, but it doesn’t end there. Keralis is next, and then Grian. Mumbo gets sickest the quickest, going from his anxious, affable self to a nearly-unresponsive husk within a week. That scares them all, because even Skizz is still responding when spoken to, still moving when instructed to, even after nearly a month of being infected with… whatever it is that’s going around.
False gets sick without anyone noticing, sequestered away in her lighthouse until she comes into town for groceries looking like a photograph that’s been left in the sun for too long, and that’s when people really start to panic.
And that’s when Gem declares, with all the authority that being a doctor of anthropology afforded her in a tiny town with no real doctor, that she’s putting everyone into quarantine until they can determine the source of the illness.
“I’m not sick,” Pearl tells Gem when her friend knocks on her door, dressed in full lab gear, her hair out of its usual ponytail and falling forward around her face. She’s pretty sure she isn’t, at least, having hyper-analysed the shade of blue in her eyes in the mirror every morning for the past month.
“I know,” Gem says. “I want to—I need to—can I come in?”
“Yeah,” Pearl says, stepping aside. “Of course.”
Gem enters, heading down the stairs into Pearl’s living space and staring at the paintings on the wall. Pearl watches her for a moment before stepping closer, resting a reassuring hand on her friend’s shoulder.
“What’s eating you?” she asks.
Gem snorts out a laugh at that. “I’m not a real doctor, Pearl,” she says.
“I know that.”
“They all need me to be a real doctor for them. I—” She breaks off, runs an anxious hand through her hair. “I don’t know what I’m doing. I need help.”
Pearl raises her eyebrows. “I don’t know how I can help,” she says. “I’m even less of a doctor than you are.”
“I know,” Gem says. “But you’re my friend, and I trust you, and I need—please?”
She stares at Pearl, bright green eyes magnified through thick glasses lenses. Pearl has never been able to say no to those eyes.
“Okay,” she agrees, letting out an uncertain breath. “Okay. What do you need me to do, Dr. Tay?”
Gem laughs again, high-pitched and anxious, and Pearl feels hot and cold all at once.
---
They do house calls. Once a day, Gem and Pearl, and sometimes Impulse, will make a round of the village, checking in on everyone. Gem brings some of her lab equipment and a notebook, where she scribbles down all the readings she takes from her instruments and any observations she makes. After the first week or so, Pearl also takes to bringing a sketchbook and a small travel painting kit, attempting to record the desaturation rate in her friends’ colours.
It doesn’t matter which way they look at it—the situation is bad, and rapidly getting worse. Most of the town is infected now, and Skizz is approaching Mumbo’s level of deterioration. Cub fell ill two weeks ago, and Tango—
Well, he’s not quite grey yet, but he looks washed out where he sits at his table, especially next to Gem, all bright copper and ocean blue and forest green. His voice is flat, all of the emotion in it gone, and while he responds in full sentences to Gem’s questions as Pearl attempts to capture the moulded-straw colour of his hair, none of his words sound like him.
Gem wraps up her check-in, and Pearl follows her out, paints packed away in her bag and sketchbook held carefully so as not to smudge the paint. Impulse is waiting for them outside, staring out into the bay, where a low-lying fog has been hanging for days.
He glances over at them, voice shaking as he asks, “How is he?”
Gem hesitates. “About the same?” she offers.
Pearl shakes her head. “Worse,” she says, offering her sketchbook to Impulse, pointing out the differences in values between the colours she’d sampled from Tango two days ago to the ones she’d taken today.
Impulse’s hands are trembling as he hands the sketchbook back to her. “What do we do?” he asks. “They just keep getting worse—Gem, what do we do?”
Gem’s eyes are fixed somewhere out at sea. Her expression is so scarily blank that Pearl would worry she was infected if not for how bright and vibrant she looks against the backdrop of the village. (Are the houses getting greyer? Surely not—surely it’s just the fog, and the fact that the sky has been overcast for a fortnight now—surely—)
“We look after them best we can,” Gem says. “I’m trying—every night I’m working on a cure.”
“And do you think it’ll work?” Impulse pushes.
“I have to,” Gem replies. “It has to.”
Pearl swallows, and does not voice what all three of them are thinking: what if it doesn’t?
---
Impulse turns up one morning a shade dimmer than he had been the day before. Pearl notices immediately, her stomach lurching at the sight of him. He offers her a smile that’s smaller than his usual ones, a greeting that’s a little flatter than it would usually be. Pearl’s not sure if Gem even notices.
But Pearl notices, and her eyes sting, and she throws herself at him in a way that catches all three of them off-guard.
“Uh, Pearl?” Impulse says, stiff and uncomfortable beneath her. “You okay?”
“I’m sorry,” Pearl mumbles against his ear.
“Pearl?” There’s a peak of distress in his voice but it’s not enough. Gem hears it, too.
“Oh no,” she breathes.
“Okay, guys, seriously,” Impulse says, pushing Pearl away. “What’s going on?”
They just stare at him.
Realisation dawns across Impulse’s face. “No.”
“Maybe…” Gem sucks in a breath. She reaches out to take his hand and squeezes it. “Maybe you should go home, Impy. Get some rest.”
“I’m fine,” Impulse protests. “I’m…” His protest crumbles under their gazes. He slumps, and Pearl knows that he would normally never crumble like that. He’d protest and fight back and keep working until he passed out on the docks and had to be carried back to bed.
“C’mon,” she says softly. “I’ll help you home.”
Impulse doesn’t protest that either. He knows, as well as the two of them do, how this ends. He knows that there’s no fighting this.
Pearl, very valiantly, does not cry about it.
---
With everyone except the two of them infected, Pearl manages to convince Gem to split the rounds, with her taking half of the houses, and Gem taking the other half, swapping halves every couple of days. Gem is reluctant, but she has no good argument against Pearl’s that this is more practical, and so she agrees.
And that’s when Pearl notices.
She thinks she’s imagining it at first, but the colour swatches in her sketchbook back up her suspicions, damning evidence she can’t ignore.
When she visits her rounds, she finds that the people she’s visiting appear to have stabilised, at least for a couple days, no greyer today than they were when she saw them the day before. And then she swaps with Gem, and notices that Gem’s half of the rotation are far paler, far less responsive, than they had been the last time Pearl had seen them. They stabilise for a couple days, and then they switch, and Pearl’s original rotation have deteriorated massively in the several days since.
There’s really only one conclusion she can draw from that, and she doesn’t want to draw it. She doesn’t want to believe that the one responsible for this is—
The fog is a permanent fixture of the village now, blanketing the bay in a thick blanket of quiet. Pearl finds it hard to sleep, even the familiar sound of waves muffled by the mist. Kept awake into the early hours of the morning, she finds herself in the studio, a brush in hand, letting the paint take her where it will.
And where it takes her is familiar: the village, desaturated and coated in fog, dark looming shapes in the mist beyond, rising out of the ocean. And there, in the midst of the painting, a bright spot in all the gloom, is Gem, so vibrant she practically lifts off the page.
Pearl stares at it for a long, long time, and then places it face against the wall and tries her best to forget about it.
---
In all the dread, they’d forgotten something important.
The sea isn’t safe. It never has been. Growing up in the bay you learn how to weather the storms, to predict the tides, to flee from floods. You learn how to build barriers, and you learn how to rebuild once the ocean drags them down.
Pearl knows that her village can handle the sea: she’s seen them do it time and time again over the years. Together, they move as a well-oiled machine, responding to threats from the depths with weathered ease. That’s why she doesn’t expect it, she thinks.
There’s never been a monster attack that False didn’t warn them about.
But False isn’t capable of doing much of anything at the moment.
And so when the tentacles rise from the waves, there isn’t a warning.
Just a deafening krk-crash that wakes Pearl from a dead sleep with a bolt of adrenaline that’s nearly nauseating. She scrambles from her blankets, still in her pajamas, and rushes up the stairs to throw on her boots. It’s edging towards winter now, the weather much milder than the summer months, and though it’s not cold by any stretch of the imagination the chill of the air still makes her shiver. She grits her teeth, racing from her front door to the village proper, and there—
There’s a sea monster, dark purple tentacles reaching out to the shore, destroying everything in its wake. The fish market is half gone, and it’s awful, but it’s a relief, in a way, because nobody lives there.
“Gem!” Pearl screams into the night.
“Pearl!” she hears echo back, followed by distant footsteps, growing ever-closer.
Gem’s face is flushed, her hair wild, her eyes wide. She’s also in her pyjamas, her lab coat that’s been ever-present for months now gone, and Pearl finds her eyes drawn to dark striations in her skin. They look like—
“Pearl,” Gem says again. “We need to get everyone out, away from the shore, up to the research centre—”
Pearl nods. “Got it,” she says. She points towards the docks and says, “I’ll head over there.”
Gem nods. “Be safe,” she says, and then she’s off again, pelting in the direction of the lighthouse.
Pearl doesn’t bother knocking as she throws Impulse’s door open. He’s still lucid enough that he’s been startled awake by the noise, though it hasn’t driven him to do much more than put his shoes on and stare out of the window at the dark shapes rearing up out of the fog.
“Impulse!” Pearl cries.
“Pearl?” Impulse says, glancing at her with dull eyes.
“We need to get people out,” she says.
There’s an extended pause, then, “Okay.”
“Can you get Skizz?” she asks. “Tango, too, maybe? I need to go to the beach, help everyone down there.”
Another extended pause, then a nod. “I can do that,” Impulse says. He moves too slowly, not driven by the same panic flooding Pearl’s veins, but it’s good enough. It has to be. Pearl doesn’t have time to consider the alternative.
She goes racing off for the beach. She throws open Keralis’ door first, relieved that he is, at least, wearing underwear when she drags him from his bed and into the night. She leaves him there while she grabs Grian from his hut, and then takes them both by the wrists, pulling them along behind her while she races for the cliffside.
It feels like hours that she races back and forth, grabbing her friends from their homes and dragging them in various states of comprehension to the safety of the cliff before running back into the danger zone. Grian’s hut is gone, and so is a large portion of the road. The tentacles have taken a chunk out of the farms further up the coast. Gem’s been taking the people she rescues a different route up to the research facility, the path that Pearl’s taking cut off to her by debris.
Once she’s got everyone on her side of town, she collapses panting on the grass, her lungs aching with the strain. There’s a fire somewhere down on the shore, someone’s lantern knocked astray by swinging tentacles. Her eyes burn just from looking at it.
A voice says, “I got him.”
Pearl looks up.
It’s Impulse, manhandling a colourless, greyscale Skizz.
Pearl goes cold.
“Where’s Tango?” she asks.
Impulse blinks. Slowly. Too slowly.
“Oh,” he says. “I’ll go get him.”
Pearl shakes her head, rocketed up to her feet by panic once again. “No, I’ll go,” she gasps. “You stay here.”
And then she’s off running again, beelining for Tango’s house, praying to any higher power that will listen that she’s not too late. Her lungs ache. Her legs burn. She can’t quite catch her breath. She’s shaking.
And then she’s knocking down Tango’s door, grabbing him from his bed against the far wall, dragging him away—
The roof coming down sounds like thunder, like the sky split open and gutted for parts. Pearl goes down hard, stars bursting behind her eyes, her breath coming out empty and then as a whine. She blinks, waiting for her eyes to adjust to the dark, for her ears to stop ringing, and that’s when she hears it.
It’s—not a scream. More of a whimper, or a wail, stretched out and awful and pained and punctuated by short, desperate gasps. It goes straight to her stomach, straight to making her sick, and she doesn’t want to look. Doesn’t want to move.
But, god, she has to, doesn’t she?
She wiggles her fingers, her toes, and lets out a deep groan as she pushes herself up onto her hands and knees. The world has narrowed in on itself, the open air of Tango’s house reduced to a crawlspace, and she shuffles down it, rubble and debris tearing her skin open and leaving bloody red marks on desaturated wood. It is a far cry from the blood she finds, practically brown with how much colour has been leeched from it.
“Oh, my god,” she chokes. “Tango…”
Tango just moans in response. She can’t tell if he’s pale from blood loss or pale from the infection, but either way it has the effect of making him look half dead. He’s half buried beneath the rubble, body jerking with what she can only assume is pain, barely felt beneath the weight of numb apathy.
“I gotta get you out of here.” The words taste acrid against her tongue. Or maybe that’s the smoke. She can’t tell. “I’ve got you.” She grabs Tango by his good arm and grimaces. “It’s gonna be okay.”
It’s not a reassurance for him. Not really. Pearl’s familiar enough with his condition by now to know that he can’t really care about being okay at this point.
It’s more for her as she does her best to get leverage in the small space and pulls.
When Tango screams, she knows it’s completely involuntary, an animal howl of agony that stops her short. Pearl gasps, tears on her cheeks, head spinning. “Please, no,” she begs, and she doesn’t know if she’s talking to him or the higher power that’s been ignoring her for weeks. “No, no, I gotta—I—”
“Pearl?”
“Gem!” Pearl cries. “Gem, please, I need—it’s Tango—he’s—”
“I’ve got you,” says Gem’s voice, familiar and close as footsteps pound across rubble. There’s a series of grunts and clunks as rubble shifts, and then there’s light pouring into the crawlspace, which is no longer so much of a crawlspace. Gem stares at the two of them, Pearl in tears on her knees and Tango half buried and lying in his own dull blood.
“Okay,” she gasps out, and she sounds terrified. “Okay,” she repeats, steadier this time.
Pearl wants to be relieved, but she’s just on the other side of hysterical. Gem’s holding an axe, which she must have used to clear the rubble, and she steps forward with it held between white knuckles.
“Hold him still,” she tells Pearl.
Pearl swallows. “Gem?” she whispers.
“Please.”
Gem glances down at Pearl, and god, she never has been able to say no to that, has she?
She shuffles forward, puts her weight against Tango, holds him still. Squeezes her eyes shut.
It doesn’t make it any better.
It doesn’t stop her from hearing the sick crunch of the axe cutting through bone or the blood-curdling scream Tango lets out.
It doesn’t stop her from feeling the sudden lack of resistance as she pulls Tango’s bleeding body away from the rubble, leaving his arm behind.
---
Pearl manages to hold it together until they’re able to get Tango safe and stable. Once the wound has been cauterised and disinfected and bandaged, and he’s left sitting with a mostly-unresponsive Skizz and an Impulse who’s just aware enough to be awkward about how little he feels for his friend, she walks away from the town’s refugees on the hillside until she can no longer hear them, and they can no longer hear her. She stands for a moment, surveying the damage below, the sun rising over the sea and the flooded streets and destroyed buildings, and she sucks in a breath that knocks her to her knees.
The panic attack comes in quick half-breaths and waterlogged wails, her hands gripping at her hair and pulling it hard enough to hurt. The world blurs around her as she chokes on saltwater and bile, her ears ringing with screams and funeral bells. When the hands settle on her shoulders she barely feels them—only feels them when they rise to her wrists and untangle her fingers from her hair.
“—earl? Pearl. Look at me. Come on, I know you can do it.”
“Ge-em,” Pearl chokes out. “I can’t—I—”
“I’ve got you,” Gem soothes. She takes Pearl’s hands in hers, squeezes them tight, real and grounding. “See, come on, that’s it. Breathe with me.”
Pearl blinks tears from her eyes as she tries to time her breathing to Gem’s. She’s not very good at it, her heart too quick and Gem’s too slow, but it helps, dragging her down from the high of panic.
“That’s it,” Gem breathes. She lets go of Pearl’s hand, reaching up to push the hair out of Pearl’s face, cupping her cheeks in her palms. “See? Nice and calm. Everything’s fine, see?”
“Yeah,” Pearl agrees, and the words feel hollow. Her panic feels hollow, somewhere above her body, her soul sunken to somewhere below her knees. She sucks in a breath, lets Gem wipe tears from her eyes with her thumbs.
Gem is so bright. A searchlight in a storm, a ray of rising sun through the dark. The world seems to grey around her.
Pearl reaches out, splaying her hand against Gem’s cheek, a clumsy echo of Gem’s own reassuring, grounding touch. Gem is still so bright, vivid enough that Pearl doesn’t think any paint could capture it.
And Pearl, held in comparison, is grey and dull. A shade, drained of life.
She swallows. Lets out a shaking breath. Looks up into Gem’s green eyes, sees the fear and regret in them, and can barely summon her own panic or hurt in return.
“Oh,” she says, and the word falls like a stone, plunging into the depths.
---
Pearl lets out a breath. “It was the body, wasn’t it?” she asks, loosening her grip. “The one that washed up. It did something to you.”
Gem swallows. She pulls away, holding onto her own wrist where Pearl had dropped it, clutching it to her chest. “I’m so hungry, Pearl,” she whispers. “I fade so fast now. I need… I need…”
“You’re going to kill us.” Gem flinches at the words. “You know that, don’t you, Gem? You’re going to kill us. You are killing us.”
“I just need your colours,” Gem replies, a whine in her voice. “I just…”
“What happens when we’re gone, Gem? What happens when you’ve taken all the colours? What happens then?”
Gem stares at her. There are tears in her eyes. They don’t quite fall, but Pearl can feel them drip into her hollow heart. There’s an ocean between them now and Pearl doesn’t have the wits to cross it. She doesn’t care enough to cross it, and she doesn’t feel enough to care about that.
“I have to go and check on Impy,” Gem repeats, her voice thick. “I’ll see you later, Pearl.”
“You won’t,” Pearl calls after her as Gem hurries for the door.
Gem doesn’t reply, just slamming the door shut in response.
Pearl sits in bed for a long time, staring at the wall with hazy vision. Her thoughts are muffled under the thick fog that chokes the village, and so when she finally stands, she’s not entirely sure why. She lets her body carry her back to her studio, picks up a canvas from against the wall, and places it on her easel. She sits down in front of it and stares.
Gem’s face stares back at her, the only alive thing in a dead and colourless world.
#solsticesocial#hermitaday#hermitcraft#fanfiction#magpie feather quill#if you're seeing this immediately after posting the ao3 link might not work#i am spending most of posting day on a plane so i am going about it in a way that's a little janky
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No second location, that was the mantra that had been drilled into your head. So when a man bullied his way into your passenger seat, put a gun to your head and told you to drive, you did that. When he told you to take the next cut off you did not.
"Naw think I'll shoot ye?"
"Think if you do we're doing 80 and we're both meeting a quick end."
It's night time, quiet motorway that stretches for hours and hours. He laughs in disbelief after the initial plan to intimidate you fails. You can't keep driving forever, but he is fascinated by the attempt.
One hour in and you know each others names. He knows what music you like, knows you're single, that you have a cat. You know this is the first time he's brought a girl back (or has tried to at least), that he's the youngest in his team and this is an initiation of sorts. He connects his phone so he can blast his music. "Naw dying in a blaze of glory to fuckin' showtunes sweetheart."
You scream at one point, raw fury. He screams with you, whooping as you pick up speed and hit 100 in a moment of blind emotion before you slow a little again. He's touching you, a hand running down your body as he whispers filth into your ear. You give him nothing, act unaffected as your hands grip the wheel so tight they are turning pale.
There's a phone call. One of his team.
"As beautiful as you'd be dead, your pretty corpse is of fuck all use if it's burned to a crisp in a fireball."
"Oh, I don't talk about necrophilia until the second date."
"Fuck LT ye should see her. Spitting mad, think she might actually kill herself just tae take me with her."
Soap groans the words out, hard over the idea of dying in this car with you, throbbing with the knowledge that maybe you hate him so much you're willing to give up your life to spite him.
There are other team members, you try and block it all out. You are crying with frustration because soon the motorway will run out. Maybe you'll just drive straight to a police station, but then Price who you think may be their leader tells you that if his boy goes to jail, he may as well do it for murder.
"Soap'll blow your pretty brains right out of your skull luv, now pull off at the next exit and follow directions."
"Isn't it apparent by now that I'd rather die?"
"If that were true you'd have crashed 100 miles back."
He's right. You don't want to die. You really do not want to die. Over the last few hours you've developed an aversion to Soap dying as well. He's crazy, certifiably insane, but the danger of him is the kind of danger that comes with the flood of adrenaline that borders on erotic with how strong it is. You're sort of attached, trauma bonded maybe.
But the mantra persists. No second location.
Soap grins wildly when he sees how you relax, how your eyes fill with resignation. He can see what you're going to do. So he kisses you, tongue trying to bury itself as far into your mouth as possible.
"Let's dae it baby."
So you do. You bank hard right and the car goes flying, tumbling over and over into a field. You don't know how you survive it, but the next thing you know you are in the back of an ambulance. The police question what happened once you're stable in the hospital. You tell them everything. Psychotic break they think, suicide attempt. After all, yours was the only body in that car when they got there.
#mhairidrabbles#this makes a lot of sense in my head but perhaps not so much in words#Soap now wants to initiate you btw#like nah not interested in treating you like the rest but very interested in you being wild with him#mhairiwrites
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