#or the narrator mentioning it so

[minty-bunni]

AU where Halsin immediately figures out durge is a Bhaalspawn with a brain injury.

[uncanny-tranny]

Honestly, there is a certain type of fetishizing of violence that occurs when you are the victim of abuse - wherein people talk directly to you about how much they fantasize about your abuser/s dying and being killed - "all abusers must be killed!" they say.

As a victim of prolonged abuse, I never felt cared for when people indulged that information to me. It often feels like my abuse is being exploited for others to enact their own violent fantasies and secret desires - my abuse means nothing to them in the same way that I didn't matter to my abusers. It's not support - it's just another cycle of violence.

I'm begging people to care more about victims and survivors than they do about retribution of abusers. Nowhere along the way should your focus on the abuser outweigh the people affected by their abuse. If you truly want to support abuse victims and survivors, start with us

[metanarrates]

my friends and i won't fucking stop saying ETERNITY MENTION literally every time the concept of eternity comes up in anything so i made an image for all your ETERNITY MENTION react needs

[farshootergotme]

I like imagining a scenario in which Jason, Tim and Damian are arguing about Dick and just keep trying to one-up one another:

Damian: I was his Robin and he clearly likes me best.

Tim: I mean, technically I was his Robin first. And that last statement is debatable (and wrong).

Damian: Tt. You were father's Robin, I was Grayson's only before the original Batman returned.

Jason: Oh, for fucks sake, why does that even matter? He accepted me as Robin first and gave me his old costume, try topping that.

Tim: Been there, done that.

Jason: Not first you haven't.

Tim: Irrelevant. I think being accepted as Robin and being his Robin first puts me above you both.

Damian: Richard made me Robin on his own accord, father's intervention was unrequired.

Tim: Do you think that maybe that was because, I don't know, Bruce was 'dead' at the time?

Damian: I don't see how that refutes my argument, Drake.

Tim: He didn't even want you as Robin, he did it so you didn't go running off to the league.

Jason: Face it, brat, Dick didn't have much of a choice on the matter. With me, on the other hand-

Tim: I can give you a list of reasons why what you're about to say is wrong.

Jason: Stop trying to be a smartass, you-

Damian: This discussion is getting sidetracked. I can win this argument with the simple fact that Richard planned to adopt me.

Jason: Get in line kid, he tried with me first.

Tim: Wait- what? Damian makes sense because Bruce... but you? Full offense, by the way.

Jason: I was a redhead and a circus kid, he had all the reasons to adopt me.

Damian: Todd, you're a brunette, you're spitting nonsense.

Tim: And you most definitely did not grow up in a circus. I've heard your backstory from Dick himself.

Jason: You had to be there.

[chxrrylungs]

they're the same ship in a different font and by font i mean treatment of their yellow omnipotent boyfriends

[finchers-ipad]

MY 1999 ‘SIGHT AND SOUND’ MAGAZINE ARRIVED!!

[foxstens]

kevin was signed to the baltimore exy team before he broke his hand

[mortysmith]

favorite colors

[sweattyspaghetti]

And look where that got him.

[pinkd3mon]

I just wanted an excuse to draw my Galacta with a cape propaganda

[dr-mothman]

I think not a lot of people talk about AM's self-esteem issues and self-destructive tendencies and it makes me sad.

[mishy-mashy]

Probably not gonna match with when this comes out translated, but still—just a few things I liked about BNHA 423

WE GOT TO SEE THE VESTIGES AGAAAAINNNNN!!! HI BRUCE!

I think Bruce gets a lot of bad angles. This is an example (but it's okay honey, you're still hot stuff)

Unfortunately, I have a favorite. It's Bruce. The most Normal Guy™ in the vestige line up. And the special-est sopping wet cat for Kudo ever (Yoichi is a dry cat because at least Kudo remembered to take Yoichi inside).

The vestiges were all gearing for a punch, but Tomura/Tenko is reaching out.

The rest of the users usually use OFA to punch, is the general idea we see. But Tomura/Tenko's Quirk isn't that.

Tomura/Tenko reaching his hand out to grab, and the vestiges readying a punch—it's their ways of putting the hurt on.

And Tomura/Tenko knows what happens if he puts his fingers on someone. He was aiming for AFO's head too. Guy was pissed.

I like that the vestiges look like they're crawling out of hell (or the depths) here. Technically for OFA itself, which they embody, being in AFO's realm was hell. It meant they failed their collective goals to win against AFO, and keep OFA [Yoichi] out of his possession

Also, they're all embers of who they once were. If Factors embodied their personalities, these embers are the leftovers of that embodiment. Their eyes are blank.

And even when they're only shattered fragments of themselves, they came for AFO to take him down.

They really embodied that purpose. Even as husks of themselves, or sad leftovers that scattered from their destroyed Factors, they still reached forward to clock AFO one last time.

They were that determined, and that determination was all that was left of them.

Meanwhile, with Yoichi, his itty bitty remains continued trying to talk sense into his brother till the end.

Yoichi has such a bleeding heart. But he also loved his brother.

AFO is standing in the dark. But in that dark, there's a light. It's Yoichi, as if he were the light at the end of the tunnel.

AFO chased OFA for decades, and ruined a lot of lives, just to have Yoichi by his side again.

Joining hands with Garaki; killing Banjo, En, Nana; forcing the creation and upbringing of Tenko; the whole Shimura incident; everything he did to UA and the Aoyamas to get close to the wielder of OFA [Yoichi]. He did all that, and more.

He just wanted the chance to have Yoichi with him again. That was his purpose in obtaining OFA this whole time.

Yoichi was AFO's light at the end of the tunnel.

Too bad for AFO, the light at the end of the tunnel was an oncoming train.

Yoichi is telling AFO what happened, but I love that in front of Yoichi, AFO became himself. I mean, not a mass of scar tissue, but who he originally looked like

Idk, there's just something symbolic about it?

Midoriya calls AFO a lonely man. And Yoichi comes to him, and AFO says he wants Yoichi by his side. He wouldn't be lonely if that were the case. Yoichi could make him not lonely anymore.

And the lonely man, a bundle of scar tissue from his warpath to see Yoichi again, reverts to a time he had no injuries or scars. He looks like the period of time where he and Yoichi lived in the same era.

In front of Yoichi, he's just.. himself, I guess is how to put it. Not a mass of scar tissue, or the evil villain everyone feared: he's literally just Yoichi's "Nii-san".

It's like, the scar tissue shed itself to reveal AFO's true face.

He wants to see Yoichi's face, and ended up showing his own without even meaning or thinking to.

He's finally looking straight at Yoichi, trying to see his face. It's not like when Yoichi was alive, when AFO always looked down on him, and just waited for him to bend to his will.

Now, AFO has little time left with Yoichi, and he's lost his composure for it, wanting to see Yoichi as more than an ember. But maybe he got to the point he only ever saw Yoichi for his Factor, rather than the Factor for Yoichi: how often has he said he was chasing One For All, instead of his younger brother?

AFO wanted to see Yoichi's face, but when he saw Yoichi next to Kudo... yeah, he lost his mind a bit there. Probably (Definitely?) because he saw Kudo's Ability, and Kudo with Yoichi. And Kudo is "to blame for everything".

Maybe he lost it seeing Kudo and Yoichi together, because it was a repeat of the past, I suppose?

(Technically, he did see Yoichi's face one last time already. Just that he also saw the bastard Kudo's face again too. And AFO did not like that.)

[acaptainbyanyothername]

I have to credit @asamis-jodhpurs for this incredible meme they made about Spahr only discovering his feelings for Phineas when he thought Phineas was DEAD, because I think about that all the goddamn time. Like, the implications of him figuring out what Phineas meant to him and falling in love with a ghost is CRAZY.

It’s like… okay, you are Jonas Spahr. You had so many chances and you failed each one, but now you realize there were more chances you didn’t even realize you wanted until now, when it’s useless and too late. You think he’s met a horrifying end on an islet you abandoned him on. And the GUILT OF IT, to feel like you PERSONALLY FAILED this guy and all along he meant THIS MUCH to you. It was beyond mentor/mentee, beyond romance, this guy was literally your person and you just had your head too far up your own ass while he was fucking ALIVE to even realize it. You only realize how much he meant to you once he’s no longer there to know, and isn’t that so fucked up of you? One of the reasons he died was for your favor, something neither of you knew how much of it he had all along. And now he’s dead, no coming back from that, and it’s your fault, and you’re left with all this love and affection you can do jack shit with and probably wouldn’t have saved him anyways. You personally accelerated him to his death when you brought him into this society, and you had the audacity to believe you were saving him. You were the one who doomed him from the start, motherfucker, and your arrogance said that was doing him a favor. Everyone around you is telling you to get over him, when you just finally figured out what he meant to you.

But even with these intense feelings, even feeling the regret of opportunities missed, you know you couldn’t have done anything anyways. Even if you had been aware of these feelings when he was alive— you were Prime Consector, he was Adsecla. You were Valorous, he was Caenemous. While you did fail every chance you had, your failure was inevitable due to your respective places in society. It would never have worked, but regardless those problems seem so distant now that he’s dead and everything’s changed. It was doomed before it began, but the “what if” still haunts you— most of all, you just wish you could have saved him. You’re haunted by his ghost and on some level you want to be because the grief means you truly cared about this guy, and you’re no longer sure how many things you’ve actually truly cared about in your entire life.

And… maybe, just maybe, if somehow he’s actually alive, maybe you don’t actually want to be Consector or Valorous all that much anymore. Why choose to be torn from him a second time? Why not finally make the choice to do anything you can to save and protect him, in the way you failed to last time?

Well, sure is a shame he’s dead, and you’ll never get that second chance, oh wait who’s that in the Arca—

[hqbits]

more of this au yayayaya

[clotpolesonly]

Blue Lily, Lily Blue ch 31 // Mister Impossible ch 19

[the-phoenix-heart]

okay so I've been spending a lot of time thinking about Harry Potter recently and trolling the wiki for reasons and I have the weirdest observation about the series.

What is JKR's deal with Ravenclaw women?

I mean consider our main Ravenclaw girls: Luna Lovegood and Cho Chang (and Marietta Edgecombe). Luna in the movies is portrayed as whimsically queer, and that's not inaccurate to the books, but in the books she is more often a punchline than anything. She's a parody of the Ravenclaw ideals of creativity and openminded-ness to the point where she believes crazy conspiracy theories.

But she's our most positively portrayed Ravenclaw. Which is more than I can say for Cho and Marietta. Cho is portrayed as a pitiable character, someone so emotional and loyal that she is sympathetic, but the narrative portrays her overemotional nature and loyalty as bad traits. She's so emotional she'll blow up over perceived threats, and dwells on trauma, and it makes her a drag to talk to. And her loyalty is a bad thing because she chooses to be loyal to Marietta. Marietta is ESPECIALLY treated awfully. Marietta is scared for her mother's job that she rats out the DA and for her choice she is forever branded a traitor at 16, and this is completely justifiable. Like, if Hermione can jinx a paper to disfigure a person's face than couldn't she just jinx the paper to make it physically impossible to reveal the DA, except perhaps under the influence of veritaserum? Like the film did? But no, Hermione is instead more preoccupied with punishing than preventing (an insane thing for me to say, I'm sorry Hermione it's not your fault that your author is kinda insane about women).

(And just as a sidebar but Marietta is also given an illustration that makes it clear she was kinda ugly before the pimples which is so rude, but also so like JKR.)

Then you have very minor characters like Padma who are just generally portrayed as kinda bitchy. Padma gets off better than her sister in terms of being treated as bitchy, but it seems like Padma always carries the stigma of being disappointed by Ron at the Yule Ball.

But this goes back even FURTHER, to the oldest Ravenclaw student we are introduced to, Helena Ravenclaw.

In the films, again, Helena's scene with Harry is haunting. She's treated with respect and tragedy (almost all of the dialogue in the film is original). But in the books, yes we actually get her tragic backstory, but she is portrayed as haughty, vain, and prideful.

You can also add in Trelawney there as a Ravenclaw who is treated like a joke (crazy* and alcoholic).

And consider that the two women we know were almost in Ravenclaw, Hermione and McGonagall, end up going to Gryffindor and are portrayed as better off for it.

And like there is more to explore here. The four Ravenclaw men we really get to know are Filius, Ollivander, Xenophilius, and Lockhart. Xenpohilius is a conspiracy theorist (and a death eater sympathizer I just know it) and Lockhart is a buffoon who only really upholds the Ravenclaw wit and is skilled at memory charms.

(There's this crazy part of the Ravenclaw wiki page that actually compares Lockhart to Cho Chang because they both wanted to be popular. WHAT.)

Meanwhile you have Ollivander who is a positive Ravenclaw character, but is also barely in the books and Filius Flitwick. And Filius is a positive character but it is also canon that the Sorting Hat almost put him in Gryffindor, which seems like a pointed attempt to make it clear he's better than most Ravenclaws. Because he's got something of a Gryffindor edge to him.

I don't really know what the whole point of me going on this rant was about, other than just to point out that JKR is weird about Ravenclaws and the women in general. Almost all of them aren't allowed to actually uphold the actual values of their house: Wisdom, Intelligence, Learning. The only traits they ever really uphold is Wit if they are popular and Creativity, which seems to be a nice way of saying they're crazy conspiracy theorists. The only characters that really get anything good out of the house are Minerva and Hermione, and them being hatstalls is only meant to emphasize their intelligence in comparison to their Gryffindor peers. Otherwise Ravenclaw seems to just be JKR's go to bitchy/we need a villain who isn't Slytherin house.

*When I say "crazy" in this post I am referring to how JKR treats the characters. Babbling, loony, conspiratorial, and not in their right minds.