#or that never came up until then

[starcurtain]

Please someone redraw this with Dr. Ratio and Aventurine because this is the exact vibe they have in my head post-Penacony.

[hinamie]

spiraling

[morganbritton132]

Want to make a minor adjustment to my Steve With Much Older Siblings post from yesterday. I think it’d be a much more interesting dynamic if he’s actually their half sibling from an affair.

Their father had an affair with his secretary and then married her when she got pregnant. It broke up their family and they blamed Steve for it for years.

When they stayed over for their weekend with Dad, they were either outright cruel to him or pretended he didn’t exist. When they were old enough to stop coming over, they did. It’s only after growing up and maturing that (most of) his siblings were able to acknowledge that Steve was never at fault for their family breaking up.

They tried to mend their relationship with him, especially after realizing how absent his parents are, but by then Steve was old enough to build up his own resentment. It’s an uphill battle.

It’s a lot of actually coming around for holidays and a lot of teasing when they do. It’s actually picking the phone when the hospital calls, something that’s happening with increasing frequency.

Steve has never asked any of them for anything until one day, he shows up on Richie’s front porch smelling like death and gasoline. He’s got blood drying all over him and is visibly shaking, and Richie thinks that he’s been hurt in the earthquake but Steve barely acknowledges the concern, “I need you to represent my friend.”

“What?”

“You’re the only lawyer I know, and -“ Steve takes a big shuttering breath. “They’ll kill him, Rich. He never hurt anybody but no one will listen. They’ll lock him up and it won’t be fair, and Dustin can’t… I never ask you for anything but. But I need…”

“Eddie Munson?” He asks incredulous. “You’re friends with Eddie Munson?”

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[iite-cool]

thinking about simon being like a cat. a mean ol' one all teeth and claws, scratching and hissing when you stretch a hand out to him. biting you because that's all he knows how to do - it's all he's ever done - and it's kept him alive.

that's what his whole life's been about - staying alive. surviving. maiming anything he sees before it can get to him first. so he doesn't know how to react when you don't bare your teeth at him but just smile and make him tea. he reacts like a stray cat does when it's offered warmth - he's confused. and his confusion gives way to anger and again he spits fire because what else is he to do? accept your kindness? bah! it's a hoax, he knows that. you'll tire of him and claw at his neck sooner or later so he'd rather not let you close enough to do so.

and when you don't give up, and you keep smiling that gorgeous, dazzling smile at him, he doesn't know what to do. no one's ever done this before - been all soft and sweet and only wanting to be allowed to scratch at his ears in reward. why were you doing this? why didn't you run away when you saw how he snarled at you? why do you look at him with those big, beautiful eyes like he's the only person in the world?

at a complete loss, he lets you pet him and oh that smile he'd let you tear his heart out if you would just keep smiling at him. "hey, simon!" god, he wants to drown in the sound of your lips wrapping around his name. you come close to him and his brain stops working, eyes wide and lost when you wrap your arms around him and pull him to you. warmth. is this what it feels like? he wants to live forever in the crux of your arms, creating a life for himself between them.

he couldn't stop purring if he tried, if he were a cat he'd spend the rest of his time on this earth, the earth that tried to bury and kill him and is now making amends by sending him you, running between your legs and swishing his tail around you. simon riley who's always had his head on a swivel, who's not gotten a full night's sleep in a decade lest he miss the chance to look his reaper in the eyes, now sleeps with his head on your lap, belly up and purring.

masterlist

please comment/reblog!! i have so many thoughts about this man that need to be talked about

[buggbuzz]

THERE IS NO WAY WE GOT INEFFABLE BUREAUCRACY THAT EASY AND THEN—AND THEN THEY JUST

OH MY GOD OH MY GOD IM NEVER GOING TO FUCKING RECOVER

[arg0t]

while i find it sympathetic to tie “asking about an open relationship” to “wanting an open relationship,” i think a lot of monogamous people view nonmonogamy as some force that’s way more powerful than it is, capable of tempting away anyone who is even passively interested in it inexorably toward it.

Even disregarding the other reasons someone could put the question on the table (they suspect their partner would like to open the relationship, they’re making an opening play toward becoming /more/ exclusive, they’re just indulging intellectual curiosity/making conversation) There’s an idea that any monogamous person who mentions polyamory or nonmonogamy is /always going to do it eventually/ whether their partner is into it or not. This isn’t true!

it requires a chat to see how committed to the idea the asker is, or what their intent is going forward after the question is asked, but ultimately people /like/ their relationships, especially their long term commitment relationships. You don’t have to have the exact same desires to reach an amicable and truly happy relationship plan. Plenty of people interested in nonmanogamy never try it out because they like their monogamous relationships more than leaving them to explore it. Plenty of people try out nonmanogamy and it isn’t for them!

the idea of a nonmanogamist in the popular monogamist culture is definitely one which presumes threat, and a threat so powerful that it’s very mention should scuttle any relationship or potential relationship entirely.

One of the wildest ideas that bounces around the Reddit relationship advice echo chamber is the idea that merely asking your partner if they would go for an open relationship is perfectly reasonable grounds for divorce.

[dandyleyen]

Twitter post | Link finally got Zelda home again☀️ Insp. by this tweet from @shellshooked + second version with a different background

[blackoutbugza]

quick! show me your design for one of the sides as kids!

i’ll go first :)

[artiststarme]

Eddie wasn’t very close with Wayne. Sure, he loved him and he knew on some level that Wayne loved him. But Wayne worked long hours and was away oftentimes while his nephew was around. And Eddie tried to be out of the trailer as often as possible to let his uncle have time to himself. He’d forced the man’s hand in adopting him all those years ago and made his life a hassle since, the least he could do was give him some space.

Wayne never saw it like that though. His nephew, more like a son in his eyes, was his pride and joy. Yes, Eddie got into more trouble than the average kid and yes, he was repeating the senior year for the third time. He listened to loud music far into the night, kept hiding stray kittens in his bedroom until Wayne’s allergies started acting up, and intentionally caused chaos wherever he went. But instead of seeing a failure or a loser, Wayne saw a boy still trying to succeed despite enduring all of his struggles.

That’s why he never faltered in his belief that Eddie didn’t kill those kids. Eddie was a good boy, raised by Wayne himself to be the best person he could be. There was no way in hell that Eddie would ever turn his back on that.

And Wayne would never turn his back on Eddie. So in the early days of Spring Break, Wayne skips out on work and tries to find his nephew before the cops or the angry teens do. He searches the woods, the high school, the quarry, and all of Eddie’s friend’s houses. After the earthquakes, he scours the desecrated lands around what’s left of the trailer park and woods in any effort to find his nephew, his son. He screams into howling fissures in the ground and gets burned by hellfire… but he doesn’t find Eddie.

Wayne manages to keep his hopes high and his tears at bay until the little freshman friend of Eddie’s pulls him aside while he’s putting up flyers. He only breaks when the boy says he watched Eddie go down. But he won’t believe the words until he sees a body and that he does not. Because he’s never given up on Eddie before and he’s not going to start now.

[fictionadventurer]

Everything I learn about Rose Wilder Lane makes me more and more aware that she was a hilariously outrageous person who needs a movie made about her immediately.

After leaving Missouri, she moves to California and marries a real-estate guy who once tried to get her to help him con the railroad.

She gets hired at a San Francisco newspaper known for its yellow journalism, where she does things like writing a series of columns featuring the "real-life stories of a police detective" who, in real life, was a high-end jewel thief.

Her first book is a first-person "autobiography" of Charlie Chaplin that she (after a few interviews with Chaplin) completely made up, and that Charlie Chaplin immediately threatened to sue her publisher for.

Her second book is a biography of Jack London, which his wife only reluctantly allowed her to write because Rose presented herself as "someone who had never written for the newspapers before and needs a chance to break into the magazines." This book was also almost entirely fictional, and her publisher also almost got sued over it.

Third biography is the first-ever biography of Herbert Hoover, also a heavily-fictionalized account. (Doesn't seem to have been sued for this one. Steps in the right direction!)

Traveled as a reporter through Europe (to places like Albania and Poland) post-WWI. (If we want to talk about legal things that she did).

Wrote a book based on Laura's late-childhood pioneer experiences while Laura was writing the early books of the Little House series, and did not tell Laura about it. (Laura was ticked off).

Kept trying to insert a story into Laura's memoirs (and Little House on the Prairie) casting Pa as a member of a posse that hunted down the infamous (and never-caught) serial-killing Bender family (despite the fact that this was historically impossible). (It got to the point that Laura herself told this story to the public as an example of "a true story I couldn't out in my children's book." Despite the fact, I say again, that this was historically impossible).

During WWII, endured a minor incident (it involved one cop coming to her house) where the FBI investigated her as a potential communist based on a postcard she sent that was critical of the government. Turned this into a short story that presented herself as the righteously-outraged American citizen fighting against an oppressive government, and used this to whip up a nationwide media campaign against J. Edgar Hoover for spying on American citizens.

Flew to Vietnam as a war reporter when she was in her seventies.

[birdeedraws]

I love their little interactions

to be completely honest I didn’t like gale very much in the beginning and bullied him so much he left my team (I didn’t know you could do that lol) but I promise I will be nice to him and keep him in my next playthrough lol. he’s grown on me

Tara tho I love her can u tell

[breezypunk]

something something, pretty men in suits *drools*

[screechingfromthevoid]

I think the same reason I love Dorym is why I love Loquatious and Laerryn. One, the devotion of it all. But secondly, and more importantly, "But there's one story of a fairy who stumbled into this world and fell in love"

Because Dorian is an air genasi prince who left home to find something real. His home floats on wind and he's never wanted for a thing. And he came down from his clouds only to find himself stumbling, tumbling, into love with just a man.

There is something so earnest about a man who is considered magical and wondrous in a world that already has magic, falling in love with someone who just is.

It's a thought that scratches the back of my mind a lot. It goes hand in hand with Liam saying "he has no idea if Dorian returns his feelings". Because from Orym's point of view why would Dorian have feelings for him? Dorian. The beautiful blue prince who is extremely talented in both music and magic. Dorian is everything Orym admires in other people. Everything he doesn't see in himself.

But Dorian does have feelings for Orym. Because Orym is everything he's not. He's firm and reliable. He knows who he is and is unapologetic about it. Orym was the only one in the (original) Crown Keepers that wasn't tempted by the spider queen. Because he was too principled. He was too good. Dorian's alignment changed. Dorian felt himself getting worse. Yet Orym stayed steadfast. In the face of everything he did not change.

Their pursuits were the same. They wanted to protect their friends. At any cost. But Orym somehow stayed unchanged. He always knew the right way of doing things.

So the handsome prince fell in love with a guard and planned to stay with him until he no longer wanted the company.

I literally said to a friend "I know he leaves. But he is so devoted to Orym I don't know how they're going to get him to."

And it was the one thing neither could argue against. Family. Orym knew about family. He knew about duty.

But even a continent away Dorian couldn't stop thinking about Orym. His little tactician before he was the savior blade. Even when his world came crashing down, Orym called and he went.

Idk. I think there's something beautiful in the way that Dorian loves Orym. I think it is very reminiscent of the fey who stumbled into this world and fell in love. I think it will be a love that will always be with them. That they will have to recover from. A love they might have to mourn before they ever have it.

Even if they never... If there is no love confession, if they have to mourn the loss of the people they thought they were, if there's no way for them to be together; Dorian will always love Orym. In the same way Orym loves Will. First love often lingers.

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.