#or something. idk why i drew this one. idk why i draw any of them. i act not of my own free will when i make daily kremies

[mewtillidae]

posting a kremy every single day until new episodes of OUAW are out DAY 64

[triglycercule]

i love doodling swapinverse like hello drawing characters aside from the normal mtt is lowkey therapeutic 🧡🧡🧡 anyways i FINALLY FINALLY finished crash's lore!!!! and vice.SER is connected to him,,,, theyre interconnected!!! i forgot how much i liked crash's design (not the design but all the little gimmicks in the design. figuring out all the hanging ribbon bits is annoying but hey it looks good)

[holytrickster]

sitting there like has my art gotten better over time or do I just add way too much unnecessary detail now

[weaselmcdiesel]

ok so it's not a comic hope thats ok with you but instead it's karkat n nepeta but designed by someone whos madly in love with them both

some more au explanations + transcript beneath the cut

they're maybe around 30-40 yo? This was mostly just an exercise to give both of them adult designs. uh. i'm only calling it an au because I made bs some explanations behind their designs while i was drawing them. so uh, in this universe, sburb never happens + things that happened because of sburb don't happen either, but the alternian society is relatively unchanged. i dont actually know.. what.. karkat does.. like i cant figure out why he wouldnt be culled but it doesnt really matter i just wanted to draw him looking cool! (i am. open to hear about speculation if you have any). also i figured that Kanaya would go to the brooding caverns after her lusus dies, bc the wiki said her lusus would die regardless of the game taking place n whatever, and probaly do something with the matriorb there idk. thats all tho! ill prolly draw them more and maybe develop more lore as i do ^^;

--

Transcript!

i don’t know what their dynamic is in the canon of this au… but that won’t stop me from making them kiss :]

The Vigilant adult karkat on alternia

new highly developed shoosing skill

honestly has a calmer demeanor because he’s learned what’s worth exploding about… though he probably developped a crazy resting bitch face

pleased (arrow to karkat with a neutral face)

The sash doubles as a sling for when he visits Kanaya in the brooding caverns. He’s also very tranquil around grubs because they don’t cause unmanageable problems. He’ll get mad if someone else bothers one

(yes i’m obsessed with dilfkat that’s why i drew this)

The Predator adult nepeta on alternia

Taller than karkat <3

still a silly goober, but better at getting what she wants

she probably got her title from a history of single-handedly slaying fearsome lusii. she likely takes assassination type of jobs because of her stealth. one of the more easy-going trolls from the group

--

also! fun fact. i was having trouble designing kk's outfit so i looked in an old antiques catalog book from the internet archive to get inspiration from objects that had the same colors as those that i wanted to use in his design? not sure why i did that. just had a hunch that it would be fun. so this is the object i found that strangely enough inspired kk's fit

haha.. and i also found one for nepeta, though it was easier to design her fit and i didnt actually need a reference object

the book was "Antique Trader antiques & collectibles 2009 price guide"

[tcustodisart]

Connecticut Tav | Wood Half-Elf | Beast Master Ranger

So, this is my sheet for @bareee's @tav-dex. Went a little overboard and made a whole ass character sheet (man the last time I made one of those was so long ago). I want to write something about my cringe boy so. Buckle up because it's going to be long and poorly written (I suck at writing).

One edit because I'm a dummy, his alignment is neutral good not true neutral idk why I did that.

He was born and raised in his mom's and step-dad's tavern called Crow's Perch (not as fancy as Elf Song but in a different category as Blushing Mermaid)(the tavern thing is just for the sake of a joke that the most popular drink they serve is called 'Connecticut Water'). He has an older brother, who's a bard. Despite the description for Urchin background ("After surviving a poor and bleak childhood") he had a happy childhood, filled with love and support. The two brothers treated the whole Lower City as their playground: breaking into places just for fun, pick pocketing nobles, climbing Wyrm's Rock Fortress etc.

His love for beasts and creatures of any kind comes from the stories told by his step-dad (both him and Tav's mom are retired adventurers). Step dad was the one who told Tav about Darkmaw the Wicked *wink wink*.

At one point he got tired of the city life and decided he wanted to become a ranger. After successfully fulfilling some contracts he became so confident of his skills he tried to build a trap all by his own. The trap exploded right into his face (he himself has no idea how it didn't kill him or damaged his eyes). After that he was sulking in his hunting hut for a month. The experience humbled the boy. Most of his adventuring prior to the nautiloid could just be boiled down to hanging around one village and talking local boars out of destroying potato fields, and occasionally getting rid of poachers.

Before the abduction he was on his way to Baldur's Gate to see his family (which he hasn't seen in months).

Trivia (because it's easier to write stuff this way):

His hair started to go grey at the start of Act 3 from the weight of responsibility and stress.

In Act 1 he was corresponding with his family thanks to Faust. After entering The Underdark he stopped sending letters (In Underdark because it would be hard, in Act 2 because he didn't want the bird to be killed by Shadow Curse).

Despite being close to his family in Act 3, he didn't visit them or send any messages in fear that Gortash and/or Orin would hurt them.

He carries with him a razor and some fancy oils for his beard.

His brother wrote one ballad about him, soon after that Tav forbid him from writing more (it was very much not accurate).

His step-dad taught him how to fight with a sword, while his mom taught him archery and the art of stealth.

Tav's biological father died when he was very young so he has barely any memory of him.

Tav's a walking Merlin app, he can identify any bird by just listening to it.

He loves climbing trees. Either to rest on a branch or to scout the surroundings.

He loves picking up herbs and making potions.

Despite growing up in a tavern he's not much of a drinker.

He's very self-conscious about his height and chest-to-belly area. He tries his best not to show it.

At one point he was persona non grata at Sharess' Caress.

He enjoys fishing.

Sir Daisy Dewdrop Fluffington is a name of his childhood plush.

He knows how to play lanceboard (he often plays against Gale and tries to teach it to Wyll).

He draws in his journal. He drew all of his companions at least once.

He almost cried when Jaheira called him 'cub' and almost called her 'mom' in response.

He's scared of Lae'zel. But tries his best to understand and help her.

He had countless heart-to-hearts with Karlach.

In his journal he described Astarion as 'his equal on the battlefield'.

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[bazookaboi]

Idk just some studies I did at school with no refs whatsoever so a few may be slightly anatomically incorrect.

(Take into account that this is only my opinion, draw however you want. These are only observations. And I did minimal research due to this being a small side project mainly done at school, so if you would like a more detailed explanation of this [I can definitely rant more in detail on this lol] or you think something is wrong please do notify me!) (I also know this has been done before but eh)

Ok, so over all my years of seeing digitigrade legs on bipeds, I have wondered countless times of how some could keep themselves upright without being very uncomfortable…

Here is the most common one that I see that is quite confusing for me:

I… really don’t get how this could be effective. Even with stronger tendons and musculature, they would always be tensed, and therefore the organism would get tired quite quickly due to the constant strain. I assume walking would be quite difficult as well.

Here are a few more variations of confusing digi-legs that I see:

(out of all of them I think I] would be the best, although still not really efficient). as for number two… please. No. Poor leg T-T.

Ok, so. Time to provide ideas for alternatives… but first of all, we must understand the structure of a digitigrade leg:

(Human-dog comparison) As seen in this drawing, digitigrade, like its name suggests, means that only the digits of the foot touch the ground in a regular stance.

A human is plantigrade creature, meaning that they walk on the sole of their foot, with their heel touching the ground. In short, all of the foot.

Surely most of you already know that though, so I don’t think I need to explain any further on that part (unless you want me to. As in like, why.)

Ok- now onto alternatives. with a digitigrade leg slightly modified for an upright biped, I present you with this:

minimal strain is ensured by this more upright leg design. As you can observe, I also use this straighter version with my own semi-bipedal original genus.

——————

Ok… apart from this, here are two more speculative builds:

I] Velociraptor-esque build/stance

(Yes I know that the running blade has no joints but I just want to compare that they would both be quite springy and fast.)

II] Ostrich/bird-esque build

I assume this could be a very speedy design. The digits would also be very mildly elevated, but not enough to be unguligrade. (I drew it slightly too long in the drawing though) uaaa I am too tired to write a description separate from the stuff written in the drawing but I wanted to post this today goddamnit.

aaaaaaaaaauuuuuugh exams gotta study aooooooooooo T-T when am I ever going to need to use a sintagma nominal in real life bro what is this.

No. I must restrain myself from whining online. That is not productive in the slightest. Better to work on a solution. >:(.

[*falls upon bed and melts to become one with the sheets*]

[bountycancelled]

a pencil, paper and an uncontrollable crush

♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧

opla!luffy x reader

requested: yes (I mixed 2 reqs so idk if that counts but reqs are still open for anyone)

genre: oneshot but in headcanon form? gn! reader, artist! reader

warnings: none, just some fluff!

a/n: I won't be writing as often becusde I'm writing my final rn, also this is short because i have a hard time imagining luffy being romantic so... enjoy!

♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧

now, it doesn't matter how obviously and hopelessly in love you are with Luffy, he's just not going to see it.

he doesn't see you make starry eyes at him, because his eyes are just as starry on a regular basis. when he catches you admiring him, he just assumes that you zoned out. (because he does that alot too)

so when he finds an incredibly detailed sketch of himself laying around on the ship, he excitedly goes from crew member to crew member, asking who drew it.

when he gets to you, notebook and pencil in hand drawing yet another portrait of him, you hang your head in mortification as he marvels at your work.

so imagine his suprise when he snatches that notebook our of your hands with a quickness to see what else you've steched in there, only to find himself on every. single. page.

I swear that his excited screaming is enough to alert other ships at sea of your exact location, but he can't help it, every drawing you've done deserves a reaction that fits how well you did it.

after he finds out about your habit, he starts striking poses for you and holding them right until your last pencil stroke on paper (or until he gets bored/hungry lol)

one night, you get a frantic knock on your door followed by Luffy's muffled voice yelling "are you still awake? I wanna show you something." so you open the door and he shoves a crumpled piece of paper right in your face.

you back up just a little bit and adjust your eyes, and you see a drawing of... some sort of animal? oh, wait nevermind, it's of you.

it's not the most artistically or anatomically sound drawing you've laid your eyes on, but it's... surprisingly detailed. he's drawn on pretty much every single visible scar, mole, freckle and mark, even some that you didn't know you had.

when you question how he managed to be so accurate, he tilts his head, pursing his lips and farrowing his brows in thought before answering. "Well, it wasn't on purpose, but I always look at you when you're around me. you catch my attention, kinda like food does!"

pause.

did Monkey D. Luffy, the strawhat captain, mister gum gum himself, just compare you to food...? moment of silence, because this is so much bigger than all of us.

after hearing this revelation, you cave and plant a quick kiss on his cheek as a thank you (and as a means to let him know of your more than platonic feelings for him), slamming the door in his face before he even has the chance to react.

p.s. Luffy doesn't have any idea why you kissed his cheek, but he knows that it made him feel good, and he wants to get one from you again.

[signanothername]

firstly: AAA YOUR ART AND COMICS AND STUFF ARE SO AMAZING!!!!

secondly: do you have any advice on how to come up with comics and then get them out of your head and onto paper?

BZHXHXHD THANK YOU SM!!!

And ooh that’s a good question

I usually come up with comics in one of two ways, either seeing something (whether another artwork, a text, something irl, etc) that inspires an idea for a comic, or via artworks I made that I expand on

Other times, it can actually be both

For example, the “A little life update” comic was actually inspired by this beautiful artwork, I saw it, and I immediately thought of Killer, idk something something about the despair of being stuck between a rock and a hard place etcetera etcetera (yes the comic that shows Killer to be in such a better place in life and show the hope he has, was inspired by crushing despair in actuality)

It made me wanna do something with Killer trying to call someone on a public phone, and so the first page came to be

Here’s the twist tho, I originally was gonna just make it into an artwork (yes, one single decision could’ve meant that comic wouldn’t have ever been made)

But a lil habit of mine is ask myself a shit ton of questions when it comes to my own artworks (it actually helps me turn what’s supposed to be artworks into comics), and that’s another way of how you can come up with comics, ask yourself questions, why is the character doing this? What are they doing? What if character did this? Etc

so I saw what was originally gonna be an artwork, and asked myself, who would Killer be calling if he ever did and why?

And the answer to those two questions that made sense to me most was Nightmare, but that led me to two more questions, when would Killer be calling Nightmare and for what?

And that led me to have a basic idea of how I wanted the comic to go

So it was basically like

Who would Killer be calling? Nightmare

Why would Killer be calling Nightmare if he ever did? That actually had different answers, to taunt him, to inform him of something, cause he misses Nightmare in his own fucked up way, etc

When would Killer be calling Nightmare? After he’s saved, or while still under him? After he’s saved makes more sense

What would Killer call Nightmare for? To give him an update about his life with Color

How would Killer be calling Nightmare? Through a public phone

Where would Killer be calling from? Somewhere in an AU in the surface

These six questions, what, why, when, who, where, how, are important to think of, they give you a basis to work on when it comes to comics in general

You don’t need to have a very clear answer to each of them to be able to work on a comic, but if you can at least answer 3 of them, that would give you enough information to work with in a comic

Now that I have a tiny bit of a clear idea about what I wanted to do (it doesn’t have to be perfect or completely concise) let’s talk about how you take these ideas out of your head and into paper

You can do that by imagining the dialogue in your head and then immediately putting it into paper, as I mentioned here, I actually struggle a lot with dialogue, art? No problem, I can easily imagine the art, but dialogue? It’s hell (please take the time to read the linked post, I talk in depth about how I handle dialogue)

That’s why you shouldn’t worry about perfection at this stage, just put every little piece of dialogue you imagine into paper, even if it feels like it makes no sense or is out of character, that’s something you can worry about later

Put in the dialogue, every little bit of it, and draw the panels that feels right for the dialogue

Here’s a little bit of example about what I mean when I say put the dialogue in then draw panels that make sense for it

This is a comic I plan on making, I actually drew that first panel as a stand alone artwork, then that inspired the dialogue, I wrote the dialogue down immediately, it’s a rough version of it, maybe I’ll keep it the same, maybe I’ll change it up as I work through the comic, but so far, I’m drawing the panels based on the dialogue so far, see what I mean by write the dialogue down? It helps IMMENSELY

It doesn’t have to be perfect and it certainly doesn’t have to be the final version, but writing it down will help you imagine the art that comes with it

Does that mean you can never start with the art then think of the dialogue? NO

You absolutely can start with the art for the comic first, in fact, sometimes, doing that actually helps you imagine the dialogue better, other times you can’t really think of a dialogue but have a very clear image in your head about certain character interactions, draw that it’s ok, silent comics focusing on character interaction, is a thing that you can do without worrying about dialogue

Now when it comes to the actual making of a comic, first tip is find your own footing when it comes to comic making

Like listen, people are gonna tell you that the correct thing to do is that you have to make thumbnails for the comic before you make the actual comic to make sure the flow is good and you have room for speech bubbles and what not

Here’s the thing, making thumbnails for your comic is a life saver, it’s great, if you can do that go for it! But for a person like me with little to no energy, I can’t do that without losing interest and immediately abandoning my comic, I can’t do that without becoming frustrated and hate art for it

That’s why I say find your footing, if making thumbnails before working on the actual pages works for you go for it! or you can immediately just work on the actual comic itself like I do, it’s all about what you’re comfortable with and what makes more sense to you

That being said, when it comes to the panels themselves, always aim for less panels and more pages than the other way around

Sometimes, emphasis on certain emotions or aspects of the comic can only be done with fewer panels

That’s why my own comics would sometimes have pages that are either one or two panels max

The less panels you have in a page, the more concise, clear, and easy to follow your comic is, one of the biggest mistakes I made as a beginner artist, is that I focused on cramping the story in as few pages as possible rather than focus on the clarity of the comic

Here’s an example

Good luck reading that dggxgdgdh

This is a very old comic I made back in 2018? 2019?, I wanted the comic to be one page so bad I cramped everything into it without thinking about the fact people are gonna have a very hard time reading it, like this easily could’ve been 3-5 pages but old me couldn’t imagine doing that many pages (if she could see me now with 15 pages comics dhhdhdg) not only that, but the panels’ arrangement makes 0 sense

So when you make your panels there are 2 things to keep in mind:

1- less panels and more pages = clear easy to follow comic, as well as a better emotional impact

2- panel arrangement has to make sense and should be easy to follow, you can make sure it’s easy to follow by reading your own comic over and over as you’re making it, if you find difficulty following the dialogue or art, then it’s best to refine, change or edit your panel or dialogue arrangement

Another thing to keep in mind when making the comic is the flow, the best way to go about making sure that the flow makes sense is by thinking of the comic as you would an animation, how did the character go from point A to point B?

For example this page

Killer clearly has a bit of a distance from Nightmare in the second panel, so how did Killer go from being at a distance (point A), to right in front of Nightmare in the last panel (point B)? That’s what the two panels in between the these two points are for, is to show you that 1- Nightmare is using his tentacle, and 2- that tentacle wrapped around Killer’s arm, the rest would easily be filled in by your brain that Nightmare basically pulled him closer

Now for the ending of a comic, not every comic has to have a clear ending where it marks the end of a story, but rather, you can go for whatever satisfies you as an ending, or keep an ending ambiguous or open, to expand on a comic later

I say that the perfect ending for a comic is what gets the point of a comic across, if the point is made, then it’s a good panel to end the comic with

Don’t be afraid to scarp any page or panels if they make the comic awkward or if they don’t make sense or if it seems out of character don’t hesitate to change, edit or completely delete it

An example is the “choice” comic, it actually originally was 4 pages, I just decided to scrap the last page cause of two reasons

1- it added nothing to the comic

2- it was out of character for Stage 2 Killer

My last advice is don’t force the process, sometimes, the best way to go about making comics is to make them on your own time and slowly, sometimes, you get stuck with certain things in the comic, other times, you need a bit to figure out how to proceed with the comic, completely normal in the process, that’s why it’s important to work on comics in a way that suits you, but you can’t find what suits you without trial and error, so go and test the waters, you can never learn until you practice it yourself

Good luck, hope this helps, lemme know if you need more clarification or help, i’d be happy to help where I can <333

[orengejoshi]

I can not believe im asking you this but I saw a post about flug having eggs or something? Is that like mpreg? I kinda know what it means bc I've seen sans au x sans au before. But whats with the eggs? Im not offending you its just idk that much in mpreg and i also don't draw any of it. (This is not to offend anyone im just curious.)(also love how you draw flug Hes my favorite character.)

Haha yeah it kinda is! I made a few arts this year where Flug takes care of eggs.

Don't worry you're just curious, that's cool💛 I don't feel offended

there's no other thing I get as many requests for as for mpreg with Flug so I feel like it's a good time to say:

I know it's called mpreg in fandom terms, but I for one don't even think of it as that inherently suggestive trope; I genuinely just think it's cute and silly. pregnancy is a beautiful thing in my eyes, and not a kink for me personally. there's no issue with it, but I'm saying that's just not my motivation. I headcanon Flug is a transman who still wishes for an own baby, like me. it's kinda coping for me to draw Flug going thru smth I wish for irl as well. I relate to him bc he's taken on such a good parent role for 505

this reasoning is gonna be super rare, most people who enjoy/draw this explicitly do NOT want children irl. idk why others draw it tbh... but this is just me.

so the reason I usually always choose eggs is bc I mostly draw the paperhat ship... and since Black Hat seems to have more reptile or insect features I figured his offspring would probably grow in eggs instead of live. he's basically an alien, right

you can canonly have Black Hat's offspring! in the old orientation video on youtube "Los casos perdidos del futuro" exactly at minute 7, Demencia hints to the fact that by drinking his saliva you can have his spawn.

they never actually showed anyone doing that but I'm just assuming they'll come in eggs.

his spawn does not look like this^, Alan has drawn it in a livestream; it's just an eldritch clump of eyes, teeth and tentacles on the floor. in reality Black Hat is the only one of his species and he's unable to create another independent sentient creature like him.

so I drew what I imagine them looking like if he could (a lot of people asked for that anyway)

Thank you for loving my art💜

[gay-dorito-dust]

bro a ken x reader where the reader moves to barbieland but she’s got tattoos and he’s got no clue what they are …

The ending to this is absolute arse. Idk what to do.

‘What’s this?’ Ken asked as he gestured to the tattoos you had littered here and there before even more questions followed after. ‘Can they come off? Did someone draw on you like Weird Barbie? If so was it with permanent marker?’ Ken then proceeded to smile, puffing his chest out like a proud bird, ‘I learnt that big word all by myself.’

You chuckled, now realising that ever since you came to BarbieLand there wasn’t a single person in sight who was even remotely as tatted up as you were, and so all of Ken’s random inquiries concerning them made all the more sense. ‘These are called tattoos and no they can’t come off, and I guess you could say that someone ‘drew on me’ but not with a permanent marker pen, but instead a piece of equipment that some might consider a painful process.’ You shrugged. ‘Though that depends on the pain tolerance and the placement of the tattoo.’ The look on Ken’s face was borderline hysterical to you with how wide his eyes became as they trailed over your most recent tattoo as though it’ll jump out and bite him.

‘Did you say painful? Like someone pinching your skin type of painful?’ Ken asked.

‘Hmmm. Think more like being stung a thousand times when in the midst of the outlining of the tattoo, only to then feel like your being scratched repeatedly and all over by a stray cat when they start the shading and or colouring process.’ You told him.

‘So you’re meaning to tell me that you were being hurt!’ Ken cried, retracting his hand away from you as though he was going to cause you more harm, which was something he doesn’t want to have happen. ‘Why would you or anyone ever want to go through that horrible process?!’ He said, voice muffled with his hands clasped over his mouth. You should’ve probably known that Ken would’ve reacted like this but the damage was already done, and yet you couldn’t help but find it sweet when he exemplified concern over your well-being, despite the fact that it was over something as briefly painful as a tattoo.

‘Beauty is pain as they say,’ you began, ‘but I found that once you get your first tattoo, you’ll soon enough want more to add to the collection. Think of it this way, we use tattoos as a way of self expression, some of them can be of something meaningful or something fun and cartoonish and hold no meaning at all other then it looked cool at the time. But I think they quite cool, don’t you Ken?’ The blonde then removed his hands from his mouth, moving himself closer to you as to get a better look at your tattoos in general, just as a smile appeared on his face. ‘They’re so cool.’ He admitted but it was clear he was still a little conflicted about the pain you put yourself through for a tattoo. ‘But they still sound a little frightening.’ He admitted to you with a weak chuckle and you couldn’t do anything but understand and sympathise where he was coming from.

‘Yeah, they can be frightening at first but I promise you Ken, I wasn’t in that much pain for very long, besides I was the one who wanted it done, the tattoo artists were just doing their job.’ You reassured him as you felt his fingers gingerly trace the tattoo, taking in every last detail as he looked at it with a new found perspective. Your tattoos are beautiful to Ken and he’d show appreciation for each and every one by tracing his fingers over it, almost as though he’d ruin the artistry that went into them if he went any harder. He found tattoos fascinating but would probably never get one himself and even if he did, he hoped that this tattoo artist that you talk about could give him a horse portrait, or at least something related to horses at the very least. That would be cool.

[tocomplainfriend]

VIV is constantly criticized by her own fault.

TW: Mention of: SA, Rape, Transphobia, fat phobia, Antiblackness.

(Hey, i'mma probably do a post eventually about episode 4. Btw, awfully shit, worse than I thought it could be... BIG TW OF R-PE AND SA IF YOU'RE GOING TO SEE IT. AND TW of the minimization of those topics too.)

(SORRY FOR BAD ENGLISH IN THIS POST TOO)

BUT I NEED TO CALL ATTENTION TO THIS! One of the reasons I criticize a lot of Viv specifically is because of how much she puts herself out there. She sees something she posts on Twitter about it a shit ton (even on "threads" lol). AND because of how lacking of improvement she has being. (I personally know people I have considered terrible when we were teens, but I have seen legit improvement from them in recent years. They seem like people who struggle, but got to grow up and made up for any problems (or pain caused to me or others). People have the ability to change and become better. Something that matters at pointing out issues or discussing-is the idea of creating change on others. It is better to get someone to change for the better than to cast them into the forever jail of nothingness (unless, IDK, they Sexually Assaulted someone, for example). Specially when they are young people. Doesn't mean YOU have to stick with other people that hurt you, no. Doesn't mean people get to do what ever and get away with it.

BUT All of this problem I have seen from Viv are from age 19-30. (you can change at anytime btw) And see constantly repeats herself and her actions. Seems to have never accepted criticism (said by herself too), and never able to see her own faults. The fact that is a continuous behavior is a problem, how she always responds is awful. My post of "Viv has being transphobic for 10 years", was to signal that. If she really had changed over those 10 years to a genuine thing- I could've taken that! But no, the shitty double standard against trans men... the weird treatment. THE MANY STORIES OF EMPLOYEES GETTING MISGENDERED HEAVILY, TOO.

(I know people who were transphobic [When they were teens mainly], that Genuinely improved and changed their beliefs. Now they treat trans people with respect and care! And still learning about gender-fluid people, too!)

It just seems to be further and further away from getting better! The fact that she only decides to take in account voices from SA victims that agree with her- it's painful as a victim, my self!

And yes, people who sent gore or dumbass shit to Viv (or the team) don't help. And go get help why you're looking and sending Gore to anyone. (Also, stuff like this does lead to people not listening to others people genuine callouts). The fact that I criticize something doesn't mean I agree with the people that go and do shit like the thing I just mention above.

AND ALSO A IMPORTANT THING HERE!

This drawing was created by DollCreep. BUT ALSO FUCKING REMEMBER this was done in response to the shit that Viv drew of him.

If you didn't know Viv drew a transphobic caricature of DollCreep using the name Jojo (his old nickname). This put together with a shitty anti-sjw meme video. DollCreep is a transman, Viv drew a character based on him. A furry wolf girl, If you can see in the image the main thing listed below the character name is the fucking "Sex=♀️". SO ON PURPOSE, CHRIST. Like... AND YES-is shitty from both to have drawn this (even if it was in respond) mainly immature in DC part. But that, or any toxicity coming from DC, doesn't delete the transphobia here. (imagine drawing a racist caricature of a poc person, because they are shitty to you). THE POST LINKED ABOVE SHOWS THE SITUATION, and in the end of the day. Viv says that DC is an abusive shitty person to her, but never realizing her own faults or anything she could'be possibly done wrong! (and again, any wrong done by DC in general can not be deleted by the fact of having being treated badly. If he did shitty stuff himself, that doesn't delete the wrong done in general to him or to others by viv)

Here about transphobia:

(this is like 8yrs old too)

Again, she never acknowledges anything that she might have done wrong. "She is a thoughtful person, that wants tor write queer and disabled characters! She wants to tell empowering stories of..." It doesn't even feel close to that when people bring up actual problems in her writing that are stereotyping or bad, and she just yells and cries. It all feels like empty sticks she is only interested in in the surface level, she doesn't want to actually deal with.

When she says "This characters is black guys ♡♡♡" and then the fucking 7th, a grayish character with zero black features. She can not actually try and draw a black person with a different hair texture, she'll faith is hair isn't straight and spiky (has done this so much too). She is all for positivity and diversity (can not draw more than 1 character that isn't a fucking stick with the same stupid face).

She can not write relationships in general. She cannot do gay couples, then don't lean on the stupid old uke uwu defenceless x big rough seme protector stuff. Again, all the interactions with Husk and Angel are sexual harassment. They are already a revealed future couple (and episode 4 is terrible for them, specially with that song). Stolitz is toxic, and predatory. That is not acknowledged, and all Stolas's predatory behavior and power dynamics are put in the background, cause- "look how sad Stolas is :(! HIS DAD IS SOOO MEAN, HIS WIFE IS A BITCH". All her gay characters are in pure surface: over-sexual twinks that are assholes, which also fit into the top/bottom as personality boxes.

Any other point includes sexual harassment as a joke. BUT KNOW SHE WANTS TO BE LIKE "GUYS SA STORIES MATTER, LOOK AT WHAT I WROTE" as if she didn't lean back into the problem of the diminishing of SA and r- (in general and done to men) with her jokes in HB. With all the sexual harassment that Angel Dust puts on Husk and others. (AND YES THERE IS NO WARNING IN EPISODE 4, FOR ITS HEAVY TOPICS! I do believe all series/movies with this need it. SPECIALLY IF IT'S SO GRAPHIC! "Sexual content" is not the same as a warning for SA or R-pe. An adult can see a movie with sex or sexual nutidy- when they see that- but it's different to get straight assault on screen. Victims can watch movies/series with sex in them all good, you cannot just group consensual sex in the same assault or R-pe...)

The thing where Mammon (the only fat character that isn’t from the fucking background.) is like FIZZ YOU NEED TO LOSE WEIGHT. AS IF SHE COULD EVEN DRAW ANY DIFFERENT BODY SHAPE WITHOUT DYING. Like there is only Mimzy (hasn't appeared yet, not given any importance. In the female lead show). Mammon the piece of shit (does the same as Blitz, but he is actually fully bad.) His design is done with 80 fucking layers on top. Like all the test of the skinny character's clothes suck up to their body except for Mammon. His body is hidden in layers upon layers of clothing (that's all you got?). All you main guys need to fill "the skinny have nothing men" and "skinny woman with big hips and legs, but no fucking stomach"?

AND YES! VIV DOES DO THE FUCKING, "FAT = FOOD LMAOOO". You know the thing HH fans and hater where like the "Bee needs to fat thing is bad, cause of fat = food (only food) is reductive and shitty"

(Can I refer to how the show Bojack H, make Diane gain weight cause of anti depressants- and it wasn't a joke! And she was happier too?)

(mine, from post right below)

... like is a bundle of issues. And Viv will never accept that she might be /or is wrong. That's why it hits the fan with stuff. -And again I liked many of the little concepts and stuff in HB and the original pilot of Hazbin. Shit- I still like Sir Pentious and Nifty. I do like Mammon as much as he is a pack of problems to call out, I fucking love the piece of shit Australian jester- The artist work hard on it, and I'm happy it's an openly queer! (as limited as it gets, too....). I liked Huni-cast, I loved the original voice cast! -and that happens! I could be writing this about other stuff too, not only Hazbin... if I created this blog earlier- IT WOULD ALL BE ABOUT RWBY, DANGANRONPA, even svtfoe...Ladybug... or Agretsuko's ending too. So yeah, sorry for the long post (as if all my post weren't)

[honeycreammilkshake]

Hey so idk if you know about this, but in Japan the politicians are going ham on trying to get BL and GL censored and illegal (???)

And with how gege likes bl, gl, and a lot of queer romances in general, do you think if he didnt play it safe, sukuita would have been canon?

i think i've read about the recent backlash on yaoi/yuri/etc in japan. and i'm really happy gege came out in support of queer series. i feel like it means a lot that they did that.

i also have a feeling that gege knew exactly what they were doing when they made sukuna and yuuji so shippable, but i'm also sure that jjk being a shounen would have prevented sukuita from being canon either way, only because then the series would technically be classified as yaoi or bl instead. and since this was marketed as shounen, it's highly unlikely that the publishers will allow it turn into bl (especially now that there's more censorship of yaoi).

however, gege still (so unsubtly) went out of their way to give us some of the most bl-looking scenes between yuuji and sukuna.

i mean just look at this!!! sukuna is like some kind of lovesick kitten, trailing after yuuji the whole time, yet insisting he's nothing more than an intimacy-hating stray who can't stand any kind of closeness or warmth. but if that's the case, why cling so much to yuuji, who (may i remind you) was the only guy to treat sukuna as human??? i don't know, kinda looks like you're a bit needy for that affection, sukuna.

then there's them constantly taunting each other like boyfriends that can't stop being competitive for one moment. (over the literal smallest of stuff, too. you know the infamous king of curses couldn't care less what kind of crayfish he got if he wasn't with yuuji... he constantly has to show us - so painfully unsubtle - just how much yuuji gets to him.)

but at least he gets to one-up yuuji during archery... though of course the brat isn't as impressed as he should be. (you can just sense the hurt pride dripping off of sukuna's words after yuuji said playing with him wasn't enticing.)

i mean, this whole chapter just made me feel like sukuna is like those tsundere guys in yaoi who can't tolerate having feelings for the cute protagonist everyone loves, so they have to be as edgy-looking and rude as possible whenever their crush comes around. (and then their crush is just 10x nicer to them because of it, which only makes them even more insecure and angry.)

sukuna, it looks like you're repressing lots...

... especially with whatever you got going on here—

(do you think gege drew this with a nosebleed?)

and just when you thought it couldn't get any gayer... these two are pretty much canonical soulmates whose fates have been chained together since before they even met.

(i think i'm noticing a trend with how gege draws them like this —back to back, two parts of a matched set, all but fused together.)

it reminds me of those yaoi manga where the protagonist becomes an unwilling (at first) bride to the monster guy everyone else hates but then slowly starts falling in love with him despite everything because oh maybe he isn't so evil after all.

and though the most recent chapter have really made it seem like yuuji has been pursuing sukuna in this way, let's not forget that sukuna was also the biggest flirt with yuuji before all the feelings hit him far too hard.

sukuna, you've known yuuji for only a few days and you're already feeling up his heart? isn't that usually not until the 3rd or 4th date?

so he does something like that but then has the nerve to act all coy with yuuji later on...

"it's annoying" he says but he's smiling. he looks almost excited. (yes, we know you like yuuji looking up at you without permission, sukuna, we get it already. you don't have to spell it out for us so obviously.)

and yuuji, honey, you know he's into that, right? stop falling for his thinly-veiled traps; you know he loves to bait you like this, you're just feeding his ego. (and also i can't forget to mention just how frustrated sukuna gets when yuuji does ignore him!)

oh and remember that fighting is how sukuita flirts, just in case you didn't pick up on that already.

they look so excited to be doing this right now — yuuji's unhinged grin, sukuna's "fight me" eyes... (mappa, it's a crime that you didn't animate this ;-;)

i'm crying, they could have done comedy together.

also... why are they grinning at each other like this?

sukuna's sitting on top of you, yuuji so why are you looking up at him with that completely unhinged look on your face? (i would say get a room but isn't that what innate domains more or less are?)

and again. if we didn't understand it perfectly well enough already, gege doesn't want us to forget that sukuna just loves it when yuuji fights back.

just look at his feral grin at the idea of yuuji trying to take him on... he loves messing with this brat.

and although sukuna and yuuji are never officially married, the fate they're forced to is almost exactly just that. in sickness and in health (mostly sickness) they are bound to each other, and only death does them part.

crazy how they got divorced TWO times...

.... yet they still can't escape whatever threads them together

even if it's not explicitly stated, it's still heavily implied that yuuji was the one to set sukuna on this different path, to remind him of whatever humanity he had left.

he was the one to connect with sukuna as the king of curses was dying.

to hold him gently and remind him that the monster he is was a matter of chance, that they could have shared that same curse if yuuji hadn't had his grandfather to provide him the fulfillment he needed while sukuna didn't have that in his own life.

to even propose that they could live together, even if he alone would accept such a thing.

it's like something straight out of a doomed romance story. i've never seen such romantic dialogue even in actual bl romance.

and if the heartbreakingly, over the top romantic dialogue wasn't enough, this is their official art, too:

like does any of this look straight to you? (also sukuna can't stop trying to get his hands all over yuuji, it's insane.)

i think it's pretty clear that sukuita is essentially canon already. and short of gege drawing them violently making out with each other (which, technically, that's what fighting is like for them) that crazy one-eyed cat made it nearly transparent that sukuita is actually a thing.

gege, you're THE shipper. to think they got away with inserting the most wonderfully messed up and fascinating yaoi story into a shounen series about a boy who literally sticks his enemy's fingers in his mouth is just crazy.

[miitarion]

Aaaaaaa the more I look at your art the more I’m falling into the worlds you draw!! Amazing! I’m curious about your first few artworks and how was your journey as an artist? Thanks!

Glad you like them so much! Here some of my first digital artworks, they're both from 2014 lol Idk what to say about the journey itself, I was going to an art school when I was in early middle grade, but without much interest. After getting a graphic tablet I understood that drawing digitally is much closer to me than traditionally and that's about it. I can't really say there were any epiphanies or something like that, I started drawing because I wanted to draw like certain artists and throughout years it morphed to me just wanting to draw and get better at it for the sake of it. The only funny thing I can remember is that I drew without tablet drivers for the first 2 years because I was an idiot and was absolutely sure that I had them and that I just sucked at drawing lineart. It was also one of the main reasons why I went for lineless immediately.

[ennard-is-near]

I love terrible Two Sentence Horror! Here’s a few horrible redraws I’ve made over the past week! (More Under the cut). PLEASE send me more of these I will make terrible drawings to go with them if they fit.

And the original text posts:

Some notes if you care:

1st one: Shout out to my friend @afraidcircus for sending this to me and making me start thinking about this. They’re funnier than I could ever dream of being lol, that one is still my fav. Peter Griffin dead pose is hard to draw.

2nd one: I know how to draw Spring Bonnie Haters will say I don’t know how to draw Spring Bonnie. Also he’s holding something Evil behind his back

3rd one: That night guard is a drawing of me, btw. Idk why I didn’t pick any established characters, I drew a lot of these late at night.

4th one: this is a reference to the SL canon ending, with the purple eyes. That silhouette is literally Rick Astley and I hate that cutscene it looks so goofy. I honestly just thought “evil version was was me of” was hilarious. I cannot draw post-scoop Michael at all.

[laquiet]

So... I forced my friend into watching Stranger Things (pt. 1)

She's currently in season 2, probably episode 8, AND IT'S SO FUN, like... She has absolutly no idea about a n y t h i n g! About why some people seems to hate Mike (her favorite character so far, alongside with Will and El), and she doesn't even know who the hell is this Vecna guy, HOWEVER!!

I'm pretty sure she knows something is off with Mike and El as a couple, and she allowed me to translate some of her quotes, so I'm not missing any oportunity of sharing those gems:

1. Her opinion about Mileven

"It feels forced to me. Like, they [Mike and El] had one episode as friends and then the show started to hint they would be something more. I prefer something more like Lucas and Max,which developed over the season with him being the one at the Party who most wanted her with them and for her to know the truth."

SHE'S A LUMAX STAN, GUYS

Also,

2. Her reaction about the scene where Joyce, Jon and Mike are talking with possessed Will

When Joyce was talking about the drawing Will did when he was a child:

"A RAINBOW SHIP, HE DREW A RAINBOW SHIP!!!"

And when Mike was talking all about "You said yes, and it was the best thing I ever did":

"THOSE TWO ARE GOING TO BE THE CAUSE OF MY DEATH"

"I'm not ready to see what happens in season 3"

[Season 3... aka, the season which is... a little bit complicated for Mike stans--she is one of them btw]

TO SUM UP

She knows I know something about Mike, Will and El, and I know she knows something, too. But we won't tell each other...

Idk if you all Byler shippers won the show, but you definetely won her lol (and she doesn't even know it exists)

Oh, and she will be allowed to see my posts only after she gets to the end of s4, so this will be fun (i'm posting more of this, don't worry)