#or she’s like completely one dimensional

[getthembees]

becoming a cass stan after reading her comics is low-key dire for my fanfiction reading because i cannot read a single batman fic anymore without getting genuinely mad at the complete lack of or mischaracterization of cass. knowledge is a curse.

[oceanwithouthermoon]

teruhashi is so hated that i cant say ANYTHING nice or nuanced about her without people being like "so youre saying she did nothing wrong? youre saying its okay that she thinks aiura is an ugly bitch? you think its okay that she thinks of other girls as below her?" like i literally didnt say that... you sound literally insane... youre fighting invisible demons...

[potato-arts]

How to Prevent Yourself From Changing Into Your Counterpart 101

I like to think that Sun would cover himself in battery-powered lights (at least three different strings so that if one went dark, he would have time to swap the batteries)

Moon's outfit was a joke based on that one Bugs Bunny meme but I still stand by the fact that he'd 100% cover himself up with as much clothing as possible to prevent any of his sensors from picking up light.

[c1trvswurld]

Finally glad the mouthwashing fandom-at least on here- is finally coming around to see the idea that neither curly or jimmy are completely innocent nor should be babied or completely villainized because to do that you'd need to *checks notes*

Completely ignore how mouthwashing is a story of how systems of abuse are kept in power. Particularly rape culture and the patriarchy that encourages these actions while also encouraging bystander effect from other men close to predators...which is all encouraged under a system like capitalism.

Idk read more of tha rant in tags I got carried away I fear.

[bmpmp3]

really adore that thing some early voltage inc games did where they just used the same boys for two separate games. the guys in my sweet bodyguard and also her love in the force. yamato had a whole different situation going on in my wedding and 7 rings than he did in my forged wedding. i wish they kept it up, if i was an otome game dev i would do that all the time

[dreampearls]

I love collei so much but it should be noted. the collei that I love is the completely fake ideal version of her that only exists inside of my head

[skunkbrat]

never have i disliked a run more than i have disliked r/ogue & ga./mbit 2023. and it takes a lot to make me dislike the trope of someone being forced to fight someone they love and begging them to get out of here because they're afraid they'll kill them

[arttheclown]

not 2 to be vague & bitchy (trust me this does not apply to my mutuals i would never) but i can’t wait until i have time to write fic again so i can fill the t.errifier ao3 tag with content that Doesn’t either completely mischaracterize my faves or strip their relationships / personalities of every bit of depth they have lol

[lunar-years]

I am halfway through Daisy Jones & the Six and once again I prefer the side characters to the two mains lol. Karen and Simone my beloveds!!! Graham can stay too and also Warren because he’s an idiot in the specific way I find humorous. Billy and Daisy are both super annoying I’m so sorry!! Eddie hasn’t left the band yet so I haven’t gotten to the actual fissure moment but I’m just gonna say as of now that man is totally right lol.

[cheriekos]

guess who's rewatching arcane season one and started having Thoughts and Ideas

the unofficial title of this is "stick season (variations, permutations)" and it was originally just gonna be a viktor centric jayvik au where viktor had to live all the various "what ifs" and Learn Some Type Of Lesson but now it's spiraling out of my control!!!! who the fuck knows what this is gonna be now

[swagging-back-to]

one of the biggest things that makes me annoyed with connie is just... well everything. but her choosing to spend every second of every day 'studying for college' when shes barely even 15 pisses me off soooo fucking much.

literally abandons every and everything else to sit and study with only 5-10 minute breaks. for college. that she isn't even in yet.

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.

[revenge-of-the-shit]

Idk I feel like making Maddie Nolen a traitor loyal to Ambessa does an extreme disservice not just to Maddie's character but also to the potential political message of Arcane. Had Maddie really, truly been earnest and kind and compassionate the whole time, and had she died in the battle, it would have done so much more for her, for Caitlyn, for the show. Here is a gentle character whose life and innocence would've been stripped from her because of war, because of imperialism. Here is a ray of sunshine who followed Caitlyn loyally through thick and thin, who shows Cait price of working with other oppressors.

But also: here is the bubbly character with a smile, the first to eagerly join in to a descent to fascism and martial law. Here is the "good cop", the gentle enforcer, who faithfully joins in a quest that involves gassing innocents of a city. Here is a kind soul, but also a soul who after expressing some doubts about the methods used, continues to work directly with and as the oppressors of innocents. Even the best of the enforcers is a part of the unjust oppression of Zaun.

Instead, she's written off as a spy, a mole, bad all along. Any nuance that her character could have brought is stripped away and she's killed and discarded without a second glance. The enforcers as a whole I feel could've been approached with more nuance, and she would've been a part of it. Instead, she's one-dimensional, a complete turncoat.

[thatrandomsarahchick]

All the fuckery he's done with Demon deals means he registers as a ghost to Danny, too, but since the man is clearly not here to cause trouble, Danny let's it be.

Oh, he's suspicious of the Ghost, of course, but the man genuinely seems delighted to have found Grandma Ida and be catching up with her.

Danny spends time at Sam's house in human form for a few days before he gets a chance to talk to this Constantine privately. John clocks Danny as being something, and so takes him seriously of his softly spoken words of warning. He declines the offer for a safe trip into the Zone, though, saying he had a safe way to teleport himself there if needed.

Sam thinks he's amazing. He's grungy and crass, and her parents have to put up with it for Grandma's sake! She does a bit of googling, and comes across an old website that streams music from the band he was in when Ida knew him.

It's not completely to her taste, but her mum hates it with a fiery passion. So she plays it extra loud in her room.

Ida is Constantine's good ex.

They separated on good terms after a few months because Ida wanted to start a family and not Constantine (for obvious reasons). Then, despite Ida's efforts to keep in touch as a long-distance friend, she quickly no longer received any news from him.

So when she sees him barely older and seeming lost in his town… she takes him for a ghost who has retained a very human appearance. She rushes to him because she is surely not the only one to notice the presence of a “tourist” in town.

She takes a minute to pity him and apologize. He hadn't ignored him, he was dead!!! Then start explaining to him why as a ghost it's not safe for him here even though it's very nice of him to visit <3

Constantine had not informed Ida about magic, after all it was one of his exes from before his cancer (a little near the time when he stopped responding to her) and his first triple sale of soul for escape death. But he knows Ida well enough not to contradict her. In addition, she gives him all the information in flash notes that he is looking for.

…

Okay, he also missed Ida. It felt SO strange to see her old. But she apparently hadn't lost anything from a mental point of view

This is how Constantine was invited to have tea and catch up on lost time at Ida's in addition to having a more complete debrief of the Amity Park situation

[thevoidstaredback]

It all seemed to start within a snap of Time; the tick of a clock; the drop of a hat; the blink of an Eye.

Just before any of the assembled Justice League could leave the Watchtower, every alarm went off and pandemonium re-erupted across the space station.

"What the hell is going on?" Batman demanded as he and Robin re-entered the meeting room they'd just left.

Constantine and Zatanna were both using several different ways of communication, talking in frantic tone and jumping between conversations without losing any of them. Deadman had disappeared completely. The America based heroes were all getting calls, all just as confused as each other as to what was going on.

Batman pulled up a map on the projector, the one that was shown in the Observation part of the Watchtower, and glared at the red dot that was slowly taking over Illinois. "Constantine, Zatanna. What is this?"

Constantine glared back at Batman, "What we were trying to avoid by calling a meeting today!" He went right back to whatever conversation he was having in Esperanto.

"Yeah, look what good that did us anyway," Zatanna scoffed between conversations, "We were both late and ignored." She, too, had started speaking on Esperanto.

"That's where Red is based," Robin said quietly from beside Batman. "I-I need to call- make sure she's alright!"

Batman put his hand on Robin's shoulder. "Don't panic, chum, we'll get a plan started and then you can all Red Huntress." The boy nodded, but opened his own communicator anyway, likely to contact his team. Batman turned to the heroes in the room. "Everyone!" He waited until all eyes were on him before continuing, "Calm down. Constantine, Zatanna, find out what's going on-"

"Already doing that, Batsy!" the man hollered before jumping into a fourth conversation.

Batman's eye twitched behind the white lenses of his mask, but he otherwise didn't react to the interruption. "-the rest of us need to go and isolate the threat. We'll plan from there. Make sure your comms are on. Robin, get your team ready for rescue efforts and try to contact Red Huntress to see if she knows what's going on." When the heroes started moving, he grabbed Superman. "Where's Deadman?"

Superman shook his head. "No idea. He was gone by the time any of us came back in here."

Batman nodded and let him go. Everyone was on their way to Illinois right now, but there was something that Zatanna said that struck him as strange. He didn't have to wait ong before her three ongoing conversations all came to a stop. "Earlier, you said that Amity Park liked to stay in Illinois. What did you mean?"

Zatanna jumped when he spoke, obviously not realizing he was still there, but she answered him, "The city's been prime for supernatural activity since its founding. On top of the two dimensional rifts, that much magic contained in one area is bound to give it some form of sentiance, especially because most of that magic is death and life focused."

He hummed and left the room with a sweep of his cape. Containing the issue will be tricky if the source manages to move around them. Regardless, it needed to be done fast.

***

It took another twenty minutes before all five on Constantine's conversations ended. He had gotten the same unfortunate answer from all five of them, and, judging by the look on her face, Zatanna had been given the same news as him.

"We tried to warn them. We fucking tried-!" she slammed her fist down on the table, "But we were too fucking late!"

He ran a hand down his face with a heavy sigh. "C'mon, mate, let's go make sure they don't fuck anything else up."

"And help them defend the idiots that started all this? No way. Let them lie in the grave they dug."

"Horrible metaphor, love. And, as much as I hate to say it, we can't let the world get taken over."

"Why not? They've been practically begging for it to happen since Superman was first introduced. That's why the Green Lanterns had to step in and lay down the law, quite literally." She huffed. "Besides, the Realms won't be gunning for the world. They're looking for their child."

"And if they don't find the kid in perfect condition?"

"...I see you're point."

"Good! We're on the same page, then."

She sighed again. "How're we going to play this? Are we running interference?"

"No," he shook his head, "The only thing we can do is keep anyone from dying or attacking."

"Without Deadman to talk to the Realms?"

"Yep,"

"You realize how hard this is gonna be, right?"

"I'm gonna make Batsy pay me in hard liquor."

"Agreed."

***

The Justice League had set up a perimeter around the town of Amity Park, Illinois. They were a few miles out from the town, close enough to see it but far enough away as to not set off any panic. When Constantine and Zatanna arrived, they had made it very obvious that the town and it's citizens were probably very aware that they were there. They called another meeting, though only taking a few heroes away from watch. Zatanna was the one to explain things to them while Constantine kept tabs on the town in case it decided to move.

The heroes still weren't exactly sure what they meant by that.

Zatanna stood at the front of the heroes she'd pulled aside. Batman, Wonder Woman, Superman, Aquaman, The Flash, and Green Lantern stood in a half circle, all very clearly anxious to keep their eyes on the town. Too bad for them, this was her specialty, so she got to keep facing it while they turned their backs.

"They aren't going to listen to you guys," Zatanna said, "Like we tried to warn you earlier, their looking for a child that the US Government took from them."

"The one in the pictures?" The Flash asked.

"Yep," she affirmed, "His name's Phantom, like we said. He's this town's hero."

"I thought Robin said Red Huntress was the town's hero?" Aquaman wondered.

Zatanna pushed down the flare of anger with a deep breath. "Phantom has been operating for several months longer than Red Huntress. she is closer to being a hero while Phantom leans more towards being a vigilante."

"Is that why he doesn't stick around after his fights?" Superman tilted his head slightly in question.

"Yes," she glared, "Can I get back on topic, or are we wanting to waste even more time?" The heroes fell silent and she waited for a few seconds before continuing. "From what Deadman explained, Phantom is technically still a baby ghost because he's only been dead for about a year." She ignored the expressions on the heroes faces. "Not only that, but he's the favorite of several Ancient Beings. Think Primordials or Titans."

"Oh, dear," Wonder Woman whispered. Several had paled slightly.

Zatanna nodded. "Don't attack any of the Realms' people, not even in self defense. We're going to have to help them find Phantom, keep them from attacking the US Government, and keep the Government from attacking them."

"A bit late for that!" A new voice joined the group. They all startled, reaching for weapons and dropping into ready stances.

Above and slightly to the side of the group was a girl who looked to be in her late teens. She had teal-grey skin, a slight teal glow, and flaming teal hair tied in a high pony, bangs framing her face. Her eyes glowed the same radioactive green as Phantom's had in the picture, though less so. She was wearing black pants, a black crop-top, grey knee boots, and a single black elbow glove. There was a guitar strapped to her back that gave off a slight purple glow. Even from where the Justice League heroes were standing, they could feel heat radiating off of here.

"And you are?" Batman asked.

"Don't matter who I am, does it?" the girl sneered, "What matters is that you dickheads took one of ours." She very obviously assessed the small group, looking each person up and down with a frown on her face. "Phantom told me that this place had other heroes, so where were you?"

Superman blinked. "Excuse me?"

"Where were you?"

"I'm, uh, not quite sure what you mean."

"You're talking about when this place was catalyst for world threats, right?" Zatanna stepped forward.

The girl turned her full attention to the magician. "So, you knew?"

Zatanna nodded. "Me and my colleagues were keeping on eye on Amity Park after the rifts opened up last year."

The girl seemed to reassess the magician. "You're one of the ones Deadman told us about."

"You know Deadma?" Green Lantern asked. He was ginored.

"Yeah?"

"I'm Ember." She landed and held her hand out for a hand shake. "Deadman got the Council to agree to hold ourselves in Amity until the end of the day. After that, we move on our own."

Zatanna shook her hand. "I'm Zatanna. We're gonna find him."

Ember glared, tightening her grip, "You better. He's done more for this world than you heroes even know." She turned her glare on the others before flying back up. "And once he's back with us, where he belongs, we'll think about a cease fire." She left before anyone could get another word in.

Zatanna fell into a squat, her hands covering her face. "This is a nightmare," she whispered, "That definitely could've gone much better." She popped back up to her full height. "Well, you heard her. We've got 'til the end of the day to find Phanom."

The group shared looks, nodding at each other before separating to spread the word to everyone else

The first plan was the same one they had for every mission that needed quick recon done. Flash was sent out to get a location. Once he had one, they'd set off.

Part 1 Part 3