#or she would've liked to know about that

[aintmyjewelry]

.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[skateboardtotheheart]

there is just something about the difference between edwin's love interests and having the cat king's reaction to edwin in hell being "i'll be waiting when he gets back" vs charles "no version of this where i don't come get you" rowland convincing a powerful trans-dimensional being to open a door to hell just so he could get him back

i am insane

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[nellasbookplanet]

In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:

There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.

Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.

Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?

From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.

Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?

[baxtervalentine]

I think the part where lisa is like "you probably didn't even drive back when you were alive. you probably rode on one of those bicycles with the big stupid wheel in the front" and the creature looks at her and she's like "you did" is really funny

[izloveshorses]

like. imagine being a Normal Citizen in a galaxy far far away during revenge of the sith. like. you're scrolling on your holonet and not only has the chancelor been promoted to emperor (hello??), a senator (you follow fan pages of her for fashion inspo) has DIED suddenly AND it's revealed she was PREGNANT !!!!!!?? the whole time??? but who was the father?? was she married?? how did she die??? as far as you know she was young and healthy and unmarried, so like?? the girls and their speculations and their memes would've been insane on the holonet dashboard that week fr

[witchinatree]

unpopular opinion maybe but sam has been pissing me off lately

i think it started with him laughing in gwen's face about the bonzo thing and (as far as we know) not apologizing???

it's like he only thinks supernatural things can happen to HIM. sam wtf why are you gatekeeping the horrors??

he also only ever listens to celia, alice indulged his magnus thing as long as she could but realized shit was getting dangerous and wanted to protect him

alice is also flawed (jealousy is a bad color on you babe but i forgive you) but like everyone is?? and sam is just dismissing her every word because of it??

he doesn't have to follow her advice but could he at least let her speak??? i hate how dismissive he is, even celia listens to alice more than him

and in episode 24, his "well what can i do about that" mentality was sooooo irritating

he said it twice, when alice said gwen wasn't okay, and when alice said the tape recorder thing was hunting them

1. gwen not being okay could be something you at least pretend to give a shit about, like seriously. everyone tolerates your childhood rejection trauma and you don't bother batting an eye as gwen crumbles? jesus man

and 2. why is it only something 'crazy' when it's not you saying it sam? he expects everyone to believe the evil about the magnus institute (with honestly no evidence? i think we gloss over how little ties the institute actually has rn because we listened to tma) and dismisses alice's concerns that they're all going to die

i don't hate sam by any means (disregard previous discord statements ❤️ i was a lil upset) but he has been seriously upsetting me

also if there's anything i forgot um my bad i'm just oh so sleepy

[fategoflatass]

Babygirl, please. That same lukewarm water you keep on worrying about not being enough for him, that's the one thing that keeps him doing backflips every now and then. He fucking loves that lukewarm water, watch him become a pro swimmer in the near damn future, never ever leaving that lukewarm ass pool.

Well, now that's been said...

AAAAAAAAAAAAH SHE FUCKING INICIATED IT OMG YES GIRLIE LET'S GOOOOOOOOO

Also, a little extra teehee

God, I love them.

[beanghostprincess]

It still amazes me the number of people who see the juxtaposition between Nami and Usopp during Wano and their fight against Ulti as "Nami's devotion to Luffy is unmatched, unlike Usopp's" when she isn't able to say he won't be the king of the pirates but Usopp is telling her to lie.

I think most people don't have in mind, either, that Usopp isn't the one being directly asked. He is looking out for Nami and begging her to lie to keep her alive because he is scared to death they might lose her for something as insignificant as lying. For him, lying is a form of survival and it is not that big of a deal because he trusts Luffy enough to tell Nami to lie about her feelings. It is something that will only stay between them because he knows it is better to lie than to die and Luffy would want it that way too.

And that doesn't mean he isn't loyal to Luffy or his dream. He is just looking out for Nami's safety. And as I said-- He isn't being asked directly, either. It is easier to tell others to lie about something of the sort than to do it yourself, and if the roles were reversed I personally think he'd have the most awful of times with it too.

Nami refuses to say Luffy won't become the king of the pirates because for her, even if lying has gotten her out of messes, she puts her trust and loyalty in Luffy before her own instincts of survival because lying is what got her to push them away when they first met and this is the one thing she can't lie about because it would hurt more than death.

Then again, I think she would do the same exact thing Usopp did if she wasn't being the one asked. It is the whole point of the scene, actually. They both know the most rational thing is to lie so the one witnessing the scene will always be cold-headed about it, but the one having to lie is the one suffering the bitter realization of how lying about this and saying it out loud is way harder than it seems from an outsider's perspective.

So I am tired of seeing people criticizing Usopp for his decision during the fight against Ulti as if it were that easy for him to see Nami being about to get killed if she doesn't lie. Sorry for the guy to actually want to protect the people he loves instead of letting her be reckless and basically kill herself freely for telling a truth even Luffy would tell her to lie about if it meant living.

[garvalhaminho]

matthew developing more romantic feelings towards lucie had so much comedic potential. love triangle between a blond and a corpse and she still would've chosen the corpse

[fromtheseventhhell]

Imagine being 9 years old and asking your dad about the things you're interested in doing when you grow up and he's like "No ❤️! But you can get married, have babies, and then maybe your sons can do those things ☺️🫶 "

[starry-bi-sky]

jason and danny childhood friends au memes (mild spoilers)

[shorthaltsjester]

"And you loved her once, too. You were inseparable. I remember the day the Featheringtons moved in across the square. From that day on, it was, “Penelope this,” and “Penelope that,” and “Penelope and I are going to read Don Quixote, and we are going to be knights.”"

Eloise Bridgerton & Penelope Featherington in Bridgerton // We're In Love by boygenius

[rustedleopard]

What astounds me about the whole "you need a pure human SOUL to perfect the serum" thing is that so many people take Chujin's conclusion at face value. Chujin Ketsukane? Chujin "Winner of the 'You Tried In Engineering' Award" Ketsukane? Chujin "Fumbled Inventing Robots So Hard He Earned The Ire Of The Usually Pretty Chill King" Ketsukane? Chujin "I Accidentally Killed A Human Child By Overshooting The Parameters On My Guard Robot" Ketsukane? That Chujin Ketsukane?