#or is it some random omnipresent being?

[impact-university]

The firey butterfly, the one true friend. All the others have failed, they will not be able to continue on alone. If those two leave, what hope is there for us all? None, if I am the one to have the final say.

[koqen]

⠀⠀remember me for who i was ⠀⠀☂️

[the-ferocious-kittyrose]

I feel like viv sorta shot herself in the foot, because such a big part of Hazbin’s story so far is that no one in Hell wants anything to do with the hotel, they don’t think it’ll work, they don’t want to better themselves, cuz being “good” is lame…

But in order for the shows premise to work, the hotel needs to have guests.

Charlie’s interview on the news didn’t bring in a single guest, the additions Alastor made didn’t bring in a single guest, the commercial they made didn’t bring in a single guest.

The random Exorcist angel being killed by a side character was more important to the story than the hotel. The hotel is so unimportant to the story that it doesn’t even feel like the characters are in a hotel! They feel like roommates living in a very big house.

And it sucks cus actually seeing the hotel up and running would be cool.

You have most of the guest exist in the background with a select few that get focused on and get their own plots.

Like imagine,

Vaggie is the receptionist. She books people in, takes phone calls, all that jazz. Her temper makes her interactions with shity customers a sight to behold.

Razzle and Dazzle are bellhops. They greet guest and take their bags to their rooms. They are very overly friendly. You know Mac and Tosh from “The Loony Tunes Show”? Yeah it’s them.

Niffty is head of house keeping. She does the cleaning and the laundry with the help of a mini army of bug maids that Charlie made for her.

Husk is head of room service. He’s not just a king of cards, hes also king of the kitchen. He owned a restaurant in life, but it went under as he gambled away all his money and and didn’t have the motivation to keep it up and running. “Makes the best Oxtail you’ve ever had in your life,” according to Alastor.

Charlie does… everything. You know how there are some people who say the devil is omnipresent? Well I took that idea and thought, what if Charlie could make multiples of herself and be at multiple places simultaneously? She can do individual therapy sessions, teach a yoga class, and hold a seminar, all at the same time.

Alastor doesn’t have as much of a direct role in the hotel. He mainly just acts as Charlie’s advisor/assistant.

[generalissimomayhem]

TNMN tier list!

The Nightmares Edition: Do they hate humans?

Explanations under the cut:

Would like to see humanity crumble to dust in the palm of their hands

Shub Niggurath and Xezbet Xerbeth: Is nothing personal, they would say. But if humanity disappeared tomorrow they would celebrate. Big time. You know what they said: The best moment was in the past and the second best one is TODAY. Mind you, according to Shub, she feels that Xezbet doesn't even try to work towards his goal because he thinks he already won.

Would like to see humans in agonizing pain

Abducius Morail and Teutates Taranis: Between the two, Teutates is certainly the most merciful, he kills quick and he kills en masse. Abducius on the other hand, likes to take his time and make sure people FEEL something. Basically, quality vs quantity.

Wouldn't kill (Unless they want to)

Exael Lanithro, Yan Luo Wang Diyu and Ah Puch Xilbalbá: Exael can certainly be... an experience, he always reassures to his victims that whatever he does is purely professional; when he's not torturing humans, you can hear his thoughts echo throughout the torture chamber, they can either be calming and interesting or the most disturbing shit you have ever heard. Only kills when he is bored with his victims, but he's usually quick with that one. Yan Luo is the same as Exael, whatever she does is purely professional, she doesn't meddle feelings, or at least she tries to; because there have been people in which she has taken their lives away from them because they had provoked her wrath. Ah Puch as being as rowdy and uncontrolled as he is, to him, what matters most in the art of bone breaking is who actually deserves it, which to him is most everyone tbh; with some people a broken arm is enough punishment while others need to have their skulls smashed.

Neutral

Anazareth Anazarel, Chaugnar Faugn, Drugia Fleuretty, Izanami Yomi: Anazareth honestly couldn't care less about humans, but she does act like she's above them. Chaugnar holds nothing against humans, but his job goes above everything and his word is sacred. Drugia, more than evil, she's naughty, she just loves to mess with people, she doesn't hate anybody but to her, free entertainment is more important. Izanami is very lax and only targets certain people, if you aren't in her radar of victims, she simply doesn't give a shit about you.

Have some relation with humans

Quachil Uttaus, Yog Sothoth: Quachil is often the one that observes from afar but that doesn't mean she has never come in contact with the human realm, she's multidimensional and somewhat omnipresent after all. With that being said, she acts more vigilante than anything, and brings misfortune to anybody that she deems fit, yes, even people who have been previously spared from it. Yog has had the tendency to follow Barbatos around in his huntings and Barbatos, as to "make this guy useful for once" often uses him as bait to lure humans towards him. When he's not "working" with Barbatos, he often goes around terrorizing random people (kinda like Drugia) but when he needs to eat, he holds no barrens.

Interested in human life

Ishtar Ereskigal, Lilith Lilitu Lilit, Barbatos Barrabam: Ishtar is quite knowledgeable in human history and has extensively studied great historical plagues along the years; she knows where to hit humans. Lilith, being an undead and having previously lived among humans, she knows how do deal with them, what scares them what they like and how to approach them. Barbatos is pretty close to humans, as his job so dictates, so he had his fair share of experiences with humans; but he would be lying if he said that he has never given second chances to humans or listened and participated in their conversations.

LOVES Humans

Dagda Crom Cruach and Zoth Ommog: Dagda tends to hang around a lot in farm houses, the taller the grass/wheat/corn fireld, the better. He likes to see humans living their lives, even after being born from tragedy. Of course, he doesn't let himself get caught by people, the few times he has gotten caught, he terrifies everyone with no exception. Zoth is uuuuuuhhhhhhhhh... he likes humans, he thinks they are all just a bunch of funky little dudes and stuff. If you wanted to join and assist in any of his rituals, he would gladly let you participate (even if you were one of the preparations for the rituals); other than that, if he REALLY likes you, you might get extra priviledges around the Astral Circle or he might give you the praying mantis treatment, whatever he feels like doing.

Oscillates between two or more

Nyogtha Z'mog and Orcus Dis Pater: Their stories can't get more complicated™. Nyogtha being the victim of a particularily gruesome death when she was a human and after she was revived through very unethical methods, she was initially on the very top tier and was helbent on having humans die for once and for all. Eventually, the more she dealt with human graves, the more she was able to see herself in some of their deaths and helped her regain some humanity. With time, her hatred died down and is now more neutral towards humans. Orcus bears a really fluctuated view on humans, he switches from absolute undridled hatred to infautation on a whim, nobody is sure onto why he suffers from such changes, Chaugnar has speculated something regarding a past life but nobody knows for sure. Most of the the time he can be found in the "Have some relation with humans" tier.

[journeytothewestresearch]

Can you please tell me what abilities sun wukong have because am always confused about it i even hear some people says that sun wukong is omniscient and omnipresent and can control time or that he is is a boundless character

At no point in JTTW is Monkey ever depicted as a boundless character with omniscience, omnipresence, and control over time. Anyone claiming that has never read the novel. Never ever trust any online claims about Sun Wukong unless a cited quote is provided.

Having said that, I am slowly compiling a comprehensive list of all of Monkey's magical abilities and skills, complete with corresponding Chinese terms and citations. However, I am nowhere close to being done (and won't be for years), so I can only give you a general list at this time. But I will link to my past articles where applicable.

The following is based on a list I wrote a few months ago for someone looking to make their D&D campaign more authentic.

Immortality - He has six layers of immortality. But these are more like layers of invulnerability. As a "bogus immortal" (yaoxian, 妖仙) he is still susceptible to injury and death because he hasn’t yet achieved Buddha-nature and broken free of the wheel of rebirth (see note #1 here for an explanation).

Invulnerability - He has an adamantine hide that can't be pierced or hurt by earthly or heavenly weapons and elements (this doesn't count the times that he allows himself to be cut). This is thanks to all of the immortal foodstuff he had eaten in heaven being refined within his body by his samadhi fire, giving him a "diamond body" (jingang zhi qu, 金鋼之軀). Sometimes he uses this invulnerability to freak out demons by blocking a sword strike with his bald head. However, he can still be hurt. For example, he is twice wounded by special elements born from spiritual cultivation, samadhi fire and wind (the book treats cultivated and heavenly elements as two different things). Also, one villain, a scorpion demoness energized with Buddhist dharma power, is able to successfully penetrate his skin by stinging him in the face with her tail.

72 changes - He can transform into anything. The only flaw is his tail, which doesn't always change the way he wants it to. Or, a character recognizes him because of his red butt.

Cloud somersault - This allows him to fly 108,000 li (33,554 mi / 54,000 km) in a single leap. The skill is actually a metaphor for instantaneous enlightenment, for those who achieve it will immediately arrive in the Buddha's paradise.

Magic hairs - He can change any one of his 84,000 hairs into anything he wants (tools, random objects, living creatures, etc.) These include hair clones, which are autonomous copies of himself that can range into the tens, hundreds, thousands, millions, or even billions. However, he only deploys these on a small scale in the novel. He never uses the power to its full stated extent.

Super strength - His greatest feat is carrying two mountains while running "with the speed of a meteor." But there are characters physically stronger than him. For instance, Monkey cannot escape the grip of the Great Peng bird once he is caught in his powerful talons.

Martial arts - He is proficient in armed and unarmed combat, being able to go toe-to-toe with deities with centuries more combat experience than him. "Short Fist," a historical style, is listed as his preferred boxing method. But he mainly relies on his magic iron staff for fighting.

General magic - Monkey is shown capable of calling forth gods and spirits, growing or shrinking to any size, parting fire and water, creating impassable barriers, conjuring wind storms, casting illusions, freezing people in place, putting anyone to sleep, unlocking any lock, bestowing superhuman strength, bringing the dead back to life, turning invisible, changing someone's appearance, traveling to and from heaven and hell, etc.

Magic Eyes - He can see through illusions. But this isn't always portrayed consistently, for I know of several times where Guanyin fools him, and even a god of the soil, a lesser deity, is once able to do the same thing.

Medicine - He can diagnose maladies and concoct medicines to solve the issue.

You can see that omniscience, omnipresence, and control over time are not listed. I think the problem is that people are confusing Sun Wukong at two different points in his character arc. The powers listed above come from the journey itself (ch. 13 to 100). The omni-level powers would come after he achieves Buddhahood at the end of the novel (ch. 100). However, it's very, very important to know that the story ends before Sun Wukong, now the "Victorious Fighting Buddha," performs any feats (i.e. he has no feats as a Buddha). I'm sure people could assign him powers ascribed to other Buddhas in religious literature, but what happens after the story ends is beyond canon.

I hope this helps.

[dinoburger]

let me just get my thoughts down for a moment after a light perusal of the Mouthwashing tag -

I don't think The Point of Mouthwashing is "who is and isn't a bad person" with a backdrop of "capitalism bad"

the story is explicitly about the exploitative, hierarchical conditioning capitalism enforces, that creates situations like what unfolds in the Tulpar

I think to say "this is the fault of [this or that character]" is to miss the forest for the trees.

to view what happens as a series of random, unfortunate events that just happen coincidentally to the moral inclinations of the characters is missing the very palpable deprivation that all of them feel when it comes to how much control they have over the situation they've found themselves in.

I'll try to break this down a little more:

Curly is definitely one of the more contentious characters when it comes to morality and I think what people miss is... he has far too much control. As captain, he has the first and last say in everything.

There's no possible way he could understand exactly how to handle every situation appropriately. Nobody could. It weighs on him a lot. To the point where his fear of messing things up is exactly what blinds him to the chain of events that initiates Mouthwashing as we know it.

He tries to smooth things over. Because of course he would.

The problem is that he is set up to fail from the start.

Breaching just about any condition on the ship can get the pay of his poor subordinates docked. He has to obey the company rules to protect them, too. The omnipresent horse keeps all of them "in check". He can't afford to take a moral high-ground, because most of them can't afford it either. He's trying to keep the house of cards together.

The most telling line to me is when Anya points out the lock on the medical room door that's absent from the sleeping quarters.

The company puts more value on the expensive equipment on board than the human lives. It tries to cut as many corners as possible. It undermines their livelihoods to maintain itself - in vain, ultimately.

The cargo of mouthwash is more valuable to the company than they are.

You can see also in each of them, the kinds of people capitalism makes.

Swansea tried to fix up his life and do everything right. He tried to become a good worker for the sake of his family. But is he much better off than when he was an alcoholic? He says the best part of his life is still when the only troubles he had was the bottom of an empty bottle - nevermind his family, his sobriety and becoming a "correct" person in capitalist society.

His existential crisis grips me because it does raise questions about if living the way you're "supposed to" is worth it.

Daisuke wants to prove his worth in his capabilities. Daisuke is still trying to prove himself as valuable to the system, even at his own expense. Swansea laments this, because he just knows there's no point where you become valuable or worthy enough in the system.

Anya, as the only woman on board, takes the blunt of the lack of autonomy enforced by the system.

Jim... Jim is exactly the kind of person this system breeds, too. He's entitled. He's hungry for more power, but he can only see it by wrestling it off his coworkers and enacting interpersonal violence. He sees himself as a temporary victim of circumstance, who has a right to the power Curly has.

He is the exact sort of person who might have been a captain on some of the other cargo ships. Can you imagine if he'd had that much power from the start? The company doesn't give a shit, so long as the cargo gets there in one piece. The toll of the psychological trauma taken on the staff will never outweigh the value of the goods being shipped.

Even if it's just mouthwash.

I think you could maybe also read Jim's affinity for the cartoon horse as a metaphor for his hunger for power, too. It's something he both desires and dreads. He wants to have his cake and eat it too, he doesn't want the consequences that follow. It's the carrot and stick. He'll take as much power as he can before the axe finally drops and he has to face the music, even if it means making everything so, so much worse in the process.

[d34dlysinner]

Just me writing one of my random headcannons, but I've always thought about this when thinking of Beelzebub as a parent.

It's pretty angsty.

And contains spoilers about his situation (from Bloodshed Beel card)

Beelzebub wants to be with his kids, but can't with his situation. Just as be does with Avisos. Yes he runs from responsibility at times he can defend Avisos, but for him to not put others in major danger he can't always be there. Especially if he has kids there. He will be near them and take care of them, but he won't say that he's their parent and will find ways to avoid answers.

He'll maybe be okay with telling then the truth when they're older and can fend for themselves.

He also doesn't want his children to identify themselves as his children when there's a target on him. He knows he's being hunted and that he's running, so he can't risk it when it comes to his children.

Even if there's a case where his children are omnipresent as him. He would never be able to see them suffer as he did.

He might not really introduce himself. He'll take care of them. He'll be present at their birthdays and some of their achievements and he'll always bring something from his trips around Hell. He'll also talk about other regions and stories bound to those regions.

There also might be a chance where he'll hear his child refer to him as their dad. Just because he's always there for them. It'll make his heart flutter and shatter at the same time. He'll feel bad, but he knows for their safety he needs to keep silent about his identity.

I can imagine his children connecting the dots when they're teenagers and they'll probably be angry at him for keeping silent.

It can either lead to them staying angry for a long while or them being understanding.

Either way, Beelzebub would feel bad and he'll not stop them from discovering the truth when they're older. There might even be a chance where he'll be okay with them being angry at him and staying away from him. It'll shatter his heart, but it also means that they won't be there if he's fighting and dying.

[justatalkingface]

Izuku vs Deku, Person vs Puppet

While I'm at this... I've made this point before, in that one Izuku mega-post I've made, and maybe once somewhere else? But I feel it's worth posting again outside of it, in a post just for this, if only so it's easier for people to look at this on it's own merits.

People use the name 'Deku' to refer to Izuku and I, on a personal level, dislike that. Don't get me wrong, I know why they do it, so I don't blame them (or you, theoretical random reader), but I don't like it all the same. Why?

On a fundamental level, I think of Hori making Izuku's hero name 'Deku' to be something that damages Izuku's development as a character, that it's not something done because that is what Izuku, the theoretical person would do, or something that will help him grow in some way; Izuku doesn't benefit from it all, actually.

No, the only person that really benefits is Bakugou. Here's the thing: Izuku doesn't like to be called Deku, he never did. Bakugou calls him that as an insult, deliberately, and the one time Ochako does it, based on a misunderstanding? Hurts him; he feels betrayed that his new friend is suddenly insulting him.

Of course, he's understanding when she explains why she said it, and all is forgiven afterwords, but that underlying fact is still there: Izuku does not like that name. So, why did he call himself that?

The way it's shown to us, the audience, the whole encounter with Ochaka is supposed to make him look at that insult in a new light, so Izuku calling himself that is supposed to be 'reappropriating' that name, and theoretically, that sounds great! The problem, though, is the reality of how it's presented to us:

When Ochako explains what happens, she says she thought it meant 'Dekiru', which is promptly explained to us that it means, 'You can do it!', and the way it's shown to us makes it clear that it's being given as an answer to the question Izuku has been struggling over: who am I as a hero?

The fundamentally cheerful and uplifting nature of the word, how quick and easy it is to say (as opposed to Aoyama's paragraph long abomination) and perhaps most importantly it takes that old, hateful name he's been called his old life and changes it, makes it new, encouraging, and hopeful, and has real resemblance to All Might's catch phrase, 'I am here' (as in, 'you no longer have to worry because I am here').

The setup for Izuku's name is for that, for Dekiru, the hero that says, 'You can do it!', which symbolizes the primary influence on his life shifting from Bakugou, from being belittled and looked down on, to All Might, to being enthusiastic and hopeful and encouraged; that is the reclaiming of Deku promised to us, like a new tree growing from a burnt down forest.

So... why is it Deku, then?

I'll say it again: it's because of Bakugou. It seems clear in how MHA's writing is set up that at first, Bakugou wasn't supposed to be as important and omnipresent as he ended up being, and at some point Hori shifted his plans to force him in the story, even as he was trying to keep Bakugou as Bakugou, keeping those same fundamental character traits that, realistically, he should have outgrown or have been punished for. And one of those traits?

Is calling Izuku Deku, calling him useless. The reason Izuku ultimately called himself 'Deku' has nothing to with Izuku himself, it's about Bakugou: if Izuku's hero name is Deku, and Bakugou calls him Deku? That suddenly isn't a bad thing, anymore; he's not insulting Izuku, he's just calling him by his hero name! But at the same time, it's clear by how Bakugou acts that he isn't calling Izuku by his hero name, he's just calling him by that same, belittling childhood name he always has; reality itself has just shifted to make that seem acceptable.

But if Izuku called himself Dekiru, though? Then suddenly, that shallow protection Hori afforded to him vanishes, and it's clear that Bakugou is, in fact, constantly insulting Izuku, every time they talk. It makes him look bad. And, well. Hori can't have that, so... Deku it is.

Do know what the peak irony of all this is, though? The accidental metaphor that makes it clear just how little Hori cares about Izuku, as anything beyond being a vessel to advance the story?

The meaning of Deku: it can mean a couple of things, like useless, for example, the way Bakugou uses it, but another meaning is a puppet. Hori literally stopped Izuku from calling himself Dekiru, from saying, 'I can do it!', so he could call himself a puppet instead... and all for the sake of someone else.

The symbolism on that is so strong that it hurts.

[overleftdown]

farleigh start thoughts

this is going to be a very random, very eclectic post. i just wanted to share some stuff that i can't figure out how to post independently. some headcanons, some commentary, some references... who knows. probably just a lot of yabbering.

"keep the rain" by searows. dude. just listen to the lyrics, i swear.

i was wondering about what the cattons really give farleigh. there's kind of... endless possibilities. his family in america is emotionally neglectful, but how do the cattons differ? i can imagine that having felix and venetia, two people of similar ages that he can glue himself to, is important to him. i also think that frederica start is an overlooked aspect of farleigh's character. e.i. he needs to have some semblance of closeness with the cattons if he has a chance at convincing them to financially support his mom. i think his ultimate mistake when confronting felix was perhaps centering himself, when the conversation was originally about frederica. although farleigh needed to finally say what he knew all along; he's different, and he's being treated differently because of it. i digress; farleigh wants companionship, a loud and distracting lifestyle, the security that only wealth can give you, and the possibility of helping his mom. that's how i sum it up, at least.

although farleigh is prone to escapism (into his wealth, into drugs, into his social life, into the games he plays), he doesn't seem as committed to cognitive dissociation as the rest of the cattons. i don't think farleigh is deluded by the wealth and power he has access to; i actually think it's the opposite. he is so hyper-vigilant of what he can lose that he's entirely aware that he doesn't know how to exist without wealth. the rest of the cattons have convinced themselves that wealth isn't an inherent part of them (elspeth with her odd anecdotes that imply she's a worldly woman, felix with his down-to-earth "i'm beyond classism" attitude, venetia with her general boredom of wealth and everything attached to wealth). farleigh never has that attitude. he knows exactly who he is with wealth, and he's terrified of what he will face without wealth. how would he cope with his sometimes-debilitating otherness? how would he have any power, any control, if not wealth and status? (this is a warped perception of reality, but i believe that's the perspective that comes with omnipresent wealth since you were born).

i think that farleigh would smother his room in pictures. i mean all kinds of media. films he likes, artists he likes (beyonce, justin timberlake, gwen stefani, aaliyah, madonna), pictures of new york, polaroids, photo booth strips, favorite travel locations (greece, italy, LA, germany, whatever), chad from hsm because that's his hair inspo, vogue magazine clippings- jesus, dare i say... postcards? i'm picturing anything and everything. but let's say that farleigh is a very private person. i mean, he's a professional hider, secret keeper, "inside thoughts" kind of person. i'm imagining anything just slightly too personal would be kept in a box. maybe that same box he keeps his cocaine! family pictures, baby pictures, personal photography (would it be bold to imagine farleigh as a notorious street photographer?), old knick knacks like his first friendship bracelets or seashells he found on the beach. i'm getting carried away. farleigh seems like the type to consume, linger, consider. i feel like anyone who wears gucci loafers also has an immense amount of sentimental material.

farleigh doesn't like english food that much.

farleigh is clearly able to apply himself in an academic setting, if the tutoring session is anything to go by. he takes a gamble on whether spending time with people is more beneficial than actually doing his work, and maybe he's just a little bit bored by school. but at the same time, he listened to oliver's entire essay and counted each individual time that oliver said "thus." where the tutor wasn't even listening, farleigh made the choice to specifically comment on oliver's rhetorical content because he understands how to apply yourself academically, even if you've yet to get around to the actual assignment. so.

i think farleigh likes to read. clearly felix, vee, and farleigh all made an agreement to read harry potter together. but i'm also imagining farleigh as a sort of classic literature, historical drama, and romance type of reader. i just think he'd get a kick out of it. i imagine his myspace page genuinely contained moments where he shared book plot like it was school drama.

based on archie's information about how he was asked to audition for farleigh, i think that farleigh speaks to his mom less often and very casually. in a few of archie's interviews, he said he was asked to mimic a phone call with the character's mom while he talked about guys he slept with recently. i think farleigh learned to avoid attempting any substantial conversation with frederica from a fairly young age (also from what archie has said about farleigh's dynamic with his mom). there's a level of both maturity and immaturity to farleigh's relationship with frederica. frederica clings to youth and avoids traditional aspects of motherhood. farleigh had to meet her in this odd middle ground, speaking to her like a friend that's similar in age to him. i can imagine that very few people have had any genuine, serious, emotional conversations with farleigh. like archie has said, farleigh and felix's heated confrontation has never happened before. farleigh doesn't say shit about what he's feeling or thinking.

farleigh and the cattons is so GAH. familial but transactional, familial but not quite. the cattons resolutely ignore the massive elephant in the room that is their inability to let go of how they view farleigh. "dad felt so guilty that he agreed to pay for all of farleigh's education," which also implies that farleigh is only living with the cattons because james has roped himself into this odd situation where farleigh is being shipped to england for school. now that he kinda has to stay with them based on that one agreement, it would also be weird if the cattons didn't treat farleigh the same as felix and venetia. i'm getting carried away. supporting a family member isn't supposed to be on the basis of guilt or pity. there is supposed to be... love? like, c'mon. this makes farleigh's relationship with his cousins odd. venetia believes farleigh is spoiled ("talk about biting the hand"), felix agrees that farleigh is there for entertainment. both comments didn't sit very well with me. the normal family dynamic is shrouded in this strange obligatory and transactional attitude. odd. odd odd odd.

YOUR BEST AMERICAN GIRL BY MITSKI

nothing, just farleigh's relationship with sex and how abysmally unhealthy it is, actually. and also the fact that oliver coerced him sexually GAH. i see this character and he makes me insane to be so honest.

he had to mourn both his cousins ALONE??

i hope farleigh eventually does something incredibly sinister and conniving and mean to oliver.

okay i'm done. hope you enjoyed... all of that.

[maestro04yayyy]

https://www.tumblr.com/maestro04yayyy/762341715456688128/random-dialogue-exchange-idea-for-like-1-year?source=share

Expansion on the "Drip Fed Poison" exchange/idea; just assume that Lila never found the butterfly or what have you so there can be focused family drama lol.

Its been a little over a year since the resolution of the Hawk Moth 'incidents' and Zoe would like to think her life had been going great. She finally had a parent who loved her and was invested in her, she was a burgeoning actress, she had friends she didn't need to compromise her values for. & hey, being rich was still ya know, nice.

Unfortunately there's been a blooming undercurrent of wrongness she's not quite able to put a name too. Its a lot of different little things.

She's found herself a bit more inclined to how around Andre's money & name to get things (but for nice reasons & her friends) But also sporadically had this blow up in her face. Usually not long after she had some kind of disagreement with Andre about a picture or event, or shot in a film.

She's also found her schedule often conflicting with her friends unless she obscures it from Andre or lies to him, almost like he doesn't want her hanging out with them. & he's very twitchy about her possibly dating, though he says its just to avoid paparazzo.

She briefly floats the concern t Jean who has become an increasingly ever present confidant and enabler of her sneaking out. But he's monosyllabic. Merely saying, he cannot speak poorly of his employer and continue to do good work, while subtly hinting helping Zoe dip out on an event to see her friends is the good work.

Things, don't quite come to ahead so much as she quietly floats the concern at a small friend hang out and Sabrina looks distinctly... Panicked. Made worse, when in trying to encourage her to say anything Adrien get roped in and is also suddenly super uncomfortable.

At first they treat it like its cos discussing Chloe is uncomfortable and it is, but...

Neither one has the full picture, and both are a little uncomfortable as they feel like it may come off as advocating for her, or smearing Andre, and they had both kind of convinced themselves they'd read too much into the relationship and clearly Chloe had to be at fault, right?

Adrien obliquely explains Chloe regarded a lot of wat she did with or for her father as a form of work. He did too. She plays the role of darling, devoted daughter, babysits visiting rich kids and helps out with events and fundraisers and Andre covers for her expenditures and misbehavior. Not that odd... Right? Really the issue is that he enabled her being mean, right?

Sabrina's read is a bit different, with her noting the instances Chloe tended to come over to her place, or be extra foul usually coincided with Andre being particularly clingy or omnipresent. & that he could and would withdraw his patronage of Chloe if he felt she was not acting as her name befit. IE, he is the source of her classism and Audrey impersonation, but it was a mistake, right?

He's better and learned now right?

Well, maybe not, especially if him currently blowing up Zoe's phone with guilt tripping messages is anything to go by, but the only other person who might be helpful is Madame Bustier, who Sabrina says Chloe sometimes spoke with alone.

Zoe is hopeful that a trustworthy adult will help her put all this to rest.

So the fact Caline looks like she might throw up when Zoe broaches the topic and clearly both wants to offer a hug and is trying to make her not panic by getting to close does not fill her with confidence.

As it is,

Chloe only ever really broached things with her once, after a breakdown (Not meltdown, breakdown) in class that involved flipped tables and broken glass after a particularly 'stressful' few weeks.

She'd been oblique over it, names and issues and expectations oscillating wildly and even Mr Agreste somehow got worked in but al of it painted an unflattering picture. One that likely informed her decisions as an Akuma to "Take Andre out" in one form or another.

But ultimately, the only person who can give her any insight into what Andre is like with a daughter besides Zoe herself... Is Chloe.

Ohhhhh i love this!!!!! Well I hate how andre is to zoe!!! But I love her slowly getting more concerned and worried about the situation!!!!! And yeah that would be a really good set up to reintroduce chloe(so I am basically considering this an au now because it's awesome) maybe not phisically because she is in london i think? I remeber it being the usa but the changed it last minute i don't know i haven watched the last season but still as a voice on the phone and talk to zoe and maybe just maybe connect as sisters!!!!! I honestly just love zoe and chloe being good sisters!!!!

[deeranger]

Lost in the Woods

So, I made this drawing and a little imagine for the SPN Eldritch Bingo 2024 for the square "Lost in the woods".... 🙃

Word count: 1,277

Characters: Sam Winchester

Warnings: Open/ambiguous ending, implied possible mcd, creepy forest entity

The cold yellow light from the moon somewhere above is quick to bleed into almost pitch-black darkness as soon as it hits the naked canopy. The many crooked branches simply filter it out, like skinny fingers grabbing and choking out the light. Sam can barely see his own hand in front of his face, let alone where he's putting down his feet. Great. That's just great. He should've never gone on this hunt alone.

Only faint remnants of moonlight manage to weakly illuminate the ground in random spots scattered on the forest floor and on tree trunks and shrubbery. It creates an eerie sort of glow that seems to contrast the black, and Sam would probably find it fascinating if it wasn't for the fact that this place is oozing pure evil. It's like the forest is watching him, like there's something breathing right down the back of his neck. It feels... Ancient. So much so that even the oldest oak tree in this godforsaken place is no match at all for the age of whatever lives here. One thing is for sure, it is never going to let go should it get its claws into him. And a scary feeling is brewing in Sam's mind that that is exactly what's going to happen if he doesn't find his way out of here. And soon. God, he should've stayed on the trail.

A twig loudly snaps under his boot, and the young Winchester swallows down a gasp. With his pulse skyrocketing, he freezes to the spot like a statue, all senses on high alert. The forest seems to hold its breath along with him, waiting... And watching. The feeling of being observed is intense, and Sam suddenly feels like a newborn gazelle circled by a hungry pack of lions, all alone and vulnerable in the middle of the goddamn savanna. He's a friggin' sitting duck and he knows it. And whatever is out there knows it too... And it's getting closer. He can feel it. Shit.

The hunter's fingers that clutch the Taurus have turned slick with sweat now even though the forest is chilly. And suddenly, he's seriously doubting if the silver bullets in the gun's chamber will help him at all. Probably not. Same goes for the flask of holy water in his pocket. And for some reason he's pretty sure that spewing out an exorcism won't work either.... Not out here, not on this thing. No, this time he's in way over his head and every weapon he brought is pretty much as useful as a chocolate teapot.

Cursing himself internally, Sam strains to pick up on whatever is lurking in the shadows... But all he gets is darkness, silent as the grave. It's like he's being watched from all sides, like danger is somehow everywhere around him now, pitch-black and one with the shadows clinging to every surface. It's omnipresent, a looming threat ready to pounce at him from any angle. He needs to turn back, needs to get the hell out of here now if he's going to stand a chance at getting out alive. But how? It's all around him and he lost his bearings a long time ago. He isn't even sure which direction to move in and by now he's not sure if it matters either. He's surrounded.

"What are you?" he hears himself ask into the chilly forest air. It comes out shakier than he'd like, and a gray mist hangs in the air from his breath until it evaporates and disappears, fleeting like a ghost. But the forest doesn't answer. Instead it offers more silence, heavy and ominous, and the darkness seems to somehow grow blacker yet, choking out the last bit of moonlight.

"What do you want??" Sam tries, automatically backing up when the night expands and creeps closer, black and tar-like and threatening. It's everywhere. The metallic taste of adrenaline spreads in his mouth, and his heart hammers against his breast bone with such frantic speed that he's uncertain if he might be passing out. He can't see anything. The blackness has reached him now, thick and evil and almost pulsing with something too ancient to even name. It's clinging to him, like a terrifying second skin, alien and predatory and freezing.

"No—"

It feels like he's breathing icewater all of a sudden, like his lungs are freezing over, blooming ice crystals gnawing at his insides and lodging themselves in every tiny blood vessel. It's like he's literally getting smothered from the inside, chest too heavy to even heave properly despite his efforts. God, he's never felt a cold like this before. This is… This is it, isn't it? Instinctively, he knows he doesn't have long, maybe just a minute or two before it's too late. Before he's absorbed into whatever it is that's pouring into him, devouring him. Killing him.

"D-Don't—" he chokes, and panicked he tries to force his eyes to see anything but blackness, to identify what it is that is now lifting him off the ground. He expects to see the crooked branches overhead, like bony fingers of an old crone reaching for him on a backdrop of pale moonlight, but he sees nothing. Nothing except a sea of black, a void, endless and hungry and absolutely diabolical.

As he feels life draining from him, his mind frantically spins and races in one big jumbled-up mess. His life flashes before his eyes, pictures of his childhood, of countless dingy motel rooms, faces of monsters that are no more and of those that got away, of everything that matters and doesn't, of all the things he still wants to do, what he needs to do... And like a red thread in all of it is his big brother's face. Dean. He can't leave Dean. Not like this, and... And not yet. He's not ready, the world isn't ready. But most importantly.... Dean is not ready. It's way too soon, his big brother will not be able to cope with losing him like this so soon after what happened at Cold Oak, after Sam left him the first time. No, he'll spiral in no time, Sam is certain of it. Or he might make an even nastier deal of some sort in his efforts to bring him back… And Sam can't let him do that, can't let him lose himself like that again. But what can he do to prevent it, really? Hell, not even Castiel can heal the kind of hurt Dean is going to feel no matter how hard he tries. Oh… Wait. He forgot. That could be his last chance, the very last straw to grasp at. He's not sure if he can even get his vocal cords to move, but he has to try, has to focus despite the solid cold that has settled deep in every bone. But he's listened before.... Maybe he will listen again? Just once? He has to. He has to.

With the last bit of air left in his lungs, Sam prays to the night sky he knows is somewhere up above him, obscured by ragged branches and blackness. It takes all of his might, and in the chilly forest air he calls out for the angel, voice thin and cracking. He feels the darkness around him angrily pulse in response and it constricts, wraps around his body like a snake, coiling and deadly silent. There's no room to breathe anymore. There's no room at all, and Sam falls as silent as the forest around him, blind and paralyzed... And waiting. Waiting for the flutter of wings or footsteps to approach. Just waiting. Hoping.

[nomsfaultau]

Fault crew in nightvale :D

Nightvale of course bristles against interlopers, but this time the discrimination is that they’re new in town, not that they’re anomalous. Progress! And obviously if Nightvale decides to keep them there’s not much the crew can do to leave, so eventually they might even settle into a proper place in the town. Having like actual jobs and homes is crazy for The Blade and Wilbur. They’re remarkable only insofar as they’re something new to gossip about, which is a game changer. Everyone is very skittish of Carlos at first bc of the Foundation, and would probably murder Dr. Janey Lubelle if she’s around when they’re there. The Dr. Blake vibe is just too much.

Tommy as an intern bc hello red shirt! In a purely goof sense I can just picture that because everything is so insanely dangerous, he can just try to pet Khoshekh at the end of each shift and The Blade is instantly summoned. This is how he gets a ride back home. Tommy is likely in the most in danger due to having minimal protection and being nosy. Immediately tries to break into the dog park because he wants to see puppers.

While happy to finally be able to walk in broad daylight, The Blade is NOT pleased with the government surveillance state and corruption and has declared war on the night vale city council. Him and Sheriff Sam are beefing hard. It’s ON SIGHT. There’s probably a plot where he tries to take down the Nightvale government and due to a random old law somehow ends up mayor and hates it. Excited to meet John Peters, you know, the farmer, and is extremely disappointed about the invisible corn. Not sure how a Huntokar and The Blood God meeting would go but I think they should. Like…a protector who is a destroyer, do you get me.

On the other hand, city council is really mad at Tubbo for all the forbidden secrets they’re just randomly stumbling across bc of the omnipresence of the swarms. Tubbo gets locked up in the radon canyon like every other day and Phil breaks them out whenever they get board of watching HBO. Tried to follow along with one of Earl Harlan’s cooking segments and got very disturbed, but Wilbur just followed the recipe not aware anything was abnormal. Plus in Tubbos’ backstory there IS an old woman Josie reference, so it’s possible they already know her and she has been using their honey in recipes for years.

Parallel between the faceless old woman who secretly lives in your home and the half faceless young man who secretly lives in no home is fascinating. She keeps leaving him like centipedes in his drawers or whatever and it just goes ‘oh nice a snack’ which probably irks her. Likes hanging with the glow cloud bc the ambient lighting stops the void, who is itself pretty chuffed with all the dead animal carcasses

Philza got a letter for jury duty during Hiram McDaniel’s trial and blew it off bc he was dealing with the Foundation. I think he’d be very chill with Josh Crayton, bonding over different forms and getting stuck in a form you didn’t plan on. Impressed with Tamika Flynn’s Librarian wrangling as a teen, though is more supportive of people growing and changing interests than Cecil dreaming of the glory days. And uhhh technically he’s responsible for the death of many nightvale interns since in chapter Phthalo I used wtnv interns to name Foundation employees. Possibly interesting implications if Chad Bowinger, Maureen Johnson, and Kareem Nazari went to work for the Foundation at some point…?

[moon-swag-tourney]

Propaganda below!

Looks to the Moon

I LOVE BIG SIS MOON AHHHH... she's literally so so sweet and perfect and i love her…

MY GIRL!!! She deserved so much better. She's one of the first of many MASSIVE supercomputers called iterators designed to solve a problem which her creators eventually gave up on any of them solving and thus was left behind to gradually fall into disrepair. Even though she appears as a small humanoid, iterators in their entirety are actually buildings full of machinery that have entire cities built on top of them.

As one of the senior iterators, Looks to the Moon, sometimes called Big Sis Moon, looks after her younger peers and is very caring towards her fellow iterators. Tragically, her kindness ultimately leads to her structure collapsing leaving her weak and with limited cognitive ability, but even then she is so sweet to the main character. You can bring her random items and she'll describe each one, even if it's just a rock or something. She also gives you advice whenever possible.

She's gone through so much and yet is still so incredibly kind please vote for her she deserves it

Looks to the moon is an iterator, a city-sized biomechanical supercomputer. When you meet her, she is trapped in the flooded and collapsed husk of her superstructure, barely alive. Despite this, she is warm and kind and will tell you about any object you bring her. Looks to the Moon also goes by the name Big Sis Moon, as she is the most senior iterator in the local group and views the other iterators in her care as younger siblings

Moon's the best! She's an iterator, a sentient supercomputer whose structure used to be so big it housed an entire city on top of it. However, the civilization that built her is long gone, and she and the other iterators were left behind, unable to die, unable to leave their structures. Imagine once being a god with an entire civilization relying on you for all their vital resources, only to be left behind, literally a mountain bolted to the ground, as the wildlife slowly takes over the land and your communications with the other iterator fail. Moon's little brother Five Pebble's couldn't accept this fate, and made some rash decicions. This badly damaged Moon's systems, causing her structure to come crashing down to the ground, and her to lose most of her memories and processing power. There's something magical in discovering her for the first time - this fallen Goddess taken over by rust, abandoned inside the giant ruins that used to be her body. Still, she's friendly, and should you be kind to her, she'll return the gesture. She doesn't have much, but she'll gladly give you company and tell you stories. She also still cares about her brother very much, even though he's the one to blame for her bad state. 

Moon is a superintelligent AI called an Iterator. She's designed to (basically) help the lesser beings of the world escape samsara, along with the potentially thousands of other iterators. She was accidentally killed by her brother as he attempted to escape samsara for himself. She's the only character the player can meaningfully interact with, and she's very sweet and kind.

Majora's Mask Moon

Now that's a very angry looking Moon!

Omnipresent. The best way to describe them. You look up. They are there. You can reset time as many times as you like…but until you deal with the problem…the moon is still there.

They are the moon. You can't get moonier than the literal fucking moon. Any yes, they are a major character with autonomy in the story. 

[maschotch]

Random Hotch q for the expert, but do you think he’s especially religious? I can’t recall if it’s been mentioned/touched upon in the show (currently rewatching) but I always envisioned him to not be practicing but maybe subconsciously Christian lol idk what are your thoughts

truthfully im not sure. from his vibes i could definitely see him being a hardcore christian, but considering the amount of american symbolism we see in his office, we definitely would see some sort of evidence if he practiced any kind of religion.

if i was to speculate, id say he’s uninterested in organized religion and spirituality on the whole. he seems more bemused when interacting with overtly religious pushy parents and clinical with abusive parents with a religious front, while morgan has a much more personal reaction, which makes me think hotch isn’t bothered by religion the way morgan is. but i imagine morgan, who grew up in a loving home that was disrupted, felt abandoned by a god he once loved whereas hotch, who grew up in a consistently abusive household, never bought into a benevolent god to begin with.

if we’re talking just my opinion? i think hotch’s childhood was littered with the omnipresent force of southern christianity: there’s a church on every street, sunday church was a weekly occurrence, bibles in every school, prayer during class, crosses in every room, etc. but i think he thought it was a sham. i think of his interactions in natural born killer with the guy who’s dad put up a religious front in public but beat his family in private, or the father in boxed in who would do the same thing. i think of it similar to that; religion was just part of the cover to maintain the appearance of a happy wholesome family. hotch doesnt seem like the type to pray every night for the abuse to stop—it seems more like he would just accept the way life was for him until he takes it into his own hands.

it’s been a while since i’ve seem cm so i don’t remember his house decorations or haley’s jewelry, but nothing stands out in my memory. i don’t think he’s religious but i don’t think he has a particular aversion the way morgan does. that being said, i could understand any religious headcanons for him since he really doesnt talk about it much. he even kinda dodges the question in demonology when morgan asks what he believes in: he believes in behavior and people and things he can understand. there’s no need for him to worry about the rest of it.

[lactating]

#30: LAYER THREE: Don't be recorded. >

If it all possible, avoid those omnipresent spectres of the panopticon called cameras and cell phones and all manner of moden day curses.

If you must face the evil eye of a curse, pull your shades close and the brim of your hat down low. Ensure YOU choose what gets remembered for a few hours on some random hard drive before being erased. [8] If all there is to see is an unknownPerson moving strangely, once you leave the ire of the curse, you can be certain you are home free.

#31: LAYER FOUR: Don't be identified. >

[starwalker03]

started thinking about the familial factors of the jedi temple and. have y'all considered how fuckin wild it'd be if the jedi temple worked on a boarding school premise?

like when they're infants i don't know how that'd work but when they get older and start registering the difference between being in the temple and being home. When they have the wherewithal to know they have a family somewhere that is not with them now. sending them home for holidays, intermittently.

normal farming families, random villages, politicians in highrises, all these distinctly Normal People, possibly even with other Normal kids, welcoming home this jedi padawan or youngling on their School Holidays, essentially, and watching in awe and vague horror as what is basically a baby eldritch being walks around their homes.

like this wouldn't exist within the concept of the canon, because War. but once upon a time hundreds of years ago mayhaps. before they got so stringent on jedi being removed from their homes at a young age and not knowing anything of them. can you imagine having such profound and extensive knowledge and experience with the omnipresent power that permeates every atom of the universe and just being told 'hey so you're going home to your parents for two weeks, have fun, don't forget to do your daily meditation, and make sure you don't fight your siblings with the force.'

I think there's some crack potential here. I ALSO think there's some kind of chaos and drama.

(can you imagine some very superstitious parents thinking the temple has swapped their child for something New and Strange ((a la changeling folktales)) and what they've welcomed into their homes now is Not Their Child because they sit too still and say strange things and that's not even touching on the telekinesis. do you think there's a horror story of parents killing their kid out of fear for what it may do their siblings in anger or smth and thus the temple no longer allowing children to return home)

(i don't know man sometimes I consider how the jedi may have existed before they were seen as something useful to the space government as a means of diplomacy and fighting force. how their culture may have built and evolved over time. how people perceived them before they were knights and wizards and fairy tales, but after they became known to the universe at large)