#or if it meant something else in that book's context

[nostalgebraist]

Thanks for this thoughtful review!

(BTW, for others – this is probably obvious but there are spoilers below the readmore, don't click unless you've read the book)

I'm going to use this as an opportunity to talk about one specific thing that bugs me about some reader reactions to my stuff. Therefore, most of what I say below will be negative (about your review), but I want to emphasize first that that's not a reflection of what I thought of it overall.

----

What I'm here now to talk about is this kind of thing:

There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit [note: in context "bullshit" seems to be meant as a neutral term for non-realist elements -nost] is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

And like... okay, there is sort of a sense in which this is true, sometimes, kinda. There is a grain of truth to this; it is getting at something real.

But it pains me to say that, because I don't want to encourage this kind of reading. Interpretations like this are occasionally correct but IMO they're much more common than they should be. IMO the right intuition is that this is a galaxy-brained, contrarian sort of take, a last resort you land on when you've ruled out everything else.

And not just with my work, with everything – I'm simply more aware of the problem when it comes to my work, because I wrote it and I'm aware of why I actually did things the way I did.

I've said this before, but watching the way that people react to my own fiction has been an eye-opening experience, one that has taught me things about reader (and viewer, etc.) reactions in general. Specifically, what I've learned was:

People's tastes are way more diverse than I had realized (before I started writing and sharing fiction). And they are diverse in a very fine-grained way; even if two readers have the same preferences about 90% of stuff, or 95%, they'll still diverge on some things. While it's not literally true that "every reader is a unique snowflake with a preference set that no one else shares," that is a very good first approximation of how things are.

Readers (including me!) have been trained by a lifetime of reading book/movie/etc. reviews to frame their preferences/reactions in a pseudo-objective "this is just how it is" way, like their own tastes have some special viewpoint-independent priority, a quality of "reality" or "accuracy" lacking in everyone else's tastes (which are all different, cf. 1). And this is not just a stylistic quirk of the way people write about fiction, it actually (IMO) feeds back into the underlying opinions behind the written commentary. It degrades people's ability to understand what it is they're looking at and their ability to make accurate inferences about the process of its creation.

----

Here's a sort of cartoonish schematic of the type of experience that led me to draw these conclusions. (And I suspect this is not just a thing that happens to me, I imagine it happens with any sort of work that "contains a lot of different types of stuff" the way mine does.)

Writer makes something that has X and Y and Z in it. Writer thinks X/Y/Z are "great tastes that taste great together." Writer is very pleased with the result.

Reader 1 has similar tastes to writer, says something brief about how they loved the book and it's a new favorite for them.

Reader 2 loves X, is OK with Y, hates Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to X and not messed things up by doing so much Z.

Reader 3 is the reverse of their predecessor: they hate X, are OK with Y, love Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to Z and not messed things up by doing so much X.

Reader 4 loves X and Z – but they hate Y. They write a lengthy… you can fill in the rest. Imagine a whole bunch of these guys (readers 5, 6, etc).

Reader 17 has the same tastes as Reader 2: loves X, is OK with Y, hates Z. But their lengthy review takes a different, in some sense "more charitable" angle, speculating that the inclusion of Z was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet X.

Reader 18 has the same tastes as Reader 3: hates X, is OK with Y, loves Z. But, they explain, X was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet Z.

Writer reads all these reviews and feels strange, dizzy. The "nicer" reviews like 17 and 18 are actually more uncomfortable to read than the "meaner" ones like 2 and 3.

"I don't know how to convince you guys," Writer thinks, "but I... I just liked all of it? I thought it was good? That was why I wrote it? (Why else would I have written it?)"

----

Or, as I wrote in that previously linked post from 2021, w/r/t TNC specifically (and making a slightly different but closely related point):

Some people say X was the worst part of TNC, some people say X was the best part. The story was a celebration of Y; the story was about how Y is laughably futile. It’s a letdown that we were never told more about Z; the reason TNC is good is that it leaves stuff like Z to the imagination. It was obvious we were meant to believe P; it is obvious we were meant to believe not-P; the ambiguity about whether P is tiresome literary masturbation; at least the story didn’t jump the shark by spelling out whether P! The reason people like TNC is, of course, that it has A, although nostalgebraist insisted on putting B in there too because he hasn’t fully perfected his formula yet / he somehow thinks B is good even though it isn’t / he thinks it’s funny how bad B is (but the joke tires). …and then someone else has same take, but with A and B flipped.

This exact sort of thing is of course happening again before our eyes with reactions to TAoHS.

I've encountered multiple readers who disliked most of the story but felt the ending (sort of) "redeemed it," and I've also encountered multiple readers who liked the story up until the ending but disliked the ending (or at least thought it was worse than the rest) – to say nothing of the many readers who liked (or disliked) the whole thing all the way through.

And this ending-related stuff is just one particularly obvious facet of a broader diversity in the overall reader response.

By now I know not to be surprised by this stuff, and even to find it kind of fun to watch... but I have to admit, it is still a dizzying and uncomfortable experience.

----

Now, as I said, it is sometimes true that things really are "bad on purpose."

But I think the interpreter's default hypothesis – which should be maintained by default unless convincing evidence against it can be brought forth – should be:

The writer thinks that the thing they wrote is good. They think the ideas are good and they think they executed them well. And they think this more-or-less homogeneously for everything in the work – there are no "bad but unfortunately necessary" parts from the writer's POV.

(At least, this should be the default with works that aren't making the writer much/any money. Obviously things are different with lucrative commercial fiction; there are plenty of well-paid hacks who know they're hacks and do it for the money, etc.)

Why should this be the default? Multiple reasons.

First: it takes a lot of effort to produce any sort of creative work. The writer thought that effort was worthwhile, for some reason – why?

The most straightforward explanation (and a very common one IMO) is that the writer simply believed in the thing that they were making. They believed the effort was worthwhile because it would yield a good product.

Second: as a writer you have an immense amount of freedom. It's difficult to overstate the extent of it. You are playing God, you decide the way that literally everything will be.

Obviously there are some constraints, cases where one part of a story will imply the existence of another or whatever.

But it's very rare that you actually get forced into "doing a thing you know you are bad at, badly." After all: why do that? No one's forcing you! Just do something else! You're God, you control everything!

(Note that this applies also to the very act of writing anything. No one is forcing you to write at all. If you can't come up with good ideas, nothing prevents you from just not writing your bad ones.)

Third: at least in my experience, "playing God" in this way requires a certain state of mind, a certain boldness and self-assurance, which is incompatible with thinking "yeah this is gonna suck but I have to do it" – but is very compatible with thinking "I am making something excellent and every part of it is excellent, hell yes."

Fourth: because of the previously noted diversity of reader preferences, it should not be surprising to any given reader that they find some parts of the work much better than others, even if the writer thought it was all excellent.

This outcome is predictable from the X/Y/Z stuff I talked about above. No clever interpretive work is required to explain it; it arrives pre-explained; it's simply what happens by default.

And finally: because, as I noted above, I think all of us are infected with "reviewer brainworms" and we need to be mindful of this fact.

(Just to be clear, I am not accusing OP of being more infected with said brainworms than anyone else; I'm still on my soapbox, giving a generic rant about a general issue, with OP as merely a jumping-off point.)

We've grown accustomed to the casual conflation between our own tastes and some (usually hazily imagined and under-theorized) sort of "objective, ideal artistic standards."

Outside of a few edge-case eccentrics who can be ignored for my present purposes, we do not do this because we've become intellectually convinced that

(a) such objective standards make sense and really "exist" or at least really matter and

(b) they just so happen to match our own preferences.

Rather, we've fallen into this habit because it's what the pros do: there's a standard style that professional critics and reviewers write in these days, and that style implies these stances. And if one writes (and thinks, in one's inner monologue) in this style, one can easily fall over backwards into uncritically believing (a) and (b) for no better reason than "I seem to already be talking as though I believe these things, hence it would be simple and convenient if I really did believe them."

But – even if we bracket the philosophical questions of whether (a) is in fact true, and (if it is) whose tastes in particular ought to be elevated in the way (b) presumes – even if we table all that for another day, still we ought to keep in mind how weird and audacious a move this is, this simultaneous assertion-without-explanation of the (a)+(b) pair.

We've gotten used to it by exposure, because "the pros" have normalized it. But in actual fact it is a pretty wild thing to just go and assume, given the X/Y/Z/etc. diversity of actual opinion!

If (b) is true for you (general "you" not OP), then it can't be true for me, because we're both unique snowflakes to a first approximation; indeed if (b) is true for you then (to a first approx.) it is only true for you. No one else's tastes have this magical relation to reality, just yours.

Holding the belief (b) about a given reviewer is conceivable-but-wild if we're only considering them in isolation. But once we bring a 2nd reviewer (with non-identical tastes) into the picture, who also believes (b), it's literally impossible to maintain that both of these people are fully right.

And then of course in real life there are not 2 but many, many readers out there, all of them unique snowflakes. And, while it is socially normal in our social context for each one of them to write like they're the chosen one blessed with that special (b)-magic, if you read enough such writing and actually think about what you're reading, it can't help but feel like a sort of game, like playing make-believe. As with most games, it can be very entertaining (for all parties involved), but we shouldn't confuse its amusing conceits for properties of the real world.

In the real world, the writer has their tastes, and you have yours. These tastes are probably not identical. The writer may be aware of the diversity of readerly tastes, and may thus be aware that tastes like yours are out there, but they have no special reason to consider you in particular, elevating you above all the other readers who are non-identical with them (and with you). The writer is dimly and abstractly aware of you, at best, as just another one of the people who will come along later, dislike some of their choices, assume that these choices were wrong in some "objective" way the writer knew about at the time, and then speculate as to why the writer would do something they know is wrong. For every choice, and every way of making every choice, one can imagine a reviewer who responds to it in this way, and quite often these reviewers actually materialize once the work is available for consumption. If you try to reason about these guys in advance, as a writer, it'll stop you in your tracks (if nothing else because there are 2+ of them whose takes are mutually incompatible). You've gotta have some other standard of value to rely on.

So, as a reviewer, if you ask "why would someone ever make a choice I don't like?" and try to pick at this question, you are quite likely heading toward a dead end. The writer wasn't thinking about you (or people like you). They were applying their own, distinct standard of value.

Better to ask: "suppose there was a person who actually liked all of this. What would they be like? How would they be similar to me / different from me? And what, if anything, can I conclude from that?"

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[howtodrawyourdragon]

A Viking ship called the Valhalla Express, you say?

[cheapshrimpysheep]

Sharing a Bed

SUMMARY: When they built the bungalow, they couldn't make an individual bedroom for each person. Or a bed for each person. So, they'll have to choose the person with whom they will share the room... and the bed. And the boy you're secretly dating ends up paired up with you in one of those beds.

CHARACTERS: Riddle Rosehearts; Ace Trappola; Jack Howl; Azul Ashengrotto; Floyd Leech; Lilia Vanrouge

TAGS: Fluff; GN Reader; Flirting; Kiss; Beginning of Relationship

WARNING: Spoilers from Stitch's Tropical Turbulence (JP: Lost in the Book with Stitch ~Midsummer Sea and Spaceship~)

WORD COUNT: An average of 920 words per character.

COMMENTS: Okay, after reading it a second time, what I think Jack meant was: Since they couldn't make individual rooms for everyone, they made one living room big enough for everyone instead. But that's not what I understood the first time, and the way I understood it was more interesting for me to write something about :3

CONTEXT: You two are at the beginning of your relationship and no one knows. Let's also say that Floyd didn't use the back door for the bonfire.

They couldn't make individual rooms in the Bungalow or single beds. They only got materials to make 3 beds big enough for 2 people to sleep in each. And 3 bedrooms where they placed each of the beds. Which meant that 6 people could sleep in pairs on the beds, Grim and Stitch were small enough to sleep well on the couch/armchairs and 1 person had to sleep in the living room with them, maybe on the couch too. And someone comments about you and Grim being a package deal.

Riddle was the first to say that you shouldn't sleep on the couch just because you usually sleep in the same room as Grim.

You should sleep in a bed and, like the gentleman he is, he offered to sleep on the couch instead, more concerned with your well-being than with the possible jealousy he could feel depending on who you slept next to.

“Objection!” Lilia said playfully. Riddle looked at him in surprise. “I should be the one sleeping on the couch. After all, I can easily sleep in a cave and I'm small enough to fit comfortably on the couch. You guys should have the beds. A good night's sleep is important for growth.” He smiled. Riddle may or may not realize it, but Lilia did this mostly for the two of you.

“So how do we divide ourselves between the beds?” Jack asked.

“Firstly, you shouldn't sleep with people you don't feel comfortable with.” Riddle said. He, Jack, and Ace looked mostly at Floyd, but also at Azul.

“Those looks directed at us after such advice are quite hurtful.” Azul says with his performative sadness. “But, Riddle, can I ask why you said you instead of us?” he asks with a smirk.

Riddle couldn't hide his caught reaction. And he's not the type to make excuses, so he was sincere: “In fact, that slipped from me.” he said, slightly blushing “The truth is, I hoped I could be paired with [Y/N].” he looks at you “If you're comfortable with that too, of course.”

You say that you are, and with two shy smiles directed at each other, your pair is decided. The other pairs were Ace with Jack and Azul with Floyd. Both Jack and Ace didn't want to be with either of the other two and Ace used the excuse that Azul and Floyd had known each other for a long time to justify the pairings.

❤️ Bungalow - Yours and Riddle's Bedroom ❤️

He let you in first and closed the door behind him. When you look at him, you realize that he is thinking about something, something that troubles or bothers him. You ask if everything is okay.

“I... I know I was the one who invited you to share the room with me... but...” You ask sadly if he wanted to exchange with someone else. “No, no, no! It’s not that. I will always choose you. I even did it without thinking... and maybe that was the problem... I...” he blushed a little. “I didn't want you... to sleep with anyone else. Although at first I offered to sleep on the sofa, which would consequently mean that you would have to share the bed with someone other than me. *Sigh* Why can't I think straight?” he whispers to himself. “Sorry, I'm straying from the initial question. What bothers me is... I'm sure I'm breaking a rule.”

You ask what rule. You wonder if it could be any Heartslabyul rule? Or maybe from the Queendom of Roses? Or could it be...?

“I think it would fit into a rule of etiquette. My mother is completely against this. We are no longer mere acquaintances, or just friends. These types of things cannot happen before...”

“Marriage?” You ask. He blushes again.

“I know it's too early and we're too young to talk about this but... yes...” You say that if he feels more comfortable swapping with someone else... “NO! That's out of the question! I'm not going to force you to sleep on a sofa and WHOEVER SLEEPS WITH YOU I WILL HAVE THEIR-!” He stutter, and clear his throat. “I mean... this is the best option.” He's embarrassed for shouting in front of you. “My apologies for that.”

You reassure him that it is okay. He wasn't yelling AT you and you know he's still learning to control his anger. You say that all rules have exceptions, and in cases like these, on a desert island where it is already lucky that there are beds, perhaps they are exceptions to certain rules. Sometimes the rules of survival override the rules of etiquette. Maybe if he thinks he's not breaking a rule, but following its exception.

He thinks for a moment “You are right. If we think about it this way, it is also against the rules of etiquette to eat with your hands, but it is foolish to try to impose it when there are no conditions for it. Yes, you are right, we must prioritize our well-being and health.” There's a cute and awkward pause “Um, do you have a preference for the side?”

If you have a preference, he will sleep on the other side, if not and one side is closer to the door, he will sleep on that side. If you ask why this choice, he will say that the most protective person in the relationship is often on the side closest to the door in order to be able to protect their significant other against intruders.

As soon as you lie down and get ready for bed, you might be surprised by how naturally Riddle kisses you on the cheek. “Good night, my rose.” If you look at him, you will see a sweet smile and caring eyes looking back at you.

If you want to return the kiss you can do it on his cheek as well. Lips are still reserved for special occasions only. And he'll press his forehead to yours, your noses almost touching for a moment before you finally turn over to sleep. And if you open your eyes while he's doing it, you'll see the loving glow in his eyes.

You begin to sleep separately and perhaps even in different directions, but sleep and dreams are revealing. Eventually you will begin to unconsciously move closer to each other, until he has his arms around you and your head is resting close to his chest.

If you wake up in the middle of the night to the sound of one of Gantu's robots outside, Riddle won't even process the fact that you're suddenly so close. He goes straight from sleepy mode to protective mode on instinct. His gaze will be completely focused on the closed window and you will feel his arms moving you closer to him. If you make a sound, he'll put a finger to your mouth and whisper a calm shh.

Only after the robot leaves will he realize how he is hugging you. His face will immediately turn red from the blushing and he will move slightly away from you apologizing.

If you show yourself comfortable being so close to him and even more protected, he will end up giving in and letting you continue sleeping together as you were. You will definitely hear his heart beating fast until he finally manages to relax and fall asleep again.

After that, you will start to get used to sleeping like this. He will always wake up before you and wake you up with a kiss on the forehead. “Good morning~ Did you sleep well?”

“Hey, [Y/N] shouldn't stay on the couch just because Grim is going to be in the living room.” Ace says. “At least it doesn't seem fair to me.” he looks at Riddle hoping he would share the same opinion.

“Surprisingly I have to agree with Ace.” Riddle says.

“See? Wait... what do you mean surprisingly?”

“The person who will sleep on the sofa” Riddle continues, ignoring Ace's observation. “should be chosen taking into account who is least likely to have problems sleeping well on it compared to others. This also includes not having a stature too large to fit.”

Everyone looked at Lilia. Who looked behind him as a joke.

“Kehehe. Of course, I have no problem sleeping on the couch. It even looks quite cozy from my point of view. Furthermore I'm going to have two really fun roommates.” Lilia smiled, Stitch smiled back and Grim said something about him being a great roommate. The others looked at you for a moment when he said that to see your reaction.

“So who will be the pairs for the beds?” Floyd asked. “Hey kingyo-chan~ do you want to stay with me?”

“I'd rather sleep on the floor.” Riddle answers. Floyd laughs because he already predicted that.

“Dibs on pairing with [Y/N]!” Ace hurried to say.

“Aw, koebi-chan was my next choice.” Floyd comments.

Seeing his options, Riddle asks if Jack would mind pairing with him. As Jack respects him a lot, he says he doesn't mind and his tail starts to wag, slightly honored that Riddle shows some trust in him. Azul and Floyd end up paired up with each other.

❤️ Bungalow - Yours and Ace's Bedroom ❤️

As soon as you two enter the room and Ace closes the door, he picks you up playfully. And he even tells you not to make any noise as he laughs softly. He takes a few steps and lays you down on the bed.

“So, do you have a favourite side or do I choose?” You or he chooses sides and you lie down. “Ahh~ Finally something that isn't the floor of a cave to sleep in~” he says next to you.

And then you remember something: It wasn't the first time Ace suggested you two sleep in the same bed. The first time was when the riddle locked a collar around he's neck for the first time and he had to sleep in Ramshackle Dorm. And the second was when Azul got Ramshackle Dorm and you had to find another dorm to sleep in. Before going to Savanaclaw, Ace suggested you sleep with him when they commented that Heartslabyul didn't have extra beds. So you comment that he finally got the sleepover he wanted so much.

“Hmm? What do you mean?” He asks. You remind him about the first time he came to sleep in your dorm. “Well, in that case I just didn't want to sleep on the couch. But you made me sleep in it anyway.” he looks at you with a sulking face, and then a smirk. “You know, now that I think about it, maybe I should have let you sleep on the couch. So we were even.”

Then you ask why he didn't try to do that when you were left without your dorm. That was the second time he suggested sharing a bed. And you caught him by surprise for a second.

“Hmm... well... Do you think the Housewarden would let that happen? I can even imagine myself losing my mind over the audacity of being so rude to a visitor. Or Queen of Hearts knows what dorm rule that would break.”

If you remembered correctly, he suggested sharing a bed AFTER Jack offered to shelter you in Savanaclaw.

“And yet you chose Savanaclaw.” he sulks cutely again. “And slept in Leona's room.” he murmured.

You say something like: “Aw, is this jealousy~?” And he rolls over, facing away from you. You get closer to him, saying that he doesn't need to be jealous, and nothing happened, Leona also only did that because he was forced in a way and you needed a place to stay.

“That's why I slept with Deuce.” He tells you. You exclaim a surprised "WHAT?!" and he turns to grab you and make you lie down clinging to him.

“Got ya!” he laughs. “And keep your voice down, remember?” He whispers. “You really fall for it? Ha ha. You should know me better than this.”

He yawns, which makes you yawn too.

“I'm really tired. We should just sleep. You don't mind if we sleep like this, do you~?”

They complained about the heat outside , but inside the bungalow, at night, it's actually a little cool. So it's kinda comfortable to sleep almost hugging each other. So no, you don't mind. Quite the opposite. He kiss you good night, and you two fall asleep.

In the following nights, there are chances that you two make out a little there before going to sleep, if your not too tired. He will never wake up grumpy, because every time he hears the sound of the waves and sees you lying next to him, he realizes that this is the best vacation ever.

Jack wasted no time in speaking his mind: “I don't think [Y/N] should sleep on the couch just because Grim is staying in the living room.”

“Fufufu... Why? Do you think [Y/N] should sleep with you instead?” Lilia asked with a smirk to tease him.

Jack blushed a lot! “Wha-! NO! That wasn't why-” He put his hand on the back of his head. “I mean, I wouldn't mind, but I was just thinking that it's not fair for them to sleep on the couch just because of Grim. We should take into consideration whether [Y/N] have trouble falling asleep here or not.”

“I agree with Jack” Riddle said. “In fact, we must take into account each person's needs in something as important as rest. I believe you would agree as well, Lilia.”

“Yes, you boys are right.” Lilia said with a smile. “In that case, I volunteer to stay on the couch. From what I saw in the cave, I'm the one who has the least problems sleeping.”

“Mendako-chan could sleep on a battlefield, hehehe.” Floyd comments. Lilia also laughs at this observation.

“So...” Jack turns to you, still slightly blushing. “Now that you don't have to sleep on the couch, would you like to pairing with me?” As soon as you say yes, or whisper something like "of course, silly" his tail starts wagging.

“Well, we already know who the first pair for the beds is.” Lilia comments when he sees Jack's tail moving wildly from side to side. He tries to make it stop and you see his ears lower in embarrassment.

Seeing his options, Riddle asks if Ace would mind pairing with him. And also analyzing his options, Ace says he doesn't mind. They are even from the same dorm, maybe it would even be better to pair up like that, you know? Being in the same dorm, people are more comfortable with each other, right? (They got it, Ace)

💛 Bungalow - Yours and Jack's Bedroom 💛

As soon as the two of you enter the room and Jack closes the door, he will ask if you have a preference for which side of the bed you sleep on. When you look at him, you see that he is still trying to contain the wagging of his tail. You remind him that he doesn't need to do that when it's just the two of you.

“Oh!, Ya, force of habit I guess.” And so he lets his tail wag freely. Fortunately there is no furniture or objects that it can hit.

If you have a preference for the side of the bed you want to sleep on, he will sleep on the other side, if not and one side is closer to the door, he will sleep on that side. If you ask why this choice, he will say that he heard that the most protective person in the relationship is often on the side closest to the door in order to be able to protect their significant other against intruders.

“I feel like the weather gets cooler now at night. That’s good.” Jack comments.

In fact, it's nice to rest with cool nights after spending active days in the heat of the beach, and you tell him something like this.

“Y-ya. That to...” He rubs the back of his neck, and you ask what he was thinking then. “Well, I was thinking... about this wolf thing...” he blushes a little “I think you've already noticed that, like wolves, wolf beastmen couples are also quite affectionate.” He can’t look at you right now because he can feel the way you’re looking at him. And so, looking at you will only make him blush even more. “And there's this thing...” he inhales to gain more courage to speak and sighs. “We like to cuddle and sleep together ok...” This is very difficult to admit for a Tsundere at the beginning of a relationship, especially for someone who is not a beast(wo)man.

You probably laugh at how cute he looks when he's so flustered. You ask if that's why he's happy that it getting colder at night. Because if it was too hot you wouldn't be able to sleep cuddled together. He confirms.

“From your laugh and smile, can I guess that you would like that too?” He smiles confidently, his tail wagging.

You open your arms showing that you do, and he wastes no time in hugging you and laying you down in bed with him. He also doesn't wait to start caressing your face with his nose and giving you soft kisses on your cheeks. He tries to control his tail so it doesn't hit anything and make noise.

The first time he kisses your lips will be to say goodnight, but if he's not tired enough yet, this won't be the only goodnight kiss before you fall asleep in each other's arms.

He will always be the first to wake up and wake you up. You will always wake up with his arms around you and a passionate kiss on your cheek. And with him always trying to convince you to get up and not be tempted to stay in bed late. He wants to spend another day with you, for as long as possible.

“Oh, poor [Y/N]” Azul comments. “Being forced to sleep on the couch just because of their companion. That doesn't seem like a very fair deal to me.” He says with a smirk.

“Despite the tone of moral superiority, Azul is right.” Riddle says. “It's not like Grim needs someone to watch over him at night. Or so I hope.”

“Of course not! I'm not a baby!” Grim complains. “I can sleep in a separate room from [Y/N]. The question is: can my hench-human sleep away from me?”

“Ah, I believe [Y/N] will certainly be in good company.” Azul comments, and before anyone could question what he had just said, he continued. “The person who will sleep on the couch should be chosen taking into account who is least likely to have problems sleeping well on it compared to others. This also includes having a physical size that makes them feel comfortable on a couch.”

Everyone looked at Lilia. Who looked behind him as a joke.

“Kehehe. Of course, I have no problem sleeping on the couch. It even looks quite cozy from my point of view. Furthermore I'm going to have two really fun roommates.” Lilia smiled, Stitch smiled back and Grim said something about him being a great roommate. The others looked at you for a moment when he said that to see your reaction.

“So who will be the pairs for the beds?” Floyd asked. “Hey kingyo-chan~ do you want to stay with me?”

“I'd rather sleep on the floor.” Riddle answers. Floyd laughs because he already predicted that.

“Well, in that case. Koebi-chan~?”

“Sorry Floyd, but I don't think so.” Azul answers, with a smile but a cunning look.

“Oh ya?” Floyd was also smiling with cunning eyes. “And why don't you let Koebi-chan answer for themself?”

“For sure. I was just trying to soften your rejection.” He gives Floyd one last smug smile before turning to you. “Tell me [Y/N], would you like to sleep next to Floyd or next to me?” You reply that you would like to sleep next to Azul.

“He he. I already knew it.” Floyd says with a genuinely amused expression. “I just wanted to see how Azul would react.” And before anyone could question those phrases, he turns to the other three and asks: “So what will the other pairs be?” With a smile knowing that he is creating a fun chaos.

Riddle, Ace and Jack look at each other. One of them will have to share a bed with Floyd.

“Ace!” Riddle says. “You should be the one paired with Floyd.”

“Wha-?! Why me?!”

“Because firstly, the bed wouldn't have much free space if either of you were paired with Jack. And secondly, you and Floyd are basketball teammates, you must get along well enough right?”

“You just don't want to be the one to pair with him and because you're my Housewarden you're ordering-” He stopped when he saw Riddle starting to get angry. “I mean, yes, of course, those are excellent arguments. You're absolutely right, Housewarden!”

Meanwhile, Floyd laughs with amusement.

💜 Bungalow - Yours and Azul's Bedroom 💜

Azul enters after you and closes the door. He sighs when he sees how simple the room is. “If we weren't in these circumstances, I would have found a luxury resort for us.”

You tell him that he has nothing to worry about, that despite everything, the others managed to make the room cozy and pleasant. And what matters most to you is being in it with him. He smiles, puts one hand on your waist and caresses your cheek with the other.

“Always seeing the bright side, my pearl.” He gives you a tender kiss on the lips. “Now, tell me, do you have a preference for the side of the bed where you would like to sleep?”

You lie down side by side.

“I am so glad we get to sleep under a proper roof tonight.”

“Azul...” You ask. “Would you really leave us on the island if none of us made a deal with you?”

“Of course not, darling.” He turns on himself to face you. “But I'm a businessman. And what kind would I be if I didn't take advantage of any business opportunity?”

You make a muffled sound, not liking his response that much. He comes closer to you. “I wouldn't do anything like I used to, I promise. Maybe I'd only have them working at Mostro Lounge for a week or so. And no anemones on their heads to force them to obey me, I swear.” He was smiling slyly saying this.

You look away from him, rolling your eyes. “I repented.” With a gentle finger on your chin he makes you look at him again, he looks into your eyes lovingly. “Seen the light, made a switch. I would never leave you on a desert island. Even if I had to turn you into a merfolk to do so.” He smiled. “I wonder how you would look like.”

“And the others?” You ask.

“Hum? I wasn't thinking about them, but I'm also curious to know what they would be like in mer-form, yes.” He answewrs. You laugh and say no,that that wasn't what you were asking. He sighs. “Fine, fine... I wouldn't leave any of them on a desert island.” He says, partly in admission, partly to make you happy.

But then his smile fades for a moment. He caresses your face again.

“I hope you're not like that with everyone. Not everyone deserves such benevolence. You and your tender disposition will only be taken advantage if you let them.” You could see the concern in his eyes.

You assure him that you know it, and that you're not like that with everyone. They were your friends, it was different and he knew it. He smiles fondly.

“I wonder what kind of deal we made to have someone like you in our lives. And mainly...” He brings his lips closer to yours. “...what I did to have you for myself.” and you kiss.

You will always wake up with his arms around you. You're between him and the window because he's going to use you to hide his face from the light while he's in the process of waking up. But as soon as he's more awake, he'll kiss you good morning and start the day with you.

“Koebi-chan and I pair up to sleep in one of the beds. Now you guys fight to see who gets to stay on the couch.” Floyd decides with an amused smile, completely ignoring any comments about you usually sleeping in the same room as Grim.

“HOLD ON!” Riddle says. “You can't just decide something like that without the other person's consent!”

The truth is that since you were dating, Floyd assumes that you would like to take advantage of that opportunity to share a room with him. But since no one else knows about it yet, he plays along. He also likes that your relationship is still a secret to see the confusion on other people's faces in situations like these.

“Okay~ Hey Koebi-chan, do you want to share the room with me~?”

You say yes, clearly of your own free will, which reassures Riddle and the others. And in that case, they will have to decide the pairs for the beds and who sleeps on the couch.

Ace suggests choosing at random, like whoever draws the shortest straw stays on the couch, and Azul is the first to go against this suggestion. Riddle is the second.

“I volunteer to stay on the couch.” Lilia said with a smile. “From what I saw in the cave, I'm the one who has the least problems sleeping.”

“Mendako-chan could sleep on a battlefield, hehehe.” Floyd comments. Lilia also laughs at this observation.

“Furthermore I'm going to have two really fun roommates.” Lilia smiled at Stitch, who smiled back, and at Grim, who said something about him being a great roommate. The others looked at you for a moment when he said that to see your reaction.

Of all three, Riddle was the least uncomfortable pairing with Azul. So they formed a pair and the other two freshmen formed another.

💜 Bungalow - Yours and Floyd's Bedroom 💜

You two enter the room, Floyd closes the door and goes directly to lie down on the bed. Taking up the whole bed.

“So, what do you think of our room? Pretty cool, han?” In fact, the room was decorated with very beautiful, sparkling seashells. They were all sorts of colors: orange, red, purple, green, pink, white. And they look like painted porcelain.

“So you also like dead shellfish?” He says. “Kingyo-chan and Uni-chan too. They were fawning over these shells when we found this spot. It was fun to see their faces when most of the shells they had collected started moving on their own. They had picked up hermit crabs without realizing it. I told them to leave the pretty spiral ones alone and pick out the flat, practical ones to use them as plates. And when we were working on the bungalow I went to where they had left the shells and used them to decorate the room. Just a warning, don't scream too loud if one of these corpses is still alive and pokes your leg at night~”

He laughs looking at your reaction. “Exciting, isn't it?” You complain, saying you want to sleep peacefully. “Fine, fine, I was just kidding. Do you think I don't know how to tell the difference between seashells?” You say that, precisely for this reason, he could put a hermit crab in your room on purpose. “Hahahaha. You know me too well, Koebi-chan. But nah, that crab could poke me at night and I don't want that either.”

You were still standing, looking at him with his arms and legs spread out like a starfish taking up the entire bed.

“Won't you go to lie down with me?” He asks with a smirk.

“Where?” you ask “You're taking up the whole bed.”

“Here!” He attacks you with a hug and forces you to lie down in his arms. He squeezes you affectionately, and without hurting you, of course. He yawns. “And? Where is my reward for making such a pretty room for us~?” He asks with inviting lips very close to yours.

You kiss him and feel him reciprocating lazily, but sweetly.

“And for being one of the people who built the bungalow?” You kiss him again. “And for making such a good dinner?” and again. “And the bonfire was also a good idea, wasn't it?” and again “And didn't ya like my music?” and he will continue to remind you of things for you to pay him back with kisses until he simply gets tired and you two just make out until you fall asleep.

When he wakes up in a good mood and excited about the day, he can pick you up and force you to get up too. If he wakes up feeling sleepy and wants to stay in bed longer, he won't take his arms away from you, forcing you to continue being his bodypillow until he's in the mood to get up.

And that someone who commented about you and Grim being a package deal was none other than Lilia himself. And yes, you were shocked. Was he going to miss an opportunity like this?

And unfortunately for you, everyone agreed. You even fit well on the couch. And during that whole time Lilia had his usual smile as if nothing had happened.

“So who will be the pairs for the beds then?” Floyd asked.

“Why don't the two of us pair up, Floyd?” Lilia suggested “I'm sure it will be fun.”

“Okay~”

Everyone else looks relieved, even Azul. And while the remaining four decided on their pairings, you looked at Lilia for a moment. And, knowing that no one else was looking at you two, his smile became sly, he winked at you and put on his innocent smile back again.

The pairs ended up being Azul and Riddle, and Ace and Jack, since neither of these two wanted to be paired with Azul and, despite everything, Riddle didn't mind.

That night, you lie down on the couch. Both Grim and Stitch curl up to sleep. You curl up to get comfortable and close your eyes to fall asleep.

You had already fallen asleep when you felt something touch your nose and a familiar voice whispering "Boop". You open your eyes and see Lilia lying next to you, smiling. Wait... lying on your side? But the couch doesn't have that much space. Your vision adapts and you see that you are no longer on the couch, but on the bed in one of the rooms.

💚 Bungalow - Yours and Lilia's Bedroom 💚

“Fufufu. Surprised?” He could see that in your face.

You ask him how, what, when...? He laughs.

“I knew that none of them would want to sleep on the sofa, and that the chances of me being chosen to sleep on it, if we got to that point, were too high for I had an easier time sleeping wherever it was.” His look becomes sly, like the one he gave you while the others were deciding the pairings. “But if you were the one sleeping on the couch, I could find a way to get the person I was paired with to switch with you. Octavinelle students love deals and I would have an easier time getting a deal like this with Floyd than with Azul. After making sure he was in a good mood for it of course. Which is also very easy for me. I mean, who would be in a bad mood in the company of someone as adorable and fun as me?” He rests his chin on his hands and gives you his cutest smile to prove his point.

You ask him what deal they made and he smiles slyly again.

“Don't worry, my dear. It takes more than a intelligent teenager with mood swings to outsmart me. And let's say that Azul can be more difficult to convince.” There is a short pause. “I hope you can forgive me for waking you up. You looked so cute sleeping, but I really wanted to surprise you. Did you like it?”

You did! But you still tell him how you felt when you were deciding who slept where.

“You know the saying: All's fair in love and war. Of course I wasn't going to miss an opportunity like this, but I had to make sure we stayed together. And knowing my opponents and who my best allies would be, I knew this would be my best strategy.”

You still seem not completely convinced, or at least you pretend you're not.

“Aww... don't do this to poor old me~” He says dramatically “You can't imagine how hard it was for me to see your disappointed face when you were chosen to sleep on the sofa. My heart sank as much as seeing a companion injured in combat next to me. But we needed to be strong if we want to end up together!”

You laugh to see him act so melodramatically. He holds both of your hands, and looks deeply into your eyes, with a mix of a sweet smile and a smirk.

“And now that we're safe in each other's arms, maybe we can heal our wounded hearts.” And if you allow him, he will kiss your lips.

He will always wake you up with a kiss or by bopping your nose. And if you feel lazy he will force you to get up by being cutely annoying. Even if he has to hold you in his arms to do so. C'mon, the days are beautiful and he can enjoy the beach with you, he wants to enjoy every second before it ends.

If you would like to read more from me, you can find it in my pinned post: INDEX

[hrizantemy]

I couldn’t help but cry when Feyre arrived at the Summer Court with Rhysand, and he declared, “She’s High Lady, she can do whatever she wishes.” I mean, yes, Feyre is the High Lady, but she’s the High Lady of the Night Court, and here they are in the Summer Court. The weight of his words, while meant to be empowering, just felt a bit misplaced in that context. And then, Feyre had her moment where she tried to be all girlboss, saying something like, “Take care of your injured.” I wanted to scream, “Shut the hell up!” It felt so out of place, like she was trying too hard to command the room without really understanding the situation.

It was infuriating to think about how Feyre and Rhysand walked into the Summer Court, a court they had literally stolen from, acting as if nothing had happened. The tension was palpable. They’d taken the Book of Breathings right from under Tarquin’s nose, deceiving him in the process, and now they had the audacity to stroll in, expecting him to be okay with it all.

What made it worse was how they completely disregarded anything Tarquin said. He wasn’t just some stranger or enemy; he had once welcomed them as allies, offered them friendship, and they betrayed that trust. And yet, here they were, acting like they were above it all. Rhysand’s casual dismissal of Tarquin’s frustration—like his words didn’t matter, like their betrayal could just be swept under the rug—was a blatant show of arrogance. It was as if they expected him to forget everything, to simply move on, because they were the Night Court and they believed their agenda was more important than anyone else’s.

Even Feyre, with her attempts at diplomacy, came off as condescending. They both acted like they could just walk in, ignore the hurt they caused, and play their power games. It was a slap in the face to everything the Summer Court had stood for. Tarquin had every right to be furious.

[noegrets]

...but on the other hand, english is a battle-royale-free-for-all kind of language: if you want to write it like lightswitch or waterbottle, who exactly is going to stop you? it's still perfectly communicative, the result is perfectly understandable. you can make YOUR words frot on purpose :)

On a slightly more serious note: I write a lot in english, which is a language I learned later in life. My wife beta-reads for me, english being her mother tongue. We find lots of words where she informs me that this word is not usually hyphenated like this, or compound like that: so we look up the way I wrote it vs. all the other variations (google n-gram viewer used to be good for this) and, almost always, we learn that the way I wrote it has plenty recorded uses overall, but is currently uncommon. And so I say - sure, why can't I use the uncommon one if I like it that way? It's still perfectly understandable, and language is made by those who use it.

We won't have any prescriptivism in this house: my words may fuck as they please.

one thing i hate about english is your open compound words. what do you mean it's a light switch and not a lightswitch or a water bottle instead of a waterbottle. get real

[nowoyas]

Trying to make sense of the Nanowrimo statement to the best of my abilities and fuck, man. It's hard.

It's hard because it seems to me that, first and foremost, the organization itself has forgotten the fucking point.

Nanowrimo was never about the words themselves. It was never about having fifty thousand marketable words to sell to publishing companies and then to the masses. It was a challenge, and it was hard, and it is hard, and it's supposed to be. The point is that it's hard. It's hard to sit down and carve out time and create a world and create characters and turn these things into a coherent plot with themes and emotional impact and an ending that's satisfying. It's hard to go back and make changes and edit those into something likable, something that feels worth reading. It's hard to find a beautifully-written scene in your document and have to make the decision that it's beautiful but it doesn't work in the broader context. It's fucking hard.

Writing and editing are skills. You build them and you hone them. Writing the way the challenge initially encouraged--don't listen to that voice in your head that's nitpicking every word on the page, put off the criticism for a later date, for now just let go and get your thoughts out--is even a different skill from writing in general. Some people don't particularly care about refining that skill to some end goal or another, and simply want to play. Some people sit down and try to improve and improve and improve because that is meaningful to them. Some are in a weird in-between where they don't really know what they want, and some have always liked the idea of writing and wanted a place to start. The challenge was a good place for this--sit down, put your butt in a chair, open a blank document, and by the end of the month, try to put fifty thousand words in that document.

How does it make you feel to try? Your wrists ache and you don't feel like any of the words were any good, but didn't you learn something about the process? Re-reading it, don't you think it sounds better if you swap these two sentences, if you replace this word, if you take out this comma? Maybe you didn't hit 50k words. Maybe you only wrote 10k. But isn't it cool, that you wrote ten thousand words? Doesn't it feel nice that you did something? We can try again. We can keep getting better, or just throwing ourselves into it for fun or whatever, and we can do it again and again.

I guess I don't completely know where I'm going with this post. If you've followed me or many tumblr users for any amount of time, you've probably already heard a thousand times about how generative AI hurts the environment so many of us have been so desperately trying to save, about how generative AI is again and again used to exploit big authors, little authors, up-and-coming authors, first time authors, people posting on Ao3 as a hobby, people self-publishing e-books on Amazon, traditionally published authors, and everyone in between. You've probably seen the statements from developers of these "tools", things like how being required to obtain permission for everything in the database used to train the language model would destroy the tool entirely. You've seen posts about new AI tools scraping Ao3 so they can make money off someone else's hobby and putting the legality of the site itself at risk. For an organization that used to dedicate itself to making writing more accessible for people and for creating a community of writers, Nanowrimo has spent the past several years systematically cracking that community to bits, and now, it's made an official statement claiming that the exploitation of writers in its community is okay, because otherwise, someone might find it too hard to complete a challenge that's meant to be hard to begin with.

I couldn't thank Nanowrimo enough for what it did for me when I started out. I don't know how to find community in the same way. But you can bet that I've deleted my account, and I'll be finding my own path forward without it. Thanks for the fucking memories, I guess.

[im-so-normal-iswear]

Amy Rose, Blaze The Cat and Sonic (separate) X Reader in:

where the characters are in the other room doing whatever until they suddenly hear the reader in another room saying stuff that sounds rather suggestive, so when they come over to check what the heck is he doing, turns out he is doing something mundane and not doing anything suggestive despite how it sounds out of context.

A/n: I couldn't think of like a name to put for this

TW: SUGGESTIVE

Amy:

Amy was reading a magazine, she was at your house currently in your living room, you being just the room over. She enjoys your company, even if you two didnt even really interact, you being in the vicinity was enough for her.

"Bleh, why is it so hard?"

Amys ears perked up. What? No. Thats bad, she shouldnt assume things just by one small thing heard.

"Im surprised it got so big"

W h a t.

She didn't see you walk into your room with you, what was happening? Seriously what?? Maybe its a coincidence, maybe right? After all, who would do that while someown is iver. No one right?

"This is so hard, can I even like eat this?"

...

She sat horrified for a moment. Gross! Seriously? SERIOUSLY?? How dare you, WHILE, shes over nonetheless??

She took a firm grip on her hammer, flustered as her ears pinned to her head. She stood up, marching over to your door.

She reached for the handle, hesitating amoment before shaking off said hesitantions and grabbing the knob and swinging it open.

"now just WHAT is going on here-..."

You looked up at her, crouched down, bowl in hand and a rice spoon in the other. A rice cooker was sat tight infront of you.

"..."

"..."

Amy lowered her hammer, taking a deep breath, still recovering.

"Y/n, what are you doing?"

You looked down to the rice cooker than up at her a few times.

"Making rice... I uh.. Got a new rice cooke-"

"I can see that" Amy sighed as she put a hand to her head. "What was with all that stuff earlier?"

"Oh, well, i messed the rice up, didnt add enough water, and now its all hard, im surprised it managed to rise at all because of how hard it is."

"..."

"Amy... You.. Okay?"

"Forget it."

Blaze:

She was over at your house, it was rare she visited your dimension, but when she did, she always wished to make a pit stop at uour house, she enjoyed your company.

When she stopped at your house, you gave brewed her tea, after all, shes a princess, and uh, princesses like tea right? While the tea you served her wasnt nearly as high quality as the one she usually drinks, she appreciated the effort.

Really, you were a very enjoyable person to be around. When you finished giving her tea, you excused yourself somewhere else, she nodded, understanding. Currently she was reading a book, while taking sips of her cup here and there.

"Gh- so... Tight.."

Your voice cracked through the air, it was breathy and light.

Immediately her ears twitched as she paused mid sip, wide eyed.

She hadn't meant to eaves drop, but now she is concerned.

No. It couldn't possibly.

"I cant, get. It. Out."

...

Blaze sat up, beelining toward the room you were in, whirling around the corner to see what in the world you were up to.

She saw you with a remote and screwdriver attempting to unscrew it to no avail.

She stood in silence for a couple moments before you glanced up.

"Oh, hi blaze, i was just trying to switch these batteries, ao we could watch a movie"

Blaze was silent for a moment before extending her hand. "Give it to me, I'll do it"

"You sure? I mean, its like really in there-"

"Im sure"

Sonic:

You’re in your room, trying to set up something that, to your misfortune, had proven way more complicated than expected. It’s a lazy day at home, and Sonic’s taken up a spot on your couch, sprawling out like he owns the place. He’s flipping through channels on the TV, a little bored but content to just chill in your company.

It’s peaceful until you let out an exasperated groan from the other room.

"Theres too much of it..."

Sonic’s ears twitch, but he doesn’t move. It’s not unusual for you to talk to yourself, and he’s gotten used to tuning it out. "What are they even doing in there?" he mutters to himself, shaking his head.

A beat passes, and then he hears your voice again.

"Why is it so sticky?"

The remote slips from Sonic’s hand, clattering onto the floor. His eyes widen as his brain processes what he just heard. Okay, that sounded… not great. He leans forward slightly, his spines bristling.

Another moment of silence. Sonic tells himself not to jump to conclusions, but his curiosity is getting the better of him.

Then you add, "Ugh, it’s getting everywhere!"

Sonic bolts upright, his mind running a mile a minute. What the heck is going on in there? He rubs the back of his neck, trying to play it cool even though his face is heating up. Surely you wouldn’t be- no, there’s no way. Right? But still, those noises and your weird comments are enough to make him suspicious.

"Y/N?" he calls out, his voice a little higher-pitched than usual. XEverything okay in there?"

You don’t respond immediately, too focused on whatever you’re doing, and Sonic’s imagination starts to spiral. The possibilities bounce around in his head, none of them remotely innocent. It’s driving him nuts. Finally, he can’t take it anymore.

"Alright, I’m coming in!" he announces, standing and darting toward your room before you can protest.

He skids to a stop at your doorframe, blue blur coming to an abrupt halt as he takes in the scene.

There you are, sitting cross-legged on the floor with a jar of honey, large bowl, and other small jars and bottles close to you. A spoon was in your hand. There was honey all over the jar

You glance up at him, blinking in confusion at his sudden entrance. "Hey, Sonic. What’s up?"

Sonic just stares at you, his brain trying to catch up.

"...Honey?" he finally asks, his voice flat.

"Yeah." You hold up the sticky jar. "I was trying to make this skincare mask i saw inline, so i bought honey for it, but when i brought it here, i severely underestimated how stucky it is, its just getting on everything"

There’s a long pause. Sonic presses his palm to his forehead, dragging it down his face as he exhales loudly.

"Seriously, Y/N?" he groans. "You had me thinking- ugh, never mind. Forget it."

You tilt your head, utterly baffled. "Thinking what?"

"Nothing! Forget I said anything!"

[raven-at-the-writing-desk]

So for new year cards...

Jack SSR is actually so cool; I like it. Malleus SSR is beautiful and all, but he really reminds me of a bride in forced marriage tropes. 😭

[Referencing the Twst JP Jan 2025 schedule!]

Finally, some good fucking food for Jack stans 😭 Port Fest feels like so long ago… fbjssbdjjs I feel like I can’t appreciate his design as much as others can. I’m not into the skintight undershirt on a character as buff as Jack is, and I'm confused as to why his gloves are... like that??? But!! I do like his fluffly little boa thing and how enthusiastic his pose is. You can tell he’s really putting his all into the New Year Sale~!

Malleus got another new hairstyle (any hairstyle that's different than his default one is a win in my book www)!! I think it's a well-liked look among his fans; I already saw so many people commenting that he looks like a love interest in a reborn as a villainess isekai or something to that effect.

I also saw some chatter around the thin fabric that Malleus seems to have over himself. A common joke is that it's a "wedding veil", but given the traditional Japanese clothes everyone is wearing for the new year, it's more likely also a Japanese article of clothing. A friend theorized that it's a 被衣 (kazuki/katsugi), a garment worn over the head that fully covers the body. These are mostly donned by noblewomen to cover their faces when they go out--and that sort of makes sense, given that Malleus himself is a noble. How demure and mindful... I thought the veil could also be a frost blanket (you know, to protect the budding flowers from the cold)?? But I'm not entirely sure right now; maybe the vignettes will give us more context!

A friend and I were speculating as to what flowers might be featured in the initial card art and the conclusion we came to was ume (plum) blossoms. The color and shape are similar, and they're a classic flower in winter anime. Something else I noticed was that the same flowers seem to appear in Sebek's New Year Attire from two years ago! If you compare Malleus and Sebek, you'll notice that the lighting is much warmer in Sebek's too. In fact, all previous SSR cards are pretty much like that, save for maybe Trey but at least Trey is shown to be in front of the shop. It really makes Malleus's card "stick out", since he's the only one that appears to be in a lonely and isolated location, just him and the plum blossoms.

On the subject of clothing worn by Japanese women! The same friend and I talked about Jamil's New Year Attire too. (Figured I'd throw this in here since I'm already talking about the other three 2025 New Year boys. Don't wanna leave him out, y'know??)

You can see that he has his hood up in the initial card artwork; my friend joked that Jamil's a newlywed. Why? Brides that choose to dress traditionally for their wedding days wear a wide white headdress/hood called a 角隠し (tsunokakushi), which covers an elaborate hairstyle like Jamils'/j. The "tsuno" (horns, as I'm sure you're all familiar with) in the name refers to the "horns of jealousy"; the tsunokakushi is meant to blanket the jealousy so she can enter her new married life at peace.

Of course, the shape, color, and context of the tsunokakushi is very different than what Jamil's got going on and the Twst team most likely did not intend for this comparison to be drawn, but I thought that this was interesting to share ^^ (*feeds Jamuil yumes this delulu cultural trivia*)

Aaaand let's close out with Floyd! The answer to his question is simple, actually. To put one's arm inside the kimono is just a very casual or relaxed way to pose. It suits Floyd and his attitude, doesn't it?

[sunsetsover]

you know, i think the reason people fall into the 'kant doesn't care about bison at all, none of what he's doing or saying is real' thing so easily is because he's so good at compartmentalising. it's one of the most consistent parts of his character. we get shown in damn near every single scene he's in: kant constantly sets his own feelings/opinions/wants aside in favour of getting done whatever it is he needs to get done. and if you aren't paying attention it gives off the impression that he doesn't care, but that isn't the truth at all.

i know i talk about kant's role as a big brother a lot, but i genuinely believe that's where it stems from. from the moment his parents died, he had to tuck his own grief away in favour of tending to babe's needs, both emotional and physical. and in ep 6 babe refers to kant as the one who raised him, so babe really must have been quite young when their parents passed - young enough that kant is the one he considers to have raised him, not them. and i know i already talked about it in this post but it's worth reiterating that that wouldn't have come without sacrifice for kant. from context clues it seems as though he went from a student just like any other to basically a single father to a young, grieving child overnight. and kant loves babe. he clearly prioritises his wellbeing - in every sense - above his own. and that means kant's own feelings and wants and desires and even his needs getting thrown aside over and over and over again in favour of babe's. this is a pattern that must have gone on for years atp. kant probably no longer knows any other way to be: he always becomes what other people need him to be. who he is and how he feels get smothered in favour of that every time. and please understand that him doing that isn't an act of manipulation, but likely started as him adapting to the circumstances he found himself in as a teenager and became so ingrained in who he is that he doesn't even realise he's doing it anymore. (besides you can see when kant is manipulating someone. it's completely different. he's not great at it.)

because i mean really, do you honestly think kant was never scared going out stealing cars? do you think he wasn't petrified when he was caught? do you think he never wished for something else for his brother, for himself? do you think he never walked through the streets at night looking for cars to steal, wishing he could just go home? wanting his mum and dad? wanting to someone to take care of him for once?

of course he did. of course he was scared. of course he was upset. he's not a sociopath, nor is he some kind of professional criminal. he's just a guy who's been doing whatever he has to to get by, and sometimes that meant doing bad things, but he still has feelings and wants and wishes beyond that.

but the thing is, as it always has been, is that above kant's wants or needs or feelings sits babe. babe's wants and needs and feelings. his wishes. his dreams. and so kant pushes his own feelings to the side so that he could do what he needed to do - first out of necessity, then because he had no choice. but that doesn't mean those feelings aren't still there. it doesn't mean he doesn't still feel them.

but what place is there for kant's feelings? what use are they? babe needs feeding. he needs education. he needs school uniforms and books and new shoes. he needs someone there, on the outside. kant is of no use to babe in a prison cell. so what good does kant's fear do? where do his desire and his wants and his feelings get him? nowhere. dreams don't put food on the table. so he tucks them away, time and time again. he's scared, but he gets on with it because there's no other option. he wants, but he has babe to think about, so what use is it wanting anything? wanting to go somewhere, to do something, to be with someone - what's the point when he can't have any of it. he has a child to take care of, and that child's needs must always come first. that's the sacrifice any good parental figure must always make. so that's what kant has done. he's spent half of his life pushing his feelings away in favour of making sure babe is good.

why, then, would love be any different?

style can love fadel. he can want him, and he can voice it, and he can show it, because style doesn't have to think about anyone other than himself. there's no one relying on him, not the way babe relies on kant. and so if he acts stupid and reckless and falls in love with an assassin, the consequences of that will be his and his alone to deal with.

kant doesn't have that luxury - the luxury of loving bison. he never has. he has babe to think about. and on top of that, kant can't allow himself to want anything because to him, wanting is useless. it's pointless. he never gets to have what he wants. and he especially can't allow himself to want bison, not when bison is literally his get out of jail free card. kant can't go to prison because he has to look after babe. and it's the same pattern all over again: babe comes first. what kant actually wants doesn't matter.

so he locks it away. he compartmentalises it. we've seen it over and over and over: he gets angry at christ and he swallows it because he can't afford to made him mad. he gets scared and he grits his teeth and smiles. he starts to feel something real for bison, starts to see him as something other than his ticket to freedom, and in the next breath he's reminding himself (or style) that he can't. that they just need to get the job done, asap. if the captain just arrests them, then it'll be over and kant will be free and he can tuck those feelings and those wants back in their fucking boxes and he can move on. over and over and over you see him trying to convince himself of that, because that's probably what has worked before: just one more car, just one more job, just one more time.

but the problem is it's not that simple. being in such close proximity to bison and pretending to love him has shaken the walls he's put up around himself, and they've started to crumble from the foundation up. the feelings that were supposed to be fake, that were supposed to be kept on the outside of the wall have started leaking in to where the real kant is. his walls haven't fallen down, not yet, but they've been breached. and now he's knee deep in these feelings that he shouldn't be having. now, no matter how hard he tries to resist it, he wants.

i think that's what makes the scene in the bowling alley so heartbreaking for me. when i saw the preview i thought that kant was doing it for bison's benefit, to make sure he has one last good night before he's locked away. which he definitely was. but i also think for the first time in the whole show we really get to see kant - no games, no agendas, no angles. even their first meeting wasn't entirely innocent like that - kant was putting on a persona to get bison into bed. but in that bowling alley, when they're all alone and no one's looking and there's a very real chance they'll never see each other again, kant just lets himself be. he lets bison see him, even the ugly parts, the parts that have him breaking into places and cutting off the cctv and stealing from the drinks fridge. because bison told him, didn't he? that he loves every story on his body, even the fucked up ones? so in that bowling alley kant is no longer trying to be some perfect version of himself, the one with no history or flaws, the one trying so desperately to win bison over. he's not trying to be christ's informant. he's not even trying to be babe's big brother for once. he lets himself just be kant.

kant, who wants to be alone with bison in the place where they first met. kant, who laughs so hard his body can't even hold him up. kant, who sets up a fucking projector to project the northern lights all over the walls because he saw the pictures on bison's wall and knew how much he loved them. bison never told him that. but kant is thoughtful, and kant pays attention, and kant is romantic, and none of it is an act. all of it is him, loving bison despite himself. wanting him to be happy. wanting to give and give and give because that's how kant loves: by giving until there's nothing left of him. by putting himself second and the person he loves first. it's what he did for babe, isn't it?

and it's the real kant who, for just a moment, lets himself be reckless and stupid like style gets to be, like kant never gets to be, when he looks down at bison's face and says should we just get in the car and run? and means it. he poses it like a joke, but he means it. he wants it. and it's the real kant who sits in the middle of a bowling lane and plans a trip with bison, who lets himself truly want something for the first time since he was a child, probably: 15 days, kant will drive, bison will run the playlist. they'll see the northern lights and the puffins and the waterfalls. and maybe it's the freedom of knowing he'll never get to have it that makes it so much easier to allow himself to want it, but isn't that so much worse? knowing the only way he's allowed to want anything is if there's guardrails up, keeping him in line? stopping him from making the mistake of actually thinking he ever gets to have what he wants?

none of that scene was an act. none of it. in fact imo the only person he actually puts a front up with in ep 6 was style, trying to convince him to just let them go. that it doesn't matter. bc that was all bullshit and he knew it. and you can think what you want about kant's actions and his feelings up until now, but if after watching episode 6 you still genuinely don't see that kant is head over heels for bison, then you're either not paying close enough attention, or you've let your bias/dislike of his character cloud your ability to be objective about what you're seeing, and i mean that. he is so obvious.

just because kant isn't expressing his conflict or his discomfort or his feelings the way style is doesn't mean he doesn't feel any of it. he does. his words are lies. we've already established that about him. but his conflict and his love are written all over him, all over his face, all over in his actions. the love he feels for bison is delicate and it's fragile but it's undeniably there. and if you don't see that then i genuinely feel sorry for you because you're not only missing out on half the plot, but you're also missing out on something so genuinely beautiful it makes my bones ache.

[antheshewro]

Levi Ackerman headcanon — (My) analysis on his intimacy

Each time I wander around Tumblr and I read about how AOT fans picture Levi in a sexual context, I see a lot of fanfictions of him being a dom and a master of sex—very dominant, rough, knows every single position in bed. Given that I respect people's personal headcanons when it comes to characters since those aren't absolutely hurtful to anyone, I felt like sharing my own headcanons on his sexuality.

If we read the manga and analyze Levi's background, there's nothing that tells us that he's a virgin or not. Unless Isayama would say he is (I don't think he specified it, correct me if I'm wrong), there's a big question mark on that matter. What I do believe is that Levi knows about sex. He is, to me, like Sheldon Cooper from The Big bang theory: he knows the basics. The media shows him as a bookworm, which leads me to think that some of his knowledge on that subject came from books that he read during his life. I do picture him as one that he began to read to fight against the picture he had about himself, as an Underground resident; later in life, he began to read because he enjoyed it and it relaxed him.

That being said, just like Sheldon Cooper approached the topic of sex, flirting and dating, Levi knows how men and women would flirt and the purpose behind it for example. He mostly sees it from his comrades and the people in the Underground, but even though he recognizes a certain flirty comment or attitude, it's just that. It's like he would talk about it like he's reading from a manual. That doesn't mean he lacks affection, he's one that always showed that he cares in his own way.

Here it comes the topic of sex. I previously stated that we don't know if Levi is a virgin or not unless Isayama makes it canon. In my honest opinion, he is. During all his life and since he was a kid living and growing up in the Underground, he mostly focused on surviving, filling his stomach and not getting physically abused (just like in the Bad Boy chapter). An important detail, however, is that his mother Kuchel was a prostitute. Now, houses in the Underground were surely cramped and small; think about when Kenny found little Levi, that house was surely small. Or even the scene in Bad Boy where he makes tea; that house most likely had a bedroom, kitchen and living room altogether. If it had other rooms, those were as small as ever. A kitchen that if two people fit inside would get stuck, or a bathroom that was a stall.

When Kuchel had her clients inside her house, I firmly believe she tried to protect her son by letting him hide somewhere. Little Levi learned to recognize the moments where his mother had to work, hiding in a spot where the men she "welcomed" there wouldn't see him or else, they'd leave and that meant no money. No lunch nor dinner. Or worse, some sick men would try to have his way with him (remember in Bad Boy when those men talked about him having the same "skills" as his mother and wanted to sell him? Also, he didn't seem to be unaware about what they were talking about. That means Levi knew about what his mom's job was).

Kuchel would teach little Levi to hide, cover his ears and wait until she was done. But sometimes, as we know, men are brutal with prostitutes. She got some violent ones, and as much as she tried to keep quiet, Levi would hear her. And when he would see how those men were doing to poor Kuchel, he got traumatized. He heard their lewd words, their slurs and curses, and that got Levi permanently traumatized. From that moment on, he would see sex as violence, pain, something hurtful. No matter if he would educate himself on the matter, the wounds would always be fresh. He got so sick of that scenery, that it was like something switched in him. With him joining the Scouts and everything he went through while being a soldier, he – of course – focused on his job and the people he unfortunately lost up until the final battle.

In terms of approach to his own sexual desires, I see him being conflicted. He's a man, a human being; he got aroused at least once, to me. But that would be it. He knows what his body is trying to tell him, but indulging in self pleasure would be just because he feels too overwhelmed by it. As if he feels itchy and needs to scratch.

He surely had women flirting and throwing themselves at him. Just like he said to Zeke, he had a few successes with ladies. But that didn't mean he slept with them; again, he could recognize he was popular and some shamelessly drooled after him. He knows what dates are (he said, somewhere in the manga, "hot titan date" which if we want to be obnoxiously meticulous, that means he knows what a date is. Oh well).

This is just a little rant and random headcanon I wanted to share after quite a long time of pondering if it was a good idea or not. Once more: that's just my personal headcanon on Levi. Feel free to agree, disagree or share your own if you want 🩵

[copperbadge]

How did you find the doctor(s) who assessed you for ADHD? Im looking into the process of getting diagnosed because (although ive suspected I might have adhd for years now) I've been struggling a lot more lately and i want to try medication to see if it helps at all. Im trying to search for psychiatrists through my health insurance portal but the the results im getting are all for child/adolescent psychiatry specialists, and I dont think that'll be much help for an adult adhd assessment? Did you have an established therapist to refer you for your assessment or were you able to find a psychiatrist independently?

I actually just kind of had to freeform it, but that does mean I have some tips to share!

I will say, I have never once used a health insurance portal to find someone to treat me for anything. Often their search engine is fucked up and the information is sometimes out of date. I almost always either ask someone who I know has had similar issues if they have a recommendation, ask my treating physician if I have one, or just google until I find someone reputable-looking; any qualified medical center or professional will list what insurance they take anyway, and you can always ask when you make the appointment.

So here's the process for how to do that!

When I was first considering it, I asked a friend who'd had an evaluation that came back not-ADHD, which I liked because it meant we knew it wasn't like, a weird Adderall pill mill or something. I really wanted to have a professional and thorough evaluation because I knew myself and knew I was capable of gaming a questionnaire. The place she had her evaluation was unfortunately having some staffing issues; part of the reason it took me so long is that I played phone tag with them for ages -- I'd call, and regardless of what time of day I called, their scheduler would be "out", so I'd leave a message and never get a call back. Ultimately I said "I really need to talk to a human, because your scheduler has not returned any of my numerous calls" and they said they could transfer me to another office outside of Chicago (in the burbs). That was not going to be accessible to me, so I told them thanks but I'll go somewhere else. Then COVID hit and I was not going to go anywhere near a medical center unless I had to for about two years.

So, when I was making my second serious run at getting evaluated, I did what might be expected of me by longtime readers of this blog: I made a spreadsheet.

I want to caveat this up top with REALLY IMPORTANT CONTEXT: I did not do all of this in a single day. The process from starting research to making an evaluation appointment took about a month, and probably would have taken longer if I wasn't getting somewhat desperate. Do not push yourself to do this as a single act. Research alone is a multi-day process; some days I looked at the open tabs and only entered one tab's worth of information. It took me quite a bit of time to write the form email I sent inquiring about an assessment. It took me time to call the clinic back when they asked me to call to book the appointment. This is a series of steps, not a single leap.

So!

I was looking for a clinic rather than an individual, in part because I'd heard a couple of horror stories about people who went to a psychiatrist and just got argued with for an hour instead of actually getting evaluated. So I googled, and here are some key terms for you, chicago adult adhd assessment. Chicago obviously for the region, but "adult adhd" (putting it in quotes will help) is the important term that will help you filter out a lot of child psych stuff. A lot of what I looked at did included family or child assessment/therapy but were clear that they also evaluated adults.

Then I went through every legit-looking search result and noted down, in my spreadsheet, the name of the clinic/company, the contact phone and email, the URL, the physical location (I needed to be able to get to it fairly easily) and whether they took my insurance. Even if they didn't take my insurance (all but one did) I still put them into the spreadsheet so that if I found them again I could check the sheet and know I didn't need to investigate further. I also tended to bump more legitimate and friendly-looking places to the top of the sheet. And if I were going to do it again I would also look for one specific thing, which is an assessment guide of some kind.

The assessment guide may be something they only give you after you speak with them, so it's not a no-go if they don't have one on their website, but it basically tells you what generally will go on during the assessment, how long it will take, and what you should bring. A full assessment like I had is estimated to take 4-6 hours and they recommended I wear layers so I wouldn't be overly cold/warm in their office, and to bring a snack. That's the kind of information you want, duration of the assessment and what they recommend for you, to ensure that you're working with people who are thorough and care about your comfort.

So, I have this spreadsheet now of places to reach out to, which I know take my insurance and do adult assessment. In the spreadsheet I also had columns for what date I contacted them and whether they'd responded. I started reaching out via email, one per day, with the form email I'd written.

The form email basically said "I'm 42 with no previous diagnosis but I have a family history of autism and dyslexia. I've been told I should get assessed for ADHD, so I'm looking for a clinic that will do the assessment and takes (my insurance). I prefer to be contacted by email but if need be, my phone number is (phone number). Please let me know if you have any open appointments and what information you will need from me to book an evaluation with you." (You can always ask for more information about the actual evaluation process once they respond.)

If I didn't get a response within 24 hours, I moved on to the next, but I only greyed out the text in that line of the spreadsheet; I didn't disqualify/remove the nonresponsive ones because again, I wanted to make sure I kept that information in case they eventually did respond. I did this with about ten clinics, because I figured I must be able to find at least one in ten who could do the eval, and I could go back and research more if necessary.

I think the third or fourth one I reached out to was the first to respond, and I ended up going with them; I had a very positive experience in the assessment itself but it was a real pain in the ass getting the documentation from them -- they took about a month to go through the evaluation data (this is not abnormal but is rather longer than usual according to my psychiatrist) and they gave me an in-person-by-zoom report once it was ready. That said, it took another four months and the threat of reporting them to the state to get them to send me the text of the eval (in part because the evaluator left the clinic unexpectedly with my formal report not yet written). But that's something that's truly impossible to know until you're working with them, and highly unusual, so don't let concerns about that deter you. If you end up in that situation come hit me up and I'll tell you how I dealt with that.

My eval recommended an executive function coach, but if I haven't been able to func it by now I never will, so I thanked them for the recommendation and went looking for a psychiatrist unaffiliated with the clinic to prescribe me meds. There, the key words you're going to be looking for are again "adult adhd" but also "adult disability" and if you want medication that's less likely to be a huge fucking hassle, "medication management". My psychiatrist and I meet every two months to reup my prescription, but he doesn't require me to take a regular drug test or meet him in person in order to get a new scrip, as some people have encountered. We meet in person once or twice a year (I can't remember, it's due to a legal requirement in Illinois) but otherwise it's over zoom.

So yeah -- it's a process, but there are ways to streamline and manage it, and a few tripwires in place to make sure you don't end up screwed by the system. Definitely feel free to ask if you have questions, either here or if you want a more indepth conversation you can email me at copperbadge@gmail.com. GOOD LUCK!

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[felis-rach]

This world needs more bowsareach! So here's a little something I wrote for them! (It was part of a bigger fic I didn't finish, but it doesn't need context)

Mario was starting to think that all the “hero” thing made him forgot how to deal with mundane challenges.

He realized that when he saw himself using the cat-bell to climb up the wall and get a book from the top of the shelf. And when he tried to explain the claw marks to Peach, saying, “but what ELSE could I have done?” Her answer was silently pointing to a chair.

Bowser thought this was all hilarious, of course. And Mario had to remind him of who breathed fire into the oven when it wouldn’t turn on. And the reason they had to eat microwaved food for a week.

It was just a simple memory of some random day, but it made Mario feel so nostalgic. Their little home, hidden in a hill on the edge of the kingdom and accessible through a warp pipe they built, was no less than a dream come true.

After all, dating two monarchs meant that the three of them couldn’t simply rent an apartment together. Peach had to stay at her castle, and Bowser, at his, and when they eventually arranged the marriage that would unite the two kingdoms, it would be time to live together and Mario would come along.

But for now, the three of them settled in getting a little house to be the place they could run away to when Peach and Bowser got a moment of peace. It was great, especially when they managed to spend a whole weekend there.

Mario had the time of his life watching The Royals get used to the cottage. Peach, as a regent who always placed herself at the same level of her people and hated to be perceived as superior, gave her best to act naturally, so Mario tried to hide his laughter when they sat down to eat and her face just read “Oh, indeed, this table has but four chairs and doesn’t occupy the whole room.” He could see her dying inside a bit when all the plates and cups got too cramped up.

Bowser, on the other hand, being made of ego as he was, absolutely made sure he was seen as superior by his subjects (which never prevented him from being a caring ruler, going personally to a civilian’s house if they had any trouble, and screw his schedule). So he didn’t even pretend to be comfortable there. It was such an ordeal to prevent him from turning the house into a second palace. The most that Mario and Peach gave in was to make a living room big enough to fit a grand piano. Even so, he complained at every possible time about the house’s size.

“Pff. The fifty-second heir to the mighty koopa empire, living on an ant’s house like this… Of course, we left it to Mario to lead the project. He measured the house based on his own size.”

And Mario simply answered by sitting on the table in front of him. “Truly, I am so very small.” He placed Bowser’s hand on his back. “Look, I even fit on this huge and scary koopa’s hand. Oh, my stars! I sure do hope he doesn’t take advantage of all this size to grab me and kidnap me to some dark castle. Poor me!”

His voice was casually innocent, and Bowser’s face was on fire since he was still a mess whenever Mario and Peach gave him attention like that (and the two of them abused the heck out of it).

“Don’t you tempt me, plumber.” Bowser warned, holding his breath.

“Your hand is still around me.”

“…”

“Oh, no! That terrible monster is kidnapping my Mario!” Peach entered the room, and Mario fondly smiled with the “my”, dumb as their playing was. “Will I have to rescue him? But what if he kidnaps me, too?” She threw herself at Bowser with a hand dramatically at her forehead.

“STOP THAT!” Bowser jumped out of the chair, like Mario and Peach were contagious. “You two, you’re… you’re unfair, that’s what you are!”

“Weeeeeee?” They got closer, blinking innocently at the koopa, who got all the more red.

“…Dddddon’t you blame me when I actually kidnap you.” He turned to leave, visibly wanting to die in some corner and regain his dignity before he could even think about flirting back. And hit the doorframe with his shoulder. “STUPID small house! That’s YOUR fault, Mario!” They heard, as he ran to the room. And just laughed together.

“I definitely won’t mind if he goes through with this threat.” Mario smirked. “What about you, Peaches?”

“Not at all.” She agreed, before placing herself in front of her boyfriend, pinning him to the table with both arms. “Just beware, or I might take you first, sweetie.”

And she kissed his nose. Yeah, he’d definitely not mind that too.

[starmanskywalker]

possession · anakin skywalker x f!reader

hello there, @snippy-tano! i tried to do something different here, still respecting the core of your prompt and i wholeheartedly hope you enjoy this one, dear!

synopsis: you broke free from a cult a while ago. your leader - and ex-lover - wants you back. 

⚠️ the jedi temple in this fic is a literal cult. ⚠️ this is a modern, no powers!au fic set in the 70s bc i’ve always wanted to write something set in that decade. even though this is very much a dubcon work, i still feel like it deserves the dead dove do not eat tag, as cults are a delicate subject and there’s a scene featuring a very inebriated reader and a very sexually eager cult leader!anakin. huge, blaring trigger warnings for drug abuse, manipulation, coercion, psychological abuse and many other toxic behaviors cult leaders are known for having. if you're a minor, stay away!

i lowkey think this would also work so well as an obi-wan fic but anakin was also very, very fun to write in this context. feel free to send me prompts involving him or obi anytime you like (i might take a bit long to write but maybe you’ll think it’s worth it!)

word count: 6.599 (shit that’s long!)

When you left the Jedi Temple, you felt like the world as you knew it before turned upside down. To put it in more precise terms, you felt like an unfrozen comic book hero that came back from the realm of the unconscious.

You’ve spent seven years of your life with little contact to the mundane world outside of what Anakin allowed you and the other members of the Temple to see, hear and taste. Your entire existence revolved around him and his needs - after all, Anakin Skywalker was The Chosen One. The Force itself, that mysterious energy field that binds the galaxy and all members of the Jedi Temple together in its arduous mission to bring peace, equality and compassion to an increasingly unfair, unequal and war-torn world, chose him to lead you. So how could you say no to such a noble mission?

And what a mission that was. Seeing yourself in a mirror after all you’ve been through without the rose-colored glasses sponsored by Anakin’s constant and almost mantra-esque praise to you was quite something.

Your body was begging for rest in every possible way - your hair had stopped growing, giant dark circles had formed under your eyes and you didn't even have time to eat properly among so many tasks that were assigned to you on a daily basis, resulting in a drastic change on how you looked. During your time under Anakin’s watch, you were PR, secretary, cook, coordinator, supervisor, presenter, confidant, administrator and one of his many lovers; the amount of titles growing every day while no kind of worldly remuneration appeared as a reward.

Thinking about Anakin still stirred so many difficult and confusing feelings inside you. He supposedly loved you more than anything else in the world, yet still brought so many other women to his bed. You were his and only his, yet your body was often the bargaining chip he offered in some of his treasured, nefarious deals with politicians, bankers and other powerful men like him, which you accepted gracefully to please him. And Lord, how you yearned to please him in any and every way you could. This feeling was the only one you were able to discern clearly out of so many that disappeared in the mental fog of overwork. 

He was beautiful, even more dashing when his attention was directed entirely to you. His compliments meant more, his touches were more eager, his smiles wider when you did everything you could for his cause.

There were days you only thought about the good aspects of your past life - and there were days the only memories that pierced your mind were the bad ones. Yet it’s kinda funny how almost a year later after you left he is still the center of all these thoughts.

Even if your current life is stable, calm and fairly easy. Even if your current partner is an angel who does treat you like they indeed love you. Even if you made them a promise you would never, ever look back.

Anakin, as always, makes things way harder than they really need to be.

-

The weight of loving Anakin and his community became too heavy to bear for you and your partner around the same time, for widely different reasons that coincided with a period of growing closeness between you. The fact that what drew you to your current significant other was precisely how much they reminded you of Anakin made you worry about the future you were building together from the start, yet Anakin was an addiction you always knew you wouldn’t break free from easily.

(Better to wean off in gradually smaller doses than to quit cold turkey.)

Another thing you always knew was that your partner would adapt to this new life much easier than you did, as they weren't as loyal to the cause as you were. They found new friends that also became your friends, yet at dinners and parties you always felt a little more out of place than them. Your jokes didn’t quite land, you were never the funniest or smartest on the table, not even for a minute, despite how hard they always tried to make you feel included. It’s always been like that for you, really, except for the time you were there.

With Anakin. By his side.

The feeling of belonging somewhere, especially when accompanied (or led) by a beautiful, well-spoken and ambitious man is a hell of a drug. A drug strong enough to numb the rage within you brought by the memories of the alienation and paranoia spiral he instilled in you constantly. The memories of the countless sleepless nights you’ve spent dealing with Anakin’s coke-fueled persecution complex. The unspeakable things he had you do to prove you were by his side and not against him and the cause. 

A drug strong enough to make you accept a specific invitation.

At the beginning of a certain day, a stranger bumped into you while you walked into the street and left a piece of paper in your coat’s pocket. Classic Temple method of sending a message. However, instead of the usual threats and condemnations for leaving the community, you find something else entirely new.

Anakin wanted to speak to you. Alone.

You’d go just to get some much needed closure for what you went through by his side. Just that. Close this chapter of your life once and for all. After all, what harm could a simple conversation do?

You felt horrified that you still found yourself wondering what he’d think of you now; deep down you were afraid of him giving up on you entirely even though you truly didn’t want to be part of his mess anymore. Yet not having a door open to his path anymore frightened you to your core because even with its hundred million flaws, you still saw the Temple as a place you belonged in. 

You feared that feeling in itself. Every decision it made you take. All the euphoria it still, regrettably and shamefully, brings you.

Your partner notices you growing more silent by the day as the calendar approaches the fateful date. Your mind was in a complete state of turmoil. You left the Temple months ago, determined to start a new life for yourself, one free from the darkness that had consumed you before. But despite your best efforts, you couldn't shake the memories of what had transpired between you and Anakin, or the longing you felt for the leader who had shown you for the first time, even if in his own twisted way, what it was like to have an entire community to go back to, one that appreciated you. 

You feel a familiar flutter in your stomach, a mix of anticipation and fear that you couldn't ignore every time you think a little too much about Anakin's intense gaze and commanding presence. What would he say when he saw you? Would he be angry at you for leaving, or would he welcome you back with open arms? And more importantly, why would you even want to be welcomed back? 

As you sat across from each other at the dinner table night after night, your partner couldn't help but notice the faraway look in your eyes. You seemed to be lost in thought most of the time, and your change in behavior coincided with the growing feeling you shared that you were being spied on by Temple’s members everywhere you went. Your partner, more than anyone else, knew what the Temple meant to you, and that leaving it behind had been a difficult and painful process for you both, but they couldn't help but feel frustrated that they couldn't seem to reach you. 

And, dreadfully, that they know the reason why.

-

August 31st, 1979

As you drove to the address indicated in the now crumpled piece of paper, you couldn't help but feel a sense of nervous, reprehensible excitement building within you. It had been so long since you had felt this kind of intensity, this kind of connection to something greater than yourself. The memories of your time in the cult - your partner made sure to repeat this word to you as often as they could - flooded back to you, and you felt a sense of longing and belonging that you hadn't felt in a very long time.

But beneath the surface of your excitement, there was also a deep sense of fear and trepidation. You knew what Anakin was capable of, how he could push you to your limits and beyond. You remembered all the pain and all the humiliation, the sense of being stripped down to your very core. But even as these memories surfaced, you couldn't help but feel drawn to the system who had once held such power over you. You knew that what you were doing was dangerous, that you were walking a fine line between ecstasy and the destruction of everything you’ve built away from his grasp. But as you approach the place where you’ll meet him, you feel a sense of inevitability wash over you. You were in too deep, and there was no turning back now.

The few Temple members always present by Anakin’s side - you know them too well, after all, most of them also shared the same bed you slept on most nights - all welcome you with a disarming kindness that the outside world and its people just can’t match, even with the many hurtful words that were exchanged when you and your partner left. The outside world could never match such selflessness and forgiveness. This realization breaks your heart so strongly you swear you can feel it physically. Did I do wrong by leaving? Is it too late to have it all back? Why am I questioning myself over my safe, sane, final choice?

Padmé, Sabé, Ahsoka, they’re all wide smiles, lighthearted jokes and they exude a strong feeling of happiness for having you, even if for a short while, around them again. Despite an initial distrust from your part that manifested itself through curt words, you eventually engage in lively chatter with the girls like nothing between you ever changed. You talk about everything and nothing at the same time as you all tried to avoid the elephant in the room: the reason you were there.

Your smile falters when Padmé hands you a white, delicate, flimsy gown that leaves you feeling way more exposed than you’ve ever been since you left. She notices your discomfort and places a hand on your shoulder. “This is all about healing. We’re so happy you’re back.”

This specific dress is only used by women who go through The Rebirth. A private ceremony between the Temple’s leader and a follower that promises to bring the follower closer to the divine.

Despite how close you were to Anakin, you were never invited to a ritual of his yourself, you just heard of them. He always told you you didn’t need it and you knew better than to probe him about it. It’s funny how the opportunity appeared only after you left his circle.

All you knew was that the Temple’s rituals, usually aimed at the unruly, alternated through a range of activities and experiences intended to be intense, transformative, and meaningful; perfectly crafted to reach people Anakin couldn’t solely reach through words or promises. These imperfect followers would afterwards appear completely different after their closer encounters to the Force. Some left the Temple, some stayed. But they were all similarly profoundly changed: some women disappeared, some women started to believe in miracles, some became part of his inner circle.

“I’m… I’m just here to talk t--”

“And that’s all you’ll do, if that’s what you want. But keep in mind it's not every day that you’ll get to be a part of something like this.”

You begrudgingly nod, forcing yourself to smile again. “Okay.”

“You trust me?”

“I do.”

“I’ll tell him you’re here. Could you please change your clothes while I go up there? Remember we need you to be as comfortable as possible, so please don’t wear anything underneath the dress.”

“Okay.”

You close your eyes as you feel your stomach dropping. You take a few deep breaths.

You were just reminded of what you didn’t miss about the Temple.

Ahsoka and Sabé promptly offer to help you in changing clothes, which you accept. A few minutes later, Padmé returns with a kind expression on her face, extending a hand towards you. “Master Skywalker is waiting for you.”

You take her hand and follow her through the series of steps. You felt your heart racing as you were led deeper into the building. You knew that you’d been tricked, but now it was too late to turn back. You could feel the intensity of the ritual building around you, and you knew that you were in for something far more riskier than you had bargained for.

You finally arrive at the door and, surprisingly, Padmé gives you a warm hug before leaving. Some minutes pass, no sign of anything or anyone. Were you supposed to knock or something…?

Before you could answer that question to yourself, Anakin opens the door and the oxygen is ripped out of your lungs in a way you couldn’t anticipate. You’re like a fish out of water; you can hardly believe your eyes. There he is, the one person you thought you'd never see again, standing before you.

Anakin's bathed by the muted light of candles in a sight that could be painted by the Force itself. He’s shirtless, wearing only sweatpants, his golden skin and defined physique bared for you to see. He moves some rebellious strands away from his eyes to see you more clearly.

Your heart pounds in your chest as you struggle to catch your breath at the sight of him. The room is too hot, seeing him again is too overwhelming. You want to leave, to get as far away from this place as possible. But before you can make your way back, Anakin holds your arm, his voice calm and reassuring. “Are you okay?” he asks softly.

You shake your head, unable to form words.

"Come in," he says, taking you inside gently. “No need to be scared.”

As he envelops you in his arms and closes the door, you are immediately struck by the religious imagery that surrounds you. There are symbols and icons everywhere, each one imbued with its own powerful meaning. The space feels simultaneously cozy and imposing, the perfect balance between comfort and awe.

Your eyes drift across the room, taking in the details. There are candles burning in every corner, casting flickering shadows on the walls. The air is thick with incense, a heady mix of spice and smoke. In the center of the room, there is an altar, adorned with offerings and gifts.

He leads you to a quiet corner of the room. There, he holds you close, murmuring words of comfort and reassurance.

"I can’t believe you came, little bird," he says. "I’ve missed you.”

You can feel the strength of his arms around you, the familiar scent of his skin. As he pulls away and looks into your eyes, you can see a mixture of emotions playing across his face. You're not sure what he's thinking, but you sure can sense the power he still holds over you, especially when he calls you by that pet name. Despite your best intentions, you know that being in his presence again will be a test of your willpower and resolve. It’s already being one, to be honest.

As you struggle to calm down from your panic attack, Anakin continues to hold you close and stroke your hair. You feel his gentle touch and the steady rhythm of his breath, and it begins to soothe you. You hate the fact that it’s soothing you. 

He speaks to you softly, using words you can barely hear as you focus on slowing your breathing. "You're safe here," he says, "You're with me again, and everything will be okay."

You look up at him, trying to speak, but your voice is still caught in your throat. He nods, understanding, and simply holds you a little tighter.

As he continues to speak in soothing tones, you try to remind yourself that his words are simply a means to an end, a way to control you once again. Your mind races as you struggle to push away the memories of what he's done to you in the past. But despite your attempts to resist, you can't deny the feeling of safety that washes over you in his embrace.

You know that you shouldn't give in to his words, that you should fight back and leave this place. But deep down, a part of you yearns for the familiar comfort of the Temple, of him. The part of you that craves his attention, his approval, his touch. Who can’t get enough of it.

In that moment, you realize that you're falling prey to him all over again, despite everything you've been through. You feel a deep sense of shame and disgust at yourself, but it's drowned out by the overwhelming desire to be near him once more. Even if for a while.

That makes it even harder for you to speak. Your voice seems to have been swallowed up by the overwhelming emotions churning inside of you. You used to be so confident and outspoken while you were under his wing, but now you feel like a mere shadow of yourself, unsure of what to say or how to act. You hate how vulnerable you feel in his presence, how powerless you are against the pull he has over you. So you just stare, unable to do much else.

Anakin briefly lets go of you to gently touch your hand. He looks at you intently, his piercing gaze locked onto yours. "I understand how overwhelming this is for you, but I promise you you're safe with me. You don't have to say anything if you don't want to.”

“Why did you want to speak to me?” You protest, your voice cracking as you force the words out of you, almost as a way of rebelling against his guidance. You pull away and distance yourself from him.

Skywalker looks at you with a solemn expression, searching your face. "I called you here because I want to offer you a chance at redemption," he says, his voice steady and calm. "I know you've been struggling with feelings of inadequacy since you left us. I just want to help you find your way back to the right path."

He pauses for a moment, letting his words sink in. “You were always one of my most faithful Knights," he continues. "I know you still have that spark inside of you. The spark that made you believe in me, that made you want to devote yourself to this. I want to help you rekindle that spark.”

You feel a wave of conflicting emotions wash over you as you listen to his words. Part of you wants to believe him, to trust that he has your best interests at heart. But another part of you is wary, remembering that the only reason he knows that, literally, is because he’s been ordering people to follow you.

“I don't know if I can trust you,” you manage to say, your voice shaking slightly.

Anakin’s expression softens, and he takes a step closer to you. "I understand why you might feel that way," he says. "But I want to assure you that I have no intention of hurting you. I want to help you heal, to help you find peace and purpose in your life. All you have to do is trust me. I promise that I'll be there for you every step of the way."

“Even if I don’t stay?”

You notice a flash of desperation in his eyes, which he tries to conceal. “We have something for you much more powerful than what your current life is offering you. And I think you know that, too.”

“I left for a reason.”

“And I can give you many others to come back. Your new life is just an illusion, a temporary fix to a problem that will only grow worse.” As he speaks to you, you feel his words sinking into your mind. He’s a specialist at tearing down the walls you’ve built to protect yourself from his influence, brick by fucking brick. 

“I love my partner. That’s… that’s not an illusion.” You answer, not really believing your own words.

“A partner you’ve found here. A partner you’ve chosen to live a life with where you constantly look for things to try to fill the emptiness of not being here.”

You feel a maelstrom of emotions swirling within you, making it difficult to discern which way is up. The memories of the past, the good and the bad, flood your mind, clouding your judgment. You want to believe that you can be free from Anakin and live a normal life, but something inside you is drawn to his words. Something that also reminds you that there’s no such thing as a normal life after this one, after meeting him, after letting him in control for so long.

The thought of giving him another chance both terrifies and excites you, and you feel yet another wave of guilt crashing unto you for even entertaining it. He can tell he put you in a tug-of-war between what you know is right and what you truly want. “I only want what’s best for you. Deep down you know that being here is where you truly belong.”

"I don't know anymore. It's just... it's really not that simple--" You hesitate, noticing how his gaze is morphing into something much less fraternal the moment he notices there’s ground for his persuasiveness to tread on. You step back and start walking in the opposite direction, not noticing how easy you’re making it for him to corner you. He slowly, predatorily follows your steps.

“What's not simple about it? I know we bring you more fulfillment than anything or anyone else in this world.”

“I’m confused, Master!” You yelp, your heart beating fast once again at the looming threat of history repeating itself and at the shock of you instinctively calling him by his title again. You knock over an offering and you cover your mouth while trying not to hyperventilate once more.

“Then let me help you. Come back home and we can work through this together.” Successfully having you where he needed you to be, he moves your hand away from your mouth, almost whispering as he lowers his head to speak closer to your ears. “You just need the right guidance, the right push. And I am here to give that to you.”

“They are so devoted to you. I don't know if I can be like them. What if I change my mind again?”

"Don't worry about them. You're not like anyone else. You're special.” You find yourself getting lost in his words, feeling a sense of comfort that you haven't experienced in such a long time. You know that you shouldn't trust him, that he's just trying to fuck with you, but you can't help the way you're feeling. “I can mold you into the perfect follower, the perfect partner, the perfect lover. You'll be amazed at what we can accomplish together. It’s not like you don’t already know, right?"

In that moment, you're no longer the strong-willed person who left the Temple behind. Instead, you're a vulnerable follower once again, willing to do anything to please your leader.

“I mean it when I say I’ve missed you. You don’t know what you do to me,” he confesses in a raspy, needy tone while his fingers gently move the straps of your dress away from your shoulders, making you shiver. His need for you also tore down some of his own walls. “Couldn’t fucking breathe knowing you were living with someone else.”

“Anakin–” you squeak, breathless as the silky fabric slides easily above your skin and pools at your feet, leaving you bare in front of him like a freshly prepared meal. Vulnerable doesn’t even start to define how afraid, uncertain and exposed you feel right now. Anakin seems to notice things are going at a pace that’s not compatible with how frail your trust in him is, so he does his best to keep his composure and go back on track.

“Lie down for me at the altar, little bird.” He orders, his tone very artificially patient.

Trembling, you do as you're told. The marble is cold against your skin and you flinch at the touch, the heat of the candles balancing your temperature when you finish positioning yourself. 

“You were lost, but now you're found. You were blind, but now you see.” He intimately preaches for your ears only, punctuating his command with the softest of caresses on your cheek. Your voice weakly paired with his at the last few words, as you remembered them with a painful familiarity and ease. “You thought you could leave me behind, but you belong to me. You belong to this community and now we will reforge that bond. Would you like that?”

You close your eyes, the certainty of your fate now making place to a strange serenity. “Yes.”

“Good.” He replies, pouring oil in his hands and spreading it between his palms and fingers. “Now relax. You will be enlightened and empowered like never before.” His hands firmly massage your skin in unhurried movements making your stomach flood with butterflies, his touch as inebriating as the whirlwind of thoughts running inside your head. “I sense so much fear flowing through you.”

You moan in response to the smooth sliding of his hands over your tense body. As Anakin applies pressure to your muscles, making them feel looser and more relaxed by the minute, you shiver at the realization of how much you missed being this close to him in such an intimate way. “Fear leads to anger. Anger leads to hate…” 

“Hate… leads to suffering.” You complete, swallowing hard afterwards as if to clean how dirty you felt by falling into this as easily as you did.

“Exactly. Let yourself be at ease. You carry a heavy burden, love, and it's my job to help you lighten that load.” You can feel the purpose of his touch gradually morph into something much more unvirtuous as he palms your abdomen and moves upwards, now fondling both of your breasts exploratorily, basking on how velvety your skin feels after all this time you’ve spent apart. 

A flicker of apprehension rushes through your veins as you sluggishly try to move his hands away from you, but instead your limbs just rest atop of his, your relaxed body unable to follow through with any movement that demands more than a few active brain cells. ​​A wave of anger at yourself and at him rolls weakly through your mind, promptly subdued by how blurred the lines between pleasure and shame start to feel on your mind and frame. His soft touch starts driving you a little crazy; after what seems like forever, he finally tweaks your nipples, eliciting a soft whimper out of you.

“Let me take care of you,” he quietly pleads, hopefully having noticed to some degree that you still were trying to resist him in some way. While Anakin continues to knead the soft flesh, his thumb flicking across your nipple until it’s painfully erect, the other slowly goes down your abdomen until it reaches the most sensitive part of you. You sigh, utterly, impossibly resigned to the situation that’s unfolding. Also to let go, at least partially, of the anxiety that’s creepingly festering in your guts. “You deserve to be loved. To be here with me. You deserve everything that’s about to return in your life.”

Your eyes water at his words. It’s not that your partner doesn’t love you or make you feel like you don't deserve love, but it's overwhelming to hear this from Anakin after you loved him like you did (and maddeningly, regretfully, still do). Your partner gave you love, but not much else - and if there's something you learned from your time away from the Temple is that just romantic love isn’t enough when your new life didn't give you other people to rely on, didn’t scratch that persistent fucking itch that never really went away after you left the Temple.

You woke up every day feeling like you were missing something, like there was a hole in your chest that couldn’t be filled. You tried to distract yourself by immersing yourself in a new job, new hobbies, new social life. You went out with people, attended events, participated in activities of leisure, but the ache never really went away. You talked to people, but it all felt surface-level, small talk that went nowhere and meant nothing.

You started to feel like you were going crazy. Why couldn’t you just be satisfied? You have a partner who loves you, a job you enjoy, decent, lively people surrounding you both. You loathed yourself for the fact that the answer always led to the same place and person you prided yourself in leaving. You started to withdraw into yourself, keeping your feelings to yourself, afraid of burdening others with your problems. You didn’t want to seem ungrateful or needy, so you bottled everything up. But it only made things worse.

It made things bad enough that you searched for the only solution that could soothe it all easily. That always had all the answers all the time, regardless of the personal cost they had to you.

Anakin’s grayish eyes stare profoundly into yours for long seconds before he kisses you intensely. You eagerly retribute, his fingers still spreading the growing wetness between your legs in unhurried yet precise circular motions that make you moan unreservedly into his mouth. You can feel the slightest taste of whiskey and that bitter pill he always took on his tongue as a small reminder of everything you’re agreeing on letting take over the control of your life again, yet there's no way in hell you’re letting it go now. As a sign of such commitment, you cling to one of the arms that are stimulating you as if it’s a lifeline, an act that makes him smirk into the kiss and let out an appreciative groan. He’s still careful, though, trying hard not to lean entirely on the familiarity of how your body yearns for him, as this is above all your return back home. He needs to act accordingly.

His movements start to probe your cunt a bit further and after a little while of teasing, he inserts two fingers inside of you, his lips letting go of yours briefly just so he can hear how precious you sound while getting filled by his digits. You comply with his wish, letting your satisfaction echo inside the dimly lit room along with the filthy sound of how ready you are for him. “I’ve missed this so much.” He groans, letting out a shaky breath he shares with you as he feels the heat spreading under your skin, manifesting itself through glittery beads of sweat that start glistening over your figure.

“Me too, Master,” you whimper, a tempestuous river surging through your veins as you angle your hips repeatedly to meet his thrusts. He seems to understand your desperation, and it’s his turn to comply with your request. His thumb moves towards your pulsing clit and starts circling it in sync with the movement of his other fingers, setting your nerves on fire. 

Perhaps in order to get even more of you in the matter of sound, he goes back to putting his mouth to good use. You let out a shrill cry of pleasure as his mouth meets the breast he was previously fondling, while he expertly curls his fingers up to rub your G-spot after relentlessly scissoring them inside you. His teeth rake across your nipple and you jolt, arching your back in a desperate attempt to get closer. 

He has a look of hunger in his eyes as he stares you down, delighted at the effect he's having on you. "You're doing so well for me, little bird, so fucking wet," The noise that rips from your throat as an answer is halfway between a guttural moan and a desperate whine as your walls spasm and contract around his fingers. "Come for me." He commands in a hiss, resting his glistening forehead against the side of your head as your muscles convulse in staccato. 

You can practically feel stars exploding all over your body in wonderful pinpricks of pleasure as he coaxes from you the most intense orgasm you've ever had. You let out incoherent moans and whimpers while he continues fingering you through your high; you're floating in a bubble of submission and he knows he has to help you land gently on the ground. "I'm so proud of you, baby." He praises softly into your ear before ceasing his ministrations and taking the fingers coated in your release to his own tongue, to your hazy astonishment. 

“Thank you for that.” You breath, a confession of how much you needed to feel once more what he was capable of doing. He nods affectionately in return before distancing himself from you to wander nearby, and at the corner of your eye you see him pouring a red liquid on a small glass cup. You sigh in a bit of a fucked up pride at seeing how tented his sweatpants are. After he’s done, he comes back and hands it to you.

“Drink.”

You don’t question. You throw your sense of self-preservation out of the window perhaps as some kind of punishment to yourself over coming to him and still trusting him like that regardless of everything you went through. After lifting your torso just enough to be able to drink something without choking, you down the cup’s content in one swift gulp, a pleasant, sweet flavor filling your mouth. Your master strokes your hair fondly with a warm smile on his face, and kisses your forehead before you lie down again. “Now, for the main part of the rebirth, you might feel a slight tingling spread across your body as this potion does its magic. But don’t worry. This is the official beginning of a new life for you.” He instructs, now positioning himself between your legs, which he has no problem at all to part. 

Along with the tingling, you begin to feel a sensation of euphoria spreading through your body. Your mind is flooded with intense feelings of pleasure and happiness, and you feel as though you are floating on air.

Everything around you seems brighter and more vibrant than before. You notice the colors of the flowers attached to one of the offerings near you, and the smell of aromatic plants seems more potent - it’s as if a veil has lifted, and you've been given new sight.

As you look at Anakin, who now stands above you revealing what’s hidden below the thick fabric of his pants and positioning his throbbing cock inside your dripping pussy, you find yourself even more drawn to him in a way that you didn’t think was possible. You maniacally reevaluate the entire perception of him in your mind - have you ever truly given him the chance he deserved? You were now sure the things your partner said about him were the unfounded, harmful brainwash. Anakin was the Chosen One! He could do no wrong ever. How could he do wrong if you’re feeling so invincible, so blessed, so in love?

So absurdly, out of your mind wet?

Anakin notices your eagerness, chuckling at how twitchy and desperate you’ve become for him. He mumbles something about how beautiful of a fucktoy you are for him now, how you always have been, and all you can think about is you love the way his mouth moved when he talked. The forward way he set his jaw, making his teeth meet with such delicacy, enunciating every word. You want him to own you, you think before he kisses your sodden mouth and idly strokes himself.

Anakin obliges after a short while, entering you in one swift motion. He lets out a long groan. “Holy shit,” he breathes. You shut your eyes and wrap your arms around his shoulders, fingers digging into his skin when he begins to move, slowly pulling out and in at first. Every sound, every texture, every sensation is amplified to an almost overwhelming degree. You feel surges of energy coursing through your veins every time he reaches spots within you you didn’t even know existed.

His breathing is ragged and his eyes are half closed when you tilt your face up and kiss him sloppily, giving the green light for him to go faster. Your need is urgent, there is no possibility for precision. You wanted to spread the exquisite poison that he had given you. “I love you,” you yelp, “I'm madly in love with you.”

“My little bird,” he heaves, heavy breath syncing up with yours as he moves deliciously inside of you at a growingly unforgiving pace. Anakin lowers his head so his lips can hover over your ear and beckon you with an unholy invitation. “If you really mean it, come back home. Tonight.”

“Fuck. I don’t know if I can--” you whine, your hands palming his chest aimlessly as he fucks you to the moon and back, the loud sound of skin against skin driving you both insane. He’s bestowing upon you a blessing no one ever could, each thrust unceremoniously ripping yelp to pathetic yelp from your throat along with every remaining logical thought inside your head. “Fuck!”

“Of course you fucking know. You’ll always be welcome back home.” he murmurs against your neck in between kisses and bruising nips. ”Come back to me and you can have this everyday. Nothing needs to be the same.” A strong jolt of pleasure rocks you as his hand creeps down your inner thigh to masturbate you while you move against him for more sensation. A long, low moan vibrates in your chest. He shushes you with another deep kiss as your hips buck from the maddening pressure.

Very amused at how drenched you were, how you mewled at his every touch, he manipulates you with teasing circles until it was too much. You dissolve into pleasure so intensely you can barely register the exact moment you soak him as well in your juices, milking him for all that is worth in the way. He doesn’t take long to follow, his hips stuttering as he empties himself inside you in thick spurts that make you feel impressively full. You keep clenching around him, not willing to let him go, a wide smile on his face at his achievement and at the work of art he crafted so masterfully. He’s genuinely fucking brilliant at this.

“Nothing needs to be the same.” You repeat in a drunken stupor, moving hair strands from your sweaty face as you smile back to him, framed perfectly like yet another offering in his marble altar.

Perhaps his most prized one. 

[blueteller]

The birth of a hero was originally written for choi jung soo right? It was passed to roksoo coz jungsoo " died " right?

We are not actually 100% sure! Everything regarding TBOAH series is speculation coming from Cale. We know that "Nelan Barrow" is Choi Jung Gun's pseudonym, and Cale saw CJG write a book in the Sloth Test, aka. the illusion of his own past when he was 17. So we know for a fact that this book series was written by CJG, and it was given to KRS on purpose so he would have knowledge about the world he was about to transmigrate into... But that's pretty much it. Everything else is speculation. There are so many unaswered questions about TBOAH. Such as:

Why did CJG originally write the books? Did someone order him to, requested it of him, made a comission for some reason? And HOW did CJG write this series? Where did he get information from, how could he know the future before time regression happened? Did someone else give him the information? Was it TBOAH!Choi Han? Who was responsible for the time regression, was it God of Death? Or did he have help? How many people know that time regression of Nameless 1 happened? Do any of the Hunters know about it? Can time regression happen a second time? If it can't, why? How was it possible in the first place?

And how would CJG plan on makeing KRS read TBOAH anyway, did he sneak the books into the library himself? How was KRS manipulated into grabbing those exact books? How did he know KRS would pick that series on that day specifically? Did he know KRS's preferences and made the book in a specific way to appeal to him, or was it just a lucky shot?

Why did CJG write all those side-character details? HOW did he find out those details? There's no way TBOAH!Choi Han ever found out about stuff like Harol's parents' backstory, or the fact that Mueller even existed and died. Why did CJG simp so much over King Shickler, did he ever meet him in person? And why does he compare the elves to the squids or bash their dragon-worshipping tendecies, does he have a grudge against them or something?

And did CJG ever find out about KRS becoming a transmigrator instead of Choi Jung Soo, anway? We assume that we knew, but do we actually know that for sure? For all we know CJS could have been the one who sneaked the TBOAH series into that library where KRS found it. How much CJG was involved in the whole process aside from writing the books in the first place? Did he even know that there were meant for CJS originally? Did he know who he needed to write them for?

...My point is, we know almost nothing about Choi Jung Gun, or the books he wrote, aside from context clues and what Cale speculates about it. My original assumption is just like your own; that CJG wrote it for CJS, then CJS died, and the books went to KRS. But did it actually happen like that? I guess time will tell!

...If Choi Jung Gun doesn't have the audacity of dying on us before he can answer any questions, that is. -_-

[joons]

okay no wait, I'm so curious your thoughts on the elvis mythology! I'm trying to think of an example haha. anyway, thank you for that food for thought. your takes on elvis are so interesting and kind of a different perspective than I normally see

Thank you! That means a lot because I do love going into his psychology and thinking about how he thought about things. And I love being able to engage with Elvis stuff from all different angles!

I can think of a few - like there will be people who were close to him who make such absolute statements about him: he refused to wear blue jeans, he hated eating fish, he loved eating peanut butter/banana/bacon sandwiches, he was afraid of germs, he wouldn't sleep with women who were mothers. But not all of those are true for him 100% of the time, or they seem to be big outliers where no one else has reported anything like that. And as you read more, you can see moments where he behaves differently than these big eccentricities that people pin on him, and you have to think about why that might be. You pick up little clues that you can put together to figure out what he meant. Did he have an almost pathological dislike of blue jeans because they reminded him of his childhood poverty, or did he just tell one of his band members that because he had made a brusque joke about the guy wearing blue jeans in front of a bunch of people and wanted to find a way to apologize without apologizing? Was he covering up behavior he was ashamed of, or was he revealing the real shame that drove him to look his best and make sure his entourage looked their best too? Did he actually have an aversion to women after they had given birth (unlikely, since he had relationships with several mothers), or did he want to give Priscilla a reason for avoiding her that she couldn't work around, knowing that she always went overboard trying to change herself to get his attention and getting rid of things she thought were coming between them (his spiritual books/Larry Geller/etc.)? Was this just one of a long line of excuses he made for not truly being in love with her and not wanting to try anymore? Did he actually eat the same sandwich every day, or did he just make a big deal about it one time because it was Lisa's birthday and he wanted to fly her somewhere special? And the other stuff he did eat every day, did he do it because it was one of the few things in his life he had control over, and could extract comfort from, or did he do it because, as he told Larry, he wanted to make himself sick of it so that it would no longer be a temptation? And how much of these conversations are either hearsay or someone putting words in his mouth to absolve themselves of something that bothered them?

The long and short of it is that people have sometimes reported things he said or did without any surrounding context, or it gets stripped away when it's reported elsewhere, and we are left with these moments that don't make sense or tell us anything about him unless we see how he dealt with them throughout his life, around different people, and see him as a whole person and not the Elvis Image that he tended to embrace when it suited him and resent when it hurt him. A really great moment that I think shows how Elvis tended to approach things is reported by Steve Binder, where he said Parker was telling Elvis absolutely not to do something, and Steve felt like Elvis just kind of shut down and mumbled "yes" until Parker left, and then Elvis' eyes flashed and he turned to Steve and said, "Fuck him," and did what he wanted to do. He was a people pleaser! A huge one! He valued loyalty above honesty. He was willing to lie to people he cared about if he felt that it would avoid a confrontation, and sometimes that tipped into a selfish "I want to do things my way," and sometimes that tipped into a selfless "I want them to have everything I can give them." And he waffled between those extremes because of his own low self-esteem and loneliness. I'm! Screaming! About this! At all times! He is an unreliable narrator, he's such a bubble of emotions that pops with the slightly scratch, he's so complex that you are not sure if he wants the bubble to be an opaque shield or a transparent boundary that you can slip through. He was testing people all the time to know if he could trust them with his heart without expecting him to be the Elvis Image, telling them things that were an invitation and a challenge and an insult and a declaration of love all at once, and so much of the problem we deal with now is that people are still completely uninterested in these depths. I???? Love him??? And the things he can help us learn about ourselves??? Just by trying to see him as he really was????

I don't know, I just get very overwhelmed!!!!