#or hit you with a bat

[nextdoor-loser]

@asthedeathoflight planted this on my head

[r0b0t1me]

observing creatures of play

i changed their designs like 3 times while drawing this shit. dont do this. i still dont even know what color palette i want for them

[frownyalfred]

Pissed-off Batkid: “I’m not Batman.”

[authority figure] who’s about to ruin their entire year: “Yeah, that much is pretty obvious. Because Batman would’ve already figured a way out of this shit.”

[ninja-knox-ur-sox-off]

aroace sonic: *says the most flirty shit ever* also aroace sonic seconds later: *does a backflip of the couch and almost lands on his face* literally anyone: wtf.

He’s got the range

(Aroace Sonic compliments pt 4)

[kaidatheghostdragon]

Crack prompt: Danny has declared war on the curses in Gotham. He is armed with a water balloon gun, but the balloons are full of medical-grade ectoplasm. He targets any location, ghost, or liminal being tainted by curses and/or corrupted ecto - absolutely drenching them before yeeting off again.

This includes the Bats. Danny is smart about it, though. He lived in Gotham for several months before acting, so he could get the lay of the land. He also waits for patrol to be finished before hitting the Bats - he doesn't want to interrupt their Quest to Better Gotham (or be labeled an invader to their haunt).

One night, Danny happens upon Batman patrolling alone and waits for him to finish cleaning up a crime scene before hitting they guy with a half-clip of balloons. Batman gives chase, like he always does, and Danny runs, like he always does. He knows by now that, for whatever reason, Crime Alley is off limits to Batman. The whole alley just gives off "no (other) bats allowed" vibes.

Red hood is just more territorial. Whatever.

At any rate, Danny is enjoying the chase, using just enough ghost powers to stay ahead of batman, almost-but-not-quite taunting him. Crime Alley isn't too far, so instead of turning invisible around a corner like he usually does, he makes his way to the Alley to see if the no-trasspassing rule is enough to stop Batman mid-chase. He leaps across rooftops and weaves through fire escapes, ecto-balloon-gun bouncing by its strap against his back, until finally he's at the border, slightly tapping into flight to make the jump across a slightly wider road into the alley proper.

He turns around immediately, spotting Batman skulking on the rooftop on the other side of the road, stopping the chase and suit half-covered in healing ectoplasm.

"Sanctuary!" Danny yells, pumping his fists in the air from getting caught up in the exciting rush of adrenaline, "I claim sanctuary!"

"Who the fuck is claiming sanctuary in my territory?" Red Hood booms from almost directly behind Danny. He would have yeeted out of his own skin from surprise if he hadn't spent years honing his ghost-fighting instincts. As it was, Danny instead whirled around and emptied the clip of balloons into Hood, purely out of reflex.

Hood stood there, drenched in ecto like his fellow Bat one rooftop over, glaring murder at Danny with glowing eyes. But his haunt betrayed Hood's true emotions.

Surprise, concern, impressed, you-little-brat.

Danny booked it to the fire escape and turned invisible the second he was out of sight.

[timothvy]

bird hitting window 💥

[stuntghoul]

Kill them with kindness? WRONG!!!

UNLEASH THE FUCKING BATS 🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇

[carnation-damnation]

The gossiperssss

[kitamars]

gins and ginhiji

[fan-a-tink]

Hands down the coolest shot in the entire show!

[psychotic-nonsense]

It's happening again.

With Max, it's attempting new tricks on her skateboard. With Dustin, he takes apart and reassembles basic little trinkets. With Nancy, she rewrites old news articles. With Mike, he reorganizes the D&D dice box he's been carrying everywhere since Will left (and even after he came back). With the Sinclairs, it's spinning something - a basketball or pen or keychain or hair tie.

The loud music isn't uncommon, nor where it's coming from. But where the source is, and what kind of music it is, feels like something reserved for times like this.

Steve wasn't supposed to be out here, technically. He's on his lunch break, and he wanted a change of pace from the Family Video parking lot. He drove out to the edge of town - Keith doesn't give much of a damn how long their breaks are anymore - to find that cliff only he really knows how to get to. Helps that his Beemer is like a second heartbeat.

But on his way out, he hears the music.

How the hell Eddie got his van out this far into the woods, Steve's never gonna figure out. But there's loud ass music coming from it that's different to Eddie's usual type. More replicable, mainly, something that sounds like an actual song yet still has Eddie's whole screamy vibe. As Steve gets closer - having parked by the road just outside the woods - he can hear another voice singing along with their full chest.

That's when he realized what it is.

It's that violent restlessness. The buzzing feeling in, under, becoming every inch of your skin. Paralyzes you from doing anything substantial, yet everything else you try to do doesn't make the feeling fade. So you're stuck in a repetitive motion while stuck in place and it feels like exploding from the inside with nothing bursting out.

Most of The Party gets it bad nowadays, since the Upside Down was sealed away. Years of living on the brink of death to suddenly being plopped back into the mundane. Steve especially got it from the lack of sports, which worsened the Upside Down buzz.

Steve knocks on the van's back door, hoping it drowns out the music to not startle his friend too badly. He tries the door, which opens easily, and floods the woods with guitars and drums and voices.

Eddie doesn't startle, but neither does he move. He's laying down on the floor of the back, the precautionary blankets there all twisted up and scattered about in evidence of motion. One hand is tugging hard at the roots of his hair, the other snapping hard along with the music. One leg is bent up and bouncing, and his chest heaves in an attempt to keep up with Eddie's shout-along singing.

"Yeah, you said a single word,

But no one really heard,

Sometimes we scream alone!

It's always worse at night,

When darkness kills the light,

You're in the danger zone!"

It irks Steve in just the wrong way, seeing Eddie frozen like this. Gets him to leave the door open, walk around to the stereo sitting in the passenger seat, and hit the thing silent.

"What?" Eddie snaps immediately. The van rocks as he sits up.

Steve ignores him, just walking back around to the back to smack the side of the van. Noise will keep Eddie stable in this state. Eddie, who's staring at Steve with that adrenaline-fueled glare, jaw tense, sharp where he doesn't mean to be. Steve makes his words stern, to cut through the buzz no doubt rushing through Eddie's ears. "Up. I'm getting you out of here."

"'M fine," Eddie bites back, flopping straight back down with a bang he doesn't feel. One of his hands goes back to his hair.

Steve just reaches down to grab the end of one of those blankets, tugging hard. Eddie just moves an inch, but he flails like the bat tails are back around his ankle. He sits back up, eyeing Steve with a malice he can't mean. It's Eddie and he never does, not even when he's high on fight or flight.

Steve just nods to the outside world, repeating, "I mean it. Come on."

Eddie's jaw tenses just a bit more, before he rolls his eyes and scoots to hop out. Steve backs up, lets Eddie jump out of the van with too much motion, slam the doors shut and pat them in a goodbye both too hard, lets Eddie grip his leather jacket too tightly as he leads the two of them back to the Beemer. The snapping comes back a few minutes in, but Steve leaves it be.

Doesn't pick on Eddie not wiping his shoes, nor for slamming these doors shut or not buckling. The police has had more to worry about them than some unsafe driving. Steve just turns the radio up a bit too loud, leaves the snapping alone, and drives them along the edge of town.

He stops when they get to the junkyard. Doesn't say anything, just gets out and goes straight to the trunk. He hears Eddie follow him outside as Steve gets the not-nailed bat from the back, then slamming the trunk shut to keep Eddie's attention (no matter how much it and the slam prior hurt his soul).

Steve walks past Eddie into the heart of the junkyard. He spins the bat, scanning the ground, and finding an old can-looking thing. He picks it up, tossing it into the air a few times.

Then he tosses it once more, rears back, and hits the shit out of it.

The loud crinkling of metal and crack of wood creates an echo that slices through the residual buzz forming in Steve. He watches it fly haphazardly in the air, spinning randomly before landing on an old car, another echo to cut the buzz.

Eddie doesn't react verbally, but that's fine. Steve just finds something else - a piece of tire - and hits it too. Does the same to a crumpled sheet of metal, then another can-shaped thing. Feels the buzz get torn to pieces with every satisfying echo and vibration of conflicting action coursing through his veins on each hit.

When Steve finally turns to see Eddie's reaction, it's just the snapping fingers to really get his attention. Everything else about Eddie's body language says confused, curious, hungry.

His body still screams, and here it sees something that will listen.

So Steve holds the bat out by the barrel, handle to Eddie, and waves it at the junkyard around them. "Go ahead," he urges.

Eddie eyes it confused for a moment, but he eventually pushes off the side of the Beemer he was leaning against. Makes it to Steve with steps that still feel too hard, but takes the bat. Stares at it, spins it once to get the feel, but still hesitant.

Steve walks past him to retake that place on the Beemer. Eddie watches him go, still confused.

As Steve settles in, he motions again to the open empty junkyard. "Who's going to hear you?" he says.

'Only who you want to hear you,' goes unsaid.

Eddie blinks at Steve a few times more, then down at the bat. Spins it again, looks around. He spots something, stomps over to it, picks it up. A can. Tosses it up once, nearly doesn't catch it.

He looks around again, goes to a car beside him. Sits the can on the hood, steps back. Gets into a stance that feels at once natural and amateur, but Steve doesn't dare.

Because Eddie hits the can and it goes flying, with a crunch that gets Eddie to laugh a little.

Now he's really moving, looking around for something more. More metal, plastic, rubber, anything he can feasibly hit and some things he can't. It gets heavier, harder, doesn't go as far but that means the impact is in rather than out. Cuts through the buzz like nothing.

Soon Eddie takes off his leather jacket and really gets going. He's looking for glass and throwing it far and hard, feeling every shatter in his own insides. Grabs the bat again, starts hitting the vehicles, smashing the windows in further. Drops the bat again, finding unbreakable things and throwing them on the ground, on cars, against other smaller things. Looks like he's going ballistic but it's just the energy finally finding freedom and release in something.

Steve watches it all with prideful satisfaction.

Eddie digs through a pile of rubble, grabbing something evidently interesting. It's stuck, it's difficult, but that manic energy is nothing but insistent. Eddie eventually pulls it out, a rusted old metal chair far heavier than it seems. But Eddie just laughs at the challenge.

He picks up one end, and starts fucking spinning. One heel barely keeping him balanced, he spins and spins and spins. The chair gets lighter, his arms rise with the momentum. And finally, with a growl as cathartic as the destruction, Eddie throws the chair into a car, watching it shatter the glass and dent the metal in a loud bash of sound and noise and release.

This, it seems, is what finally curbs the buzzing. Eddie slumps over with the action, panting and laughing a little. He stumbles to the side, barely losing his footing in time to catch the side of that infamous bus and flop to the dirt beside it. He's panting and breathless and red in the face, but ultimately... satisfied.

Steve resigns himself to the bucket beside Eddie. Leans back against the rusted metal that saved his kids' lives, handing Eddie a water bottle from the storage in his trunk. Eddie takes it with an especially rough huff. Steve takes it as the thank you he knows it is.

Eddie gulps down a quarter of the bottle, spills another quarter on himself on accident. He leans his head back to stare at the sky, panting in relief.

"How... the hell did you know...?" he eventually gets out, still not looking at Steve.

Steve just stares at the patch of grass in the center of their little courtyard, forever greener from the cutlets that rotted there. Shrugs. "Just a hunch."

----------

2/4/25 Edit: Adding in some lyrics from "Breathless" by Dio (1984) thanks to the lovely suggestion by @finalmoondragon !!!!! Everything is the exact same as the original post the only difference is the lyrics :]

[machveil]

I don’t write cheater stuff because it doesn’t really do anything for me, but the angst of a POV story from Cheater!Ghost’s perspective after you transfer to KorTac and some months later he sees you hanging off of Nikto’s arm has me going hmmm

[ninja-knox-ur-sox-off]

Aroace Sonic pt 14

If you know you know

[clockworkreapers]

We don't talk about what happened in part 4...

[autoboros]

He has been absolutely rotting my brain

[lapdogchase]

and also re: the "transition now or you'll be a shell of urself forever Stop making excuses about it being 'unsafe'" genre of post. it feels worth mentioning that some people -- and i am specifically talking about people who do not live in the united states of america -- are unsafe. there are places where things are much much worse for trans people, and no amount of posting planned parenthood clinics and the diy hrt site is helpful for people who live in places where being trans (or gay in general) is illegal. or where it's not explicitly illegal but theres a serious threat of violence. or any other number of reasons someone wouldn't be able to transition. like im saying this as someone from the us but i think the focus on the us and uk is especially harmful when it comes to telling people like. "if you don't transition you're a coward and your life won't be worth living Who cares if it's not safe just do it" Like i don't know maybe we shouldn't be shaming people who can't transition bc of the culture they live in