#or god like beings to be exact

[impossible-rat-babies]

the kinda like. inherent divine-ness of zenos and the wol rattles around in my brain line a ping pong ball

[lazylittledragon]

what if i broke all the bones in your legs actually

[paintedcrows]

they make me feel unwell

(continued: Stan & Young Ford)

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[ottosbigtop]

Local aroace absolutely delighted at the fact that isat has multiple aspec characters. (Odile can probably be read as just a preference thing but I like to think she’s demiro :] for my aro heart)

[pearlbubbles]

Okay I have a lot of thoughts about this season, and maybe bc I never played lol that this season felt like a mess to me but I think a lot of it was due to poor writing choices,

Jayce calling Mel out for “manipulating” is insane to me. When he doesn’t hold the same sentiment for Cassandra or Victor (who was the one to allegedly give him that stone in the first place?). He acts like he had no control of his actions and I guess it’s easier for him to pin the blame on someone else than admit his faults.

Mel is a politician, he knew that when he met her. She did not make it a secret that she was basically sponsoring his research. But at the same time, she was one of the few people who advised him against making hextech weapons specifically, and went out of the way to make sure that that technology did not fall into the hands of bad actors.

however, it was Jayce and his poor decisions that kept making hextech weapons even though it went agonist his ethos, he even made weapons for Caitlyn’s special strike team, something Mel did not tell him to do lol,

like this entire time Jayce was able to use Mel’s statues and influence to get what he wants (social capital etc)

and when they get together romantically, Mel only treats him as an equal, supports his ideas (which basically let’s him do what he wants on the council bc of her influence), and is a source of emotional comfort.

so it’s really strange that he starts to view her as someone who used him, we never really see Mel confiding in Jayce besides that one time which served as a way to give the audience insight to her backstory. She’s always the comforting him, the one providing for him etc, she even serves as a buffer for Jayce against the manipulation from others, so to have him pin all the blame on her is so deranged to me lol

I also fill like the narrative of the story does nothing to counter his claims, they don’t address the other actors in the corruption of hextech for warfare (*cough cough* Caitlyn lol)

there were interesting places they could take this, there were interesting ways to explore this dynamic, but instead it got boiled down to Jayce pinning the blame on someone else because he refuses to live with the consequences of his own creations

[xxplastic-cubexx]

🧙‍♀️🐈‍⬛

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[unloneliest]

in the lonely hearts club job leverage asks the question "does romantic love exist?" and answers it by having eliot buy parker a venus fly trap on hardison's behalf, expecting no recognition and revealing eliot remembers a throwaway comment parker made on their second job together.

we all know this.

but was anybody going to tell me hardison already had a browser window open looking for restaurants to buy eliot in portland in response at the start of the episode immediately after that? or was i supposed to figure it out on a rewatch all by myself?!

[ilynpilled]

So I was on reddit and I saw someone saying this in response to somebody else saying there would be no character in asoiaf that wouldn't have killed aerys in jaime's place:

"Once the Rossart was dead, there was virtually no threat of wildfire nukes. There was practically no reason to kill him. He wanted to kill him."

And I just..get so frustated bc, let's put it this way: aerys is the king, that alone makes everyone around him be his yes man, add to this that the king is a mad fucker and will kill anyone if he so much as wakes up with a bad mood and you have the unlucky pleasure of passing by him in the morning, everyone around him will be even less inclined to so much as question him. This is a court that just watches as the king kills anyone, even high lords, in unnecessarily cruel ways just bc, as he killed one of his hand's bc he refused to carry out one of his orders or something, even the queen has no protection against the king. These are the ppl surrounding the king. So you're telling me that the city will be safe from going kaboom just bc you, the 17yo hostage guard, killed one of the king's MANY pyromancers and put the king in a cell? No one will see the mad fucker in a cell and get him out? Once out of his cell, the mad fucker totally will not turn and say "hey, this bitch put me, the king, in jail, that's treason, kill him" and they will just not do it? You're telling me the other pyromancers totally did not have a back up plan of "if they didn't hear from Rossart every 2 hours or something push the nuclear button"? No? Everything would be totally fine as long as you kill the ONE errand man but keep alive the man giving the orders everyone feels compelled to obey, be it by duty or fear, that's totally fine right? it'll work out, promise ✊

the thing about redditors is that they cannot read and they also refuse to engage with what this story is actually exploring like a good 90% of the time

[dykedvonte]

So I've been turning over this detail of the game over and over and I think I've found a good reason and wanted to share. During the guilt sequence, when Jimmy enters the ID hallway his ID covers up both Anya's and Curly's.

And for a long time I've always wondered why those two in particular. And I think the reason why is because even at this point of the game he's still dehumanizing them and ignoring who they really are as people.

During the entire guilt sequence he never acknowledges Anya and the pain he caused her by the rape and forceful impregnation to her, instead only focusing on the fetus and how it would ruin HIM. And even his subconscious that's calling him out for Anya has to take on the form of Polle, and he still refuses to even reference her.

And even though he apologizes to Curly, it's really only for taking away his role as captain. He's not sorry for causing the crash that made Curly in perpetual horrific pain, for abusing him before the crash, or for even the cannibalism. And as you pointed out, throughout the entire guilt sequences he's had of Curly it's only in his post-crash state. Also throughout each guilt sequence with Curly he still imagines Curly as his perfect victim friend who would gladly take on the role of a villain for Jimmy to be a hero.

The ID hallway shows the players that even when he feels guilty he still refuses to see who they really are. Throughout the game he steals from both Anya and Curly their bodies and their voices, and this scene is symbolic of that. Even when he's feeling guilty, Jimmy is still doing just that to them.

ITS LITERALLY ALL THIS.

My biggest gripe with any interpretation of Jimmy and his abuse of Anya and Curly is that he actually respected Curly more. He didn’t even care enough to see the person he was before the crash in his moment of penitence. He couldn’t even give him a name in the end. Curly was always a space for him to take, to project his worst qualities onto. Anya became that space due to the position of power Curly specifically had, he’s his boss and he can’t just do whatever, hence why his actions were always behind Curly’s back. The tragedy of this is that he realized how much power he had over Anya, his subordinate, practically the same in the societal pecking order outside of this one instance. An opportunistic chance for him, similar to how he exerts physical power over a post-crash Curly.

He sees Anya as a nuisance, a thing he can’t get out of the recesses of his mind but he still sees her, in a fucked up way, she’s his dead pixel. Something that slowly destroys the perception of his screen the longer he ignores it until it goes black. But Curly? He’s an escape, he’s not anything real because the Curly in Jimmy’s head is also not a person but a place holder for him specifically. He wants to be that man and his only true regret is the destroying the thing he wanted to be and thus making that role inaccessible to him.

[twentyfivemiceinatrenchcoat]

what if i said god!satoru would be chill

[gracemarkss]

this exchange goes crazy...dana "i worship the sea he sailed on" "i did it because i knew if he found out he would kill me" "part of me likes it, needs it, wants the approval" " along the way there are other fathers" "i thought you'd be pleased" "he was my instructor at the academy" "he must have been a wonderful teacher...yes, he's remarkable man" "your fear of failing him?" scully would know a thing or two about THAT...

[this-is-fox-speaking]

"Felix should've killed himself"

Felix is a coward. Through and through, this is his character. He digs his own grave, and refuses to lie in it. He gets rid of the evidence of the children's corpses and bloodied items, but can't bring himself to die because he's still frightened. He wants too, but he cannot. He refuses to tell Jack and Rosemary- the parents of these children he was trusted with, his closest friends, his collaborators- what truly happened to their children. He lies straight to their face. He lies to the police directly. He cannot bring himself to bring Rocket back to Rosemary and Jack, bring back the only bit left that these two can have of their children. They never got to even have it before they 'dissapeared'. Felix has destroyed this family and himself from the inside out, because from the inside out he is a coward. Now he is haunted by everything he has been afraid of revealing. He has not carefully avoided it, no. He has avoided it like a puppet trying to untangle itself from a thick web, if that makes any sense.

And one day- if he's still alive, in this series present time- he's going to have to face Sophie.

And what will he do, then, with nowhere to run?

[gingermintpepper]

Sometimes I am so overwhelmed by my fondness for Phoebus Apollo.

Re-reading the Iliad is always such a treat for me because I just love seeing Apollo's arc parallel Achilles' so entirely. There are a ton of examples I can pull from but I'm mostly thinking of that very first argument between Achilles and Agamemnon about returning Chryseis and how Achilles accosting Agamemnon quickly gets derailed when Agamemnon threatens to take Achilles' own prize from him (which prompts Achilles to say that his hard work isn't being respected, that he's earned this, that the men themselves agreed to let him have Briseis and Agamemnon doesn't have the right to overturn their communal decision, that he'll take his men and leave if Agamemnon refuses to respect him and the men out there dying on Menelaus' behalf of a plague propagated by his unworthy brother of all people) and how that comes around in Book 21 when Poseidon levies a challenge at Apollo's feet for more or less the same reasons but Apollo flat out refuses to lose sight of his purpose in the war. Even after Artemis herself calls Apollo's pride into question and tells him that if he chickens out of the duel, he better never boast again, Apollo refuses to fight against Poseidon, very staunchly citing that, to the gods, to him, the war is a job, that it is mortals who are emotionally invested in the outcome of this battle and that their squabble is not worth disrespecting his uncle over.

And I love that so much because if any of the gods had a reason to be as petty as possible about this war, it was Apollo. Disregarding how much he adored the royal family, disregarding how much he adored Hector specifically, two of his beloved sons were brutalised by Achilles, the premiere Greek fighter, his temples had been sacked and defiled, his image was being completely disrespected and yet, despite everything, the one line he refused to cross was taking out any of the frustration he was feeling on his family - even if it was the uncle that was openly and frequently disparaging him and antagonising him.

And I just think that's so so neat.

[arctic-bookclub]

in my opinion, qphil isolating and exiling himself is only going to make things worse or delay the inevitable: as shown yesterday the enderking wants qphil to isolate, to not tell anyone, and luckily for our evil demigod that is exactly how qphil operates. he holds secrets in hopes of not hurting others, not getting them involved. and we just saw what happens when he has a support network helping him, he broke free from enderking’s grasp even for a moment. but that bit is not the only reason why his isolation is playing straight into enderking’s hands: it’s his insecurities as well. ”i’m a shit dad” ”i need to prove myself worthy of protecting” ”i need to provide better for the family” ”i need to be stronger” - all insecurities that are qphil’s downfall. enderking has already played into his need to provide for the kids as well as the want to be stronger (the buffs in the dungeon), what’s stopping him from digging his claws further to qphil’s core, his insecurities and weaknesses now that he has no one to break him out of his self-deprecating loop? when all he has are his thoughts, the caws of a crow and the voice of him? if no one finds him in exile, i think he will lose himself again, betrayed by his own mind