#or explore an actually marginalized character

[poebrey]

to post something positive I am really happy about what snw is doing with T’Pring and it makes so much sense and just in general I love the material they gave her in this episode

[taraxippos]

I feel like the full implications of lavender marriage don’t go as explored in fiction as they Could be sometimes, especially in terms of the woman's role in this dynamic (in the most common context where a gay man is the direct beneficiary of the situation). And a lot of the time it’s outright pretty bad where like the wife has like, a narrative function of just Enabling a gay relationship (if not being a narrative Womb that Provides Babies for a gay relationship) rather than being an actual character. Like is completely and unconditionally supportive, has no complicated feelings about their role whatsoever, etc, they're just a plot mechanism. That extreme tends to be more of a fanfiction thing than in literature but god does it suck.

Like I don’t think there’s anything Wrong with writing situations where everyone’s pretty cool with it (so long as the woman is a full character and not just an accessory) but a lot of the time it feels kind of lazy. Even in the absolute best case scenario (say the husband and wife are bestfriends, quite happy to be in a platonic domestic partnership, and mutually benefit), the cultural contexts that create lavender marriages are not things that just Won’t impact your characters. These contexts tend to be patriarchal as well as homophobic- the wife might have not had a choice to enter into the situation (arranged marriage) or have very little choice (in terms of a marriage being the main option for security). Pregnancy is likely to be strongly culturally encouraged if not an outright expectation. Both members are unlikely to be Devoid of learned misogyny and homophobia. Etc.

It's also a facade that has to be publicly upheld (which will inevitably produce uncomfortable if not outright distressing situations), any side relations have to be conducted in secrecy with great cost for being found out. If a pregnancy is involved (even if the person WANTS to be pregnant and is happy with the notion) it's a physically and mentally strenuous time, it can be outright dangerous or fatal. These are all high stress situations. Even the most devoted and loving friendships can be strained by MUCH less. The situation doesn't have to be toxic and abusive, but I think making it Easy is often lazy contrived writing and just like. a really boring way to engage with such a complicated topic.

[margindoodles2407]

BEHOLD

IT IS POSTED

@whyoneartheven FINAL PUBLISHED DRAFT TIME LET'S GO

[t-u-i-t-c]

so i really like geats :)

[musical-chick-13]

Can somebody please explain to me what the appeal of vampires is.

[grimmusings]

Given the recent resurgence in purity culture and anti-villain sentiment on Tumblr, this feels like a good time to talk about censorship and bullying. This is not a call-out post for anything that's happened recently, just some commentary on what, to me, is a disturbing trend and some general guidelines for how to conduct yourself in fandom spaces.

Essentially, it boils down to this: You have the right to not interact with anything you choose in a fandom. You don't have the right to make that choice for anyone else.

Do you know why AO3 doesn't have content bans? It stems from anti-censorship beliefs and First Amendment rights, and it also comes from a long history of watching things like this go down in fandom. The thing about banning one kind of content--or that kind of mindset--is that it hardly ever stops with one thing, until fandoms are so scrubbed from anything that has the potential to be problematic that they collapse under any perceived threat to their rigid moral standards. If you doubt that, consider how it's taken less than a month for this to jump from Marvel to include other groups of villains and fandoms. Guaranteed, it will not stop there. (And that's to say nothing of how, historically, censorship leads to silencing marginalized groups, but that's a different post.) Conservatism is insidious and takes a lot of forms, but censorship is ultimately a conservative, even a fascist, action.

The fact is that what you enjoy reading or writing is actually no reflection on what kind of person you are. There's even an argument to be made that exploring darkness in fiction a) makes you a more empathetic human and, b) makes you better-equipped to handle those topics in real life (but that's another post too). I don't care what you want to write on your own blog. I don't care how controversial your muse or your ship is or if you write the darkest of dark fic out there. I may not want to write it, engage with it, or even see it on my dash, but I'll defend your right to write it.

Writing fascist characters (HYDRA, Empire, Death Eaters, etc.) doesn't make someone a Nazi any more than writing Hannibal Lecter makes them a cannibal or writing the Punisher makes them an advocate for gun violence. Saying they are breaks one of the primary tenets of roleplay: that mun does not equal muse. It's widely accepted in the roleplaying community that we don't agree with our characters' views, and we would never in a million years condone the things they do in real life. That rule doesn't go away just because you personally don't like the character.

So let's talk about what to do when you come across writing you don't agree with.

What you have a right to do: Feel however you feel about it. Ask for tags and readmores (they have a right to refuse). Decline to explain or justify why it makes you uncomfortable. Decide not to associate with people who write that thing. Blacklist. Unfollow. Block. Add to your DNI list. Vent about it in a safe space with your friends. Take a step back from the internet. Remember that the people on the other side of the screen are real, actual humans, while characters are imaginary. Embrace the fact that engaging in fiction is optional, and you can choose to stop any time you want. Trust that grown adults have the basic media literacy to understand the difference between reality and fiction. Remind yourself of the first rule of fandom, the one AO3 is built on (Don't like; don't read). Recognize that it's perfectly valid to not want to engage with something, but that expecting other people not to write it at all isn't your call to make and can lead down a dangerous path.

What you don't have a right to do: Bully or doxx other writers. Shame them for their choices when they don't agree with you. Demand explanations or justifications from them. Gaslight them into thinking nobody else will write with them if they continue to write this thing. (You don't speak for the entire fandom. You are a very small minority making a lot of noise.) Create call-out posts. Participate in witch hunts. Send anon hate or death threats. Make people feel unsafe in their own spaces. Police other people's content.

If you descend to bullying someone because you don't like what they're writing, you don't have the moral high ground. I can't believe it needs to be said, but real bullies are worse than fictional antagonists. Bullying and censorship are far more alarming threats than people who enjoy exploring dark topics in their writing. Nobody's asking you to like it, agree with it, or even look at it. And if you don't? Now is the perfect time to say nothing about it, block, and move on. Rest assured, we don't want you on our blogs any more than you want us on yours.

[thydungeongal]

An earnest question in regards to D&D not being queer (side note, I agree): short of having queer mascots/main characters or being called something outright queer with its title, what would an example of a queer TTRPG look like? Like, your characters being queer has a mechanical impact? The themes of the game being more in line with a queer experience? Something else I'm missing? All of that and more?

All of that and more. It's better I explain through examples:

Monsterhearts is an RPG written by trans woman with an explicitly queer perspective. The genre of Monsterhearts is urban fantasy, specifically young adult urban fantasy featuring teenage monsters in school settings. Its themes are growing up, adolescence, and queerness, and it uses monsters to explore this theme. It is thematically thus openly queer, but the queerness is also present in the mechanics, in both the Skins (the game's playable classes and archetypes) and in the core mechanics.

Dungeon Bitches (by site user @cavegirlpoems) is less coded and more explicit and it is explicitly a game inspired by D&D's genre of dungeon-crawling fantasy: it starts by accepting D&D's premise of dungeon crawling as an occupation in a medieval fantasy world and then asks who actually would end up doing that sort of thing. And the answer it comes up with is marginalized people, especially queer women, and Dungeon Bitches is about playing disaster lesbians in dungeons. The queerness is front and center and the game gives mechanical weight to the fact that the characters are outcast women living outside of polite society, and the mechanics support the bitches getting fucked up, falling in love, and other such cool dungeon activities.

Thirsty Sword Lesbians is probably the biggest name queer RPG on the market and I feel it deserves mention despite my own personal issues with it. It operates in the nebulous genre space of She-Ra and Revolutionary Girl Utena and is very much about lesbians crossing swords and flirting while doing swashbuckling adventures. It gives mechanical weight to flirting and romance as well as combat, and while I think it's quite simplistic in how it touches on queer themes, it is still engaging with queerness on some level.

And like, those three games bring the queerness to the table explicitly as part of the game text, the rules, and the buy-in. Unlike in D&D, where sometimes there's a gay elf, there really is no way to play any of the above games without a queer lens, because at that point you would be playing a fundamentally different game. In D&D the queer lens is optional and has to be brought by the players

[flameswallower]

THE BEST FICTION I ENCOUNTERED IN THE SECOND HALF OF 2024!!!

A much longer follow-up to this post. (Can you imagine how much I'd need to type out if I hadn't split them up???)

Once again, I'm not listing movies, TV shows, video games, etc. I AM listing some web fiction and comics/graphic novels, because I feel much more qualified to judge and recommend those things.

____

Novels and Novellas!

Failure To Comply, by Cavar (2024): Reading Cavar’s Failure to Comply, I couldn’t help but think of the recent David Cronenberg movie Crimes of the Future. Both deal with dystopias in which bodies and their modification are strictly regulated, and people with unauthorized bodies form a vibrant, perpetually imperiled subculture on the margins. Both use this conceit to speak metaphorically about the plights of trans and disabled people, although Failure to Comply’s characters are also presented as literally, textually disabled and trans. But, although Crimes of the Future is often accused of being a “weird movie,” Failure to Comply is undeniably much, much weirder. Cronenberg is super normal compared to this.

Maej, by Dale Stromberg (2024): a doorstopper I found difficult to put down and finished inside a week; a work of very unapologetic genre fiction that’s equally unapologetic in its intelligence and dedication to doing strange, creative things with language; a high fantasy story I actually liked. The setting is the city of Sforre-Yomn, in the country of Hwoama, whose culture combines elements from across the continents of Asia and Europe. But Hwoama is matriarchal: men are subordinate to women, who dominate politics, business, the military, and nearly all other professions. As a result of this fact, almost all the major characters in the novel are female. By turns this presents a fun, simple, mischievous inversion of maleness as the unmarked default state for fictional characters, and meaty commentary on the social construction of sex, sexuality, and gender. Stromberg has cited Le Guin as an influence on Maej and, in the most complimentary way possible, this influence is evident.

Lote, by Shola von Reinhold (2020) is a gorgeous, funny, moving academic satire/mystery and love letter to Black modernism. It’s also very queer/trans and (in my personal opinion, perhaps not intentionally) very autistic. The title refers to a possibly-mythical clandestine circle of artists/magic practitioners who style themselves after the lotus eaters and seek transcendence via experiences of sensory and aesthetic pleasure. As with many novels that stand out to me, you won’t read anything else like it. I especially recommend this one if you want a completely unique, intellectually stimulating work of fiction, but are put off by the aggressively experimental and opaque style of Failure To Comply and by the SFF-ness of FTC, Maej, and Leech.

Walking Practice, by Dolki Min (trans. Victoria Caudle) (original 2022; English translation 2024) is a breezy, sexy *, gender-bending Korean novel about a poor amorphous space alien stranded on Earth after a spaceship crash. Unfortunately for us, this alien soon discovers that 1.) the most suitable food for it down here is human flesh, and 2.) with a lot of pain and effort, it can squeeze itself into the likeness of a variety of different human beings. It figures out hookup apps pretty fast, too, and then it’s off to the races. This may sound like creature horror, but it plays more as an exploration of identity and humanity, and a satire of sex, romance, and contemporary hookup culture. (*possibly less sexy if you don’t have a vore/cannibalism/consumption thing)

Love/Aggression, by June Martin (2024) is a BANANAS mundane fantasy-comedy about two trans women who are kind of best friends, and kind of enemies. Zoe (actress) is an arrogant, cartoonishly unpleasant minor celebrity who thinks she’s much more famous and popular than she actually is— but Martin manages to show how her personality is in part the sympathetic result of dysphoria and experiencing a lot of transmisogyny over the course of her life, and how she used to be a much kinder person before fame went to her head. Meanwhile, Lily (freeloader and aspiring tattoo artist) is a sweet, spacy, passive daydreamer, and a far more immediately likable character— but Martin manages to show how she is not entirely blameless in the ongoing drama with Zoe, how her passivity is sometimes the result of immaturity and selfishness, and how even when it isn’t, it’s a character flaw that keeps landing her in situations which kind of suck for all parties involved. They live in a magical Pittsburgh that is, conveniently, located right next to Los Angeles. Their friends include a BDSM cult leader and a nonbinary person whose name becomes “Dicks” in the first chapter of the story and who is never called anything else. (This character also happens to be the…owner? Custodian?…of an infinite, maze-like, reality-distorting building that is probably the most fun and least scary infinite, maze-like, reality-distorting building in all of fiction.) There’s vore in this one, too! But don’t go in expecting a particularly cohesive plot: Love/Aggression is far more about characters, relationships, and gags.

Maybe the Moon, by Armistead Maupin (1992) was inspired by the too-brief life of Maupin’s real friend Tamara De Treaux, a little person who depicted the title character in parts of the movie E.T. Her literary equivalent, Cady Roth, is a sardonic, fashionable, thirty-year-old little person who depicted a magical gnome called Mr. Woods in a beloved, albeit treacly, children’s fantasy movie of the same name. But since she played the role inside a thick rubber suit, and since the director of the movie felt it would spoil the magic to give her any credit, almost nobody knows that. Ten years later, she lives in obscurity on dwindling funds and struggles to find work…until, out of sheer desperation, she decides to take a job with a troupe of children’s birthday party entertainers. Romance, escapades, etc. ensue. Both a very funny book and a very sad one; it’s quite frank about death, about the ways Hollywood fucks people over, about the many ways that, especially if you’re marginalized and/or an artist, your life isn’t fair and isn’t ever going to be fair and “happy endings” probably aren’t what the world has in store for you. I think ultimately it’s sentimental in a good way; it has a big heart.

Leech, by Hiron Ennes (2022) is a total banger to finish out this year with! So glad I picked it up finally! Absolute genre jambalaya, this one: sci-fi, stuff that reads as fantasy despite having or probably having a “sci-fi” explanation, horror, Gothic novel (but not, crucially, a Gothic romance), mystery, medical thriller, character study, philosophical novel about ideas of consciousness, selfhood, individuality, and free will…there’s probably something in here for everyone reading this. You’ll love it, almost guaranteed, if you love the Gormenghast books. You’ll love it, almost guaranteed, if you love any Star Trek series. You’ll love it, almost guaranteed, if you love the science fiction of Peter Watts, or the horror of Gretchen Felker-Martin. You’ll love it, almost guaranteed, if you love The Thing (1982). The prose is lush, idiosyncratic, a bit purple, but it’s nothing too baroque, it’s all perfectly easy to read. The complicated, antiheroic protagonist/narrator is delightful and memorable, and I think Ennes did a great job at conveying unusual states of memory/selfhood/cognition through it/them/her. (Some of these states are not ones with which I have, or even could possibly have ever had, real experience, but some are, and I am always pleased to find those replicated in ways I can recognize and feel as “truthful.”)

Short Story Collections!

Stone Gods (2024) and Worse Than Myself (2009) by Adam Golaski contained several of the very best short stories I read this year— especially Worse Than Myself, which is also a slightly more accessible/“normal” story collection and the one I’d recommend starting with. Golaski writes eerie, dreamlike, bizarre fiction that frequently crosses over into horror— even including time-worn horror genre tropes like zombies, ghosts, and vampires. But let me tell you, Golaski’s “The Man From the Peak” (in Worse Than Myself) is a BAD time, like give-you-nightmares scary, and it feels like nothing you’ve ever read before, even though it’s about A Nosferatu. Not just a vampire, but a vampire that is explicitly described as egg-bald with big pointy ears and two sharp buck teeth. That’s the antagonist. And it fucking works. He makes it new. Please, please read Adam Golaski, you guys. It is astounding and unjust that he’s not popularly regarded as one of the 21st century’s best authors of weird short fiction. I don’t actually know if he could have/wanted to publish more than two collections over fifteen years, but I kind of feel like maybe if a lot of people and public libraries buy those two collections, he’ll have more space and incentive to write short stories, and/or more publishers will be interested in picking up another collection of his short stories?

Brave New Weird vol. 2 (2024) was a diverse, entertaining selection of stories. Some I’d read, some I hadn’t. A pretty good overview of the mostly small press horror/sci-fi/Weird fiction scene as it stands right this minute.

All Your Friends Are Here, by M. Shaw (2024) is almost the opposite of the Golaski collections, in a way: Golaski frequently deals with themes of nostalgia, the past, cycles that repeat without end, and timelessness or being outside of time. Moreover, most of his stories feel like they’d be immediately comprehensible to a person fifty years ago or fifty years from now, if not even further into the past/future (with, perhaps, a few footnotes of cultural explanation). But Shaw’s stories are, often aggressively, Of The Moment. And that’s not a bad thing, even if it means they may seem completely dated in a few decades. Shaw is interested in speaking directly to their place and time; directly to us. They’re not going to pretend we’re not all online, that we don’t all know (if against our will) what Ready Player One is— the longest piece in the collection, and one of the best, is a suitably pop-culture-reference-laden dunk/riff/spoof on, and rebuttal of, Ready Player One! These stories are angry and clever and sometimes suffused with a kind of exhausted tenderness. There’s clearly a Bizarro influence on some of Shaw’s work, but their writing is more sophisticated and restrained than what I tend to associate with Bizarro fiction proper.

Individual Short Stories (That You Can Read Right Now!)

“EGREGORE” by Samir Sirk Morató (2024) = clubbing, hallucinatory, girl on girl

“The Spindle Of Necessity” by B. Pladek (2024) = trans academic suspects dead author may have been a closeted gay trans man

“A History of the Avodion Through Five Artists” by Eric Horwitz (2024) = Borgesian, arch, Jewish

“Mad Studies” by Cavar (2024) = loneliness, cats, autism…like Failure To Comply, this is by @librarycards

“Alabama Circus Punk” by Thomas Ha (2024) = robots, the nuclear family, disintegrating language

Comics and Graphic Novels!

Tomorrow You Don't Know Me, by Raven Lyn Clemens (2024) is a subtle, moving, and unsentimental graphic novel about being a middle schooler with problems, and how sometimes those problems just kinda...persist no matter what you do or try or want, and no matter if it's fair. Even if you summon a demon to help you! Clemens is really skilled at depicting emotion visually, at communicating both the absurd goofiness and the deep, genuine pain of the outsize negative emotions her characters experience. All of her characters are at least a little wretched, and she also handles them all with great compassion, affection, and understanding. Check out her artwork at @ravenlynclemens please; it's fantastic cartooning even without any detailed narrative.

In Fair Verona, by Val Wise (2024) is a VERY gory, VERY nasty piece of lesbian Gothic fantasy horror-erotica. I love Wise's art. The bodies she draws, regardless of gender and build, are top-tier sexy and beautiful to me, which means he's often able to get me on board* with kinks and scenarios that would usually be too "extreme" for my taste. (*Genteel euphemism for arousal)

A Guest In the House, by E.M Carroll (2023) is an equally nasty and mean, but far, FAR less explicit and bizarre, lesbian Gothic horror story, told with the visual panache and inimitable art style everyone knows and loves Carroll for. It's a worthy successor to their previous material, and if it doesn't necessarily make enormous leaps from their earlier work in its writing, the drawing and coloring has gone from "already really good" to "some of these splash pages will blow your eyes out the back of your skull."

Expiry Date, by Sloane Hong (2024) is another lesbian/queer erotica comic. This one's science fiction, and is FAR more up my usual alley of kinks. Which is to say that the lovers are quite kind/polite with one another (in a lot of ways it reads as a meet-cute), but also one of them is a hired killer who dispassionately agrees to torture the fuck out of the other one David Cronenberg-style.

Once again, all my comic recs are by queer trans people! I think I made a pretty hacky joke last year about gay trans mascs specifically ruling in this field, but based on recent data, you just have to be a marginalized gender and not heterosexual to make amazing comics.

Web Fiction!

The Frenzy wiki is a fan wiki for an imagined TV series, telling the story of both Frenzy, a popular late 2000s ensemble cast drama-adventure-SFF show drawing equally from the likes of Twin Peaks and Supernatural, and how the existence of this show was mysteriously wiped from the face of our reality-- save in the troubled dreams of a select few. I would estimate it takes a couple hours to explore the whole wiki. (2022 or 2023?)

3D Workers Island is the phenomenal, if less ambitious, follow-up to Petscop. (I don't mean it's a sequel; it's just by the same guy and covers similar thematic ground.) Like its predecessor, it's more about dropping tantalizing hints than letting you in on "what's actually going on," and more about giving you a creeped out and vaguely depressed feeling than about scaring or shocking you per se. It's really smart and well-crafted in an understated way, and does a great job replicating early internet content. I would estimate it takes WELL under an hour to get through this story, although you will probably want to immediately go back and look for things you might have missed or not understood properly. (2024)

Martin's Movies is conventional, compared to the other two. It's a ghost story. But it's a very creepy, effective, well-told ghost story rendered through the unusual medium of letterboxd reviews (of course, these become increasingly diary-like and Not About The Film as the story progresses). I would estimate it takes under an hour to read the whole thing, it's like short novelette length. (2024)

[fuji-sen]

the 'evil imposter' just wants to be a baker!

Prologue: The Foodie turned Imposter?!

Part 4: hilichurl style stew

[ part 3 ] || [ masterlist ] || [ part 4.5 Special! ]

divider is made by @/saradika-graphics

When you finished the sad attempt of a cup (or rather pot) of Mint Tea, you felt marginally better and decided to try and carefully explore the area again and try to catch or forage for something you could actually eat.

But first. . you sniffed at yourself and gagged at the smell of fish and sweat that clung to you and your now very much torn and raggy clothes. You couldn't help but frown in sadness at the state of your favorite set of pajamas as well as losing your slippers. Your feet were beginning to ache from the rocky and unsafe paths you unfortunately had to cross to get to where you are today.

You backtracked to the pond you had taken water from, it was small but big enough for you to clean yourself in. Looking around, the area was void of any humans, perhaps because this was Stormterror's area after all.

Hearing the sound of something squishing, you turned to the small pyro slime that tried it's best to catch up to you. "Are you going to be accompanying me little one?" you asked and it stared at you, bright eyes blinking before it nodded in excitement. "Alright, you're too cute to be mean too, let me just bathe." You said, and it understood you as it settled itself on a small rock near the pond.

Fighting back a smile you shook your head fondly, strangely feeling already attached to the warm slime. Then you neared the pond, first dipping your foot in the water as a moan of relief escaped your lips from the cool waters. So you went in deeper until your waist was submerged. Then you begun to undress yourself, it's not like there was anybody or rather any person near the area to accidentally peek at you.

Peeling off the now wet clothes, you flung them, watching as they slapped the surface of the water and now merely float about. You'd scrub them clean later, because all you wanted to do was relax and rid the smell of fish off your body.

However your relaxation was short lived as when you tried to go deeper to hid your chest in the waters, you whimpered at the pain from your arms and you finally noticed the scars that littered your body. It was healing, but still the wounds were there. You didn't know electro attacks could leave such hauntingly beautiful scars, you remember seeing it in the internet, from people who were struck by lightning to gain branch like scars that spread across their bodies.

Yours was no different, the librarian had struck you at the side of your left arm, it started at your shoulder before branching out in purple glowing lines. It trailed down your arms and even to your chest.

Hesitantly you let a finger traced the lines but you could only wince at the remnants of electro, it felt like grazing at a live wire, making you jolt up. And letting it touch the water triggered 'electro-charged.'

You sobbed once more, you'd been doing it quite often. . a part of you wondered at how you never seem to run out of tears.

"It's. . *hic* it's bad enough they had to hurt me" you complained to yourself as you tried to ignore the pain and began to scrub your body raw against your better judgement, hopefully the scars disappeared as did the smell of rotten fish. . you did not want to live with a reminder of how the characters you had grown to love had hurt and betrayed you.

It felt like hours until you stopped, staring at the your raw skin, the scars didn't disappear nor the remnants of electro. Bathing was supposed to be relaxing yet now you only felt pain due to the elemental reactions.

Standing up you gathered your clothes, rubbed them in silence in an attempt to clean and rid the fabric of the dirt that clung to it. Then you proceeded to get out of the pond, uncaring that you are naked as you laid the clothes on the rock for it to dry. .

"huh, wheres. ." you frowned worriedly when you noticed your slime friend was gone.

Did they leave you? did something bad happened. .

You started to chew on your nail, your nerves slowly starting to consume you once more until. .

"Unu! Unu!" you flinched turning as a group of hilichurls came, approaching you as they were led by the same slime friend you were worried about.

You felt your cheeks flushed as you jumped into a bush to hide your body from them, embarrassed. The slime was the first to approach while the hilichurls hesitated.

Realizing that you were naked the slime turned and communicated with the hilichurls in a language you didn't quite understand, who knew slimes could talk anyways? that wasn't mentioned in the games!

"mani. ." (to give) a hilichurl was the first to step up, bowing as it held out some fabric, your eyes narrowed, were they giving you clothes? Seeing your hesitance and confusion, the slime bounced about in a way that you could only deduced as encouragement. So you stood up, hand outstretched and the hilichurl took it as a sign to approach.

Slowly and respectfully it placed the gift in your hands and you felt the leather and animal skin to be nice as you wore it quickly and then stepped out of the comfort of the bushes. You smiled warmly at the hilichurls "Thank you."

The hilichurl then fainted with a weak "*Mosi mita. . ."

"a-are you okay" you worriedly crouched down, poking at its mask and was only to be met with silent, the hilichurl was definitely out cold. .

The samachurl facepalmed at the sheer idiocy of the hilichurl, but they couldn't really blame them for they were truly in the presence of their God, their most revered mother. "Olah, Unu" (Hello, Creator) the samachurl greeted, getting your attention as they bowed as well, laying down their staff to ease your suspicions and cautions towards them.

"h-hello" you greeted awkwardly, also bowing causing them to shake their heads, were you not supposed to bow to them? still, you watched as the samachurl motioned the pyro slime to give them something.

You crouched as the slime, remembering something, quickly approach you. What happened next surprised you, the slime had spat out a vial of purple liquid. You remembered it as one of the craftable potions that could help you in battle, raising your resistance to a particular element.

"Ah!" you realized it was to raise a person's electro resistance.

Testing it out, you put some of the potion into your hands and began rubbing it on the scars that now decorated your arms. . the tingling sensation disappeared and the purple cracks of electro were gone. .

you slumped in relief, staring at the hilichurls then at your slime as you grabbed the slime, ignoring the warm burning sensation "thank you. ."

‎𐂐◯𓇋 (๑ᵔ⤙ᵔ๑)

Seeing as the hilichurls were far nicer than the knights of Favonious, it didn't take much for you to agree to follow them to their camp. Your little pyro friend was still in your arms as the burning sensation slowly disappeared. You didn't bother to check your arms to see whether the 3rd degree burns simply numbed all the pain away.

Their camp was similar to the ones you saw through your gadget, except it seemed livelier, and far more large and filled with more things like tents, beds, crates of definitely stolen goods.

You found yourself ushered to be sat down, were the younger hilichurls slowly approached you filled with restrained excitement. They played with you in a game you didn't quite understand, they gave you small gifts like flowers and interestingly shaped stones.

You accepted it all, a part of you was overwhelmed from their actions and affections. .

did you deserve this?

weren't you some imposter of a god that you never knew existed?

Seeing your dampened moods, the hilichurls took it as a sign that they had offended you and dejectedly began to give you space. Your pyro slime friend was called over as they settled themselves in a pile of wood and lighting it up to make a good sized fire.

The other hilichurls began to bring out ingredients as another three were busy hanging up a pot just above the fire your pyro body managed. Curiously you stood up and approached, watching as they began cooking. Their utensils were crude, improvised and makeshift versions of the real deal. It seemed they had gotten stones and carved and sharpened them out.

They had carrots, radishes, meat and more.

Scrunching up your brows you tried to remember some basic hilichurlian speech, awkwardly you got their attention and shyly asked "mi tomo?" (I help?")

"Nye."

You felt an arrow stab your heart 'did they just say no? in a matter of seconds?!' you felt a bit offended, until the samachurl from before guided you away, taking your hands into his own as he looked at the cuts and callouses you obtained from hard labor "Unu. . " it muttered sadly, finger tracing the scratches.

"Oh. . i'm fine, so please, let me help you." you whispered hoping he'd understand, the samachurl shook their head, "nye." No again. You frowned at that, why? did they not want your help?

Seeing your confusion the samachurl tried his best to communicate but you didn't quite understand their language so after wracking his brain, he said with a slow way as he focused on each syllable. .

"please rest,. . . Unu."

You blinked, okay you reacted, that meant you understood him "let your . . . wounds . . .heal." he added taking long pauses between each word. Human speech although familiar to him, he had not used such speech for such a long time. .

"Okay" you nearly stumbled over your words as you sat down and the Samachurl tended to your wounds more. "I'll rest."

The hilichurl's special stew was delicious, you had an extra serving as you tried to decipher the spices they had used. It was mostly filled with meat and had a few carrots and potatoes as well as thin slices of radishes. You couldn't help but chuckle at the hilichurls who seemed to not eat the vegetables as much as compared to the meat. They reminded you of children, so you couldn't help but dote on them. Wiping their masks (as they ate with their masks on, only raising them up to reveal their mouths) when it go messy, tucking the younger hilichurls first and helped clean up the pot.

The pyro slime was fed with fire and combustible objects and leftovers of meat. Once he was full, he left the fireplace where only ashes and flickers of flames remained. "Are you full?" you asked watching as the pyro slime let out gulps of smoke, was he burping? that was an interesting sight at least.

Calloused fingers pet the top of the slime, "thank you for getting help."

The day had ended better than the first, you slept with the hilichurls bundled in warmth, wearing fresh clothes and with a full stomach.

*Mosi mita means "eat meat" which is also a positive expression or an expression of happiness. Yes, the hilichurl fainted out of bliss because their creator smiled at them. most of the words in () are rough translations you can find in the official hilichurlian website.

taglist: @fantasyhopperhea @rhoswen-drake @cchiiwinkle

[reinanova]

i have a few scenarios for you to consider

~~~

character: “i’m not straight”

fandom*: mmmm but what if you were

~~~

character: is bisexual in the comics

fandom: well, character isn’t explicitly stated to be bi in the movies, therefore character is straight

~~~

writer: yeah character is pan and has a dating history with all genders (and this wasn’t shown bcuz of xyz)

fandom: well, it doesn’t matter what the writer says, character is straight bcuz they’ve only dated the opposite gender on screen

~~~

character: is gay (either implied or explicitly stated to be homosexual and homoromantic)

fandom: well, maybe they’re homosexual but heteroromantic**, therefore i’m only going to ship this character with the opposite gender

~~~

character: is a lesbian

fandom: well, lesbians can still have sex with men therefore i’m going to write f/m smut with this lesbian and a man. not as a “figuring out/exploring my sexuality” fic but just bcuz i can

~~~

queer community: hey this character is canonically queer, could you please be respectful of that?

fandom: how about you go fuck yourselves. this is so embarrassing to be asking for respectful representation, literally shut the fuck up

~~~

character: is canonically gay

fandom: well you can’t prove he’s not attracted to women so he’s straight actually

~~~

disclaimers:

* i’m talking about a fandom as a whole in this post, not a couple individuals who may do this. this is talking about if a large chunk (think half or more) of a fandom is ignoring a canon queer identity

** no hate to someone who may identify this way. if someone is this identity, kudos to them, but people shouldn’t just use this as an excuse to ignore someone’s queer identity

this is how you sound when ignoring aspec*** identities. do you hear how ridiculous this is?

*** aspec (the way i use it at least) includes the asexual spectrum (ace-spec) and aromantic spectrum (aro-spec). also your friendly reminder that people can be aro and not ace and vise versa but you can’t ignore one or the other to suit your fancy

there will probably always be people doing this (re: ignoring canon queer identities) in fandoms, however, not in mainstream and popular ships and not to the extent that aspec identities are erased. bcuz if you have a problem with the above scenarios but not when the character is aspec, an already basically invisible identity, you need to re-examine your thinking and deal with your hypocrisy

do you know how hard it is to prove a LACK of something? even if someone straight up says, “i experience zero sexual or romantic attraction to anyone,” someone else will be like, “well how do you know you just haven’t found the right person yet?”

is the idea that someone doesn’t want a romantic or sexual relationship that difficult to understand?

if you want to see your identity represented in a character headcanon, great! but do so in a way that doesn’t negate another marginalized and underrepresented canon identity

there are SO! MANY! straight characters at your disposal. use one of them for your queer headcanons until we reach the point where your identity is canon. then you’ll probably be fighting for representation the same way i am right now

it also sucks to see fighting within the aspec community. bcuz yes aro and ace identities are a spectrum. however, when there’s a singular character with an aspec identity, you physically cannot showcase that spectrum. so if an ace character is sex-favorable, allos will believe all ace people are sex-favorable and ignore aces who are not. same thing for sex-repulsed aces and so on. the only solution is to fight for more aspec representation so everyone can see themselves in media without sacrificing parts of an aspec identity to fit how you identify

i’m tired. i’m so fucking tired of fighting for an ounce of representation. this should not be an uphill battle for people to accept aspec characters. i shouldn’t have to fight the queer community and straight people for this

[drchucktingle]

work of jordan peele is BIG influence on chuck this is correct. there are quite a few similarities actually, especially when you consider both of us are coming to horror from place of comedy (i personally do not see tinglers as comedy but obviously this timeline has placed them there and i am perfectly okay with this trot).

we are both creating horror stories for our own historically marginalized groups and in particular, writing stories that are SPECIFIC to those groups.

for example when thinking about QUEER HORROR there is plenty of queer horror where the horror itself has nothing to do with queerness, or the queerness is subtext. for instance you could have a slasher where the main characters happen to be gay, but their queerness is not necessarily part of the fear.

on the other hand, CAMP DAMASCUS is directly commenting on a queer issue

BURY YOUR GAYS is directly commenting on a queer issue

by the same token GET OUT is directly commenting on a race issue

US is directly commenting on a class issue which is, of course, going to be wrapped up in topics of race and marginalization

it should be said that the other kinds of horror where issues of the marginalized groups is more in the SUBTEXT are not wrong. there is a time and a place for that. the book that will likely be chucks next horror novel is about bi erasure, but it is much more about the subtext and symbolism. there is a bi lead, but also a monster that does not seem to be about bi erasure AT FIRST. it is much less direct. so there is a time and a place for both kinds of approaches.

but i think the biggest thing that is similar about jordan and chucks approach (and what has been a big influence on me specifically) is that our goal is NOT: 'how HORRIFYING AND TRAUMATIC AND MESSED UP CAN WE MAKE THIS?'

we are doing something else

processing trauma by exposure can be a common goal for horror AND honestly i think it is also totally dang fine to make art like this. there are some incredible pieces where trauma and tragedy is the goal. however (and i will speak for myself here) when you are coming from a buckaroo community that has been through so much of this trauma in real life, i PERSONALLY find that goal to be a little too boring.

my goal is more like this: how can we use this genre of fear and tension that i love to comment and explore and say something new? how can i pull apart an issue and deconstruct it in a way that is cathartic and maybe even changes minds?

so i cannot speak for jordan but i feel like our approaches are similar in this way. i see a LOT of reviews that make comparisons between CAMP DAMASCUS and GET OUT and i am always very flattered

[burquillos]

I’d love to hear your thoughts on the final MHA chapter because the internet seems to be very divided

I waited till MHA officially ended! Long post ahead!! People being divided on the ending makes sense. Different people come to watch shows and read comics for very different reasons and with very different expectations for an ending in mind. Especially for a series like MHA which is a battle manga that seeks to subvert shonen genre tropes.

I think part of the reason why people are so divided on it right now is because of leak culture and reaction culture. People have to remember that comic books and manga are a storytelling medium. The author actually thinks about the arrangement of the panels, what’s in the panels, and how the combination of these things can form a narrative. Reading it from twitter thread/discords from people in a rush to translate to get the information to you as fast as possible is NOT the intended way to experience the story.

The “leak format” kind of encourages people to put too much focus on certain panels and roughly translated text that would otherwise feel very different when you are reading the story through the intended medium, and when you pair that with the highly reactive way people ‘consume content’ nowadays, the result is a snowball of very volatile emotions being thrown around without a moment for people to breathe, think, and wonder for themselves “Why did the author write it like this? Was there something I missed? How does this re-contextualize story? Have I actually missed the point this whole time?” etc.

That being said, I sort of have a philosophical way of approaching MHA?? When I got back to it again, I was hyper-critical of it especially because I just came back from reading One Piece (and the writing styles and messages are VERY different). I slowly learned to judge the writing for what it is rather than keep comparing it to other series and I learned it was more enjoyable to experience the story like that.

The ending is a very hard pill to swallow for a lot of people which is understandable, but it didn’t come out of nowhere. I mean, just look at the ending lines of "Do Not Be Defeated by Rain", the poem that inspired Deku’s character:

I am also a stubbornly optimistic person, and my number one rule is never to engage with anything in bad faith. I CHOOSE to see hope through the margins and the final chapter being so open to potential encourages that thinking of mine.

So even though I think there are some things that could be handled better (the villains) and storylines I WISH were explored (OFA vestiges my beloved) there’s no reason why it couldn’t be fixed.

There is this openness to it that leaves so much room for hope and imagination that I can’t truly be mad at it.

I might find MHA lacking as an entertainment piece, but I will defend it to the end as an artistic piece.

Horikoshi has said before that he doesn’t care if his manga is popular or not, MHA is basically a culmination of the stuff he enjoys, and I KNOW drawing whatever the hell you want despite knowing not everyone will like it takes a lot of guts and it’s what makes MHA so human.

All the traces of him are in there, flaws and everything, so you can endlessly turn it around, flip back and forth and there will be always something new to unpack, learn, and realize and the thought of what could've been will always haunt people (just like Star Wars, a series he also likes kajdbaldnlk)

[bluewoolf]

(I hope it’s okay to send non-questions here, this is just an appreciation ramble :3)

The disability rep in CHNT is so deeply meaningful to me (and others I know), I can’t even put into words how impactful it’s been to feel so seen by a work of media,,

I’ve got too many tangled up thoughts to verbalize properly, many of which get kinda heavy due to the nature of the subject, but that’s… maybe why Sydney’s portrayal is so dear to me, I think? Seeing chronic illness/ disability portrayed in a way that’s raw and authentic, not sugar-coated or diminished by the narrative, and so so SO deeply relatable was groundbreaking to me when I first started listening years ago… it still gets me emotional even now! It’s written so powerfully.

Thank you for that, from me and soooo many others. (Sincerely, a trans & autistic fellow with fibro/ chronic pain & illness, bpd/psychosis, aaaand a food intake disorder. This series really hit home 😅)

Being physically disabled is not fun. It's pitiful and it's frustrating and it's painful and it always aches a little bit in the heart. You constantly have to grieve yourself and what could have been.

I have gripes with the trend of physical disability in media, which is to ignore it beyond a quirky trait. I can understand the sentiment of only wanting to see marginalized characters happy, but physical disability is something which makes your life harder by definition. If you don't allow your disabled characters to face any practical, interpersonal, or emotional struggles from it.. then you're just not writing disability, you're writing tokenism. 

Even if you had all of your needs met by others, not being able to do basic care tasks of the self that 90% of the population can do without significant aid is humiliating and terrifying, and no matter how much society as a whole improves to accommodate disabled people... this reality will not change. To be so beholden to other people and unable to express autonomy is a lot to contend and self actualize.

I appreciate the love for him. It's great that the exploration gets people thinking about it or resonating with the concepts.

[ladyloveandjustice]

My Favorite Books I Read in 2024

I read a ton of good novels last year- 32 in all (and uh, 82 manga/graphic novels, but we’ll examine that in another post). Here’s a link to my Goodreads year in books (the manga is at the beginning, the novels start with Red, White & Royal Blue) and my storygraph wrap up.  

Read my posts on my favorite anime of 2024 here and on my favorite manga/graphic novels of 2024 here.

I got to have fun reading some classics like The Odyssey and The Wizard of Oz, but I also read a lot of notable newer books! Let's take a look!

The Spirit Bares Its Teeth by Andrew Joseph White

The story follows Silas, a trans guy in an alternate 1883 where violet-eyed people have the power to talk to spirits. If someone is perceived as a man by society, this power is treated as useful. But for anyone society perceives as a woman, it's a different story. There's this idea that the power to speak to the dead causes women to "go mad". Silas is diagnosed with this "sickness" and gets thrown in a horrible sanatorium that forces patients to become obedient wives. But this school has some dark things going on under the surface, and Silas might not even make it out of this alive...

This is a horror that keeps you on the edge of your seat the whole way though. The setting is vivid and creative, the characters who suffer under the weight of oppression are varied and complex, and the protagonist is easy to root for. It's very spooky, pretty relentless, pretty gory and pretty twisty. It's very hard to figure out who you can actually trust! It's also a fascinating exploration of transphobia and misogyny. It obviously draws on real things women and trans people struggled with in the 1800s (accusations of having "hysteria" and other "illnesses" just for existing) but also talks about ableism too, as the main character is autistic. It really makes you consider how terrifying and isolating it would be to live in a time with so few resources and such limited knowledge, but of course, this still persists in a lot of places today.

 It's not all horror though, there is some catharsis and nice moments of Silas finding solace and support in other trans people and it leads to some really touching scenes and relationships. There's also satisfaction in seeing marginalized people banding together and doing all they can to fight back.

Emily Wilde’s Encyclopedia of Faeries and Emily Wilde’s Map of the Otherlands by Heather Fawcett

This fantasy series follows Emily, a professor and dedicated researcher of the mysterious and often dangerous fae. Emily is out to make an encyclopedia of fae lore, and she has no interest in socializing with others when there's faeries to find. Unfortunately for her, her scholarly rival, Wendell, show up and decides to be all insufferably social and charming and interested in her. He might secretly be a faerie though, and Emily is interested in that, so, ugh, maybe she has to put up with him.

 These books are a ton of fun. It's a cozy adventure the creatively draws on some cool fae lore. It's biggest charm is our protagonist, who is wonderfully grumpy and stubborn and clever and only wants to bury herself in researching this thing she likes She's the kind of person who puts footnotes in their own journal, and it's delightful.

Even when she starts catching feelings for Wendell, her research is always her number one priority. And Wendell, who is very obviously smitten with her the second he appears, is okay with that! In fact, her stubbornness and fearless, unshakeable commitment to her research is pretty much exactly why Wendell is so down bad for her, which makes him a really relatable love interest. He's obnoxious in a genuinely charming way and the teasing banter between Wendell and Emily is very entertaining.

Lonely Castle in the Mirror by Mizuki Tsujimura

Kokoro has been unable to go outside her house ever since she dropped out of school due to horrible bullying. One day, her mirror glows, and she enters it to find herself in a castle with six other students. A little girl in a wolf mask tells all of them that there's a room in the castle that can grant one single wish, but only for one person, so whoever finds the room first gets the wish. They'll have an opportunity to hang out in the castle every day until the deadline, after which the castle will disappear. But as the kids get to know each other, things get more complicated.

This is such a lovely, healing story I'm glad I finally got around to reading it. While the story goes into the causes behind the epidemic of hikikomori and futoku in Japanese students, it's also a universally relatable story about the ways bullying, grief and trauma can affect a child and lead to severe anxiety. Kokoro's slow journey of recovery is touching and feels realistic, despite the fantastical elements. The book shows how brave and hard it is to take these small steps, and how Kokoro struggles to even talk about what happened. The focus of the book is the connections the kids make with each other. It explores the secrets they carry, how they accidentally hurt each other, but also how they ultimately are able to empathize with and support each other. Each character is interesting and achingly human in their own right. The whimsical fairy tale elements of the story complement the themes well, and the book delivers some really solid plot twists that serve to make its themes stronger too.

One thing to warn for is we learn that a fourteen year old girl has entered a relationship with a man in his 20s. This isn't shown to be healthy or good for her though, and the reason she does this is heartbreaking. There's also some (non graphic) attempted SA. With that in mind, this is just a really cool tale, and I full recommend it!

First Light by Liz Kerin

This is the second part of a duology that began with Night’s Edge, which I recommended last year, and honestly, this book is even better than the first one, which was already pretty great. The book continues to use vampirism to explore the cycle of abuse effectively. This time, Mia is seeking vengeance on her mother's abusive ex-boyfriend, who was responsible for turning her Mom into a vampire. But when she finds the ex-boyfriend and infiltrates his little cult (with her kinda-girlfriend, who actually genuinely wants to join), she gets manipulated by him the way her mother did, her trauma and past making it easy to fall into a cycle that's familiar. She starts to understand her mother, and vampires in general, more than she ever thought she would. It's just a really interesting take on vampires, and this one actually addressed some of the thing I thought were a little iffy in the first book. It's dark, but there's also a lot of catharsis.

I think these books are easily among the top of my list of favorite vampire media. Content warning for abuse, and the vampire bites having a hint of a metaphor for sexual violence like they often do.

Bright Young Women by Jessica Knoll

 Bright Young Women follows a young woman in the aftermath of a serial killer breaking into her sorority and killing several of her friends. The media and police are all too willing to question her testimony and distort the details to fit their narrative. Another woman suspects her girlfriend was murdered by the same killer, and they team up to find the truth.

Bright Young Women is a page-turner, and I honestly didn't realize it was so heavily based on the Ted Bundy murders until I read the reviews, because I didn't know much about him (or most real life serial killers, a fact which I am very okay with). But the book is here to dunk on Ted Bundy and the ways his "intelligence and charisma" were greatly exaggerated by the media and even the judge at his actual trial, rage about the ways the victims stories are erased in favor of the killers who are glamorized and fawned over, point out the ways the police constantly fail victims, and to set the record straight to those who idolize serial killers.

The story centers the survivors and victims, talking about their lives and triumphs and the goals they were working toward and what could have been. It's depressing, but it also shines the light on the bravery of the women whose testimonies got the killer convicted even when the rest of the world was dismissive of them.

This book is a really tough read, and obviously there's a huge content warning for sexual violence, the graphic aftermath of horrific deaths...the method of one rape and murder actually really disturbed me (mentioned in the aftermath, the book never shows the actual acts), it was so gross and horrible (and unfortunately, happened in real life). Read with caution. But it's a book that will definitely stick with me for a while.

The Rise of Kyoshi and the Shadow of Kyoshi by F.C. Yee

I never got around to the Kyoshi novels because there's been a lot of mediocre Avatar the Last Airbender spin-off media...but I should not have hesitated, because these were actually really good. They follow the life of Kyoshi, the famously badass Earth Kingdom Avatar, and shows how she became how she is.

Yee does a great job capturing the world of Avatar, while also expanding on it in interesting ways. I really liked a lot of the little details that deepened the world--for instance, it's mentioned that Firebenders shave their heads when they lose an Agni Kai because of the disgrace, which gives context to Zuko's initial hairstyle and actually makes the fact he actively kept his hair from growing back for three years extremely sad, since it implies he thought he would only be worthy of that once his father approved of him again. It was something I think Yee definitely came up with himself, but it made a lot of sense with the show in a way that felt natural.

The novels were definitely darker than the show, but not in a Netflix Avatar let's-watch-a-bunch-of-people-we-don't-care-about-burn-to-death way, but in a way that felt natural to Kyoshi's circumstances. I found I usually did care a lot when a character died because they were often likeable. I found the death of one character in particular near the end of book one genuinely heartbreaking.

The books did a good job explaining why Kyoshi became more severe later on, and in how she wrestles with how far she can go with her role as the Avatar, what justice is, and whether killing people solves anything. The second book was not quite as good as the first, with its decision to switch out the cast of the characters for entirely new people and just being more meandering in general, but it was still a good read. I definitely rec if you're an Avatar fan, odds are you'll really enjoy them!

Voyage of the Damned by Frances White

In the country of Concordia, each province has one heir who has a "Blessing"--basically a unique magic power. Ganymedes (a.k.a Dee)'s dad cheated on his wife a bunch, and one of the children from those affairs must have inherited the Blessing rather than Dee. To keep this a secret, Dee's dad makes him pretend to have a Blessing. Now Dee has to go on a voyage with the other Blessed and, sick of the charade, he's decided he's going to make them all hate him so he gets kicked out of the group. But that plan is extremely interrupted when his shipmates start getting murdered one by one.

Voyage of Damned is just a really good time. A queer murder mystery romp with a ton of suspicious and varied characters vying for power, a fun lead with a distinctive voice, tragic romance, cute friendships, and even some touching exploration of prejudice, suicidal ideation and self loathing. It was just extremely readable and I was entertained the whole way though, but it also made me feel things sometimes. It also delivered a ton of solid plot twists, including a big and satisfying one that made me want to go back and read through a bunch of scenes knowing the truth (and I did).

Dee and his distinctive glib narration probably won't be for everyone but I liked him and vibed with him. He goes through a lot, including finding out his boyfriend he'd been separated from for five years is now engaged to a girl and acting super cold to him. The tension between Dee and Ravi and how it affects all his relationships is a real emotional hook, and his banter and dynamics with the people he likes (or even some people he doesn't) are generally fun to read. If all I've said sounds cool to you, give it a try, you might like it!

Bonus Rec: Someone You Can Build a Nest In by John Wiswell

Shesheshen is a blob monster who dines on the humans (mostly those who try to kill her). She can look human with some effort, and go into town to feed sometimes. But the she falls in love with a kind woman named Homily. This clearly means she needs to do the proper romantic thing and lay some eggs in Homily so their little monster kids can be born by devouring Homily for the inside out. Wait, humans aren't into that? That's awkward. And despite her biological impulse she doesn't really want Homily to die? Even more awkward. Oh, and Homily's family are monster hunters and it turns out that was Homily's brother Shesheshen ate a while back? Super mega awkward. What's a monster to do...

 I'm a lover of actually monstrous monster women, so I was hyped for this one, especially with the great cover by @jmfenner91! While it disappointed me in some areas, it was still fun and heartwarming enough I'd recommend it.

Our monster lady is a great character, and her unique point of view where she's nonchalant, cynical and often hilariously baffled by humans is a joy to read. Her personality, her super gross biology, and how she sees the world...she's so charming and her romance with Homily is very cute. I also really like that the book focused on healing from abuse and finding a way to move forward with each other's support. I also liked the romantic climax, and the discussion of finding kissing weird, because that made me feel seen.

There were quite a few things that kept it from being a five star review in my heart though--Sheshesen is completely disconnected from people, has just spent her life alone in her cave, but she knows what an abuser is and exactly how abusive people operate in a weirdly modern way. Abusers are also only portrayed one way: openly cruel and evil with zero sympathetic qualities to every single person they interact with. There is no cycle of abuse with these people, they never act nice to to draw their victims back in, we don't see more subtle, manipulative emotional abuse, almost no claims of caring about people. Obviously cartoonishly abusive rich people exist in real life, and I don't necessarily need abusers to be humanized. Still...it just felt like the nuance of most real life abuse was being ignored. And because these people were so one dimensional, it was pretty tedious to spend SO much time with them.

Still, the book was very monstrously sweet, and it was overall a good read. I wish it could have been a little more, but what we got was pretty nice.

[oldtvandcomics]

Trans Reights Readathlon Recommendations

I am not participating in the actual event, because I have my own reading schedule to follow, but for those who are still looking for books, here is a list of my favorite trans books!

The Margin Street Zeroes series by Robin Banks: Nonbinary first person narrator, in a relationship with another nonbinary person. The story is about a group of university students and their struggles with life and literal gods.

Space Cadets and The Repossessed by Robin Banks are both part of the Heinlein's Finches series, but all books can be read as stand-alones. Set in a capitalist dystopia, both books explore different parts of the aftermath of the massacre on a space colony: Space Cadets follows a small group of cadets who are left alone with a spaceship, and need to figure out what to do with it. The main character and first-person narrator is a trans man. The Repossessed follows a different group of people, who are going from space station to space statin, looking for the lost children of that colony. One of the secondary characters is an intersex trans man (assigned female at birth, had to transition to live as a man).

Andrew Joseph White has written three transgender horror books: The Spirit Bares its Teeth is set in an alternate history Victorian setting, and follows a trans boy who is sent to a school "correcting" girls who don't confirm to society's expectations of womanhood. Compound Fracture is following a young trans man, who is about to enter the generational feud between his family and the family of the sheriff who executed his great-great-grandfather during the miners' revolts in the 1920s. Hell Followed With Us is the one I haven't read yet, but I have absolute faith in this author. It is set in a post-apocalyptic world, and the main character is a young trans man who is on the run from a religious cult.

Tell Me How It Ends by Quinton Li is the story of a young Tarot reader, who gets recruited by a nonbinary person to break their friend out from prison. It was the first (and so far, only) fantasy novel I have read so far where introducing yourself with your pronouns is the norm. As I said, nonbinary secondary character.

The Hears of Heroes series by Molly J. Bragg is a superhero series, with each book the origin story of a different hero, so you can read them out of order. Transistor is a trans woman who gets her superpowers via gender-affirming surgery gone wrong, and needs to fight a rogue angel to protect her girlfriend. Rhapsody is a trans woman who gets superpowers when criminal kidnap and experiment on her, and she is framed for the murder of another hero, which sets both the Police and the superheroes on her trail.

The Black Trans Fairy Tales series by S.T. Lynn is a series of three novellas based on three Disney movies, the protagonist always being a Black trans woman.

No Man of Woman Born by Ana Mardoll is a collection of short stories of people defeating prophecies via he power of genders that don't match the exact texts.

Baker Thief by Claudie Arsenault is about a Police officer who chases a notorious thief. Said thief is genderfluid, and uses this as a means of disguise.

Bonus, for those who are a bit more adventurous: Le Roman de Silence by master Heldris de Cornouailles. It's a medieval text about a knight who was born female but raised as a man. Tumblr user @queer-ragnelle has a copy of it as part of their Arthurian Preservation Project. I'm quite sure that retellings for more modern audiences also exist, I only haven't looked into them yet.

[criticalcrusherbot]

Crushbot: This feels less like a good-faith critique and more like someone searching for a reason to hate Vivziepop and her work. The parallels between Helluva Boss and Bojack Horseman are there, sure—but reducing Stolas’s arc to a “can I copy your homework?” moment reeks of a desperate attempt to discredit the show rather than actually engaging with what it’s doing.

Parallels, Sure—But Context Matters

Let’s talk about the alleged similarities. Yes, Stolas being hated by the imps after his banishment could look like Bojack being “cancelled.” Both happen after courtroom scenes. Both involve estrangement from a younger female family member (Octavia for Stolas, Hollyhock for Bojack). That’s where the similarities end, and pretending otherwise ignores the wildly different purposes these arcs serve.

Bojack vs. Stolas

Bojack’s arc is about personal accountability and the destruction he leaves in his wake. His estrangement from Hollyhock is well-earned; she discovers the ways he’s manipulated and harmed others, and she rightfully cuts him off. The public backlash against Bojack is a direct response to his moral failings, forcing him to sit with the consequences of his actions.

Stolas, on the other hand, is being punished specifically for lending Blitz his grimoire, an illegal act that threatens the power structures of Hell. The characters in power (the Sins and the Goetia) care far more about this rule-breaking and his vague proclamation of being the "mastermind" behind some heinous plot than about his personal failings—cheating on Stella or neglecting Octavia emotionally. And they certainly don’t care about his classism or his (unintentionally) demeaning attitude towards imps.

Stolas’s punishment in Mastermind reflects Hell’s oppressive hierarchy and its misplaced priorities, rather than serving as a reckoning with his true faults. Comparing these two situations as if they’re identical flattens both narratives, ignoring the distinct ways each show explores power, accountability, and personal flaws.

The Martyr Argument

The claim that Stolas is treated like a martyr and excused for his actions is laughable. Stolas is flawed; the show never pretends otherwise. We’ve seen him struggle with his poor decisions and their consequences—particularly with Octavia. But his punishment in Mastermind isn’t about absolving him; it’s about highlighting the misdirected anger of an oppressive system.

This misdirected anger mirrors the real-world reactions of oppressed groups, who often lash out at convenient but less culpable targets when they feel powerless to confront the true source of their suffering. The hatred Stolas faces from the imp community doesn’t stem from his personal failings—it stems from the deep, systemic inequities of Hell's hierarchy, a system Stolas has long benefited from. 

The idea that Vivziepop thinks Stolas is “blameless” feels like an intentional misreading. Stolas is far from perfect, but his arc is about redemption and growth, not victimhood. If anything, the animosity he faces underscores the show’s broader themes of power dynamics and societal injustice, emphasizing how oppressive systems perpetuate cycles of blame and resentment.

“Can I Copy Your Homework?”—Lazy Critique

Sure, you can find surface-level similarities between Helluva Boss and Bojack Horseman, but that doesn’t make one a copy of the other. The thematic goals are wildly different:

Bojack Horseman is a deeply introspective, human story about accountability and the lasting damage of selfishness.

Helluva Boss is a surreal, melodramatic exploration of power, marginalization, and complicated relationships within a hellish hierarchy.

If anything, the similarities between the two are evidence of Helluva Boss drawing from familiar storytelling beats to craft something uniquely its own. Accusing it of plagiarism or lazy writing misses the point entirely. Stolas’s arc is tailored to Helluva Boss’s world—a chaotic, exaggerated, and deeply emotional sandbox that doesn’t care about “grounded realism” in the same way Bojack Horseman does.

The Real Issue

Let’s be honest: critiques like this aren’t really about writing quality or thematic depth. They’re about taking perverse joy in tearing Vivziepop down. It’s less about legitimate criticism and more about manufacturing outrage. It’s exhausting.

The truth is, Helluva Boss does what it sets out to do: deliver a visually stunning, emotionally resonant, and often absurd story in a way that resonates with its audience. If some people are so hung up on surface-level comparisons that they can’t see that, maybe they’re not the intended audience—and that’s fine. But let’s not pretend their bad-faith critiques hold any weight.