#or driving distracted

[keferon]

......So originally I wanted to make just a sketch of the hug scene but mhmgkhllgkh here we are haha

Based on Mistakes on mistakes until

+ close ups of their eyes because I sprinkled them with the tiny extra details

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[420pogpills]

I love Dream and I know Tesla's are self driving but him recording tiktoks and snapchats whilst driving gives me major anxiety. Even with self driving cars you're supposed to be looking at the road still 😭

no cause sameeee i hate any sort of content that's filmed whilst behind the wheel 😭 i'm super aggy about road safety in general it's one of those things that always makes me instantly have a go at people if i'm in the car with them and they pull out their phone or start looking at the scenery whilst driving.. like there is no call or text or view that is more important than your own life, or the lives of others around you. i have such a bone to pick with irresponsible drivers 😭

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[hello-sweetheart]

You know that trope where Person A thinks Person B is just being nice but they’re actually flirting. What about the opposite? Person A misreading their behavior and being the only one falling impossibly in love.

Clumsy in Love part 1

Eddie really is just that nice and friendly, but Steve is convinced that Eddie is flirting with him. He’s flirting back, less confident and more subtle than he usually would, but he’s never liked a guy that way.

Not in a way that made him really want to spend every waking moment just hearing them ramble. Not in way that made Steve want to keep him the way he wants to keep Eddie. Everything is so new. It feels, delicate. Precious.

His heartbeat quickens each time Eddie leans into his space and it’s been happening all the time now that Steve worries he’ll develop a heart condition if he doesn’t deal with it soon. When Eddie laughs and leans his face closer to his own, looks into Steve’s eyes through those lashes in a way that Steve can’t help but take a quick glance at those lips curled is mischief.

He’s always so happy to see Steve, wasting no time in bouncing his way to greet him and pull him into the conversation with an arm slung around his shoulder. Then there’s the moments of shared glances when someone says something particularly astounding. And how Eddie will make his way into Steve’s space when they sit together, throwing his feet in his lap or leaning into his side.

Sure, Eddie is friendly but not to this extent. Not with everyone else. Steve feels it. Knows it. That electricity between them that makes this thing between them different. Special.

But one day (another that Steve spends trying to work up the courage to do something), they’re in the city shopping for music in an alternative store that’s tucked away. Steve is talking to Eddie, giddy and happy because it just them today, and Eddie is nodding along while he browses through the tapes and then,

Eddie looks up and stills, eyes widening just a bit. And Steve is still rambling along, but he can tell his words are just going through one ear and out the other. He trails of caught in the middle of his story because he’s never seen this look on Eddie face.

Eddie’s mouth is slightly agape, eyes alight caught in wonder and soft as he looks at something across the room and when Steve turns to see what caught his eye—

A guy stands a couple tables away looking at some vinyl and shyly smiling at Eddie in small glances. He’s a bit taller than them, dressed in black with a couple of piercings decorating his face, the sides of his head shaved short. Attractive, dementor coy and kind.

His heart skips a beat again, but it feels different this time.

Steve looks back at Eddie whose cheeks are slightly dusted in pink.

“Eddie-“

Eddie takes his lower lip between his teeth before smiling back at the guy and continuing without casting a second glance at Steve, “yeah, uh, give me a second, okay?” And he’s crossing the room without waiting for a response.

His chest. It feels…

Like those few seconds before plummeting down a rollercoaster… when your way up high, at the very top, the moment still with the anticipation of the fall, and there’s nowhere else to look but down.

You finally plummet and caught in the whiplash thinking you must have left your heart back at the top.

There’s static there on the bottoms of his feet and at the palm of his hands. The world goes a bit distant as he watches them.

Eddie’s leaning against the wall with a sultry smile adorning whatever sweet words he’s speaking.

Steve’s drowning in the honey, it’s palpable. doesn’t know if it’s better or worse that he can’t hear the words.

Eddie’s fiddling with a curl that’s draped over his shoulder, pulling it slightly over his face like a young school girl.

Steve doesn’t think he’s ever seen Eddie appear anything but confident and loud; the image of the person in front of him is foreign, strange.

Eddie’s speaking to him but his eyes are locked on the guy’s lips that are wet from the tongue that peaks to briefly lick them as he listens.

Eddie’s shoe is nudging the guys own, as he talks, playful.

Oh.

Oh.

Mouth dry, Steve’s throat clicks.

It’s hard to swallow.

Part 2

[yesterdaysprint]

The Frankfort Index, Kansas, November 18, 1926

[nysscientia]

okay but Wyll is like. a prodigy, actually. and I want to talk about that more

like he is a folk hero for a reason. it's not just because he's so nice to people. he is also an incredible adventurer.

when you meet him in the Grove, he is on a level with you—but dialogue makes it clear that's because the tadpole fucked with his capabilities. if you have him around and hear his little interparty exchanges and reactive lines, he talks about things he's done as the Blade of Frontiers, and they include wrestling a giant one-on-one, and fighting a dragon. by himself.

he fought a dragon by himself!!

like (spoilers for end of game), even when you fight a dragon in the finale, you're not doing it ALONE. you have 3 other party members and as many allies as you care to summon. WYLL WAS ALONE IN THE WOODS WITH WHATEVER SUPPLIES HE COULD SCRAPE TOGETHER AS A SOLO ADVENTURER. AND HE FOUGHT A DRAGON.

by all accounts, I think it's reasonable to guess that before the tadpole, he was more powerful than the level 12 cap that's built into the game. and sure, he's a warlock drawing power from a bond, but most D&D lore I've encountered build in the idea that warlocks need a certain amount of skill and prowess to handle the power offered to them by their patron—there's a reason warlocks and clerics still level up, rather than just shooting to the top of the ladder. PLUS, he had to know how to use that power effectively.

and then!! (spoilers for epilogue) if he does the Avernus version of his ending, he's become a ranger within the 6 months since you've last seen him. and not like, he took a level or two in ranger and he's working his way up to it. he tells you about devils he's killed that are on par with the dangers y'all faced in your adventures—and he's doing this either with only Karlach for company, or possibly even by himself (??? I've only ever had him go with Karlach, I can't stand it). so. he is ALSO now one of the most powerful RANGERS in the realms. IN 6 MONTHS.

which makes sense! he wouldn't lose all his adventuring knowledge and skills just because the pact is ended! but to master an entirely new discipline, magic and all, in such a short time??

WYLL RAVENGARD HERO OF THE REALMS. WYLL RAVENGARD GENIUS OF ADVENTURE. WYLL RAVENGARD CAN DO ANYTHING HE SETS HIS MIND TO

[calamitoustide]

all i'm thinking about is clingy drunk regulus who whines if james so much as shifts his attention to anyone else and if regulus goes out without james he would be calling him every two seconds to tell him he misses him and wants him there

[zenniefox]

Gotta drive like a freaking grandma.

Kaylo watching Whiskey drive sure tests his patience, but nothing stops him from getting distracted and gloat about his own driving skills, leaving the other distracted too...

[iamrunning-low]

They are alive. They are infinite

[ryllen]

something i promised on my kofi 6 months ago... 🫠

[olympeline]

Sometime during the Anglo-Japanese Alliance:

Japan: *Blushing* England-san, what is the word in your language for a kiss with tongues?

England: Oh, we call that a Fr-

England:

England:

England: Kissing is illegal in Europe.

[marlynnofmany]

First typo of the day: "crowcar" instead of "crowbar."

I will not get distracted by the idea of a crow steering with its beak. I won't. I will be strong.

[my-rose-tinted-glasses]

[zeb-z]

Can we talk again about post Purgatory effects. Because when Richas’ death message came up, Foolish didn’t just react - he panicked. He was at a loss for what to do, started tunneling into the snowman, frantically trying to create some sort of cover or safe space for the eggs and himself. But it’s Leo’s reaction to this that really gets me.

After Foolish’s panic, Leo starts acting out. Starts making light and fun of a situation where it’s definitely inappropriate. Getting Foolish’s attention, then placing chairs just for them. Starting their usual bit where they look at one another and eat the banana. Taking out popcorn and tossing it to her Pa. Making him laugh, distracting him - in exactly the way he does for her, for everyone else.

Leo left with the rest of the eggs to protect their parents. To keep her Pa safe. And now they’re both back, and he has matching cracks like hers, and is visibly still distressed from whatever happened in Purgatory, and is panicking - not sarcastically, or just doing it to add to the chaos, but honest to god panicking - so she helps in the way she knows. Protecting her dad the same way he protects, with laughter and distraction.

[gummi-ships]

Kingdom Hearts 2 - Halloween Town Drive Forms