#only posting them separately because they are such different styles for no reason

[ask-squidbeaks-agents]

And the redesigns of the agents are done!! As you can see there is one new addition, a second New Agent 3 The extra info from the separate posts are all below the cut-

Captain 3

Adam joined the NSS purely because he wanted to help and be seen as useful. Not be cast aside like he was with his parents for his twin sister. Agent 4 is actually Adam's younger sister (not his twin) the pair have a funny relationship, on the surface they don't seem to get along but the pair do genuinely care for the other. As much as she annoys him, Adam adores his little sister. He has been through... a lot... His time in the Metro is probably the most traumatising both mentally and physically, due to his scaring Adam suffers from chronic pain. Generally he is able to deal with the pain- it's there but on good days he can ignore it, bad days it's hard for him to do anything. The scaring has also caused him to become visually and audibly impaired on his right side. Adam's fight style is that of punching (mainly due to his anger issues), despite his slim build he is quite strong. He works as a freelance DJ though sometimes he'll join his twin sisters rank team for the extra money. Adam is dating Agent 8, after Agent 8 confessed his feelings to him some time after Octo Expansion. Generally Adam gets along with both Neo Agent 3 and New Agent 3, they remind him a lot of himself and sisters as kids.

Agent 4

Camri is the younger sister of Captain 3, it was complete coincidence that Marie recruited her as Agent 4. Her swim form is genuinely tiny, it's unknown why but she is kinda insecure about it and doesn't like to show it off. Camri was not always arrogant and stand-offish, when she first joined she was quiet and nervous. Being around Marie allowed her to open up, becoming the Agent 4 we (annoyingly) know today. Camri's fight style isn't well known by others due to the fact she will avoid fighting if and when she can (which is ironic considering how often she tries to start fights) The reasons for this is partially because she's lazy but also because she wants to hide her actual skill and strength- she likes to remain unpredictable. Her and Agent 8 are roommates and best friends. She used to work for Grizzco (key words used to until the whole bear in space thing) but now she works along side Agent 8 for Ammo Knights. Camri and Captain 3 don't usually see eye to eye (like the fact she refuses to call him "Captain") but the pair do genuinely care for each other. Camri looks up to her older brother more than she'd like to admit. The New/Neo Agent 3's have very different opinions about her, Neo Agent 3 dislikes her- finding her arrogant and lazy but New Agent 3 admires her- wishing to be as strong and carefree. Also random fun fact- Camri is immune to hypnosis.

Agent 8

Eight comes from a large family back in Octo Canyon, he's the youngest of eight however he doesn't really remember any of his siblings- at least not faces or names. He ran away which is how he came across Captain 3 (Agent 3 at the time) and ended up in the Metro together. The Metro was traumatising for Eight but at least he had (Captain) Agent 3 (and others) with him while down there. Eight does in fact remember his name; "Octavius" however he doesn't like being called such and prefers to go by "Eight" (Captain 3 is the only one aware of his name) Eight's fight style is stealth based, he prefers to sneak and get the upper hand. Eight is roommates with Agent 4 and works for Ammo Knights. He's best friends with Agent 4 and gets along with both New Agent 3 and Neo Agent 3. Eight is dating Captain 3, he confessed his feelings about a year after Octo Expansion.

New Agent 3/Neo Agent 3

This pair were raised by Salmonids nearly their whole lives, they don't remember much from before. Runt is a smallfry who was raised along side these two (he gets his nickname from being the runt of the pack) At some point just before ROTM these three got lost during a big run, resulting in them some how ending up in the desert near the crater. They went in hoping to find temporary shelter, met Cuttlefish and well rest is history. Veronika is slightly fuzzy, having decided to completely ignore warnings and poke the fuzzy ooze. It did cause her to act a bit like a feral cat but she was able to regain control over herself. Hina and Veronika cover each others weakness in a fight, Hina is a kicker and Veronika a puncher. Hina greatly looks up to Captain 3 and Agent 8. Veronika admires Agent 4. Hina and Agent 4 do not get along for various reasons like Hina finds Agent 4 to be arrogant or the fact Agent 4 is slightly jealous over Hina having Captain 3 as a mentor (Agent 4 is scared of Captain 3 replacing her as his little sister with Hina which is nonsense btw)

[vadlings]

was looking through old files and found a couple lucina wips i still like

[mac-tirs]

the not-insignificant differences between the omen twins

so, i saw this picture posted by @amanaci which inspired me to write this rather lengthy piece on the contrasts between morgott and mohg. i decided that, instead of dumping this whole think-piece on their post, i'd make my own separate post and ramble here.

this difference in their height really tracks for how their fighting styles and personalities are like, i feel. i always found it peculiar how different they are despite being twins; i feel like there's a rather stark resemblance between miquella and malenia in their soft-faced features, pale skin, and long flowing hair, and a close resemblance between the carian siblings with their red hair, but morgott and mohg are rather different from each other, only bearing similarities due to their omen nature. i looked a little bit into that and found that there's pretty good reasons behind why.

firstly, morgott is severely malnourished and unhealthy in comparison to mohg. you can see it in his body and how his skin sags, how his ribs and bones show, and how dry it looks. below is a comparison between his hands and mohg's hands.

morgott's hands are dry, almost rubbed red and raw around the knuckles and fingers. it reminds me a little of psoriasis, or some kind of skin discolouration caused by his poor health. it's likely he isn't eating well, or at the very least, he isn't eating as well as mohg. his twin, on the other hand (ha!), has shiny, veiny skin with a healthy colour and gleam to them. it's like he wants to call to attention how well moisturised he is (which, in this case, compared to morgott, he is).

above is a comparison between the twins' horns. the difference is extremely evident to me; morgott's horns are dry, almost seeming brittle, like sun-dried bone that hasn't seen rain or moisture in years. it reminds me of the horns of a very neglected ram, almost, but despite that, the horn growths seem more controlled, less like the wild growths all over the royal omens of the shunning grounds and more controlled as a sort of jutting crown from mainly one side of his head. meanwhile, mohg's horns are shiny, curling wildly to the point of injury, taking his eye in its path of growth. they grew wildly enough to replace his hair altogether, if he ever had any, and give him an even more imposing silhouette with a literal crown of horns (and a beard to boot). beyond this, his horns look healthy, with clearly defined rings to each growth that shine under the light, much like the rest of him. he's oiled leather to morgott's dry hide.

another somewhat interesting detail of morgott is his tail. i know a lot of people see it as soft, and it certainly looks the part, but what i find interesting are two things: the first being that his fur looks quite matted in some lightings and angles but overall looks soft to the touch, and the second being that his tail's horns look much healthier than his own horns on his head. this is in clear contrast to the rest of his body, which looks dry and unassuming with smatterings of coarse white hair up and down his body, and i believe its a matter of the limits to his own self-care. he utilises his tail as another weapon in his arsenal, so he cares for it that it might serve him well in battle, unlike his head of horns, which only serve as a detriment to him with how they must obscure some of his vision, if not most of it. additionally, he likely could bear to look at his tail and care for it, but for an omen that hates his nature more than the average, he probably doesn't enjoy looking at his own face in the mirror enough to properly care for himself.

which brings me back to the sheer differences between these two. morgott, unhealthy and self-loathing, neglects many visual aspects of himself likely because he sees vanity as a luxury not afforded to someone like him. mohg, healthy and self-obsessed, cares and grooms himself to appear very much so like the lord he claims to be, loving himself to a heretical extreme (in the eyes of the golden order). their statures reflect this too; morgott hunches low to the ground, ready to pounce at any given moment but also due to his own shame and humility, while mohg stands tall and proud, though not as tall as he could possibly be due to his upbringing being one of likely having to hunch low to fit beneath the ceilings of the smaller parts of the shunning grounds.

above is a picture of an omen from stormveil, which bears resemblance to all the omen you see in the game. in terms of clothing, one of the big ways people set the omen twins apart, morgott is completely naked save for the ragged cloak of animal hides he wears, signifying he is not fit to even dress himself in a shirt or trousers as befits a king, much like the omen pictured. he wears even less than that, actually, since he lacks even the slightest adornment save for the rope that clasps his cloak together. on the other hand, mohg is entirely adorned in finery, wearing a beautifully embroidered, fashionable priest's robe with matching vestments, and beneath that (as seen in the first image) some underclothes, a plain black button up and some pants. mohg's entire silhouette changes with the removal of his robe, while morgott's barely makes an impact once you realise he has only taken off the one article of clothing he had.

then, of course, there are their fighting styles. there's this fantastic video on youtube that i recommend watching of the twins fighting every major boss in the game, and you can clearly tell them apart from their fighting styles alone. morgott is fast, his size making him look deceptively slow only for him to dart out and do sick flips and somersaults and pirouettes that rival even the most flexible dancers, and he fights with speed and almost animalistic ferocity, save for when he conjures his weapon incantations. mohg is slow but strong, capable of swinging that large trident around like it weighs nothing while hitting with the force to knock down most enemies in a few hits, and most tarnished in just one, but he fights with a steady gracefulness in his every move, walking slowly and carefully while casting spells that hurt a lot.

even their phase 2 transitions are markedly different, with morgott's being one where he drops to his knees, vomits, and releases his cursed blood(?) all over the battlefield, causing his weapon to become alight with his curse and for him to fight with more in-your-face aggression, and with mohg's being one where he simply ignores your attacks and begins stabbing his spear into the formless mother for power at your expense, gaining a majestic set of wings that put distance between you and him so he can cast more of his spells at safer distances. where morgott is pushed to his limit and forced to confront his nature, mohg has long since embraced it and enjoys the fruits of his bloody labour with the mother of truth's blessing.

speaking of the mother of truth, even their patron orders are at odds with each other. the golden order was built upon the foundation of a very carefully-guarded lie: that marika is the one true god, which she can't be, with the existence of radagon (as per goldmask, perhaps the number 1 fundamentalist we meet in game). the formless mother is known also as the mother of truth, existing in direct opposition of the golden order's lies and craving the honesty of one of the purest expressions of life: blood. these two ideals would war against each other, with one being dedicated to the upholding of a beautiful, corrupt lie and the other being dedicated to the instillation of a dynasty of raw, pure truths. as such, even morgott and mohg's own great runes reflect these contrasts in faith, though, remarkably, these two great runes are ones that fit perfectly over each other, with mohg's slightly elevated (seen below, taken from the fextralife wiki).

so, where does this leave us? i don't know, exactly. i wasn't really writing this with any sort of ultimate conclusion. i just found it really interesting how different they were, and i wanted to talk about all the noticeable, significant differences between them here. thanks for coming to my ted talk.

[bug-slappy]

What Serizawa lore and dialogue in the manga that got cut from the anime are you talking about specifically I'm curious /gen

THANK YOU FOR GIVING ME A REASON TO GO HAM!!! any adaptation is gonna have its cutbacks due to time restraints, but i feel like so many of serizawas lines/important moments got totally butchered or cut completely just to be replaced with cute moments that never happen in the manga.

!! MP100 SPOILERS HEAD obvi !!

First case: In the manga, when serizawa finally stands up to toichiro, things pan out COMPLETELY differently!

I feel like this is a really important moment for serizawa. whatever false idea of friendship serizawa had left is ripped away from him. its unnerving to see how brutal and ruthless toichiro is, finally showing his true colours to serizawa after manipulating him for 3 years. I feel like its also a really important moment for reigen to bare witness to. serizawa and toichiros relationship serves as an exaggerated parallel to mob and reigens. A powerful and persuasive man using a naïve esper for their powers under the false promise of learning to control their powers, whether it helps them for better or for worse. big difference is that reigen does help mob in the style of important life lessons and guiding him towards being a good person. after the separation arc, reigen realizes how manipulative he's been to mob, he becomes a better person because of it. but i feel like after the TOICHIRO fight specifically is where we see a very clear difference in how reigen treats mob. he becomes a lot more patient and less controlling. it bums me out that this interaction was cut completely from the anime. I think it must have been for time because they also cut ekubos moments.

Serizawa not knowing what getting arrested is:

Calling the Yokai hunter out on his bluff:

they replaced this with the awesome fight scene but still an awesome line i wish they kept it was so bad ass lol:

But the most shocking thing that they cut from the finale was this scene, after mob goes to reigen and serizawa for advice on asking out tsubomi:

not only is it fruity,,... but more importantly its a super important moment!!! seeing reigen open up like this in front of another person is something we havent seen up until this point!! mob and reigen have impacted each other so much, and its a FANTASTIC segway into the final chapter! absolutely crazy to me that they would cut such a deep personal moment especially considering how much BONES loves reigen.. it gets "implied" through a quick silent moment between reigen and serizawa (all they show in the anime is serizawa looking surprised at him)

not only that, but its so interesting how easily reigen opens up around serizawa. he doesn't do that around anyone else (probably because serizawa is the only person near his age playing an active role in his life bro has no friends)

and its incredible how well serizawa can already read reigen after such a short time working at S&S. serizawa tends to be quiet and hang in the background, but in the manga it has a purpose; hes observing the world around him. when he does have something to say it has importance and is carefully thought out.

in the anime so much of that important dialogue is cut and replaced with his moe salaryman moments which sure its cute, but when you know what he was really supposed to be saying its such a major let down. I feel like the writers didnt know about serizawas huge fan following hes had since his premier, so they didn't really care about him. thats my best guess as to why so many good moments got cut

also this:

serizawa mentioned during his fight with mob that hes accidentally sent his mother flying before with his powers,,, exactly like mobs traumatic moment when he sent ritsu flying and injured him when they were kids... as i mentioned earlier, serizawa has always been a very clear parallel to mob (i can talk more about that in another post if someone asks). I was really hoping theyd go deeper into this moment in the anime but it GOT CUT!!!!!!!!!!!!!!!!! RAAUGH!!!!

and this page right after.. MAN:

BROTHER.... to me, i feel like this is the moment that made serizawa certain reigen doesnt have powers. not only does he have a talent for reading people, but he has to know by now. if he thought reigen had powers to protect himself, he wouldn't be saving his ass all the time like he does.

he knows reigen wont be fine on his own. he knows that reigen has something hugely important to tell him, important enough that reigen is willing to die to run out there and tell him

WHICH BY THE WAY THE MOST DISRESPECTFUL BUTCHERING OF A SCENE OF ALL TIME:

from what ive researched it seems like a common occurrence in japanese culture to remove your shoes before attempting suicide. this is such an intense and impactful moment for reigen to be removing his shoes. looking around and seeing the situation hes in, but still throwing himself into harms way so he can protect mob like hes done so many times before, but in this scene hes making the concious decision to go in, knowing the risk involved. INSANE THAT IN THE ANIME they made removing his shoes some sort of way to get better grip to run. obviously, running barefoot in rubble and destruction is not going to give you better foot grip.. I think they did that to make the scene more lighthearted but it just feels like poor taste.

i feel like the style choices combined with the dialogue cuts in S3 seriously take away from the intense impact of the manga. ONE has such a talent for writing characters to be fleshed out human beings as well as interpersonal relationships. season 1 and 2 did such a good job of showing that even when there had to be scene cuts.

if you havent already, I think you should for sure read the manga. its even more life changing to me than the anime already is, and ONE has a beautiful art style and can convey strong emotions better than anything else ive ever seen. I have more good serizawa moments than this that were cut, and a lot of dialoue between mob and ??? was removed too, but i don't want to spoil every funny joke or character building moment.

this is why i think everyone should read the manga and the REIGEN spin off book :) thank you for reading through this!

ps: devastated when this got cut

[pippin-katz]

Iron Burns

Something I'm super curious about is just how badly iron hurts when a ghost touches it. I posted a little ramble about Charles being chained and unable to help Edwin while she tortured him, and how we didn't get a reaction shot of him hearing Edwin screaming. And something clicked in my brain. I will preface this by saying that I can't prove anything, and could very well be completely wrong. This is just a possible explanation/option.

This was supposed to be relatively short, and that did not happen lmfao Here's your long post warning 😂

Charles VS Iron

This is Charles we are talking about. He is fiercely protective of Edwin, and let's be honest, can get physically violent when provoked. He was sitting there, listening to Esther, until she specifically brought up rescuing Edwin from her plans. It's only when she says that that he starts moving, and he very obviously intended to attack her.

It confirms in Charles' head that there is a specific reason why Edwin is separated from him, and that is bad. Very bad. He possessed Esther to get them out of their first fight with her; she very nearly succeeded in getting them eaten by that Forest Elemental. She is seriously dangerous, and he knows it. Whatever she has planned for Edwin, Charles knows it's vicious and vile.

That thought spurs him to physically attack Esther, without hesitation. Based on the fact that his hands are open, Charles was going to grab her rather than hit her, and, based on her proximity to him, by the throat. That is the only effective attack from his position I can think of; it's the only way he can completely incapacitate.

Logical reasoning aside, choking someone is a pretty common violent anger response. It's probably because it's the easiest way to kill someone with your bare hands; in shows, many characters use a weapon to hurt their adversaries. It's the bullet, the blade, the bat, or whatever that actually hurts them, makes contact with them. It feels different when it's literally you hurting them. Your hands are weapons on their own if you know how to use them. Ex: Vi from Arcane has boxing as her go-to fighting style.

Okay, I went on a bit of tangent there, but my point is that Charles is fucking pissed. This is Charles, who fears being like his father, wanting to hurt Esther.

Violence is the last resort for all of their cases and situations. Charles will take out his cricket bat if he senses danger, but it's more of an intimidation tactic than a true threat. Charles does not actually attack anyone with the cricket bat who is not already an established threat. He takes it out during their first encounter with Esther, when they meet the Cat King, in the Devlin House, when the Night Nurse first shows up, in the forest against David, and against the snake. Most of those encounters are not a matter of negotiation; the first fight with Esther, the Devlin House, David, and the snake were all situations where "talking it out" was not an option, so pulling out the cricket bat to intimidate them would have been pointless. When he takes the bat out in those cases, he's already fully intending to use it. When he takes it out against the Cat King and the Night Nurse, he waits. He holds it up to send a message. It says, "Don't make me hurt you, because I will if I have to."

Charles doesn't want to hurt people, and usually tries his best to find another solution; even when we see him having to fight someone, a military veteran no less, he apologizes and only defends against him because he knows this is a ghost who's cursed, and doesn't deserve it, despite his violent behavior. They attempt to talk the Night Nurse out of taking them for several minutes before she attacks him. She attacks him mentally and emotionally in a way the others don't see and can't fathom; you could even argue that it is a physical attack as well because she makes him relive being beaten by his father and stoned by his friends. The Night Nurse does not hit him, but she hurts him, hurts him bad. When Charles hits her with that music box, despite what the others see, he's retaliating, not initiating. Because again, Charles wants to find another solution first.

But with Esther? He is so far passed that. He is so furious that he wants to attack her. He wants to hurt her. And that is before she starts torturing Edwin.

When he heard Edwin screaming, do you realize just how angry Charles would have been? I can't comprehend how badly he would've wanted to break free and fuck Esther up for what she did. Charles is genuinely intimidating when he's angry; he would have been absolutely terrifying.

Tiny Note: this is the best shot of Charles in the whole show. Let my boy beat the shit out of someone without getting judged for it, please! Let him go apeshit, please!! 🙏🏻

I struggle to believe that anything would have stopped him from getting to Edwin in that state, iron collar be damned.

But Charles doesn't. He doesn't break free. He tries, and continues to fail repeatedly. Almost every movement makes the collar burn him.

The thought I had was how little Charles would care about his own safety/pain if it meant saving Edwin. This boy willingly enters and traverses Hell itself for him. He tells the Night Nurse that if he goes, he can either succeed in bringing Edwin back, or get stuck in Hell so she knows where they are. Charles admits that he would rather be stuck in Hell with Edwin than spend another second without him. When Crystal asks, "What if something happens to you?", he has no response. He honestly does not care if something happens to him, but he doesn't want to admit that to Crystal's face cause that would hurt her, so he refuses to answer.

Getting hurt does not matter to him, so just how painful was that iron that Charles, at his angriest, and in his most desperate state, could not break out?

We see him pulling on the chain and struggling, but he's moving as little as possible because he's trying that hard not to touch the collar. He lets go because it hurts too much. Even when his bag is just out of reach, which is the solution to all of his struggles, he can't bear the burning long enough to get his foot under the strap.

Based on all of that, my brain told me this: the iron burning was so painful that Charles could not endure it long enough to escape, even in his angriest and desperate state, listening to the most important person in his world screaming in a way he has never heard before, and pleading for Esther to stop hurting him.

Like, that sounds crazy to me. Seeing how angry he got at the Night Nurse, and the intensity of his rage in that scene makes me wonder what was going through his head while chained up.

Edwin VS Iron

But my brain was not done with this information. One of my favorite details that I want to be explored in the future is how nonchalant Edwin is while his hand is burning.

He did not notice it was burning until Crystal pointed it out. He looks and sounds genuinely surprised when he sees it. His expression and the way he says he was careless makes me feel like he wasn't in pain and trying to play it off, but was upset with himself for making a very noticeable mistake in front of Crystal while trying to show off and prove a point.

Edwin's pain tolerance is so high that he does not even notice a simple iron burn.

The second time he gets touched by iron is when Esther knocks him across the garden. He looks down at the burn that's what's hurting him, but I don't buy it.

This boy just got swatted like a tennis ball across a courtyard into a small greenhouse.

We all know that Charles does the fighting/takes the hits, so Edwin getting hit like that is probably a new feeling. Since iron makes them tangible for a couple seconds, he probably physically felt it when he landed.

Being burned and crashing into things are two very different sensations, and one of them Edwin hasn't experienced in thirty years. The burn is localized to his hand, and it's a burn. It stings. Hitting a structure that fast and landing like that is going to effect your whole body. It's aching, it bruises every part of you, from your skin down to your bones. It's so much more uncomfortable and hindering than a simple burn. If you burn your hand, you can still operate day-to-day almost normally, but if you mess up your body in some way, you're not going to be able to walk without being in pain. If you asked me which one I'd rather have happen to me, I would take the burn so fast.

Point being that him looking distressed and hurt after that hit makes a whole lot of sense, despite his high pain tolerance. It probably surprised him more than hurt him. It doesn't last long either.

The only time we see him truly react to iron is in Esther's torture device, which is obvious but I'll talk it through anyway.

The cuffs restraining his arms are touching his bare wrists, tightly and constantly. His wrists smoke from it. Him gasping at that makes sense.

But the real kicker here is obviously the rods. Upon first glance, it looks like they touch down on his torso, zapping him or whatever you'd call that, on a surface level. But if you pay close attention to the shots where he's somewhat transparent you can see that those prongs are actually going through him, at least a little bit.

I took a screenshot, up-ed the brightness, and marked where it looks like the rods hit him, versus where they actually end.

Edwin moves around a bit, so there are definitely some shots where they are just touching his skin, but that's kind of the point I'm trying to make. The rods are not moving, they are static, so when Edwin's body moves around them, they stay put. That is fucking painful.

The rod is not moving, but Edwin's body is, and there is nowhere for his skin/muscles to go but through the metal, like it is cutting through him in reverse. If you push a knife down to cut through something, like a carrot, it cuts. But if you hold the carrot, and push it down on the blade, it still cuts.

That would explain even more why Edwin reacts to whenever Esther touches him, even when the device is paused. It would also explain why he was begging Esther "don't come any closer" during one of the cutaway shots.

If you think about it, that doesn't make any sense. Esther's proximity to the device doesn't determine whether it's on, off, or higher/lower. She walks around the room with her glass of ghost juice or whatever you want to call it. She gestures with her hand when she turns it on and turns the intensity up.

Esther getting closer to him wouldn't matter since the device is already on. That is, unless she was actively doing something to him while torturing him. Considering how sadistic she is, I wouldn't put it past her to mess with him whenever she got bored of just watching. Touching him, shaking him, whatever, would almost definitely make it worse. Edwin not wanting her to get close to him would make perfect sense if she was occasionally doing something like that.

So, we have iron making him corporal, burning him, and zapping him with some kind of electricity-like energy, that are also piercing into him, and yet Edwin doesn't scream from the pain initially. There's quiet moaning that you can tell he's holding back, but he doesn't gasp or yell. This is same metal that hurt Charles so badly he couldn't escape in his angriest state. It takes hours of prolonged exposure and gradual increasing of the intensity to make him scream.

The secondary question to this whole thing is just how high is Edwin's pain tolerance that he is able to endure that while withholding making noise?

I can't comprehend it, honestly. Though Edwin spent 70 years in hell being literally torn apart over and over again. We have no idea how long he feels the sensations of his previous body after he respawns or how quickly he does so, especially since the manner of death in this case wouldn't be instantaneously fatal. If his head and heart are in some capacity intact, he'd still be alive for at least a few seconds. As Dr. Alan Grant explains to that kid about raptors in Jurassic Park, you are alive when they start to eat you. It would be believable if Edwin is basically immune to pain unless it's a fucking insane amount of it. I mean, in the Cat King's words to Esther, "Edwin has been through more pain than you, or I, could ever imagine."

That would be pretty fucking crazy if this is all true/accurate.

Is it intentional? Probably not. Could I be reading too much into it, and unintentionally hyperbolizing it? Absolutely. I'm using observation and some information about their characters that I can't actually prove to be true. Maybe I'm just seeing things with the prongs and they're not going through Edwin. I can't prove that Charles would've been angry enough to break out of restraints if they hadn't been made of iron. Maybe iron effects all ghosts differently. Who the hell knows?

Even if I'm not 100% accurate, we do at least know for sure that Edwin has a way higher pain tolerance than anybody else based on the burning hand that he didn't even notice was burning, and how long he was in that device before he started screaming, and that's badass as hell on its own.

(ko-fi)

[sdmsims]

YOU KNOW LIKE NYAH :3?

This mod adds CAS-based animated tails to sims! Well... sort of? You'll have to download and add the tails to sims separately, this mod just adds the infrastructure for it! Since its initial release, the mod has been almost completely reworked to appear smoother, have less points for conflict, and have more potential to be expanded in the future!

Huge huge huge thank you to Lumpinou for helping out with the script portion!

Unfortunately, because it hijacks the tailoverlay system used for cats and dogs and adds it to humans, this mod now requires the Cats & Dogs Expansion. Sorry! It's so much less jank this way so it was worth it, prommy.

If you use a particular adult mod with the initials of 'WW', you MUST download [sdm] ANIMATED TAIL MOD FOR WW.zip. If you do NOT use this mod, download [sdm] ANIMATED TAIL MOD.zip. ONLY DOWNLOAD ONE VERSION!

Place the .package file and .ts4script file that are inside the .zip directly in your mods folder, do not put them in subfolders! This is to ensure that the rig override loads before other rig overrides.

If you want a basic selection of tails, you can download [sdm] all-age tails for tailmod.zip. These, along with other actual tails, are no different than normal CC and may be placed wherever you wish. For younger sims and werewolves, you must also have the CASunlocks mod, as they use the lower back tattoo slot!

If you want materials to assist in creation of your own animated tails, you can download [sdm] animated tail mod DIY stuff.zip! If you are not intending to create CC that uses tailmod's rig, you don't need this. Pre-redux tails will still be compatible!

This post is already long enough - known issues and download below the readmore! Free as always, ily all (❁´◡`❁)

SFS || PATREON

CONFLICTS AND KNOWN ISSUES 

Tails will appear T-posed in CAS now - this is expected! This is to allow compatibility with stand still in CAS mods, until I have the time to create tailmod-specific versions.

If a werewolf sim shifts into a wolf form that has a tail attached and does NOT change emotion, their tail will look like it got run over by a car. It will fix itself when the sim changes emotion, or if resetsim cheat is used.

This mod WILL conflict with any mod that modifies the rigs of sims. In the case of a certain adult-rated mod, there is a version provided that is compatible with it.

Tails will clip with furniture, the floor, etc depending on pose. Suspend your disbelief for this one.

FUTURE PLANS, MOD SUPPORT, AND FEEDBACK 

If you need mod support or have feedback, feel free to reach out to me in the comments of this post! If Patreon won't let you be a free member for whatever reason, my Tumblr askbox is always open :} I currently do not offer mod support via live chat apps like Discord or Telegram.

Current long-term plans:

Animations for specific postures, i.e. sitting vs standing

Different animation 'styles', i.e. low, mid, high, curled, etc.

[aroaessidhe]

metal from heaven fans i have character design sketches for most of the cast I would love if anyone has Thoughts Ideas or Suggestions (gay sketches as a reward if you read to the bottom)

i did..... not quite every on page character, but pretty much everyone who's there more than once and at least vaguely described (or like. I'd do gwyar if it wouldn't be a spoiler)

all the character descriptions I have recorded are here by the way !!

some of the characters are described a lot but most are like.....their face/hair but nothing about their clothes, or the other way around, so for a lot of them I just winged it - part of the reason I wanted to do so many characters roughly was so get a sense of the overall styles and vibes? august said they were thinking about john galliano for fashion so I took a lot of inspo from that and also a heavy dose of western vibes.....fashion is not my strong point though. truly just stuck it all in a blender and slapped it on.

and also for most of these it's sort of first-or-second-pass designs - basically just getting an initial feel rather than really solidly Designed. so likely to change. I could definitely push a lot of them further!!!

fingerbluffs/choir etc!

sisphe is described with having sunlight trapped in her hair and then also a dark curtain of hair and it's PROBABLY dark but I did imagine her blonde initially because of that. going with blonde hair as a kid that got darker to compromise...

her disguise outfit isn't really described other than gloves but I kinda matched it to marney disguise (below)

harlow took me so long to figure out getting her face like I imagined and also like how I described....I'm not sure still. i love her sm

amon is accidentally giving victor arcane. the character archetype + colour palette I guess. I specifically made it blue/black with pink highlights because of the tullian gender colours though..

tbh I still haven't figured out how their bandit hoods work. I think they pull over from the back of the head but I can't figure out how to draw that in a way that works so they're bandanas for now

not pictured but what are we imagining the lurchers like. just fun punky sff motorbikes?

aristrocrats !!

i am pretty happy with my marney and goss (though goss could be shorter...)

wanna do more vikare outfits

yann i. chauncey supposed to be quite boring and nondescript but also. sure does like Like A Random Dude in this lineup huh

basically all of the bottom row are only lightly described so I just went with the initial vague mental image I had tbh!

could I put more effort into giving them more cultural distinctions / make the areas they're from more visually distinct? yes probably. it's hard to get a sense of some of that when some of the places are within ignavia and some are like.. separate continents - and there's no map to sort it out in my head. (you may notice i wrote where they're from in blue by the names though)

description: 'detailed traditional tullian/drustish/etc embroidery' me: here's some vague scribbles

could deffo get some more body diversity in here

anyway genuinely very interested if anyone is like 'I imagined x to be completely different in y way' or fancasts or anything else! i am so open to and interested in making changes if other people have thoughts (and like if you're not an artist so can't draw it yourself) (or even if you are an artist but don't have the time and want to make me draw it instead. i know the feeling)

----

thanks for reading here's sketches:

I promise I will post these properly on my art blog sometime. also if anyone has ideas for little sketches like these, of any particular interactions or whatever....

[sparxyv]

Milena Student ID 💜🦅

[EDIT: Milena does NOT look like this anymore! See my newer posts for her revamped design 😙]

I decided to finally issue a proper introduction to Milena Chase for you guys so she doesn't remain a face without a story any longer 😤

Thank you for the template @kiwiplaetzchen !! 🫶

Brace yourself for a big infodump - here is Milena's backstory etc etc 🫠

Family

Milena Jacqueline Chase was born in 1874 to a French muggle, Henri Marie Chase, and a Japanese witch, Miyuki Hoshino.

Milena is the oldest of seven siblings.

The Chase Family™ is extremely rich, like, buttloads of money rich. Coming from a long line of vintners, they founded one of the leading brands of the best quality wines in Europe, as well as owned a luxury hotel in central Paris.

Milena's grandparents on her mother's side lived in Feldcroft, and still do. They often watched over the Sallow twins after their parents death when Solomon was busy. (Milena does not know her grandparents. 👍)

Miyuki - Milena's mother - was a Slytherin in Hogwarts, and was friends with Solomon Sallow.

Life Before Hogwarts

Growing up, Milena and her siblings resided in their family's hotel in Paris, France. Since their parents were too busy with business and galas, they were raised by the housekeepers and servants that worked at the hotel.

Milena was homeschooled, undergoing typical muggle education with many tutors over the years. She gained a passion for learning early on, intensively studying practically anything that piqued her interest! (my little Matilda LOL)

Milena did NOT go to Beauxbatons, yet showed signs of magic very early on. The only reason she was aware of magic and wizardkind because of her mother's house elf, Teeley. (we love Teeley 🫶)

She had so much free time on her hands that she'd mastered and studied so many different things, making her a true jack of all trades! Some of these things include - Chess, fencing, horseback riding, painting, embroidery, baking, PLUS she's fluent in German and Russian (in addition to English and French).

Relationships

I'm planning on going more in depth with Milena's relationships in a series of separate posts so I'm just going to list her closest friends 💜

Sebastian Sallow

Anne Sallow

Ominis Gaunt

Imelda Reyes

Athol 'Mousey' McGregor

Samantha Dale

Amit Thakkar

Natsai Onai

Garreth Weasley

Poppy Sweeting

Sacharissa Tugwood

Richard Jackdaw

Personality

MBTI - ENTJ-A

Alignment - Neutral Good

I really think of Milena's personality as close to the in-game MC as possible, but I do tend to wander from that sometimes.. 😗😗

Milena always strives to help out people when faced with trouble, but never actively seeks out problems to solve - they just always seem to find her. Nevertheless, she always takes on difficult situations and rises to the challenge.

It helps a lot that she's very self-assured, something that came out of spending most of her childhood alone and taking care of herself AND others. That being noted, she's a natural born leader. Milena is assertive and logical and can easily adjust and adapt to many different situations - which makes her the perfect person to deal with a certain Slytherin boy who's emotions control him and not the other way around.. 👀👀

Milena is an ambivert. While she enjoys socializing, she's also comfortable being alone. She doesn't exactly prefer one over the other though. Socializing comes easy to her, and she has a secure attachment style when it comes to her relationships, never really feeling insecure about them or getting jealous easily. Milena tends to be more mature, and she never internalizes things when people are rude - but because she's so calm and mellow, people are usually either drawn to her or intimidated by her.

As a Ravenclaw, Milena is naturally curious! She's constantly on the hunt to learn new things, which is why she enjoys exploring outside of Hogwarts so much, taking in everything she can about the hamlets and just the Highlands in general. Her curiousity helps her find wonder in even the smallest of things. She's very open-minded, yet nearly always at least slightly skeptical when it comes to new things. She can be very opinionated, but is always open to other perspectives.

Milena is not one to be overly expressive with her emotions (but to be clear - she doesn't hide them either 😗), yet she does have a side of her that naturally comes out only when she feels comfortable. With friends like Sebastian especially, she feels like she can let loose and be more playful as well as a bit snarky/sarcastic.

Additional Fun Facts!

I've already mentioned this before - but Milena's absolute favorite things in the world are BIRDS. Birds of all kinds. She knows everything about every species, and I mean everything. And somehow, birds naturally flock to her like she's some type of woodland princess.

Milena's hair is NOT naturally curly/wavy, nor is it naturally auburn! Prior to Hogwarts, she used a charm to change her hair color, but it seemed to have some extra effects on her hair texture too..

Milena doesn't often speak French after arriving at Hogwarts, but since it's her native language, she finds it much easier to express herself in French even though she speaks near-perfect English. She also enjoys sneaking in French phrases to occasionally mess with Sebastian since he has no idea what she's saying 🥰🥰

Her love language is gift-giving, but when it comes to receiving it would be acts of service and quality time.

Is VERY passionate about potion-making.

Becomes an animagus in the summer before sixth-year, her animagus form being a giant golden eagle!

Already mentioned but she's quite fearless, except for when it comes to mooncalves. (She's more creeped out by them than scared of them, though.)

More of a dog person - Raphael is the exception 💜

Seeker for Ravenclaw in her sixth-year!

[standfucker]

Finding Out You’re Stronger Than Them - Logia Edition (Smoker + Ace)

Feeling very stuck with my WIPS lately, so I decided to try my hand at a bullet-point style drabble. Ace’s and Smoker’s went fine, but Crocodile’s and Kuzan’s immediately grew into something too big for a bullet point list and will be posted separately, if I can get them to a point I’m happy with. Have these two for now.

CW: Just a little bit of violence

Ao3 Link

Smoker

You’ve been rising quickly through the ranks. Smoker’s heard that you’re strong, but by the time you get assigned to him, he has yet to see it for himself.

You’ve followed all of his orders thus far, and past reports on your behavior are generally positive, so when you block him from chasing a pirate one day, he’s taken by surprise.

“This one’s innocent. I saw it for myself. He’s trying to support the village.” You get into stance, eyes blazing with defiance, fully ready to take on your captain.

“It doesn’t make a difference,” Smoker says. “He’s still a pirate.”

“He only stole from nobles. People who wouldn’t miss the wealth. It makes every difference.”

“Get out of the way.”

“No.”

He turns into smoke to go around you, but you grab at where his ankle would be, your haki forcing his body back into shape, and swing him into the ground with such force that stars dot his vision as the wind is knocked out of him.

No one told him you could use armament haki.

“I’m stronger than you. Don’t get a big head because you’re my superior. I’ll surpass you soon.”

“I could have you court-martialed for this,” he gasps.

“Then do it. See if I care. That person was innocent–I know I did the right thing. I don’t give a shit about your opinion,” you pause, then add, “Captain.”

You crouch next to him as he struggles to sit up, still dizzy from the brutal impact. Picking up his cigars that have fallen, you dust them off before sticking one back in his mouth and putting the other in yours. You take an experimental puff, wrinkle your nose at the taste, and deftly twirl the cigar between your fingers. He finds himself staring as you exhale, smoke curling around your profile.

“I requested to be transferred to your unit because Tashigi told me you were different from the others,” you say, and pop the second cigar into his mouth as well. “So don’t disappoint me, Captain.”

The blush on his face is from indignation, or that’s what he tells himself. It’s the audacity. You have some nerve to talk to him that way. To lay your hands on a superior, to obstruct the law.

And yet. He shouldn’t, but a part of him–a big part of him–can’t help but admire your conviction. Enough so that he doesn’t report your insubordination.

It’s always refreshing to find a soldier who thinks for themselves, but it’s also dangerous if you cross the wrong superiors. (God forbid you talk back to someone like Akainu, which Smoker knows you would do without hesitation.) 

Smoker will have to keep an eye on you, to make sure you don’t get into trouble you can’t get out of…

Ace

One day, Ace realizes that in all the months since he’s officially joined the crew, he’s never seen you fight, not even to spar.

When he asks Marco about it, he says, “Oh, that’s because of the collateral damage, yoi.” Ace thinks Marco is joking and laughs. Marco does not.

But can you blame Ace? You’re one of the gentlest pirates in the fleet. You’re the kind of person who stops crewmates from squishing bugs, and who’s so stricken by the dead dogs at the end of your novels that you cry for days afterward (getting to hold you when you seek him out for comfort rules, but why you keep reading those, he does not know.)

After a battle with an enemy crew, one in which you don’t participate, Ace asks some crewmates why you abstained.

“Same reason Pops doesn’t join the small fights,” Haruta says. “Too messy, you know?”

“Wait, just how strong is Y/n?” Ace says, now realizing Marco was being serious earlier.

“Don’t worry about it, Ace,” you say behind him, making him jump. “Just know I’m stronger than you.”

That stings his pride, enough so that he challenges you to a friendly match while crewmates exchange glances.

“Sure, after you’ve rested from this fight. I’d hate to have a handicap.”

“I’m not tired! I can take you right here, right now.”

“Right now?” At Ace’s nod, you shrug. “Well, okay then. Here I go!”

You vanish.

He can’t sense you anywhere. By the time he figures out you’re behind him, it’s too late. One of your hands wraps around the back of his neck, the other on the hem of his pants. When he can’t escape by turning into flames, he knows you’re using haki.

You proceed to slam him face-first into the deck so hard he breaks straight through it, stuck upside down in the wood. The crewmates on the floor below blink up at him.

“You challenged Y/n, didn’t you,” one of them says.

Once his head stops swimming, Ace pulls himself out. His nose is broken and bleeding and he’s covered in scratches and splinters, but he’s looking at you with a newfound sense of awe.

“Logia types,” you shake your head, lip curling, “always so full of themselves.” Then you look stricken. “Oh, I hurt Moby again... Pops will scold me…”

And, look.

Ace knows what he likes. He’s not ashamed to say he found the whole thing extremely hot, but he has the decency to keep it to himself. (Literally the entire crew could tell, but no one tells Ace that either.)

He can’t stop thinking about the fight (if it could even be called that.) He stays awake at night, picturing the way your mouth moved when you said ‘Logia types,’ the little smirk afterward. He had always liked you, but now there’s a newfound aspect to his attraction, and he’s down bad.

Ace wants to know even more about you after that, asking you about your history and how you learned to fight. Luckily, you don’t mind the attention, and your humoring him feeds into his ego until he’s practically following you around in his free time. The rest of the crew takes notice, teasing him about being your shadow–but you never complain, so why should he care?

You've been spending lots of time together since then. He keeps fantasizing about saying “my partner can kick your ass” to people, but he hasn’t actually asked you out yet. It’s unlike him to be so gun-shy, yet every time he works up the nerve to ask, he only gets as far as “Hey, Y/n?” before your sparkly-eyed, saccharine “Yes, Ace?” crumbles his confidence to dust. But he’s Fire-Fist Ace, damn it! He faced Pops alone to save his crew, so why is this so difficult?

If he asks the other Division Commanders for help, expect a Looney Tunes style sequence of each one suggesting a courting method and it failing spectacularly and going up in literal flames, until he finally gets so frustrated with the whole thing he ends up just shouting his confession.

Bonus:

“There, there,” Ace says, patting your back while you cling to him and sob into his shoulder. “It’s just a stupid book.”

That was the wrong thing to say. With your emotions already running high, your misery shifts to rage in an instant.

“YOU JUST DON’T UNDERSTAND THE BOND BETWEEN A KID AND THEIR DOG BECAUSE YOU ATE EVERY ANIMAL YOU ENCOUNTERED GROWING UP!!” you wail, then hiccup, sob, and bury your face into his chest.

Ace wisely decides not to point out the food scarcity of his home island. There are better times, and at least you’re holding him tight...

[martianbugsbunny]

That's How He Knows He's Yours (A Lokius Fic)

Okayyyy I would have sworn up and down that I had already posted this fic ??? but I did a bunch of different search attempts and I couldn't find it so I guess I didn't

The premise is basically Loki and Mobius are going to a party and Mobius is helping him with his hair, but Mobius has been studying up on the meanings of different Jotun hairstyles and accidentally-on-purpose picks the one that means "I'm taken." Ofc there's a bit of cultural headcanon involved. It's super fluffy w a little bit of flirtatiousness, so read on and enjoy!

The TVA was having a party.

That wasn’t really the important thing, but it was interesting. Mobius couldn’t remember the last time they’d had a party—but they needed to keep their spirits up after finding out that their entire lives were, in fact, lies, so a party it was. Every sector was having its own, because the TVA was too immense for all of the employees to have fit in a single room if they’d been threatened with death to do it.

Well, anyway, the important thing was that Mobius wasn’t going alone. He’d convinced Loki that it would be more fun to go together than to go separately, or not to go at all.

The other important thing was that Mobius had offered to braid Loki’s hair, which had grown considerably longer than it had been the first time they’d met, and that Loki had taken him up on it.

He’d spent hours studying both Jotun and Aesir braiding styles—not just the actual construction, but also the meaning behind them. In the end he’d picked the Jotun style that signaled “I’m taken” because it was beautiful, and because he was pretty sure Loki didn’t know enough about his own culture to know what it meant himself, so Mobius could convince himself it wasn’t that much of a presumption.

“I’m not so sure about this suit,” Loki said, sitting patiently as Mobius brushed his hair before plaiting it. “The gold stripes are a bit much, don’t you think?”

“What happened to the guy who used to strut around wearing gold armor and a cape?” Mobius teased, beginning the first braid. Left under the middle, right under the middle, he muttered under his breath.

“I’ve been wearing your boring TVA clothes for months,” Loki said, holding out one arm to watch the threads glitter. “The drab must’ve rubbed off on me.”

Mobius rolled his eyes. The truth was, he was outside his own comfort zone in a fancy suit. His didn’t have metallic pin-striping on it like Loki’s did (because it was a bit much) but it was a much sharper cut and a much more dashing style than he was used to wearing. He’d been just an analyst in a plain brown suit for centuries, and now here he was all dressed up like he thought he was Prince Charming or something.

He tried to focus more on the different strands of dark hair in his hands than on the way his fingertips brushed against Loki’s temples as he gathered new locks to add to the braids.

He failed.

As he began to pin the braids up using glittering golden hair pins, he tried to focus more on not stabbing Loki’s  scalp than on the brush of his hands against the nape of Loki’s neck.

He failed.

Loki was built like a prince, Mobius sometimes caught himself thinking. It didn’t matter if it was princedom of Asgard or of Jotunheim. There was an elegance in the set of his shoulders, in the movements of his hands as he wielded his magic, and a determination in the curve of his back and the way he stepped, that was utterly regal. Gold, like the simple rings he was wearing that night and the hair pins Mobius had found for him and the single slim chain around his neck, seemed to have been built into the cosmos for no reason other than to decorate Loki's trim form.

That was waxing poetic. Mobius didn’t do that often—only for Loki and Jet Skis. What could he say, they were both remarkable singularities in the universe.

He finished setting the last braid into place, nestled among several others like a crown across the top of Loki’s head. “All done, puss,” he said, patting Loki on the shoulder.

Loki’s head turned slightly to the side at the use of the nickname, and Mobius could just see a smile tugging at the corner of his mauve-tinted lips. “Do I dare look?” he asked.

“I didn’t mess it up that bad,” Mobius said. Loki chuckled and got up from the floor in front of Mobius’s couch to go check his reflection in the mirror on the other side of the room.

Mobius could see the reflected green eyes widening as Loki caught sight of himself. For some reason Mobius’s heart was in his throat.

“I didn’t know you knew how to do this,” Loki said.

“What, braids?” Mobius managed to speak past his racing pulse. “It’s not that hard.” It was, actually, quite difficult to his untrained hands, but learning it for Loki had made it seem easier.

“No. The Jotun style.”

That quick pulse stopped altogether. Mobius sat there, stock still, feeling very much like he was going to throw up if Loki didn’t break the sudden silence.

He turned from the mirror to look Mobius in the eyes properly. He was smiling, his eyes glittering beneath the faint liner he’d applied earlier that evening and a light dusting of shimmery grey eyeshadow. “Seems the pussycat has caught himself a guilty little mouse,” he said, his voice sultry and honey-smooth, dripping into Mobius’s soul. “You didn’t realize I knew what these braids meant.” It was a statement, not a question. There wasn’t a hint of doubt on his face.

“You caught me,” Mobius said. He was impressed with himself for being able to get any words out at all with Loki’s gaze focused on him like that.

“I’m taken, am I?”

Now Mobius found himself entirely unable to speak. What could he say, after all, other than we’ve been spending a lot of time together and you don’t mind when I call you ‘puss’ and I catch you staring at me sometimes in a way nobody ever has? It seemed stupid even in his brain. None of it meant he and Loki were…whatever he’d been subconsciously thinking they could be when he’d picked the style.

Loki walked back across the room, a new sway in his hips that Mobius was positive hadn’t been there before, and sat down on the couch to lean directly into Mobius’s personal space. For a long moment, far too long, far too breathless, he simply studied Mobius’s face, as though he could see everything single thought that had ever crossed his mind.

“We’ll see about that when we get back from the party,” he said finally, gaze flicking briefly down to Mobius’s lips. “Maybe you’re the one who’s going to be…taken.”

He crossed into that last bit of personal space and pressed their lips together, his touch surprisingly light, stunningly tender, as one arm came up to drape across Mobius’s shoulders and draw him even closer.

“Don’t be so sure of yourself, puss.” Mobius finally found his tongue again and flirted back, laying a hand on Loki’s thigh. “You’re the one with the fancy hairstyle to prove it.”

As Loki laughed, Mobius captured his lips in another kiss, just as soft as before but oh-so-many leagues more passionate, and he thanked his lucky stars he’d been fool enough to pick a Jotun way to call Loki his.

[lxmelle]

“Best Friend” / 親友

I’ve been mulling over this for a few days, wondering if I’m overthinking things, or if there is actually something to it.

Gojo and Geto are like a pair of parents. And I think it’s deliberate. Hear me out.

See, from a non-native pov, I can pick apart this coined phrase for best friends, shinyuu “親友” or “family friend” into its individual kanji: 親 and 友

The first kanji on its own, oya “親” can be read as “parents”. The second kanji on its own is tomo “友” can be read as “friend”. How a kanji character is read changes according to context within a sentence, topic, or what it is paired with. It can be difficult to explain if you’re not used to the language, so I’ll leave it at that for the purposes of not complicating this post.

They both considered each other their 親友 - best friend. There is only one pair of people who considered each other this “best friend” terminology in the series. Gege could have used Nakama 仲間, or Brother, or even just Tomodachi 友達. TaisetsunaHito 大切な人 is definitely a step too far. No other best friend. Yuji is several people’s “brother” but not best friend. Gojo and Geto are a pair. A duo. The canon-confirmed “たった一人の親友” my one and only best friend status is mutual.

As friends, we know they split up. There is no mention of 親友 / best friend-ism at this point. But they unequivocally considered each other as such, and they never ever had another 親友 until their dying day.

The fact that there is the kanji for “parent” in the phrase for “best friend” is poetic. “Oya/親” is obviously the same word used by Gojo in the kfc breakup scene, because that’s the kanji for it, and that’s what Geto did - kill his parents.

I’ll use this to illustrate:

親 = parents (consisting of mum + dad).

親友🤍 + 親友🖤

To add to the latter, this potential theme, they both go onto adopting kids. Their different parenting styles speak for themselves ofc, but that’s by the by.

Gojo and Geto’s separation played a part in setting off this huge domino effect too. Geto also described how his parents are not his only family now. We also know he considers close non-blood-related persons to be as “family” - like how he offered Kuroi the acceptance of her feelings towards Amanai as “family”. He saw Gojo and the school as family - that is, until he saw how the system was willing to sacrifice their own kind. It isn’t a stretch to see the parallels between what Geto is sharing about severing that bond with his parents (and also with Gojo) and finding another “family” by choice.

Obviously Gege isn’t drawing the parallel by bringing parents into it just due to their best friend status. I headcanon that it was to start anew, not be a hypocrite, to spare them from the monster he’d become, and to eliminate the likelihood they’d be used against him in any way. The last 2 reasons would be to drive in the emphasis that there is a similarity with Rika (who was rumoured to have been the reason for her parents’ deaths although they occurred separately) and... that this would mean that Geto was also separating from his “family” in HI - the duo that was Gojo and Geto. Gojo ascended without him in his quest to become the strongest, and Geto descended to pursue his twisted form of meaning to make his ideal a reality.

It might just be reaching and a coincidence, but I remember that Gege loves these little itty bitty details in character and lore design - like birthdates, dates, flower language, religion, specific kanji used for names, etc - just to name a few. It helps him illustrate significance and I guess adds a touch of sophistication and layering in his storytelling. I absolutely love it. We know by design SatoSugu / Gojo and Geto are meant to be counterparts, so black & white, yin and yang, light and dark, elite and common, even their names are quite fitting, GojO SatoRU and GetO SuguRU .

The kanji / characters selected are also deliberate - Satoru 悟 being “enlightenment” and Suguru 傑 being “outstanding”. The Gojokesa 五条袈裟 was also deliberate, Geto 夏油 has the word “summer” as part of his name and his birthday is setsubun (1st day of spring) where ghosts/evil spirits are chased away. Gojo’s is the heaviest snowfall.

My examples are limited to just satosugu, but you know other characters have similar situations with how the kanji for their names were chosen - e.g. simplest that come to mind is 七海建人 Nanami : 七 = 7 and his ratio technique 7:3 and his hair style too 70%30% parting, 海 = sea, 建人 = human builder (…lol, Gojo entrusted Yuji to him after all…); utahime 歌 = song/music, etc.

My point is that there are a lot of little details like these, so I concluded that I’ll just share this thought I had. The pair of 親友 breaking up is a bit like “partners in crime” no longer being partners anymore, and went about their separate ways but fostered “families” of their own.

TLDR: scene in front of the KFC was really a breakup (◞‸◟)

[midnight-omega]

Male Omega hc

I wrote these a while ago and never posted them. Male omegas and female alphas are my favorite dynamics and my favorite pairing fr so I wanted to do an entirely separate post on my boys

Pretty long so bear with me under the cut also its fairly nsfw at some points reader beware

🍥 Omegas in general are considered a rarer dynamic but when adding primary gender to the statistic male omegas are one of the rarest of the 6 gender/dynamic combinations

🍥 Male omegas typically cannot impregnate. It can happen in extremely rare cases but it’s so unlikely no one really considers it a thing. They are biologically built to conceive and bear pups even tho this is a little more challenging for them

🍥 Male omegas have wider hips than an alpha or beta male, but narrower hips than a female beta or omega. This can make it difficult to give birth naturally. It’s possible and happens all the time! But sometimes it’s just too narrow and a c-section is needed

🍥 Male omegas have lower fertility rates than their female counterparts. They’re more on par with betas fertility wise which means they aren’t likely to have litters (3-4 pups) like females can. Males usually carry 1-2 pups at a time and anything more is considered a high risk pregnancy

🍥 Over the course of their pregnancy they do develop breasts

🍥 They’re much smaller than the other dynamics, more on par with a female alphas, but they do lactate

🍥 This is a permanent change! They do not reduce after the first pregnancy

🍥 This physically marks males who have carried a pregnancy at least until 3rd term, and those who haven’t

🍥 Unfortunately male omegas suffer from body dysphoria at a higher rate than other gender/dynamic combinations

🍥 There’s a lot that goes into this and it differs from omega to omega, but it boils down to masculine body parts that function and a more masculine stature vs how feminized the omega identity has become and the feminization of bearing children. 

🍥 Pregnancy and the development of breasts makes this a lot worse

🍥 Binders are rather popular and easy to find because of this. It’s highly recommended to use these instead of resorting to your own tactics to avoid any bodily harm

🍥 Top surgery is also available for male omegas who feel strong or crippling dysphoria, but they won’t be able to lactate afterwards. More traditional packs/religions frown on the surgery for this reason and prefer binders as a solution

🍥 Pharmacies, department stores, lingerie stores, anywhere you can buy a bra or healthcare products will probably sell some sort of postpartum binder!

🍥 Speaking of lingerie stores, stores that specialize in omega lingerie typically carry two styles of bottom for every top. One that accommodates afab anatomy and one that accommodates amab anatomy

🍥 Some omegas feel the opposite kind of dysphoria tho, where we just talked about those who are unsettled by their more “feminine” parts there are other’s who identify with their omegean side more and find their more masculine parts more upsetting

🍥 Tucking is a common solution, though this is kept kinda on the down low in omega only circles. You won’t find this sort of thing advertised in common media

🍥 I mentioned earlier that male omegas are p much sterile, so this makes them really popular hookups especially for other omegas going through a heat

🍥 In some areas male omegas are more demanded than alphas when an unmated omega wants a partner for heat

🍥 Not only is there really no pregnancy risk with them, but some argue they make better lovers in general since they understand the vulnerability of penetration/heat and how to work the anatomy since they’re built similarly 

🍥 The concept that male omegas do not get as much pleasure out of penetrating compared to receiving is a myth! Both kinds of orgasms are equally pleasurable and some males only enjoy penetrating just as others only enjoy being penetrated. Its a personal preference!

🍥 The omega micro penis is also a myth. Omegas are smaller on average but they’re really not much smaller than an average beta

🍥 Keep in mind that when concerning length most alphas are showers and most omegas are growers. Your omega man might end up bamboozling you :))

🍥 Omega cum is clear or opaque. No/little sperm = no white

🍥 Male omegas are at the very bottom of the unspoken hierarchy. Normally the male takes place above the female, but it’s not the case with omegas who’s primary biological function is to conceive. Since female omegas are better at that they’re considered above males

🍥 Male omegas are very rarely represented in leadership positions because of this. Even within packs it’s extremely rare to find a male omega in a place of power/respect

🍥 This also contributes to a lot of the adversity they face. Males are at a higher risk of mental illnesses, suicide, sexual abuse, drug use, and face higher incarceration rates

🍥 Lightening the mood a bit…

🍥 Males have a deeper purr than females. It tends to be quieter too, but that can vary from person to person

🍥 Male omegas growl at anything. Any small inconvenience or discomfort grrr… they can whine and keen like all omegas but on average they tend to be more gruff with vocalizations.

🍥 Male omega fashion varies widely from place to place. They can be more masculine coded or more feminine depending on the dominant culture of the area. Neck covering is popular with all omegas, so high necked outfits or matching chokers are always in style.

🍥 Weddings and mating ceremonies are similar in variation with options for more feminine coded or more masculine coded outfits. Jumpsuits with pants partially concealed by the top flaring down is the style for male omegas.

🍥 feminine coded examples:

🍥 A more masculine coded example thank you kpop ur visuals are unparalleled bc i could not find more masculine ones for the life of me until i remembered ab6ix the future world tour in seoul donghyun booby titty outfit:

🍥 Male omegas can be referred to as wife/mom or husband/dad depending on the preference of the individual. If someone needs to clarify which of their dads gave birth to them they’ll use the terms dam and sire, otherwise parental names are a toss up

🍥 All omegas have nesting instincts, if they don’t suppress them, but males and females have slightly different habits. Male omegas tend to pick very closed-in areas with one entry/exit. They also keep their nests extremely hidden, it’s unlikely you’ll know where it is unless you’re mated to or a child of theirs.

🍥 Males need just as much affection, attention, and physical touch as females do. If they’re aloof don’t let them fool you

🍥 If alpha male dude bros can be compared to overexcited dogs then omega males can be comparable to cats

[p0is0nandker0sene]

Tell me about MCR! I only know a little bit about the band.

Goodness where do I begin!

My Chemical Romance is a band from new jersey formed in 2001 by Gerard Way. Gerard was previously working as an intern at cartoon networks and was more a comic and children's cartoon artist than musician. After witnessing the 9/11 tragedy first hand, he wrote the first mcr song 'skylines and turnstiles' and decided to form the band with his friend Matt (Otter) Pelissier (drums). His younger brother mikey way came up with the band name while working in a bookshop after seeing Irvine Walsh's novel "three tales of chemical romance" and suggesting that putting "my" in front of it would be a cool band name.

Gerard then asked guitarist Ray Toro to be their lead guitarist as Gerard couldn't play guitar well enough to perform live. Mikey then later joined as the bassist (despite having little bass playing experience, unlike ray who was classically trained).

While signed to their record label 'eyeball records', the band met frank iero who was the guitarist and vocalist of his own band 'pencey prep' who were also signed to eyeball records. Frank loved my Chem and was basically their first fan. His band split up and he then became the rhythm guitarist (mainly because young ray toro wrote too many guitar lines for him to be able to perform live) a few days before the first album 'I brought you my bullets, you brought me your love' was recorded and later released in 2002. Frank was able to record 2 songs with them, which were 'early sunsets over monroeville' and 'honey, this mirror isn't big enough for the two of us'.

I don't wanna drag on too much longer on what was meant to be a brief background, but they then started writing 'three cheers for sweet revenge', which was released 2004. The album centres around the concept of a couple who are separated in a gunfight; he dies and goes to hell but she lives. The devil makes a deal with him that if he brings him the souls of a 1000 evil men, he can be with her again. This period in time the band's alcohol habits, particularly Gerard's were at their worst, but after a near death experience, Gerard decided to get clean and sober. At this point Matt Pelissier has left the band due to refusing to use a metronome and change his drumming style. He gets replaced by Bob Bryar.

Then they wrote their most successful and well known album 'the black parade' in 2006 which centres around a character called 'the patient' who dies and has death come to him in the form of a parade which is his fondest memory as a child. There are lots of characters in the black parade, including 'mother war', 'pepe', 'fear and regret', and the devil who appears in the form of a wolf.

The black parade's musical style is very different to bullets and three cheers. It's a rock opera and takes influences from Queen and other glam rock bands.

My Chem then went on a short hiatus in 2008/9. During this time, frank started another band called 'leathermouth', which was a short lived hardcore band, and Gerard released the second umbrella academy comic book (the first was released a year prior).

They then released their new album 'danger days: the true lives of the fabulous killjoys', in 2010 which is the album that is by far the most different from their typical style. At this point Bob has been kicked out for reasons that are still fairly up in the air, and is replaced by Mike Pedicone. The concept of this album is entwined with Gerard's comic book that he wrote. The story revolves around a post apocalyptic 2019 where the world is ruled by a totalitarian corporation called 'better living industries' (BLI) and a group of rebels called the killjoys fight against them and their soldiers (draculoids, basically stormtroopers, exterminators who are in the S/C/A/R/E/C/R/O/W unit, namely Korse who is a main antagonist. Each band member gave themselves a killjoy persona and had distinct outfits and guns to match. Gerard is Party Poison, Ray is Jet Star, Mikey is Kobra Kid, and Frank is Fun Ghoul. The killjoys protect a character called the girl and in one of the music videos, they die protecting her. The comic book of the same name is about the Girl's life after the killjoys have died and how she defeats BLI.

Mike then gets kicked out of the band after being caught stealing from the band. They still don't have a permanent drummer.

They then released a not-album called 'conventional weapons' in 2012 which was going to be an album with no story concept or characters, but they didn't like it so they scrapped it. Despite being released in 2012, it was recorded in 2009.

They also announced they were working on a fifth album with the working title 'mcr5', a name that has haunted mcr fans for years with the hopes of a new full-length album after years.

Mcr then announced their break up on 22 March 2013.

In 2014 they released a greatest hits album called 'may death never stop you' with a previously unreleased track called "fake your death".

Post breakup, the guys started their own solo projects. Gerard made his album 'hesitant alien', frank from 2014 to 2019 had his own solo bands called 'Frank iero and the celabration/patience/ future violents and another project called 'death spells' , Ray wrote and produced his album 'remember the laughter', and mikey formed his own band 'electric century'.

In 2016 they released a 10th anniversary album for the black parade titled 'living with ghosts' which featured demo's and unreleased tracks.

Then, on the 31st of October 2019, my Chem created an instagram account and announced their reunion. They posted a heap of videos relating to revival and rituals. They had a reunion show in LA. They had heaps of global tours planned for 2020, 2021 and 2022 (my show was meant to be in 2022), but because of covid they had to postpone.

In may 2022 they released their first song in nearly 10 years, 'the foundations of decay'.

We're all still hoping they'll drop a new album, which is why we were all so excited about the cryptic post they made which ended up possibly not being mcr5, but a black parade stadium tour. But we're not losing hope for new content and even black parade lore because of the new stuff in the video they dropped recently.

Mcr is both my all time favourite rock band and my special interest, I've been a fan since October 2018 when I discovered them in a video titled "harry potter characters theme songs".

I started adding their songs to my new rock playlist (I was getting into rock when I was 13/4) and realised I was getting really into the band so I decided to learn more about them by looking at their wiki, looking at memes, and watching MVs and interviews.

It honestly just accelerated from there with fan art, memes, fanfiction, interviews, solo projects, fandom activities, and of course crying at 2am to their sad music videos and songs (and about the fact that at this point they were broken up and I thought they would never get back together again 🫣)

That is still, despite how huge that was, a condensed version of the 23 years of my chemical romance and 6 years of me being a fan :) there's tons of little details and facts about the guys, about the songs, the albums, the concepts, the things that happened, before, during, in between, after, and during again.

But thank u for asking me about my Chem! I knew I'd write an essay about them 🫣

[flo-zoinks]

Bro lowkey I feel like rdr1 is sooo underrated. Maybe it's my personal opinion but I LOVE the desolation in the game and I love 1 more than 2 😭 is it weird?? Because a lot of people love 2

YES !!! I AGREE !! 🙋‍♀️🙋‍♀️

(had to look up what desolation meant) I LOVE it. John is totally alone in rdr1, then Jack later and the map and style I think perfectly encapsulates the worlds view on outlaw men in a time where they aren't wanted. I love love love at going through places like ojo del diablo wheres its nothing but a giant structure and my horse

I prefer rdr1 a lot more - personally because I think the humour / style matches me a lot more and my gosh I love the plot SO MUCH. Whilst I wish yes there were more things that followed in rdr2 like interactions, I think it contributes to the that desolation theme, especially with Jack.

The plot story of tracking down men you grew up with , across into foreign land and contributing perhaps an army worth in a foreign revolution, and all the characters you meet on the way I adore. Especially just how diverse the characters are and their little time of spotlight like Marshall Johnson or Nigel West Dickens. Getting to do such different things for them and exploring their characters (eg helping Nigel sell his tonics) had me hooked into the game for suree

The game is so underrated as u said I think because people play rdr2 first and then expect the game to be an exact sequel. NO ITS NOT !! ITS A SEPARATE GAME AND SHOULD BE PLAYED BEFORE (my first long ass post was about this I might link it). Luckilyyy with the PC release its ranked up a lot more fans, just perhaps a little too late 🙏😭.

Also the art style is gorgeous. It's a little more stylistic then rdr2, and the faces like John's puppy eyes are ADORABLE.

Rambling more but again I adore more then all things the dialogue and delivery of lines. The protagonist we come in with no information on him, and still learn very little. Theres no much character exposition, save for the old man taking him to fort worth perchance, so all we learn we learn along the way. The little clues dropped throughout the story, like John telling bonnie his background, Javier cursing out his children, Dutch speaking to John about Abigail has the players listening in and reacting to all dialogue a lot more then they would for any other game. We piece together an idea throughout the story and I love how it still manages to keep so much mystery that leaves the player so invested into finding out more, and shows John + others as such rounded unique characters.

The missions too never fail to disappoint!!!! Shooting up Blackwater, great!! Even the beginning missions just racing with Bonnie or going with the Marshall's men to Pike's basin was such an amazing and fun mission with choices throughout.

It's the one of the only media I've ever cried to, (the lion king live action was the only other😭 mufasa😭) and probably will hold that title for ever. I think I tried to cry at Arthur's, but I didnt however I was spoiled for that. I'm not sure If i wouldn't of cried if i didnt know tbf.

Uhm I'm yapping for no reason.. but in summary I AGREE WITH YOU YOURE SO RIGHT BOO❤❤

What do you think???? Thanks for talking to me 🤭

The post:

[raindropsyndrome]

My Bros Before Brooches AU continuation post?!

Hello! I’m briefly delving back into my AU I came up with a few months ago, “Bros Before Brooches”

Which, is admittedly more of a “self-indulgent-fan-made-continuation-of-a-show-I-really-like-that-got-cancelled-years-ago” that I just call an “AU” for short.

(Also side note, yes, I am aware I made a few mistakes the last couple times I posted about this. I know. I know. 😔)

And now I will proceed to infodump about it if anyone’s interested

Rough Episode Summary:

* Turtles wonder what it would be like to live “normal” lives

* Donnie makes a set of cloaking brooches

* Mikey, Donnie, and Leo (now disguised,) get taken to a mall by April to do some normal teenager activities. Raph stays behind (Out of moral confliction)

* There they arrive at a clothing store where Baxter Stockboy works(?) and where a disguised Usagi works

* (Stockboy has a house-arrest style tracking anklet on, he’s only permitted to go where his parents take him. AKA, only his parent’s various stores and his house.)

* April spots a piece of clothing she REALLY wants

* Leo takes note of both of these and carries on

* Stockboy notices them and immediately recognizes April, but not the boys

* Stockboy then demands that April stops and leaves before he does something that will “ruin her life”(wow, so intimidating)

* After a bit of bickering between April and Baxter, Leo shoves himself between them and convinces Baxter to at least let April have that one piece of clothing she wants, Baxter agrees, if Leo and his brothers help Baxter with a super-secret-special-project he’s been working on (they reluctantly agree)

* Meanwhile, Raph finally decides to try and find his brothers out of overwhelming stress and guilt. (Especially because he thinks he hurt Donnie’s feelings by not using his brooch)

* Cut back to April, who tries to convince the boys that she’ll just go find some other piece of clothing at another shop and continue to do what they all wanted to do and not let her misfortune ruin this for them, but to no avail. She gives up and leaves them with an eye roll and lets them go on their fetch quest

* Baxter then separates the boys from April, bringing them to a storage room behind the shop

* (Not) surprisingly, Baxter has a new scheme to get revenge on the turtles, this time he’s made a decently-sized mech to battle the turtles with. (Which is hilariously dressed up, as Stockboy’s only resources he could get himself without leaving his parent’s shop were clothes and various display parts)

* Un-phased, (with Mikey giggling at the sight of this creation,) all proceed to help Stockboy (it’s for the greater April,) and start gathering things from around the mall to help complete the mech

* (Stockboy got all of his previous tech taken away from the last incident he caused, and needs new resources… which are quite limited, obviously.)

* The boys soon need Usagi’s help, because they have no idea what they’re doing (they haven’t properly gone shopping before.)

* Usagi is reluctant to help at first, but eventually, with some convincing from Leo, (emphasizing how pleased his bosses would be if he helps customers,) he decides to help them

* Later, (now disguised) Raph finds where April is (a completely different part of the mall by now,) and the startled April explains to Raph everything that happened, then they both go to try and find their brothers (to “check up on them”)

* Long story short Baxter finds out the boys are the turtles and they get their covers blown. A real; “How do you know these are disguises?” “Because you just told me.” Moment

* Usagi suspected something was up about the brothers before, (he had involuntary heard a lot about them from Baxter’s rambling,) but this grand reveal moment had confirmed his suspicions

* Baxter (now in his mech,) starts a fight, but the boys try not to harm him in any way (for over-powered mystic abilities beyond humanly possible reasons)

* They stall by parrying and avoiding hits until Leo thinks of what to. (Raph and April had found them by now)

* Usagi is conflicted on whether to stay and fight, or get away from what’s going down, he shows a bit of fighting and parkour skill when he tries to hold his ground and dodge the chaos unfolding nearby

* Leo spots this, then comes up with a plan to take down Stockboy

* Leo instructs the others to try and lead Stockboy out of the store, so that his anklet would alert authorities, while he goes and talks to Usagi, because now he has some suspicions of his own. They (April, Raph, Mikey and Donnie,) nod and carry out the plan

* In an effort to destroy the turtles, Stockboy ends up destroying his own parent’s store (again) and that same destruction is soon to spread to the rest of the mall (uh oh)

* The building is on fire now and starts falling apart

* In a shielded place, Leo finds and confesses to Usagi that he’s been lying about his identity, and reveals his true turtley self in front of Usagi. To the surprise of Leo, Usagi does as well.

* Usagi suggests that they get a fresh start together and meet up in the mystic city later, Leo agrees

* (Leo is so obviously crushing hehehehfajdh)

* Usagi says goodbye leaves through a nearby window

* The rest had successfully knocked over Stockboy, which had landed him outside of the mall

* Everyone leaves the mall one-by-one and later they all come to the conclusion that being themselves is better than what just happened, and that they’ll only use their brooches if they absolutely need to

* Stockboy is not left in the now collapsed building, and is found by two angry parents and a crowd of police officers

* The end :)

Alright so that was the episode summary, now here’s a tidbit focused on Usagi

Usagi Yuichi

In typical Rise fashion, Usagi’s character traits mostly get overhauled for new ones. So my version of Usagi is relatively different from past versions, while keeping some of the backstory. (As far as I know)

Usagi gets introduced in “Bros Before Brooches,” when he’s first seen in human form as he’s disguised with his “Hi, my name is” pin. He worked in a store Stockboy’s parents owned inside the shopping mall the boys and April visit.

Usagi immediately presents himself as diligent worker and will do anything someone of authority will ask of him. No questions asked. He’s extremely determined to get his tasks done. He just gets right to the point and is as stiff as a board, and gets easily annoyed when he’s interrupted by anyone other than his manager.

He first comes off as a headstrong and strict antagonistic jerk to the (disguised) turtles and April, not wanting to help or even talk to them.

But he eventually caves and begrudgingly helps them out.

And Even though he’s like this, he eventually softens up when he meets Leo, properly introducing himself and even inviting Leo to meet up with him later by the end of the episode.

After breaking the ice a bit, Usagi is revealed to be a bit of a naive goofball. And such a naive goofball, that he is completely oblivious to Leo crushing on him.

Outside of the episode

Usagi is a Yokai that grew up in a remote part of the mystic city on a farm. He was raised by his great aunt, and leans heavily toward tradition. Especially with mystic powers.

He is greatly determined to become a samurai, specifically by his aunt’s standards. Which… are pretty high.

His aunt and himself always look to their ancestor, Usagi Miyamoto, for reference on how a great samurai should be. His aunt teaches him everything Usagi Miyamoto would know, which with what little remains of his influence, is practically baseless. (But Usagi doesn’t know this, and that his aunt is mostly making things up. She is kind of a control freak in this version. Sorry, I had to be angsty somewhere.)

Usagi is so determined to become a samurai, that he’s developed a lack of interest to make any connections other than his aunt. He’s practically driven anyone his age away because all he cares about is his training.

His aunt sent Usagi on a “mission” to go “undercover” as a human to “infiltrate” their ranks. She filled out Usagi’s job application herself, and gave Usagi the “Hi, my name is” pin. (Which is actually another cloaking brooch.) All of this so Usagi would be able to go there as soon as possible. His aunt just wants to get rid of him for a few hours each day and for him to make some friends.

I imagine if his arc gets expanded on, he’ll have beef with Donnie (who doesn’t use his mystic abilities in the traditional sense,) discover his aunt is lying and start questioning everything he was taught, and by-proxy struggle with his trust issues more. He’d become extremely rebellious, but later with the support of his new friends, become more kind, open-minded, give into his true goofball self, and learn to trust others.

OK THAT’S EVERYTHING TYSM IF YOU ACTUALLY READ ALL OF THIS?!

*runs*

[windvexer]

categories of offerings within witchcraft

This has been on my mind a little bit and recent magical shenanigans (magnanigans?) have brought it again to mind so here is a concept that you might make sense for your style of practice (using the relationship with the familiar spirit for examples)!

Basically, we might be calling too many things "offerings" when in reality there could be a variety of discrete functions that need to be fulfilled, and doing one doesn't automatically fulfill them all.

Here are some examples of different things that I think are all lumped into the category of "offerings" even though IMO they aren't even that related:

Devotional and relationship-building offerings, offerings meant to provide metaphysical energy, and offerings meant as gifts.

Devotional and relationship-building offerings may be better reframed as acts of connection.

Example: Making art with your familiar. Meditating with your familiar. Going on a long walk and asking your familiar what it thinks about the landscape.

These acts of connection aren't replaced by simply giving gifts (anyone ever had an absent person in their life that replaced real connection with gift-giving?).

The true "exchange" here is not moving around sorcerous energy, but rather the exchange of a healthy interpersonal relationship.

Offerings meant to provide metaphysical energy can be reframed as feeding or charging.

Example: Offering your familiar a delicious sandwich so it gains the dense, earthly energy required to carry out your will.

As opposed to devotional offerings, these offerings need to contain actual metaphysical energy, because if they don't, the function of the offering remains unfulfilled. Here, a long walk with your familiar is not a suitable offering when they require sorcerous energy in order to work on your behalf.

These offerings may not even be considered "gifts," because they are necessary in order to perform various acts of sorcery. Your boss isn't giving you a gift when they sign off on your paychecks.

It's for this reason that we see offerings within spellwork often contain consumable substances like food, water, alcohol, tobacco, incense, and candles, which are often considered to be spiritually consumed by the spiritual forces present for the spell, so that they are empowered to get the work done.

And finally for this short list of examples, there can be offerings which function as gifts.

Such offering often include things which A) aren't spending time with that entity, and B) don't provide the entity with direct energies to consume.

Example: Buying a very fancy, ornate altar cloth for your familiar's shrine. Speaking well of your familiar spirit in public so they gain desired fame. Adding something enjoyable to your familiar's spirit home.

Such gifts certainly show appreciation and gratitude, yet in and of themselves they are neither direct communication and connection, nor feeding that entity.

Even so, such signs of appreciation may be necessary in order to establish and develop important spiritual relationships.

Additional examples can include payment for services rendered, which may include paying an entity with something it may find value in, but does not consume (such as coins or artwork).

Anyway,

This post is not meant to be a guide on how to interact with spirits or dictate how they should be approached, but rather is only trying to demonstrate that "offerings" may be an umbrella term that couches separate acts which may overlap, but are not interchangeable.