#only critique I have for the drawing
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nectorbruise · 1 year ago
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NOTE:I don’t ship them!!!
I find that the way @courtney-deserved-better writes this friendship is absolutely fucking glorious. Idk why I like them hanging out and caring for each other so much. But I do. In Slippery Slopes they were everything to me and I love them so fucking much. When the family rejects are better than half of the family.
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moonhibs · 1 year ago
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Au where Julian is a child of divorce
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starrysharks · 7 months ago
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evilution
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skitskatdacat63 · 11 months ago
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Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)
- explanation & w/o text:
Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!
First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.
Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.
Basically: He's both a Bond girl and Bond villain.
Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.
About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.
I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")
I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.
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#ah well this was certainly a project....#rn i feel like im devolving into illness so im glad i could finish this up before it possibly gets worse#this is my magnum opus as of rn. just bcs ive not really drawn such a longform thing for them!! happy w it :)#i think i def like the first one the best#it made me suffer so bad but i think i soften on my own art after a few days#like i finish it and know its 'good' but cant help but critique every little thing#but ive had that one done for almost a week so now i look at it and really love it#i was originally just going to draw that one only but then realized i really like the full dialog so. might as well.#generally i liked this though bcs even if it ws difficult. it was nice to have really direct and clear reference#like ah ik where im going w this rather than it being an image in my head that i cant represent the way that I want#ah anyways all my vettonso aus tend to be just wanting to explore specific dynamics of theirs#and this one is basically how i feel about their mutual relationship to the institution of ferrari and how it affects their dynamic#basically: THEY'RE MIRRORS!!!#there's always something to be said abt nando being resentful abt seb bcs of 2010/2012/etc and then seb taking his seat at ferrari#but then witnessing seb basically go thru the same trials and tribulations and failures at ferrari#and realizing huh wait maybe he's not who i was villianizing him as. maybe hes at my level too. maybe he's not infallible. maybe hes like m#a very bitter nando who has to fight btwn his impulse to ruin seb further or to relate to him and start to like him#so yeah that's ^ basically what i want to portray in this au(just like all AUs tbh)#f1#formula 1#sebastian vettel#fernando alonso#catie.rambling.txt#catie.art.#vettonso#bond au
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windydrawallday · 9 months ago
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I'd absolutely love to see your take on ES Optimus in any sort of capacity! He's my special guy :] But if you want something more familiar, maybe TFA Prowl chillin in some nature? If I could throw something more specific at you, interacting with some wolves? (Not sure how comfortable you are with animals but figured it's worth a shot 🐺)
AT LAST!!! I managed to draw your request after busy days and playing around with your last idea because GOSH: Prowl + Animals always win me over x'D
Tho... I took a... not very "chill" route that ended... in me drawing another thing that I know many despite about the canon of the character--
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Yeah IM SO SORRY but I couldn't find a way to make it work without it orz (and I dont have currently the brain to design an alternative human design hxgcxhgvcgv) and welp :')
Hope is nice enough to the eyes anyways haha I wanted to try something different and challenge myself because-- Because AAA
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fitzrove · 7 months ago
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Started watching a "problem with greek myth retellings" video and it began with a blurb montage like "Condemned by the misogynist guys of history, this is the true girlboss feminist story of [A WOMAN]" and like. brb writing one of those about crown prince rudolf. It's ok he's like a misunderstood girlboss to me<3
#NASJASKSDFKDSLFDGJDFJ#joking. since those retellings seem to be often bad#fun fact i do have ideas for like a black teen comedy series with mary as the protagonist where the ending is like a harrowing twist#like you think it won't go that far but it does and the point is that she had historical agency and her own problems and personal journey#but in the end it spiralled catastrophically due to both crown prince rudolf related events and others#unfortunately writing one would draw the ire of both misogynist rudolf conspiracy theorists (how dare you suggest women have agency) AND a#certain type of feminist media critiquer person: (1) how dare you cover a topic like that flippantly 2) how dare you make rudolf anything#but an inhuman monster of a r*pist murderer gr**mer or whatever in the story#like idk man.. other male characters portrayed as romantic interests in mainstream media are toxic r*pists all the time. like omg i hate ho#'the great' handles p*ter and catherine because i was rooting for them to remain toxic and for catherine to kill him or whatever but then#she starts falling in love with him in s2 and everyone in tumblr is like omg hot sexy toxic romance. like cant we have ONE series where#straight romance doesnt inevitably become the overbearing focus?? i had wlw ships for that show.. they never pulled through...#anyway um yeah. the way i would portray rudolf in that is that mary sees him as this romantic hero which is emphasised in the way its shot#but he's constantly acting in kinda offputting and strange ways and is occasionally pretty pathetic and weird ASHDJFJF#^^ that's never been a deterrent to anyone ever. most rudolf biographers want to [redacted] him this has been proven by the way they write.#the only ones that dont are me (well not a real biographer but a rudolf enjoyer nonetheless) and brigitte hamann /hj#(she actually doesnt salivate over his appearance like frederick morton does xD only quotes 2 contemporary women commenting on it)
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bmpmp3 · 10 months ago
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man in his mid 20s who says tee hee
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ethereiling · 2 months ago
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im going to be so real i think im going to snap if i see one more person talking about how There Is No Objective Quality In Art because yes there is!! there arent strict rules about what objective quality is, theres no one size fits all metric, but high quality art is effective in evoking emotion and thought in ways that low quality art isnt. there are so many ways that people can choose to evoke certain feelings through art but the effectiveness of that Is a pretty solid means to determine quality in my experience
#avpswjy#i dunno man it just irritates me lmao#also something doesnt need to be perfect quality to be enjoyable.. youre allowed to like things that are mid or even outright bad#i just think its not only a good practice but actively enjoyable to figure out what artists are going for when they use certain elements#why do writers use certain words? certain sentence lengths? who is the pov from and why? what associations do they draw?#why does an artist use a complex or simple style? what colors do they use? where does light hit and what does it make you focus on?#if someones trying to write a serious horror story and it comes across comical its not good writing#if someones trying to draw a peaceful family scene and it comes across as ominous thats not good art#and again . it Is subjective but not in the same way as most ppl say it is#what people are going for varies! there is no single stylistic choice that is universally bad! but that doesnt mean tht quality doesnt exis#i have more confidence in the horror story i recently wrote than a lot of the work ive done in the past#specifically because i sent it to friends and their theories aligned with the overall vibe and themes i wanted people to come away with#sure some people will misunderstand it or dislike it but i think its pretty effective at what its meant to evoke#idk man. i think anti intellectualism has done a number on art and artistic critique as a whole#and i wish more people approached art (making or appreciating it) with intentionality and not a mindset of blind consumerism
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melonkittii · 1 year ago
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sketchbook tour one day ? it's getting so full im so proud of it
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cl0ckworkpuppet · 1 year ago
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i think we all need to collectively remember again that art can also be a hobby and that not everyone who draws wants to be a professional artist
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mell0bee · 2 years ago
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perhaps i shouldnt say anything bc im not caught up but that imogen design..... hmmmm.
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kotori-mochi · 1 year ago
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Can't afford art school?
After seeing post like this 👇
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And this gem 👇
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As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
📺Here is my list:
Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)
Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)
BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free, teaches digital painting and has classes in Spanish)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Sinix Design (has some tips on drawing people)
Winged canvas (art school for free on a verity of mediums)
Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)
Scott Christian Sava (Inspiration and provides tips and advice)
Pikat (art advice and critiques)
Drawbox (a suggested cheap online art school, made of a community of artist)
Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)
Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)
Second part BOOKS, I have collected some books that have helped me and might help others.
📚Here is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
💻As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )
Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)
Blender (for 3D modules/sculpting, animation and more. Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)
Drawpile (free and for if you want to draw with others)
IbisPaint (free, phone app ONLY)
Medibang (free, IPAD, Android and PC)
NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"
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hampterguts · 4 months ago
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srry. i cant stop thinking abt that post. can we all. or. at least some of us agree that the moment you use the words "problematic media" as a serious and definable concept, we've already lost
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waterbearable · 9 months ago
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both in an attempt to be more deliberate about the work I'm doing w Personal Project and to stop myself from the pattern I have which is Do No Creative Work/Spend Hours At A Time On One Aspect of Creative Work, I have set a very loose timeline/goals for progress on Personal Project, part of which is to do my best to commit myself to spending at least an hour each on writing, drawing, and reading weekly (with the idea that I could literally just do 15 minute bursts multiple times a week and still meet the goal, since I normally have trouble scheduling things out bc I feel like there's not enough time in my day For A Task)
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pucksandpower · 13 days ago
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Critics and Lovers
Max Verstappen x journalist!Reader
Summary: how would the paddock react if they knew that the woman writing scathing critiques about the reigning world champion weekend after weekend was the same woman who whispers sweet nothings in his ear at night?
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“Did you really go to school for half a decade to get your journalism degree just to ask if I think I’ll win?”
Max’s voice cuts through the bustle of the press room, drawing the attention of a few journalists milling around with their notebooks and recorders. He leans back in his chair, arms folded across his chest, his smirk more amused than annoyed. His blue eyes — always so intense under the brim of his cap — lock onto yours, daring you to respond.
You raise an eyebrow, fighting the urge to roll your eyes at him. “I’m asking the questions the people want answers to, Max. It’s my job, remember?”
“Your job is to provoke me, apparently,” he counters, leaning forward slightly, his smirk widening. “But you know, you could at least pretend to be creative. Ask something that might surprise me for once.”
“I wasn’t aware you had the capacity to be surprised,” you quip, your pen hovering over your notepad as if ready to jot down his response.
Max lets out a low chuckle, shaking his head. “Touché. But if you’re expecting me to give you a soundbite for your next article, you’ll have to do better than that.”
The exchange draws a few chuckles from the nearby journalists, but they quickly refocus on their own tasks, used to the banter between the two of you. After all, it’s no secret that you’re Max Verstappen’s biggest critic.
Week after week, your articles dissect his performances with surgical precision, never shying away from pointing out his flaws, his temper, his moments of questionable judgment. To everyone else, you’re just doing your job, holding one of the sport’s biggest stars accountable. But to Max — well, he seems to take it in stride, brushing off your critiques with the same ease he shows on track.
What no one else knows, though, is that this verbal sparring is just another part of the complicated dance you and Max have been perfecting for years. A dance that begins in front of cameras and microphones, and ends in private, where the lines between your professional rivalry and personal relationship blur into something neither of you can fully define.
“Okay, fine,” you say, pretending to think hard about your next question. “How about this: what’s your plan for today? Any new strategies to surprise us with?”
Max raises an eyebrow, clearly unimpressed. “That’s almost worse than your first question. Did you really think that would get me talking?”
You sigh, exasperated. “Maybe if you gave me a straight answer for once, I wouldn’t have to keep asking.”
He leans in closer, lowering his voice just enough so only you can hear. “Maybe if you asked me something off the record, I’d actually consider it.”
“Off the record doesn’t sell papers, Max,” you reply, your tone equally low but tinged with something more affectionate, something that would be impossible to miss for anyone paying close attention.
Max’s smirk softens into something more sincere, his eyes flickering with the warmth that you’ve come to associate with the quiet moments you share away from the track, away from the scrutiny of the world.
It’s a look that says he knows you’re playing a role, just like he is. That despite the biting comments and the professional jabs, there’s a mutual understanding between you. A connection that runs deeper than anything either of you would ever admit in public.
But here, in this crowded room filled with reporters who’d kill for the kind of scoop only you could provide, that connection has to stay hidden. Because if anyone ever found out the truth — if they knew that you, the woman who writes those scathing critiques of Max Verstappen, were the same woman who shares his bed at night — it would be the end of both your careers.
And so, the game continues, with both of you playing your parts to perfection.
“Next time, try asking me something interesting,” Max says, his voice returning to its usual volume as he straightens in his chair, signaling the end of your private moment. “Otherwise, I’ll start thinking you’re getting lazy.”
You give him a look that’s meant to be stern but can’t quite hide the smile tugging at the corners of your mouth. “Lazy? I think you’re confusing me with your performance last weekend.”
The jab earns you a mock glare from Max, but he doesn’t take the bait, instead giving a noncommittal shrug. “We’ll see who’s lazy when I’m on top of the podium later.”
“Confident as ever, I see,” you remark, jotting down a few notes that you know you’ll never actually use.
“Just stating facts,” he says, and for a moment, you can’t help but admire the way he carries himself, the ease with which he navigates this world of high stakes and even higher expectations. It’s one of the things that drew you to him in the first place, back when neither of you had any idea where this relationship was heading.
“Well, good luck out there,” you say, finally stepping back to let the next reporter have their turn. But as you move away, you catch the briefest flash of something in his eyes — something that tells you he’s not just thinking about the race ahead, but about the conversation you’ll have later, away from prying eyes.
As you find a spot at the back of the room, your phone buzzes in your pocket. A quick glance tells you it’s a message from Max, sent under the guise of a work-related email, as usual.
You know I’m going to make you pay for that lazy comment later, right?
You bite back a smile, typing out a quick response.
Promises, promises.
The rest of the press conference goes by in a blur of questions and answers, none of which capture your attention the way Max does. You’re barely listening when the moderator finally wraps things up, and the drivers start to file out.
But before Max can make his exit, he pauses just long enough to catch your eye, giving you a look that’s all too familiar. It’s the same look he gave you the first time you met, back when he was just another driver on the grid and you were the new journalist determined to make a name for yourself. A look that says he’s already planning what he’s going to say to you later, when the cameras are off and the real conversations can begin.
You follow the crowd out of the room, blending in with the other journalists as you make your way toward the paddock. But your thoughts are already drifting to the end of the day, to the moment when you’ll finally be alone with Max, free to drop the pretense and just be yourselves.
Because despite the roles you play in public — the critical journalist and the cocky driver — in private, you’re something else entirely. Something that neither of you can fully explain, but neither of you wants to give up.
“Heading back to the media center?” One of your colleagues asks as you step outside, the midday sun beating down on the paddock.
“Yeah, I’ve got a deadline to meet,” you reply, forcing your mind back to the task at hand. But even as you say it, you know that your thoughts will be elsewhere for the rest of the day. On Max, and the secret you both share. A secret that, for now, is safe.
But how long can it stay that way?
The question lingers in your mind as you head back to your desk, the usual chatter of the paddock fading into the background. You’ve always known that this arrangement couldn’t last forever, that eventually, something would give.
The world of Formula 1 is too small, too tightly knit, for secrets like this to stay buried forever. And when the truth finally comes out — because it’s not a matter of if, but when — you know that everything will change.
But for now, you push those thoughts aside, focusing on the article you need to write. It’s what you’re good at, after all — crafting narratives, shaping stories. And today, the story is about Max, the driver who never fails to surprise you, both on and off the track.
The press room is quieter now, most of the other journalists having moved on to other tasks. You sit down at your laptop, the screen reflecting your determined expression. The cursor blinks at you, waiting. And as you begin to type, the words flow easily, the story taking shape with each keystroke.
It’s a story the world has seen before — another race, another analysis of Max Verstappen’s performance. But underneath it all, there’s a subtext that only you can see, a hidden layer that tells the real story. The one that will never make it to print.
The one that belongs to just you and Max.
Hours pass in a blur, your fingers flying over the keyboard as you lose yourself in the work. It’s almost too easy to write about Max, to analyze his every move, his every decision. You know him better than anyone, after all — better than any other journalist in this room, better than most of the people in his life. It’s a knowledge that comes with a price, though, a price you’re all too aware of.
But as the final paragraph falls into place, you sit back, satisfied. The article is done, the narrative complete. And with it, the day’s work is finally over. You stretch, glancing around the empty press room, and for a moment, you allow yourself to relax. To let go of the role you’ve been playing all day, and just be yourself.
Your phone buzzes again, pulling you back to reality. Another message from Max.
Meet me in the usual place?
You don’t hesitate before typing out a reply.
On my way.
The media center is almost deserted as you make your way out, the soft hum of electronics the only sound filling the room. You slip your laptop into your bag and sling it over your shoulder, feeling the weight of the day lift slightly as you step into the paddock. The evening air is cooler now, a welcome relief after the day’s heat, and the sky is streaked with shades of orange and pink as the sun dips below the horizon.
You walk with purpose, navigating the familiar maze of trailers and motorhomes, heading toward the secluded spot where you and Max often meet. It’s tucked away from the main pathways, a place where no one would think to look for you, and that’s exactly why it works. You reach the spot and pause, taking a deep breath before stepping around the corner.
Max is already there, leaning against the side of a trailer, his cap pulled low over his eyes, hands shoved in his pockets. He looks up as you approach, a slow smile spreading across his face.
“Took you long enough,” he says, his tone teasing.
“Had to finish that article you’re so eager to read,” you reply, stopping a few feet away from him, just outside the reach of his hands.
“Oh, I’m sure it’s a glowing review of my abilities,” he says, pushing off the trailer and closing the distance between you in two strides. He reaches for your hand, pulling you closer, and you don’t resist. Here, in this quiet corner of the paddock, the walls come down, and the roles you play for the cameras melt away.
“Glowing might be a stretch,” you say, allowing yourself a small smile as his hand lingers on your waist. “But it’s fair.”
“Fair is good,” he murmurs, leaning in so his forehead rests against yours. “But if I didn’t know better, I’d say you’re going easy on me.”
“Maybe I am,” you admit, your voice softening. “Or maybe I just think you deserve a break every now and then.”
“From the criticism? Or from you?” He asks, his eyes twinkling with mischief.
“Both,” you say, giving him a playful shove, but he doesn’t budge, his grip on you firm yet gentle.
“You know I’d never take a break from you,” he says, his voice low, serious now. His thumb strokes your side, sending a shiver up your spine.
You close your eyes for a moment, letting the sensation wash over you. It’s these moments you treasure the most, the ones where it’s just the two of you, no expectations, no pressure. Just Max and you, stripped down to the simplest version of yourselves.
“I know,” you whisper, opening your eyes to meet his gaze. “I’d never let you.”
His smile turns tender, and he cups your cheek, his thumb brushing over your skin in a way that makes your heart skip a beat. “Good,” he says simply, before closing the small gap between you and pressing his lips to yours.
The kiss is soft, unhurried, a stark contrast to the fast-paced world you both live in. It’s a reminder of what you have, what you’ve built together despite the odds. And as you kiss him back, you feel a warmth spread through you, one that has nothing to do with the lingering heat of the day.
When he finally pulls back, his forehead resting against yours again, he lets out a small sigh, as if he’s been holding his breath all day and can finally relax. “I hate this,” he admits quietly.
“Hate what?” You ask, your fingers playing with the edge of his shirt, needing the physical connection to anchor you.
“Hiding,” he says, the word heavy with the weight of months, years of secrecy. “I hate that we have to keep doing this, sneaking around like we’re doing something wrong.”
You feel a pang in your chest, because you hate it too. Hate the way you have to pretend to be something you’re not in front of everyone else. Hate the way you have to watch your words, your actions, every time you’re in the same room as him. But more than that, you hate the idea of what would happen if the truth came out. The scrutiny, the backlash, the way it would change everything.
“I know,” you say softly, your fingers stilling on his shirt. “But it’s the only way right now. We both knew that going into this.”
“I know we did,” he replies, his voice tinged with frustration. “But it doesn’t make it any easier.”
“No,” you agree, resting your head against his chest, listening to the steady beat of his heart. “It doesn’t.”
He wraps his arms around you, holding you close, and for a while, neither of you says anything. The silence is comforting, a shared understanding that words can’t always convey. It’s moments like these that make the rest of it bearable — the stolen kisses, the secret glances, the knowledge that, no matter what happens, you’ll always have each other.
Eventually, Max pulls back just enough to look at you, his expression softer now, the frustration replaced with something gentler, more resigned. “I just wish it could be different,” he says, his voice barely above a whisper.
“Me too,” you admit, your heart aching with the truth of it. “But we’ll get through this, Max. We always do.”
He nods, though you can see the doubt lingering in his eyes. “Yeah, we will,” he says, as if trying to convince himself as much as you. “And when we do, we’ll figure it out. Together.”
“Together,” you echo, holding onto the word like a lifeline.
He leans in to kiss you again, and this time, it’s slower, more deliberate, as if he’s trying to memorize every detail, every sensation. And you let him, because you’re doing the same, savoring the feel of him, the taste of him, the way his hand cradles the back of your head like you’re something precious.
When you finally break apart, both of you are breathless, and the world feels a little less heavy, a little less overwhelming. Max rests his forehead against yours, his eyes closed, his breath warm against your skin.
“I love you,” he says, the words so simple, yet so profound in the way they ground you, remind you of what’s important.
“I love you too,” you reply, your voice steady, certain.
He smiles then, that slow, genuine smile that’s just for you, the one that makes your heart skip a beat every time. And in that moment, everything else fades away — the doubts, the fears, the uncertainty of what the future holds. Because right now, in this quiet corner of the paddock, it’s just the two of you, and that’s enough.
For now, it’s enough.
“Come on,” Max says after a moment, his hand finding yours and giving it a gentle squeeze. “Let’s get out of here before someone comes looking for us.”
You nod, and together, you slip out of the shadows, making your way back through the maze of trailers and motorhomes, hand in hand. The paddock is quieter now, most of the crew having called it a day, and the sky is a deep, dusky blue as night settles in.
As you walk, you can’t help but glance at Max, the way his profile is lit by the dim lights of the paddock, the way his grip on your hand never wavers. It’s moments like these that make it all worth it — the sacrifices, the secrecy, the constant balancing act between your public and private lives.
Because at the end of the day, it’s not the criticism or the articles or even the races that matter. It’s this — being with him, knowing that no matter what, you’ll always have each other.
And as you slip out of the paddock together, unnoticed by anyone, you hold onto that thought, letting it carry you through the darkness, through the uncertainty of what tomorrow might bring.
Because for now, it’s enough.
And that’s all you need.
***
The Hidden Truth: Why I Kept My Marriage a Secret
By: Y/N Y/L/N
For as long as I’ve been a journalist, I’ve prided myself on one thing: honesty. I’ve built a career on asking the tough questions, on digging for the truth even when it’s uncomfortable, and on holding the powerful accountable. That’s why, as I sit down to write this, I find myself in an unfamiliar position — one where I’m the subject of my own scrutiny.
Over the past few years, I’ve become known as Max Verstappen’s biggest critic. I’ve questioned his decisions on track, his attitude off it, and his approach to the sport we both love. I’ve written article after article dissecting his every move, never once pulling my punches. And, in doing so, I’ve created a persona that many have come to recognize — a journalist who isn’t afraid to speak her mind, no matter who she’s writing about.
But there’s something I’ve kept hidden. Something I’ve chosen not to share, not because I’m ashamed of it, but because it’s deeply personal. And now, it’s time to tell the truth.
Max Verstappen is my husband.
Yes, you read that correctly. The man I’ve spent years publicly scrutinizing is the same man I wake up next to every morning, the same man who knows me better than anyone else in this world. We’ve been married for two years, together for even longer, and our relationship is something I hold incredibly dear.
I can already hear the questions — how could I, a journalist dedicated to transparency, keep such a monumental secret? How could I write so critically about the man I love, knowing the impact my words would have? The answers are complex, but I’ll do my best to explain.
When Max and I first started dating, it was easy to keep our relationship private. We were just two people trying to navigate the chaotic world of Formula 1, and neither of us wanted the added pressure of public scrutiny. But as our relationship grew more serious, we both knew that revealing it would come with consequences — not just for us, but for our careers, our reputations, and our personal lives.
So we made a choice. We decided that our relationship was something we wanted to protect, something we wanted to keep just for ourselves. And yes, that meant keeping it a secret from the public, from our colleagues, even from some of our closest friends.
But the secrecy wasn’t about hiding. It was about creating a space where we could be ourselves, away from the cameras, the interviews, the constant analysis of every move we made. It was about having something that was ours and ours alone, in a world where so much is shared, dissected, and often distorted.
Now, as for the criticism — many of you will likely wonder how I could write so harshly about the man I love. The truth is, when I put on my journalist hat, I’m not Max Verstappen’s wife. I’m not Y/N, the woman who loves him. I’m Y/N Y/L/N, the journalist who has a job to do. And that job is to report on the sport objectively, to ask the tough questions, and to hold everyone — including my husband — accountable.
Max knew this from the beginning, and he respected it. In fact, he encouraged it. He didn’t want me to go easy on him just because of our relationship. He wanted me to be true to myself and to my profession, even if that meant writing things that were difficult for both of us. And yes, there were times when it was hard — when I wrote something that hurt him, when we had to have difficult conversations about where to draw the line between my role as a journalist and my role as his partner.
But through it all, we’ve managed to keep our relationship strong, because we both understand that what happens on the track, what’s written in the press, isn’t the full story. The full story is what happens behind closed doors, away from the public eye, in the quiet moments we share when it’s just the two of us.
And now, the secret’s out. I know this revelation will come as a shock to many, and I’m prepared for the questions, the speculation, and yes, the criticism that will inevitably follow. But I want to make one thing clear — I’m not sorry.
I’m not sorry for keeping our relationship private. I’m not sorry for protecting something that means the world to me. And I’m not sorry for continuing to do my job with integrity, even when it meant writing things that were difficult for both of us.
This is our truth. It’s messy, it’s complicated, but it’s ours. And now, it’s out there for the world to see. I’m not asking for understanding or approval, because I know this will be a difficult pill for some to swallow. But I am asking for respect — for my choices, for our relationship, and for the fact that, at the end of the day, we’re just two people who fell in love in a world that’s anything but ordinary.
Max and I are still the same people we were before you knew about us. He’s still the incredible driver you’ve come to admire, and I’m still the journalist who will continue to ask the tough questions, no matter who’s on the other side of them.
The only difference now is that you know the full story.
And I’m okay with that.
***
The Other Side: Why We Chose to Keep Our Love Private
By: Max Verstappen
I’ve never been one to shy away from a challenge, whether on the track or off. Racing is in my blood — it’s what I’ve known and loved my entire life. But writing? That’s a whole different race, one where I’m definitely out of my comfort zone. So, when Y/N suggested I write this article, I wasn’t sure if it was such a great idea. But she convinced me — like she always does — so here I am, trying to find the words to explain what’s been one of the most significant parts of my life, one that I’ve kept hidden from the world until now.
As you’ve probably read by now, Y/N Y/L/N, the journalist who has been my harshest critic, is also my wife. Let that sink in for a moment — I know it took me a while to get used to the idea too. Not the fact that she’s my wife, but that the world now knows something we’ve kept private for so long.
When Y/N and I started dating, we had no idea where it would lead. We were just two people who happened to find something special in each other, despite the chaos of our worlds. But as our relationship deepened, so did the challenges. How do you navigate a relationship when one of you is in the spotlight 24/7, and the other’s job is to shine that light as brightly as possible, even when it’s uncomfortable?
We quickly realized that what we had was too important to let the world dictate how we lived it. So, we made a choice — a choice to keep our relationship private, not because we were ashamed, but because we wanted something for ourselves, something that wasn’t up for public debate or scrutiny.
People will ask why we did it, why we went to such lengths to keep it a secret, and the answer is simple: because we had to. Being a Formula 1 driver means living your life under a microscope. Every move you make, every word you say, is analyzed, criticized, and often misunderstood. It’s a pressure cooker, and adding a public relationship into that mix was something we weren’t willing to do.
It wasn’t an easy decision. There were times when I wanted to scream from the rooftops about how much I love this woman, how much she means to me, and how proud I am of her. But I knew that doing so would open us up to a level of scrutiny neither of us wanted or needed. And so, we kept it quiet, we kept it private, and we built something strong and real away from the cameras.
That’s not to say it was without its challenges. Y/N’s articles about me — some of which were less than flattering — were hard to swallow at times. But I respected her too much to ask her to change the way she does her job. She’s a journalist, and a damn good one at that. She has a responsibility to her readers, to the sport, and to herself to be honest, even if that honesty stings.
Did it hurt when she wrote something critical about me? Of course, it did. But I also understood that what she wrote came from a place of integrity, not malice. It was her job to ask the tough questions, to hold me accountable, and to do so without bias. And I loved her even more for it.
You might wonder how we managed to keep our relationship strong despite the secrecy and the criticism. The truth is, we did it by being honest with each other in ways we couldn’t be with anyone else. We talked — about everything. About the articles, about the pressures we were both under, about our fears and our hopes for the future. We made sure that, no matter what happened on the track or in the press, we were solid in our relationship. And we were.
But now that the secret’s out, I know things will change. People will have opinions, and they’ll want to know every detail of how we made this work. They’ll want to dissect our relationship just like they dissect my races. And that’s fine — we knew this day would come eventually.
What I want people to understand, though, is that our decision to keep our relationship private wasn’t about deception. It was about protection. We wanted to protect what we had, to give ourselves the space to grow as a couple without the pressures of the outside world bearing down on us.
I’ve always been a private person, and that’s not going to change just because the truth is out. But I’m also incredibly proud of what Y/N and I have built together. She’s my toughest critic, yes, but she’s also my biggest supporter, my partner, and the person I trust more than anyone else in this world.
So, why write this now? Because I want to set the record straight. I want people to understand that our relationship is real, that it’s built on love, respect, and a shared understanding of what it means to live in this crazy world of Formula 1. We didn’t hide it because we were ashamed — we hid it because we wanted to protect it, to keep it safe from the chaos that surrounds us every day.
And now that the secret’s out, I’m not afraid of what’s to come. I know there will be challenges, but I also know that we’ll face them together, just like we’ve faced everything else.
This is our story. It’s not perfect, and it’s far from simple, but it’s ours. And now, the world knows it too.
***
The sun hangs low over the paddock as you walk beside Max, your hand nestled comfortably in his. The usually bustling environment feels different today, like the air has thickened with anticipation. You can feel the eyes on you — hundreds of them, some curious, some incredulous, all hungry for the next piece of the puzzle that is you and Max Verstappen.
You’ve written about this very paddock more times than you can count. You’ve captured its energy, its chaos, its unpredictability. But today, for the first time, you’re the story.
Max squeezes your hand, a silent reassurance, and you glance up at him. He’s calm, or at least he appears to be. You know him well enough to see the subtle signs of tension — the set of his jaw, the way his eyes scan the crowd with a little more intensity than usual. He’s ready for whatever comes next. So are you, or at least that’s what you tell yourself.
“Ready?” He asks, his voice low, meant only for you.
“As I’ll ever be,” you reply, managing a small smile.
The first few steps into the paddock are deceptively quiet, almost serene. But then, as if someone has flipped a switch, the cameras flash, the microphones extend, and the questions start flying at you from every direction.
“Max! Is it true you’ve been married for two years?”
“Y/N, why did you keep it a secret?”
“How does this change your dynamic on the grid?”
“Will you be writing about Max differently now?”
You and Max exchange a glance, a wordless conversation in the middle of the media frenzy. His hand tightens around yours, a steady anchor in the chaos. You can feel the eyes of your colleagues, the other journalists who are now looking at you not as one of them but as a subject. It’s a disorienting feeling, like the world has suddenly shifted and you’re standing in a place you no longer recognize.
Max leans in close, his lips brushing your ear as he whispers, “Welcome to my world.”
You can’t help the laugh that bubbles up, a sound that cuts through the tension like a knife. It’s absurd, this whole situation. You’ve spent years writing about him, criticizing him, analyzing his every move, and now you’re on the other side of that scrutiny.
You straighten your shoulders, drawing on every ounce of professionalism you have. This is what you signed up for. You’ve spent years dissecting the lives of others, and now it’s your turn to be under the microscope. It’s only fair.
But Max isn’t letting you go it alone. He steps forward, his presence commanding as he addresses the swarm of reporters. “We’ll take questions, but let’s keep it civil,” he says, his tone leaving no room for argument.
The first question comes from a reporter you recognize, someone you’ve shared more than a few press rooms with. “Max, how does it feel to have your relationship with Y/N out in the open?”
Max glances at you, a small smile tugging at his lips. “It feels good. We’ve wanted to keep this part of our lives private, but now that it’s out, we’re ready to move forward.”
Another reporter jumps in, this one more aggressive. “Y/N, how do you expect to remain unbiased in your reporting now that everyone knows you’re married to Max?”
You take a deep breath, forcing yourself to stay calm. “I’ve always strived for objectivity in my work, and that won’t change. My relationship with Max is separate from my role as a journalist. I’ll continue to ask the tough questions, just as I always have.”
It’s a carefully crafted answer, one you rehearsed in your head a dozen times before stepping into the paddock. But you can see the skepticism in their eyes, the doubt that you can truly keep your professional and personal lives separate. It stings, but you knew it was coming.
Max’s voice cuts through the murmurs. “Y/N has always been one of the best in the business, and that’s not going to change just because we’re married. If anything, she’ll probably be even harder on me now.”
There’s a ripple of laughter, a brief moment of levity in the tension-filled space. But it’s short-lived. The questions keep coming, each one sharper than the last.
“Max, do you think your performance on the track will be affected now that your marriage is public?”
“Y/N, do you regret keeping this a secret for so long?”
“What about the other drivers? How do they feel about this?”
You’re starting to feel the weight of it all, the relentless pressure of the cameras, the voices, the questions that seem to dig deeper and deeper. But Max is by your side, unwavering, and that gives you strength.
“I don’t regret anything,” you say firmly, your voice cutting through the noise. “Max and I made the decision to keep our relationship private because it was what was best for us. We wanted to protect something that mattered to us, and I don’t think anyone can fault us for that.”
Max nods, his hand still wrapped around yours. “We knew this would come with challenges, but we’re ready to face them together.”
There’s a moment of silence, a pause as the reporters digest your words. But you know this isn’t the end of it. The scrutiny, the questions, they’re not going to stop anytime soon. You’ve become the story, and that’s something you’ll have to live with.
But as you stand there, side by side with Max, you realize that you’re okay with it. You’ve spent years writing about other people’s lives, their triumphs and failures, their relationships and rivalries. Now, it’s your turn to be in the spotlight, and you’re ready for it.
“Max, Y/N,” a voice calls out, one of the more seasoned journalists you’ve always respected. “What’s next for you two? How do you plan to navigate this new chapter?”
Max looks at you, his eyes softening. “We’re going to keep doing what we’ve always done. I’ll keep racing, Y/N will keep writing, and we’ll keep supporting each other every step of the way. This is just another challenge, and we’re more than ready to face it.”
You nod, feeling a surge of confidence. “We’re not going to let this change who we are or what we do. We’ve always been a team, and that’s not going to change now.”
There’s a finality to your words, a sense that you’ve said all there is to say. The reporters sense it too, the questions starting to taper off as they realize they’re not going to get anything more out of you today.
Max squeezes your hand one last time before turning to the crowd. “Thanks, everyone. We’ll see you in the media pen.”
With that, he starts to lead you away, but not before you catch the eyes of a few of your colleagues. There’s a mix of emotions there — some understanding, some curiosity, and yes, some judgment. But you don’t let it get to you. You’ve spent your career building a reputation, and one revelation isn’t going to tear that down.
As you walk away from the crowd, Max’s arm slips around your waist, pulling you close. “Not so bad, huh?” He murmurs.
You laugh softly, leaning into him. “Speak for yourself. I think I’ll stick to writing the articles, not being the subject of them.”
Max chuckles, his breath warm against your temple. “Now you know why I’m not a fan of the media. Present company excluded, of course.”
“Of course,” you echo, smiling up at him.
The paddock is still buzzing with energy, the usual pre-race preparations in full swing. But you and Max walk through it with a new sense of purpose, a newfound clarity. The secret is out, and while it comes with challenges, it also comes with freedom — a freedom to be yourselves, to love each other openly, without the burden of secrecy.
You know the road ahead won’t be easy. There will be more questions, more scrutiny, more judgment. But as long as you have Max by your side, you know you can handle whatever comes your way.
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idolomantises · 4 months ago
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I haven't drawn Hazbin Hotel/Helluva Boss redesigns since last year and the fandom still regularly tags me/picks fights with me over them. I did not think a couple drawings would live in people's heads so rent free.
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Like you can go find my redesigns on twitter, they're still very public. I just label them as "Angel Dust redesign" or "Alastor redesign". The only time I think I explicitly called a design bad was when I said I found Beelzebub's design atrocious. Which it is. It's an overdesigned mess that doesn't convey the sin at all, I'm allowed to say I don't like it. And even still, when I posted the art, I still labeled it as "Beelzebub redesign".
I'm not going to forget when you fans regularly stalked my account and PATREON just to figure out when I would upload the redesigns. You think I forgot about when I posted my Angel Dust redesign which was just meant to improve my old design and you people harassed me for days? You accused me of "baiting" fans because you are so self-obsessed you think everything I do is explicitly to upset you. You people misgendered me, told me to kill myself, called me a fucking cockroach and flat out threatened to assault me multiple times. Sure I was harsh about my critiques, but I didn't resort to homophobic and transphobic comments like you people did with my Angel Dust redesign because for some unexplained reason you diehard fans who have been following this project for 10 years didn't know that he's meant to be a drag queen. When I did a quick redesign of Katie Killjoy on my personal tumblr, guess what? You people flipped the fuck out, AGAIN.
I can't even talk about my own religion without you sad, paranoid losers thinking I'm trashtalking hazbin hotel. You made up some rumor that I block all Hazbin Hotel/Helluva Boss fans (despite being mutuals/friends with people who are fans of the shows or actually work on them) just so you could justify harassing me even more. You told me for years that I should wait until the Hazbin series dropped to get my full thoughts out and when it did you people still freaked out and berated me.
Even when I talked about my situation after posting my Angel Dust redesign, instead of apologizing, fans claimed I planned this hostile reaction to begin with to make the fandom look bad. That I was "pulling a transphobia card" for sympathy. I didn't do shit. You people have gotten more aggressive about your hate towards me because people finally saw how incredibly inappropriate and vile you people act over a midtier cartoon written by someone who has so many allegations of bullying, transphobia, racism and workplace abuse that it's become harder and harder for you to deny, so you take out your unrepressed anger on me.
I know the only reason you people target me is because I'm a big artist who doesn't kiss Viv's ass. You want me to be a diehard fan of hers like every other big artist you people bully into worshipping Viv and her show and I won't do it. So you just obsessively stalk and monitor my account and accuse every little thing I do as a spiteful attack so you can justify your little harassment campaigns again. It's pathetic.
Seek help, find a hobby, stop obsessing over people who don't like the same thing as you. It's getting sad.
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