#one piece meta analysis

[eddith]

After watching the fan letter i kept thinking how one piece is a masterclass of showing how a story doesn't need to be driven by romantic love to explore the beautiful romanticism of relationships in a real and heartfelt way.

Fiction is so oversaturated with romance that relationships between characters are most often than not so superficial and goddamn repetitive, I swear if it were another author writing marineford I would 100% expect the the plot to revolve around the main character saving their romantic interest.

I feel like writters dont really give platonic bonds this type of love and attention, and I do believe a part of it revolves around a societal context to what we as a society considers beautiful, romantic and worthwhile telling a story about.

And also the epidemic of loliness, the lack of connection and the isolation are all factors to why we see romantic love stories being pushed this much, this attachment of the idea of romance that most people seems to have.

And this is why i dont like the narrative of “separating the artist from their art” because I think this it is such a poor way of analyzing art. You can’t create a story like one piece, who explores platonic bonds and prioritizes them again and again and intentionally puts them at the forefront of your story if you, the writer, don't view those bonds as something special and worthwhile writting about.

Because after being caught up with one piece I kept asking myself why did this story had such an impact on me? The backstories, the bonds, they all shock me to my core.

Me being a older sister who wasn't ever that close to my little sister and who always felt this disparaging loliness since i was a child, watching mariford hurted me in a way that no story ever could, I can't imagine the impact one piece would have on me if i watched this when i was younger.

And I believe it's all because of Oda's view on relationships, how he seems to have a deeper understanding of people and how they work.

One piece transforms the “ordinary” bonds that most of us have in our lifes into something so extraordinary.

This why I not only respect Oda as a writer, but also as a person.

A person who could so beautifully show us the true beauty of life, that is, the people around us who love and support us.

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[no1onepiecefan]

luffy’s memory issues are one of my favourite parts to his character. apologies for the personal anecdote, i promise it’s relevant to the analysis, but i have memory issues too. and while i’ll never truly be able to articulate the experience, it’s a scary thing to not remember. people know who i was in the past better than i do, and i live each moment understanding that the present is all i have in guarantee.

i’ll never know the exact reason behind this, but i know at least some stems from what i have unconsciously done to soothe myself from past pains and loneliness. some part of me thinks that luffy has done that too.

luffy’s childhood was horrific. while not morbid and unimaginable like law or robin’s for example. and it wasn’t framed by specific moments of catastrophic tragedy like franky or chopper’s either. instead, it was continuously difficult in an everyday way.

from as young as we have seen luffy, garp has either been absent or cruel; his one family member. he lived in a jungle at age ten, thrown into the fire all but literally by his grandfather. it is inhumane and unjustifiable from garp. he was raised by mountain bandits, and yes, mountain bandits who did their best and were better, constant figures in luffy’s life, more than anyone who had inherent responsibility towards him; mountain bandits nonetheless.

dadan & co never asked to be guardians, and never quite learned to orientate their behaviours to be so. luffy was in less than ideal conditions, treated in less than ideal ways at times, and was never truly, gently cared for other than brief, fleeting moments with makino and shanks.

his brothers, while they grew to lean on and love each other, were initially so against even the idea of him. sometimes isolation is bearable until it is obvious. and luffy, who must’ve been so alone, was now also being pushed away. his one haven, ace, someone near his age in the exact same situation as himself, wanted nothing to do with him. and that jungle must’ve felt a lot bigger despite his situation not having changed.

luffy’s life has been a battle of constant, small problems. he has larger traumas like shanks losing his arm and losing sabo, and that all adds. if luffy sat and dwelled in his past memories, what would he find? not countless searing horrors but a day to day existence that was synonymous with tinging unhappiness.

it’s not far fetched to theorise that luffy’s unending clamber to simply live resulted in a memory filled with gaps, and a memory that will never adhere to names that well, or remember what happened that week. losing ace no doubt didn’t help, in fact it may have resigned luffy’s memory to its fate. a life of loneliness and constant struggle, united with an incomprehensible trauma.

it means a lot to me, and i see a lot of myself in him, as he forgets things which are important to him; as sombre as that is. like marco’s name, who he only remembered to thank and couldn’t remember anything more. it aches to not know, the fear of not remembering loved ones, losing what little i have. i wonder if luffy fears losing his memories of ace? i wonder if he curses never being able to forget the sound ace made as he fell to the ground, but not being able to remember how his smile reached his eyes.

[kacievvbbbb]

Something about Vegapunk using the dna and blood of a caged and experimented on child to create more caged child experiments and the cycles we perpetuate.

Because what does it mean that all that King has left as proof, that the lunarians were real, that they existed as a tribe, as a people, are seven manufactured children he doesn’t even know about, enslaved as weapons to the government that wiped out the culture they’ll never get to be a part of, and Alber himself another enslaved child lost to something he’ll never fully know.

And what of the warlords? Already young once and hurt by their government, young again and slaves to it. Boa looking at a version of her practically pulled out of time stuck in her worst nightmare or Jimbei looking at a version of himself living out a past he escaped by the skin of his teeth but so many he loved didn’t, even Doffy once again at the mercy of the people that already abandoned him, has Kuma not suffered enough? Given enough, is this child version of him doomed to repeat the same path he already could not escape from . Property of the world government, beholden to the celestial dragons, this version of me that cannot go free?

It’s interesting that Vegapunk joined the government so that he could do the most good, but look at the long line of people right infront of him that he’s hurt with his own hands.

[soft-niku-and-sake]

Zoro's eye scar theory:

x

Someone on Twitter has this theory that Zoro's eye scar is self-inflicted just like Luffy's and I genuinely can see that happening. It's more interesting and a better theory than Zoro having some hidden power under his eye or the baboons are the ones responsible for it LOL.

I mean Zoro doesn't really have a problem with handicapping himself just to prove a point. 

As you can see...

Zoro is like "You find it fun to poke my wound. I'll do you one better." *BAM! cuts himself*

But instead of "gaining his sense of honor" like what the original poster thought of, I kinda imagine Zoro doing this during his observation haki training with Mihawk. Compared to Rayleigh's training, wherein he's a tough but a gentler instructor, I can see Mihawk being stricter and would mock Zoro whenever he makes mistakes, and Zoro, being stubborn and arrogant, would slash his eye to prove to his teacher/rival he can master observation even with just one eye. (Well, this is also the same guy who would cut his legs during Little Garden and his hand when he was handcuffed with Usopp just to fight lol. Who says he won't blind himself. What a freak)

Moreover, people have been speculating that Zoro's potential enemy among the Blackbeard pirates would be Shiryu, who currently has the Clear Clear Fruit. If he were to fight someone who is a strong swordsman and can literally turn invisible, Zoro must have one hell of observational skill to defeat him. If we are going to see a flashback of him stabbing his eye, perhaps it will be during his battle with Shiryu.

I mean Oda could just give him a scar just to make him look cool (which is more likely lmao), but if it were to reveal what happened to his eye, I think this headcanon really makes sense, judging by the way Oda also likes to parallel Luffy and Zoro very much.

Luffy: Stabbing under his eye to prove a point to Shanks

Zoro: Slashing his eye to prove a point to Mihawk.

[patientwasabi]

I was thinking about Luffy not wanting to be a hero when I realized something.

His very simple yet insightful line, "heroes share their meat, I want all the meat", very clearly shows that heroes make sacrifices. He doesn't want to make sacrifices. Perhaps it's because he's been the sacrifice himself.

Garp is a hero. He's cool too. But he was hardly present in Luffy's childhood. No matter how much he'd get beaten by his grandpa, I bet he'd still rather have him around than not ("being alone is worse than being hurt."). Yet Garp very clearly makes a sacrifice here. Being a marine being a priority over his grandson in the absence of the child's father.

Later, after Enies Lobby, he finds out that Dragon is a revolutionary. Literally a hero of the people. What's he done? The cost he paid for a greater good? He sacrificed Luffy.

So, while Luffy loves really deeply and fights for this love, he would rather have a death grip on his precious ones by being a pirate than let go and sacrifice and become a hero.

This may very well just be me looking too deeply into it, but the idea of Luffy being the sacrifice just did something to my insides that is hard to explain.

[maximumqueer]

Luffy not wanting to be viewed as a hero is actually so important to me. Because while the first reasoning we get for this is him not wanting to share his food

We also learn later on that Luffy also doesn't want to be viewed as a savior, nor does he ever want to present himself as such. He doesn't want to be placed on a pedestal or (ironically) be deified by the people he helps.

At the end of Fishman island, he was fully ready to leave without fanfare because he did not want to be treated by the people in that way, and only agrees to stay because he is promised food. The same thing happens at the end of Wano, where he refuses to take any credit for the downfall of Kaido and instead simply enjoys the festival with everyone else.

I cannot overstate how much I love this decision for Luffy as a character. It is incredibly common for stories like Fishman Island and Wano to have the main character swoop in and save the oppressed people, with said character being to sole person to rally them and "teach" them how to fight back. We don't get that with Luffy.

In Fishman Island, he tells the people that its up to them to decide whether or not he is their friend or foe instead of swooping in playing the role of the hero. In Wano, he understands to importance of who begins the fight with Kaido, and stands back to let the Red Scabbards (Wano natives) get the first major hit on Kaido

Even in the prison when Luffy gives his speech, he is asking the people to let him help, to have faith that they and their country can be free again, to fight for the freedom that had been cruelly stripped away from them. And even then, it is Momo and members of the Red Scabbards that fully restore the Udon prisoners faith.

Hell, we even see this all the way back in Arlong Park, where Luffy waits to take action until Nami asks him for help. He doesn't come in guns blazing and save her like some sort of white knight, but instead waits for Nami's go ahead, placing the power in her hand.

It's just such a refreshing way of seeing a protagonist in this type of story be portrayed. To have him understand the importance of the people he fight's side by side with, and not place himself as the fixer of all problems, but rather as an aid to these people (often times an aid that they explicitly asked for). It actively rejects the white savior/white knight trope(s) and allows for the people native to the island to have agency in these large battles instead of being sidelined. It is their lives and stories that are centered as being the most important in these moments, and Luffy is simply there to help them.

[dykealloy]

such a small detail but I cannot stop thinking about law leaving kikoku by luffy's bedside when he went out to talk with hancock and ivankov. idk it stirs up a lot of questions. like does law do this often? does law, like zoro, talk to his well-behaved cursed sword like "kikoku, sit. watch." before he leaves to go have lunch or a well deserved twenty minute post-surgery nap. is this the protective equivalent to leaving a baseball bat by the bedside? doctor's bedside manner emotional support blade? but then I also can't help but notice that it's unsheathed. which... actually, who is that sword protecting really, just sitting there? did luffy wake up more than once in the cradle of that submarine while his body was still recovering? (drugged up to the gills, entirely noncoherent, unable to be reasoned with, going in and out of consciousness, the only thought running through his mind being "ace"). probably would've been a nightmare for the heart crew

[sapphicfandompirate]

Did any of the Strawhat's even go to school?

Chapter 1134 has sparked discussions on the state of the Strawhat's education, so I figured I would do a little analysis on my thoughts on it based on canon.

Luffy- Feral jungle child. Makino probably taught him to read and write, and attempted to teach him manners. Jury is out on whether or not Garp actually taught him anything. Doesn't seem to know much history. Does know beetles, and probably a lot of survival skills, including hunting.

Zoro- Ok this is the real reason why I made this post.

A dōjō (道場, Japanese pronunciation: [doꜜː(d)ʑoː]) is a hall or place for immersive learning, experiential learning, or meditation. This is traditionally in the field of martial arts. The term literally means "place of the Way" in Japanese. -Wikipedia

Isshin Dojo (一心道場, Isshin Dōjō?) is a kenjutsu school, a school of Japanese swordsmanship. Its owner is Koushirou, who is a skilled swordsman and father of the deceased Kuina. It is the place where Zoro trained his Three Sword Style and in the anime is the only dojo Zoro did not take down the sign of. -One Piece Wiki, Emphasis added by me

As a member of the Isshin Dojo Zoro has attended school! Koshiro taught him primarily swordsmanship and meditation, but someone taught him reading, writing, and math and I'm just going to guess it's Koshiro as well. Seems to know a bit of sword-related history, but not much world or local history.

Nami-Stole education books. Not formally educated. Everything was probably taught by Bellemere and the rest was learned on the fly. Probably knows the basics of mainstream world history. Is capable of formulating advanced equations, and has vast sailing, navigation, cartography and weather knowledge. Studied at Weatheria during the timeskip, but it doesn't seem like a formal institution.

Usopp - Orphaned street rat. Unknown who taught him to read, write, and do math. Possibly Banchina before she passed away. Somehow he knows chemistry and engineering? Might have borrowed books from Kaya? Mostly self-taught it seems.

Sanji- Definitely has a formal education, up until he ran away. Noble child who had a variety of tutors. Learned whatever noble children learn plus a variety of fighting techniques and fields of science. Then was taught cooking by Zeff. Boy definitely knows how to do math. Anyone who cooks for a large group of people can at least multiply on the fly, or has a calculator taped to the wall. One Piece appears to use the metric system, so at least he doesn't have to figure out how to quadruple a recipe that originally called for 1 2/3 cups of flour.

Chopper - Professionally taught by Dr. Kureha (and Dr. Hililuk). They are both referred to as Doctors, but it is unknown what sort of medical knowledge is actually needed for that title, or if there is like a degree or anything. Assumably one of them taught him reading, writing, math, and chemistry in addition to medical stuff. Also read all of the books in the Torino Kingdom during the timeskip. According to the wiki, Kureha established an academy during the timeskip.

After establishing a medical academy, she taught and trained at least eighty students who became skilled enough to join the Isshi-20, expanding their members to a hundred under her leadership.

Robin- Got a degree in archaeology at the age of 8. Has all of the reading, writing, and history skills, including dead languages. While she taught herself how to read the poneglyphs, I think it's safe to say that Professor Clover taught her regular history, math, science, reading, and writing. Robin went to school!

Franky - Apprenticeship under the shipwright Tom. His state of education was unknown before meeting Tom at age 10. Should know all of the basic skills (reading, writing, math) in addition to carpentry, and shipbuilding. Tom's Workers is referred to as a shipbuilding company, so I don't think it counts as a school? Knows at least enough medical knowledge to turn himself into a cyborg with scraps from a ghost ship after being runover by a train. And Survive. Somehow.

Brook- APPARENTLY??? Stated that school makes him nostalgic, which implies he attended. Also knows a variety of things usually nobility would, namely various musical instruments and fencing. He also knows sailing, and various other things to be a battle convoy leader and pirate captain. I have questions for this man.

Jinbe - Dojo again, this time the Fish-Man Karate Dojo. Later joined the Neptune Army. So, since a dojo counts as a type of specialized school, he's attended a school as well as had military training! Knows basic historical stuff, especially that pertaining to fishmen and human-fishman relations. Seems to know other basic life skills (reading, writing, math, ect)

So, in conclusion:

Went to school: Zoro, Robin, Brook, Jinbe

Private Tutors: Sanji

Vocational Training under a Professional: Sanji, Chopper. Franky, Nami,

Self Taught with some instruction by a parent or other adult (non-professional): Luffy, Nami, Usopp

Out of the ten members, 4 of them attended a school of some sort and several others had some sort of professional training or supervision of study.

Feel free to add on if I missed anything!

[sailing-ever-west]

I'm obsessed with Nami in the realm of female character writing, because on the surface her arc is to be saved by a guy/group of guys, and generally with female characters that's used to take away their agency or power and/or support a romance. But with Nami...it does none of that. Her story is about learning to depend on others, but rather than reducing her power in any way, it increases it. The isolation she experienced before wasn't independence, but part of her oppression, so having a family to support her gives her infinitely more freedom.

Luffy is her captain, but the way Luffy does that is never to lord over people, it's to raise them up with him. And, importantly, he waits for it to be her choice. He stays supportively in reach until she asks for his help. The only time he intervenes without permission is to stop her from actively harming herself. And when he does intervene, it's not to whisk her away and keep her somewhere else safe where she's dependent on his security and protection, it's to literally beat the crap out of her oppressor so he's never a problem again and she's free to live her life either way. And although Sanji acts romantically toward her and the rescue follows his grand ideals of fighting for a beautiful lady, there's no expectation that she now owes him anything or has to give him a chance just because he helped her out of an abusive situation. He did it because he cared, not in exchange for anything. They were all willing to fight and bleed for her with next to nothing in return, and that's so vital.

Nami being a woman is definitely relevant to her story (using her beauty and pretend helplessness to steal without suspicion, the fact that she takes after her mom who was tough as nails in the male-dominated marines, the very real isolation and fear of being female surrounded by [fish]men with power over her), but it's important to note that she doesn't need saving because she's a woman, or due to any weakness on her part. She is shown as incredibly strong, brave, and clever, right from the beginning, but she was trapped in a situation with Arlong that would've been impossible for anyone to get out of alone. Now with a crew by her side, she no longer has to.

[kennytheworkingclasshero]

Cartman is so confusing. This boy is a narcissist and he’s manipulative, he is incredibly antisemitic, racist, sexist and overall not a good person. He seemingly doesn’t care about his friends and will take any opportunity to hurt them and not think twice about it. And yet, he has also shown genuine care for Kenny, Stan and even Kyle. He stopped himself from killing the pangolin when he saw how much Stan was affected from the lockdown, even if that meant he would have to go back to school like normal (which he did not want to happen). He saved a bunch of baby cows because he knew how important it was to Stan, not because he actually cared about the cows liberation. He sobbed when Kenny was sick, he was the one that reached out to Stan and Kyle when he saw how much Kenny was sad that their relationship was dying and took steps to try and mend this. He saved Kyle in Smug Alert! because be “missed” “ripping on him” and showed genuine gratitude when Kyle saved him from getting assaulted, calling him “my little monster” affectionately. These examples don’t even begin to make up for everything that Cartman has done, he is not someone who deserves forgiveness or can even begin to atone for his behaviour, but he very much gives the “I can be a dickhead to you, but no one else can” vibe when it comes to his friends.

[eddith]

How it pains my heart when people talk about the Straw Hats disbanding and "settling down" after achieving their own personal dreams and finding the One Piece.

Like, what do yall mean?? Are we watching/reading the same story??

The strawhats are together because this is their family.

The Thousand Sunny is their Home!

Robin has spent most of her life alone why would she “settle down” away from her family??

This sea is so vast, if im not mistaken, the one piece earth is 6x times bigger than ours, just the strech of land of the grand line is enormous and people keep talking about the crew “settling down” when we have SO MUCH to explore yet? like, don’t piss me off.

There is so much land, so many cultures and stories to explore in this vast world.

When we see other crews like the Roger pirates, the ONLY reason they disbanded was because Roger was fucking sick.

And it’s the SAME thing that happened with the Whitbeard pirates, they literally grew older together, traveling, exploring for their WHOLE lives ultil their captain was killed.

Like, are we not seeing the pattern here?

(And fair enough, if you think Luffy is going to die at the end of the story, you might as well think about the crew being separated.

But ever since Gear 5, it feels like Oda has created this character in Luffy where he can do absolutely whatever he wants, so I think it would be appropriate for Luffy to just decide he's not going to die, lol.)

But it genuinely pisses me off when people talk about Robin and Nami going away when like…

Sure Nami has her family, Robin has the revolutionary army, even Chopper has the sakura country, Sanji has the baratie and Franky has his family

Yes, they do indeed all have family ties outside of the crew.

But that doesnt mean that the crew is less of a family to them, they chose this, to be each other “Nakama” to be in this journey together.

One piece doesnt feel like the type of story that just “ends” after we accomplishes our dreams, with everyone separating and living “normal lives”.

It's not just about Sanji finding the all blue, he has to explore new fish, cook for his family, like, it's the start of something bigger, you know? And i can say that for any Straw Hat.

To me the end of one piece feels like “What will life be like after we accomplish our dreams?”

Pirate king is not a tittle that you gain and then that’s it, you know?

You need to LIVE as the freest man in the World.

Roger lived a life of piracy, and at the end of his journey he was named King of the Pirates.

But for fucks sake, Luffy has the power of the Sun God.

(Is it really that crazy to think that because of this ancient power he awakened, he might not be affected by all the times he shortened his life expectancy to protect people?)

It just doesn't feel like a story where the hero gives up his life to save others at the end.

It feels like the kind of story where you always fight with every ounce of strength in your being to live as hard as you can.

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[no1onepiecefan]

zoro unlocking conquerors/supreme king haki while having a flashback about luffy, explaining him as the reason he did so, was insane narratively.

zoro’s devotion is as unquestioned as humans’ need for oxygen, his loyalty is as sure as the need for ground beneath our feet. but to place luffy at the center of even his willpower and ambition, that’s something.

supreme king haki is an unteachable, one in a million power that’s tied with having ‘kingly’ qualities. but zoro doesn’t want to be a leader, he relishes in following. he states, with a picture of luffy in his mind, luffy commenting that he needs no less than the world’s greatest swordsman, that he made a promise. his promise to kuina and luffy is at foundation of his drive.

zoro’s supreme king haki does not stem from the ambition of a king, it comes from wanting to be his king’s very best soldier. he wants to be the greatest, and he wants to be no less than that for luffy. a king, sure, but in the way that a king would answer to a god.

when asked “so you intend to be a king, then?” zoro’s initial instinct was simple, “what?” because that had never even crossed his mind. but he agrees shortly after, with the image of luffy in his mind, “that’s right.” and he became the king of hell, serving a god of the sun.

zoro doesn’t have ambition to conquer, not in the same way luffy does, but he wants to conquer whatever stands in luffy’s way. his ‘kingly’ attributes are accelerated by devotion, like a king would devote his life to his country, his everything. while becoming the world’s greatest swordsman is a convoluted example of a king, sitting atop a throne of symbolic power, i think it’s more accurate to call what zoro unlocked ‘supreme soldier’ haki. ‘conquerors’ haki in the way a marshal would lead an army for his king, and not the king himself. conquering the battlefield as a victory for not only himself, his ambition interconnected with others (those he loves).

i don’t mean to diminish zoro’s ambition, to be the world’s greatest swordsman is a king in itself and that should be recognised. but nothing can detract from the fact that as he unlocked this power, the power of ultimate will, his mind was full of luffy and his smiling face. luffy has always and will always be at the base of zoro’s goal, since the day he met him. becoming the world’s greatest swordsman was no longer solely tied to kuina but now equally his captain, who could have no less than the world’s greatest swordsman.

and what an interesting development we saw happen in front of us. comparatively, the reason for every strawhat’s dream is born from their past, but we witnessed the reason behind zoro’s dream evolve in present time. he no longer strives for kuina alone. he will be a king, because it is what luffy needs as well. he will be the world’s greatest swordsman because he’s got a promise to keep to his captain and his best friend.

a one in a million power, unlocked as a result of a promise. zoro’s devotion is indescribable, his loyalty and his love is quite literally one in a million. if not even rarer as we have never seen an instance of supreme king be activated for someone else. i cannot articulate the beauty of it

[beaulesbian]

Every once in a while I think again about the end of Thriller Bark and feel completely insane and ill about Zoro's sacrifice, FOR LUFFY, specifically (you know, the character Kuma's threat was directed at). It wasn't even that long into traveling together, a few months maybe, yet Zoro was ready to give up everything in that moment - in the chapter with Kuma appearing being titled The End of the Dream ! - to protect his crew and Luffy, so he could continue in his journey.

Since Luffy and Zoro met, they always understand how words and promises were imporant to them - with Luffy punching Helmeppo in ch. 3 for lying to Zoro. Zoro learnt how serious Luffy was about his dream, and soon he realized he backed up his words with actions as well - untiying Zoro and giving him his swords back - his biggest treasures. It meant that Zoro could be honest and honor-bound in the same way to Luffy, to gain this mutual respect and trust between them since day 1. To wield his swords to protect both Luffy and later their whole crew, and to step in a way between Luffy and danger.

He was being actually more upset that Sanji got up from the previous Kuma's attack and interrupted their fight - Zoro was trying to keep the whole crew safe by this exchange for Luffy's head - if Sanji was offering his life for Luffy half dead and without much strength left to fight for himself (he started the offering of his own life already believing he woudn't survive, with a "you should find a new cook"), then this very specific sacrifice would be meaningless to the crew (- if this arc was taking place post WCI, then it would turn out very differently, with the strength of Sanji believing in Luffy, but it wasn't his moment during this scene) - it would hurt them more than help them, because as much as Zoro was prepared to die as well, he was prepared to keep fighting until the last breath.

Zoro was thinking he might die - Kuma's words were pretty certain he WOULD die - but he still had the willingness and strength to take on the deal for Luffy, for his captain and his crew. ("if i die here, it just means I wasn't worth much to begin with" this line he says times and times again during the overall story, like in Rogue Town throwing Kitetsu and waiting if it would cut off his arm, up until standing against King in Wano "it's my power that was lacking", and all the other times he was questioning his worth - it's something he tempts the fates he doesn't believe in, to actually harm him, to take his strength away if he doesn't deserve to survive. and it's him saying he knows and accepts his own weaknesses - of not being strong enough (in comparison to Sanji in this example), and always fights through them.)

He threw away his swords, including Wado Ichimonji - literally throwing aside his and Kuina's dream, to compell Kuma into a duel (with the anime playing 'The Very Very Very Strongest' when Zoro bowed down and pleaded Kuma, offering him his head instead of Luffy's) so Kuma wouldn't go after the crew and specifically Luffy later - no matter the outcome if Zoro would surive or not.

And then, he was actually strong enough to survive taking his captain's fatigue, agony and pain! Possibly being the only one who could survive taking Luffy's pain.

Zoro could have back out when Kuma offered him the 'taste' of the pain, with the realization of the scale of the hurt with the very possibility of dying from it. But that wouldn't be Zoro now, would it? He accepted and took all of Luffy's pain so his captain wouldn't have to suffer or die, and when they found him afterwards, he still kept standing, tense with the fatigue but alive! (again, with anime adding the music of 'Luffy's Fierce Attack' to underline the importance between these two).

He was training for this since the beginning - to become stronger to shoulder the pain of his crew if necessary. (And not only that - he was preparing for that so another Kuina incident didn't have to happen). He was the first one to fight one of the Warlords before anything really began: his fight with Mihawk at Baratie really set the tone and his own goals to overcome - a glimpse to see on how much different levels the Warlords actually were in comparison to Zoro, Luffy and the others, and if they were supposed to beat them so Luffy could become the Pirate King, that always meant to be ready and to get even stronger than them.

(small spoiler for egghead, ch. 1102: seeing Kuma (a Warlord at that time) remembering this Thriller Bark event later, during Egghead arc, and thinking that even he might have passed out from the pain, makes it all the more meaningful that it was Zoro who took the pain and withstood it - establishing how high was the strength of his willpower, already before timeskip.)

There could be so many other nuances and details from these last few chapters of this arc, and even what this deal meant for the following arcs! Zoro was still in pain on Sabaody, and because of that the crew wasn't as strong as it could have been (not to say they would have a chance anyway, knowing what all was in the motion).

The next is the tragedy and beauty of LUFFY never finding out about this. Half of the crew knew: Sanji, Brook and Robin knew the details, but would never tell Luffy - and that shows their loyalty to both Luffy and Zoro (and Zoro's decision). Luffy woke up and first thing he did was to jump up and down, excited not to be weighted down by his injuries, and only seeing his swordsman being down with injuries so severe he was out more days afterwards, knowing that something else attacked them (him = Zoro), after he was passed out from the fight against Moria, brought down his mood (even if it's not much noticable, but the change into subtle worry is there in the few next chapters).

"I can't explain it either!" - meaning he was thinking about it too, possibly how weird it was for him to move normally after such long fight. We don't really ever hear/see Luffy thinking about something, except when it's mentioned how he came up with a solution or idea, telling us there's more to Luffy than just being straightforward in his goals and speech. With Luffy being sometimes very emotionally intelligent when he wants to be, he could have figured it out from all these other people in the room asking similar questions and deducing. Even Usopp was putting two and two togehter. We might never find out if Luffy actuallly knows or not. Luffy probably wouldn't ask Zoro directly, especially if Zoro wouldn't tell first and didn't want to talk about it

- because for Zoro, nothing happened! Nothing, that would compromise his and Luffy's first promise. For Zoro to become the Strongest he couldn't back down from the duel with Kuma (just like before with his duel with Mihawk at Baratie. When he's faced with something he swore to overcome, he can't back down or evade. Even back then Luffy understood that as he held back Johnny and Yosaku, but Sanji was perplexed how far Zoro (and Luffy) would go to reach their dreams). When Sanji was asking him in front of Kuma "What about your dream?" Zoro was still thinking about his dream- it was just that the context has changed, it changed into a journey. His dream is the most important thing, but it wouldn't mean much, if, when on his way to accomplish that, he would betray his other words and promises.

[shanksxbuggy]

Shanks has a connection to each of the other current Four Emperors, and he also happens to have received a permanent scar from each of his interactions with them.

In that single conversation between Whitebeard and Shanks, they mention every future Emperor and reference the ways Shanks was wounded in some way based on his relationships with each of them.

Blackbeard gave Shanks the scars across his eyes.

Shanks lost his arm saving Luffy.

And Buggy? Well, Buggy left scars on Shanks’ heart that he still hasn’t forgotten.

I saw this in a fan art, Shanks thinking about Luffy makes his arm throb (that’s why he touches the stump of his arm), Shanks thinking about Blackbeard makes the scar over his eye throb, but Shanks thinking about Buggy makes his heart throb 🥺❤️

(“So your arm - “So your scar -“ “So your, uh…ex-situationship -“)

Was it really just a coincidence this one interaction had all these references to the future Emperors and the way they caused hurt to Shanks? Also the scars encapsulate his relationship with each of them. Blackbeard is a crafty adversary, Luffy is his hope for the future and someone he wants to watch out for, and Buggy is someone close to his heart.

All of the current Emperors have unfinished business to settle with Shanks. It’s worth noticing that out of all of them, Buggy is the only one who dealt emotional damage to Shanks.

Blackbeard vs Shanks and Luffy vs Shanks haven been built up to be these grand physical clashes and battles to prove who’s stronger. Buggy and Shanks’ confrontation has also been built up, but it’s surely to be more of an emotional understanding and reconciliation than a genuine test of strength.

Shanks and Buggy’s narrative resolution of the conflict in their relationship will rely on them finding the One Piece. As it’s been revealed, they actually did want to be with each other, but they wanted different things and didn’t understand that and were hurt by each other because of it. In order for them to reconcile, they will have to reach a satisfying end to their own goals (finding the One Piece) and make up for the misunderstandings and failures of when they broke up.

Finding the One Piece is about discovering the world’s secrets and changing the fate of the world…but sometimes it’s also about resolving the personal issues of two men and getting them back together.