#one of the most effective characters in terms of Getting Shit Done not only in this show but i think in all of the genre

[shhhhimwatchingthis]

finished Pit Babe the series and Kim was far and away the best character

takes a job in another country thinking all he has to do is race cars, accidently ends up on a team lead by an obnxious cheating sociopath, and is so annoyed about it

He talented, he wants to win but not like that, what is wrong with you people?!

stumbles into a human trafficking plot. immediately starts collecting evidence to take his creep boss down

of all the characters is to first to Solve The Mysteries of What The Fuck is Going On AND significantly Immediately tells Babe What The Fuck is Going On, when literally every other character was hiding something from him

I dont even know if they told him about the alpha super powers stuff? does he even know the lore of whats going on around him? doesn't matter. my guy is going to do the right thing and get results anyway, and he's going to be so annoyed about it, but looking at the idiots he's surrounded by, who can blame him?

[dcxdpdabbles]

DCxDP fanfic idea: Danny's Did you know?

Danny is a contact creator.

He started off as a kid who wanted to dump info about space or other interests, making it more "Did you Know" as his theme, but his channel really took off the first time he invited a ghost to speak about the era that came before.

No one knows Sidney Poindexter is a ghost. Ghosts usually do not appear on camera; if they do, they are always a blur or barely visible outline. That doesn't come into play when the camera happens to belong to the Ghost King, who is unaware of the title.

Due to this, the ghosts, as his guest stars, turn out to look like normal human beings. There is no glow, no see-through effect, and the only odd thing about them is how they dress.

Even Poindexter's coloring could be explained with some well-done make-up.

They think he's just someone wearing a costume and pretending to be from the 1950s, using information Danny had researched. Danny's interview with Poindexter became an instant hit among those who applauded the genuine authenticity of what the 1950s actually were like.

Not only that, but Poindexter's reactions to modern terms and objects that Danny presents are hilarious to the viewers, as he never once broke character. There is even an entire section where both grumble about the bullying issue in their shared high school.

A particular scene becomes a trending meme.

"Did you know Dr. Seuss coined the word "Nerd" in 1950? He used it in the book If I Ran the Zoo," Danny tells Poindexter.

The other teenager rolls his eyes. "Of course, I knew. It was published in my first year of High school. I was one of the first to be called nerd, you know? It would have been more impressive if it didn't take the entire football team four days to read."

"Four days!?"

"Dr. Seuss's writing style saved the American reading levels back in my day."

"So we have always been stupid, huh?"

Danny's next guest is Johnny 13, a biker from the early 1980s who spends most of his time flirting with Danny—who doesn't acknowledge the attempts—and proudly tells the viewers he may have been there, but he was too poor to know much about the 1980s.

"What were the trends in that era?" Danny asks Johnny after considering his notes.

The biker shrugs. "I think cellphones? They were too expensive for me or my block. Never saw one in real life before I died."

"Well, one trend was waterbeds. Did you know that waterbeds were invented in the 60s? They were made by a design student but weren't popular until the 80s, making them popular for the sudden rise of sex appeal." Danny says with a cheerful grin.

Johnny 13 tilts his head, considering his words. "Radical. I couldn't afford a mattress, much less a waterbed, but I bet they were fun. If you can get your hands on one, I would happily show you how fun they can be."

Danny rolls his eyes and then considers something. "If you couldn't afford a mattress, how did you get your bike then?"

"I stole it. Car theft was effortless back then after hotwiring took off." Johnny's smirk turns dark. "I stole to keep myself fed. Bad luck followed you everywhere when you started at America's rock bottom. Only crime could get you out, and even then, life was shit."

Danny reaches out and pats his shoulder. "At least you got to live through one of the best eras in our history."

"Nah, I died in 1983. I missed it, but do you know who actually got to live it? Ember. She died in 1990."

Next week, Ember strikes an alarming resemblance to the one-hit-wonder singer Ember McLain, who had nearly made it big a few years ago.

"What were the 80s like?"

"Terrible, everyone hated me in school, and AIDS was killing all my friends."

Danny pauses for a long moment, looking horror-struck, until Ember shrugs, "But Glam rock was made popular, which was kind of cool."

"Glam?"

Ember smirked at the host, holding her guitar. "Want to hear some?"

By the end of her performance, everyone was losing their mind that Danny Fenton somehow knew a big name like Ember Mclain, and her music once again started to trend. So much so she released another song called "Lost," dedicated to all her fallen friends who died in the AIDS epidemic.

It goes on and on, with each new video showcasing different times and people from those backgrounds. Tim Drake never misses an episode as a dedicated follower of Danny's Did You Know?

He also thought it was a gimmick to make the show entertaining and thought nothing of the hilarious conversations—not when the host was such adorable eye candy.

Things are normal until Tim watches Danny interview Greta Hayes, who died in the late 90s. His very dead, very much a ghost teammate who happily tells the story of her life while looking like an ordinary girl for the first time.

It's not even someone dressed up as her. She makes an apparent reference to some slang Bart uses, and a few of the team's inside jokes are sprinkled into the conversation.

Tim feels a headache coming on. After watching the episode, he grinned darkly as he picked up his phone and called Bruce.

"So we may have a problem. Either a necromancer with an insane amount of skill or something similar. We need to go to Amity Park to investigate Danny Fenton."

Bruce sighs. "Tim, I am not helping you stalk your internet crush-"

"It's not stalking. It's detective work!"

[arceus-insanity]

A Moral Scapegoat for who?

All For One is a shit character, he is presented as a massive threat, but we never see him get a win, similar to the dissonance between the All Might we see and the context in universe.

And in the end, he becomes a moral scapegoat... for the heroes.

What is a moral scapegoat?

A moral scapegoat is (usually) a character used to excuse the actions of other characters or a system. Character A may have done XYZ but Character B was the one manipulating them and/ or is so much worse, so we can excuse A's actions. Or helping defeat B acts as pence for their past actions. Etc. And to a degree it makes sense, getting people to believe a character has changed and should now be considered good both by the characters and the audience is hard. So having some bigger bad to blame takes the pressure off the desired character(s).

While the term is typically only brought up negatively, like the use of Mary&Gary Sues, there are good ones. Commander Zhao in Avatar of the Last Airbender is an early moral scapegoat, used to say yeah Prince Zuko may suck, but there are a lot worse out there. My Little Pony Friendship is Magic has a moral scapegoat, right in the pilot, Nightmare Moon for Princess Luna, sure Nightmare came from Luna but it is presented as a curse, something that was cured, fixed. The Hobbit uses Dragon Sickness as a way to both corrupt and excuse King Thorin's actions when they have retaken the mountain; he is not in his right mind, and shouldn't be considered solely responsible for his actions

In certain ways, Pink Diamond (due to the audience learning her arc in reverse, when it has such an effect on the plot of Steven Universe) is a scapegoat for the remaining Diamonds, even though it makes a lot less sense for her to be the scapegoat when considering the actual sequence of events in universe. And while most people don't think Pink/Rose's actions excuse the Diamonds (especially White), she does work with Spinel. Another rocky moral scapegoat is Horad Prime from She-ra & The Princesses of Power, he is the big bad of the show and is meant to be a scapegoat primarily for Horadak who was the previous big bad, and mildly a scapegoat for Catra. The big problems with his sacrificial slaughter is that there isn't enough time to really settle in that this is the true big bad, and both Horadak and Catra's issues were both way more on screen and show up well before we ever hear of Hoard Prime, with them operating separately.

And All For One is a worst example of all of them (that I mentioned)

For starters the more we saw of him the less ultimate intimidating evil he portrayed, nor did we get a satisfying he was actually pretty pathetic. Really trying to have your cake and eat it too. Looking back he's very cartoonishly evil, but lacks the presence, he's boring. I've seen many good portrayals of him in the fandom, but canon is just boring. His background of miscellaneous evil deeds, don't really go into how they were evil, just that Yoichi (& AFO) clearly believes them to be, both come across as very childish to me, seeing the world as black & white.

He lacks the moral complexity of complex villains (like Magneto), meant to be an ambitiously evil man, whose evil for the sack of being evil. But he lacks the presence found in Classic evil Disney characters like Jafar, Clayton, and Ursala. In a way he's like King Magnifico (from Wish, the only recent hated animated Disney movie, that I agree deserves to be shat on), trying to have both but failing to capture either

In the present, he has little involvement on screen, and once he's out of the picture, Shigaraki (& the League) really bloom as villains and characters. The story could have had a slow realization (for Shigaraki, the League and the audience) that he was holding the League back, and that meant either he was nowhere near as competent as he was portrayed, or he wasn't actually helping Shigaraki, setting up for the body suit plan

But my biggest issue is who he's the sacrificial goat for.

And who is he the scapegoat for? The fucking Heroes and their shit-ass society, including the H PSC crap.

The ending reveal that he was behind everything that happened to Tenko, from him being born, his name, the kids he chose to play with, the issues with his quirk, and only having him; fails. It doesn't work! Mainly because of what that scene ignored the walk, and the complicity of the family. It ignored that the family were directly ignoring that Tenko was being abused, trying to placate him after the fact. It ignores that Kotaro Shimura chose to follow his friends advice, over his wife too. It ignores that even though AFO would have killed anyone who tried to help Tenko, no one tried. It also doesn't make sense either, normal kids are shit actors, not to mention Tenko was the one to reach out to them, not the other way around. And with the sheer amount of heroes, and cops, and regular citizens, how was it literally no one tried to help him, it's not AFO.

What else does it ignore, oh yeah, Tenko isn't truly unique in having a tragic backstory. Sure he was planning on taking advantage of the Endeavor's awful legacy plan, but we never see that AFO has done anything before kidnapping Touya. It's implied that he helped stroked Heteromorphic discrimination for his own gain, but that doesn't change that Spinner had pesticides thrown in his face, by 'innocent' civilians, that Shoji was mutilated as a child, for saving a child, by 'innocent' civilians, that the Ordinary Lady was attacked and denied shelter in the middle of an active warzone, by 'innocent' civilians. Himiko's abuse was enabled and furthered by quirk counselling, we don't even get a he was secretly to blame all along for this one. The commission has assassins, ignore. The homeless have to resort to villainy to survive, ignore. Once someone is considered out they are abused by this society until they have to lash out, ignore. The big bad was taken down, so nothing has to be done about these systemic issues, cause the heroes say so

There's a pattern, he was only able to do this, because the society he was in was already doing it.

And AFO being a moral scapegoat could of worked.

IF the Hero Public Safety Commission was similarly a scapegoat.

To begin, AFO should have been the scapegoat for the League, and the villains as a whole. The heroes would instead have the HPSC as their scapegoat.

Hawks should not have been made president of the totally different PSC, not only is he a known murderer, he doesn't regret it, he has never criticized the Commission's (or any other hero's) actions. If he's not going to see the issues, and hypocrisy right in front of him, he shouldn't have any role at all in it, and a very small one if he does recognize them. Giving this to Hawks screams nothing is actually going to be fixed, any changes are going to be for the worse.

Going into the final Deku vs Shigaraki battle, as well as the dreamscape crap, I had hope in this series. I thought that Deku would finally be forced to have the long over reality check of the Villains are right, what are you going to do about it. So instead of hyper-focusing on one tiny moment that with any and I do mean any additional context would show that it's not just this tiny shit moment. Rather than murdering Tomura for not abandoning the League (the same reason Hawks murdered Twice), have Deku convince Tomura that they can make a better society. That Deku's peaceful(ish) method is what's better for the League we have seen he loves.

From there they could have come up with a deal where either (these are simplified) everyone is held accountable for their past actions (as in the villains, Endeavor, Hawks, the Commission, everyone responsible for the sky coffin, etc). Or the clock is restarted, and everyone is hence forth held to the same standard. The villains are around to make sure the actual issues to their problems are dealt with, hint; Himiko's problem wasn't lack of access to quirk counselling. Happy satisfying ending for everyone

[sneezypeasy]

*sigh*

Y'know, this really doesn't/shouldn't matter, but as this particular accusation keeps getting thrown at me over and over again - oh fuck it, I'm gonna take the bait this one time and set the record straight once and for all. Honestly my "appetite" in this context is truly not anyone's business (and if you don't care to hear about it this is the one warning you'll get to click away lmao) but I've reached the point where if you really wanna attack my credibility based on who you think I enjoy fantasizing about, I'm gonna throw you a bone and tell you exactly what type that is - cuz as much as I'm sick of the ad hominem attacks the Aussie in me is even more sick of watching them miss so fucking hard. If you're gonna roast me, the least you can do is hit me where it hurts, goddamn it. Get it right or go home you uncooked noodles. Capiche?

When it comes to my taste in men, my "type" is: big, strong, hairy brutes. There, I said it. Give me lumberjacks, give me cavemen, I want my Jason Momoas, I want my Ma Dong-Seoks, I want them broad shoulders and tree-trunk calves and I wanna see those muscles bulge. If a fictional character ever gets me biting my lip at the screen, it's never gonna be a fine-featured pretty boy, it's gonna be a good thick daddy who can take my wrists, pin me against a wall and [--------------------------------‐---sustained bleep sound effect---------------------------------]

1:38-1:51 🤣

Personality wise, I'm a basic bitch who has approximately zero defenses for the "jerk with a heart of gold" stereotype. Gets me every time, without fail. The smooth-talking playboy who flirts with everyone and who could bed anyone he wanted, but who only lets you see him at his deepest, dearest, most vulnerable moments? Sorry, am I supposed to not fall for that shit or something? Well frankly I don't understand how and I'm not ashamed to admit it. If he happens to be built like a fortress on top of that? Yeah, I'm done. Have me bathed and brought to your tent, sir, please and thank you.

I admit, it's rare that a character with the physique I like also has that heartbreaker personality I'm a sucker for. Guys in fiction are usually strong and mean or they make up for their lighter frames with silver tongues and barbed promises - rarely do writers create a character who's stacked with both brains and brawn, so to speak. Makes sense though, as while irl people can max out any combination of stats that they put effort towards - in fiction a character who's too good at too many different attributes can come across unbalanced or Gary Stu-ish and will fail to resonate with audiences unless the writer really knows what they're doing.

That being said, there really isn't any character in ATLA who fits my type - either of them, actually. There are some bit characters like Chit Sang who get close in terms of physical build - but Chit Sang has very gaunt, angular facial features that I'm really not a fan of and tbh, while I get that I can't expect all my big buff boys to also be masters of wit and cunning and charm, being dumber than a box of rocks does seal it for me, sorry. In terms of personality, I guess the closest character would be Jet, and he's cool and all but yeah, the whole "would go as far as killing kids" thing makes him a bit of a hard sell for me too. (And yes, it's worth questioning the writers' choices to create him with those flaws to begin with but look, that's a discussion for another day 😂)

All this to say, if you wanna tease me about coveting fictional characters and allowing thirst to cloud my judgment - COME AT ME BOYS. But not with Zuko, for fuck's sake. The character that makes sneezy.exe blue-screen ain't him. It's actually the late great Carthaginian General Hannibal Barca, the man the myth the legend may he Rest in Peace if anyone's seriously wondering. Look, I do like the scar, and the awkwardness is endearing - he's definitely not ugly or unappealing by any means so please don't misunderstand, I'm not trying to bash him or nothin' - but if I'm being brutally honest, he's not my type! Not physically, not even emotionally. If I ship Zutara, it's because aspects of the ship appeal to me that are unrelated to my personal opinion of Zuko as an object of fantasy, which if you must know (and now you do, congratulations, you're welcome), the kind of boy I do fantasise about when I'm in the mood for that sort of thing could literally and figuratively sweep Zuko off his feet - and then sit on him. In either order.

P.S. While we're on this topic, the character I personally relate to most heavily is not Katara either btw. It's Toph. If you're going to accuse me of bias, questioning my views on Toph would make the most sense for that reason. But really, it's hardly my fault that she's basically the most perfect flawless irreproachable badass in ATLA or practically all of animation as a whole. Come on now. *whistles innocently*

[i-guess-im-into-this-now]

The Apothecary Diaries

S1E4 First Watch

Here's where I watch The Apothecary Diaries for the first time and give my thoughts, analysis, predictions, and occasionally I stumble into a joke.

My character/place cheat sheet

Lady Lihua - the sick concubine

Crystal Pavilion - Lady Lihua's abode

Jade Pavilion - Lady Gyokuyou's abode

Xiaolan - a servant friend of Maomao's

Oh snap. So that person who visited at the end of the last episode was THE EMPEROR. I don't like that Maomao is on his radar. I'm going to go ahead and blame Jinshi for this.

Lady Lihua is unwell and since Maomao is now a famous apothecary she is tasked with healing her. It's not something she can refuse or afford to fail at, though Lady Lihua's own ladies are making it challenging.

They don't trust Maomao, and so they prevent her from treating Lady Lihua, however shortsighted that may be. First of all they prevent their lady from getting better by denying her Maomao's care, second, they undermine the emperor's will. Maomao is going to be forced to deal with palace politics before she can treat her patient.

It is weird how the emperor approached Maomao. He could have summoned her to meet him anywhere, or simply passed down a command. He chose to go to the Jade Pavilion and meet Maomao face-to-face and in front of Lady Gyokuyou. It's as if he doesn't know or doesn't care about harem politics. I'm guessing that he does though. I bet he knows exactly what he's doing, even if Maomao and I don't.

I do not like his interest in Maomao.

Jinshi has come to help Maomao gain access to Lady Lihua so she can diagnose and treat her. He is so unnerving sometimes. When he notices the other ladies watching he rushes up on Maomao (is he trying to start rumors?) and whispers the following:

If it helps, I can come inside.

Which sounds... I mean, it's probably just the way it translated... I'm sure it's just me...

But Maomao looks like she nearly barfed on him! Which is probably the highlight of Jinshi's day.

The ladies comply when faced with the full power of Jinshi's smile (one lady literally fainted). Maomao comments:

Scary how women can change so quickly.

Jinshi knows the effect he has on women, but looks to Maomao after she says it, maybe wondering for the hundredth time how to get his charm to work on Maomao.

Side bar. This show is ALL about what is happening between Maomao and Jinshi. This is where the tension is, and it's where the story is happening. What happens between these two characters will have an effect on every other plotline and supporting character. If it seems like I spend too much time watching and analyzing this relationship, it's because I believe it to be the heart of the show.

Maomao! Holy shit Maomao! Goddamn if that wasn't the most lady boss thing I've ever seen!

Shall I even try to describe this scene? I'll never do this badassery justice, but its worth reviewing anyway.

She solves the mystery immediately, which, of course, and she's so far passed pissed off. When she realizes what's happened she growls in anger. She contains her rage only long enough to confirm who is responsible before slapping the lady across the face!

Lady: What is wrong with you!

Maomao: Me? Just punishing an idiot, clearly.

Friends. I am breathless. I think I gasped and then held it to the end of the scene.

Maomao dumps the poisonous powder on the lady's head. She then lays out in no uncertain terms what the poison does to one's body. Maomao is grappling to accept just how stupid this lady is, nearly shaking as she is incandescent with rage.

She slaps the woman again this time smearing the poisonous powder on her face while she screams:

You think she wants to be adorned in the poison that killed her son?!

The woman finally breaks down crying and Maomao is done with her. She takes charge and starts barking orders to the other ladies who are so terrified that they don't even think about disobeying.

Jinshi looks like he's just had a religious experience, but manages to pull out the perfect callback:

Scary how women can change so quickly.

God I love this character.

Facing Jinshi, Maomao comes back to herself. The ramifications of what she has done start to set in. I don't know if there will be fallout from the Crystal Pavilion from her bossing around Lady Lihua's ladies. I suspect they aren't going to broadcast what happened because they are criminally liable for poisoning their the concubine and also because this story makes them lose all face. Plus, Maomao is saving Lady Lihua's life. Regardless, I am confident that having Jinshi there to witness it all, will have consequences.

Dutiful Maomao then fully assumes control of Lady Lihua's care and commands the ladies with an iron fist. She can hardly tolerate the incompetency that has been standard in this pavilion. It really is a curse to be the smartest person in the room.

Jinshi: You're looking tired.

Maomao: Thanks. Unlike someone, I have been busy.

This is now what passes for a casual greeting between these two.

Jinshi, playfully, but probably sincerely, acknowledging Maomao's hard work; offering her validation, and implied appreciation. Maomao coming back with sarcasm and a playful barb. And they are both are getting exactly what they want from the other. Maomao appreciates that her hard work and skills are being acknowledged and Jinshi loves that someone is casual enough with him to tease him. I suspect he gets none of that any where else. She's may be the only one in his life who treats him like a regular person instead of a prince palace manager.

You can see each of them becoming more comfortable with each other as they learn where the lines lie. They are leaning how to give and take and discovering the ways the other prefers to be treated. Furthermore, instead of using those discoveries to push the other away or discourage them, they are giving the other what they want and inviting them to come closer.

Friends! These two are flirting!

And if that ain't proof enough, Jinshi Gaoshun gives Maomao some steamed buns and she thinks the following:

He knows the way to a girl's heart! It's the considerate guys like him who become good husbands. Too bad he's a eunuch.

So food is Maomao's love language. Same Maomao, same. But maybe don't try to be quite so transparent in front of Jinshi, he will use this against you.

Maomao is thinking of Gaoshun here but for what it's worth, it is Jinshi who knows the way to a girl's heart. He's been figuring out Maomao for a few episodes already, hence why she is receiving steamed buns from Gaoshun. He knows the food will cheer her up, but not if it come from him. Which is why Gaoshun is the one handing it over, even though he said the gift is from both of them.

Maomao interprets the gift in the way that lets her best enjoy the buns. And though she isn't admitting it, she is aware who the gift is really from, and might want to do some introspection on what she just thought about the gift giver.

Jinshi is offering to help Maomao. Whatever she wants. And he's turned the charm all the way up. Like, with all the sparkles ✨. I don't know if Maomao is totally immune to it, but it's not as effective as Jinshi would like. He hasn't abandoned the sultry look method yet. I wonder if he will just keep trying to see if anything shifts. In the meantime, it's far from his only tool of seduction.

His offer of help is good. Maomao of course won't take advantage of this for her own means, but if she can use Jinshi's help to treat her patient? Sold. Jinshi is happy to comply and win points with Maomao in return. I don't think Maomao totally trusts his altruism though. She tries to justify herself by saying:

We have to use whatever we have in this life.

And Maomao's efforts do pay off. Lady Lihua begins to recover. Eventually, Maomao is able to depart from the Crystal Pavilion. But not before collapsing in exhaustion, and having Lady Lihua gently stroke her head. Perhaps Lady Lihua is grateful and will become a support to Maomao in the future? Or at least give her some consideration while engaging in palace politics. Maybe try to mitigate the danger that could fall to Maomao. We shall see.

Maomao has so far had a positive impact on the people she interacts with. She saved Lady Gyokuyou and her baby, supports the ladies in the Jade Pavilion, assists the palace doctor, has solved multiple mysteries for Jinshi, not mention just generally brightens his day, and now has saved the life of Lady Lihua. She's too good at what she does, and too lovable not to charm everyone around her. I keep waiting for the other shoe to drop. Surely there are some in the palace who feel very differently about Maomao. For now she's still gaining allies.

And nice. Maomao is offering courtesan tricks to the emperor's concubine. Maomao is helping break down class lines one sex technique at a time!

I like what she told Lady Lihua:

There are hundreds, if not thousands of flowers in the world. Comparing a peony to a bellflower is pointless. Who has the right to judge which is more beautiful.

After which, she immediately compares her own body to Lady Lihua's, recognizing Lady Lihua's "magnificent" "assets." I wonder which of her own assets Maomao acknowledges. Does she consider herself to be a beautiful flower too?

Maomao returns to the Jade Pavilion and is warmly welcomed by the ladies in waiting who instantly worry over her. Which, as I've said before, I love. Maomao is always willing to sacrifice herself for others. She did it this time for Lady Lihua, by working herself to exhaustion. The ladies at Jade Pavilion notice that she's lost weight while she's been gone, and acknowledge how hard it must have been to be at the other pavilion. Maomao is so good at caring for others and absolute shit at caring for herself. Luckily, now she has people who look out for her, and care about her well-being.

Jinshi is privately very proud of Maomao. He credits her with completing the emperor's mission all on her own, which... she did not. Lady Lihua would have died if Jinshi hadn't stepped in to help Maomao gain access to her patient. Still good on him for recognizing her hard work and skill. Now tell it to her face.

I guess the point in showing him thinking of it here rather than saying it, is to let us, the viewers, know that he is sincere. When he compliments Maomao he does it a little playfully, and she can never be too sure if he is just messing with her or if he is in earnest.

Also, Gaoshun sees exactly what is happening between Jinshi and Maomao, even if the two of them don't recognize it yet.

And the set up for next episode's mystery of the week is cursed hands. Cool.

If you like this kind of thing, let me know! For some reason I've committed myself to blogging this whole show. It's a little hard because, while I enjoy this and I get a whole lot more out of the story this way, I am also deeply intrigued at this point and tempted to just binge the rest.

If you want to start from the beginning of these reviews:

Episode 1

Next episode

Episode 5

[horsetailcurlers2]

Please ramble about Tedstina I’m a total truther lol. Their chemistry was SO intense and palpable from the second Teddy stepped on screen and I agree about them not getting together whilst Teddy was mentoring her but I always thought the Henry plot was a perfect lead in to them developing something long term. Like in my head Cristina dumps Owen after he makes her lie about Henry and in Teddy’s grief and Cristina’s guilt they get closer, eventually sleeping together and then dating. Out of all the couples something about them both being so stubborn but also so clear eyed, ambitious and somewhat cold makes them the most likely to last in my opinion. A little line with Burke but this time they actually know and like each other lmao. And it would definitely be a little twisted since Cristina technically ‘killed’ Henry and then dated his widow but also it’s no darker than other weird romance plots on greys lol. Plus they would’ve been hot as hell 😭

yess you get it. okay but be forewarned this is a true ramble- it may only be vaguely coherent as i’m just going off the cuff.

exactly the chemistry is genuinely insane!!!! the thing about greys that bums me out in the early seasons is that they had an aversion to making any of their main female characters canonically queer. like, i get it, bc getting the callie storyline out there was an uphill battle. but it’s like they want to be explicitly clear all the time that cristina and meredith are both very very Straight. and that’s a whole other thing i could go on about. all this to preface that i think if the show aired now, cristina would be canonically openly queer right out the gate.

by the time teddy came along, it was still pretty early in the owen/cristina and so he hadn’t really done anything yet to make him quite so hate-able. and after hahn there was a big gap left where cristina was sorely lacking in a good mentor. burke was almost a good mentor but then you know they started canoodling and he eventually got frustrating. hahn just straight up refused to teach cristina despite her clear enthusiasm and untapped talent. then teddy comes in and it’s like…. she’s brilliant, she’s not put off by cristina’s cristinaness and she actually seems to be interested in the teaching aspect of working at a teaching hospital (which was fucking rare at that point). so i was immediately drawn to the teddy-cristina dynamic. especially with the complication of owen being the common link.

i could go on a whole other ramble about teddy and the long lasting effects that stemmed from allison’s death and the guilt about that infidelity but suffice to say by the time we meet teddy she’s pretty messed up about love.

and as we know, cristina has a long history of being attracted to mentor figures.

i think that with teddy’s infatuation with owen being shut down on his end pretty early on (despite him doing a total one eighty in the later seasons and claiming to have always loved her 🙄) it opened the door for her to realize WHY she was attracted to him in the first place (a best friend she made in a war zone shortly after the allison tragedy, him already being in a relationship).

SO anyway teddy meets cristina. they’re both in love (?🙄) with owen, they are both passionate about the same specialty, they both have tragedy and failed romance in their pasts.

and i see what you mean about them being very similar. but they are also opposite (and therefore perfectly complimentary) in a lot of ways. i personally think teddy is a lot more optimistic than she appears. she’s not easily discouraged. i also like that right off the bat she recognizes cristina’s talent, takes a liking to her, and is kind of just impervious to cristina’s dislike/wariness of her. i think it’s so funny how almost everyone but meredith is at first really put off by cristina’s bluntness or outright offended by her but teddy is just like “i respect your skill, i’m not gonna take any shit, i know i’m great at my job so let me do it and we’ll be chill”

i think that the conversation about teddy wanting to leave and cristina begging her to stay and yelling that teddy can have owen was a turning point for both of them. i think they both had a lot of revelations.

AND THEN i think the saga of henry’s death was also a major turning point for their relationship. i don’t think this would make their relationship that twisted tbh bc i don’t think teddy ever saw it that way. i think if she blamed anyone other than herself, it was owen (which, yeah bc the way he handled that was fucking bonkers). and i’ve seen a lot of frustrating stuff (mostly on tiktok lol which i have to stay away from bc there’s rarely any nuance on there when it comes to fandom/media discussions) about how teddy repeatedly grilling cristina about henry’s death was the worst thing she ever did and she was punishing cristina or something. but i think that that isn’t true at all in the slightest. it was fucked up and brutal and it was a grief response that was terribly unfair to cristina, but i think it actually showed the two of them being on the same wavelength in a lot of ways. cristina isn’t fazed (at least visibly) by teddy’s need to hear it over and over. bc i think she understood why teddy needed to hear it. they both deal with grief by making it about the facts and about the medicine. teddy needed to know that there is nothing anyone could have done to save him so that she doesn’t feel like she has another death on her hands. and i think cristina gets that because of her backstory with her fathers death. AGAIN i think they just get each other in ways that owen never got either of them.

AND HOW COULD I NOT MENTION THAT TEDDY HAS ACTUALLY SAID “i’m in love with cristina yang”

ANYWAY i personally have this AU idea in my head where they cross paths in europe and reconnect.

[mdhwrites]

Going back through TOH's episodes, it strikes me how boring they are. Part of the problem seems to be how criminally unfunny the show is, generally speaking. I can count how many times I've laughed on one hand. In fact I can list them:

There was the "It's been my dream since I was a boy" guy pushing kids off cliffs (Moving Hassle), Luz's "He'll be fine" after throwing Hunter overboard - and then his subsequent re-entry (Hunting Palismen) - and lastly Luz tumbling offscreen in front of Amity after a spider crawls on her face (Grom). That's 3 scenes, 4 jokes if we're being charitable. And sure, maybe my sense of humour is just incompatible with TOH's and I'm being harsh.

But I can't deny that I just feel like there's no rewatch value in TOH? Like it's just... the jokes are so bad to the point it's not fun, it's not entertaining, it's a slog, I see no value in retreading the same ground. And I am a SERIAL rewatcher! This is coming from someone who spends maybe 85% of their time experiencing the same stories! I love seeing well-done media all over again, because even if I know what's going to happen or what they will say, a well-structured joke or a skillfully delivered line is still gonna engage me.

I can't even recommend the show to anyone because I HAVE in the past... and what ends up happening is they watch the first couple episodes, get bored, go "I recognize that you like this, but it's not my thing" and drop it. And I CAN'T BLAME THAT! Because that's how I reacted too when I got into the show! I only stuck with it because it seemed like it was going really interesting places. And it tried to, I think, and failed.

I'm also a very fandom-heavy person so TOH's boring episodes have made it increasingly harder for me to stay within it. Because I'm not rewatching anything, I can see myself in real time as I forget more and more of the plotlines, and even a lot of the characters. It's just... kind of disappointing. It's like I just had a gradual fizzling out of interest. I don't even hate the show, which might be better in some ways - instead I just can't muster enough shits to feel any type of way towards it.

I rambled a bit but I guess my ultimate ask here was: what are your thoughts on whether or not TOH manages to entertain new/old viewers?

So I like S1. I think the characters are what carry it and that they are at their most interesting, EASILY, in S1.

The vast majority of S1, in terms of concepts and executions for plots, is OKAY AT BEST.

This actually just comes down to a simple tonal decision of TOH and also just the fact that a boring world with boring magic creates little to do with bog standard plots and TOH actually has a LOT of bog standard plotting. It is a pretty classic story structurally and takes genuinely very few risks in the structure... Which is okay in theory.

There is nothing wrong with not reinventing the wheel and TOH talks a big game about subverting tropes but no. As a fantasy fan, I can tell you this is EXCEPTIONALLY normal. Like... Insultingly from how much it talks a big game. Especially because if you're going to do classic, you have three options: Shoot the moon, lean into the unique elements of your concept or do it VERY. VERY. WELL.

And remember: They did a body swap episode and it is one of the most hated episodes of the entire show. That's not a good sign.

But this touches on the second problem I brought up: This is a boring world with boring magic. Because TOH's fantasy world is so basic, has little magic and little flair with its magic, it inherently limits what it can do. Now, it doesn't have to be this way but the show made it this way with how little we see of it, how limited it is (like how plant magic is 99% vines), and how often it just blatantly makes one to one comparisons between it and our world with effectively NOTHING altered like how the covens are just jobs, right down to them being introduced through a job fair and a boring one at that.

So when we look at a classic episode concept like the body swap episode, the three plots are... Easily replicated elsewhere. One person gets in trouble in the swap's job because they don't know what they're doing (with the most unique twist of this actually landing them in prison), a classic animal plot where they're taken in by a place that seems cozy and then isn't with literally no changes, and finally... Teenager pisses off bullies and agrees to jump DEAD MAN'S GORGE! But instead of skateboards and people really building it up, its rat beasts.

None of these plots are actually bad, they're go tos for a reason, but... No one is bringing anything special to this. Luz is entirely ignored so her character may as well not matter, Eda is doing NOTHING to add to her plot and King... King is fun for about two minutes leading the bullies and otherwise is just any other character in this situation. It's not bad, I personally enjoy parts of the episode... But it's nothing special. From the second the thing that X character is going to do is revealed, you can guess every step of the plot and they don't even really throw in good jokes in the process. A couple jokes but nothing memorable because everything is weirdly subdued compared to how other shows would be, even in an episode that is definitely trying to be more over the top.

And this runs into the inherent tonal issue of TOH: It doesn't want to be an adventure comedy. Those are genres that are commonly really over the top. They hear jump the shark and go "How about a shark jumping ten other sharks in order to finish making a can of tuna for their fire giant overlord?" And the face of this fact, in that the genres it pitches itself as for the first two episodes!

TOH flatly refuses to be silly and over the top. It's characters are very... 'realistic'. I don't mean real, just that they're meant to feel more mature by being more in control. They don't let them interrupt each other for a joke, they don't let a character be potentially OOC for a one off gag like Hop Pop screaming "EAT THE RICH!" or Sprig asking "Have you ever killed a a man, Hop Pop," and I can only think of one time Luz got mad for the sake of a joke and honestly, yelling about the Rusty Smidge barely comes across as a joke because of how genuine the anger feels after a point. Otherwise, stuff that would normally get exaggerated frustration or the like to at least let you laugh at the reaction just... doesn't get one, like how Luz yells about Luzura being killed off but then... Just walks off and is passive aggressive mostly instead of even exasperated. For a drama or romance, this is not a bad approach but for even just an adventure kid's show... It's not great to put it mildly because people meet odd situations with weird levels of nonchalance. Not quite irony poisoned levels but getting there.

It's why TOH is mostly remembered for the romance and drama episodes. Not only do they allow some of the romance scenes to actually include melodrama, they also just fit how the characters act better. It's why Amity has some of the biggest emotions of the series and why Lumity have such great lines between each other because they're actually willing to lean into the sort of genre fiction that they're doing. This is also why S2 works better than S1 because a lot of the pretense of being a comedy adventure gets dropped but like... There's still plenty of boring in S2 with stuff like how Elsewhere Elsewhen takes time travel and includes a couple jokes at the beginning and then is just... horribly bland and barely qualifies as an adventure.

This lack of allowing people to be emotional and jokey also leads to the reliance on comic relief characters. People like Gus, King or Hooty, or S2 Lilith, who the characters can mock in someway, including the writers. Characters who can be the punchline even if it means a lot of people come off a lot meaner than they should, i.e. Luz absolutely rejecting Hooty for the vast majority of the series despite supposedly liking the weird and rejected. That also means that most of the time they're not on screen, either the scene starts getting pretty dry or you have a character suddenly warp to be comic relief, like how Eda gets in some S2 episodes like Elsewhere Elsewhen or Eclipse Lake where suddenly she's MUCH more of a joke than she normally is and also REALLY bad at it too and seeming potentially brain dead for it. Thanks to Them even does this to Amity even though she is probably the last person in the cast to make sense as a sudden clutz.

All of this stuff makes it so that if you go in wanting a kid's show, a fantasy show, ANYTHING that is pitched in the first episode... S1 is going to be just okay to you. I enjoyed it... But I also fell off when I first watched it. I thought the characters were good but none of it stuck with me as actually memorable and I watched until I think Adventure in the Elements. I never was never compelled to come back until Lumity animations (literally THE Little Miss Perfect animatic that is nowadays probably hard to find actually) made me go "I remember this show being neat." And Lumity was what kept me, not because I was generally laughing or calling these episodes something special. In fact, that sense of unsatisfaction is probably why I watched through it faster than Amphibia. No one episode of TOH is really great to watch on its own because... It's just kind of boring, or like half of it is boring because the B plots across the board are SO BLAND. S1 or 2 for that matter since Lumity starts getting boring B plots like with the archives or finding out the author of Azura. Both concepts btw that could have been really interesting setups and instead... If you're not into blushing Amity, get FUUUUUCKED.

That's without getting into REPETITION. Repetition kills comedy so King having one joke for S1 and also taking up like half of the B plots for the first ten episodes means you are going to be in agony eventually anytime someone talks to him because you know where it's going and you have DEFINITELY heard this joke before. And you know, he also gets three repetitive B plots which just hurts the joke even more, even as they try to make twists on it, and hurts the feeling that the show is doing... Anything..

It's just not good. Which is probably why once the characters and the 'subversive/unique' elements of the show both weakened, more and more people left because... Why would you keep watching this then? Those elements are what made up for boring plots with boring execution in a world that didn't allow for more interesting storytelling because it had few ideas and expanded on NONE OF THEM. So of course people pitch it using the elements that say "this isn't like other kids shows/fantasy shows" because if you pitch it to people who like those... They'll just be disappointed eventually and bored quickly. Like i think a lot of people did to be quite honest.

And a lack of creativity, and a lack of genre understanding, isn't something time could have ever fixed.

======+++++======

The short version of proving this point btw is going "Compare Bumi's introductory episode, which is a character giving three trials to prove another's worth, versus when the Bat Queen challenges Luz. One is exceptionally funny, interesting and has genuinely interesting twists while the other is... There. So very there. Painfully just... there. Not even bad, just... There.

Also, yes, comedy is extremely subjective which is why I tried to talk more about how a lot of these premises are boring because that can be a bit more objective.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past.

I have an Ao3 for my fanfiction projects as well if that catches your fancy instead.

If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[copperbadge]

Some Discourse On Fictional Chefs

I collected up all the discussion of Simon’s potential love interest in the Shivadhverse (and one about Twelve Points) and threw it in a post :D 

katestamps

If it is realistic at all, I’d love to be able to hand 12 Points to my musician daughter when she gets home from college around the 18th of May. That’s also the week after Eurovision. No pressure, I’m just excited for her to read it!

For a second I was like “If the book is realistic? Well, it kinda is, I’m working on that now” and then I realized you meant datewise :D I hope it is -- the book���s in final edits but a few of them are taking some time. I have to finish the edits, typeset, design the cover, upload, order proofs, approve the proofs, and then the thing can go out, which is not NOT doable by May, but it’s slightly iffy only because my April is super hectic. But most of the delay is usually in ordering the proofs (they take longer than they used to, to print and ship) so if I can get shit done BEFORE the hectic, we should be good. 

And now on to the chefs. I was a little amused, admittedly, because I didn’t vocalize clearly what I was asking about when I asked what people would like to see -- I was thinking more in terms of gender, sexuality, disability, race, etc. but I didn’t specify that, so instead I mostly got fascinating ideas for backstories and character aspects. Which is so fandom! I love it, I’m not mad or dismayed, it’s just also really funny. :D 

dignitywhatdignity

Are you thinking someone from Eddie's TV Chef circles, or more along Simon's own, more classical background?

spaci1701

A protégé of Eddie's who has taken over his show comes to do a special on the Country that Stole Our Star and had gotten a little big for his britches?

1968bullittmustang

It's probably too close to Eddie's character, but... What about one of those chef's that travel the world cooking the most awful (or best) local dishes with home chef's. Or maybe just a National Geographic photographer in country to do a piece on the 'One Highland' 😁

I’d like them to be a native Shivadh, only because most of the books to date have involved either total foreigners or expats returning, and both Royals/Ramblers and the football novel will as well. I’m hoping for someone who has moved to Fons-Askaz from the rural backcountry, but the idea is that Simon comes into conflict with someone who has a much less “fancy food from a classical background” style -- part of the conflict comes from each of them initially assuming the other has the inferior way of cooking. So -- more on Eddie’s line BUT not one of Eddie’s folks, because whoever this person is, they’re relatively local. 

Mind you, I do like the National Geographic angle. And I do kind of like the idea that someone else took over Truly Tasty. Eddie said that might happen. And that’s something I’d need to work into Royals/Ramblers so hmmm, making a note. 

dignitywhatdignity

(Or you could steal from the foodieverse! A classically trained hipster with a Michelin-starred food truck! A chain pizza scion with a flair for molecular gastronomy!)

Actually nicking some from the Foodieverse might be helpful -- maybe taking and twisting around Steve’s plotline from that universe a bit, though that doesn’t necessarily mean it has to be a Hot Male Hipster. But perhaps someone who trained classically and then decided it was all bullshit. 

spinningprincess

It's in my brain because it's what I'm writing, but I bet someone who's a little bit New Agey and leans hard into the symbolism of EVERY dish, whether from a "traditional foods of XYZ culture" standpoint or a "historically used for $magickal effect" standpoint, and like, talks about the energy of the kitchen, would be a great and interesting counterpoint to Simon's lack of that. And it's such a GOOD romance trope. (to be clear, I'm writing two different stories right now where no one ever cooks a food because they're hungry and want to eat A Food, it's all "well, basil is good prosperity magic, but cabbage is good prosperity magic and also the traditional food of my people, and...")

On the whole it’s an idea I like, but I’m not sure it’s fitted to this particular plot -- might be something to revisit with another character at some point, though. 

I’m discovering just how difficult it is to write hippie/new-age characters with Royals/Ramblers in part because so much of that mythology eventually traipses around towards anti-Semitism. Not necessarily food symbolism, and not ALL new age stuff is that way, but it really is a razor-fine line at times. 

knottahooker

My first thought was that terrifying lady chef from Ratatouille, she was fantastic. Someone with her personality, maybe? Cactus with a heart of gold who will absolutely stab you anyway.

My instinct is along those lines, at the least someone who is a trifle confrontational, but I feel like so much of it depends on other aspects of who they are, which is what I’m struggling to pin down. 

robinade

it would be funny if Simon's "nemesis" was, like, lactose intolerant or something so they have objections to French cuisine (so heavy on cheese and butter) but Simon doesn't know this at first and is mortally offended

musegaarid

What if Simon falls for a bodybuilder or a ballerina or someone on a really restrictive diet? If they were older and getting ready to retire, he could reintroduce them to good food.

I like both of these -- I think there’s particularly something to the idea of an athlete who has eaten a restricted diet, since that’s something that can alter more easily than allergies. But to make the story work they really do need to be a fellow chef. Which, there’s no reason they couldn’t have dietary restrictions AND be a chef, but I’m not sure I’d do either side of them justice that way. 

katestamps

Ooh, I just had the thought of Simon’s nemesis as a French chef which was actually an espionage cover. Think Julia Child, Cold War edition. (I also think of Simon as 5-10 years older than Michaelis which may or may not be accurate.)

Man, there is something to the idea of a spy. I’d say from Galia, but I don’t think Ofelia either wants or needs someone to spy on Fons-Askaz for her, she could just like, ask Alanna if she needs to know something :D Might turn this over in my head a bit, although it would again mean someone coming from outside the country. 

Simon is actually a trifle younger than Michaelis -- Michaelis was around 34, 35 when he hired him, and Simon and Hugo were both in their twenties. It still puts him in his fifties -- I do enjoy writing romances for older people, especially because there is something of a dearth of romance novels specifically featuring older men (they do exist but you run face-first into the “daddy” trope a lot, and “older man” in romance-speak often clocks in at “definitely under fifty”). Older women as the POV character are more common, I would imagine because older women are a huge target audience for romances. 

annechen-melo

Thinking about the love interest for Simon, someone who Absolutely Does Not Have A Media Presence beyond their cookbooks, and there is a Very Good Reason for that. That reason may be anything from an acerbic personality whenever someone points a camera in their direction to being just not good at Peopleing. Hmm. How international is the idea of Witness Protection Makeovers?

They could also just be crap at social media -- I’ve come to realize that every social platform EXCEPT tumblr is basically incompatible with my brain, and even the ones marginally compatible like Reddit, I just don’t find a ton of value in them a lot of the time. Which would be a nice foil to Simon starting up a recipe blog at the same time. 

strix-alba

I wish for Simon's love interest to be a salt-and-pepper-haired butch woman *shakes the genie's lamp*

There’s definitely a salt-and-pepper butch woman coming into the Shivadhverse at some point. :D I had her set for a later book, and not sure that’d be right for Simon, but I’m not ruling it out -- a fairly mouthy, fairly masc woman about Simon’s age is one of the strong potential characters I’m considering. 

Anonymous asked:

Shivadhverse: Concerning Simon’s love interest: would you consider someone like Catherine Bordey, owner of La Kaz,  from “Death in Paradise”? Or possibly even a French POC like her daughter? I’d really love 💕 to see a character who is both French and a POC. 😊

I’ve seen an episode or two of Death in Paradise but I don’t think I’ve encountered those two characters! I’ll have to see if my folks can educate me on them, they love that show. I am trying to figure out how to work more racial diversity into the books, so that’s a thought. Not necessarily French, but French-Shivadh; they do share a border. 

Anonymous asked:

maybe not a fit but I'll try anyway. what i'd like in a chef character is someone who tried something, really got into it, then backed out of it so hard. like the foraging culture, which could net you a research hole into local greens. what if they believe it's now too polluted to forage safely? and yet they have an encyclopedic knowledge of the seasons and life cycles of sidewalk dandelions. tl;dr cursed knowledge

As an aspect of the character that could work, although it gets difficult because like...the deeper someone is in something, the more I have to learn in order to put it out there :D I was looking at something along those lines, or at least something similar that might make them a bit brusque. Lots to mull on overall, anyhow. 

[khunvegas]

Have you/could you make a list of your favorite/best bl kisses?

i feel honored that someone asked me this 😩 omg ok. this is gonna be the longest post ever.

here's my list of the best bl kisses with a few of my favorites. in my own personal opinion.

IN NO PARTICULAR ORDER

●dark blue kiss

i think p'aof went very galaxy brain with the idea of an underwater kiss and for that, he is very valid because it's a very iconic kiss. the show itself could have had some work but then again, it was 2018. everything was wrong back then.

● still 2gether

NOW i talk a lot of shit about this one AND WITH GOOD REASONS. HOWEVER, gosh mantype stole the show for me WITH ONE SINGLE KISS. imagine that. it was groundbreaking FOR ME. too bad we will never gonna see them together again.

● 2 moons 2

this was the only time joong knew how to kiss. no further explanation.

● history 2: crossing the line

even though this whole scene was a dream, it was still a marvelous experience and for someone (me) that was just starting into this bl bs, this one sealed the deal for me.

● history 3: make our days count

this whole scene... you just had to be there. also they had the most happiest ending ever. for sure for sure.

● history 3: trapped

what can i say? taiwan always put their money in those workshops. their plots might be a little outta pocket with the incest and the getting killed because of some salt but i can always trust them to put on a show.

● manner of death

i have no explanations WHY this is a favorite. it's just too good. and it's not only their porn-level kisses, the show itself was a masterpiece. if no one got me, i know maxtul got me. manifesting a show with them again.

●lovely writer

the show itself didn't click with me. too many sound effects and some of the characters were very annoying to me. HOWEVER, the food was very tasteful. let's see it again.

● a tale of thousand stars

i really debated between this one and the final kiss but i had to choose this one because i feel this one is more meaningful. it was a promise that they would see each other again and i'm a sucker for promises. still, p'aof lost some points for giving us one single actual kiss for the very last minute.

● like in the movies

picture this. we are in the middle of a pandemic, unemployed, some places are starting to open back up, thailand is in shambles so they can't release anything. enter the philippines with the vision of starting business with the bl industry and they release this masterpiece. it was such a good show and they had the material for a season 2 but sadly, their time is over. 10/10 tho.

● we best love: no.1 for you

gosh, taiwan. you will always be the best.

this was a very emotional scene and they truly deliver with the kiss and the tears and the bridge. it was all 10/10

● bad buddy

I MEAN, DO I EVEN HAVE TO EXPLAIN??? like damn. now i do have some complaints here and there but this kiss right here??? it was such an experience. like the girlies that watched this while it was airing know how it felt because not a lot of people were prepared for how ep 5 would leave the whole fandom in shambles. the confession plus the kiss PLUS how it ended??? emotional damage 100. incredible.

●enchante

LISTEN!!! YOU BETTER LISTEN!!!! because these bitches, as rookies as they were, DELIVERED. see because even though enchante was a flop in terms of views and gmmtv never giving them an inch of promotion, my kings ate each other on camera and gave me the most toe-curling kiss ever. i don't care if you thought the plot was silly or you want to act funny and say forcebook look related, whatever that means, they did what needed to be done. end of discussion.

●not me

"but offgun had better kisses!!!!111!!!" i don't care about any of that. i came here because babygirl first is a homie hopper and he was going to kiss another man on camera.

the show itself was really good, a little bit draggy towards the end (and there were some Things with some characters that the fans weren't that happy with) but overall, they put on a great performance. HOWEVER, danyok will forever be famous. a tragedy too.

●to my star

GOSH. the originals. the men that weren't afraid of success. see because up until this point, kbls were a flop in terms of kisses (some even in plot) and their first kiss was a flop too BUT THEN this final scene came and robbed me at gunpoint. i was so sure we would never get a proper kiss AND THE BITCHES CAME AND SLAYED ME. not only they gave me a proper meal, it lasted for hours. i was left in shambles. 14569722/10.

●to my star 2

i have to put both scenes because what the fuck. I MEAN, WHAT THE FUCK MAN???

there's absolutely nothing i can say but enjoy??? i guess??? they said "oh, the industry is a flop. let us fix it" AND THEY DID... now the show itself had its ups and downs; a lot of people didn't like how it was made and how the plot was going; it was devastation after devastation and no one could see the light at the end of the tunnel. personally, if they had done the plot a little different, a lot more people would have been happier, including me. but that doesn't take away the fact that they killed it, amazing performance and the kisses speak for itself.

● my secret love

now was this show groundbreaking? no. in reality, it was more of the same stuff we all have seen but the catch with this one is that the acting is good enough and the plot is engaging, and you can actually see that some actions lead to repercussions in the show. however, i do have to talk about these two. they stole the show and they weren't even the main couple and my theory is that because they didn't have enough screentime, they decided to go all out with their scenes and god, what a time. this was just the beginning of this scene btw, there's more to it.

● golden blood

this one goes to show that sometimes you just need vibes, exceptionally good chemistry, some silly characters and a small mukbang. golden blood was a disaster in like everything, so when i tell you i stayed for them, i'm serious. they were the only reason i kept watching. the rest? i don't even remember because i skipped most of it.

● cutie pie

see, decisions were made when they filmed this. the show was very silly itself and there were some plotholes that were ultimately overshadowed by zee's tongue. i honestly don't remember much. i just remember the iconic kisses and how tonnam stole every single scene (and that's how he has his lead role now). also perth. but those workshops came through because all four of them ate this (and each other).

● cutie pie 2 you

before anyone says something about zeenunew, save it. i watched this long ass advertisement just to get nuersyn crumbs. that's it. i don't even remember how many episodes it had but it was so unnecessary. HOWEVER, tutoryim came and gave us the performance of their lives. i have absolutely no complaints with those two. would i ever want a special focused on them? yes, 100%. i also have to add maxnat also had a great performance with the little to no screentime they had. we were living off crumbs, for sure.

● you're my sky

oh, bestie. when i tell you this show made me climb my walls every saturday last year, i'm not kidding. THESE TWO, MY GOD. for the girlies that watched this show, you know what i mean. the tension was OFF THE ROOF. THE WORST PART? open ending. the most toe-curling tension right here just to get a drunken kiss and then NOTHING. the most excruciating 12 weeks.

● don't say no

this show was a wild ride. like, the toxicity surrounding leo and fiat? it was too much and the plot was nonexistent, which it was the point. basically, it was "two best friends in a room, they might kiss" and they did, so what happens next? this is the "next". how they actually act now that they are in a relationship. fiat had a lot of baggage plus being horny. those two fucked like rabbits and NOTHING was left to the imagination. the biggest surprise was smartjames. they had an awful ending but at least we got good food.

●blueming

you know what they say, tms walked so that the other kbls could run and this is a prime example. then again, it's the same director, so there's a standard these shows need to have and damn, i think they exceeded. now, the show was very different from the manhwa but it was still a good show enough that there might be season 2.

● kissable lips

compared to some of this list, this kiss is not even that good. HOWEVER, in the context of kbls, it was really memorable, especially when you have watched the show and the only thing that you can remember is that one of them was a vampire and died but died after having a good fuck... honestly, they had $5 and a dream and they made it work.

●cherry blossom after winter

the dream kisses are always the best ones.

this was a very cute show overall and i think it had the first m|m couple that gets engaged with a ring and everything in a kbl. very iconic, if you ask me. very brave too.

●cupid's last wish

listen, i'm not a fan of the body swapping trope but at least they went original with this one (at least no one died... side eyeing the shipper). and i'm pretty sure the director told earthmix to go wild with this one. pretty sure it was the pent up energy from atots. what a performance. a think there are a few kisses from this show. great food.

and that's it because tumblr only allows 30 pictures per post, so if you want part 2, let me know. i still have some that i can add.

[never-forget-viva-la-pluto]

GOOD OMENS S2 SPOILERS!!!

This season of good omens is so good. List to follow:

"He's not allowed to stop the execution of 3 children bc the system that agreed to kill them has a permit" like that is the best satire I've heard since Shakespeare

Non stop foreshadowing of Beezlebub X Gabriel. Like it's so obvious so early on. Flies near him, him not wanting to kill them, it hurts to remember, you're perfect.

Aziraphel crying when he thinks he's a demon after lying is such a great first stake in the heart of solidifying that he thinks Crowley is still an angel and won't accept him as he is. More to that, it is so good at showing how that all stems from his own internalized fear. A very queer experience mirrored here...purity something something. Mr. Fell is afraid of falling.

Crowly is very cunty this season. The posts are right

AZ drives like crowley

AZ writing in his diary about his and crowleys dates like a teen girl. Bonus that it's a date to a graveyard to look at a picture of his old boss and they end up in a diseased alley and help a wee lesbian steal a corps. And still writing about it like it was a super cute date solely bc his crush got drunk and acted a fool. Same place for the Beezlebub Gabe date extra bonus

They let Tennant be scottish!

Crowley having a night rider moment

Aziraphel being genuinely in love with humanity and holding the jar close to himself in grief at the doctor's has me emotional. He really does have too much love for one tiny little angel.

Crowley having the time of his life making those two humans fall in love. He loves mischief but he hates harm. He loves to see humans happy and he only shows it when he's alone

Aziraphels debut as a Magician!

Aterik is gender envy. Don't argue with me

Mark Gatiss zombie. No I am not lying not even a little.

Crowley fell for AZ when he gave away the sword but he falls farther every time AZ does a little more good. The way he said " thank you for getting me off the hook back there" was so flirtatious and the smile when AZ knocks over shit in the Magic shop. Hats off the both actors

Old man crowley

Lmao crowley seeing the miracles don't work and deciding to speed read how not to kill his boyfriend XD

The shaky breathing as crowley aims the rifle. There is more tension in that scene than most horror I've seen.

AZIRAPALALALA

Lmao the car is a puppy

Shax being a bad bitch and not underestimating Aziraphels love for his bookshop. 10k demons is called for when sieging that place.

AZ getting things done while crowley fucks around in the back or vise versus is a common scene dynamic

AZ quoting DW trivia like tennant does.

This whole season is about how they realize how much they love each other and having a crisis about it while hell and heaven interrupt with issues regarding 1 John ham

The long running joke in the show is that all the angel's pretend they know a lot about humans as a show of power

Much more miracles and it's awesome.

Not even the seamstress is straight

Azs shop changing into a ball was so distracting to crowley that he momentarily forgot about the army of demons coming for them

John hamm fluffy coat

Crowley reading terms and agreements comes in handy several times

"Happy anniversary, love" I'm screaming and crying I am so full. This season said OK please make this queer friendly. "You're a good lad" "not either" my trans ass is so happy

Also this season is still so ace even though they kiss it still feels very ace energy to me. Maybe it's just the lack of sexualized anything, or maybe it's the variety of body's that so rarely get shown on TV.

Crowleys heaven sneak

"Stay back"

One demon popped like a bubble. There was a sound effect and everything

The bad guys always say things that fucking hurt. They always have the right thing that cut to the core of the characters soft spots

Halo removal should be in more of the fanfics actually that scene was baller

If you watch as all the heaven and hell fight AZ cannot stop staring at crowley

Crowley fixing the bookshop so it stays the same, while AZ changes it. Symbolism something parallels something

Sheen's delivery of the news to crowley was so well done. It's joyful, yet the second he has to tell crowley you can see the hesitation. He doesn't even believe what he's saying. It starts to hurt and he doesn't know why. But hes already agreed. He needed to hear the girls talk more than crowley did and it shows.no notes

ENDING THE SEASON W THE RADIO SINGING THE ENDING FROM S1 WAS PERFECT

Can't wait for S 3 !!!!!

[the-ghost-king]

I know ur not gonna watch the show but I would b so into hearing ur takes on it, it's just not hitting for me rn

from what bits and pieces i've seen posted on here i would say that the cinematography seems really nice, most recent disney shows seem to have a very casual "content" style of filming. i don't know how else to explain it other than the current productions even in their filming are designed just to push more media out rather than a love for film and photography as an art form, and i think the pjo tv show from the screencaps and commercials/trailers i have seen seems to balance this nicely. disney is inevitably going to want to push out content as that is how they profit, but the camera angles and the camera details (Percy doing fortnite dances, very funny, but also very well shot! Medusa's veil, very clever and I like the "coy" way the camera plays with the viewer seeing her eyes in those gifs) have an intention and care into them that other recent disney tv shows geared towards the same age group just don't seem to have. i will say that's nice!

the only negative thing i have to say from what i've seen in the gifs and screencaps is that camp looks very... cheap... there are some cool details i seen someone make a post pointing out Percy's seaweed lamp (very cool! i like the fish skeletons I seen hanging too!) but the campers running around in the background do not have the same level of attention given. of course they are background characters and they're definitely not given full styling teams or proper wardrobe, but it is so bad imo to the point where it has become distracting to me in the background a few times on those clips, i can't imagine trying to watch the show and seeing all these background characters running around looking disconnected from the main cast by the lack of attention to their wardrobe. it's not that it's inherently wrong or anything, there are budgets shows have to stick to and cutting background characters is usually one of the first places shows cut, so maybe i should just be thankful all the kids aren't poorly done cgi but at the same time seeing Percy or Annabeth's chb shirts be very well tailored to them as individuals and then seeing the exact opposite in the background characters is just ??? to me. i don't know if it's a problem anyone else has but i tend to just pin point weird details like that.

i know they have changed some of the details of the plot and such, i can't comment much on that as i haven't actually watched any of those episodes. i hope it doesn't have any significant ripple effects down the line in terms of them having to skip entire bits of development in characters or plot because they felt something wasn't important 3 seasons ago and then they have to go "oh shit wait we needed that obscure bit" but who can say we are no where near that point.

my favorite bit of anything and everything to come out of the show though is the god awful horribly incorrect predictions people are having, people crushing on Luke, and people hoping for Percy as if he isn't the main character. if i was a more chaos driven person i would be frothing at the mouth for people's behavior in later seasons where there's a wider cast and stakes are higher and outcomes are more unknown. do i want the 2014 pjo/hoo drama rehashed? no absolutely not that sucked we should never do that again. do i want to sit back with a snack and watch other people rehash the same points and start the same fights 10 years later simply because it would be a mess? someone find me an original persassy post and sign me up. (it's like when you've worked in retail and then you're out in public and another customer is being awful and you're having flashbacks but also your nosey so you keep watching and you only intervene if it gets excessive... someone here has to understand that comparison....)

honestly i can't say too much about the actual show itself i haven't seen it, i've just seen bits and pieces of what (mostly mutuals) have posted or shared. i stand behind the fact i'm not really interested in fandoms with tv shows in the same way i am towards book fandoms and that i won't be watching the show; but i am open to staying neutral on things if people want to reach out just for someone to share thoughts with as if i am not even watching it i won't have strong opinions on most things, if any.

i know there have been more episodes dropped since you sent this so hopefully some of your tv show wants are happening, nonnie <3

[lensman-arms-race]

50, 46, 37, 28 (with Poly, I love your theory of them always bantering), 24 and 16 for TTV? Feel free to pick and choose!

Polycephaly questions:

50. A memory they’ve blocked out

I see Tabieeee's comic as canon because it makes so much sense.

If you haven't seen it, go look now; it's only 8 comic pages and has probably <30 lines of dialogue - you can spare the time. It'll chill you, break your heart, and give you such brain worms! All Skibidi fans should read it!

Read it? Okay. Therefore, going by this, Polycephaly was once a normal TV unit before being upgraded to their current form. Since Polycephaly is apparently the only large TV unit, I'm guessing it was an arduous process, because the TV faction didn't repeat it (though it could be simply that there aren't that many TVs to begin with). Poly has probably chosen to 'put away' their memories of who they once were; it's easier for them to think of themselves as having only been Polycephaly.

46. The person they most admire

TV Matriarch, because that's the only entity who can match them for banter.

They also begrudgingly admire Browncoat cam for having the audacity to run after TV Matriarch for a hug like they did. (The Matriarch does dish out hugs fairly liberally but only on their own terms.)

37. What they really think about themselves

Drawing a bit of a blank on this one, because Poly has appeared in so few episodes. I guess they think of themself as a 'no-nonsense' person who gets shit done, since that's largely true.

28. How they feel about [insert character of your choice from the same fandom]

Skibidis: "Ugly-ass bitch" :D

The Secret Agent: How is a human able to teleport?!

Titan TV questions:

24. Most annoying habit

I liked @askthesmoltitans's answer that Titan TV stims when idle, which causes issues when repairing/upgrading. I also remember seeing someone else's headcanon that their back-grabber spikes are ticklish. If both of those are true, it could be very annoying for the mechanics who have to service the spikes!

Also, when playing videos to entertain other Alliance members, they like to drop in silly captions and add sound effects, which is often funny, but can be annoying when you just want to unwind and watch something but the Titan keeps adding comedy trombone noises, Inception BWAMs, etc. You can't really ask them to stop, because they're the bloody Titan.

16. Deepest darkest secret they won’t even admit to themselves

They worry about what they'd do if they encountered a skibidi that challenged their proclamation that 'all toilets will die', i.e. if they encountered a 'good' non-hostile skibidi that doesn't 'deserve' death. (Perhaps one that remembers being a human and wants to go back.) Morally they'd be obliged to spare it, they guess, but it doesn't sit well with them to have to go back on their word. (The obvious answer is to say that a 'good' one doesn't count as a 'toilet' and therefore does not have to die. But is that the answer or is that just playing with words?)

(Original post with list of questions)

[lottiepumpkinofficial]

Day 2

Chap’s. 3,4,5

let’s fucking go

okay i would not be able to handle having my phone taken away while at school, no wonder these kids are so motivated to study

wait do they all have like walkmans then so they can listen to music or is that not allowed either 😭😭

“something about the girl screamed of passion- she was like a dark brooding storm cloud” welcome back ellie wolf, i have missed you

binah!! since binah enters right as lottie is staring at ellie, do we think she immediately knows lottie’s gonna have a crush?

binah is so avian coded and i love that for her

when will someone compliment myyy prominent idiopathic craniofacial erythema?

“be brave!” i tell myself that every day

i need to hear binah laugh because that description is so specific

“If she’d only known the domino effect those words would have.” i-con-ic

i love that binah immediately goes to make lottie more comfortable as soon as she thinks lottie is international bc idk if it’s just my experience but i’m friends with a bunch of international students who came to the uk and so many people just didn’t bother to get to know them and also ignored their culture too and expected them to act britishly so props to binah for actually giving a shit

always props to binah for giving a shit, nobody takes interest like binah

i hope that’s a faux fur coat ani 😭 my poor vegan heart

“lottie shook her hand slowly, noticing how cold it was.” cold hands, warm heart

“the mixture of lavender and roses gave the air a deep, dreamy feel, like being plunged into another world.” this one sentence just fills me with whimsy and joy. lavender and roses are my two favourite scents

okay but it’s kinda insane she’s not even allowed to email a friend. like term time is 4 months long and she’s only allowed to send letters for 4 months??? they were just setting her up to be kinda a bad friend to ollie

none of the characters are neurotypical. not one.

i think ryley is magical and intentionally interrupted to cause the identity mix up

i love that people’s scents are so important in this book. scents is one of the most memorable senses and so often ignored in descriptions but i think it gives such a good sense of what a character is like

“‘It’s you,’ Lottie breathed.” you’re damn right it’s ellie. destined from the start. and they were roommates 🩷

“Lottie immediately started blushing but she couldn’t figure out why.” it’s the bisexuality lottie, you just fell in love

okay my room decor is a perfect mix of ellie and lottie- cutesy chaos

ellieeee stop being mean to my beloved

okay but lottie getting angry for the first time since her mum died is actually such a beautiful moment. she’s in an entirely new place with new people and she’s pushed every single emotion down to try and be perfect enough to get here, now here she is with a new roommate who pushes her buttons just enough to release all of the shit. even though there’s confrontation here, it shows lottie is comfortable enough with ellie to actually let it out instead of pretending everything is fine. this is lottie’s home and she’s done compromising her feelings for the sake of others

[hihopelessromantics]

The Learner Learns Nothing

In which the writing of Seven Deadly Sins expects us to believe that Merlin, the glutton for knowledge, is incapable of learning what really matters over the course of her 3,000 year journey. 

I wrote this inspired by @zeldriszezinho‘s comment on how Merlin was able to reactivate Elizabeth’s curse. The implication that Merlin at some point during the 3000 years gained the ability to break the curse and could have done it AT ANY TIME from that point forward absolutely blew my mind. 

If so canon Merlin is DEAD to me I swear that is so WRONG.

I've never seen a master manipulator character written like this before and I'm not even sure if this is a good way to write a trick villain or whatever the hell she was supposed to be. It sure is baffling so nakaba got that right. I was just as shocked and disbelieving as the sins were. Still am. Regardless of how well it fits her “canon” character and personality it is NOT consistent with the found family themes 😭 Plus it would make her RIDICULOUSLY overpowered... how would she have as much power as a god without serious consequences? And literately no one noticed, ever? Britannia started literately falling apart when Meliodas had that much magical power.

You know what I think I will jump on the hating canon Merlin bandwagon with you zeldriszezinho. I am stitching the Merlins from fanfictions together to make a better, healthier one as a present to the sins for all they've gone through together.

Merlin is just - ugh - it’s too sad. Everyone else gets to be, as the people who remember English class would say, a round character, including many of the antagonists! Tons of minor characters get memorable moments of growth, but Merlin, one of the major characters? She stays static for the most part. Trapped as a plot device until the very end. The narrative leaves her alone, torn away from her found family by an insane twist that I don’t quite understand.

 It’s like Merlin never gave a second thought to how the sins are acting. Ten years out of 3,000 isn’t a lot but someone as smart and observant as Merlin should have seen the way the other sins treat her. They knew close to nothing about her, and she constantly isolated herself emotionally and physically from them, but they never made a move to exclude her from the group, or pry too much, or question her origins. They just loved her unconditionally even though she wouldn’t let them in. There was so much raw potential for her character to have a unique and complicated bond with the sins as a group. Maybe it should have been the wakeup call she needed that the unhealed child inside of her could still learn to receive love. That it wasn’t too late to have a life outside her chaos obsession. Canon left us with a pretty unsatisfying answer as to why she acted the way she has. Like hmmm. Really?

Canon Merlin, you had 3,000 years to decide whether to seek help for your childhood trauma and learn how to love in a somewhat healthy manner and you want me to believe you didn't even try that route??? And that on top of that you effectively prolonged the torment of the only two people shown to love you unconditionally? Whom you supposedly loved in return?? Uhhh heyo! I don't believe you. And also I am holding a sword to your throat getting your shit together is no longer optional.

Sure Merlin can be seen as a character study of how obsession can cause someone to forsake all other aspects of life. We saw it in Frankenstein - saw what became of that whole spectacle and how quickly the perpetrator learned that they didn't actually want [insert here], they were just looking for that basic hierarchy of human needs and weren't ready for the responsibility that comes when using the pursuit of scientific advancement as a substitute for, idk, I think in Merlin's case it would be coming to terms with essentially being treated as a weapon due to her abilities. (meliodas and Elizabeth parallel anyone?? We were robbed of three child soldiers learning to love together and be a family smh thanks a lot gods ) anyway back on topic. What Merlin and Frankenstein have in common throughout their story there are a lot of opportunities that they didn't take, and friends that they kept brushing off, never confiding in them until it was crisis time. Frankenstein's story is a tragedy - he keeps abandoning the rational thought and commitment to ethics that make a good scientist. Any second during his story, while he was neglecting correspondence from friends, neglecting to sleep and eat and pay attention to his needs as a person that the obsession had tossed in the trash bin, he was free to say “hey actually I CAN spare a second from my neverending workload to breathe and think about what's important to me. Why I'm doing this? And how I could do it better. Have I learned anything in this latest deep dive into knowledge?” Instead he is ruled by his emotions, which in the end, keep him from properly emphasizing with other people and actually achieving what he wanted to do. I don't even remember if Frankenstein KNEW what he wanted to get out of his experiments. Probably not considering this the way he immediately freaked out when it actually WORKED. And then it was crisis time, so he goes to his friends, but does he confide in them what really happened? What part he had in it and how he feels about the whole thing? Don't think so. So they just think he's depressed as fuck and going a little crazy. They're completely unable to help him in any substantial way. 

We see this with Merlin. She has to have complete control of the situation at all times so she tells no one. If she can get this ONE THING right finally everything will fall into place. That must be what she thought. But what the hell? Knowledge is and has always been collaborative. We know she was never learning just to learn or for the love of it - it was a poor substitute for the love and attention a child needs to grow up with a good understanding of how to pursue fulfillment. So she was always aiming to accomplish something with her knowledge and all around her were people working together to accomplish something. Hell, she worked together with the sins to accomplish her goal. 3,000 years. She stopped her own time. Physically, right? Or was it mental too? The science there doesn't seem to work with the brain literately rewiring itself as it gets new experiences so. We're just meant to assume she spent 3,000 years trapped in the same mindset while traveling all over Britannia and interacting with God knows how many people. Just out of pure necessity to survive and obtain the information and tools she needs she would have to interact with a LOT of people. That's not even mentioning the people she did research on. And we're expected to believe she didn't learn anything that would make Merlin- smart, curious, motivated little Merlin who tricked two GODS on the OFF CHANCE that what they give her will satisfy the hole in her heart - didn't learn enough about human behavior to give abandoning love and true connection a second thought? Or even TRY to engage meaningfully with anyone? It's not like she had never made that connection with anyone before. What about Meliodas? What about 106 Elizabeths? 

This twist that Merlin might have been manipulating the Sins all along, rather than blowing the reader’s mind with the clues and clever foreshadowing that were there all along, blows a hole in the overarching themes in the story. Merlin’s betrayal is a catastrophe of the highest proportions because it calls into question EVERYTHING they learned up until that point. What she did would cause extensive trauma to everyone involved - all this time they believed that hey, maybe fate brought us together, wasn’t it so good that we finally found people that could understand us? And now they are questioning all of it. So yeah, emotionally, the twist does what it is supposed to. It hurts. But... it doesn’t make sense.  Being in the Seven Deadly Sins causes every other member to learn how to reconcile with themselves, their pasts, their feelings, and their relationships. Why is Merlin the exception? This feels like disappointing writing and a huge waste of character potential. 

It's not like abandoning all emotion and other desires was remotely necessary for Merlin to achieve her goal. She's had fun along the way and that's shown to us. Why are we given ‘i used to have a crush on Meliodas’ as a reason why she would give up on connection or whatever? Merlin that was literally 3,000 years ago when you were 12(?). You didn't talk to anyone about THEIR childhood crushes in all that time? And it's not like Meliodas ever stopped loving or caring about her. Even after getting his emotions stolen bit by bit he only abandons her and the rest of the sins out of necessity. Here she's got a good friend to confide in. And he's EXACTLY the kind of friend she needs if she wants to resurrect an old god! Meliodas is trusting, supportive, willing to Go the Distance for anything he believes in, AND desperate enough to consider extreme courses of action in order to break his and Elizabeth's curses.

All Merlin has to do to potentially get Mel on board is say, "Hey, some of my personal research has turned up something I think you might be interested in. The existence of an old god that the Supreme Deity and Demon King locked away because they feared her power and didn't want her to interfere with their goals.  I've been curious about rumors like these since I was a child, and now I have finally found enough solid evidence to confirm that this god exists. It stands to reason that such a god would be able and even willing to help with the curse on you and Sis-sis. Not a timely solution, but a good plan B or C. I'll be looking into it, and I'll let you know if I find anything that could help you."

What's Meliodas going to say to that? Probably, "Thanks, Merlin!"

He was not afraid of potentially starting an "age of Chaos" when his father told him that is what killing him would mean. Chaos is a mysterious entity of both darkness and light, good and evil, creation and destruction. Previously worshipped by goddesses and feared by the demons. Its agenda, if it even has one, is even more mysterious than Merlin's was before the big reveal. As far as I can infer, Chaos (without the influence of fantasy racism) seems just as likely to bring balance as it could bring upheaval. Something that Britannia desperately needs. And since Chaos is the mother of life in this universe, why would it destroy everything it has created?

It makes sense that if he had known, Meliodas would have been wary of this god, and warned Merlin to be careful, but in the end... wouldn't he have as much reason to help his friend as he would to stop her? Why continue on to release Chaos after the curse is already broken? Fair question. But why not?

Meliodas just wants to live in peace with his loved ones. If releasing Chaos means an "age of Chaos" will occur, well, that just means going back to the beginning, before the eternal game between the Supreme Deity and Demon King. So. The same unknowns that he's faced in his life thus far, except the two dictators manipulating everyone into an eternal war are replaced with the creator of life itself? That would actually sound pretty good to Meliodas, right?

Chaos is disappointed with the weakness of humanity but acknowledged it as, hehehe religious parallels my beloved, "the race most like itself, that embodies its values." Now, this could be 4+ years of religion classes talking but Chaos's previous goal before the Holy War seems to have been to create a race "in its own image." And it did. The question is, now what? I doubt this god is capable of being truly evil because why would evil create creatures with moral compasses? Evil cannot create good and vice versa. We the audience know what happened in Four Knights of the Apocolypse thus far regarding Chaos's preference to humans, but Meliodas and the other Sins have no reason to suspect the entity of chaos would ever go full genocide mode on its own creations. A god that creates all life according to a set of intricate rules (physics, etc.) tends to have patterns of behavior that make sense. Creating everything just to kill it all off doesn't really make sense.

Merlin could damn well have told the Sins, or even just Meliodas, that her goal is to resurrect the original god of their universe that was locked away by the Demon King and the Supreme Deity, who play with people's lives for fun and obviously freaking suck - without making herself look like she has a) gone off the deep end or b) working toward an evil goal that they should immediately put a stop to by any means necessary.

Instead, she just tricks Meliodas and the Sins outright in the most painful way possible. Wtf?

She doesn’t have a solid reason to hurt the people who love her like no one ever has. Who, in their own messy way, have treasured her like her own parents and her people never did.

The twist that her true goal all along was to release Chaos would still work, both as a plot mechanic and for shock value. What’s not shocking about your friend actually being serious about releasing an ancient god, and doing it so soon after Britannia was nearly destroyed by a Holy War? The Sins would have been shocked and hurt all the same with how she orchestrated them coming together, trained Arthur for this exact purpose, and prompted Meliodas to confront and kill his father - all things which were ultimately for the best for all of the races, but with Merlin’s questionable choices, involved a lot more trauma for everyone. Hell, if Merlin got a character arc like the others, the Chaos reveal would actually hurt the Sins MORE. Instead of realizing they didn’t really know her, they would be realizing that the sense of warmth and belonging and the bonds they had forged with each other hadn’t reached Merlin’s heart. That whatever effort they had put into bonding with her wasn’t enough, it didn’t help her the way she had - the way they thought she had helped them. That they had been oblivous to their friend’s suffering and emptiness, that she didn’t trust them the way they trusted her, etc, etc. A deeper and more cutting reveal if you asked me. 

As it is, the reveal makes it so that they didn’t lose a friend and member of their found family. They lost a person who was just... there. Forgotten until it was strictly neccessary for her to be there. Who never truly cared (?). While that’s sad, it’s... not what it could be if she had gotten the chance to genuinely be a part of the sins, physically and emotionally. 

It seems to me that in the moment, Meliodas doesn't seem overly concerned about Chaos. He's angry that Merlin would be willing to blindside and manipulate him, making light of a friendship that's spanned over 3,000 years, for the sake of something that might not even exist. He's angry she seems to value that over everything she already has. Is this the only thing she truly cared about? Was he and his loved ones nothing but pawns to her, just as he was a pawn to his father? Same with the other Sins - they don't know what's going on, but they are angry and hurt at the prospect that their friendship with Merlin was a lie.

THIS, Merlin could have avoided entirely! She is an intelligent, powerful woman - a genius according to some of the most powerful demons alive - and she has BETTER OPTIONS! Choices. By all means, she could have had wonderful, meaningful times with the Sins for all of their journey together, and kept them as friends afterward, maybe finding true fulfillment in the process. All without giving up her pursuit of releasing Chaos. 

She could have learned. Why didn’t she? 

[lovetransaction]

I know I’m talking into the ether with this lol but okay Devil’s Trap and The Scene

The dialogue is generally taken very literally but to me that doesn’t cast much light on the John-Dean relationship, because it’s a demon and it waggles the truth however it needs to in order to get the desired effect. ESPECIALLY because it’s Azazel and it gets off on incest/taboo family shit. It counts on Dean having an encyclopaedic knowledge of John like this:

Dean: You’re not mad? John: For what? Dean: Using a bullet.

Dean already knows that John would be mad as shit about it! But it’s a bizarre reading to me to take this as “John would be pissed about Dean saving Sam” because like ... what the fuck else have these two yahoos done for the past twenty years except save Sam. John would be pissed, sure, but at the situation that required Dean using a bullet. At himself even for getting captured and necessitating it. Just WHY would he ever be mad at his son for saving Sam?? He got mad at Dean for the very opposite thing in the striga episode. 

John: Mad? I’m proud of you. You know, Sam and I, we can get pretty obsessed. But you – you watch out for this family. You always have. Dean: Thanks.

That’s just a weird line (contextually for the characters) because why would John be drawing similarities between himself and Sam at this point and particularly about being obsessive when Sam was technically the reason Dean had to use a bullet. Paired with telling Dean he’s the thing keeping the family together which is exactly what he wants to hear. Seeds of suspicion being slowly sown for Dean. But anyhow--

Dean: Dad, Sam tried to shoot the demon in Salvation. It disappeared. John: This is me. I won’t miss. Now, the gun, hurry.

--that’s the part that sounds like Azazel actually injecting some true-blue John in there bc John is arrogant as fuck lol and Dean respects that for the most part

Dean: He’d be furious. John: What? Dean: That I wasted a bullet. He wouldn’t be proud of me, he’d tear me a new one.

By this point Dean’s super agitated because he’s figured out it’s not actually John so he switches from ‘used’ a bullet to ‘wasted’ a bullet because he can say what he wants and not worry about getting his dad more riled up. And he’s letting Azazel know in no uncertain terms that he’s onto the demon now. But also if John was never ever ever proud of Dean how would Dean even know to compare it? 

It’s so much messier and more interesting imo to read it as a series of behavioural cues that tip Dean off, because as he says -- ain’t nobody knows that man better. It’s not that John’s never been proud of Dean, it’s not that John all of a sudden doesn’t gaf about keeping Sam alive. It’s that John would be furious at the mechanics of how Dean saved Sam, for not finding a way that didn’t involve using/wasting a bullet. The bullets that are their only chance for killing the YED that killed Mary and wants to kill Sam, that took John squandering their entire lives in order to find and that they’ll never get any more of. 

It wouldn’t be fair to Dean ofc and I think after some browbeating, Dean would probably agree that he fucked up (partly in earnest bc he blames himself for all kinds of shit and partly to pacify his dad) but I don’t see it as cut-and-dried as most of the fannish takes I’ve read. Certainly not to the extent that John was SO fixated on the bullets and intent on being angry with Dean that he begrudged one being used to save Sam’s life??!?

The ugliness of it to me is that John held himself to impossible standards but that was kind of okay bc he’d given up on having a normal or good life ever again, without Mary. What was awful is that he held Dean to those standards too -- not Sam, not the baby, which was evident to Dean at least if not to Sam -- so Dean didn’t have many options outside of becoming a perfect Hunter, constantly trying to achieve what Dad thought was a commendable level of skill. He SHOULD’VE found another way to save Sam, isn’t that what his entire life is for? idk I just think “John’s mean and never said he was proud of Dean and also thinks Sam should’ve died, and Dean is a victim with zero agency” is a really boring interpretation

[i-am-literally-deranged]

Hey it's 4 AM I'm on my way back from the bar off the shits, and haven't posted in entirely too long, so you hwve to deal with my thoughts unfiltered and unedited. Cope.

A consistent theme across the entirety of Hatoful Boyfriend is that every single atrocity is motivated solely by love. Hitori feels like theost obvious example. Everything he dies wrong is done in misguided effort to grant Nageki's final wishes. It's q last act of love for the family he couldn't save. One last thing he could do for him. Shuu is muvh the same. By far the biggest offender in terms of atrocities, he's also branded everything he does in the name of granting Ryuuji's last wishes. He acts in his name, under a banner of love for him, whether or not it actually lines up with the spirit of his wishes at all. Could go on for hours about that btw, about how Shuu and Hitori's attempts to grieve both involve completely desecrating the memory of the person they are trying to grieve, by hurting other people "for them" when it is ultimately not for them at all, but rather for themselves, hurt wnd lashing out. How they mirror eachother, diametrically opposed yet oddly matching. But anyway. All atrocities are motivated by love within the Hatoful Boyfriend universe. When Ryouta agrees to become the virus's carrier and kill humanity, it's because he sees no use in resisting to protect the world that killed Hiyoko. There's no point when the person he loves most is gone, might as well burn the whole thing to the ground. Yuuya kills out of love for Sakuya, and that's a repeating theme as well. Him giving up everything, his very soul and humanity out of love for Sakuya, which is a bit odd considering yhe degree of separation between them. It's more a devotion to the idea of him, ultimately. And that's what it is for all of them, it's this idea of "This one person is an emblem of all good in the world. Without them, all good is gone." Which grants everyone that miraculous ability to harm others with zero remorse. When I say that love is the ultimate villain of Hatoful Boyfriend this is what I mean by that. We all talk about Hbf at the dating sim without dating, the aro dating sim, but it's true. Any love too intense festers and rots into something dangerous if left unchecked.

Characters in Hatoful can be sorted into two categories, those whose love redeems, and those whose love destroys. When Hiyoko takes a fondness to someone, it saves them. Nageki's love of the world saved it. Ryuuji's love for Shuu gave him what scrap of salvation he's ever had. As opposed to everyone else in the cast. Shuu's own love for Ryuuji caused almost everything that has ever gone wrong in these games. Hitori's love of Nageki caused the other half (exaggerating for dramatic effect, he has done no wrong, actually)) Ryouta's love for Hiyoko made a lot of the trouble in BBL possible. Sakuya's love of his father has ruined his life up until now, and Yuuya's love of Sakuya ruined his. Anghel Maybe gets out of it because he loves everyone to a certain degree, and Okosan is Okosan, but outside of those two this dichotomy holds completely and utterly true. There are three characters who play foil to one another, Hiyoko, Ryuuji, and Nageki, rotating who is paralleling who from scene to scene, and then everyone else, orbiting them and obsessing over them, their love for them destroying themselves and everyone else around them. Love is ultimately the villain, but that's only true under specific circumstances. It's so fuckin interesting!!! I don't know what differentiates the lovers from the loved, but it's a consistent theme and it's leaves me going

"WHAT DOES IT MEAN?!?!!!! WHAT DOES IT MEAN !!!!"