#one of my favourite scene in the book

[fictionalbond]

Love In The Big City (2024) - EP. 2

“Just when the doctor was about to say something else, Jaehee grabbed her bag and stood up. And that’s not all she grabbed; she also picked up the 3D model of the uterus on the desk. I had just enough time to think of the word What ? before Jaehee ran out of the consultation room with it”

[therabbitthatpostthings]

Anyone else come to some wildly different conclusion on Ghibli movies with age?

Kiki's Delivery Service: Kid: Being a witch is so cool! Adult: Growing up and growing apart from the life you had before is a natural progression of life. You aren't losing the old parts of yourself, just finding new pieces that were there all along. Life is about changing, you'll never stay stagnant.

Ponyo: Kid: She's such a cute fish, you should always follow your dreams! Adult: Leaving home will not take you away from your family. Even when you're miles away and you feel like you're in different worlds your family will still be there, encouraging you. Parents are meant to let go of their kids at some point.

Howl's Moving Castle: Kid: Sophie's a big sister like me! I want to a princess in a magic castle. Adult (I've also read the book): Sometimes you don't find your place in this world, you make one. The people that come along with you will see you through every ugly part of yourself and you would do the same for them. Chase after that shooting star.

Spirited Away: Kid: What just happened... Adult: SHIT HAPPENS! And it sucks, life sucks but you keep going. You can cry along the way. You are being so fucking brave for even going on this hellish journey we call life. It's okay. You're okay.

[s0fter-sin]

rewatching s1 and in ep2 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[violecov]

Our magnificent and perfect Tianlang-Jun, asking himself when did Zhuzhi-lang and master Shen developed such strong romantic feelings. (And how is he watching what he is watching)

[bayofwolves]

Yeah I am mad about how the authors treated their sweet angel Abeke actually.

Bad things that happened to Abeke:

Mom, only person to understand her, died pre-series

Dad and sister are emotionally abusive

Tricked by her enemies and roped onto the wrong side

Distrusted by the rest of the Four and believed to be a spy

Targeted by Meilin in particular

Kidnapped by obnoxious pre-teen boys

Gets frostbite

Gets concussed

Gets stabbed

Gets captured

Gets beaten up by Meilin

Lied to and betrayed by her dearest friend

Meanwhile dad DISOWNS her

Understandable depressive episode

Makes up with dad because he apparently decided he wanted to keep treating his daughter like shit

Mauled by cougars

Loses Uraza to arch-nemesis Zerif

Another extremely understandable depressive episode

Nicknamed "hollow-girl" which tells you a lot

Almost killed by Uraza on two separate occasions

Friend* killed by Uraza

Denied proper resolution with said friend

Doesn't get to kill arch-nemesis Zerif

Doesn't get to use her Rain Dancer powers a single time

Attacked by ants

Mid bond token

Can't even keep her cat

Justice for Abeke.

[sam-reid]

𝕷𝖊𝖘𝖙𝖆𝖙 & 𝕷𝖔𝖚𝖎𝖘 INTERVIEW WITH THE VAMPIRE 1.02: AFTER THE PHANTOMS OF YOUR FORMER SELF.

[leek-e]

My designs for the characters from We Object To Fear :) I love this show a lot and have watched it many times.

In order they are Matthew and his mum, Brian and Clark (prosecution), Alicia and Spencer (defence), and Xander and his unnamed friend (pre-trial).

[fauville]

ok that's it for book 1, i will attempt to play book 2 too while i wait for datv to release tomorrow bc i have a lot of time in my hands ✨️✨️✨️

[bowtiesarecool11]

Lin-Manuel Miranda as Lee Scoresby in His Dark Materials S2

[thevelaryons]

“Lacking tongues with which to make their appeal, they preferred to argue with swords,” says Mushroom. However, the plot to murder their young lord went awry when the guards at Castle Driftmark proved loyal to the Sea Snake’s memory and his chosen heir. 

Condemned to death, Ser Rhogar saved his head by taking the black. 

Artist: Herheim (pixiv/twitter)

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[the-busy-ghost]

I have finally emptied the blue bench of all the library books I need to hand back, even though they were terribly photogenic in there, and instead have filled it with all the old children's books I've been keeping around for like fifteen years or more, even though the chances of me ever having children or even passing them on to nieces/nephews/cousins etc is vanishingly small. These are less photogenic but at least it's one way to start clearing the living room of boxes.

Currently strategising how to fit them all in but also wow this is a list of Problematic Children's Authors TM

[amityillustration]

Living Apology.

[fiotarya]

i also drew a lil Harrow chibi so Gideon isn't so lonely on my tumblr

[steelycunt]

everyone get up and make some noise for sirius' vivienne westwood two cowboys with their cocks out shirt!! we're losing our minds over here for sirius' vivienne westwood two cowboys with their cocks out shirt!!