#this has to be one of my favourite scenes of the book

[apollo-just-ice]

10 people I’d like to get to know better

Tagged by @strix-x thank youuu :)

Last song: Calisto Yew’s theme from Ace Attorney Investigations 1. Listening to it as I type this, lol. From my Spotify Wrapped 2024 playlist :)

Favourite colour: don’t do this to me… many colours are beautiful… green, blue, pink, purple… thank you…

Last book: Still something I’ve gotta work on is reading more books. Last one I read was the Doctor Who Rogue novelization! That was enjoyable, I liked the extra scenes and backstory it added :)

Last movie: Uhhh hmm I don’t see movies all that often… I’m unsure, but by tomorrow the answer will be Wicked?

Last show: Dandadan season 1 finale… which, tbh, I hadn’t realized was the season finale until after I watched the episode lol! Very looking forward to season 2 tho :D

Sweet/spicy/savoury: Hmm probably savoury? Sweet is also good, tho I think there is definitely a thing as too sweet… and as for spicy? I like some spicy stuff even tho it may burn my mouth after loll

Relationship status: single as can be 😽✌️ alas

Last thing I googled: movie theatre tickets lol

Current obsession(s): Dandadan beloved omg… I haven’t watched a lot of anime, but I’m starting to! Grateful netflix recommended this to me lol, it’s so. It’s got everything you could ask for. Wacky, funny, has a lot of heart with the characters… great music… and maybe I’m a little bit of a sucker for high school students getting pulled into crazy adventures. Momo and Okarun are so cute too… sillies <3

Fire Emblem Heroes isn’t going anywhere for me… with Book 9 having a law theme, it excellently combines with my love for Ace Attorney, and I love Rune already!!

Then ofc Ace Attorney… had a blast playing the Investigations Collection, and I’m continuing to catch up (the timing is almost never right for me to watch live) on Mark Ota’s streams of TGAAC, which are always a ton of fun :D

Then I am also trying to now and then write stuff for my own ocs too… I don’t talk about them enough… but I love them very much, please do know <3 Maybe I show a bit of favouritism for Willow and Pyg, but hey, they are the main characters :3

People to tag: ack my least favourite part, I always fear I’ll forget someone!

@rosymaraschino (I want to return the favour, I appreciate it whenever you tag me in one of these kinds of things! :) )

@ actually anyone else, my mind is blank </3

[theus-what-are-you-doing]

Ask Ozi?

I saw @p1tabread reblog my Ozi post with a question so I thought it would be fun to do this little Q&A thing and develop my keysona a little more! Below "read more" will be more in depth answers if anyone is curious!

Now for the questions expanded!

Ozi is my favourite key ever

Ozi would only respond with confusion to this statement, or be flustered, because they was at their height of usage within Ex Libris' organisation during the Elizabethan time (I know that isn't canon but let me head canon, will you? It fits their story a lot better) e.g. when Shakespeare's works were hitting theatres and the need for comic relief characters were at an all time high with the focus on tragedies.

Recently however, it could be argued that their position has been fulfilled by the role of the "Helper" key Bronze, as many modern stories have a tendency to combine the helper and the comic relief roles into one character, think of the sidekick that is used to be funny in tense scenes within hero movies or books.

As so, they doesn't get as much use as they did back then, hence their confusion to why they are a favourite in this modern age.

They do greatly appreciate it though, even if they're a little confused!

2. What's his favourite Shakespeare character or play?

Honestly, back in the day they used to be a big fan of them all as they thrive on tragedy. That being said, they doesn't like "Romeo and Juliet", for reasons that "They can't understand why the hero wouldn't just have a good cry and wait for Juliet to wake up. They didn't need to die."

That's their reason at least, we theorise this was mostly because this was one of their first books they had entered and they and their human had genuinely though that Silver and Goldie had actually suffered the tragedy that befalls their characters. Dark, huh? Safe to say, a lot of crystal tears had fallen when they were reunited!

As for "Something Rotten", it's one of my favourite Shakespeare inspired works, and I have a feeling that If I did have a key, that is one of the first things I would show them! I however, love the Soothsayer more than I love Shakespeare! Nick Bottom is a close second however!

I hope that answers your question, fellow nerd (Fear not, I will not sue you!!

[mermaidsloveelriel92]

I asked a friend of mine, who is completely unbiased because she has never read the ACOTAR series before, to read two snippets of Gwynriel scenes, because I didn’t have any of my books on me because I was at work, to see if maybe I was missing something.I never thought I was because like SJM said I thought it was obvious. Anyway I asked her if she saw any kind of flirting happening between Azriel and Gwyn. I even used this scene so she could see if there was flirting.

And since they love to use this scene as Mate behaviour.

It really bugs me when they use this scene as proof of a mating bond between them. She’s not remembering it romantically and neither does he.

It’s like with Lucien and Elain. He will always be tied to the most trauma moment of her life and that’s not romance. If the scene between Azriel and Gwyn was meant to be romantic SJM could’ve wrote that scene without Gwyn being hurt or raped.

Lucien will always be tied to Elain’s trauma of being Made fae, can they move past it?

I think so.

Will it be from a romantic standpoint?

No.

I asked if there was any kind of romance between them and after reading both scenes. She said no. There is absolutely no romance between them and what Gwynriels consider flirting isn’t flirting.

Then because I’m an Elriel shipper. I wanted her opinion on theme so I looked up one of my favourite scenes because it really does show, in my opinion, the essence of what Elriel as a couple will be.

That’s right the potatoes scene.

I asked her if she thought that it was romantically coded and she said yes.

I asked her because she, like me, is for one) a seasoned romance ( any genre really ) reader and two) we both read between the lines on scenes we notice things are supposed to be noticed.

No hate to Lucien or Gwyn. I can’t wait to see their characters explored. I can’t wait to see Gwyn’s Lightsinger abilities explored. I don’t view her asking as Azriel this as romantic.

I view it as her wanting to understand why she does when she sings. She wants to know if Azriel , who is a Shadowsinger, glows if he sings.

She wasn’t trying to get to know him.

She was asking that to understand her own power.

I also can’t wait to explore Vassien. I think after Elriel and Emorie’s, Vassien will probably get their own book, or like Amren and Varian, they become a couple in the background of Elriel’s book, but I’m not entirely sure that will happen considering Vassa is tied to a major plot point, her curse.

Even though there’s been no meeting between them yet, I find it interesting that while Nesta and Emerie were looking for Gwyn, they ran into Balthazar.

I wouldn’t be surprised if somewhere down the road Gwyn and Balthazar meet and fall in love.

But that’s up SJM.

I’ve thoroughly enjoyed the ACOTAR series and the CC series. I strongly suggest reading the CC series before Elriel’s book comes out because there are important plot points that will come into play in their book. I’m currently in the middle of reading Empire of Storms.

I don’t understand all the Chaol hate. I think he’s a great character. He’s one of my favourites. I also don’t understand the hate for Aedion and Lysandra either, especially their relationship.

Sorry this turned out longer than expected.

[flowers-of-io]

End of the year fic asks

This time around I figured I'd make my own end of the year fic asks list (inspired by this one) because this game is of my favourite thing about December :D Feel free to reblog, and ask away!!

1. A fic you wrote this year that you consider your best

2. A fic you wrote this year that you consider your worst

3. A fic you wrote this year that was most challenging to write

4. A fic you wrote this year that was most fun to write

5. Weirdest fic you wrote this year

6. Angstiest fic you wrote this year

7. Softest/most comforting fic you wrote this year

8. Silliest/most whimsical fic you wrote this year

9. A fic you didn't expect to write

10. A fic you wrote this year that was different from what you usually write

11. Longest fic of the year

12. Shortest fic of the year

13. Two things this year has taught you about writing

14. Two things you want to learn/practice next year

15. Two things you've achieved this year that you're most proud of

16. Two goals for next year

17. Two favourite lines/paragraphs/scenes from this year's fics

18. Two songs from your writing playlist(s)

19. A fic you didn't expect to get this popular

20. A fic you wish was more popular

21. Most memorable comment/review/praise you received this year

22. Favourite ship/character/trope to write about this year

23. A ship/character/trope you wrote about for the first time this year

24. Five ideas to work on next year

25. Wip(s) you wanted to finish this year but didn't

26. One thing that had the biggest influence on your writing this year

27. Favourite event/trade/zine you took part in this year

28. Most inspiring fic you read this year

29. Two pieces of media other than fics (books, songs, artworks, etc.) that inspired you this year

30. Five fics you read this year that you'd like to recommend

[holdy-caulfield]

My review on Star Trek book.

Dreams of The Raven by Carmen Carter

Genre: Sci-fi, drama, psychological, thriller elements

Pages: 255

Key words: amnesia, physical traumas, self-identity, character study, medicine, friendship, body horror, angst

TW: gore

Highlights: plot, mystery, atmosphere, very canonical characters, accuracy, dialogue, depth, drama, villains

Downsides: lack of some details

Vibe/tone: dark, serious, realistic

First, huge thank you to @very-bad-poetry-captain for their book review, because the amount of ST TOS books is a bit overwhelming so I follow mostly recommendations/reviews to choose what to read next. I will probably compare this book to Doctor’s Orders, by Diane Duane, because it’s only a second ST book I read and both books are about Doctor McCoy, who’s my favorite character, so my excuses if you find it a weird comparison. Minor spoilers.

To put it shortly it’s probably one of the best ST TOS things I’ve read so far if I count fanfics. It is very good. Probably I will change my opinion cause actually I have nothing to compare it with, but after reading it I felt pity it finished and did not know what to do with my life for a few moments. You know that feeling if you a reader.

The story follows two plotlines: McCoy suffers amnesia (big amount of stress + alcohol + exhaustion+ head trauma) and forgets everything that has happened for past 25 years, so in his head he’s 23, and also a few ships Enterprise included were attacked by mysterious (and horrifying) aliens, so there’s Kirk & Spock dealing with those two problems.

First and foremost, the characters. They are very canon. And even more canon then in Doctor’s Orders. Spock and McCoy behave exactly like in the show, their relationships are ambiguous and not bubblegummy, as it shouldn’t be. It’s very much what you see in TOS.

And Kirk & Spock. One of the things I didn’t like about DO was that Spock got kinda lost in the background and it either was McCoy with Kirk or Spock and McCoy. Here Kirk & Spock have all these small details about them going on, like Kirk understanding Spock, caring about his feelings, Spock touching Kirk and very domestic scene of Kirk taking a shower while discussing with Spock matter of things while Spock is thinking about the next move of 3D chess. It was just very… Cute. Very TOS-y. Very t’hy’la. You can feel they are so at ease with each other.

Kirk & Bones dynamic is also amazing. Kirk experiences a lot of angst with the loss of his friend, and there are also a few cute moments between them when Bones is Bones (because Bones McCoy and Leonard McCoy felt like two different people to the characters). Kirk is just so in character, even the small details of him hitting the turbolift doors out of frustration (he does it a lot in TOS), his endless questions, his battle tactics.

There’s also I have to admit enough presence of Scotty, Uhura, they both have good amount of scenes (separately), Uhura just such a vibe and mood there as well. Also there’s a few scenes with Sulu and Chekov. No body was forgotten, everyone had their moment.

And then, let’s discuss Bones.

He is 25 years younger in his head, so he is slightly out of character obviously, but it’s just so realistic, recognizable, that I believed wholeheartedly that it is exactly how Roddenberry would direct/write him being 23 y/o. I can’t name it OOC even. Well, he acts like a 23 year old. He is drama queen even when he’s older, so you can imagine how dramatic he acts thinking he’s younger (complaining also all the time that he’s old, like, boy, you’re 48) it all just feels very natural. All the interactions and dialogue feel very natural, I must say, and I often noticed that in TOS too. So the author did an incredible job making such an accurate, emphatic and believable portrayal of my favourite character.

And I felt very sorry for McCoy. I sympathized with him completely. I actually felt a little bit sad when he regained his memory, but it is also thanks to the writer. The way it is worded is beautiful and bittersweet.

About an elephant in the room - romance. Well, I actually liked and understood it. At first, have you seen Bones? Second, those two are both in their 20s technically speaking, well, I understood she is (and if she was hitting her 30s because I am not sure about her being in her 20s, still point stands) so it was natural, the chemistry was there. Third, characters are allowed to act stupid, and Dyson acted stupid and she fully knew she was acting stupid, but she just wanted to have sex with him for a long time, so I understand and wish it was me. So it didn’t bother me at all and I actually awaited them to kiss. It is a flink, obviously, and Dyson knew that. So even if she’s heartbroken she should be fine, I think, plus she did act like she was half-expecting to not continue it with him. I hope though Bones never finds that out. So it is a good believably written part in my very humble and probably unpopular opinion. Good for her even.

The plot and the atmosphere. The plot, the mystery is amazing. It doesn’t let you put the book down. Also, the atmosphere of the book… Well, it is grim. Because the whole situation is not very fun. And also it has gore. Even though @very-bad-poetry-captain did mention the gore I didn’t expect it in so much detail, and at one point I was reading with such expression: o_O (I low key love horror, so it didn’t bother me). And then the aliens themselves… They are terrifying. They stepped out of some sci fi horror, and the author doesn’t hesitate mentioning dark details and I LOVED it about the book. I like when the villains are actually scary. I don’t wish those monstrosities to exist. There’s literally body horror elements in this book, and it’s one of my fave horror sub genres for some reason, so it’s also a positive point. TOS also has some very dark stuff going on, and the serious, darker tone suits it very well especially in the book form. The style of the author is nice. It’s straight to the point.

So it does feel like TOS but the sadder/darker episodes. And I liked that the book doesn’t feel short. It has a lot going on, and both plotlines are equally interesting. I wouldn’t mind book being even longer actually. Even more details. So if you enjoy a good mystery I recommend it.

Well, I guess I also have to point out some downsides. Well, the dreams in the title. Why dreams? No, literally, why? If it was like living in a dream then yeah, McCoy kinda lives in a dream, but what Ravens have to do with that? Book mentions nightmares, but give me those nightmares. Like nightmares although are a cliche but they work for showing character’s fears, doubts. So it felt like some portion was cut out. Because nightmares are mentioned a few times. Well, you could argue that the nightmares are because of the trauma. I guess. Also, the ending feels a bit rushed. I wanted a bit more disorienting from returned McCoy. And some hello from Spock, maybe a surprise for Bones on why Spock is acting extra enthusiastic or friendly or smh like that. But on the other hand I didn’t feel like the book lacks something. It was actually more than I expected.

Hugely recommend, also wish the writer wrote more TOS books :( and I also want to read more darker/serious TOS books like this :)

[violecov]

Our magnificent and perfect Tianlang-Jun, asking himself when did Zhuzhi-lang and master Shen developed such strong romantic feelings. (And how is he watching what he is watching)

[s0fter-sin]

rewatching s1 and in ep2 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[bayofwolves]

Yeah I am mad about how the authors treated their sweet angel Abeke actually.

Bad things that happened to Abeke:

Mom, only person to understand her, died pre-series

Dad and sister are emotionally abusive

Tricked by her enemies and roped onto the wrong side

Distrusted by the rest of the Four and believed to be a spy

Targeted by Meilin in particular

Kidnapped by obnoxious pre-teen boys

Gets frostbite

Gets concussed

Gets stabbed

Gets captured

Gets beaten up by Meilin

Lied to and betrayed by her dearest friend

Meanwhile dad DISOWNS her

Understandable depressive episode

Makes up with dad because he apparently decided he wanted to keep treating his daughter like shit

Mauled by cougars

Loses Uraza to arch-nemesis Zerif

Another extremely understandable depressive episode

Nicknamed "hollow-girl" which tells you a lot

Almost killed by Uraza on two separate occasions

Friend* killed by Uraza

Denied proper resolution with said friend

Doesn't get to kill arch-nemesis Zerif

Doesn't get to use her Rain Dancer powers a single time

Attacked by ants

Mid bond token

Can't even keep her cat

Justice for Abeke.

[leek-e]

My designs for the characters from We Object To Fear :) I love this show a lot and have watched it many times.

In order they are Matthew and his mum, Brian and Clark (prosecution), Alicia and Spencer (defence), and Xander and his unnamed friend (pre-trial).

[fauville]

ok that's it for book 1, i will attempt to play book 2 too while i wait for datv to release tomorrow bc i have a lot of time in my hands ✨️✨️✨️

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[the-busy-ghost]

I have finally emptied the blue bench of all the library books I need to hand back, even though they were terribly photogenic in there, and instead have filled it with all the old children's books I've been keeping around for like fifteen years or more, even though the chances of me ever having children or even passing them on to nieces/nephews/cousins etc is vanishingly small. These are less photogenic but at least it's one way to start clearing the living room of boxes.

Currently strategising how to fit them all in but also wow this is a list of Problematic Children's Authors TM

[steelycunt]

everyone get up and make some noise for sirius' vivienne westwood two cowboys with their cocks out shirt!! we're losing our minds over here for sirius' vivienne westwood two cowboys with their cocks out shirt!!

[rearranging-deck-chairs]

obsessed with their different reactions to being called starcrossed lovers

[harmcityherald]

Boromir

[dallonwrites]

the first chapter of lover boy is really intense on an emotional level because So Many Things happen in quick succession it's like beau barely gets a chance to breathe and process it. meanwhile RR opening chapter is just felix and dorothy arguing in a laundromat.