#one hour episode with two production numbers

[idolomantises]

Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

[theminecraftbee]

for anyone wondering where i've been: i got... distracted... by a potential huge project. I was considering running a mcrp project/smp project, inspired by stuff like fan life series servers, with the rest of the sexyman team! but... a different one. a very specific one, even.

now, I'm aware there are probably outstanding questions, so if you're uncertain, please read more event/server details below the cut and see if it interests you!

I don't know anything about Survivor–what would this show even be like?

so if you know nothing about survivor, it's easy to think it's a show about surviving on a deserted island. it is that, but it's not mainly that. survivor, at its heart, is a social deception game, about making close alliances, betraying people, and social dynamics under pressure–hence why i suspect it would be a great fit for mcrp.

the way the show would be structured is this: a certain number of contestants would be placed on a (slightly modified) survival server, set up to be difficult to survive on. they are placed into two "tribes", the teams for the first half of the show. every episode, they would spend time with their tribes bonding, surviving, searching for secrets, and base building. then, they would compete in challenges. the tribe that loses the immunity challenge must go to tribal council, where they vote on which member to send home. this continues with the tribes eventually merging together into one tribe and immunity becoming individual before there are only two contestants left. at that time, they go in front a jury of their former fellow contestants, who will determine who the sole survivor is.

while challenge performance is one key to winning (as it prevents you from being a target in the first place), the other, bigger key, as you can likely see, is forming alliances and voting blocks strategically to get your opponents voted out and yourself kept in. this makes a great vehicle for social emergent storytelling, where narratives emerge about who is honest, who is a liar, who is good at the social game, who is bad at it, and what people will do in order to become sole survivor.

in other words: it's kind of like what current-day mcrp is ALREADY about. except its a gameshow also, and the very construction of the thing is designed to cause tensions by its very nature.

it's great! and you wouldn't be required to know anything about survivor–our host would explain to the audience all of the mechanics as they came up, as would production staff to the players.

You keep calling it "a show"–what do you mean by that?

the result of this project would be an edited youtube series, like survivor, of likely around twelve episodes. each episode would show footage from the game, as well as a lot of "confessionals" shots of the players explaining their opinions, before ending in tribal council! unlike most mcrp series, this would not be a multiple pov affair. it would be one tightly edited project. (this editing, for the record, is the largest overhead; we expect the amount of footage to go through to end up being in the hundreds of hours combined between all the players.)

it's possible that after the show's finale releases we'll release the players to make their own highlights from any footage they take. but the product we're hoping to make is just a single TV show's worth!

what exactly does applying to be a contestant require?

if we get enough interest, once we have enough of the required plugins and builds created and have a better sense of gameplay, we will put out a casting call form. while this will ask a number of questions to help us get to know you as a potential player, you're going to be REQUIRED to have the following things: a tumblr blog that you can link us to, the ability to record an audition tape in minecraft to send to us (so that we can get an idea of what audio we'd be working with, mostly), enough free time for us to be able to schedule recording sessions into, and a willingness to agree to some rules about keeping things secret until the finale airs and about rp etiquette. that's it! there are no other requirements–you don't have to know survivor, you don't have to already do mcyt or stream, you don't have to have friends, none of it, and while we'll ask you for those details, we're going to be looking for a large blend of people from across mcyt! anyone (who can send us mostly clean audio) can be considered!

EDIT: we would ALSO REQUIRE YOU BE AT LEAST 18. sorry i forgot this before! this is for a number of reasons i don't want to get into, but will be prominent on the actual applications.

what exactly would being a production staff member entail?

we're mainly looking for two things in production staff: a willingness to run replaymod for us and act as cameramen by following contestants around getting footage on the actual recording days, and a willingness to work with us on what's likely to be a fairly intense editing and "scripting" period during and after recording, during which we're going to have to scrub through massive amounts of footage and form it into a coherent narrative. we may, depending on how bad we realize we've bitten off more than we can chew, also end up looking for build team members for the production crew. if these things sound fun to you (they sound fun to me god help me), then go ahead and select this option! just know it's mutually exclusive with playing; no one in the production staff will be considered for the contestants. this includes my friends and myself who've already agreed to help me.

these applications would come out before the casting call, since even before casting call we're going to need to do playtests and dry runs and have things mostly ready. so keep an eye out!

will this be run on your blog?

nope we're going to make a new blog (and youtube channel) (and branding!) for this eventually, just want to interest check before we go through all the branding steps. (also, i've even gotten us a specific gmail for this that we will likely end up using for certain communications.)

for now that's all the FAQ i think that is required. let me know if you have more! and i hope you all are interested in this baby of a project that's taken over my mind for the past few weeks!

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 1)

(Meme made by @eddo-tensei)

I'd like to apologize for this post taking so long, and my lack of activity this year in general. I've had a lot of things going on. I've been trying to search for a new career, I've been taking on more hours at work, I've started working out more, and I might be considering going back to school to pursue one of my career options. I've been very busy, and I know this isn't an excuse for the lack of content. I'm going to try making more posts on this blog when I can, because after this ranking post and the movie review, I won't have as many big projects to work on. With that being said, let's get to the main event.

I had very few positive things to say about Season 5, and it'll be reflected here. With Season 4, I at least had some clear outliers for the best and worst episodes, but because so many of these episodes blended together, it's hard to really rank them. At best, there were two or three episodes I thought were good, and not even really good like the highlights of Season 4. So this time, I'll be taking a page from one of Schaffrillas Productions' ranking videos, specifically his Illumination Entertainment ranking video. Rather than rank every episode from worst to best, I'm going to rank them from best to worst.

In a way, I'm giving you the quintessential Season 5 experience, starting off with high expectations before a gradual descent into mediocrity.

#1: Intuition

Season 5 really needed more episodes like this one. A good chunk of the season just defaulted to the same old Akuma of the week formula while Monarch stayed cooped up in his lair as usual. Yes, while it was justified thanks to his Cataclysm wound, it kept the writers from really capitalizing on his expanded arsenal other than giving Akumas powers he didn't need Miraculous to give them in earlier seasons. This episode is built on the three major aspects established at the beginning of the season that the writers should have been focusing on instead of Love Square drama: Gabriel secretly dying, Gabriel having access to over a dozen Miraculous, and Ladybug and Cat Noir needing to fight an uphill battle against Monarch.

For the most part, Monarch's plan is well thought out and the stakes feel high as a result. Not only does Monarch get creative with the Miraculous he has at his disposal, he exploits the heroic nature Ladybug and Cat Noir have by forcing them to choose between saving an innocent astronaut or the people of Paris. The meteor threatening Paris feels like a threat precisely because Ladybug and Cat Noir can't get any help to deal with something this big, and have to deal with it on their own. The fact that Monarch also essentially has a hostage trapped inside Bugfighter helps add to the drama.

This is the episode that arguably does the most with the space power-ups. Ever since they were introduced in the New York Special, they were mostly used by Ladybug and Cat Noir to fly across long distances, and even then, there were episodes where the writers forgot they could have used those forms to resolve the conflict (Crocoduel). Here, because most of the action is primarily set in space, the abilities of Cosmobug and Astro Cat are on full display, and it's a nice shakeup from the usual fights set in Paris.

But the best part of the episode is arguably Gabriel. While he does make multiple questionable decisions (whether they were intended to be seen as stupid by the writers is up for debate), this episode is a pretty decent character piece for Gabriel, and fleshes him out the most this season. Putting aside my problems with the writers changing the rules of the Snake Miraculous specifically so Gabriel can't use it like with the Rooster, Gabriel's behavior and body language really sells the fact that his days are numbered. For most of the season, Gabriel's Cataclysm wound was a mild inconvenience at worst, but this episode shows just why he can't go out to fight Ladybug and Cat Noir himself.

It's pretty ironic in a way. Even though he has fifteen Miraculous and is arguably the most powerful character in the show at this point, Gabriel's paranoia and arrogance prevent him from taking full advantage of his arsenal. Gabriel is so dead set on achieving his goal, he's willing to abuse the Snake Miraculous' power to find a way to win, despite the risks it has to his health. He can't trust any regular Akuma with Second Chance, and even a close ally like Tomoe isn't above being tricked by Gabriel using that same power. It's that same sense of narcissism that leads to his downfall, as while Gabriel has more power than Ladybug, he just can't outsmart her.

It's a really good episode, and was an exception to the kind of lousy writing we got during Season 5, instead of being the norm.

#2: Action

You know, it says a lot about the show when not only is arguably one of the most universally loved episodes in recent memory is the first in years to not have Astruc in the writing team, not only is it not connected to the ongoing story in any meaningful way, but it's also an environmental PSA, episodes that are usually not viewed in a positive light.

The characterization is somewhat strong here. Other than Nino being the one to lead the protests, nobody is really annoying or out of character, which works in the story's favor. There's no melodrama, no Marinette needing to learn some contrived lesson, or no Adrien being portrayed as being right about everything. It's the kids versus Big Plastic, and nothing else.

The thing that makes the story work is that compared to other environmental PSA episodes, it actually acknowledges how complicated of an issue the nature of pollution is. There aren't any characters who want to keep polluting the environment. There are just circumstances in place that prevent them from taking a stand against an injustice like this. Influential figures in Paris like Gabriel, Andre, and Nadja have connections to the company enabling the pollution, and whether it be for financial or political reasons, they're essentially dependent on it.

This kind of approach to the pollution extends to the antagonist, Bertrand. What I like about him is that compared to other rich people on this show, he's not incompetent or actively malicious. He just sees what he's doing as a business, and he can't think of any other ways to make money. He even points out how much plastic is used in modern society and that his company makes plastic for a reason. He's kind of like a less overtly antagonistic version of Mr. Waternoose from Monsters, Inc. in a way. He's aware of what he's doing, but he views profit as more important. The difference is that unlike Waternoose, Bertrand realizes the error of his ways and starts finding ways to change how his company operates.

However, this extends to one of the bigger problems I have with the episode. Because it spends so much time trying to flesh out the opposition's argument, it doesn't really give the audience enough reasons to support the heroes protesting. Yes, it's morally correct to protest, but there's nothing else to make the audience understand why they're in the right to oppose pollution. Considering how this was meant to be used to educate kids on pollution, I guess I can give it a pass for at least doing a decent job getting the point across, even if I personally would have given more of an explanation as to why the heroes are right.

What I can't give the episode a pass for is how the conflict is resolved. For an environmental PSA episode, I cannot for the life of me comprehend why the writers thought it would be a good idea for the Akuma of the week to be defeated by plastic and pollution. Like, my brother in Christ, you're supposed to teach kids about why pollution is a bad thing! Did nobody think about the implications this would bring? Actually, given the other things that happened this season, that probably checks out.

A pretty decent episode if not for the ending polluting the moral.

#3: Migration

While this one is one of the better episodes of Season 5, it still has its fair share of problems.

The most obvious one comes in the lesson its trying to teach with contrasting Bob and Jagged. It clearly wants to talk about redemption and self-improvement, but as I discussed in the overall analysis post, this show really doesn't have a good grasp on writing redemption arcs. For one thing, I really wouldn't compare Jagged becoming a better father to Bob being a selfish asshole because while Jagged abandoning his family was a terrible thing, since it was done more out of selfishness than outright malice. Bob on the other hand, is just a dick who wants to make money because this show's views on the business world make the Ferengi in Star Trek seem nuanced by comparison.

The episode spends so much more time showing how easy it is to be tricked by people rather than showing how important having trust in someone is, and it really muddles the lesson as a result. “See? Jagged changed easily, so that's a good enough reason to justify characters like Bob being irredeemably evil!” If you wanted to teach kids about trusting others, don't have it be in the same episode as the lesson about others taking advantage of your goodwill.

Putting that aside, Luka had a pretty decent swan song that tested his loyalty to Ladybug and Cat Noir. You can really buy his determination to keep their identities a secret from Monarch and his decision to leave his home to make sure this information stays a secret makes sense. Well, as long as you don't count Luka announcing the fact that he knows their identities to plenty of potential hostages and victims for Monarch, but then again, that moron never does anything smart with the intel he gets. We really needed more focus episodes showing the former temp heroes helping out Ladybug and Cat Noir in their own ways, not just having them all form a stupid resistance that does almost nothing useful all season.

The conflict with Gold Record also worked well here. I like how Monarch's simple plan to akumatize Luka turned into a plan to figure out Ladybug and Cat Noir's identities that just happened to use a different Akuma. I'd argue it was done better than in “Truth” because of how the victims aren't just forced to tell the truth, they're thrown out into space, so the stakes are pretty high. I'll admit the way they stop Gold Record is pretty anti-climactic, and you could argue Luka didn't even need to tell Ladybug he knew her identity with out easily the situation is resolved right after he's turned into a record. I think it would have worked better if Luka's secret was that he said he was jealous of Adrien for managing to be the one Marinette loves over him instead of just knowing the heroes' identities.

It's a flawed, but still okay episode to rewatch. It's a good thing Luka knew how bad this season was getting so he headed out the first chance he got. If only he stayed out of Paris instead of becoming one of Su-Han's students offscreen before the finale.

#4: Elation

You know this season is abysmal when, of all things, a Glaciator episode ends up making the top 5, and you know how much I love those episodes.

Of all the episodes to feature the Adrienette drama, I feel like this one had the best execution of it. You can really understand the emotional turmoil Marinette is going through and how hard things are for her. You also get how hard it is for Cat Noir to have to turn down the girl he loves after having so much fun with her. Remember, as far as he knows, he's taking advantage of his status as a superhero to make a move on a civilian like Marinette. The fact that he's aware of this and is willing to break it off himself is a far cry from the entitled little twerp he was last season. While I think Marichat could have been explored more, the fact that it ends here makes for a pretty solid transition into Adrienette becoming official next episode.

Alya also has some decent characterization here. Yeah, she goes against some of the things she said earlier this season, but we get a little glimmer of her Season 4 self by having her realize the error of her ways and actually make an attempt to support her friend. Of course, she goes back to the same old Season 5 Alya, but it's something.

Something I didn't really think about until after I originally posted the review was how confusing the episode's stance on shipping is. Like, we're supposed to side with Marinette and be against everyone trying to dictate who she's supposed to be in love with... but the people trying to tell her who she's in love with are technically right by pointing out her feelings for Adrien. Yes, nobody else knows that Adrien is Cat Noir, but with how much buildup Adrienette has gotten over the years, it's really confusing that the writers are acting like it's weird that people are obsessed with Marinette's love life. Pointing out how annoying Alya and Andre are by refusing to believe Marinette could have feelings for someone who isn't Adrien is basically the pot calling the kettle black.

Maybe if this was a Season 2 or 3 episode focusing on Marinette's growing feelings for Luka, this kind of story could have worked, but as it stands, it's a very confusing stance for the writers to take. Overall, a pretty decent episode.

#5: Evolution

It's the first part of what I like to call the “Remember When This Season Looked Kinda Promising?” Trilogy.

This episode really seemed like there was going to be a change in direction for Season 5 with how it was structured. Rather than immediately go back to the Akuma of the week formula, the characters, for the most part, make choices most people would make if they were in their shows. What does Gabriel do as soon as he gets all the Miraculous in the Miracle Ball? He whips out the Rabbit Miraculous and immediately decides to travel through time to get Ladybug and Cat Noir's Miraculous before they can even stop him. The best part is that Ladybug almost immediately catches onto Monarch's plan and isn't too confused when Bunnix shows up to bring them along. Of course, both Ladybug and Monarch still do stupid things that contradict these smart decisions, but it's the thought that counts.

I like how this episode is taking advantage of its premise and makes it about a race through time to stop Monarch before he screws up history. It's a decent idea to call back to older episodes, but the issue is how they don't really do much to explain why nobody noticed this. Even events where the past versions of the heroes were right there when the current versions were fighting Monarch don't get so much as a mention. I think it could have worked more if they stayed undetected, but during the chaos of the fighting, our Ladybug accidentally sets up things past Ladybug could use for her Lucky Charm. That way, it would help sell the idea of this being more of a self-contained time loop.

Something that I actually thought was clever foreshadowing was when Monarch went back in time to save Emilie. He doesn't just steal the Peacock Miraculous or tell his past self to not use it. He specifically plans to give instructions to fix the broken Peacock Miraculous, as if to say one of its creations is too important to be erased from history...

Speaking of Sentimonsters, Cat Noir and Ladybug have some good teamwork here, confirming that we're finally done with the Cat Dour drama from last season. While I feel like it could have been handled better, I like the idea of Ladybug's guilt being what motivated her to trust Cat Noir with the Rabbit Miraculous, and when they go to see the younger version of Master Fu, they feel more like equals while choosing a Miraculous.

So with all the positive things I had to say, why isn't this episode higher on the list. Well, the thing is that when there weren't moments I enjoyed, most of my thoughts on this episode were like this:

A good chunk of the episode is the characters making stupid decision after stupid decision in order to make sure we get twenty-six more episodes. I can at least buy Monarch getting overconfident with all the new Miraculous he has, but Ladybug and Cat Noir don't get that excuse. They get a total of five chances to get back the Miraculous, but other than just getting the Rabbit back, Ladybug keeps choosing to say she's going to take the Miraculous back instead of just GRABBING THEM FIRST AND THEN GLOATING. There are James Bond villains who think you're taking too long. We're really supposed to see Monarch as a threat when the only reason why he keeps getting away is because the heroes are too stupid to do what any sensible person would do in their position. Seriously, if the Winx Club were the ones chasing Monarch throughout history, they'd most likely be spending more time discussing who's paying for milkshakes after they drop his bruised and battered body off at the police station.

And then there's Monarch himself, who has to be told to go back and save his wife instead of getting the Miraculous to make a wish. The episode tries to imply that Gabriel has more selfish intentions, but the finale pretty much throws that away and makes it so he just misses his wife. I'll give you a moment to process the shock of this show setting up a character arc and doing nothing with it. The fact that he blames Ladybug for his own mistakes is pretty much the only thing that connects the two, since Ladybug acts like Monarch is too powerful to stop in a fight when she kept screwing up chances to take back the Miraculous.

I also really don't like the way Master Fu and Alix were used in this episode. For one thing, if Ladybug and Cat Noir can easily use time travel to borrow Miraculous from the younger Fu, why can't they just do that until they stop Monarch? Yeah, they gave the Rabbit Miraculous to Alix, but why can't they just call her up to go to Fu for some Miraculous Ladybug and Cat Noir need? Speaking of, is nobody going to acknowledge the fact that Alix was just forced to become Bunnix after getting the Rabbit Miraculous? Last season made a big deal about how stressful Marinette becoming the Guardian was, and now we're just okay with Alix being forced to bear what is arguably an even bigger burden?

Overall, while not a terrible start to the season, it still had a lot to work on while still having its fair share of positive moments.

#6: Destruction

Much like with “Evolution”, there seemed to be some improvement here on the writing and characterization, but fell apart towards the end.

I like how Marinette, Alya, and Cat Noir all work together to outsmart Monarch with Alya distracting him long enough to follow the trap Ladybug and Cat Noir set up for him. It's a pretty clever gambit, and it's nice that Cat Noir actually gets to play a part in it. “Evolution” showed that Monarch was too powerful to take on in a fight, so a battle of wits is the best option to stop him, something that fits Ladybug perfectly.

I also like how, once again, the writers explain why Monarch can't use something as powerful as the Rooster Miraculous to win, even if it's a really stupid explanation. But hey, I'm just some moron who thinks that the Rooster Miraculous shouldn't be a diet version of the Power Cosmic.

Something that was very clever was the reveal of the episode taking place before a previous episode, “Multiplication”. It adds rewatch value to earlier episodes, it allows kids watching to figure out what happened without explaining every single part of the twist, and it's something this season really should have done more often.

However, that's where my compliments end here. The main problem with this episode is how the climax pretty much ruins the clever plan Ladybug set up. She takes forever to explain her plan to Monarch in great detail, and we're supposed to be surprised that Monarch managed to escape. She didn't even think to just pull off his Miraculous first and then gloat about how awesome she is. Hell, she somehow showed more concern over Monarch escaping thanks to her incompetence instead of Cat Noir accidentally Cataclysming him. But then again, this is the same person who will try to Cataclysm Monarch several times in the season finale. Something that's also weird is that they set up the idea of Monarch escaping with the Lucky Charm, but nothing ever comes of it. You'd think it would be important with how much emphasis is put on nothing else being able to heal Gabriel, but it's never mentioned in the season finale. It could have been an easy way to show Marinette resolving the conflict, by healing her greatest enemy and giving him the chance to better himself... instead of having Gabriel die and Marinette choosing to wash her hands of the whole “I let the universe end” thing.

This episode also showed just how forgettable the Kwamis are as characters. The show wants to make a big deal about how cruel Gabriel is to have control over them, but none of them have any real personality other than “Annoying toddler on a sugar high”. Even putting aside how insufferable they were last season, there's just not enough in this episode to really get you invested in their plight. Not even Trixx, the Kwami who got the most screentime other than Tikki and Plagg last season, gets a single line here.

This episode had promise, but the way it fumbled the landing really ruined it for me.

#7: Multiplication

I swear, I didn't intend for the first three episodes of Season 5 to be ranked like this in chronological order of all things. It was a happy accident, almost miraculous if you will.

Anyway, this episode was okay. It was a decent follow-up to “Evolution”. I like how it's more of a slow character piece for Marinette as she tries to deal with her guilt and conflicting feelings for Adrien after the betrayal. This was the few episodes that I feel really nailed the emotional moments with Marinette this season. There's no overdramatic dialogue, there's no exclusive focus on Adrien (at least at first), and it's played 100% seriously. I also thought it was a decent idea to have the people of Paris prepare for the worst with Monarch, even if it went nowhere. Even the Akuma was handled pretty well, as it allowed the writers to show off the gimmick this season with Ikari Gozen using Multiplication while Ladybug and Cat Noir get to show actual teamwork for a change.

But the problem with this episode was how nobody really seemed to care about the threat Monarch poses. Not only does Alya go back caring more about Marinette's love life, not only does everyone else in Paris seem to forget about Monarch after a few weeks, but Adrien's only role this episode is to realize his feelings for Marinette instead of thinking about the role he also played in Monarch getting all the other Miraculous. Yeah, who cares about serious introspection from someone who spent an entire season trying to show he's just as capable a hero as his partner while inadvertently being part of the reason why she lost her other allies? I want to see him try to kiss someone multiple times without their consent!

And yeah, let's talk about the kissing joke and how it's more than just unfunny, it's almost disgusting with how it's presented. We're supposed to laugh at Marinette for resisting Adrien's attempts to kiss her multiple times when she has every right to not want to be kissed without her consent. The entire joke is that it's happening just as Marinette is trying to get over her feelings for Adrien, but even if she still liked him, it's still against her consent Remember, this is the same show that tried to teach kids about the importance of consent in episodes like “Felix” and “Lies”, yet it never applied to Adrien in this episode, to the point where Alya tries to restrain Marinette so she can't resist or run away.

“But IOTA! It's a cultural thing in France!” Fine, maybe it is, but there's three problems with that. First, Adrien made it clear that he sees Marinette purely in a romantic light, not just as a acquaintance. Second, even if it was meant to be platonic, he didn't do it with Alya or Nino. Finally, if Marinette didn't want to be kissed the first time, that should have been it.

I don't care how socially stunted Adrien is, or how much everyone in the entire world ships Adrientte, if you see someone looking like this when someone is trying to kiss them:

DON'T SMILE, AND MAKE THAT PERSON RESPECT HER PERSONAL SPACE!

It's just such a terrible joke to make, and it this is coming from the season that tries to tackle serious issues like mental health and child abuse. How this episode didn't run into controversy like “Ephemeral” did, I'll never know. Just not a good episode, yet somehow, this still made the top ten.

#8: Perfection

This is an episode that had a decent Akuma, a pretty wholesome resolution, and... uh... Yeah, that's about it.

Of all the Kagami-centric episodes the show has ever done, this is the one that really shows us how she thinks. Because of the high standards her mother places on her, she believes that she can't have friends, and she has only herself to rely on. I like how rather than just default to her being constantly angry while akumatized, she's much more depressed, and most of the damage she causes is unintentional. Granted, I don't get how Monarch thought a giant cloud monster who can't see a thing will be able to get Ladybug and Cat Noir's Miraculous, but I still like how Ryukomori is presented.

On the other hand, despite being a Kagami focused episode, the writers somehow forgot what Kagami was like. She's usually a no-nonsense person who can see through lies and deception with ease, like what happened when she dumped Adrien in “Lies”. Here, she takes things so literally thanks to Lila's “friendship test”, I'm pretty sure Amelia Bedelia would tell her stop taking things so literally. The fact that this isn't just a one-off occurrence doesn't help at all.

If there's anything I could take away from rewatching this episode, it's that I finally understand the problem with this show's humor. The cow bit made me realize just how often this show will drag out its jokes to pad out the runtime, and the cow joke is a perfect example. It's mentioned a total of five times during the first half of the episode. It would have been just an unfunny joke if it was just a one-time thing, but the writers will take a joke and repeat it multiple times until it becomes incredibly annoying. It's like if Patrick kept asking Squidward if mayonnaise was an instrument in that one SpongeBob episode. The joke stops being funny if you keep reusing it over and over again in such a short timeframe.

The song Adrien sung before the Akuma was also incredibly forgettable and comes out of nowhere. I don't even get why they had him do this when Luka is usually characterized as the musician. Even Marinette is surprised Adrien can suddenly sing. Besides, I think we can all agree on what the perfect love song that would sweep Marinette off her feet is.

But yeah, for an episode titled “Perfection”, it's anything but.

#9: Protection

Again, I didn't intend for the direct follow-up to “Perfection” to be ranked right below it. I also want to clear up any confusion people have with this one, since Season 5's episode titles have been hard to memorize for some people. “Perfection” was an episode where Kagami got akumatized thanks to Lila's lies, only for Ladybug to peacefully resolve the conflict thanks to the power of friendship. “Protection” was an episode where Kagami got akumatized thanks to Lila's lies, only for Ladybug to treat her like any other Akuma because the power of friendship was meaningless. I hope I made things easier for you.

This is such a nothing episode. Pretty much everything that happens here is either reused from previous episodes or will continue to be used for the rest of the season. Gabriel tries to break up Adrienette, Lila is a liar, and Kagami is an idiot. There's just nothing to talk about here. The only thing that really stands out for me is the brief moments Marinette and Adrien shared as a couple. They're cute and have believable chemistry, but they're so few and far between. Nothing is accomplished in this episode, and even the stuff with Kagami and Lila is pretty much dropped after this.

Even the Akuma was forgettable. It's just Riposte with a meat cleaver and a diet version of Penalteam's powers. It lacks the emotional weight the resolution with Ryukomori had. It feels like these episodes were meant to be the same one, but were split up to fill the 26 episode count. Overall, just a boring episode, yet still one of the season's better outings if you can believe it.

#10: Jubilation

Yes, this is the one that made the top ten. I'm just as surprised as you are.

Putting aside the dream scene, the episode had some decent ideas, like Marinette struggling to deal with the stress that comes with being Ladybug, and other ways Gabriel can use the Alliance rings to his advantage. Even Cat Noir's emotional reaction to having to leave the dream was decently executed, even if there was no buildup to it. This is the kind of stuff I think we should have gotten more of this season, more character focus and Gabriel actually being a competent villain.

With that being said, there's still a lot of problems here. Socqueline comes out of nowhere, Mr. Damocles' portrayal here doesn't match up with how he is in other episodes this season (much less “Derision”, Socqueline's only other episode), and the dream sequence was creepy as all hell because the animators didn't have enough money to design older models for Ladybug and Cat Noir so they wouldn't be teen parents.

Just an average episode with a few memorable parts, for better or for worse.

#11: Reunion

Riddle me this, my dear readers: How do you write an episode where you want to utilize a fictional version of Joan of Arc, but can't include the visions from God or how she was burned at the stake, the two most well-known things about her? The answer? Turn her into a generic knight who speaks broken English even though she's supposed to be French, duh!

I don't know how you manage to take a concept like Joan of Arc being a former superhero and screw it up this much. She's pretty much only there to bitch and moan at Marinette, essentially body shames Adrien, and only becomes relevant because the Akuma of the week happened to be asking questions about history.

There really could have been done more with the Reunion concept, but this is the only time this season where it's used, and I'm sure it has nothing to do that Joan of Arc's model was used in “Ephemeral”. But when has the show ever come up with excuses to reuse older models this season? I mean, besides young Master Fu in “Evolution”, the other temp heroes in “Determination”, Mister Bug and Lady Noire in “Passion”, and Scarabella in “Revelation” that is.

This episode also tries to tackle conspiracy theorists with Jalil, but it fails because you understand where he's coming from. He is literally the only character in the entire show to think, “Hey, isn't it kind of fucked up that my little sister was forced to become a guardian of time before she graduated middle school while not even getting to say goodbye to me, her only brother?” Yes, the moral isn't a bad one, but Jalil isn't wrong to be paranoid about Ladybug given how she evidently never talked to him about this, much less give Bunnix the chance to say goodbye herself.

The Akuma also really made no sense for Jalil. If he's supposed to be seeking the truth, why is he asking random historical trivia questions? How does knowing the year Sputnik was launched into space relevant to finding out if Ladybug is honest or not? It's almost like the writers have already created multiple Akumas with powers connected to honesty, so this is an overused idea (Oni-Chan, Truth, Lies).

It's just a very forgettable episode, much like how much the writers just forgot the Reunion idea for the rest of the season. Seriously, did anyone remember Plagg gave Adrien a Kwagatama at the end of this one?

#12: Passion

In my opinion, this was the episode that set up two of the biggest problems with Season 5: Extremely contrived Love Square drama and Nathalie's incompetence preventing her from ending the conflict then and there.

While I'm glad we're finally getting a Nathalie focused episode, the issue I have with it is just how the writers are clearly trying to portray her with Adrien's best interests in mind, she still doesn't do anything to actually stop Gabriel other than complaining about how evil Gabriel is while still going along with his plans. She willingly accepts an Akuma from the same man she's claims she's protecting Adrien from and still follows his plans for absolutely no reason. Why Gabriel still keeps her around, much less trusts her with an Akuma, is beyond me.

Rewatching this episode made me realize just how pointless Nathalie is this season. It feels like the writers needed to have Nathalie oppose Gabriel but didn't know how to do that without having her rat him out to Ladybug and Cat Noir. All they really had to do was have her fall into the same coma Emilie is in, and it would not only take her out of the picture. That way, it would remove any concern that Nathalie could expose Gabriel and it would better justify Tomoe's inclusion this season. Instead, a good chunk of this episode is Nathalie and Gabriel making it clear that they hate each other while still choosing to work together for no reason.

The actual backstory for Nathalie was okay. I like how she's more than just some secretary who was informed of the Miraculous and later teamed up with Gabriel, instead being a treasure hunter who specializes in locating magical artifacts like the Miraculous. It's a clever bit of character development and I like how it ties into her Akuma form for the episode. Of course, it's somewhat ruined by the fact that we still don't know why Gabriel and Emilie wanted to find the Miraculous in the first place, not even after five seasons.

Putting aside Nathalie generally being an idiot, the rest of the episode was pretty mediocre. It's more Love Square drama, with Marinette's concerns about how her feelings for Adrien led to Monarch getting fifteen Miraculous being brushed aside as her denying how she really feels. Only now, the episode is going out of its way to make it seem like all Marinette can do is all but lust over whoever she's in love with, in this case, Cat Noir/Mister Bug. Because actually acknowledging character flaws and how they affect the narrative while playing them for laughs is how Miraculous Ladybug rolls. Decades from now, episodes like this will be commonplace, I just know it.

The Akuma fight was also pretty lackluster. I don't get why Safari's arrows only targeted Ladybug and Cat Noir, and only Ladybug and Cat Noir while they were transformed instead of, you know, targeting their Miraculous. It just felt like a cheap excuse to get some more mileage out of the Mister Bug and Lady Noire models. Well, that, and more of Lady Noire prioritizing her romantic feelings over the mission at hand.

While I can appreciate the attempt to flesh out Nathalie's character, it's not enough to salvage this episode.

#13: Deflagration

Before I start this section, can anyone tell me why the hell it's named a chemistry term of all things?

The wiki claims that it's referencing what Tikki and Plagg do in the episode, but I don't think that continuously creating and destroying stuff counts as deflagration. Then again, I'm some schmuck on the internet, not a chemist.

Anyway, this episode is clearly trying to come across as an event, but nothing is really accomplished here. Marinette and Adrien already got together in the last episode, the Akuma didn't do anything to advance Monarch's plan, Zoe's character development as Kitty Noire is nonexistent, Alya being exposed for the third time ends up being pointless since Scarabella appears in “Revelation” a few episodes later, and no progress is made in stopping Monarch. It's just one big fight scene that lacks real tension because Monarch is reduced to a joke in this episode.

Monarch is seriously dogpiled by several middle school students, and the show still expects us to take him seriously as a villain. I can at least buy Sole Destroyer, given how Chloe is supposed to be seen as harmless sometimes, but the main villain getting beaten by kids with no superpowers? It just really breaks the suspension of disbelief. It'd be like if Kevin McCallister somehow defeated Godzilla with one of his traps. You're not impressed by Kevin taking him down, you're asking why Godzilla went down so easily.

This was the episode where the writers started making dumb blonde jokes by making it so Chloe doesn't understand the meaning of the word “Generous”, and it's just as unfunny as it sounds. Not only is this hypocritical because this “girl power” show is now using one of the most misogynistic writing tropes in history, it's the same episode with a title named after a chemical reaction that most children watching don't understand. Chloe didn't even serve a purpose this episode because nobody ever fought Sole Destroyer onscreen. It's just another “Ha! She's blonde and rich, so that means she's dumb!” joke... which came before a certain episode that showed her as being capable of pulling off several complex schemes to torment Marinette.

I also love how despite making a big deal about them being worthy to be Ladybug and Cat Noir's replacements last episode, Alya and Zoe are taken out of commission before the action even starts. I feel like the episode could have at least been elevated if Alya and Zoe at least tried to help. It would have better justified them temporarily replacing Ladybug and Cat Noir instead of the cheap ratings grab it was.

But yeah, it's a pretty dull episode, and the only reason why I don't have more to say is because the first part has more glaring issues in my eyes.

Part 2

[gunsatthaphan]

~ Monthly BL Breakdown: October 2024 ~ 

☔️ Happy November!!! 🍂 (and Happy Halloween 🎃👻)

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Fourever You - October 3rd (Thailand)

🌟 Uncle Unknown - October 4th (Taiwan)

🌟 My Damn Business - October 5th (South Korea)

🌟 Every You, Every Me - October 6th (Thailand)

🌟 DMD Friendship: It Takes Two (reality show) - October 6th (Thailand) 

🌟 Eccentric Romance - October 10th (South Korea) 

🌟 Blue Complex - October 10th (South Korea)

🌟 Taming the Bad Boy - October 15th (South Korea)

🌟 Let Free the Curse of Taekwondo - October 17th (South Korea)

🌟 Love in the Big City - October 21st (South Korea) 

🌟 See Your Love - October 23rd (Taiwan)

🌟 See You (movie) - October 25th (Taiwan) 

🌟 Perfect Propose: Dream Edition - October 25th (Japan) 

🌟 Blue Canvas of Youthful Days - October 26th (China)

🌟 Perfect 10 Liners - October 27th (Thailand) ✅

🌟 Stealing From My CEO - October 27th (China) 

Monthly Likes / Dislikes

❣️ - Nothing overwhelming going on lately lol but I'm currently enjoying Peaceful Property a lot, it's so unique and fun and I really hope they consider adding more stuff like this in their 2025 lineup!! 🥺

New series & movie announcements

🎥 8 Hours (sequel to 4 Minutes) - Coming 2025

🎥 A Perfect Match - Date TBA (Taiwan)

🎥 Knock Out - Date TBA (Thailand)

🎥 Who Can Define Popularity - Date TBA (South Korea)

🎥 Haunted Hearts - Date TBA (Philippines)

🎥 About Faith - Date TBA (South Korea)

🎥 Love Casting (BL reality show) - Date TBA (Taiwan)

🎥 Eyes on You - Date TBA (Hong Kong)

🎥 Winter is not the death of Summer but the birth of Spring - Date TBA (Thailand)

🎥 Beloved Enemy (novel adaption from the author of My Stand In) - Date TBA (?)

🎥 Match Play - Date TBA (South Korea)

Other news from the BL world

❗️ The Korean BL Love Class will get a third season, allegedly with the same cast from the previous seasons. Further details are unknown.

❗️ A second season for the Thai BL 4 Minutes was announced titled 8 Hours. The author Sammon will partner with Be On Cloud again and the show will go into production in 2025.

❗️ Actors Mew Suppasit and Tul Pakorn publicly got engaged at the launch event of Mew's new single "Absence".

❗️ The Thai network channel One31 held their 2025 lineup on October 17th. The following BL productions were announced:

Taste

The Wicked Game

Love Carved in the Moonlight

❗️ The Thai production company Idolfactory released a teaser for their upcoming lineup for 2025. The corresponding event will be held on January 12th. The teaser however revealed the following series prior to the event:

Interminable (starring BillyBabe)

My Sweetheart Jom (starring SaintPoom)

Cranium (starring BeckyFreen)

Somewhere Somehow (starring FayMay)

❗️ After it was disclosed that DMD actors Thomas and Kong would no longer participate in the upcoming series The Next Prince, it was announced that Net S. and JJ R. will take the roles of Calvin and Jay respectively.

❗️ GMMTV released a statement saying that the announcement of the winner of the Y-Find contest has been postponed from October 31st to November 30th due to the large number of submissions. Earlier this year the company announced the project as a way for Thai fans to submit original stories, one of which will be chosen to be adapted into a series. Whether or not the postponement will have any effect on the company's upcoming 2025 lineup event is unclear.

Upcoming series & movies for November:

👉🏻 Bad to Bed - November 2nd (Taiwan)

👉🏻 Love in the Air: Koi no Yokan (remake of Love in the Air) - November 3rd (Japan)

👉🏻 Our Youth - November 5th (Japan)

👉🏻 Episode 9. Nineteen, Eighteen (special ep) - November 9th (South Korea)

👉🏻 All the Liquors (movie) - November 13th (South Korea)

👉🏻 Caged Again - November 15th (Thailand)

👉🏻 Your Sky - November 17th (Thailand)

👉🏻 Mhom Ped Sawan (bl side story) - November 17th (Thailand)

[sydneys-adamu]

the bear

the bear episode

the bear episode 2

the bear episode 2 of season 2

the bear episode 2 of season two is so chalk full of important references and motifs and symbolization for sydcarmy’s relationship as well as their individual character arcs from sydney’s conversation with her dad to carmy meeting claire again (and giving her the wrong number) and this wall that’s built up between them this way. LOL u thought that was it no you also have the chef whites conversation, the introduction to the I’m sorry sign and sydney volunteering new information about sheridan to carm AND him attempting to ask about her dad before she cuts him off. it’s funny right that carmy asks about her dad and her dad asks about carmy and neither person gets a clear answer from syd? it seems so deliberate that these two don’t meet this season anyways-

and then this isn’t episode two but shut up you have the tearing down the wall motif and how unsettled sydney is about the fact that carmen does that without her and what “tearing down walls” usually symbolizes is immense bc she wanted to be there ! she wanted to be there with him ! and he did it without her bc he wanted it to be done when she got there ! he thought she would be happy with a finished product instead so he did the ugly process it takes to get there. he wants it to be perfect for her so much so that he leaves her out of a say in that. he thinks she wants things she actually doesn’t. she cares about this restaurant in every way it is, ugly, broken down, health hazard and all.

aaaaand what else does carmen consider a work in progress damn near a lost cause? himself! so does he think that she doesn’t deserve to have to stick around and watch while he figures himself out while he “fixes” himself up? does he not think she can handle it? does he want to be perfect for her even though that’s not what she wants?

but no “this is what you wanted and it’s what I’m giving you” because it’s gone over his head at this point that there’s love in the process. there is an understanding in the process, there is a merging of souls in this process of building a literal restaurant from the ground up. carmen focuses so much on making everything perfect for sydney that he forgets that’s never something she asked for. not perfect just *better*

and under that table, less than an hour before opening he finally fucking understands how to slow time down. if the food’s bad they’ll work on it. if no one comes then no one comes. it’s okay. it’s okay if it’s not perfect because we’re doing this together and that’s what matters. what matters is this moment where I get to tell you I’ll be here for you. where I get to tell you I care about you every way you are, full stop.

[therealslimshakespeare]

Dear John | Unsayable Things

Masters of the Air Fanfiction

I banged this out in an hour or two, past midnight, deep in my feels, half chatting with my baby @stylespresleyhearted who put in the initial request for this series and who is now owed a few choice lines herein. If you wanna stew in the pain of Friday’s episode- this is the angst fest for you. With a tiny bit of hope at the end. Tiny. But it’s there.

Summary: months after one drunken letter of horny (and gentlemanly) admiration was sent off by one John Egan to Miss Lana Tierney of Hollywood fame, a written rapport has formed between them, based on a refreshing freedom to be perfectly frank and even trivial in their letters -a tone set by his inarguably appaling initial correspondence. But until today, he’s never dared make use of the number she gave him to dial when he needs to say unspeakable things.

Warnings: angsty as hell? morose and possibly suicidal thought processes? it’s Egan after THAT phone call so, I imagine you can envision that it’s not exactly a stable mentality portrayed here-in.

Masterlist

Date: October 1943

The hotel lobby is as chilled as an ice box with those front doors constantly revolving, letting in gusts of autumn air that’s suddenly turned harsher than he recalled when he stepped out into the daylight this morning. His ride back to East Anglia won’t be here for another two hours and no amount of charm or haggling can get him the petrol to make the journey on his own. It’s a carpool sort of life now, every man, woman and child in Britain knows that but every minute he stays in the great metropolis feels like a betrayal to those boys who just got-

-he will get back in time.

He vowed it, he arranged it, now all there’s left to do is wait until it can be enacted. John was never good at waiting but now all the activities and pastimes he’d once relied upon to fill a slow hour seem intolerable. Imbibe any more booz and he’ll be unfit to fly, seeing the sites could get him more sights than he’d like, polite conversation makes him want to scream in the face of the next passer by that he’s lost something precious today -don’t they know? -and it would be just his luck today of all days to get answered by someone who did know, some parent with a dead child, pulverized to bits while he fucked his demons out.

So John keeps his mouth shut in a stern line and stares venomously ahead at the charming little Renoir hung in the lounge. No one has troubled him yet and by the spooked face of the desk clerk who offered him a menu, he dares to think he won’t be in future.

He is sick to death of it all, of the death itself and the brave faces and the lack of bravery he suddenly feels now and the necessity of it all. He hardly recognizes the hollowed out sinner he’s become with a head full of too many griefs to even formulate a prayer.

He was close to catatonic, eyeball deep in his self abhorrence, when he realized he was spinning round the little lacquered card she had enclosed three letters ago.

“If you ever need to say those unsayables, here’s a private line. Don’t call it if you don’t want me to answer, only you, my mama and my hair stylist have it. Xoxo, Jeanie.” 💋

The unsayable would be to call one of the most successful, desirable and busy women in the world only to admit John Egan has run outta words. But with the mounting desire to do something stupidly productive, and without the kind fist of a friend to dissuade him -he knew walking in front of busses wouldn’t get him any closer to Thorpe Abbots- a starlet’s withering rejection just might do the trick. Just might hurt enough to slice through the fog. His fingers were sweating as he spun the rotary, thumbnail tracing the underside of her extension.

God knows it would be unlikely to get through even the first connection, much less get overseas, much less find her at her home. What time of day was it back there anyway? And this entire conversation would get bugged to hell, he’d have to be careful and this was a terrible idea to start with and-

“Hello you,” the airiest voice he’s ever heard warbles over the static, teasing and warm, “I’ll admit it, that lilac did nothing for my color last night. You win, I’ve got the front page of the Whisper to confirm, please, don’t rub it in.”

John stares out of his little alcove in the lounge with watery eyes, mouthing a silent -what the fuck- to himself before recalling the obvious: only her mother, her hairstylist and him. With this line, Jeanie -or should he call her Lana on the phone?- didn’t expect a stranger. This was an anticipated call and he about hangs up in mortification at not being what she expected.

But then, the hollow idea of one and a half hours of waiting for the ride catches up and John recalls that he had in fact phoned in order to be humiliated and he was a rare sort of chump to take so poorly to a plan gone off to so dazzling a start.

“Can’t imagine a shade that wouldn’t suit you.” he finds himself saying smoothly, the flirtation on autopilot.

He can hear an audible gasp on the other end of the line and a breathy sputter and what might be sheets rustling, or perhaps it’s a dress or paper or-

“JOHNNY?” she all but squeals and he winces at the blare of the receiver in his ear, the flinching crinkle of his blue eyes not without some pleased merriment at her unabashed excitement. “This you? Finally you used it, you silly old thing! Oh gosh, oh gosh say something again, your voice is divine! Oh, I can’t believe I’m finally talking to you. I thought you were my mother! Oh say something! You’re there, aren’t you? Johnny?”

She sounds so pleased he finds his eyes smarting and suddenly this feels like the worst idea in the world. He needed her to be harsh, to fit with every other disillusionment that’s rained down on him this past month, instead he’s met with -care. His stomach roils and not even the mean suspicion that she’s putting on an act can make it calm. “Well, I’m finally somewhere I don’t have to share a line with the whole group.”

“Where’s that, Johnny?” She sounds as eager as if he’s got a lot of options.

“London.”

“Oh!” There’s a waiver to her voice, he’s not sure why, but either way she sounds unsure if she should be merry or sober. “Business or pleasure?” she inquires levelly and it’s got all the sultry teasing he’s read into her scrawled writing hundreds of times, John finds himself flushing despite the morose sentiment that comes up right behind it.

“That, well, uh, that uh“ he picks at the sleek paint on the phone base and questions whether he’s going to use precious time on the phone with the hottest dame on planet earth to throw a pity party, “-I think the intention was a rehabilitation for the nerves. Ironically the guy who suggested it is now toast.”

“Oh John.” she sounds wounded and he bites his lip in savage pleasure at hearing what he wishes he could feel. “Was it -was it someone close?”

“A couple hundred, more like.” he sulks, his jaw ticking so hard he might break a molar if he keeps on. “But yeah. Yeah today was-“ he tries to think of the censors and that makes him laugh at the thought of all their previous filthy correspondence making it through but some slip of the tongue about a dead friend could land them in the hot spot, his following laugh is snotty and he could gag at himself for it.

“Johnny, darling man, are you-“ she shifts course and he holds his breath, depending on her for something, he doesn’t even what, “-does this happen to have something to do with our duet’s harshest critic?”

He smiles at her cleverness, she’s not a complete airhead then. And she recalls Buck. Of course she does, she hasn’t stopped sending him kisses via Egan’s letters even though she didn’t recall meeting either, not even when John had sent back photographs of the both of them to jog it. The flow of correspondence hadn't stalled despite this strike out and neither had the morale boosting glamor shots of certain of her assets which John kept locked in the false bottom of his footlocker and one small one folded in in the hollowed heel of his boot.

_“keeping it handy for the emergency tug off?” Gale had scorned him but Egan liked having her with him._

“Yeah, Shirley Temple- he’s been uh, he’s been traded, ya see.” Egan manages the metaphor once more and winces at the truth it hides.

He hears Je-Lana?-Jeanie?- suck in a breath on the other end. “Gosh. John. Any sign of, of-“ she begins to stammer, “of chut-“

-chutes, she’s going to say. John coughs loudly into the reviver and her voice trails off in recognition of his warning. “This was a mistake.” he decides, “I just -you can see why- I just thought I’d like to hear a-a-a voice, a-“

“A friend!” she replies eagerly, “I’m here, I’m here don’t go, not yet, not unless you have to, Major. Are you waiting? You’ll be wanting to get back, no? Or will you be staying on? In London?”

“I’m not staying.”

“Of course.” she whispers, “I’m so terribly, terribly sorry.”

His grip on the receiver has turned white. “No,” he decides, “I’m the one who’s sorry. Bringing this up, never even talked to you before and I go and make it this the call. Pretty girl like you doesn’t need this.”

“I told you to call.” she reminds him gently, “And Johnny, I’m ever so happy to hear your voice, I’ve imagined it a million times rereading your letters and looking at your photographs. I can concede that my imagination failed.”

“You reread them?” he is amused.

“Yes. Don’t you reread mine?”

“Mhmm you bet.”

“Gosh your voice gives me shivers.” she whispers into the phone and he feels an odd rising of the hair on the back of his neck. “Are you having to beat the London women off with a baseball bat?”

“I just let ‘em swarm.” he admits and she makes a noise of intrigue, “I was with a widow last night.” He blurts. “Polish. We watched the bombs from my hotel room.”

“How relaxing.” Without missing a beat Jeanie’s soft tease comes through, “Did the one balance the other for the nerves?”

“I’m dehydrated and hungover.”

“And grieving.” she adds.

That’s an unsayable. “I just needed to talk to someone.” he decides.

“Did she not speak English?”

He’s gone this far, he might as well be honest. “She didn’t know Buck.”

“Mm.” She makes a mournful noise of assent.

“I-I’m tryin’ not to do something stupid Jeanie,” he hates how his voice shakes but to her, it sounds more like rage than fear, “and I thought if I could hear your voice I’d -id get some peace. And wait for my ride without bustin’ up the Carleton.”

“Yes, I forbid you to bust up the Carleton without me, Major.” she warns and his pulse leaps at the simple direction, it’s a joke of course but it lodges heavy and wanted in his chest. “Promise me, Johnny, one day we’ll cause a great scandal there, you and I?”

“Miss Tierney,” he bites at his lip, “it’s a kindness for me not to make promises. To girls -to anybody.” She’s got to know that, she’s just being nice. “Especially not to special little ladies with nice long futures ahead of them.”

“It’s Turner, actually, Miss Turner if you’re going to be so formal.” She corrects, not a single part of her name Hollywood hasn’t meddled with. “But you must know, it’s far too late for that John. I miss you like mad.”

“We haven’t even met.” he reasons.

“What, and you don’t miss me?”

He curses under his breath fondly and shrugs. “I adore you.”

There’s a beat of silence in which he thinks he may have blown it by being so gushing but in fact, Jeanie finds herself milking her throat to dislodge the lump of painful glee settling there.

“Then you do whatever you have to, Bucky Egan,” she commands him, imperious but fervent, “you punch and get punched and drink as much as you need and bed as many girls as it takes and go after Buck-“

“-hold up, how’d you kn-“

“-but you come home. It’s much too late to tell me not to get my hopes up. You’re all I dream about anymore. There’s got to be some future for us, there’s got to be, Johnny, I’m not asking you to promise I’m asking you to try. Do what you’re good at.”

The pause is long and heavy and Bucky thinks he hears her sniffling on the other end. Unmoored by the unprecedented honesty he’s receiving and the juxtaposition of being someone’s risky bet for happiness when just this morning he’d come to resign himself to letting go what could only ever be a passing night's comfort- “Hell of a business.” he finds himself repeating.

“But you’re the best at it.” she retorts, “So stay the best.”

Everything certain, everything he thought was a given got blown to hell with Gale’s plane today. “Used to tell him if everybody else went down it’d be just him and me. I believed that.” He mumbles into the phone, turning to tuck his neck into the device like it’s the soft crook of her neck, “Now to be the best- that’s just me, and charred Europe under me and no one else in sight. That’s what you’re asking? ‘Cause that’s how this ends.”

The sun is shining bright and brutal in California, a cheery morning to mock her cocktail hangover and now she thinks it’s to hurt him as well, everything is so far removed an ocean away. Such bleakness is hard to even fathom for her, but the man she’s come to know, to love even, on paper is hoarsely spilling his guts to her over the phone and she’s not sure what one says to such a prediction. Her agent hovers in the doorway, the angry swats of her hand not sufficient to deter him from fretting with the press conference approaching. “So what, this is a suicide note?” she winces as soon as she says it but honesty has always been their currency.

“No.” he replies at long last and her shoulders sag. “I thought- i just wanted to hear your voice once before I go up again, Jeanie.”

“And I’m glad you called.” she swears, “And now I’ll have a voice to go with all the wicked things you do in my dreams.”

“Oh fu- Jeanie that’s unfair.” He balks and she grins at the little victory.

“Alls fair in love and war, Major.” She reminds, “Now tell me, do you want to tell me about him? Buck-“

“No, fuck no!” he hisses, angry at himself, “I wanted to talk to you to forget. I wanted to hear your voice.” He repeats it like an idiot.

“Then tell me,” she soothes, unphased by his outburst, “what would you like to hear in my voice, Major? The latest score? Perhaps the front page of the Times? They brought it in with my toast. Or some dirty line from one of your letters? I’ve got them here under one of Salinger’s books. They’re safe from the fiancé there, he’s a complete ignoramus with a phobia for learning.”

Bucky chuckles at her unabashed derision for her hotel scion intended and grins at the idea of her sleeping so near to his scrawled professions of lo- obsession at the very least.

Love is another unsayable.

“Just -tell me about your day, sweetheart?“ he begs, hoarse with the need to teleport elsewhere for the remaining forty minutes of his wait.

“If you’re sure.” she sounds only mildly skeptical, “It’s been very loungey, rather frilly.”

“Perfect.” he sighs, closing his eyes.

“Well, it’s actually morning here so I haven’t been up to much,” she begins and he feels guilty for just dialing away, damn the timezones, “I’ve not even dressed.”

“What color are you wearing?” he begs before he even realizes it.

“White.”

Hey sucks his teeth and nods approvingly. “White what?”

“A silk top and- no! Go away Herbert, for the last time!” Some interruption seems to occur on her end as a man’s voice comes through in snatches and Jeanie’s raised one drifts through the hand she’s cupped over the receiver, “Herbert, for the love of God, I am talking to one of the men protecting our country, the reporters can wait!”

Jeanie’s snappy loyalty soothes some raw edge he’s felt since watching *her* leave this morning without more than a kiss. “Reporters, huh?” he sympathizes, fully ready to give her an out.

“You’d think they’d have enough to report, there’s a war on.” she seethes and he has to smile again, “Anway, where were we? Oh, my pajama shorts.”

“White.”

“Yes Johnny, white.”

“Send me a picture?”

“Awfully demanding for a man who hasn’t even promised me he’ll try to live and see them in person.”

John puffs out a laugh at being snared so easily. “Alright, I’ll try.”

“Promise?” Her voice sounds so small.

“I promise.” He’s dazed by the shift, how did he end up being the one begged by Miss Hollywood herself? Perhaps he’s still drunker than he thought.

“It’s all any of us can do, Johnny,” she says, “but we’ve gotta try. You got your pinky up?”

“What?”

“For your oath- pinky swear.”

“You're not even here.” he laughs.

“I’ve got mine crooked, come on Major, meet me halfway.”

And so John Egan finds himself sporting a watery, helpless grin as he lifts his finger into thin air and crooks it around her imaginary little digit. Her sigh sounds as if she can feel it a ocean away. Perhaps he’s gone fully looney in the way he thinks he can, too.

He doubts she’ll appreciate his choices in the next few weeks, maybe even doubt his intention to keep his oath, but what matters is he’s going to try. Even if it’s an angry, furious, blind sort of determination, it keeps him firmly out of the London bus lane until Hobbs and his transport arrive and then it’s goodbye Jean Turner, hello again Thorpe Abbots.

Taglist: (I’m sorry for tagging y’all twice in a single day, oops)

@stylespresleyhearted

@ab4eva

@earth-to-lottie

@suraemoon

@blurredcolour

@steph-speaks

@crazymadpassionatelove

@rubyfruitjungle

@taestrwbrry

[karasbroken]

When you've watched and re-watched a show as many times as I have Farscape, you end up wanting some new perspectives, or at least to borrow the excitement of people experiencing it all for the first time. And while there aren't huge numbers of podcasts and reactors, there are enough to share, in case there are other folks like me, who have run out of people in our lives to rant about this show with, and want to enjoy that vicariously.

I'm going to start with a podcast that is currently underway, and could use more listeners and support.

Bizarre Podcast: Space Puppets has some episodes available on YouTube, but they need a certain number of patrons to release everything for free, so other than some of season 1 and selected episodes, most of the show is locked behind a Patreon paywall that is totally worth it. (I'll add the Patreon link at the bottom because I think it's so worth supporting.) For as little as $1 a month you'll get access to every episode of this adorable pair.

I listen to them while I'm walking around the neighborhood late at night, probably startling my neighbors because I cackle so often. They're in the last part of Season 3 now, so it's been intense lately.

It's a pretty standard Farscape podcast format. One old timer (Greg) with lots of lore, one first time viewer (Chip) sharing his guesses and fresh reactions. It's also basically a recap podcast rather than analysis. Chip explains the plot and action of the episode and Greg guides the recap and adds in random trivia. You might not think that sounds fun, especially since I know these episodes really well by now.

But the podcast is special in a couple ways. First, it's really exhaustive and long. They usually cover two episodes per show and most of their shows are over two hours long. It's enough time to really get into the details and still have time to joke a lot. I've found several tiny moments because of their lingering on little things gave me a reason to linger on them too. Second, Greg has so much trivia! I thought I knew a lot, but he is constantly mentioning things I didn't know about the cast, the show, and sometimes tenuous relationships to other productions. I especially love the script and behind the scenes nuggets he occasionally drops. Good stuff.

And most importantly for me, these guys are super super super enthusiastic. They're funny in how they describe the plot points, they swear a lot, they point out ridiculous stuff, but mostly they just really think the show is fun and they spend a lot of time enjoying every aspect they can and I just end up smiling (and laughing) a lot with them. Give the podcast a try, and if you like it, throw the best dollar you'll spend this month their way to hear more.

[beyondmistland]

I read through all your posts about Alysanne Targaryen as Maegor's daughter and am now in a rabbit hole. Thank you. I've been thinking about Maegor's wives and which one of Henry VIII's wives they represent. Ceryse is Cathrine of Aragon and Alys is Anne Boleyn. The others are hard to pin for me since there isn't a lot. What do you think? Would Maegor's reign have been more interesting if his marriages had more similarities to those of Henry VIII?

I think this is where we run into a number of problems regarding the way GRRM wrote Fire & Blood specifically and the way he setup Westeros more generally.

For one, the fairly homogenized nature of southron culture as well as the oversimplification of religious institutions and history means you can't quite get the same dynamism as from real life European history, with its dizzying array of languages, cultures, cuisines, fashions, etc., to mention nothing of the then-ongoing Protestant Reformation. I suppose GRRM could have had Maegor convert to the Old Gods a la Julian (II) the Apostate or the Drowned God (you just know the Ironborn are the one race on the surface of Planetos that would say King Maegor the Good with a completely straight face) or even R'hllor, which would be the best choice in terms of worldbuilding opportunities in my opinion.

Moving on, we run into a handful of problems with Maegor specifically, one of them being the length of his reign. Look, while I can't deny Maegor ruling for 6 years and 66 days is incredibly cheeky, it also isn't anywhere close to Henry VIII's 36 years as king. With so little room timeline-wise, there isn't a lot of flexibility when it comes to telling new stories and fleshing out preexisting ones and all that is before you factor in Maegor himself.

I won't hold back. For all GRRM's talk of moral ambiguity, the human heart in conflict with itself, good men who were bad kings and bad men who were good kings, etc., his Targaryen monarchs are, for the most part, numbingly one-note. Aegon I is a literal enigma, Aenys is weak, Maegor cruel, Viserys I a party animal, Aegon II and Rhaenyra mirror-images of each other in their disqualifying vices, etc. As I've written before with my post reimagining Maegor as more of a Ivan (IV) the Terrible figure there was room to make him a genuinely controversial figure of historiography but instead GRRM doubled down on sensationalism and apathy-inducing slasher porn for lack of a better word. The fact Maegor is also the first and last of Visenya's line just adds more salt to the wound but that's part of GRRM's more general (and for me personally, vexing) habit of keeping family trees incredibly small.

(I do recall another alternative someone once brought up to the late Steven Attewell. Namely, turning Maegor into the Westerosi version of Macbeth by way of Der Untergang.)

This brings me to my semifinal point. GRRM didn't have to write Fire & Blood as Procopius' Secret History on steroids with a dash of Suetonius' Lives of Twelve Caesars and I, Claudius (the entire Saera episode is practically lifted wholesale from the scandal that envelops Augustus' daughter, Julia) but he did, which is doubly disappointing because not only does the final product suck quality-wise as a result but also because there were so many other avenues available to him.

He could have written Fire & Blood as a proper history (with less focus on the sex lives of teenage girls for one) or as a mirror for princes or as a dialogue between two characters or even as a character study. You can even see GRRM struggling with the constraints imposed by his use of Gyldayn in certain sections like the death of Maelor and the entire Hour of the Wolf episode, where you get reams of dialogue and characterization as well as more traditional narrative trappings like build-up, mood setting, etc.

Now, to answer your actual question (lol), I don't think any of Henry VIII's other wives map well onto Maegor's. Tyanna is, more or less, his female counterpart in terms of cruelty and zero redeeming features and entirely a fantasy construct. Elinor and Jeyne are both married to Maegor for only a year (with poor Jeyne dying in childbirth because Jeyne Westerlings, like the Brackens, Peakes, and Florents, cannot catch a break in Westeros) and before said marriage takes place neither appears on the page. As for Rhaena, well, credit where its due, she was a rare (and unexpected) highlight of Fire & Blood.

Thanks for the question, anon

[escapingrealtiylovinginsanity]

Rewind, Remix, & Replay Jay & Kim 5x18 

You can read the rest of the series here

This was an episode where Kim and Jay actually really did interact. It made it more fun. Everyone saw the chemistry of the look between them in the car, right? Or is it just my shippy little heart <3 (I was sad I couldn't find the right gif for the episode)

Kim typed in the license plate Jay was reading off to search for the owner. It was a little strange to be in his truck with him, and not just because they were parked across from a funeral. They rarely worked together as partners. When it was decided that Hailey was going undercover- Kim was floored when Voight paired the two up and sent them out with little more than their last names strung together and a “watch out for Upton”.

It wasn’t that Kim didn’t want to work with Jay. The thought of it happening had just never really crossed her mind. She could count the times they had been paired together on one hand and still have fingers left over. Now adding their after-work actives… it just made her feel a little out of sorts.

They had moved quickly and professionally to her work SUV. Jay’s lifted GM Sierra would draw unwanted attention. Kim pulled her keys out of her bag climbed into the driver seat and started the car. Jay had just sighed and shook his head when he settled into the passenger side. When she had given him a confused look, he had just chuckled, shaking his head. They had been halfway to the cemetery before she realized even though he had far more seniority he had let her drive.

They had fallen into a comfortable productive silence after she had parked. It was just strange. Kim had seen him less than eight hours ago primal and naked taking her roughly from behind as she watched in her floor-length mirror. The small bruise just peeking out of his shirt sleeve is where she had turned and bit him, lost in her pleasure and trying to keep from screaming. Now he was drinking his coffee and she was pretending she didn’t know how it tasted on his lips.

Kim read off Tyler Whitlock's information, “And he is Booth’s nephew.” Jay shifted to look down at the screen. He was worried about Hailey. A little too worried. Kim didn’t understand why- Jay had backed her going back undercover. She didn’t want to press; it didn’t seem like it was any of her business. Jay and Hailey were partners- one of the strongest bonds she knew. They were just-well whatever they were.

“A family business, how quaint.” Jay was distracted by the way Hailey had been acting during the opening of this case. Something wasn’t adding up and the weight of it was sitting like a pit in his stomach. It was the only reason why he hadn’t caught Kim's touch of awkwardness yet.

“So, is there anything that runs in the Halstead family? The military, maybe?” The question catches Jay’s attention and he looks over at her- he feels the twinge of her nervousness. He chuckles, his hand purposefully dropping to her thigh for a gentle but reassuring squeeze. His hand lingered on the denim of her jeans. It works like magic. Kim gives him a soft smile and settles. He can almost see her overthinking slow, her insecurity washing away. He had felt that way with Erin, never knowing if it would be a hot or cold day, and he refused to let Kim feel the same. Especially when he felt guilty for not being able to give her a real answer the prior week on what they were doing.

Jay was a relationship man. Not that he hadn’t had his Casanova days when he was younger. He had gone through his fair share of women. But when Jay decided he liked a girl and wanted to build a relationship he was quick to lock them down. He wasn’t keen on sharing and even less of a fan of hiding how he felt.

He had become jaded in the years he had been in Intelligence. Lindsey had done a number on him. He loved her to his detriment. He was willing to overlook what he wanted, like living together, to try to make it work with her. When she had left without even a goodbye what Jay wanted had been so scrambled that he wasn’t even sure of what he wanted himself anymore. He had started to sleep around again, even going as far as fucking around with one of his CIs who didn’t even know his real name. It was a mess that Jay was still trying to untie with the help of his therapist. “No, just me. The only thing that runs in the Halstead family is trouble, the blue-collared kind.”

“I find that hard to believe.”

“Oh really? Because I’m so warm and friendly?”

“No, because Will doesn’t seem like he has it in him. He is too sweet.” Jay's eyes shined with mirth as he shook his head lips pressing together to suppress his laughter. “What’s so funny about that? Your brother is adorable.”

“Nothing just that my brother has you and most of our colleagues completely snowed.” Kim’s eyebrows furrowed, as Jay focused back on the funeral proceedings. “Oh yeah. You know, sometime you should ask him about the real reason he left New York and that awesome shiner he got as a parting gift.”

“No way,” Jay's blue eyes flicker back to her briefly, a genuine smile coming to his lips as he cocks his head to the side. “Seriously?” Jay's grin is mischievous then his face goes blank as he sees Booth make his way over to Haliey. Kim feels unsettled by their interaction and suddenly understands Jay’s worries. There is something off about the situation, she can feel it in her gut.

Jay is distant all week. Hailey is focused on nothing other than nailing Booth and Jay is on her ass trying to keep her from getting herself killed. Jay catches up with a detective on the old case, doesn’t tell her the specifics and she doesn’t ask. It wasn’t good. Kim was just glad that it was all over. She and Hailey weren’t super close but she considers her a friend and watching her isolate and spiral had frayed her nerves.

When Jay knocks on her door she isn’t surprised. He looks as exhausted as she feels. She gestures him in, heading to the kitchen instead of the living room. “I’m making dinner,” Jay inhales smelling the stir fry cooking. Smelling the food makes him realize how hungry he is. He lingers at the counter leaning back against it silently. Kim glances over him briefly before closing the distance. Her hand slides up between the open ends of his jacket smoothing over the soft cotton of his t-shirt. His hand comes up to catch hers rubbing the back of it with his thumb.

“Why don’t you get comfortable and sit down? You look like you're about ready to fall over.” Kim presses a kiss to his neck. His hand cups her chin lifting it to steal a kiss of his own. It is light and tender, the barest whisper against her lips. Kim lingers in his space. She can smell his musky cologne mixed with the sharpness of the leather of his jacket. Her hand moved down his chest feeling the hard muscles as she stepped away to stir the food. She can hear the swish of him removing his jacket as he heads back down the hallway.

When he returns a few minutes later he is down to his t-shirt and jeans, feet bare against the wood floor. “I need to talk to you.” Kim faulters mid-stir, anxiety shooting through her system, body tensing involuntarily.

“That doesn’t sound good.” His warmth washes over her as he steps behind her. His hands land on her hips giving a gentle squeeze as he urges her to lean back against him.

“It’s nothing like that.” He soothes and she twists to look at him. “Just after this whirlwind of a week. This thing with Haliey and her going completely off the books…” He lets out a deep sigh and Kim turns full to look at him. “I just want you to know I always have your back.”

“Jay I know-”

“No, just listen. Even if I don’t always understand or when I think you're doing something you shouldn’t- I will try to stop you- but if it becomes a situation. If you need me- I will be there. I will always have your back. I never want you to go into an unsafe situation alone because you think nobody will help you get out of it. I will always help you. Always.”

Kim feels tears blur her vision. She would blame it on the emotional week. She pulls Jay into a hug, resting her cheek against his chest, arms locked tightly around him. “I know. You already have been. And I will always be there for you Jay. No question.”

[utilitycaster]

What are some of your favourite podcasts / podcast recs?

It's hard to pick a favorite though I will say at the moment Midst is the one I think I look forward to the most, so I'm just going to go through basically all podcasts I currently or relatively recently previously listened to and sort them by rough genre. Note that as with all recommendation requests it helps to know the vibe of what you're going for and what's important to you (I know I just was like hey I'll take most music recs but the commitment for music is like the length of a song, whereas podcasts/books/movies/tv are a bit more time put in)

Actual Play:

Longtime listener of NADDPod and TAZ which I'm guessing if you follow me you are broadly aware of but if not feel free to ask more; I also post about Worlds Beyond Number enough that you might know what it is. I checked out Burnt Cookbook party a while ago both because I liked Jenna Stoeber's work with Polygon and because someone asked me for Actual Play podcast-only recs with more than one woman or nb player that weren't RQG and I was like oh I should find some. Anyway it's quite good! it's definitely lower production values than bigger podcasts but the plot is highly original and really good, the vibes are fantastic, the characters are a lot of fun, and all in all worth checking out. I also do listen to the Re-Slayer's Take which I've really enjoyed! Everyone's good but while I was familiar with (and a fan of) Jasmine Bhullar and Jasper William Cartwright's work, Jasmine Chiong as Farah speaks to the Grouchy Old Hunter Woman fan in me and has been a personal standout. It is very heavily edited, which does take some getting used to. Also, I mentioned RQG (Rusty Quill Gaming). It comes with the caveat of "very good but slow to start and then doesn't really stick the landing, imo, though the epilogues help" but I can recommend with that warning.

Scripted Fiction

Camlann. Modern post-apocalyptic Arthuriana/Folklore of the British Isles, with some hints of other folklore as well. 1 season; hoping they get funding for a second because it was very well done and also I want Gwen and Morgan to kiss.

Midst. Hard to describe but if you follow me you've seen a lot of posts that might help. Extremely good! About to finish in a bit over a week's time! Check it out and I advice you check out the first 3 episodes at once to get a feel for it; the three-narrator thing is also "get used to it and it will be fine".

The Penumbra Podcast. Originally envisioned as an anthology podcast but then two specific settings (noir-y space opera and medieval court monster hunters) were very popular. Also nearing its end.

The Silt Verses. Quite literally everything on this list would be described as "New Weird" and "has queer characters" and this is maybe the New Weirdest. Anyway, set in a world where gods are real, require human sacrifice to live, and society is both very complicit and also uses the gods to sell shit. I think people who are mad about D20 or CR not being explicitly political enough should listen to it. Extremely good. Also in its endgame, but they've had a very drawn out schedule as of late.

Welcome to Night Vale. You are on Tumblr; presumably you know the drill. I can't say I'm like...super following what happens but it's one of those things that's been a constant in my life for over a decade and takes up a very pleasant hour-ish per month. This feels like damning with faint praise but the earlier stuff was great and it's still strong, it's just, you know, the inevitable slowness of an indefinitely long slice-of-life-ish show vs. the more plot-driven ones above.

Within the Wires. By one of the Night Vale Creators. I have a post about it but it's set on an alternate history Earth where a cataclysmic war/plague/various other bad things absolutely destroyed the population in the early 1900s, leading to a very different global society. Some people say the seasons are very uneven in quality. They are incorrect. The seasons follow different people and all are in the form of found audio, so they are all quite different, but it's entirely a matter of personal preference if you like a season or not; it's not that some are Objectively Better.

Wolf 359 finished a long time back and I haven't relistened since my original listen in like...2018, but of "podcasts that have finished" it's worth it. Weird space stuff.

Informative(?)

Home Cooking by Hrishikesh Hirway and Samin Nosrat; was a pandemic project that now only airs yearly, really, but worth checking out if you like cooking.

I found out about Home Cooking via Song Exploder, which is just Hrishikesh Hirway talking about songs. Great podcast; the editing is fascinating and I have found a lot of good music from it!

I Only Listen to the Mountain Goats. Has only two seasons but they are both very good if you like The Mountain Goats as a band.

No Such Thing as a Fish: the QI (British quiz show) (if you're British you know this better than I do) researches talk about weird facts and riff on them.

Sawbones: Justin McElroy and his wife Dr. Sydnee Smirl McElroy talk about weird medical history and dumb wellness trends on tiktok. This is one of the earliest podcasts I subscribed to back when I did not drive nearly as much.

The Anthropocene Reviewed by John Green. Has also completed and there's a book that's basically covering the same ground. It's not like, purely informative; it's very anecdotal (as is I Only Listen to the Mountain Goats) but I learned a lot from it.

Honorable mention: I just didn't have the time or energy to keep up with Ologies by Alie Ward but what I listened to was fun and interesting and my sibling is a big fan.

Comedy and Miscellany:

Beef and Dairy Network: also British, on the Max Fun network with the McElroys. Fucking weird. I debated putting this in the scripted fiction because it's basically "what if Welcome to Night Vale was a little less story focused but still had throughlines and was specifically about the cattle industry in some absurdist alternate version of our world" but stuck with comedy bc the absurdity outstrips the plot. It's weird!

My Brother, My Brother, and Me: you probably know this one; either you love it or you don't.

My Dad Wrote a Porno: also British and from what I understand a bigger deal over there. Has uh. reached completion, in that they decided they were done, but the books apparently go on (sorry Rocky I'm not buying them). A guy and his two good friends read and roast his father's self-published erotica e-books about Belinda Blumenthal, Pots and Pans saleswoman, ft. bad accents, corporate espionage, and, of course, The Duchess.

The Empty Bowl: Justin McElroy and Dan Goubert of Cerealously's ASMR podcast about cereal. legitimately has helped me calm down when anxious at night. I am not even a big cereal eater it's just entertaining and chill.

Anyway any other podcasts I have listened to I've either forgotten, weren't good enough to recommend, just disappeared without any conclusion [*cough* king falls am] or involve way more reservations than I am willing to go into without knowing more about what you are looking for.

[beebopboom]

ok. ok. ok. i’ve sat with it, processed, went to bed, woke up at 5am fiending for water, couldn’t go back to sleep and processed some more. Starting writing this and then had to go to work and now i’m back.

(skip this section if you just want my very limited 90min predictions for rn and not my rant lol)

i’ve been disappointed, sad, angry and just so tired.

and yet i think ive hit some form of acceptance. Don’t get me wrong I will mourn what six episodes would have gave us, even 90 minutes is shorter than most movies now days, but at least it’s something. That it doesn’t end with them not talking and a single angst filled kiss goodbye.

and it sucks to even say that because with so much queer media that seems to be the conclusion, “at least we get something.” That’s the reality we live in and it sucks that it has touched good omens.

Amazon was going to cancel, no way around it, and while it would have sucked I would not have blamed them (ok I would have a bit.) What happened with Neil is serious and there should be consequences. As much as I love this world and how much it has helped me, real people come first. He was such a huge name behind the show and a large part of the production process, that I would not have been surprised if they pulled the plug completely.

But they didn’t. We had so many people working behind the scenes to convince them to continue terry’s story because of their love of the story and because they know of our love the story. And for that I am thankful.

(also i’m pretty sure they kept the set pieces around this time instead of destroying them so that probably helped in green lighting something, yknow on the money side of this)

I’ve been through a devastating end season kiss that then didn’t get renewed before with aloto, which was also produced by amazon and they do not give a fuck. They were not lying when they said it was a miracle to get this renewed.

Which let’s talk about aloto, or a league of their own, real quick. Yknow do some comparisons even if it’s in reverse. This went from a little over two hour movie into an 8 episode series. And guess what it worked even if people had their doubts.

The movie version is a classic in its own right, I feel like everyone at least knows of it maybe can even quote some of the more iconic lines. It’s amazing and has a good story line. The TV show probably never would have went through without the backing of this movie.

and yes with the TV show they were able to go more in depth with the characters storylines, that’s just TV and that’s specifically the idea they went into filming with, to show the queer side of history within this girls baseball league, less about the actual baseball that the movie more focused on. They even pulled in Maybelle Blair, a former all American girls baseball league player, who helped tell the story of the show through her own experiences. (ok sorry for the rant, moving on)

but the movie (especially for the time period) had well rounded female characters with nuisances that we had never seen before on screen.

and before it even gets pointed out that aloto needed a s2 to finish their story I just to point out that even though it was a different story with different character arcs, both ended after one baseball season with the girls. Fully fleshed out characters with backstories and futures and a satisfying plot to match. It really was just the shock factor of their kiss being discovered right at the end that pushed their story to continue.

and yknow if numbers help you visualize more,

120min=8eps and 6eps=90min

feels proportional, idk if it is exactly cause this particular section was never my strong suit in math and i’m still tired lol

My point is for the most part, besides like a catch up in time between s2 and this movie, this 90min time frame is not going to have to squeeze in time to introduce characters and their motivations like we are used to with movies, besides if they introduce new characters which I don’t imagine would have been a lot anyways.

We have 2 seasons of backstory and plot. This is doable, even if may not be quite as elaborate as we were expecting.

Just like what we went through with the Owl House who also had a shorter air time than projected. S2 of the Owl House ended on a cliffhanger and even with the shortened time the ending was still well thought out, compelling and was able to be pulled off, very successfully.

We did not lose set designers or costume designers. Those important people behind the scenes that actually bring the world to life (as far as I know) are still there. And of course we did not loose our beloved actors that actually bring the characters to life.

and as for the new writer, we are at the end of October and they are still set to start filming in January, they are not writing completely new scripts in two months. They are reconceptualizing the already written scripts into a shorter form and editing where it is needed, perhaps adding scenes that better fit this form of media to help the narrative flow. They are also, I am sure, are getting help from the people who fought so hard to kept this thing running, if they even need it tbh. If they were trusted enough to get the script in their hands by the people who fought so hard to continue, then I guess I can give them a bit of my trust too.

So while the unknown is scary the community is strong both behind the scenes and in the fandom, I have faith, even if may not tie up every single loose end that I doubt a full s3 would have accomplished anyways, that their story will get told and will have a satisfying ending. Maybe with less trolls now too (because let’s be honest that’s what the kiss was).

And! think of all the fan made projects and fanfiction that could come out of all this. Cause really it’s always been the fandom that’s been the true heart and soul.

(ok rant now over)

and prediction time!!

a cold open, preferably something with Crowley’s Fall. I don’t see them moving to far away from this idea tbh.

a title screen, not sequence. i HOPE peter anderson studio still works with this project after everything. I think they will end up giving this movie a subtitle and they will work something out here that is short and sweet.

Now for the actual plot I’ll theorize about another day because I realized I haven’t really done that yet??? and that deserves its own proper post. oops

but ☝️ i have a few ideas of the set up,

the pacing will be a lot more like s1 than s2, which I was already anticipating and might even work out better in long form media.

there will still be minisodes, probably not as many and will probably be more incorporated like s2 where it had a direct correlation with the plot.

number of storylines may be reduced, GO is normally set up with 3 stories that all meet at a single point finale point. I would not be surprised if it was cut down to 2 main storylines, us vs them kinda thing, that will still really work out well.

all our beloved wacky easter eggs will still be there, a lot of those were references to Terry so I don’t see those going anywhere anytime soon.

south downs is still a go, i also don’t see them getting rid of this at all. It was always the goal. Give them some goddamn peace and quiet.

the end credits, this is where Peter Andersen studios could pop off again but the important bit is….

end credit scene!!!! really this is just something I would like to happen and it’d be really cool if it was the actual actors, hell throw in the whole crew, just as a little send off.

ok wow I thought I had more…um obviously this could be all bullshit but I feel pretty good about it.

but really all this to say that to just breathe, experience your emotions as they are all we got right now. We got an answer, finally, so no more waiting in the unknown. 🫶

[canmom]

NieR Automata anime episode 6

Continuing commentary from [part 1], [part 2-3], and [part 4-5].

Ooof, I left myself with a big not-so-live blog backlog again. Never done that before! [shoves The Flower That Bloomed Nowhere under a blanket]

So where we left off, I'd covered the Simone episode and the Pascal episode. OK! Next up we have... the YoRHa stage play episode!

episode 6

This episode recounts the story of the YoRHa stage musical! Putting it alongside four different productions of the play, the official novelisation, the text version in the game from Anemone's point of view, and the ongoing manga YoRHa: Pearl Harbour Descent Record. You can never have too many.

In the present frame story, Lily walks with 2B (who looks almost the same as her old friend YoRHa No. 2) and tells her of the past events.

If you're not familiar with the play by the way, it's just about the sickest shit. Youtube won't embed this for some reason but here's the intro number Normandy...

Just like in the play, this episode of the anime tells the story of an experimental YoRHa unit on a mission to attack a machine lifeform server in Hawaii, and the android resistance unit they encounter, the gradual process of building trust between the two groups of androids, and their eventual brutal deaths as it turns out that the YoRHa command never actually intended for any of them to survive the mission.

The cast is broadly similar to most versions of the play, but in keeping with this version of the story, here Lily rather than Anemone is the focus and sole survivor of the Resistance unit. Not that this really makes a huge difference in practice.

Where the anime really benefits is that it can convey the setting a lot more clearly than a play or even a manga. This episode is full of lush forests, and the mountains of Hawaii loom in the background.

Given they're compressing the events of a two hour stage play into a twenty minute episode, naturally a lot needs to be cut, but they do a very solid job of making it flow through montages and character moments. And of course we get the key moments in the play still: Lily getting infected with the Logic Virus and being saved from a mercy-kill by the intervention of YoRHa No. 21. Added in this version are some embellishments; when No. 21 hacks Lily, she gets a brief glimpse of some memories:

These flash by too quickly to really see what's happening in the episode, but it appears that Lily was being sexually assaulted by another android, but Captain Rose intervened and invited her to the Resistance unit? I believe this storyline is further elaborated in the manga, but I haven't read that far.

The portrayal of the Logic Virus, and the earlier Red Eye Disease (basically the same thing), varies across the series. Often it's just mindless violence disease, but at its best, it exposes the simmering tensions and resentments in the character - something emphasised to great effect in the YoRHa Boys play. Here, Lily resents her helplessness - that she is always the one who has to be protected. We also get a new physical symbol of a relationship: the bullet which Rose fires at Lily and No. 2 deflects. The addition of water to the scene adds to the staging.

Another benefit of the anime is that it can portray the scale of the machine army in a way the play can't. The CG in this episode is not exactly great, but we do see swarms of machines crawling up towards the mountain...

Notably at this stage the Machine Lifeforms clearly haven't yet developed the Stubby models - they're this kind of insectoid orb design, similar to Ko-shi and Ro-shi in the game (as well as the individual segments of Hegel). It's a nice visual way to show how the machine lifeforms are developing.

The final battle montage is very well edited in general, hitting the key moments of the play without getting bogged down in details. Anemone is once again the one to stay behind to mercy-kill No. 21 after she gets infected (which explains why she survived). However, as a new addition in this version, Lily and Rose are told to evacuate before the final confrontation with the Red Girls, and Rose sends Lily up alone. Lily tries to kill herself, but Rose once again prevents it, and orders Lily to preserve the YoRHa squad in memory. The theme of memory being core to NieR...

At the end, we get our first brief glimpse of A2, who survived - with Lily still unaware. A closeup of her chin mole confirms her identification with No. 2.

The credits are also different this time, a gradual pan over the YoRHa squad members, fading away in turn as the familiar ED song Antimony plays. The final shot is notable...

The timid Lily of the past reaches out and clasps the hand of the Lily of the future who now leads the Resistance.

Honestly, despite the fact I've seen so many versions of this story, it's still affecting. I watched it again to write this post and got caught up watching the episode. It's full of quite wacky turns if I'm honest, like let's be real nothing YoRHa (the military organisation) does makes much tactical sense, but the core character dynamics are strong and they're well captured here so it never really matters.

The post-credits puppet skit this time focuses on Adam and Eve getting dressed up in uniforms. Eve is in gakuen and Adam is in a suit, each of which gets a pinup-style illustration to go with it (we get a full pan up from the feet)...

Eve annoys adam until he decides to just leave...

Yeah, that's it.

That's as much as I'm up to writing up now, but lots more NieR to cover until we're caught up!

Huge props to [GLORY] for the excellent fansubs.

[jmdbjk]

Episode 4: Disconnected

Beyond the Star, produced by HYBE Media Studio

Namjoon gives a brief recap of their rise from debut, through the struggles of the next few releases and then they take off with Wings, Fire, Blood Sweat & Tears, Fake Love, and Idol and all their accolades and awards.

They open this episode with behind scenes from filming the ON MV at Los Angeles' Sepulveda Dam. It was hot that day.

[did you say something Jimin? ahem... anyway]

Regarding the previous years to this point in time, Namjoon says he may not have made the best choices all the time but he believes he made the best choices he could at the time. Yoongi says they compacted 20 years into 7 years at the expense of their physical well-being.

Namjoon says he tried to prove himself to the world but now sees that what he's left with are the choices he wanted to make at the time with all his effort and he learned a lot from them.

Jungkook says he lived a life fit for himself, that if he had forced himself to do something that didn't suit him, it would not have been good. He did what he wanted to do and experienced a lot. All decisions he made for himself and which helped him grow.

In other words, they chose to work hard and run full speed ahead and we know that led to an almost burnout situation.

Namjoon states the lyrics of the song ON are what they mean: they've been through it and are on the other side, they made it to the other side together. Bring the pain, bring it on, it will only make us stronger.

It is heartbreaking to hear them talk about how much work they put into the MOTS tour, how involved they were with equipment and production decisions. Yoongi said it had been a while since they'd been this excited about preparing for concerts.

Things were planned that we never knew about. A large-scale gala for TV promotions?

And then the news early 2020. Jimin was asking if there was any chance the concert would ever go ahead as planned...

During the two years or so of the pandemic, each member dealt with the social distancing, self-quarantining, loneliness and lack of live performances in their own ways. They did a lot of nothing during this time. The footage shown here was not of them during the first months of the pandemic. There were no cameras set up during that time. They used footage from times when they COULD film safely to help represent how they were during isolation. Looks like Hobi and Jungkook in the hotel suite after the Grammy Awards and footage of Jimin in his apartment in late 2021, etc.

There were long periods of time when everyone, including you and me were asked or required to abstain from going outside, to isolate away from others, to not socialize with more than 5 or 10 people at a time, even with our families.

Bang PD reflects that BTS were at the peak of their careers, they lived to perform, and had to overcome the feelings of helplessness and that's how he believes they've grown as humans.

So they innovated...they produced the first online ticketed concert: Bang Bang Con. Over 750,000 viewers watched.

It was reported on the news that BTS was once again changing the industry.

And then on August 21, 2020, they released a song to enjoy with the fans:

If The Most Beautiful Moment in Life was the turning point, Dynamite was literally the explosion that shot them into the stratosphere.

Dynamite broke records of every kind: on Youtube the MV set a new record of over 3 million peak viewers during its premiere, almost doubling the previous record, and set a new all-time record for the biggest music video premiere on the platform and the most viewed YouTube video in the first 24 hours, earning 101.1 million views and setting three new Guinness World Records.

In the U.S., Dynamite debuted a #1 on the BBHot100, and is BTS' first #1 single in the US. The song became both the longest-running number one on the Digital Songs chart by a Korean artist and the longest-charting song by a Korean artist on the Hot 100, when it spent its 18th non-consecutive week at #1 the Digital Song sales chart and 32 weeks on the Hot 100, three of those weeks at #1.

Hobi said it was overwhelming that their sincerity had reached all parts of the world. Jin said it was a song to simply enjoy with fans.

Bang PD said he knew what this would mean for their future and what a positive impact it was.

Yoongi said they did the song in the hopes of giving everyone strength during the trying times of the pandemic. Namjoon says because of the situation (the pandemic) they lost so much (cancellation of the MOTS tour) so during that time, the strength of music and performances were their way to give comfort and support to the fans.

With the ongoing pandemic, they had to adapt. In October 2020, they produced Map of the Soul ON:E ... two online concerts that had a record-breaking 993,000 paid viewers from a total of 191 regions across the globe. It was performed at the Olympics Gymnastics Arena. It was elaborately produced. It was expensive. Lots of man-hours went into it.

They said they enjoyed doing it, they worked hard but it was a challenge because the missing element was a live audience... Army was missing. It would never replace a live concert's energy but they were still thankful they could even do it to begin with. It would be another year before BTS was in front of a live audience again.

Overnight on Nov. 24, 2020 they gathered in front of the television in their dorm to watch the 63rd Grammy Awards nomination announcements. Only four of them were there: Jimin, Namjoon, Jungkook and Tae. I had heard the others had schedules the next day and needed to sleep.

They had never known how the Grammy nominations were announced, this was their first experience and when BTS was announced you could feel their astonishment through the screen. The first Korean artist to ever be nominated.

During the Grammy Award broadcast (done remotely), they also performed their own song, Dynamite.

Alas, they did not win but they'd made so much history and broke so many records in 2020, the year of deep lows and the highest highs.

They felt motivated, knowing they still had room for success and had something to strive for.

They were proud to show the world that there are singers like them from Korea and that Army and BTS exist.

[nullbutler]

Masterpost of Projects

Hi! I'm Null! I make way too much stuff !! Here's a comprehensive list of everything I'm proud enough of to advertise on the front of my blog! It's a lot of kuro stuff!

My COMMISSIONS are OPEN!

BLACK BUTLER : BOOK OF SPIDERS [<- watch here]

A literal season 2 MOVIE. That's right i fucking COMPILED SEASON 2 INTO A FUCKING MOVIE it's a TWO AND A HALF HOUR LONG FUCKING MOVIE. I am in no way an editing professional, but the filler is cut, the gratuitously vile scenes are either done differently or also cut, and Alois and Hannah are portrayed in a kinder light, especially with Alois's backstory being handled a lot more carefully. No original footage is added - it is merely camera tricks and framing.

"You got rid of that Ciel screaming scene and that's like 5 stars for me." -- @warmmilk-n-honey

"Truly proves that less is more." -- @pain-in-the-butler

"An actual digestible version of Season 2." - @mantomhive

2. My Webcomic: The Dead The Damned & The Devil (Read here)

What if Vincent Phantomhive came back from the dead just before his sons were sacrificed? This is a fix-it AU...kind of. Many side characters are integral to this story, like Francis and Madam Red. It's got 8+ chapters, and if you like to watch scared parents protect sad little kids, its a good read. likewise, if you already want to hug vincent, its a good read. likewise, if you want to punch vincnet in the face, it's a good...

VOLUME ONE HAS BEEN COMPLETED!!!

3. My Season 2 Video Essay (black butler season 2 is laughing at you)

watch me scream about the meta of season 2 as an exhausted season 2 fan for about two hours...it's got some original animatics, too!

4. My Youtube + some highlights such as

The Black Butler Actors OVA Abridged

exactly what it says on the tin! a 22 minute long black butler parody following what the hellish production of season 2 was actually like (and also. uh. character trauma??? somehow???)

"Cinder Soul" the angsty End-of-Contract visual novel

Sebastian and Ciel angst hours, in an AU where Ciel has quite literally lost everything. Ominous. Sad.

Season 2 Reanimation project

on indefinite hiatus -- but its still 14 minutes of technically an episode, and the ending is more 'open' than 'cliffhanger.' what if Alois and Ciel got to talk it out when they were trapped in the same body, back in episode 11? Fully originally animated (thsi is probably the largest thing I've ever made hghdfhs)

Collabs w Mel ( @weeb-cheese )

This list will probably get longer but aaa they're so cool!

Pluto video essay!

Drossel video essay!

NOT-KURO VIsual Novel

A light-hearted (?) sapphic visual novel about some ladies who LARP at garden club. On hiatus

5. Ego Te Absolvo

So what if Alois Trancy teamed up with Ash Landers and became an exorcist who killed demons? Would he be happy? Would he be free? This is a really fun fic, i've been co-writing it with @eemoo1o and its aaa!! very cool!! do be warned, it gets...darker...the longer you read it. it is an alois trancy fic after all, even if the initial concept might seem a bit silly

6. RIan Stoker Ask Blog

Don't ask me why i wanted to make this. but he's always open!

I have a number of other smaller projects that you can find by hunting through my youtube and stalking my ao3. I don't mind!! tho some of the older stuff is definitely not as good lmao thanks for reading!!

I also run @blackbutler-heritage-posts and hosted @dadbastianweek2023 !!!

[davidmariottecomics]

It's Weird Being Between Two Jobs

Hi there and happy new year! 

Title kinda says it all in this week's blog, but the strangeness of this time in my life is really settling in. 

Just because of how things worked out with leaving IDW and starting the new job, I ended up with a little under a month of free time. And the first week and some change of that was the end of the year holiday season. But the past week has been me sort of watching from the outside as people started going back to work. I did finish up some additional new hire paperwork, but that took maybe an hour total and I'm still over a week from starting the new gig. It's an odd space to be in. I'm not working for anyone--I'm not getting a paycheck (and am currently sort of living this month off of my last IDW paycheck plus paid out time-off)--but I'm also not so far removed from a gig as to be strictly freelance. 

And to be totally honest, I don't know that I really like it. I am not great at having free time. I like the idea of free time. I like the idea of having time to write for myself or relax with my hobbies. But I am not great at the latter and the former betrays the fact that even with my free time, I'm often trying to switch into work mode. Heck, at the end of the day, my starting this blog and crossposting it as a newsletter/Tumblr/Patreon is all influenced by my not being good at not at least trying to be productive with my free time. 

If you're also someone who has been working from home and especially if you've been working from home freelance, I'm sure you know all the complications of the domestic and recreational life against your job and probably are familiar with how helpful routine and scheduling is with all that. Right now, I'm freeform. I don't want to just use my old habits--the advantage of time off is specifically that I can break a 9-5 M-F format--but I feel like I don't have enough time to start building new routines. So, it's been a challenging couple of weeks. I have not done nearly as much as I think I'd like to have at this point, but I also keep needing to remind myself that I have done a number of things that were on my to-do list and that it's okay to have time off for myself. 

As such, instead of a really specific blog on something of late, let me share a couple quick bits that've been on my mind. 

The Anti-EGOT I recently finished a big relisten of season 2 of Dungeons & Daddies and in the intro to the show of one episode, Anthony Burch introduced the idea of an Anti-EGOT. I think he retroactively changed it in a later episode, but the general idea was to be a writer in four of the least respected mediums and not win an award for any of it. I believe, in the initial mention, the idea was the four mediums of choice would be video games, comic books, podcasts, and pornography (with wrestling being retroactively either added or replacing one of these, but I don't think I'm much of one to write for wrestling). Honestly, that kinda sounds like a dream to me. As I was listening to this stuff in the run-up to the new year, there was a part of me thinking "is going for the Anti-EGOT my resolution"? And I ultimately decided, no. I don't think that's a good resolution, but it is sort of my stretch goal for the year. If I can write in all those fields, get paid for it, and not win any awards (or, y'know... do) in my lifetime, I'll be pretty stoked. 

What my actual goal for the year would be is I want to try to release 6 comics. Different lengths and varieties. I'm not currently anticipating having that be like a single mini-series or whatever, but I want to try to do more in comics with what I am producing. And if I can maybe branch out into one of those other areas this year, even if it doesn't have a release for another year or more, I'd be cool with that too. 

Steamboat Willie Last year, you may've read my four part explainer about copyright! One thing that is repeatedly touched on there is the public domain and what all that means. Obviously, this year, Steamboat Willie and two other Mickey Mouse shorts entered the public domain. And it's been really interesting to watch that play out a little. It seemed like--and I know it's only been a week--most everyone got it out of their systems within the first 2-3 days of the year. A lot of that probably goes to Steamboat Willie and those early shorts not actually being all that interesting (fun, but very story-light). A lot of it goes to so much of what people would want to do with "Steamboat Willie" is either already legal because it falls under parody, is not actually meant to be sellable in any way, or was knocked out in a day. A lot of it too probably goes to how unclear what counts as public domain remains. For a character like Mickey, people have been pointing out are you using elements that were added after 1928 or treading on issues of trademark that are not copyright and are not as available. I am very curious to watch how this continues to play out this year (if it does), how things develop next year, and in the next couple of years, watch how things fall in preparation for about a decade from now when more of the early Disney catalog will be public domain (including Snow White) and other major companies start having some of their big hits become PD (like, say, Superman). 

I'm also kinda bummed to have not seen any immediate announcements/releases of new comic versions of Lady Chatterly's Lover like there were of The Great Gatsby or anything. That's the other really interesting/wild thing about this year--to me, it seems like the majority of the fuss was around the Mouse and the things that've remained popular in part due to the mouse, Peter Pan and Tigger. I have not seen nearly enough talk about One Million Cats or any of the film or music. 

Post-Twitter

The other day, Diana Sousa was asking on Bluesky (and Twitter, I guess), if Twitter is still the major non-convention way that comics editors discover new talent. And I responded as someone who is NO LONGER ON TWITTER but who is still needing to have discoverability of comics artists. I said, part of it is I am on other socials. I see new folks on Bluesky or Instagram or whatever. I also keep an eye on various databases--you don't have to be on Twitter to have access to #VisibleWomen or the Cartoonist Cooperative database or Cartoonists of Color or the Queer Cartoonist Database or the Disabled Cartoonist Database or any of these many sorts of resources. Something I didn't mention there, but will mention here is when you've got a company email address, you've often got agents of various sorts emailing you about talent, internal talent databases and/or recruiter-type folks, sharing info with other editors (and, y'know, I've in the past shared talent who I didn't have a gig for with editor friends at other companies because I thought they'd be a good fit). 

As I've mentioned before, the lack of access to talent was why I did wait so long to delete my Twitter (and also wanting to make sure I had ways of keeping up with world events and following non-comics people). But, genuinely, I am not stressing over continuing to find new people now that I've been without it for a little bit and know I've got a system.  Check Yourself for Midjourney Training Hey, speaking of my explainer on copyright and the lengths of time therein I talk about how "AI" is a tool of theft and companies trying to avoid paying artists for the use of their copyrighted works, the lawsuit against Midjourney's resulted in a list of names of "artists" they've scraped. Now, I only put "artists" in quotes because the list was made by incompetent tech bros and/or their clueless lawyers, and so there are a number of writers listed who do not particularly do art but where you can extrapolate that the artists they work with were scraped as well as companies, systems, game platforms, etc. While I understand that of course lawsuits are expensive, I do know a number of artists have been reaching out to the lawfirm of the existing suit and seeking to join the case as plaintiffs. If you're a visual artist, probably worth the time to double-check and, if you can, do something about it. 

Okay, I think that's it for this week! See ya next time! 

What I enjoyed this week: Dungeons & Daddies (Podcast), Reverse 1999 (Video Game), Nancy (Comic), Yu-Gi-Oh: Duel Links (Video Game), Baldur's Gate III (Video Game), Blank Check (Podcast), Spy x Family (Manga), How to Read Nancy (Book), Hitman 2 (Video Game), Pokemon Conceirge (Cartoon), Ted Lasso (TV show, finally started season 3), Dungeons & Dragons: Honor Among Thieves (Movie--can you tell I'm in a D&D mood?), The Floor (TV show), my new discord (friends can ask for access!), sending out some feeler emails for new projects and getting to do at least a little bit of writing for myself.  

New Releases this week (1/3/2024): Sonic the Hedgehog #68 (Editor)

Announcements: The Cartoonist Cooperative is still doing E-Sim cards for Gaza and at least 500 people have shown their proof of donation. You can donate a digital sim card so that residents can get access to the internet and have more functional phones and, in exchange, get some comics or a drawing or whatever else is available from the many participating artists. 

You can also give more directly. Things are obviously still very bad in Gaza as we've hit 3 full months of them being under siege. Over 20,000 Palestinians have been killed, including plenty of women and children. Israel has killed more journalists than any single conflict in my lifetime. They are attacking not just Gaza and the West Bank, but other neighboring countries. I hope the Internatioal Court of Justice can help bring this to an end, but in the meantime, the US has significant influence over the situation (between internatioal political power and the weapons and money we're sending as both a nation and that are being sent my many corporations in the US). You can call or fax or email or show up at the offices of your representatives to demand a ceasefire or to protest their inaction so far or to throw eggs at the president for participating in and encouraging a genocide. You should keep aware of actions, demonstrations, protests, and celebrations in your community too. Given the nature of the things, they often come together fairly quickly, so do exercise your due diligence. Also, of course, being informed and just giving your time to Palestinian journalists and writers is incredibly valuable. I don't tend to be a big TikTok fan, but it has proven to be one of the most reliable resources for firsthand accounts of what's happening on the ground. 

Meanwhile, Becca's got their first show of the year next weekend, 1/13 at Alesmith for a mini-con with BizBaz! Come pick up some new for 2024 stuff! Also, they've still got a little room in their schedule for this year, so get them for your comic project before it's too late! 

Finally, calling out my Patreon again as well as my webstore (final stock on basically everything there except Jimmy Squarefoot), my Kofi, and my eBay account as I am between paychecks for a while and those are other ways you can support me! 

Pic of the Week: We went to one of our favorite local restaurants, Rakitori in Hillcrest. They had a spicy cheesy tonkatsu ramen and I'm not a food picture guy usually, but I did quite like this photo and I'm actually very fortunate we ate there at the tail end of 2023, otherwise I'd have already eaten the best meal of 2024. 

[scotianostra]

Scottish actress Brigit Forsyth born on July 28th 1940 in Edinburgh.

Brigit was a theatre fan from the age of eight when she saw her first pantomimes at the King’s Theatre in the city where she remembers Stanley Baxter as"The best panto dame ever" and Russell hunter during his Callan days.

She attended all girls schools Cranley and St George’s in Edinburgh then trained as a secretary before enrolling at RADA where she studied for three years. She then joined various repertory companies including Lincoln, Edinburgh, Salisbury, Cheltenham, Hornchurch and Watford.

She toured in My Fat Friend and performed in the West End productions of The Norman Conquests, Dusa, Fish and Stas and Vi. Her film work includes The Wrong Side of The Blankets, The Road Builder and The Crystal Stone.

Brigit has worked extensively on television for many years in shows including Playing The Field, The Practice and Tom, Dick and Harriet. She has also appeared in countless long-running hits such as Doctors, The Bill, Casualty, Coronation Street and Emmerdale. She is best known for her long running role as Thelma Ferris in the BBC comedy The Likely Lads and Whatever Happened To The Likely Lads, she has been in the reboot of Open all Hours, Still Open All Hours, but said a number of years ago that The Likely Lads should never return.

Brigit’s heart has always remained in theatre and she has appeared in classics such as Hamlet, The Comedy of Errors, The Glass Menagerie and The Importance of Being Earnest as well as the recent West End hit Calendar Girls

In March 1998 she made a one episode guest appearance in Coronation Street as Ken Barlow’s dating agency client Babs Fanshawe. Brigit is married to Coronation Street director Brian Mills and they have two children Zoe and Ben. Brigit has also appeared in Eastenders, Hollyoaks, Holby City and Doctors, to name but a few of her many extensive YV roles.

Brigit Forsyth passed away on December 1st last year aged 83, she is survived by her two children.