#one gets better the other gets worse

[spittingspite]

It's always "character who will do anything to protect their loved one, even commit horrific acts of violence, learn kindness and mercy at the request of their loved one" and never "merciful character who hates violence and fighting makes an exception because they love someone so much they will disregard their own morals and values to commit horrific acts of violence if that's what it takes to keep their loved one safe"

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[happypeachsludgeflower]

So, in PIDW, there was obviously wife plots that could bring back the dead (mushroom body being one of them), and since we know Airplane is a hack that reuses concepts over and over, there’s probably multiple wife plots that could work, so like, where’s the PIDW fics where Liu Qingge somehow comes back to life, memories of Shen Jiu trying to save him intact, and goes to hunt the asshole down so he can repay his life debt, and along the way accidentally clears Shen Jiu’s name of all his crimes and now everyone is convinced Shen Qingqiu is a saint.

[inkskinned]

oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.

oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.

oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.

which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.

but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.

which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.

and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!

and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.

the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!

and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -

what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.

and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.

[sailforvalinor]

The thing is I want an accurate but GOOD Mansfield Park adaptation so so bad but I don’t trust anyone except for 5 or 6 people on this webbed site in the depths of the undercity of the internet to make it because NO ONE understands Edmund Bertram except for me, the author, and a handful of my beloved mutuals and friends

[raylazuko]

Two all 2 people who follow my tumblr

GUYS THIS IS REALLY IMPORTANT

If you’re of voting age in the US and not registered, PLEASE REGISTER NOW!

I’m endorsing Kamala Harris for president.

The fact that’s it’s even close makes me sick to my stomach.

You can disagree with Harris or Biden or their administration on a lot of things, but not seeing that she is clearly the better option is scary.

Queer people’s lives depend on this.

If you care about us, PLEASE VOTE

If you are mad at Harris for not stopping the genoc1de, remember that Trump will absolutely not stop it either and that he’s a moron who no one respects. I’d rather have a g3nocide overseas and have queer people (and poor people, women, poc) in the US protected than have a g3nocide overseas and not have them protected.

And if you say “well Roe v Wade overturned and other conservative laws happened under Biden” Remember this was the CONSERVATIVE supreme court that did this. And another Trump term will make the court even worse for decades. The implications of this are huge.

People are on the fence, it’s simple. If you care about your queer, disabled, poc, poor, female loved ones VOTE HARRIS. If you’re centrist and won’t vote because you don’t care you’re a pushover and a coward. If you’re farther left and think she isn’t left enough, yes you have a point but this is all we have, PLEASE use your brain and stop being chronically online and self impressed.

I don’t care if I lose followers for this at this point, I’m just out here doing everything I can, not to panic and want to hide who I am. A lot of people don’t have the options to move to another state let alone country and we just want to live.

I’m lucky to live in a very safe state but I’m still terrified.

Please care about us. Please vote.

[98chao]

yall i drew these back in may when i finished the devils playhouse and just forgot to post them so im doing that now

also obligatory shitpost:

[clevercatchphrase]

As the story is going forward, asriel has been getting more on the 'Overprotective' and controlling type person. He has learned even guilt trip. How did you figure out these personality traits From canon asriel?

I took all of Flowey's worst qualities and watered them down until I felt a kid could logically embody those qualities, too. Flowey is, after all, Asriel at his absolute worst. And what are some traits about Flowey we know? He's controlling (like his save scumming in his omega flowey fight to always get the upper hand), manipulative (guiding you towards the best ending for his own plans) and obsessed with Chara (to the point of not wanting to live in a world without them). Heck, even at the end of the TP route when you fight hyper death Asriel, his monologue STILL depicts him as controlling and obsessed with Chara, even after he has souls inside of him again. (like him wanting to reset the world so that "chara" can never leave him, and they can play together for ever)

Asriel always had the potential inside of him to become Flowey with all those cruel tendencies, though probably the reason those tendencies manifested to begin with in the game's story was from him lacking a soul which then diminished his empathy after he died and was resurrected.

In the flashbacks of this comic, Asriel still has his soul (for the time being). If someone were to ask him if it was okay to control his friends, he'd say "no, that's wrong", but he also knows it's wrong for his friend to try and hurt themselves, and will do whatever it takes to prevent that. He uses his concern for their well-being as a justification to micromanage everything they do. In his mind he's "protecting" them, he's "helping" them, he's "saving" them, and that is a "good thing" so it "doesn't count" as controlling them. He doesn't even know what guilt tripping is. Let's also not forget that Asriel's a kid with little life experience and honestly doesn't even realize what he's doing is harmful in other ways. If an adult explained to him why his tactics for protecting Chara could cause more harm than good, he'd be truly horrified.

Sadly, both Chara and Asriel have each hurt the other (be it intentionally or unknowingly) which makes them both reluctant seek out help from adults. For Asriel, if he told his parents what Chara was trying to do, he fears Chara won't trust him or be his friend anymore. For Chara, if they were to tell an adult that they don't like the way Asriel is treating them, it would mean having to explain why he's treating them like that, which would also mean having to explain their plans of self-sacrifice, which they know would make the adults upset, and could potentially lead to punishment. (of course the Dreemurrs would never hurt Chara, but Chara just Will Not take that risk due to bad experiences they had in the past from their time on the surface). And tragically, their attempts to help the other in their own flawed, naive ways leads to each of their undoing.

[canisalbus]

sorry im emotonal and going off of the other asks sent about machete and just i need to stress how beautiful it is to me that machete sees himself so undeserving of love and affection and feeling as if vasco's too good for him but despite all that he is so incredibly devoted to vasco and loving towards him (in his own way) but is so incredibly clear to anyone with eyes that just how in love he is with vasco. like it's not done out of a "oh god please never realize that you're too good for me here here let me overdo it with the affection" its done with the "i love you, and will always love you, no matter what happens to us or separates us, and i will give it to you as long as i am able, and if you ever leave, i won't be okay, but will still love you, and want you happy". like he doesn't use his own feelings of being undeserving taint his love or the way he loves for vasco, and it's so, so beautiful

.

[bonefall]

Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("

Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(

And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.

And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.

What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.

And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.

But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[ashleyslorens]

kissing vs no kissing shows

+ bonus

[thecoolerliauditore]

Sorry, not-so-amicable-exes anon here again just cause I saw your big toxic fh breakdown post again cause a friend wanted to read it and we were tlking about it- unimportant, sorry, we just had a thought. Because I've seen some anti-toxic shippers act like this interpretation is out of spite or some intentional thing shippers of other jimmy ships made up (specifically ranchers usually), but the timeline and accusation is all wrong. Like I don't remember ever seeing anyone even talk about this interpretation until post-liml? And it was very hesitantly and apologetically. There was a fic or two before this but most people even the people who enjoyed it expressed discomfort or concern at its existence and that's how most people react to them even to this day.

But I remember when I saw that first post I was like, "Oh thank god, someone else also thought that!" It felt like before that there was scenes in their POV that only happened when I watched 3l because no one talked about them, or wrote them very differently to what happened. And I saw some other people saying the same thing. I think the post even got deleted a few days later, too. It seemed to me like a lot of people had quietly independantly come up with the interpretation as far back as 3l itself, but stayed quiet until recently to avoid upsetting anyone or we all thought we were the only ones who saw it that way. I know I tend to hesitate to write characters negatively because it feels a bit wrong to do that when the ccs are friends, even if I think it would be interesting. I wonder how many people feel that way also?

But I guess what I mean to say is it seems to me that a lot of people independantly have been thinking it since 3l or ll and the only reason it started popping up in dl is because it was the next big Jimmy ship from the big shipping season, and people werent really willing to even talk about it for a whole other season because they were scared of being seen as negative.

But!! I just really think it's neat, I really like this narrative for Scott and Jimmy. It's rare to be able to get stories where people have problems and break up and move on to new relationships and grow from them. It makes sense because they're the first season couple and they've grown further and further apart as seasons go on.

Even people I see who don't like fh don't seem to WANT to talk about it, they only bring it up when asked, and try to be respectful. Maybe I've not seen something happening somewhere else? I just wish I didn't have to spend most of my energy when writing quadruple checking that I'm not making Scott a bad guy and emphasising Jimmy's faults just so people reading know for certain I'm writing it this way because I'm legitimately interested in exploring this interpretation of them, and I'm not one of "those" writers. But I'm starting to wonder how many of "those" writers there actually are. (At the risk of comparing petty fandom drama to a serious topic, but it feels a lot like I'm back on 2016 tumblr assuring people I'm not one of "those" enbies or "those" aces, trying not to get pushed out.)

I'm guessing anyone who doesn't care for toxic fh probably already has you blocked, but if there is anyone like that who does see this: Hi! I also love flower husbands a lot! They just aren't my fluffy comfort ship, I like headcanoning them as divorced and imperfect because I think it makes them more interesting to write. I love being able to write characters who don't find the love of their life immediately but each relationship still shapes them into a new person. Sometimes I like to imagine their relationship as more mild and silly, and sometimes more dramatic and intense, I'm not a one-headcanon person! But their divorce is what really inspired me about them so I like writing about it. I don't want to stop anyone from enjoying them how they enjoy them and have no interest in making people who would be upset by my content to read it, so I try to tag it correctly! I'd like to be able to write my stories without walking on eggshells wondering if someone thinks I only wrote something I worked really hard on and cared a lot about just to spite them or because I'm secretly homophobic while writing about men kissing, just because my interpretation is different. It makes me scared to put Scott in my fics at all and contributed to my writers block for fics with them in it. I think Scott gets treated unfairly by certain people too, but that's not what I'm trying to do, I wouldn't write about him if I did!

(Also sorry if my paragraphs are strange, I'm not used to writing on mobile or pouring my thoughts out.)

Hi hello welcome back!! Please don't apologize I love long asks, especially long asks about scott smahor. The fact that you pulled up that toxic fh post and read it with a friend is so funny to me. Looking back, I wish I'd planned it out better and wrote it more eloquently, but I'm glad it brings people some sense of joy/entertainment/understanding. I hope you and your friend enjoyed it, even in an ironic sense.

It's endlessly entertaining (and fascinating) to me personally how every toxic fh believer seems to undergo the same-ish pipeline of watching the fh pov and being horrified --> looking at fanon fh and disengaging out of fear --> finding other toxic fh posters in the wild and suddenly realising you're not insane after all. I know I personally went into scott's pov expecting wholesomeness and ended up wide-eyed at what I saw before proceeding to slink FH into the back of my mind for awhile.

People tend to believe others operate like they do and I think that's where a lot of the discourse originates. Most of the louder voices I've seen that are very against the toxic interpretation are from people who primarily engage in bending the characters to fit specific concepts i.e. the "toxic jimmy" brainstorm that happened awhile back on here where interpretation is less a study and more confirmation bias-ing your way into making an idea work. Which I must reiterate is completely awesome because we're making fanfics here not nukes. But this leads people to assume that everyone who writes about toxic fh is going in with the mindset of "how do i interpret these moments so that scott is an abuser" and not "wow that thing i just watched sure kind of felt like domestic abuse"

Which like. YEAH, if there was a theoretical group of people who went out of their way to interpret everything scott did ever as evil and irredeemable, I too would assume that they had it out for the guy. But that's not what's happening, usually, afaik (at least on here, twitter's situation is a bit different due to the culture and would be its own beast for me to dissect and I honestly don't spend enough time on there to really feel confident making any statement).

For the record, I think a lot of people are on the same boat regarding FH being toxic and just simply don't care enough to voice/explore it, don't want to deal with the fandom nonsense that comes with it or would simply rather shift focus onto other pairs with similar themes. i.e. there is something going on with the toxic fh believer/ethubs shipper overlap I just know there is if anyone would like to do science with me it'd be awesome.

I know that I definitely focused my sights more on Scott and Pearl's relationship following my "wow that was sure something" watchthrough of scott's series, which is ironic considering I now base alot of my thoughts about their dynamic on scott's previous relationship with jimmy.

I think there's like. Something about the DL Pearl fans and the ranchers fans specifically who tended to communicate in code re: Scott's toxicity because for a long time all of us were afraid of saying it outright. So you get a lot of posts where Scott is like. A vaguely unpleasant force in the narrative while not really being a main focus himself, which I think may have contributed to the "ranchers fans only view scott as the villainous ex to push their ship harder" argument that I've seen a lot.

Once I realised from that one Shepscapades comic that there were others who saw the same plot I did, I would go out fishing for signs of agreement/acknowledgement. Hybbat if you're reading this, take this as my apology for sending you anon asks back in the day essentially trying to bait you into posting more FH slander, there was something deeply wrong with me (there still is, I'm just more upfront about it now I think).

There's also just this very like.. us vs them mentality very apparent in the way people talk about The Discourse that kinda sucks. Weirdly enough it's kind of shifted from toxic fh vs healthy fh to fh vs ranchers (or any other jimmy ship for that matter) nowadays. I can't talk on 2016 tumblr but regarding your last point (which I know isn't directed towards me but I think it's worth saying) -- would it matter if you Were one of THOSE fh writers? (or one of THOSE aces or THOSE enbies for that matter). You're not but like. Would it?

(side note rhetorical question do not answer i dont want to know but wtf did the aces/enbies even do lmao)

Not to get too away from the discourse cus I do my fair share of glazing on this blog already, but yes yes yes big agree on fh's storyline being amazing!! I love that we essentially watch them both have to live on after their mutually life-changing marriage.

Scott especially I love because in a lot of stories that feature an abuser they're painted as entirely evil and oftentimes disappear from the story once the relationship is over, but Scott doesn't and will never go anywhere. He's forced to grapple with his previous actions and the destructive way he thinks about himself and relationships has and continues to damage both himself and the people he loves. Just like how irl even when we wish abusers would just "go away" they will still continue being living people as they've always been, not a concept that will simply perish once you overcome the trauma. I love abusive characters who are fully written as human and think they're important. Is all.

[thepersonperson]

Backstory theory for Sukuna? I wanted to say Kenjaku and Tengen too but let's just stick with Sukuna for the sake of your sanity

(Written as of JJK 262 using TCB scans and raws. Click images for captions/citations. I want to see how poorly or well this ages.)

I already kind of went into how I think Sukuna’s birth occured answering this ask, and we know for a fact he was born as an unwanted little wretch. But that's not really a full backstory. I was a conjoined twin truther before the reveal so I'm definitely deranged confident enough to propose something.

What is Sukuna's deal anyways?

When I say Sukuna and Gojo are twin flames, I'm referring to how their internal logic and their narrative framing are very similar. For this reason, I believe how they respond to trauma is also similar.

Much of early JJK is a different reread knowing Gojo's specific trauma. His use of the childish Boku as his personal pronoun, his obsession with sweets, having Infinity on all the time, his avoidant attachment style, and his fierce desire to ensure teens enjoy their youth...all these little trauma-induced quirks hidden in plain sight, sometimes as humor, are now depressing reminders of what Gojo went through. You also start to see how paranoid he is about another Toji incident with how he treats Miguel and Hanami...

Sukuna's backstory has probably been set up in the exact same way. It's likely that most of Sukuna's actions and attitude are influenced by some unrevealed/hinted at trauma. Since he and Gojo are twin flames, I'll try to piece it together using Gojo as the blueprint.

Sukuna's Way of Speaking

In the same way Gojo's manner of speaking is unusual for his age, Sukuna speaks really weird even compared to other incarnated sorcerers. If you're not aware, Japanese pronouns do not carry gender, but they do indicate how the speaker views themself and the person they're talking to. (This wiki summary table is quite helpful for this sort of thing.)

Sukuna's personal pronoun is 俺 (Ore) which is very informal, rough, and masculine. And he uses お前 (Omae) as the you pronoun for others which is either a casual thing amongst peers or indicates the speaker's higher status. (It's probably the later given how arrogant Sukuna is.) These are also the same pronouns Yuji uses for himself and others. But because of his personality, we can infer that Yuji uses Ore because he's a sporty boy from the countryside and Omae because he's friendly and views everyone as equals. Same pronouns, but completely different characterizations that get lost in translation.

Sukuna also uses 貴様 (Kisama) as the you pronoun for Gojo. Historically, this was a formal way to show respect and then it evolved into an ironic hostile insult sort of thing, much more rude than Omae. Since Sukuna is 1,000 years old, uses Omae for Yuji, who he hates, we can reasonably assume him using Kisama for Gojo is the formal version. (This would be another very funny instance of Gojo thinking Sukuna hates him but he’s actually trying to be nice.)

All of Sukuna's pronoun usage combined with his personality suggests a very tough and rude individual, which he is. However that rough speaking style is exactly why his frequent use of flowery language, double entendre, clever wordplay, art references, and puns is bizarre.

The weird way in which Sukuna uses words is most known by how he speaks to Megumi during their fight at the detention center. (I'm paraphrasing all this person's translation work for this.)

Sukuna uses the phrase "misetemiro" which is commonly translated as "show me/show me what you’ve got". The caveat here is that the "mi" of "misetemiro" can be written as 見 or 魅. When using 見, translating as "show me" is most accurate. When using 魅? The better translation is "bewitch me/enchant me/charm me/fascinate me".

Sukuna, of course, uses 魅, which means he's saying "enchant me" when he uses "misetemiro". It should be noted that this exact phrasing is used for Mahoraga before it cuts off Gojo's arm. (This is apparently what what Sukuna finds to be enchanting. Violence against Gojo Satoru.)

The thing is, Megumi heard Sukuna say "misetemiro", so he likely assumed the common meaning "show me". This is either a case unintentional misunderstanding or Sukuna making his true feelings dubious. That in of itself is the best example of the double-meaning wordplay Sukuna gets up to.

Sukuna seems to be really fond of puns in particular (very old man of him). He calls Yuji 小僧 (kozō) which can be translated as brat, but it also means young/novice monk.

He also uses extremely outdated words. (An example of which was provided by this user.)

You have all of these conflicting speaking mannerisms balled up into one character. It's as if a gangster/ruffian majored in Literature Arts. And that’s precisely why I think he was of low status at birth.

Sukuna's Upbringing

We all know Gojo's Limitless Cursed Technique (CT) is a literal and metaphorical barrier between him and other people. His technique is his isolation. And how it developed informs us directly of how his interpersonal relationships changed with it.

Back when Gojo only had Blue and Infinity had to be manual, it meant that he had downtimes where he was vulnerable. That physical vulnerability doubled as emotional vulnerability and Gojo was able to form a close relationship with Geto and befriend Shoko. After he awakened, Infinity could be on nonstop. Gojo became untouchable to everyone at all times and it destroyed his relationships.

In the same way Gojo's CT compliments his changes from child to adult, I believe Sukuna's CT does the same.

As we all know by now, Sukuna's Shrine or 御厨子 (mizushi) could be referring to a Buddhist shrine used for storage or a imperial palace kitchen. I think it’s both at the same time. To me Sukuna's CT indicates he initially cooked for the emperor and then became an object of worship at a shrine. But I have some additional caveats to this theory.

We know that Sukuna learns by mimicking others. It wouldn’t be a stretch to say he picked up on formalities while being near nobility if he was of low birth. But how did a lowborn like Sukuna get near nobility in the first place?

So historical Japan had a social caste system called Ritsuryō (you can read more about its application in the Heian Era here). The upper class was called Ryōmin (good citizens) and the lower class was called Senmin (low citizens). Amongst the lower class there are the following subcastes:

Ryōko (dedicated to the imperial family or guards of imperial tombs)

Kanko (dedicated to public ministries)

Kenin (servants of high-ranking families)

Kunuhi (slaves of the court)

Shinuhi (slaves of families)

I think Sukuna was a Kunuhi or court slave during his time as an imperial cook. That would give him access to the higher art forms directly or by listening in while also explaining why his speech appears to be a mesh of two completely different backgrounds. (If he were of noble birth, his personal pronoun would likely be Watashi, Waga, or even Ware-Ware like most snobby upper class characters in Japanese media.)

Another trait of the slave class is their forbiddance from having a registered family name. Both Sukuna and Uraume use full names as a show of respect. The fact they only use single names for each other suggests that they have no family names at all and fall under this low class category.

The other thing to note about this caste system is that class mobility in both directions was possible. To what extent I'm not sure (there’s not a lot of in depth literature in English), but this would allow for Sukuna to rise from a lowborn status and fall back to it as the Disgraced One.

In summary:

Sukuna is born and branded an undesirable. (Some of his tattoos match up with markings for both criminals and outcasts. Particularly the single band around the wrist labeled Hinin, a term that translates to non-human used for the lowest social class.)

Sukuna is taken into slavery where his talents start to show. (Durable, 4 limbs, and quick learning make for great labor exploitation.)

Sukuna, as a slave, eventually finds himself working in the kitchen for the emperor where he meets Uraume, who is there under similar circumstances. (Heian nobles were fascinated by commoner life and sometimes took peasants into the palace for entertainment/exploitation. Please read this entire thread on Heian commoner life it’s very good.)

They rise through the ranks together because of hypercompetence.

Eventually Sukuna becomes so strong that he becomes an involuntary saint/warrior monk. (Heian nobles mobilized monks for rituals and maintaining power.)

The court nobles start a smear campaign out of fear of his power and lowly upbringing, which causes Sukuna to have his Joker moment and start eating people. (Based on the mythological Sukuna stories.)

Sukuna's Theoretical Coping Mechanisms

After Gojo endured the fallout from Toji and Geto, he developed coping mechanisms to deal with it. They're all quite unhealthy to be frank—Gojo is very stuck in the past and seems to be in a near-constant state of trying to relive it, but better.

Those traits were all initially introduced as gags. It all made Gojo appear like a very strange, childish, and questionable adult. In retrospect it's all tragic. So with that in mind, I want to examine some of Sukuna's traits that could be a manifestation of past trauma.

It goes without saying that being a slave is traumatic. And the coping mechanisms developed to deal with that level of dehumanization don't go away if someone escapes it.

Sukuna's extreme aversion to being told what to do and self-centeredness reminds me of the ex-slave character, Izutsumi from Dungeon Meshi. She starts out as a slave paraded around as a circus freak after being experimented on before she's sold to a wealthy clan and forced to be a retainer. A curse is placed on her to keep her from escaping in the form of a tattoo around her neck. When she finally frees herself, she is very cat-like in her selfishness, poorly socialized, and abrasive. (Also she is canonically aroace!)

If you noticed, her personality sounds like a description of Sukuna's, so I'm left thinking he has some variation of that backstory (kind of like a combination of Toji and Geto's). It would fit with him being an unwanted child, explain his bizarre manner of speech, and give him a pretty good reason to be the way that he is.

In the same way Gojo used Hanami to relive his trauma but control the outcome, I think Sukuna uses Binding Vows relive and conquer his enslavement. The vows he constantly makes and breaks with himself are a show of control over thing that hurt him.

When binding vows are first introduced, it's by Sukuna and with chains. In the anime the chains constrict Sukuna until they destroy him.

This imagery is rather oppressive in nature. Similar to a prisoner's chains or a slave's chains. (And it's quite common for prisoners to be used for slave labor too.)

I've previously discussed how I view Kenjaku as someone who exists through nonconsent and causes others to relive their trauma. Gojo's sealing illustrates how this kind of manipulation works. And since Gojo's twin flame is Sukuna, I believe Kenjaku did something similar to him.

We've already established how much Sukuna hates taking orders from people and how much he wants to fight Gojo. Everything he has done for the past 6 months was for Gojo. And guess who stops him from obtaining what he desires? Kenjaku through a binding vow.

Sukuna also calls Yuji an 檻 (ori) which can be translated as cage. The type of "cage" ori can refer to is either one for animals or for criminals. Kenjaku pretty much created Yuji to contain Sukuna in this manner.

So we have 2 forms of restriction encroach on Sukuna's boundaries in a way that would be reminiscent of slavery. If Sukuna and Uraume are former slaves, their treatment of Kenjaku and each other makes sense.

With Uraume, Sukuna is gentle and reassuring. He faces towards them when speaking and will initiate conversations, going out of his way to praise their work. This seems a bit out of character given how harshly Sukuna treats others, even those he respects.

Uraume is constantly apologizing to Sukuna in a way that suggests in the past they were punished severely for the slightest mess up. Given their relationship and how little Sukuna cares when they're not perfect, I don't think Sukuna was the one to make Uraume feel this way. If they're ex-slaves, this constant groveling would read as trauma response, and Sukuna's reassurance would be him showing consideration for someone who went through something similar.

With Kenjaku, Sukuna never makes eye contact, often has his back turned, and only responds when spoken to. Uraume is constantly pissed at Kenjaku's presence and tries to keep the two separate as much as possible.

Whatever binding vow Kenjaku has wrapped Sukuna in is clearly upsetting to the both of them. I imagine those were the tools used to subjugate people within the Jujutsu hierarchy. Wait I don't need speculate on that point, Yuta already did this for me when he was forced to execute Yuji via a binding vow with the higher ups.

And you know who else might have suffered the exact same way? Uro.

And boy is Uro strikingly similar to Sukuna, enough for Yuta to notice. She had no name, was groomed into being a weapon by nobles, discarded after being used, and is now someone who toys with sorcerers as she tries to become her own person while scorning bonds/love.

And if you recall, Sukuna obliterated the Fujiwara Subjugation Clan and Uro isn't really mad at him for that.

Not just Uro, but Ryu is similar to Sukuna as well in his hunger and seeing others as meals to satisfy him.

These parallels seem deliberate and may hint of how Sukuna was treated in the past and what his true motivations are. Uro seeing the incarnation as a chance at a second life as her own person is probably how Sukuna feels. But you know. Both of them are beholden to Kenjaku so that “freedom” came with a steep price.

What separates Uro and Ryu from Sukuna is that they acknowledge exactly why they're here. They reflect on their old lives and take action to address their problems. Sukuna seems to be in some kind of state of denial.

I have no doubt Sukuna is serious when his ideals don't go beyond himself. What's troubling is how unaware of why he feels this way. He won't even acknowledge his hunger for an equal which is obvious to everyone else. He also doesn't seem to know why he incarnated, dodging Kashimo’s question on it entirely. It reminds me of Gojo, who despite being blatantly motivated by Geto and Toji, never shows it except in fleeting instances. And those instances are either internal or deliberately vague to whoever is hearing it.

I think this is because acknowledging he experienced weakness at one point in his life is admitting that he can be put in a position like that again. That can be a scary thing to confront. Gojo doesn't deal with the fact he can be made vulnerable and does everything in his power to prevent it while pretending nothing is wrong. Sukuna is doing the same thing when speaks of the past as briefly as possible and crushes anyone who might have power over him.

Uro herself kind of puts that motivating trauma in the back of her mind until Yuta's Fujiwara heritage and ideas trigger her. Not wanting to recall your life as a nameless slave and having it incidentally brought up by the phrase "live for others" kind of sounds like the beef Sukuna has with Yuji.

And imagine if Uro was trapped in Yuta’s body, where this lucky individual, born free, decides to become a Cog of his own volition. She would probably never stop hating him. (I think Sukuna is mad Yuji chose the life he escaped.)

This would also fit well with his initial view of heriarchies. As long as he's the strongest, he doesn't have to worry about becoming a slave again.

And in a way, this is also him showing concern for Gojo. You’re this strong and letting these fudgers push you around? Kill them.

I also think that's why this Yuji quote is going to age poorly.

I don't think Sukuna ever had the chance to live normally. This would also make this exchange really interesting.

Sukuna suggesting he has suffered more than Yuji fascinates me. Of all the things that could possibly be worse than what Yuji went through, I think existing as a slave and being subject to discrimination since childhood would make for a pretty compelling case.

Rejecting Love as Cope

I’ve been on about how Sukuna hates on love as a cope in other posts. I think the former slave angle gives a little more weight to this idea, his poor social skills, and general aversion to other people.

Love is a type of tethering to another person. Sometimes it results in marriage, a legal contract that binds you to another with a myriad of social expectations. If Sukuna is a former slave, his aversion to that sort of thing is only natural. Relationships of anykind are a bond that comes with restrictions.

I keep bringing up Yorozu because analyzing the ways in which she upsets Sukuna is useful for understanding him. Sukuna is most dead-eyed when marriage comes up and he sees losing as the same thing as death. The common problem here is Yorozu’s desire to control Sukuna’s life.

If you know anything about ex-slaves, it’s that they would rather die than go back to that.

Sukuna being the strongest means that no one can ever hold that kind of power over him again. And like Gojo, he believes human connections and love are a point of weakness that need to be discarded to obtain absolute strength. If Gojo is using that excuse to run away from others, Sukuna is using it too.

Despite rejecting all forms of love for the sake of self-preservation, Sukuna expresses cravings for it in very roundabout ways. Usually with how he mocks it.

Another puntastic bit of foreshadowing with Sukuna and Yuji’s binding vow, Enchain also doubles as a discussion about love.

Here's a link to the full poem and context of it.

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Kind of sounds like how Sukuna ruins Yuji’s life.)

Sukuna canonically reads literature about love and he will use that knowledge to torment people. That’s pretty interesting for someone who hates it. There’s also the underlying theme of exploitation and discardment in this poem that reflects how Jujutsu Society treats sorcerers. And in both cases, the strength to survive and love can’t be had.

Sukuna calls Kashimo greedy for wanting both. But much much earlier Sukuna warns Yuji that there are consequences for being greedy.

I really wonder why he believes that.

Jujutsu Society and Labor Exploitation

The other interesting thing about Izutsumi is how aimless she is after learning the modifications to her body are irreversible despite obtaining freedom. She simply doesn’t know what to do with this. And that makes sense. Grand ambitions take a backseat when all you know is surviving. Her development involves slowly learning how build relationships with others that aren’t exploitative and coping with the permanent changes to her body. And it only comes about because the people she finds herself with are other social weirdos who give her the space and time to change.

That’s what seems to be the problem with Sukuna. He doesn’t have a space within sorcerer or non-sorcerer society where he’ll be accepted and won’t be exploited. But I don’t need to tell you that, Nanami will.

He’s miserable as a sorcerer or not. Might as well pick the one he is good at.

Later he recounts exactly what made him come back.

And if you noticed, his listlessness after escaping Jujutsu and “I always thought that having a 'purpose in life' had nothing to do with me” is very similar to Sukuna’s boredom and “I'd never though about it. ...Ideals. Desires that go beyond oneself”.

It’s weird that Nanami and Sukuna have similar realizations about their place in society while arriving at completely different ways to deal with it. I think that’s intentional.

From an interview with Gege:

"If there was one thing worth mentioning, it's that no one has the ultimate truth. The “good guys” and the “bad guys”. Some seek to kill the hero out of pure selfishness, but others are led to this decision by logical reasoning. If no one is really right, then no one is wrong either. Each character is guided by their own ethics."

I've interpreted this quote as the author telling me to consider the characters as having similar motivations, but completely different methodologies and logic driving their actions. With that in mind, I have concluded the following:

Every single character that’s kind of insane has recognized the same problem. Japanese work culture sucks. It grinds you to dust, leaves you with no freetime, and even corrodes your identity under the guise of collectivism. “The nail that sticks out gets hammered down.” is the go-to Japanese proverb to justify conformity to this suffering. Uro calls it out exactly.

Toji and Maki are beaten into place, used as scapegoats, and isolated by their families for being born wrong and staining the Zenin reputation by existing. Toji decided the solution was killing sorcerers and leaving Jujutsu society. Maki decided the solution was killing her family (she did nothing wrong) and building a better Jujutsu society with allies.

Geto, Nanami, and Gojo all broke from overwork that isolated them and never allowed them to grieve. Geto decided the solution was killing non-sorcerers and leaving Jujutsu society. Nanami decided the solution was leaving Jujutsu society and doing non-sorcerer work. Gojo decided the solution was reforming Jujutsu society and eventually killing the higher ups (based).

So despite all these different solutions, some of which are indefensible, I understand exactly why they became that way. They’re dealing with labor exploitations and dehumanization without the theoretical framework to be productive about it. (Gojo is the closest person to discovering what a union is.)

Geto snapped from a single traumatic event coupled with the knowledge that his labor would be exploited until he joined the mountain of sorcerers’ corpses. Though he was introduced as a mass murdering lunatic, there were always hints of how badly he wanted sorcerers to be free of exploitation. (Karl Marx could’ve saved him.)

Sukuna experiencing the most egregious form of labor exploitation, slavery would fit into these themes nicely I think. It's the ultimate form of dehumanization—becoming a literal commodity for people to sell, trade, and break. (And him deciding to be this wild about it would be understandable to me at least because I truly believe in the John Brown solution for slaveowners.)

Sukuna is fond of Megumi, Maki, Gojo, and Jogo. Megumi was sold by his father to a clan, the Zenins tried to make Maki subservient for being female, Gojo was bossed around and run ragged by the higher ups, and Jogo was puppetted around by Kenjaku. All of these characters are powerful individuals that for one reason or another were shafted by societal constraints that had them exploited by others weaker than them. Since Sukuna likes people similar to him, it's not a stretch to assume he’s recognizing their hurt as his own.

And just like Geto, instead of abolishing the hierarchy that subjugated him, Sukuna has chosen to sit atop it to escape. But unlike Geto, Sukuna doesn't dream of a world where he enforces it. (The guy clearly hates having responsibilities and doesn't want to be a ruler. He just wants to do what he wants whenever he wants. You know, having freedom.)

Sukuna existed within a society where it was acceptable to own people if you were strong enough. The fact he treats Uraume, a voluntary servant, so well and refuses to keep slaves speaks volumes. Sukuna may live for himself but he clearly has some form of ethics about it.

Wait, what about Megumi’s subjugation?

Well, sometimes people are hypocrites. Nanami, Mr. Would’ve Loved Unions and outspoken labor critic, is content with pushing all the work onto Gojo, who has suffered in the exact same way he has.

Maybe it’s resentment for his Gojo’s birth making curses stronger and therefore harder to deal with. Maybe he sees Gojo as everything wrong with Jujutsu and is lashing out. The point is, I don’t know why Nanami made the exception to his rules for Gojo and that’s why I’m clueless on where Megumi fits into this theory.

I’m not sure if Sukuna intends to keep Megumi as a puppet forever. For the sake of his own entertainment, he’ll probably release him after ingesting his final finger if Yuji can’t separate them first. And in a very twisted way, his treatment of Megumi could also be seen as a cruel training regiment. Sukuna thinks suffering and isolation brings strength. That’s how he’s justifying whatever happened to him.

But on the other hand, maybe he won’t. Because now Megumi has the blueprint for surpassing him. Defeat means being a slave again and Sukuna can’t have that.

[tumblingxelian]

Fox Miraculous - Reimagined:

This is inspired by the fact its "illusions" cannot be seen by cameras. Rather than this being a weakness, its a reflection of the fact most users do not understand the fox.

Name: Trixx Animal: Vulpes Era: Caveasphaera Domain: Mirage and Manifestation Kindred: Horse (Action & Migration) & Butterfly (Transmission & transformation)

Mirage: The Fox is often mistaken for creating illusions, but this is not so, in truth it creates what can be described as hallucinations within a certain range, altering the perspective of those within it to match the imagined perceptions of the user.

Manifestation: The power to manifest one's innermost thoughts, an image, ideas, or more via the Fox can also be applied on others. Just as the Turtles Shield can encase the user or a foe, so two an the Fox manifest a mirage based on the perceptions of someone other than the Holder.

Some Mages Thousands of Years ago: ... and this one lets the handler place hallucinations in someone else's mind, or even externalize their targets thoughts, manifesting them as a sort of shared mirage. Useful for trickery and interrogation.

Trixx, who just got here: Yeah that sounds about right.

(Maybe) Lila/Alya thousands of years later: So what you’re saying is I can use this to make people see the world as I do. That I am essentially eroding the barrier between my perception of the world and theirs, imposing my thoughts, feelings and visions upon the target. Which could allow me to steadily warp and erode their sense of self and view of the world until its either the same as mine, or simply whatever I sculpted them into. Essentially allowing me to steadily overwrite an entire personality and perception of reality? With all it costs me being the risk of my own slower erosion of self as all those around me join together in a panopticon like hivemind?

Trixx & Some Mages Thousands of Years ago:

Note: One can try and reshape people over time, but one cannot always predict the results. So it could go really, really badly.

[sysig]

A very normal scientist doing very normal gene splicing experiments (Patreon)