#one day i will read dc comics

[clockwork-stars]

I did something that could either be a really great idea or the biggest mistake of the month (I opened the comics for Spider-man/Deadpool)

(If I stick to it you can applaud me)

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[theerurishipper]

Honestly, I do love Dick as Nightwing and Bruce and Dick's complicated relationship, but sometimes I like the old days when things were sweet and simple you know? When it was just them and Alfred and they all had fun with each other. Like when they blew off boring parties to go on patrol by using Dick's bedtime as an excuse. When Bruce let Dick go off on his own and said he was allowed "a little escapade" and ruffled his hair. When Alfred always brought coffee and "turkey sandwiches with Swiss cheese" to the Batcave while Dick and Bruce happily talked about their nightlife escapades. When Dick would make Bruce laugh regularly.

When they discussed Hamlet while riding in the Batmobile. When Alfred picked Dick up from school and dropped him off on dates and helped him go behind Bruce's back on cases. When Dick and Bruce would play fight with each other. When Dick made Batman's meetings with Gordon "more optimistic." When Bruce was being a helicopter parent and wanting to know why Dick would want to go to a public school. When Dick would sneak off with Clark when Bruce wanted him to stay back to finish his homework, and Clark did it for him before Bruce noticed. When Bruce teased Dick about his failed date, and they talked about it and their love lives. When Bruce apparently told stories about Joker to Dick during rides in the Batmobile. When Dick was actually the one who named the aforementioned Batmobile. When they would banter even in between a serious case. When Dick would cling onto Bruce to annoy him. When Dick was contemplating how alone he felt, and Bruce just showed up to catch him and do a routine on the trapeze with him. When Bruce would call Dick "kiddo." When Dick even called him stuff like "Bruce-ter." When Bruce used to call Dick "chum." I miss those days.

Yeah a lot of these are from Robin: Year One but that's just because it's the one I remember most. But there's a lot of them just having a good time and it doesn't feel like we see a lot of that anymore.

[raynetheinsane]

me scrolling through the “blind tim drake” “deaf tim drake” and “mute tim drake” tags for the 50th time hoping and praying that theres something new

[autisticrosewilson]

Talia even being called an assassin gives me the ick because when she was first introduced she hated killing, felt immense guilt the few times she had to, and most of the time if it looked like she killed someone it turned out to be anaesthesia or a tranquilizer or something. Like she was literally studying to be a doctor when her and Bruce met and she was based off of the stereotypical Bond Girl because it was the 70's. Like I know it's basically her entire character now that she's an "assassin mom" or whatever but that was not who she was intended to be and I hate how it's done most of the time because it's ALWAYS a way to point and say "look at the evil brown woman! She's a cold blooded killer who forced/passively allowed her son to kill as well! It's a good thing that the feral brown boy is now with his good white family so he can learn the value of life and art and how to exist in civil society!" And it's actually really pissing me off. You guys don't even read a characters introduction comic before you start writing the same regurgitated nonsense steeped in racism and misogyny. Damian's whole character as it stands is basically character assassination for Talia and in order for me to be able to engage with him he'd have to be entirely rewritten.

[sisaloofafump]

Daily Diana #6

I am going issue by issue through Wonder Woman (1987—) and drawing my favourite outfits on a very vague daily schedule. This was issue #6 and the climax of the current arc! Very good.

Masterlist || Previous || Next

The outfits in context below! (Also man was it hard to choose a colouring for this):

[radioactive-earthshine]

It's hard to concisely explain my full thoughts and feelings around how hard the clone rights narrative arc slapped for Kon in the wake of his mentor Jim Harper's death.

The lack of autonomy placed on his mentor, the governmental involvement in the subjugation of Cadmus clones, Kon's attempts to protect his mentor from those who were going to exploit him for another life, Waller's persistent dehumanization, and his connection with Cherub when he revealed that they can be more just hit harder than any other arc to me.

When I read it the first time I finally felt like everything that Kon had been and seen was leading up to this arc, and in a way it did when he took out Amanda Spence who was behind most of his pain. However there was no followup, as the events on Apokolips with Young Justice and being traumatized by Bart's 'death' came immediately afterwards then his (brief) homelessness.

The way how Kon's series ended in chaos as he desperately tried to live a normal life on his own without depending on anyone, only to have it fail entirely explored from the perspective that Kon just hit rock bottom emotionally from the previous arc makes it a more compelling final arc for a compelling series, if it were not written the way it was.

Superboy '94 is a story of exploitation and one that never quite wrapped up satisfactorily, always missing the punch line. Still however it is a compelling series if you can tolerate the more triggering themes.

[dukeofthomas]

I don't want Jason as a declawed version of himself, all 'murder Is Wrong' and part of the batfam, but I also don't want him as an evil 'I blow up schools and shoot people for fun' villain.

I also once saw someone say a big part of the divesiveness here comes from how Robin!Jason and Red Hood!Jason are practically different characters. If you want villainous Red Hood, you make Robin Jason more aggresive, angrier, you make him more like what he'll become as an adult. And if you like Jaybin, you explain his murders and mistakes as side-effects of the pit and make Red Hood nicer and more agreeable, like how he wss before.

But I feel like both are a disservice to his character, but the 2 extremes of him are also really hard to reconcile.

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[havenandart]

MOAR Carrie Kelley pls!! She's the best Robin!!!

a lil carrie doodle :)

(send me characters)

[farshootergotme]

My real motivation to read the comics is character analysis ngl.

[daisybell-on-a-carousel]

I may have many issues with Countdown but I can appreciate it for a few things and that includes Jason meeting murder Batman* (Earth-51 Batman)

I mean to start Jason clearly doesn't agree with the guy. He's very not into the whole "let's kill all these guys" attitude and thinks murder batman is crazy (and outright says so) But also. He puts on the suit he's given that this Batman made, he's fights with him. He mourns him. He's upset with the death. After Batman failed him on his own earth he meets one that accepts him

And augh. They haunt me. Aughh I wish I could write I wanna write and get to see a fic about them so so bad

(do Not tell me to just write it anyway please amd thank you. auuaaoighh)

Because like! The way murder batman was SO quick to start seeing Jason as his own dead Jason and start referring to him as such.

The way murder batman never got to know about Jason's Red Hooding but AUGH. Can you just IMAGINE the moral dilemma he'd have with that??! He probably would've killed a crime lord Jason before ever learning his identity, or learning it too late. Aughhhaoujgh

They had to kill off murderbatman he wouldve been too powerful otherwise. For example I think he wouldve Not been willing to let go of this living Jason

Multiverse kidnapping story where after meeting and then leaving, murder bat finds our Jason amd just. Fucking takes him and pretends it's his Jason. Augh that'd be so fun

This page is everything ^

Theyre so so normal about eachother. I'm chewing on them like a dog with its favorite toy btw

[lemonlimestar]

bilquis evely study of my bby girl <33

[gotham-at-nightfall]

Mr. Freeze in One Bad Day: Mr. Freeze #1

[varpusvaras]

As much as I adore Fanon!Tim and his "I haven't slept in 57 hours and my blood is made of caffeine" lifestyle (when it's written well), I think that we should actually apply the opposite. I want Tim to do one thing in a day and then immediately be like oh my god that was so much. I need a nap. And then he just goes back to sleep.