#on road plots

[the-whitehurst-files]

It connects, okay!

[lowkeyren]

"blade is genuinely a nice guy, he js starts tweaking when the mara strikes"

these reddit comments got me giggling for the past 5 mins

and he's sleep deprived LMAO, i swear hoyo purposely made the worse possible person to drive 😭😭

also topaz's voiceline:

bro commits crimes against humanity but NOT tax fraud 💀🙏🏻🔥🔥

seat belt ain't gonna do nothin when u start hearing "of five people..."

and the next thing you know he's swerving off the road!!!!!!

pspspss

[jtl-fics]

Thinking about Matt and Neil going on their own country tour together during Matt's last year spring break where Matt has a big signing bonus for his team.

Matt: "Hey Andrew, you know how you and Neil have those cute couple road trips during school breaks?" Andrew: "We're not-"

Matt: "So I'm taking him this time and we're going to have our own cute couple road trip. Bye!"

What follows is Matt and Neil's cross country trip trying out all these fancy food places because Neil's relationship with food is still weird and Matt wants Neil to enjoy nice things.

[catofthebarricades]

what I love about rtd’s storytelling is how much emphasis is placed on the family and neighborhood

[narfin-frood]

IM SO OBSESSED WITH YOUR AU AND ART its soooo so so good. Im curious how does Sylvia and peepers interact in this au? Is it similiar to canon with peepers being upset that Sylvia and wander might have bad influence on mr meteor and Sylvia simply finding peepers super annoying or is there something diffrent going on? I love these little critters yes

WHY THANK YOU ANON!! and sylvia is VERRRRY protective over wander, so their first few interactions are very hostile, but as a sylvipeepers friendship truther i think they end up like they do in canon with a sort of Begrudging respect for one another, at least enough to work together for a common good.

sylvia is fully, painfully aware that what wander's doing isn't healthy for anybody involved, but try as she might, she can't sway him away from it, so she resolves to just keep him as safe as possible. when she realizes meteor and peepers aren't really a threat, it becomes less about protecting wander from those two, and more about trying to keep the peace between them, and sometimes even protecting them from whatever wander's new scheme is to integrate them.

since we're on the topic of sylvia and her relationships to everybody, i'll respond to this question from @temmtamm as well:

sylvia met wander sometime just before The Big Catastrophic Event, and i think that instead of being a bounty hunter, she'd be something more along the lines of a private eye (or something)? working alone, paid by some asshole who wants information on the wandering weirdo's whereabouts, and subsequently charmed by wander's whole Everything enough to quit her job and join his emo band.

i think when Big Catastrophic Event happens, it's very early into their friendship, like less than a year or so, and since they go through it together, they end up sticking together for a very long time, because nobody else would possibly Understand.

[waterlinkedgirl]

Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)

Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)

Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.

Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL notes document here!

[adorkabletwilightandfriends]

Adorkable Twilight & Friends - “Pick Me Up"

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[thatswhatsushesaid]

characters who are oriented towards survival and self-preservation often look to other characters who are in more stable positions socially (and are similarly interpreted by some readers) as being exclusively self-interested. which is, i suppose, not a completely inaccurate interpretation. prioritizing one's survival is a type of self-interest. but it is self-interest that comes from a place of not wanting to, you know. die.

--- this post has been added to my dreamwidth meta archive here: https://thatswhatsushewrote.dreamwidth.org/4706.html

[moeblob]

Honestly? Good anime imo! I really enjoyed Aileen. I enjoyed Claude. I enjoyed Isaac and Keith and Rachel and Almond and Ribbon. I enjoyed Belzebuth and the flock of ducks (Walt/Kyle/Auguste) and Jasper.

[s0fter-sin]

rewatching s1 and in ep2 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[muffinlance]

JUST FINISHED THE SKIN STEALER'S SON. YOU ARE A GENIUS. I WANT TO CRY.

I am sure Anon is crying tears of joy. This is certainly nothing to be concerned about. Please read my very feel-good book where everyone has a good time and gets to eat baked goods at the end

[aroaessidhe]

2024 reads / storygraph

Road To Ruin

start of a postapocalyptic fantasy series set in an Asian-inspired desert world plagued by dangerous storms

follows a courier who transports romantic letters between a prince and princess, who helps the princess escape across the wastes towards the prince’s safe haven

but they’re pursued by bounty hunters, and accidentally uncover some ancient secrets. and also she’s in love with both of them

dinosaurs, magical motorbikes,

bi MC, start of polyam triad

[jjkyaoi]

i feel like chloe and max having relationship problems makes a LOT of sense considering everything the two of them went through, and max sacrificing arcadia bay would 100% be a huge one of them. especially considering chloe lost her mother to that. it’s a decision max made to save her, but regardless. all of their troubles r incredibly realistic but you lost me at chloe dumping her for VICTORIA CHASE. like?????? it’s like they completely forgot every single aspect of what makes chloe chloe. yes they would be rocky but she would fight for her, just like how she fought for her hope and love of rachel still being out there. like. she is incredibly loyal and not once in the original games did she even fuck with victoria. i’m less mad about them breaking up and more mad abt the character assassination of chloe

[felicitykings]

Sir, it really isn't fair. They're in pairs and I'm working alone, naturally it would take me longer. I really don't want to hear your complaints, Miss King. You can't keep up with the work, you don't belong in university. Fact is, young lady, women don't belong in medical school.

ROAD TO AVONLEA (1990-1996) ↳ 6.01 The Return Of Gus Pike

[skyloftian-nutcase]

Me, rubbing my forehead exasperatedly: There's no plot. Zellie: Well, I am trying to plan out the trip? Zel: I'm getting lessons, we could focus on that. Me: NO. Everyone wants to see the road trip. We have to get the plot moving. Cloud: Uhhh, what is the plot? Me: I DON'T KNOW THAT'S THE PROBLEM Revali: We all know it'll be better once I get involved, anyway. Me: Yeah, and??? Am I supposed to just... write about you guys walking down the road together?? I NEED A PLOT. Mipha: Well, isn't the road trip itself the plot, though? The adventure of everyone interacting together while seeing the land of Hyrule? Me: I don't want to write about all the scenery of Hyrule! I can't write road trips! Daruk: Um, didn't you write yourself into this, though? Me: YES. I KNOW. THANKS DARUK. I can't even take my beloved emotional support blorbo because he managed to weasel his way out of it!! >:( *glares at Abel* Abel: THIS IS WHAT YOU GET FOR WHAT YOU DID TO ME IN BLOOD OF THE HERO

...Did I happen to mention that writing Breath of the Sky is a struggle