#old school vs modern
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Old School vs. Modern Bodybuilding: A Transformation Across Eras
Bodybuilding has undergone a dramatic transformation since its early days (be sure to check out our Texas Heavyweights: History of Bodybuilding in Texas article!), evolving not only in aesthetics but also in training methodologies, dietary practices, supplementation, and even the competitive landscape. In this article we will discuss the difference between Old School vs. ModernâŚ
#bodybuilding#exercise#fitness#gym#health#modern bodybuilding#modern vs old school#natural bodybuilding#old school bodybuilding#old school vs modern#texas#texas bodybuilding#training#workout
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only good thing abt the vous situation is that it lets me experience tecteun calling 13 the child that im 100% convinced she actually would bc shes the only one who uses tu for her
#what language do you think theyre actually speaking#bc like on top of all the other um disconcerting stuff abt the whole situation on that spaceship for 13#iamgine walking into that tree room and refinding that woman there and then she starts talking to you in like. this ancient gallifreyan#like old high gallifreyan hours#a language you only kinda learnt at school a couple millennia ago#im a big believer of the doctor and the master speaking gallifreyan when theyre alone i have fun with that in fic#(i dont think they speak entirely the same native language i think gallifryan is a diglossia but not the point)#but neither of them Speak old high like thats a dead language#i think 13 would drop into gallifreyan after opening in english#'hello im the doctor' in you know good old sheffield english#and then tecteun responds with 'i know' but in like....fucking latin#latin is probably not the best analogy but i dont know the history of english#old english i gues but we dont really learn that in school#anyway imagine how disconcerting#and i imagine she'd switch to gallifreyan sure but like. her modern mountain gallifreyan from lungbarrow right?#that vs tecteuns fucking classical dead textbook gallifreyan#or thats how it would feel to the doctor bc tecteun is pre-timelord. this is just her language#or....her language would be what would later become old high#so maybe she speaks to her Child as she used to actual eons ago#and to the doctor the closest this sounds like is old high gallifreyan bc she doesnt remember this language any more than tecteuns eyes#it's close-enough-sorta-dead-gallifreyan-???#so she switches to the closest shes got. which is just. lungbarrowian#tecteun trying to rewrite history and the doctor not-entirely-on-purpose re-establishing the one she has/knows/remembers#holding on to her actual history#which tecteun tries to rewrite/unwrite/dig out from under known history with this old old gallifreyan#anyway. more language thoughts of this evening
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THIS OR THAT ?
indoor plants or gardens  /  cloud-watching or star-gazing  /  water or fire  /  paperback or hardcover  /  running or hiking  /  sleeping with socks or without socks  /  fruit or vegetables  /  hanging plants or succulents  /  dark wood or light wood  /  handwritten or typed  /  instagram or pinterest  /  braids or pigtails  /  dc or marvel  /  books or movies  /  oceans or meadows  /  forests or fields  /  sweet or salty  /  ice cream or chocolate  /  hoddies or sweaters  /  piercings or tattoos  /  summer or winter  /  boots or sneakers  /  cars or motorcycles  /  curls or straight hair  /  castles or cottages  /  sunny days or storms  /  reptiles or birds  /  disney or nickelodeon  /  strawberries or watermelon  /  essays or posters  /  phones or laptops or desktop  /  glass or stone  /  dark or light  /  photos or paintings  /  circuses or threatres  /  reading or writing  /  dogs or cats  /  poetry or novels  /  monsters or ghosts  /  thrift shops or libraries  /  fiction or non fiction  /  comedy or action  /  romance or horror  /  adventure or drama  /  historical or musicals  /  sci-fi or westerns  /  tea or coffee  /  cake or pie  /  cereal or oatmeal  /  bagels or cookies  /  sandwich or pizza  /  early bird or night owl  /  city or country side  /  foxes or wolves  /  hugs or kisses  /  shorts or long pants  /  monopoly or sorry  /  comic books or novels  /  showers or baths  /  chess or checkers  /  hip-hop or classical music /
Tagged by: @demone-volpe tyvm! Tagging: @hellhunted @distopea @cantuscorvi @caemthe @vershina @kinglyisms @lured-into-wonderland
#notes. ( âCERBERUSâ );#// me crossing out insta vs pinterest bcuz he doesnt even know what it is............... gfdglfdgf#// old school photoalbums!!!!!#// and also some of the other modern things..... im so embarrassed for him smh#// ALSO LIKE WOW#// U CANT MAKE HIM CHOOSE BETWEEN ROMANCE AND HORROR..... LIKE DAMN......... GDJKKGDF#// some were hard... for him to choose between...
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â I think I tattle on enough about my life; so tell me, what's it like where you're from? â Sango must admit that, often when Kagome spoke of her time, there was only so much she could comprehend. The basics, easily, but some traditions and other strange terms fell on deaf ears. â I hear the term dating thrown around a bit. Have you ever been asked on an outing like that? â Sango grins, leaning into her knees as she speaks; dating was a different term for getting together romantically and spending time together, one on one, and often without prospects of marriage or children. If Sango ever 'dated' when her father was still around, he would certainly not approve of such ways. Still, she found it interesting how different the act of courting is in the distant future. @feudalfell
#feudalfell#â âą ËŕźŘ ŰŤŰŞŰŤŰŞ ŕźşâĽŕźť âᾤââ~ sango. â ᜌâżáľĘ¸áľË˘Ę°áľ â â#( she's engaging in the girl talk )#( old school vs modern era LET'S GO sango is definitely eye emote )
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DxP REWRITE - Master Post
âDiamond x Pearl REWRITEâ is both a ârewriteâ of BDSP & a second story in the Hisui region of old involving my & my husbandâs trainers, Ansy & Ikrit, along with their ancestors Mizumi & Sasmu, as they travel along with a pair of familiar monochromatic train twins.
The title âREWRITEâ also refers to how in both Diamond & Pearl as well as Legends Arceus someone wanted to ârewriteâ the world, & how this story reimagines modern Sinnoh if it included more from Legends Arceus (among other things~).
Updates every Sun &/or Wed (depending on life stuff). If youâd like to help support my work, visit my Kofi! âď¸
â
Main Cast: Ansy / Ikrit / Emmet / Ingo / Mizumi / Sasmu
â
Scarlet x Violet Epilogue: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / DONE
Prologue: 0 / 1 / 2 / 3 / 4 / 5 / DONE
Chapter 1: 0 / 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13/ 14 / 15 / 16/ 17 / 18 / 19 / 20 / 21 / 22 / 23 / DONE
Chapter 2: 0 / 1 / 2 / 3 / 4 / 4.5 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17 / 18 / 19 / 20 / 21 / 22 /23 / 24 / 25 / 26 / 27 / 28 / 29 / DONE
Chapter 3:
â
Side Stories: Ansy Will Praise You Endlessly! /
â
DxP Asks: Mizumi & Time Travel / Professor Laventonâs married? / Ingoâs Journal / Childhood Friend Rayquaza / FANART?? / Emmet > Barry / School Uniforms & Teacher AU / Jubilife City vs Village / Languages (part 1) / Languages (part 2) / Languages (part 3)
â
Other stories: PKMN Black / Sword x Shield / Scarlet x Violet / PLA Mizumi
#pokemon#fancomic#trainersona#bdsp#diamond pearl#legends arceus#submas#subway bosses#emmet#kudari#ingo#nobori#warden ingo#time travel
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How do you think multi-use public restrooms could be reconfigured to better accommodate wheelchair/crutch/cane users in a roughly modern setting? (By multi-use, I mean the ones with a line of stalls rather than a whole room with one toilet).
I always thought it ironic that the large stall tends to be at the end of the line and believed it may be better to have that reversed (large stall first). Is that a sensical thought? What other suggestions would you have besides a lower sink and, of course, room to move the wheelchair/crutch/cane?
Although this setting is roughly modern in terms of technology ability and knowledge, feel free to provide your most creative answers. I'd even appreciate a difference between slight changes in real universe that would make an impact vs alternate modern universe where accessibility was thought of by default. All stalls are large? Better layout than a single file line of stalls? Etc.
Thank you for your time!
Hello!
I have... a LOT of thoughts about this. For reference, I use a cane full time and have used a wheelchair in the past when it was needed, though I no longer have access to it (I was borrowing my boyfriend's old one but have since moved cities).
So a few things:
Grab bars in every stall. These are the metal bars along the side of the stall that you usually see in accessible stalls. They're used to help people with stability/balance issues sit and stand from the toilet. There are a lot of people who only use the accessible stall because they need the support of the grab bars. If these were in every stall, it would open up the larger accessible stall for people who need it for the other supports (More space, the emergency call cord, etc.). These are relatively cheap and easy to install too.
Hand sanitizer dispensers in the accessible stall or, ideally, in every stall. These are another thing that's relatively cheap and easy to install and would benefit everyone. I usually carry hand sanitizer on me anyways because I dislike the idea of using my cane before washing my hands. This would also help people who have the same problem with their wheelchair (Not wanting to touch the wheels before washing their hands), people with sensitivities to hand soaps, and even just people who want to use them.
More accessible stalls. This one is a bit less realistic to hope for as it would be more expensive and difficult to change but it would also be one of the most beneficial, especially in places where there are lots of disabled people coming and going at once. I'm thinking places like hospitals, school accessibility offices, etc. but also places with large amounts of people in general like stadiums and event venues.
Also just more stalls in general. Especially in the men's washroom. I keep meaning to write a post about this for my own blog but it's an issue I think about a lot. It's 2024 and there's STILL a lot of men's washrooms where I live that either only have one stall (Usually an accessible stall) or don't have stalls at all. I'm sure it's some sort of 'ADA/AODA/whatever it is where you are' violation but it's also a problem for trans people, people that are shy, kids, people that just prefer to sit, the elderly, etc. It's kind of ridiculous that this is still a thing in 2024.
More actual fully accessible washrooms. These are not at all feasible for a multiuse washroom (The kind you're referring to) but should be in addition to one. With this, I'm referring to a large washroom with adult-sized changing tables, emergency call cords, lots of space, large garbage cans, sharps containers, etc. This is something that I rarely see even in hospitals but it's so important for people that have caretakers and need that extra support. As for the sharps container, it can be very beneficial for people that need to inject medication and it's something I wish that more places had. (My general alternative is to cap the needle and return it to my "pouch" in a separate pocket from the unused ones)
Having everything in reach of the toilet. By this, I mean things like toilet paper, garbage bins, sinks (If they're in the stall), hand sanitizer dispensers, etc. This is usually already the case with toilet paper and such but it's incredibly annoying and difficult to navigate when this isn't the case.
Also just having garbage bins in all stalls (Or, at least, in all washrooms). A lot of women's washrooms already have this in some capacity but most men's washrooms don't even have a garbage bin in the main section of it (Outside the stalls). This is another thing that would be incredibly easy and cheap to do and would help so many people including disabled people that need to discard medical supplies (Catheters and incontinence supplies are the big ones that come to mind since it's not sanitary or easy to discard of them elsewhere whereas you can easily pocket an empty medication bottle or bandage remnants to throw away later), people who need to throw away sanitary products, even just people who use toilet paper to blow their nose or something. There's literally so many uses and I don't see any downside to this at all.
More hooks in stalls to hang things like jackets and bags. This is something I see a lot in the regular stalls but strangely not as often in the accessible stalls. Which... seems especially odd to me as a lot of us rely on things like small, over-the-shoulder bags and fanny packs as we don't always have access to both hands to carry things. These would also be beneficial to hang things like canes (I'm mostly thinking of white canes, which usually have a fabric loop on the end) while using the toilet. This is another super cheap and easy thing that can be done and would benefit everyone.
More accessible doors to washrooms. For whatever reason a lot of the multi-use washrooms where I live don't have accessible doors and it's incredibly frustrating and inconvenient to be fighting for my life to open a door when I already need to pee. Just... not fun.
The placement of the accessible stalls is an issue too, just usually not in the way most people would assume. At least for my boyfriend and I, it's more of a problem when the washrooms are crowded. I'm thinking of our recent experience at a concert where we had to navigate through the crowd to reach the very far end where the stall was. Not a huge thing or something that happens all that often, but it is annoying.
The other thing that comes to mind is lower sinks and also having the paper towels, hand dryers, or what not closer to the sinks. It's incredibly annoying and uncomfortable to have to use a cane, wheelchair, or crutches when you have soggy hands just to get to the dryer. This isn't something that's too hard to implement in most cases but it could be expensive depending on what drying method is used (Such as hand dryers versus paper towel dispensers). This is another reason that I usually use my hand sanitizer instead.
Aside from the facilities themselves (And this is less for mobility disabilities and more general accessibility), things like having braille on the signs as well as clear symbols if the washroom is separated by male vs female. None of those minimalistic aesthetic ones. Not everyone can differentiate by those.
There are countless others but I think I've spoken enough about this for one post đ
. Hopefully some of this is helpful.
Cheers!
~ Mod Icarus
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Modern AU headcannons
The Vandermatthews family edition
When John was a teenager he made slime and got it in Dutchâs expensive Persian rug he keeps in the office. (Dutch was LIVID.)
Hosea reads late into the night, which caused Dutch to buy one of those clip on reading lights so he can finally sleep peacefully.
Dutch and Hosea do embarrassing dances in the kitchen/living spaces when the kids are around. Arthur and John cringe hard at this.
John was introduced to Limp Bizkit and his life was forever changed.
Arthur: âGET OUT OF MY ROOM.â
John *In the doorway*: âIM NOT IN YOUR ROOM.â
Arthur: âdinner is ready.â
John: âOKAY.â
Arthur, louder: âOKAY!â
Arthur tans at the beach, John burns
Arthur has straight Aâs, John has straight Câs
John will take a (monthly) shower and get the WHOLE floor wet
Johnâs favorite Christmas was when he got a bass guitar, and Arthurâs favorite was when he got his blue truck.
Arthur sits on Dutch/Hoseaâs bed and just spills the tea to Hosea late into the evening (Dutch wants to get ready for bed soon)
Arthur is a PC player, and John is a console player
John has to go to the mall with Arthur when he wants to go alone because âJohn doesnât socialize enoughâ
They both got to choose their bedroom colors, however, John wasnât allowed to do THE DARKEST black in the store, so his room is a dark grey with a black accent wall. (Arthurâs room is blue)
Branching off of that, Arthur and John could decorate their rooms HOWEVER they wanted, there was no intervention from the dads
Hosea does the âDad handâ during road trips when the boys have a snack he wants.
Hosea is the designated driver because Dutch has terrible road rage
They live on a pond, in fact Dutch and Hosea argued over it before buying the house, so much so that Hosea threatened a divorce because the ONLY thing he wants is a pond. Dutch folded, and Hosea fishes everyday.
Arthur loved Percy Jackson and John loved Warrior Cats.
Arthur is a cereal eater, and John is a pop-tart eater
The contrast between Arthurâs masterpieces vs Johnâs doodles are crazy. (Theyâre both proudly displayed on the front of the fridge no matter what) (yes this is based on their canonical journal entries, sue me)
John and Arthur took those embarrassing Macyâs photoshoots in the early 2000âs that are out on display for everyone to see in the future.
John has an INCREDIBLY embarrassing graduation photo from when he was in his emo phase in high school, and his dads refuse to remove it. (Itâs placed next to Arthurâs gleaming grad photo)
Dutch has slippers he wears around the house, and Hosea just wears his socks.
John still doesnât know how to swim in this AU, Hosea has tried to teach him, but John refuses to get in the water.
They have taxidermy in their house from when Hosea went hunting more often when he was younger.
Somehow Hosea and Dutchâs aesthetics work so well together.
Dutch is very much old money, and maximalist, and Hosea is definitely Vintage and Woodsy (It works together if you saw their house)
You would be convinced that Johnâs nails were naturally black and chipped from how much he painted them.
Hosea has a âShopâ in the garage like every dad has to have. (Itâs full of fishing supplies, paint cans, and other tools ofc)
Johnâs room is very dark, messy, and covered in posters from every movie/Tv show/video game heâs ever seen/played. Also, making the bed? Whatâs that?
Arthurâs room is open and airy, with his own mountain murals painted on the walls, a full art desk, and he also doesnât know what making the bed means.
#red dead redemption#red dead redemption 2#rdr2#rdr2 fandom#dutch van der linde#hosea matthews#arthur morgan#john marston#dutch x hosea#vandermatthews#arthur and john#rdr2 modern au
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it needs to look worse i need more bad acting and terrible mic quality and weird editing and scuttling around like bugs and npcs and weird plotlines that dont make sense and i need more series that are dropped, forever unfinished, and more series that are hastily wrapped up so quickly that nothing is truly resolved
i dont watch "minecraft roleplay" for the production value
#its like the theatre: when you can see all the moving parts and set pieces#it becomes easier to believe#tbh of the more modern takes on mcrp that ive seen the series that replicates this feeling of old school mcyt the most#was voltz wars#some of it is format (yt videos vs streams) but theres some other quality too#bearvocalizations#mcyt
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The very sane french squad meeting soon when glorious masquerade will arrive on twst EN
Modern vs old school greeters
Some greetings can go up to 4 (fake or not) kisses at once
#twisted wonderland#twst yuu#rook hunt#rollo flamm#twst shitpost#rollo casually being from a different french region every other comic just for the sake of the funny remarks#the average kiss count per greeting is two#one for each cheek
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Why Do Old-School TV Duos Have SUCH MLM Vibes?!
I think thereâs something very specific about the formula and writing style of non-serialized/semi-serialized shows from the 60s to 80s that featured two grown men going on wacky dangerous adventures that makes my gay little literary analysis brain go absolutely off the wall bonkers. Iâm trying to figure out why!
Iâm writing this on my Trek blog because I donât think this pattern in people actually shipping these types of relationships the way they do if fandom as we know it wasnât born via TOS in syndication. That being said! I also think it has to do with the way these shows are designed that makes myself and others OBSESSED with a specific character dynamic that feels (to me) damn near impossible to replicate in modern television. In a way thatâs more than just fandom, itâs in the way TV like this was written at the time!
Further explanation under the cut!
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I think what it usually boils down to is this. Thereâs a charming protagonist whom without the series could not operate, frequently top billed or the title character! (See: Wild Wild West, Starsky & Hutch) BUT he doesnât have anyone to play off of! So what do they do pretty much every single time? Give Mr. Idealized Vision of Time-Period Masculinity For Genre a second guy to rhyme with!
See but the other guy has to play opposite but parallel to our hypermasculine protagonist. So what frequently ends up happening is that in order to play off our ânormalâ guy, even though heâs also a white dude, is that heâs still somehow Other.
Theyâre always perfect for each other, and they always get into scenarios that would be written, shot and interpreted by conventional audiences as romantic IF either one of those characters were a woman! Especially at the time these shows were made in.
If the one is aggressive, the other is gentle. If the protagonist is violent, his counterpart is intellectual. If the one is stoic, the other is emotional. Which (while one size def doesnât fit all) usually makes the second guy come off as much more queer-coded (and sometimes other minorities like neurodivergent/disabled etc) than the other because of the traits associated with masculinity vs gayness at the time! Our prime examples in these gifs are Spock, Hutch, Artemus, and also *BJ!
*(M*A*S*H is a bit of a unique case since the show flirts with queerness more openly in ways that people more into the series have explained better than me but I think it still fits the formula Iâm discussing.)
Hereâs the thing though right? Weâve got two best friends, and the show NEVER really feels right if one of them is missing unless the focus of the story is how A & B operate without each other while trying to find the other one. They stick with and rescue each other unfailingly in scenarios that might destroy a regular friendship.
Hell, thereâs often stuff that would emotionally/physically destroy a regular person/character in modern media. But because itâs not serialized they always seem to pull through seemingly through the power of friendship alone or dealing with it off-screen! Emotional consequences? Yuck! (Unless itâs M*A*S*H or Starsky & Hutch, like I said, not monolithic)
Hereâs the thing that some people might say throws a wrench into the interpretation Iâm discussing. What about the absolutely non-stop parade of conventionally attractive women the main protagonist (and less frequently the supporting man) goes through?
I would reply: how many of those female characters actually emotionally impact our protagonists as characters long term?
The answer is of course, because itâs NOT serialized, almost none! Kirk can watch Edith Keeler get killed by a car accident and still be making eyes at Spock the next episode. Hawkeye can have a âlife changingâ romance with a Vietnamese humanitarian woman, then share a blanket with BJ next episode like she never existed!
The Doylist explanation of course is not just the fact it wasnât serialized but also just, constant, blatant 20th century sexism. Which SUCKS!!! As well as not wanting a long term love interest to throw off the character dynamic of our duderagonists. Itâs the 20th century tv equivalent of bros before hoes.
However the Watsonian explanation always seems to result in no love interest EVER being more important than what the two protagonists have no matter whether you think theyâre queer or not. No attractive woman could make our reputed babe-hound protagonist abandon his buddy. Thereâs no earnest romance our more queer-coded supporting man doesnât end (or get ended for him) often for the protagonistâs sake.
Now some of these women are incredibly well written and straight up GOOD matches for our guys. So why wouldnât they get involved in something long term UNLESS!! They were in love with each other the WHOLE time?
What if protagonist (frequently the babe hound) doesnt know heâs queer, or knows but doesnât know heâs in love with his bestie, or any number of similar fruity explanations? The supporting man also runs into this explanation but people tend to believe heâs already aware that heâs queer but either also doesnât know heâs in love or is keeping it to himself because time-period homophobia and/or thinking (probably not unreasonably) that babe hound is straight?
Between the inherent closeness of being narrative foils. The regularly scheduled life or death drama creating sometimes insanely romantic (in the narrative if not a literal sense) drama between the two. The revolving door of weekly women they never seem to get attached to enough to leave one another. The non-serialized nature resulting in sparse personal information/history about the protagonists as a result.
I think between the very NATURE of the way tv shows were written at the time. Plus the way fandom was shaped by a dynamic that has rippled through how media works and is interpreted by fans for decades upon decades. Itâs not hard to imagine getting really emotionally invested in the possibility of the protagonists being in love is a fantastic way to enjoy the media!
In conclusion, itâs really fun and easy to go âthese bitches gay! Good for them good for them!â
#Star Trek#star trek the original series#Star Trek tos#tos#james kirk#Spock#spirk#k/s#James west#Artemus Gordon#wild wild west#Jim west/artemus Gordon#m*a*s*h#hawkeye pierce#bj hunnicutt#Hawkeye/bj#Hawkeye/trapper#starsky and hutch#starsky/hutch#ken hutchinson#dave starsky#vintage television#queer#lgbt#gay#meta#meta analysis#queer analysis#queer representation#mlm
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What's OSR? I've seen you mention it several times in your RPG posts. Is it like a genre of rpg or...?
Hey, sorry I took so long to reply to this lol you probably already just googled it by now.
But like. Anyway.
OSR (Old-School Revival, Old-School Renaissance, and more uncommonly Old-School Rules or Old-School Revolution, no one can really agree on what the R means) is less like a genre and more like a movement or a loosely connected community that seeks to capture the tone, feel and/or playstyle of 70's and 80's fantasy roleplaying games (with a particular emphasis on old-school editions of Dungeons and Dragons, particularly the Basic D&D line but pretty much anything before 3e falls under this umbrella), or at least an idealized version of what people remember those games felt like to play.
There isn't exactly a consensus on what makes a game OSR but here's my personal list of things that I find to be common motifs in OSR game design and GM philosophy. Not every game in the movement features all of these things, but must certainly feature a few of them.
Rulings over rules: most OSR games lack mechanically codified rules for a lot of the actions that in modern D&D (and games influenced by it) would be covered by a skill system. Rather that try to have rules applicable for every situation, these games often have somewhat barebones rules, with the expectation that when a player tries to do something not covered by them the GM will have to make a ruling about it or negotiate a dice roll that feels fair (a common resolution system for this type of situation is d20 roll-under vs a stat that feels relevant, a d6 roll with x-in-6 chance to succeed, or just adjudicating the outcome based on how the player describes their actions)
"The solution is not on your character sheet": Related to the point above, the lack of character skills means that very few problems can be solved by saying "I roll [skill]". E.g. Looking for traps in an OSR game will look less like "I rolled 18 on my perception check" and more like "I poke the flagstones ahead with a stick to check if they're pressure plates" with maybe the GM asking for a roll or a saving throw if you do end up triggering a trap.
High lethality: Characters are squishy, and generally die much more easily. But conversely, character creation is often very quick, so if your character dies you can usually be playing again in minutes as long as there's a decent chance to integrate your new PC into the game.
Lack of emphasis on encounter balance: It's not uncommon for the PCs to find themselves way out of their depth, with encounters where they're almost guaranteed to lose unless they run away or find a creative way to stack the deck in their favor.
Combat as a failure state: Due to the two points above, not every encounter is meant to be fought, as doing so is generally not worth the risk and likely to end up badly. Players a generally better off finding ways to circumvent encounters through sneaking around them, outsmarting them, or out-maneauvering them, fighting only when there's no other option or when they've taken steps to make sure the battle is fought on their terms (e.g. luring enemies into traps or environmental hazards, stuff like that)
Emphasis on inventory and items: As skills, class features and character builds are less significant than in modern D&D (or sometimes outright nonexistent), a large part of the way the players engage with the world instead revolves around what they carry and how they use it. A lot of these games have you randomly roll your starting inventory, and often this will become as much a significant part of your character as your class is, even with seemingly useless clutter items. E.g. a hand mirror can become an invaluable tool for peeping around corners and doorways. This kind of gameplay techncially possible on modern D&D but in OSR games it's often vital.
Gold for XP: somewhat related to the above, in many of these games your XP will be determined by how much treasure you gather, casting players in the role and mindset of trasure hutners, grave robbers, etc.
Situations, not plots: This is more of a GM culture thing than an intrinsic feature of the games, but OSR campaigns will often eschew the long-form GM-authored Epic narrative that has become the norm since the late AD&D 2e era, in favor of a more sandbox-y "here's an initial situation, it's up to you what you do with it" style. This means that you probably won't be getting elaborate scenes plotted out sessions in advance to tie into your backstory and character arc, but it also means increased player agency, casting the GM in the role of less of a plot writer or narrator and more of a referee.
Like I said, these are not universal, and a lot of games that fall under the OSR umbrella will eschew some or most of these (it's very common for a lot of games to drop the gold-for-xp thing in favor of a different reawrd structure), but IMO they're a good baseline for understanding common features of the movement as a whole.
Of course, the OSR movement covers A LOT of different games, which I'd classify in the following categories by how much they deviate from their source of inspiration:
Retroclones are basically recreations of the ruleset of older D&D editions but without the D&D trademark, sometimes with a new coat of paint. E.g. OSRIC and For Gold and Glory are clones of AD&D (1e and 2e respectively); Whitebox and Fantastic Medieval Campaigns are recreations of the original 1974 white box D&D release; Old School Essentials, Basic Fantasy and Labyrinth Lord are clones of the 1981 B/X D&D set. Some of these recreate the original rules as-is, editing the text or reorganizing the information to be clearer but otherwise leaving the meachnics unchanged, while others will make slight rules changes to remove quirks that have come to be considered annoying in hindsight, some of them might mix and match features from different editions, but otherwise they're mostly straight up recreations of old-school D&D releases.
There are games that I would call "old-school compatible", that feature significant enough mechanical changes from old-school D&D to be considered a different game, but try to maintain mechanical compatibility with materials made for it. Games like The Black Hack, Knave, Macchiato Monsters, Dungeon Reavers, Whitehack, etc. play very differently from old-school D&D, and from each other, but you generally can grab any module made for any pre-3e D&D edition and run it with any of them with very little to no effort needed in conversion.
There's a third category that I wouldn't know how to call. Some people call then Nu-OSR or NSR (short for New School revolution) while a small minority of people argue that they aren't really part of the OSR movement but instead their own thing. I've personally taken to calling them "Old School Baroque". These are games that try to replicate different aspects of the tone and feel of old-school fantasy roleplaying games while borrowing few to none mechanics from them and not making any particular attempts to be mechanically compatible. Games like Into the Odd, MĂśrk Borg, Troika!, a dungeon game, FLEE, DURF, Songbirds, Mausritter, bastards, Cairn, Sledgehammer, and too many more to name. In my opinion this subsection of the OSR space is where it gets interesting, as there's so many different ways people try to recreate that old-school flavor with different mechanics.
(Of course, not everything fits neatly into these, e.g. I would consider stuff like Dungeon Crawl Classics to be somewhere inbetween category 1 and 2, and stuff like GloG or RELIC to be somewhere imbetween categories 2 and 3)
The OSR movement does have its ugly side, as it's to be expected by the fact that a huge part of the driving force behind it is nostalgia. Some people might be in it because it harkens back to a spirit of DIY and player agency that has been lost in traditional fantasy roleplaying games, but it's udneniable that some people are also in it because for them it harkens back to a time before "D&D went woke" when tabletop roleplaying was considered a hobby primarily for and by white men. That being said... generally those types of guys keep to themselves in their own little circlejerk, and it's pretty easy to find OSR spaces that are progressive and have a sinificant number of queer, POC, and marginalized creators.
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what if abby's father and the reader's father were friends and the like to hangout and play tennis a lot ; one day jerry anderson tries to convince his daughter to play a game with him, his friend and his daughter (reader) who has just returned home after two years of travelling ;
both girls accept their father's invitation! then the big day arrives and abby finds herself in front of reader in her pretty tennis set (and maybe something could happen in the locker room, after a heated match đ)
I'm baaaack!
Sorry this took me so incredibly long it's been a weird few weeks. I hope I did your idea justice, she's a long one.
word count: 3.3k
content warnings: enemies to lovers, mean, competitive Abby, thigh riding, fem! reader, oral (r! receiving), fingering (r! receiving), overstimulation, dirty talk, modern au where Abby's dad isn't dead obvi, no use of y/n
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You were sitting at your kitchen counter sipping on a glass of ice water and gazing out the window, watching the summer breeze rattle the trees. It had been a few weeks since youâd gotten back from Europe, but ice still felt like a luxury. Europe was so beautiful and you wouldnât trade it for anything, but after a few years you started to yearn for air conditioning, cold water and disgusting greasy fried food. Your first bite of a McChicken back in the states was orgasmic.Â
You also missed your family, your dad would call you every other day and talk about his day in incredible detail. He joined a country club and got into tennis while you were gone, he even made a few friends. You were especially happy about that because you were worried about him getting lonely while you were gone. You didnât want him rotting in an empty house while you went out and traveled the world. Even though your dadâs days were mundane and repetitive you just liked listening to him talk. His voice was the only thing that could dull the feeling of homesickness.Â
The front door opening pulls you out of your thoughts. Your dad walks in clearly having just got back from the country club, he was dressed head to toe in tennis gear including a visor. You canât help but giggle at how stupid and preppy he looks. You didnât exactly grow up going to country clubs, and dressing in brand name clothes. Luckily your dad had gotten a new job so he could splurge on himself. It made you happy to watch him treat himself for the first time in his life.Â
âWhat? Why are you laughing at me?â He looks up and down checking his clothes for stains or any wardrobe malfunctions.Â
âNothing, you just look a little funny dressed in your tennis uniform. Not exactly used to you in country club attire.â You smile as he acts mock offended.Â
âI think it suits me, thank you very much.â He dramatically marches over to the fridge to fill up his water bottle. Heâs really not gonna let go of this.
âYouâre right, you were born to wear exclusively Vineyard Vines and sip wine on the balcony of your third beach house.â You say with a smirk.Â
âSounds pretty nice to me.â He smiles and leans on the counter across from you.Â
He hesitates before saying ���Iâve been meaning to invite you to play with me and Jerry, I think youâd have fun, itâll be like the good old days on your high school tennis team. Youâd probably deeply humble both of us.â Jerry was your dadâs best friend right now, one of the first people that welcomed him into the country club.Â
âDad, I havenât played tennis in three years I donât kn-âÂ
âJerry said heâd bring his daughter too. She also used to play a lot of sports in high school. We could do father daughter teams or daughters vs fathers. Itâll be fun.â He sounds so excited, you would feel way too guilty turning him down at this point.Â
âOk, ok. Have you met his daughter? Is she like.. Nice?â You didnât want to have to fake getting along with her for your dadâs sake, if you were being honest you would probably end up doing that anyway. Your dad wasnât exactly good at finding you friends.Â
âYes, sheâs incredibly nice, and respectful. Sheâs a few years older than you, about 25 I think, and she works for a construction company.â He pauses trying to recollect the little information he knows about his friendâs daughter. âSheâs so strong Iâm pretty sure she could pick me up bridal style.â Your dad laughs at his own joke, but now you are a little nervous. Itâs starting to sink in that your dad essentially set up a playdate for you with an incredibly buff woman. You just hope you donât end up noticeably ogling at her, maybe youâll get lucky and sheâll be incredibly mean.  Â
You woke up bright and early the next morning, your dad bribed you with a fancy breakfast before the match. The food was delicious, but you couldnât stop your nervous movements, constantly tapping your fingers or feet. Your dad noticed and reassured you there was no reason to be nervous, and that thereâs no pressure. To be honest your nerves werenât completely because you were out of practice. Meeting new people always made you anxious, especially when it was arranged like this. There was an unspoken expectation for everyone to get along and enjoy themselves and you liked to keep your expectations low.Â
Before you knew it you and your dad were walking to the tennis courts. Your dad noticed you were starting to get all up in your head.
âHey, loosen up kiddo this will be fun, if itâs not you let me know and we can leave. Iâll just tell them Iâm not feeling well and we can get ice cream. Jerry will understand.â He messes with your hair a bit and you feel mildly relieved.Â
Once you get to the tennis court all of the relief you felt drained from your body, immediately replaced with pure anxiety. As you walk onto the smooth green court you see a middle aged brunette man, no doubt that was Jerry, and a tall strong blonde standing next to him. She towered over him, every muscle chiseled to perfection by what must have been some higher power. As you got closer you could see her biceps straining against her blue t-shirt, her thighs were barely visible, but from what you could see they were just as muscular as her arms. You were beginning to ogle when youâre snapped out of it from the sound of your dad greeting Jerry. Your dad shakes hands with Jerry and Abby and you begin to do the same. Abbyâs blue eyes pierced right through you, a neutral expression adorning her face. She was incredibly intimidating considering she could clearly snap you in two. You shake Jerryâs hand âIâve heard so much about you, hope you still remember your stuff from high school. Your dad and I have gotten pretty good.âÂ
You smile and reply âItâs been a while, but Iâm sure Iâll warm up in no time!â You liked to stay humble, but honestly you were pretty good at tennis. You had won a lot of games and you were one of the best on the team. You didnât talk about it much though because you were self aware enough to know literally no one cares about tennis. You were also as a result extremely competitive so you were hoping you would be able to tone it down in order to not scare your dadâs friend away.Â
You move to shake Abbyâs hand âIâm Abby, nice to finally meet you.â From her tone you would have assumed she thought it was indeed not very nice to meet you. But you nod and smile as her calloused hand engulfs yours. You canât help but notice how warm her skin is to the touch and how large her hands are.Â
She was incredibly attractive.Â
âAlrighty you guys ready for an ass whoopin?â Jerry jests.Â
âYou bet.â Your dad replies.Â
You and your dad make your way to the other side of the net and get into your ready positions. Abby serves the ball first and her swing was strong, but it was no match for your speed. You quickly learned the harder Abby hit the ball the louder she would grunt, so naturally you attempted to rile her up further. You would smirk arrogantly at her every time you and your dad gained a point, and take an extra long time getting ready to serve on the rare occasion she and Jerry would score a point. You and your dad rack up points quickly and the blonde was growing visibly frustrated. She was starting to hit the ball even harder, her jaw was clenched and her expression was so serious. It was adorable.Â
Eventually Jerry calls for a break and sits on one of the benches with you dad, leaving you to sit with Abby. Alone.Â
You sit down next to her on the wooden bench and start sipping from your water bottle. She does the same and you sit in silence for a bit. You notice the sweat on her brow and how her shirt is starting to stick to her skin. You can almost make out her abdominal muscles through the thin blue fabric.Â
âIâm not usually this bad at sports, not used to losing.â Abby says, looking straight ahead. You canât help but smile at her discontent, she seems just as competitive as you.
âIâm sure your strong muscles get you pretty far in most sports, but apparently tennis is not one of them, especially when you're up against an expert like me.â You say trying to joke around to lighten her mood.
âI wouldnât classify a varsity tennis player as an expert, but okay.â She says with a smug look, still not facing you. She definitely did not understand your humor.Â
âClearly enough of an expert to beat you.â You shoot back. Abby grows silent and continues to sip her water.Â
You sit in silence while your dad chats with Jerry, giving up on trying to make conversation with Abby. Eventually Jerry and your father stand up ready to finish the game. You and your dad beat them miserably. The game only ended because the sun started to go down, the country club quickly emptying out for the day.Â
Your dad and Jerry suggest you all get washed up in the locker rooms before leaving. They walk away from the tennis court side by side talking and laughing while you and Abby walk behind them in almost total silence. Once the group reaches the locker rooms the two dads turn to you and Abby.Â
âWould it be ok if me and Jerry grab a drink together? Abby can take you home in Jerryâs car.â The absolute last thing you wanted was to be stuck in a small car with this mean blonde, but you smiled and nodded.Â
âSee you later kiddo.â Your dad smiles and tussles your hair before walking into the locker room.Â
You walk into the locker room as well, planning to just keep your distance from Abby for as long as you could until you were stuck with her in a tiny car. You can hear her heavy footsteps follow behind you and you quickly put your bag down, grab a towel and walk towards the showers to avoid facing her. You walk into one of the stalls and turn on the shower. The warm water helps to calm you down and soothes you. You lather on the soap massaging your muscles to relieve any soreness or tension, making sure you washed all the sweat away from the match. Unfortunately you have to be quick because you donât want to make Abby any more annoyed than she was.Â
As you step out and begin to dry yourself off you realized you forgot your change of clothes.Â
Fuck.
You wrap the towel around you tightly and make your way to the lockers. Abby is sitting on the bench in the middle lacing up her shoes. Thank god she was looking down. You scramble over to your bag and grab your clothes out. You turn to head back to the showers to change in peace but Abbyâs voice stops you.
âYou took fucking forever.â Sheâs not looking at you, which you have observed to be a habit of hers.Â
âDidnât want to stink up your car. Is that ok with you?â Abby scoffs, but says nothing in response.Â
âSeriously what the fuck did I do to you?â You blurt out, exasperated. Youâre not usually this confrontational, but you felt like you deserved an answer. âI have barely had a conversation with you and for some reason you seem to have a problem with me or something.âÂ
Abby stands up angrily to face you and you had almost forgotten you were wearing a towel until she looked at you up and down with wide eyes. âYou werenât even gonna get dressed before asking me that question?â She sounds genuinely pissed off. Was everything you did an inconvenience?Â
âDoesnât matter, just answer it.â You look her straight in the eyes, challenging her.Â
âFine. You really wanna know?â You nod âI barely had a conversation with you and I could tell you were a brat.â As sheâs talking she starts walking towards you, you didnât even realize you were backing away until you felt the cool metal lockers against your skin. âYou have an attitude problem, you know that? You donât know when to shut the fuck upâ Sheâs close, too close, sheâs looking directly down at you daring you to respond.Â
âAre you fucking kidding me? You were the one who started being rude to me.â You refuse to break eye contact with her, trying to intimidate her from your height was ineffective, she wasnât backing down. âWhat are you gonna do?â You ask boldly, tilting your head inviting her to answer. âTeach me a lesson? We both know youâre not gonna do anything, so just let me get dressed so I can get home and never see you again.â She doesnât respond, the only sound was you and Abbyâs synchronized breaths as she stared at you with a fire in her eyes. Her stare somehow made you feel more naked than you already were, making you overly aware of the fact that you were wearing a towel that was starting to slip down.Â
âYou have no idea what youâre asking for sweetheart.â She says almost breathlessly. The anger in her eyes quickly turns into a hunger when she looks down at your towel slowly slipping off your body. Youâre holding on to the towel for dear life.Â
âFuck.â Abby says breathlessly before doing the absolute last thing you could have expected. She kisses you. Hard.Â
You let out a surprised squeak and quickly back away, both of your chests heaving. You look in her eyes and see a desperation and hunger thatâs almost scary, but for some reason you kiss her back. Abby melts into you and threads her fingers into your hair. You place your hands gently against her chest as she pushes you further against the lockers with her strong body. Her hands slowly travel down to the towel barely maintaining your dignity. She gently pries your hands from the soft material and rips it off throwing it across the room, keeping her lips on yours the entire time. You barely notice the cool air against your bare skin, she is so close to you you can feel her body heat radiate through her clothing.Â
Abby uses her foot to move yours outward, spreading your legs enough for her to slot her thigh between them. You moan into her mouth the moment her strong thigh makes contact with your bare cunt. You start slowly writhing against her, trying to relive the ache that was growing in your center. Abby breaks away and looks down at you desperately grinding on her thigh. âYouâre already so wet for me sweetheart. Barely had to do anything.â She smiles smugly as she watches you become a moaning mess, her thigh creating a perfect pressure against your clit.Â
Abby starts kissing you down your neck, occasionally sucking on the sensitive skin, the feeling of her rough tongue causing you to whimper. She begins circling her fingers around your nipples, teasing them, before pinching them and rolling them between her fingers. You begin to move faster against her thigh and the pleasure in your belly begins to build. Your moaning starts to become louder as you begin to reach your high. Abby notices and moves her thigh further against you, putting even more pressure on your sensitive bud. âYou close baby?â You nod and whine, desperate for any kind of release. You start moving faster against Abbyâs thigh and your pleasure quickly hits its peak. It comes crashing against you in overwhelming waves, forcing loud moans from your lips. Abby eventually puts her leg down and backs away slightly, before kneeling in front of you. Before you can ask any questions she grabs one of your legs, hooks it around her shoulder and licks a stripe up your soaking cunt. You hiss through your teeth, sensitive from your first orgasm. She begins teasing your clit with her tongue and you have to thread your fingers into her hair for something to hold on to.Â
You barely manage to whimper out, âAbs-fuck- I-Iâm too sen-senitive.âÂ
She stops for a second and looks up at you. The sight of her kneeling between your legs is nearly enough to have you coming again. âYou can take it baby, gonna make you come until you canât give me that attitude anymore.â And with that she starts lapping at your cunt once again. She sucks your clit into her mouth, her tongue circling your sensitive bud. You let out a surprised whine, your chest heaving from the intense sensation. Abbyâs hands grab hold of your hips, bring you closer to her mouth.Â
You can feel another orgasm building as Abby rubs her thumbs in circles against your skin. You begin uncontrollably writhing against her tongue, but Abby quickly uses her grip on your hips to pin you firmly against the lockers forcing you to remain still. The action caused your pleasure to bubble over. âAbby-â, you whine out â-ffuck-fuck.âÂ
She keeps assaulting your clit through your orgasm, not slowing down. As you begin to come down, you become sensitive again and try to wriggle away from her. She pins your hips against the lockers and looks up at you with a stern look in her eyes. She wasnât going to stop until you couldnât even hold yourself up.Â
She shoves two fingers inside of you causing you to gasp at the sudden intrusion. Her digits slid in easily, your arousal now dripping down your thighs. She curls her fingers forward causing you to have to bite your lip to keep from screaming.Â
âDonât you fucking dare bite your lip I want everyone to be able to hear you screaming for me sweetheart.â You clench around her thick fingers at her words and Abby takes that as a sign to keep talking. âYouâre taking me so well princess. Think I can add another finger?â You nod eagerly at her in response. âUse your words baby.â
âY-yes pl-please yes.â With your pathetic reply she adds another finger, filling you to the brim. She fucks you at a steady pace occasionally looking up at you to watch your face scrunch up in pleasure. She begins sucking hard on your clit causing you to let out a pornographic moan. She speeds up her fingers, hitting your g-spot with each thrust. Little moans and whimpers were escaping your lips every time her fingers hit that spongy spot. Your walls began clenching around Abbyâs fingers and she knew you were close. Your orgasm hit you quickly and caught you by surprise, your whole body feeling the most intense pleasure youâve ever felt. Youâre not even sure what noises you were making or what you were saying, the pleasure was so blinding all you could do was buck your hips into Abbyâs mouth. You were being held up exclusively by Abbyâs grip on your hips. She stands up and quickly scoops you up bridal style to sit you down on the bench. She helps you get dressed and you could barely protest, she reduced you to jello. Abby stands up and offers her hand to help you up. You oblige and as you stand up she says âNeed you to teach me your tennis skills sometime.â Weirdly sheâs smiling.Â
You canât help but smirk, âYeah? Well itâs gonna cost you and I donât take sexual favors as payment.âÂ
#abby anderson#the last of us 2#abby x you#abby tlou#abby x fem!reader#abby smut#abby anderson smut#abby anderson x reader#the last of us smut
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You have done cheeses. How about dessert.
Ooh, good idea.
See, the thing about Victorian food is that a lot of it sounds pretty unappealing from the vantage point of the 21st century. There were a lot of overboiled vegetables and stodgy meals designed to get you through winters with no central heating.
But Victorian desserts? Much more reliably delicious. So I can restrict myself to the desserts that these characters might actually have eaten. No tiramisu (1960s) or banoffee pie (1971).
Starting off with an easy one, RM Renfield is the traditional Scottish fruit slice (which I already highlighted in my food guide to Dracula) known as flies graveyard. I'm going to trust that one doesn't need any additional exploration.
Lucy Westenra is light (literally: "Lucy" means light), pretty, and appealing to small children. OK, admittedly the eater-eaten relationship goes the other way around with the small children vs Lucy-as-dessert, but I think it still works. She's a bombe glacĂŠe, a spherical ice-cream dessert that first appeared on restaurant menus in the 1880s.
I had a fun browse through Dutch desserts before I found the perfect one for Abraham van Helsing. He's the old man of the story, but he's still a little bit spicy and a little bit divisive - much like anise, which flavours Dutch oudewijvenkoek, or old wives' cake.
For Quincey Morris, there could only be one option. He's from Texas, y'all, he is obviously peach cobbler.
Continuing with the suitors, the obvious answer for Arthur Holmwood would be a dessert associated with wealth and privilege - perhaps Eton Mess, traditionally served at the annual cricket match between Eton and Harrow Schools, and first mentioned in print in 1893. But Eton Mess is a light, sweet, inconsequential sort of dessert and that just doesn't seem right for Arthur. Instead, I'd associate him with a rich, indulgent, traditional, solid plum pudding.
Jack Seward is in some ways the most modern of the suitors. Also the most highly strung. He's cherries jubilee, a brand-new dessert in 1897 as it was (probably) created that year for Queen Victoria's Diamond Jubilee. It's full of liqueur (suitably for Jack, who's full of chloral) and it gets flambĂŠed at the table.
I have to admit that I struggled with Jonathan Harker. Maybe I just love him too much to caricature him, you know? But what I came down is that he needed to be a beloved treat, available on menus across the UK, not wildly expensive, not wildly luxurious. And also, Jonathan goes through a lot of trials and drinks a lot of tea in this novel. Jonathan is a toasted teacake.
As for Mina Harker nĂŠe Murray, it seemed appropriate that she should be a similar sort of dessert to her husband. So he's a bun with dried fruit and she's a bread with dried fruit. Specifically, she's an Irish soda bread (since Murray is an Irish surname) that is known either as Spotted Dog or - more suitably for Mina - railway cake.
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Hello! Intro Post.
Hi, so Iâve been hanging around for a while now, but I have recently started posting more so I have decided to write an intro.
Online I go by Pae, (or Pae pae) I am non-binary. (they/them) and I write and draw.
Current WIPs
Blue Posts are the essentials of you want to send me an ask , or if you just want an intro to the blog.
Pink are my personal favourites.
Iâm doing 12 days of Christmas asks here!
Scenes
Memory and death
Marsh Prison scene
Lore stuff:
Magic
Magic Systems
The history of the runes
More runes lore
Culture
The mages immortality lore
The death realms
The gardens
Languages
The Druids
The MulaiâKaleppi
The Opyri
The TielâDrysar
(More Necromancy)
The lighthouse keepers
LaithâZairel
Gods Culture
History
The blood wars
Blood wars 2
The mist war
The Separation, Dissolution and Accords
Maps
-LaithâEmeris 1
-LaithâEmeris 2
-30BD map
-LaithâZairel
-How I make maps (continents)
Join the Tag List~
Summaries:
Paeliae - Magic politician
A mage living in the period when the god vs mages war starts. (8 BD, before dissolution) He is a politician, despite having no patience for the ages old elvish mages who currently run the council. He is obsessed with leaving a lasting legacy even if that means dying today. As such he is vehemently against the concept of immortality, During the war he helps negotiate with the gods to come to a truce. 27, He/Him.
Xaeren - Runic Inventor
Xaeren designed 42 of the 47 runes and uses them to protect himself from the vengeful goddess Schaeres. When she finally attacks him, Xaeren realises there were very few limits to what he could do with the runes and sets out to kill Schaeres, both as payback and just to prove that he can. But some things canât be done aloneâŚ
Xaeren lore 1
Xaeren lore 2- (This is a bit old so some of the Kell stuff has changed)
Xaeren lore 3
Kell - Magic Student
Xaeren rescues her from a small dock town and gets her a place at the Lysandri school of magic. Kell is thrust into a world of magic and has to keep up with the help of Xaerenâs tutoring, but as she begins to fit in with the mages there, her loyalty to the criminal godkiller Xaeren comes into question.
Tyro - Traumatised Sorcerer
lives in the modern day (about 1500 PD, post-dissolution). They have recently escaped from the abusive cult that adopted them as a child, with their adoptive brother Apollo. They are a sorcerer, so have born magic, but also weâre taught to use runes by the cult. They never used them because of trauma but they could if they wanted to. They are currently running from the cult and trying not to be noticed by the government, who take in all sorcerer children so they can have a monopoly on magic. They have found a family in some other sorcerers living in an abandoned manor outside the city. 17, They/them
Apollo - adopted older brother of Tyro.
He took care of them and the others in the cult, despite being abused severely himself. Despite the trauma he is a very powerful runic. He is currently being attacked by, and looking for other cults like the one he was adopted into to help other children like him. 21, He/They
Ez and Rin (~1000 BD)- The gay bois, who definitely donât start the apocalypse.
Ez (short for Ezemhaziel) is the god of refined magic. He falls in love with Rin when he is researching to create the runes. He is somewhat of a Prometheus figure, as he brings the first magic to mortals by teaching Rin.
Rin is a gardener working for one of the altic kings, who equally loves Ez for his magic and creativity. Ez and Rin end up working on the runes together. The other gods get mad that Ez gave magic to a mortal, and they let the mortals murder Rin. Ez is mad. This will spiral and cause the start of the godly war, which then ushers in the godly mages war, where 3/4 of all mages die and the gods are removed from the world.
Ezemhaziel lore
Daimion and Marsh - the regretful and the merry murderer
Daimion and marsh grew up together being trained for an elite military unit, which they both got into. While in the unit they are ordered to fire on civilians and they do it, but later Daimion regrets killing innocents and leaves the unit without notice. He goes on to find the daughter of one of the people he murdered that day and the woman who has been taking care of her. He protects them fiercely and tries to make up for what he did. Marsh however, fully commits to the âI kill people as a job, I might as well enjoy itâ and ends up being so recklessly violent that he is imprisoned in the highest security jail in the country, which he later breaks out of to commit a massacre, then returns to his cell like nothing happened. This occurs a couple of times until Daimion has to go get him. - Marsh intro - Marsh lore
Just a brief overview of some of the things I am currently working on. I plan to post more about the magic systems and historical events of the world. I also post maps.
Feel free to ask me about this, and tag me in games. Interact here to join the tag list:
Tag List~
Thanks for visiting, feel free to stick around <3
#writeblr#writer intro#writers on tumblr#fantasy worldbuilding#writer community#writblr#fantasy#Magic
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I would like to ask question number 12 for all your guys.
yippeee okay so.
Vivid is Very Tall for an iterator, around 6 foot 4. She was created this was to be a bigger canvas and to allow her chamber room to also be a bigger canvas as her citizens believed that the solution could be found through creative works of art and design.
(I donât know how to correctly mark feet vs inches with quote marks rip).
Blossoms is 6â2, tall because of the idea of her being godly and slightly intimidating was very important to her creators, regardless of her generation. Blessings comes in at 5â7, smaller to be less intimidating as heâs one of the last things an anchient would interact with before going into the void sea and also heâs here so it doesnât have a wattpad height difference with Blossoms LMAO. Heâs still considered tall, as most puppets were created to be shorter than most ancients
Weâre now reaching average iterator heights.
Next is Notes at around 5â4 (big jump I know) partially because she was an earlier generation so she was built a lot chunkier than newer generations (think old school computers vs a modern laptop)
Tides is next, coming in at 4â11 No particular reason for this.
Stars is close behind at 4â9
now the Short Ones
Paws is 4â3 because he worked closely with his citizens to create different purposed organisms to be pets and because I like to bully him lmao.
these heights are subject to change if we get confirmed heights
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Just curious, how did they move Galaxy Hall to where Jubilife City would be?
My dude! ^o^ Galaxy Hall is in Jubilife Village, which becomes Jubilife City (aka PokĂŠmon Sapporo, the capital of Hokkaido).
Looking at the two maps, it isnât a one-for-one match; they did a lot of building up after all, & it seems like they leveled the small hills surrounding it, installing stairs at the four entrances, fences around the city itself, & planting dense conifer forests. However, they seem to have kept the same basic format.
One can look at this map & interpret the long horizontal road where the river is 150 years ago, making the Jubilife TV station where Galaxy Hall is today. As you see in DxP REWRITE, I chose a different interpretation:
I think (& is the canon for DxP REWRITE) the whole of Jubilife Village was in the front half of Jubilife City, which is everything before the long horizontal road connecting to Canalave & Oreburgh Cities, & hereâs why:
I once compared the school with Galaxy Hall (both brick buildings, very similar shape to its structure with the chimneys, the round window in front, etc), but to the right of it is the PKMN Center, standing about where your house is in Legends Arceus (where you rest up & heal, like a PKMN Center). The PokĂŠ Mart is behind the PKMN Center, unlike in Jubilife Village where the row of shops were in front of your house, but that couldâve been a infrastructure decision as they built up the Jubilife Condominiums where the residential area was.
Over to the left is the Global Trade Station (or Global Wonder Station in BDSP), where I think the Training Grounds once stood. Apart from the similar structure to the buildings (clearly they tore down the dojo for a more modern structure), in Platinum you can not only do trades, but check Trainer Rankings as well as Battle Video Rankings.
Again, it isnât a one-for-one. It has been 150 years, & weâre comparing a city designed in the DS with a village designed for the Switch. The same could be said about comparing modern Sinnoh with old Hisui; modern changes aside, you just canât perfectly compare the more organic format of the map in Legends Arceus with the very pixel, square format in DPPt or BDSP (again, huge missed opportunity).
I actually love doing things like this though; I used to do similar things in Zelda, comparing different maps of Hyrule in games that have less time passing between them on the timeline, but similar / the same locations (eg. Ocarina of Time vs Twilight Princess).
I still have ideas for Sinnoh vs. Hisui floating around thatâll probably show up come the next DxP comics, so look forward to that!
#pokemon#BDSP#legends arceus#lore#maps#headcanon#theorizing#DxP REWRITE ask#thanks for the ask!#got to geek out there lol
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