#okay so the meta on this one:

[numetaljackdog]

i've got to confess something 😔 sometimes when i'm in between chores or after i've been sitting at my desk for too long i'll put on some music i like and pretend i'm a vocalist in a band performing the song 😭 and i jump around and enjoy myself 😶 and sometimes i even put on an outfit i like just to do that 😥 i know it's really alarming but i hope you guys can find it in your hearts to forgive me 🥺

[akanemnon]

Despite everything, it's still you.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[t3chborb]

Cuddling the big scary robot would save me actually.

[essektheylyss]

My thing about Veth potentially venturing into polyamory is that I do think everyone involved would be perfectly fine with it and happy to help her experiment, and I think that no matter how they do it, it would not fix her. This isn't to say that she wouldn't get any benefit out of trying! It's just to say that it's not a solution to her actual problem, because I genuinely don't think the problem is that she's lacking any one thing that would make her life complete.

Fundamentally, I think Veth struggles with the idea that there will come a point at which she has to settle. Not in a bad way, just in the sense that she is one person with one life and she will have to live within those bounds. Because the thing is, I don't really think her issue ends at struggling to "have it all"; to an extent she does! She is a good parent, even if her kid is a little rebellious; her marriage is supportive (and has fun sex); she gets to go off to save the world with Yeza's blessing on occasion, when the world needs saving. She doesn't have all of these things all the time, but... that's not really a flaw, that's just a fact of life.

But she started out her adult life settling to an extent—even if she loved Yeza and loved being Luc's mom, she did the safe thing that was expected of her. The goblin attack and everything that transpired after shoved her out of that life, but in retrospect, to an extent it likely feels that that pushed her to find something more that she wouldn't have had otherwise. Being pushed to her limit under the worst conditions made her better, stronger, braver, and at the end of it she found that she could have both her original life and much of her new life—so why wouldn't she then wonder if further experiences of that ilk could do the same?

Crucially, she has not actually run up against a hard limit yet, and as such she hasn't had reason to believe that there is a point at which she has to stop and recognize that there isn't more for her to find. When she was drinking more heavily during missions, even when it caused the death of herself or others, there were no long-term consequences. And the thing is, I'm not saying that she should face that kind of major consequence, but she seems as though she is scared to accept that maybe she could be happy if she stopped before she does.

I'm also not suggesting that she should stop experimenting or trying new things—the Luxon knows I am not one to talk in that realm—but I do think she is searching for novelty not because that would make her happy, but because she doesn't believe that she has the capacity to know what would make her happy. She was unaware that polyamory was even an option, so think of what else she might not be aware of! She doesn't have perfect knowledge of the world, after all, so how can she trust that she's found what she really wants? So yeah, she could fuck someone else, and it might even be an enjoyable experience that she didn't know was missing! But that only prolongs the question of what else she might be missing.

I think that deep down, she's terrified that if she doesn't keep pushing until that external hard limit, she will end up with regrets later, and simultaneously she is resentful that her friends all seem to have reached a point where they are largely content with what they have, because she wants them to have everything. She wants herself to have everything. And she has not yet allowed herself to come to terms with the fact that only she can determine when the everything of what she already has is enough, and anything else is the cherry on top.

[bruciemilf]

Anyway. Frustrated reminder that if artists pour time, energy, passion, thought, and skill into their piece, it’s their right to do whatever the fuck they want with it. Fandom is a playground and you can do what you want always

[veveisveryuncool]

havent drawn them in a while

[arcticclimes]

[galactaknightyaoi]

🏳️‍⚧️ DOUBLE HEADCANON ATTACK!!! 🏳️‍⚧️

Family HCs are already fun on their own but with transness added on they're even better. It's actual comedy gold. Also I've always wanted to draw some kind of Meta Knight VS Galacta Knight type thing, but I can't take anything seriously like that. So you get This.

What This is, is a way too high effort shitpost. It took a combined 2 and a half? Days, though most of it was just sketching. I'm proud of it! Anything for the bit.

Textless version + unfinished doodle under the cut

[glorfindel-of-imladris]

I've mentioned this in passing in this post, but this is hands down my favourite line in The Fellowship of the Ring. The line speaks volumes about Glorfindel, and yet the details are easily missed by a first-time reader travelling along with Frodo and friends, and that's because not once does Glorfindel explain how significant his words and actions were. Yet there is so much to unpack! It is only left to us to appreciate them after learning more about this world.

“There are few even in Rivendell that can ride openly against the Nine…”

Again, Glorfindel only mentioned this in passing and did not explain, but the reason for this is because the only ones Rivendell would send to ride openly against the Nazgûl were special members of the Eldar: the Calaquendi, old Elves from Valinor and who have seen the light of the Two Trees. Gandalf later explains that these Elves “live at once in both worlds, and against both the Seen and Unseen they have great power”. The Nazgûl, as we learn, were wraiths that reside only in the Unseen world, and so to anyone else, they were invisible.

We know there were very few Calaquendi remaining in Middle-earth by the Third Age, and most of them reside in Rivendell. But even among them, likely only the warriors could be sent to go after the Nagzûl, chief of Sauron's servants. This early, we get a clue that Frodo and company have met someone extraordinary.

“It was my lot to take the Road…”

By “Road”, Glorfindel meant The Great East-West Road, an ancient road that cuts across Eriador from the Grey Havens to Rivendell and the Misty Mountains. This would have been the most perilous of the roads because it would have been the most obvious path passing through the Shire. Later, during the Council of Elrond, it would be mentioned that Sauron would be expecting the Ring to go from the Shire either to the Grey Havens or to Rivendell, both routes reached primarily via the Road.

It was to be expected therefore that this is the one path most guarded by the Enemy. Again, Glorfindel only mentions his task securing the Road in passing, but the fact that he got the most obvious and thus most perilous path speaks volumes of his ability and position in Rivendell. Only a few deemed able to ride openly against the Nine were sent out, and out of them, Glorfindel was the one sent to secure the most dangerous route. What ability and skill must this Elf have to be entrusted with such a task!

"I came to the Bridge of Mitheithel, and left a token there, nigh on seven days ago."

The Bridge of Mitheitel, or The Last Bridge, is the only way to cross the great River Hoarwell (Mitheitel) from Weathertop to Rivendell. Aragorn, as much as he could, avoided the Road, himself knowing the dangers possibly waiting for them there. Later though he tells the Hobbits, "I am afraid we must go back to the Road here for a while, [for we] have now come to the River Hoarwell... There is no way over it below its sources in the Ettenmoors, except by the Last Bridge on which the Road crosses."

Aragorn and the Hobbits therefore went to the Bridge dreading to encounter the Nazgûl, only to find it safe. Instead, Aragorn finds an elf-stone in the middle of the bridge, which gives him hope. We now learn that it was Glorfindel who left it there, for he has secured the Bridge, likely knowing how important it was to do so because unlike all other paths, this was the one path that Frodo and company would inevitably need to take. If the Enemy wanted to lay an ambush, they would have done so at the Bridge; strategically Glorfindel understood this, and coming after them at the Bridge was exactly what the company needed from him for them to stay safe.

“Three of the servants of Sauron were upon the Bridge, but they withdrew and I pursued them westward. I came also upon two others, but they turned away southward.”

Here once again is Glorfindel describing something incredible in the simplest of ways: the Nazgûl actually flee from him! Thus far in the book, the Nazgûl were the first source of terror for Frodo's company as well as for us, the readers, yet here Glorfindel was riding about with bells on his horse, not even trying to hide at all. He is the one hunting the Nazgûl and not the other way around, this was made very clear.

Glorfindel has been my favourite character from the start. He got me from their first meeting because he gave the Hobbits a sense of safety, even though they and we perhaps do not yet fully appreciate who he was and what he was capable of. As we read through the rest of the books, and even beyond through The Silmarillion, The Fall of Gondolin, The Peoples of Middle-earth and all these other books that share his history, I only learned to love him all the more. Years later, having read all these other books, I still sometimes just sit in awe thinking back on this first encounter in this first book, in the Fellowship of the Ring, about how Frodo and his friends met this seemingly humble Elf, who in actuality was literally an Elf of legend. Yet apparently one would not think it, encountering Glorfindel on the road.

[l-in-the-light]

Luffy's and Law's similarities

Because people always talk only about their differences, time to do the uno reverse! You might be surprised how many there are, actually.

Snapping at exactly same thing.

Snapping at same stuff again, because sometimes they share exactly the same brain cell. Even their face expressions are exactly the same in both examples lol.

Whenever Law actually loosens his guard, he reacts in exact same ways as Luffy does.

They both have a very similar experience with their mentors sacrificing themselves for them and same selfblaming reaction. This serves mostly as a prologue because we will compare how child Law and child Luffy behaved.

Both were reckless brats with very wrong self-harming ideas to get what they want.

They hate "dirty tricks" and being lied to. And easily lash out.

Their initial reaction to making fun of someone tripping/being pushed on the floor or making fun of anyone. Also standing there in exact same pose with their fists clenched.

"I will go find a real role model", same vibes here honestly.

"You will pay for this" mentality. They were also both literally thrown which endagered their lives and they both can't believe it's actually happening, that anyone would do something like that. Also bonus points for swearing child Luffy haha.

Both consider some people to be just total scums that deserve punching. Bad guys should be taught a lesson. Law at least managed to land a stab, so 1:0 for him.

This is intriguing. This is the last time Law asks someone for help. And last time Luffy asks someone to help him. Both seem to be convinced "asking for help" caused their loved ones to get hurt, so you will never hear them do it again. The only difference here is Law is asking to help Corazon, while Luffy is the one who needs the help.

Later on Luffy is taught to ask for help by Vivi in Drum Kingdom, but he isn't asking for himself, but to help Nami. Meanwhile Law never again uses the polite words. The most he is capable of is to ask Cavendish "tanomu" which is more like "I'm counting on you".

Both sit in same pose whenever Law isn't trying to impersonate Corazon's style (yes, Law mimicks Cora a lot, also in the way he walks). At least once he slipped and sat in the way he found naturally comfortable instead and it was exactly same way as Luffy's preferred sitting position. What a curious coincidence.

Another funny thing about them is that they both like to wear exactly same type of shoes they used to wear as a child, Luffy the sandals, and Law his dark boots. It's not really that common thing in the manga, for example, Nami and Zoro didn't stick to same type of shoes they used to wear when they were kids.

They also sleep in exactly same position, the infamous T-pose. For comparison, the rest of the Strawhats all have their own different sleeping positions (first from the right is Usopp ofc lol).

They also match each other's pace pretty well. "Let's go, Torao!" and "Ike!" as Law's answer which literally means just "Go!", because Traffy is ready too, no need to stall back.

And finally my favourite:

If Law wasn't under Corazon's "calm" spell, would his laugh sound familiar? Perhaps would it be "shishishi" we know so well? Of course that's the last time Law laughs like that, so we can't compare him laughing when he's an adult. Families in One Piece often share similar laughs, it seems. Unless you're a devil fruit user, that also changes your laughter apparently hm.

There's probably even more similarities between their behaviour, thinking patterns and expressions than I managed to find. I find it suspicious considering those two did not grow up together, so why are they so similar when they're both children?

I dunno if whole D. clan is an actual family, but I think Law and Luffy definitely had a shared ancestor and probably not that far in the past. Very curious since they're from East Blue and North Blue, the two seas mentioned to be the hardest to travel from one another.

Many people speculated Dragon isn't related to Garp or Luffy because they don't really look that much alike, but if you compare Monkey, Trafalgar and Gol family members together you can start to see some pattern emerging: they all have naturally black ruffled hair Potter-family style (you're welcome for that comparison you never wanted to notice and now you can't unsee haha). I wonder if Joyboy will also be revealed of sporting similar style of hair.

[always-a-joyful-note]

Enstars sure is an experience. Did I miss anything?

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[mochiajclayne]

Marineford Law is no question interesting to me because he pulled off a surprise, motherfucker moment and the timing was so good to the point that both pirates and marines least expected it.

Before I proceed with this self-indulgent lawlu meta post, I will go ahead and say that everything that happened between them in Marineford is a catalyst of establishing their connection later on in the future arcs. I am a firm believer that those feelings™️ started to truly bloom in Punk Hazard and went downhill in a good way in Dressrosa.

Long post ahead. Enjoy!

When I was rewatching Marineford arc, the part where Buggy was already carrying an unconscious and injured Luffy and Jimbei, their conversation sparked my interest.

Highlighting the bit where Buggy was confused about Law's verbal tic of using the suffix -ya in referring to anyone, overall doubting him, then asking for Law's name. Don't forget that Law is a little shit (affectionate) so he proceeded to ignore all of those questions to say this:

Interestingly enough, this part is tricky to translate. I found two translations that closely encapsulate what Law wanted to say here but mind you, and I will sound redundant about this with everything that has got to do with Trafalgar Law's speech patterns: he likes speaking in runarounds, purposely using terms with double meanings and connotations on them, and he's both reticent and cryptic. (I wouldn't say not to trust on his words but don't take them at face value.)

Law described his connection with Luffy as 悪縁 (akuen) which directly translates as evil destiny or connection.

Forgive me for a bit of sidetracking but the kanji used for akuen is the same with Robin's epithet which is "Demon Child" (akuma no ko). To further elaborate, 悪 (aku) means evil--both as intent and violating a moral code. It is also used to refer as the direct opposite of good.

Going back to 悪縁 (akuen), in true Law fashion, this word doesn't only mean evil destiny or connection. Depending on the context, it can also mean unfortunate love.

(It sounds tragic coming from him, isn't it? If your mind was blown after this part, no worries, I am too. This part gave me so much whiplash when I was researching about it.)

So, considering these two interpretations of 悪縁 (akuen), that begs the question, what is Law's connection with Luffy?

On surface-level, they are enemies as Law said so himself. They're rivals when it comes to One Piece. Their common ground, which is only known among people that Law trusts the most, is sharing the same secret name of D. However, I will take one step ahead and say that they both went through the same tragic fate of losing their loved ones, for being weak and powerless to protect them. They were both involved in circumstances where if they were capable enough, they could've saved the person they loved the most. Doomed by the narrative and subjected to trauma that breaks their heart and spirit should they be lesser men to handle such misery and grief. It is unfortunate, disastrous, and cursed to love fully knowing the fact that the other person could die like the ones before them but these two have the biggest heart.

Of course, Law will never say it directly. Thus, settling for 悪縁 (akuen).

It gets better. He did say 悪縁も縁 (akuen mo en) and 縁 (en) itself means fate or destiny (especially a mysterious force that binds two people together). Additionally, も (mo) is also a particle that is used for emphasis.

The implication, in turn, of what Law said to Buggy can be translated this way: Strawhat-ya and I (will) eventually be enemies, but an evil connection is (the futuristic possibility of Luffy becoming his enemy) is fate (that binds them).

Law made sure to emphasize that their "evil connection" is fate: specifically, that mysterious force brought them together and compelled him to be there, that he was meant to sail to Marineford, and help Luffy escape.

These two translations are the closest that I found to be accurate but it's still scratching the surface of what Law said:

This entire panel between Ivankov and Law makes it funnier because he clocked him IMMEDIATELY.

Ivankov asked if he's friends with Luffy to which he replied: no.

He also emphasized that that he doesn't have any obligation to help him but then went on to say this:

親切 (shinsetsu) means kind, generous, gentle, considerate. 不安 (fuan) refers to anxiety, uneasiness, worry, apprehension. These are surprisingly direct words but of course, Law had to go back and be cryptic again when he followed up with 理屈 (rikutsu), which could mean two things: theory, reason, logic or (unreasonable) argument, excuse.

I think this panel did a good job for translating it.

Law himself is providing Ivankov here the benefit of the doubt. To reiterate, Ivankov beats him to the punch which makes their entire interaction so funny.

Again, brilliant translation for directly calling out Law's bullshit. Lmao. Ivankov says 直感 (chokkan) here. It means intuition, instinct, hunch. Please take the next statement that I will say with a grain of salt but "instinctively moving your body" is usually associated with the context of being reckless to the point of directly exposing oneself to danger, consequences be damned, in order to protect someone.

Even Law himself acknowledged that he's not obligated to be there, so why?

Unfortunately, this is the elephant in the room that Law will never address. Several characters even made sure to point out that he helped Luffy two years ago and he purposely dodges that topic.

One thing I can guarantee is that Law never did it to get Luffy to agree for the alliance. Hell, he thought of the alliance after reuniting with Luffy! He adjusted his plans by then. Additionally, he never used the fact that he saved Luffy's life as his bargaining chip and leverage to get him on board the alliance.

Lastly, this is too much for saving a life on a whim, isn't it, Law?

[nookisms]

Oops. It's a second headcanon compilation!

Don't worry, the next one will be back to our normal schedule of regular text posts and not headcanons

Masterpost

[threestripeslider]

Tired: Rise!Splinter is a neglectful and awful father who doesn’t care about his kids >:(

Wired: Rise!Splinter’s negligence comes from a place of deep trauma that he’s carried with him his whole life – losing his mother, having been betrayed by the love of is life, being imprisoned and forced to fight for his life, used as an experiment and subsequently being mutated and losing his whole identity as a person – and while it certainly doesn’t excuse his behavior, there is no doubt that this man loves his sons fiercely despite his own shortcomings and perhaps it is exactly that love and care that causes him to keep his children at arms length in hopes to spare them his family’s cursed legacy that grooms them into martyrs and are thus destined to die young, a sacrifice for the greater good that Splinter is never willing to make even if it means forfeiting the world to the Shredder. Splinter’s journey of fatherhood began by being completely unprepared as a fresh young single father of four young children that depend on him to survive and there is no surprise he’s hit almost every bump there possibly is when raising a child but never in his life has Splinter ever blamed or resented his children in any way – he is not perfect and he’s aware and he tries to do better all because he loves his kids this fucking much bc despite all the shit he’s been through, those kids made him realize that he can try again. to dismiss him as an awful father is a gross mischaracterization of a deeply traumatized man of color who evidently tried his fucking hardest not to pass on the hurt onto his own children while grappling with his own demons and the crushing destiny of his family’s blood line that took away his mother.