#oh and apologies for the long post

[yujeong]

Writer's ask game: 8, 16, 24, 32.

For #100/wildcard: We're one episode into 4 Minutes. Is there a character that you're already drawn to or excited to write about? Or a detail from the show so far that you're eager to explore in your writing?

Hiiiii! OMG, thank you so much for sending me this, what a pleasant surprise in my inbox 🥺❤️

8. What’s your relationship with constructive criticism and feedback like? Do you seek it out? How well do you take it?

Hmm, it depends on who gives it to me and why. If a friend notices a typo or a grammatical mistake - as I do tend to make those - then I'll be happy to be informed, although now that I have my brilliant beta reader to help me, I don't think any of them slip out. In general, I do seek out feedback from them in all the stages of my writing (from the construction of the fic idea, to the characterization, the prose, the editing, the research of the topic, all of it), which happens a LOT - you should see the comment chains on my docs honestly - and for that reason, I wouldn't like receiving a comment on my fics with constructive criticism. I don't see the point when I have people I trust to ask for things like that. I rarely receive comments as it is, so I'd prefer it if people mentioned the positives, how much they liked the story and why. For everything else, I have help + Tumblr, if they want to ask me questions or talk to me about anything.

16. Where is your favorite place to write?

This is going to make me sound like a psycho, but I love writing on my phone while on public transport, especially on the underground train. On my laptop, I can't get into the mindset to write often, especially the last couple of months. I just can't focus much. Normally, when I'm writing on my phone, it's part writing, part editing already-written text. I also write a lot on my notebook, which can also happen on public transport (yes, even smut).

24. On average, how much writing do you get done in a day?

I'm a very inconsistent writer for this question I'm afraid, I don't have a schedule and it can be days or even weeks before I type words on a doc. But, since you asked, assuming I could keep writing even a little on the daily, I'd say it's between 100-300 words, unless I get super inspired and it goes up to like, 500.

32. Do characters influence your writing style?

Oh, I love this question. For me, I'd say yes and no. No because I believe my prose is...hm, simple and there's not much of a style there? So, even if there are changes between POVs, it's still essentially the same to me.

But also, yes, because every character's POV is different; they talk differently, they notice different things, their headspace varies and all that reflects on the prose. I'll give a few examples:

- Macau's POV is, for lack of a better word, more word-y: he has a lot of thoughts and a lot of anxiety, so it includes longer sentences and it's more emotional. Just an endless flow of angsty thoughts and a lot of casual dialogue, especially towards people he dislikes or doesn't trust,

(Pete doesn't immediately follow him; he's talking to Porsche a little further away from the car, who for some reason is at the main family compound today. Macau doesn’t know why. He got a brand new home as a reward from his uncle, didn't he? He can go there and spare Macau from having to look at his stupid face.)

- Vegas' POV is heavy, with thoughts that aren't always directly stated, due to Vegas being a coward about them. So, his POV does include longer sentences, though not constantly, it includes subtlety, tension, aversion to face himself and it's just generally a more charged reading experience than other ones. Also, my man is very dramatic, so the prose becomes dramatic, too,

("There are days when... when I can't control it," he whispered, as if to prevent Pete from being able to hear him, as if to keep the ugly truth to himself. It was a foolish thought. Pete was able to hear everything, sometimes even things Vegas hadn’t actually said, but were festering deep inside his heart.)

- Porsche's POV is way less heavy, more playful and very observant some times, while not at all observant other times, so there are details that will be missed through his eyes, especially if it's an uncomfortable truth he'd rather avoid. His dialogue is also more casual; he's like Macau in that regard, but his is less childish,

(The moment they're on their own, Pete’s movements become almost manic as he lights his cigarette and inhales sharply, holding it with trembling fingers. Porsche can only look in awe of the shift in Pete's demeanor. Was he like this the whole night and Porsche just didn’t notice?)

- Kim's POV was one of the trickiest I had to deal with. This kid is a LOT: he's incredibly observant, closed off, anxious, suspicious of everyone and everything, avoidant of his own feelings, he yearns for something he doesn't know how to name, and all this makes every single word in the prose carry many different meanings, which as a writer you have to smoothly include,

(Pete flinched. Kim hadn’t even used that much force and Pete flinched. It made that indescribable feeling settle between Kim’s lungs, preventing him from breathing normally.)

- Now, Pete's POV is the hardest and the most challenging, but it's the POV I love writing from the most. He's a person who's not a person, so I try to reflect that through my prose; I've written a whole fic through his POV in which his name is never mentioned. Short, punchy sentences are what I normally write with him, aversion to state the obvious, aversion to acknowledge hurtful things or twisting them into seeming normal or acceptable. I could go on and on about him, but I'll refrain from making this post longer.

(He heard his name. It sounded so strange coming out of Vegas’ mouth. Like it didn't belong there. Like he said it by mistake in his effort to call him something else.)

NOW, for the 100th question, I'd act surprised that you asked me about 4 Minutes, but I think my blog activities have made it quite evident there's at least potential I'll get inspired to write fic for it hahhah.

As it's become tradition with every BOC production, the side couple has grabbed me by the throat. KornTonkla is insanely juicy to me and Tonkla even more so, because we didn't get as many details about him as we did about Korn. What is his work? How did he end up becoming Korn's sugar baby? Why does he still want to work even though Korn is paying for everything? What was the whole deal with the black cat in his apartment? So, so many questions and such potential for exploration in fic form. So, you can expect a fic or two about KornTonkla from me, or maybe even sth solely Tonkla centered, we'll see ❤️

[foolsocracy]

[galactaknightyaoi]

It's my OCs' first birthday today, yippie!! They're enjoying their birthday with some tiny company and a horribly baked cake. But it's the thought that counts!

These are Pai, Aurelio, and Lizzie. They are a couple and run a diner together in the low suburbs of Halcandra. Their shop also serves as a safe space and shelter for other Star Borns just like them.

They also tend to take in the more little ones of their kind, soon after they've first formed. They look after them and teach them stuff, before letting them go to live independently. But they're always welcome back in their house! Be it for shelter, or a nice cup of coffee.

More about them under the cut. Be warned it gets kinda long.

Pai's ability is Cook. When he was little, he used to use his ability to make food to share with his whole neighborhood as a way of uniting everyone.

Since then he's been steadily building towards a goal, to open his very own Diner. He wanted to create a space for his community to thrive in, though he was severely disadvantaged in such a large city.

He's not one to give up and he always looks on the positive side of things. He tends to spoil the kids they look after with treats, and has a hard time saying no, so he often takes on more than he can handle.

He is the one that looks after the well-being of the kids, and generally, things that require a bit more... Tact. He looks after them when they're sick or injured, which is how he ends up meeting future GSA founders Arthur, Erebus, and Anansi.

Aurelio grew up in a scrapyard with 6 others of their kind, being kept there as guard dogs for the paranoid old man who owned the place. They were encouraged to fight each other for fun, which is how they got the scar across their face.

When they got too big and troublesome, most of them were kicked out of their home and left to fend for themselves.

Aurelio's Spear ability eventually landed them a job as a Knight for Halcandra's elites, where they worked alongside a few of their friends. Their job was to guard the meeting room and defend their assignment from threats.

A few years into this job, they and other soldiers were given a mission. A pair of dragons were nesting at the bottom of the Haldera Volcano, they had to get them out. Dragons are calm if not provoked, so relocation shouldn't be difficult...

As it turns out, the dragons were a mated pair. A male and a female, and they were viciously protecting their egg clutch.

In the battle against the dragons, Aurelio was injured and burned by fire, but their natural fire immunity allowed them to be one of the few survivors. Nevertheless, the Knights were successful in their mission and managed to drive the dragons out.

The 4 eggs that weren't crushed during the battle were passed off to the Ancients for research. They became the Guardian Angel Landia later on.

She was forced to retire from Knighthood at age 31. Due to the lasting effects of their injuries, Aurelio is the one who spends most of the time with the children. For better and for worse.

Because of their childhood, they have very skewed ideas of how to treat children. She'll often put them in dangerous situations unintentionally since she has no frame of reference to tell her that taking kids out to the Gator Pond isn't a very good idea.

Aurelio teaches the rougher life lessons. They've been through quite a bit, so they want the kids to learn how to defend themselves, and to be careful and not have others take advantage of them.

She does most of the disciplining and the one that gives timeouts and other such punishments. She is of the opinion that sometimes rough love is necessary to set someone straight. She's calm and loving, but a bit stuck in the old way of doing things.

Lizzie, real name Angeliz, is a 2-time college dropout who grew up upper class despite her species' disadvantage. She never had many friends growing up, since other kids didn't really like her, and resigned herself to being what her parents wanted her to be.

She tried to study medicine but quit after 2 years. Not wanting to further disappoint her parents, she went into law. Which she also hated but tried to commit to finishing despite how miserable it made her.

Meeting Pai and Aurelio helped her get through the year, but after Aurelio was injured, she quit law and started living with them. She helped Pai balance his business with taking care of Aurelio and eventually used some of the money she still had left to give Pai's Diner the little push forward it needed.

Despite the many etiquette classes she took as a child, Lizzie completely lacks social skills. She's a total disaster, especially when talking to someone she likes. Once she gets comfortable, her true personality starts to shine through.

She's a huge slob and kind of vulgar despite her cute appearance. She's easily angered and does not like to be teased, which makes putting up with bratty kids more difficult for her.

She tends to treat kids as little adults instead, which causes her to not be very mindful of their sensitivities. Even when in a good mood, trying to do her best, she always ends up saying the wrong thing and makes everything worse.

She handles the business aspect of their Diner, crunching numbers and reading over legal documents. She's really smart and knowledgeable, so she's the one who tends to teach kids reading, writing, and math.

Her ability is Bubble. She never used to like it, it was silly and useless to her, so she kept it hidden for years. After meeting her partners and becoming happy, she's started blowing bubbles more frequently. The kids love them.

[quasarifxxy]

What primarily drew me to Kazurei as a pairing isn't the roommate trope, nor the golden retriever and brood cat trope, or the gay spy x family gag, but rather this scene from Episode 8 (that I'm somehow still not over.)

It's the mutual reluctance to love and let themselves heal, with the exception that Kazuki couldn't stand to see Rei in the same position as him, so he offers to take care of him anyway. Both, who had a rough relationship with love, let themselves confide in each other. Rei, who found comfort and experienced what it's like to be taken care of, and Kazuki, who can't help but to extend care because it's something that's just... natural to do in his position. Kazuki, who is hurted by love that is taken from him over and over again, offers what he'd regard as a bare minimum because deep down, he wants his remaining loved ones (and in this timeline just rei) to feel the love he always desired.

Though Kazuki is seemingly full of emotions every time (enough to almost repress his sadness), his actions are always so gentle and full of warmth.

What makes it more beautiful is how Rei adapts Kazuki concept's, or rather, way to express love to Miri (with the most apparent example being Episode 9) considering Kazuki was probably one of if not the first person he'd experienced and therefore actively saw it from. He initially wasn't able to comprehend how to love and be loved, and only through Kazuki's deeds did he learn how comforting and nice it is to be cared for, so he wanted to extend that to Miri after realizing how much his family meant to him.

Going back to the topic, I genuinely adore how Kazurei is a pairing consisting of two people who weren't given the opportunity to love, and during their time before Miri subconsciously fulfilled each other's emotional needs. Though initially distant, they immediately clicked because they fit together like puzzle pieces. Similar desires but difference in approach and seek what the other has.

While there is mutual understanding between them, being able to read each other, neither of the two had the will to step onto each others' boundaries and address it. It was satisfying to see them grow closer emotionally and form the courage to communicate, with great examples being the last few episodes of the series.

Tl;dr the soft aspect of Kazurei made me complerely fall in love with the pairing and I used to be neutral about it

[dynamitekansai]

THE USOS REUNITE WWE SMACKDOWN (OCTOBER 25, 2024)

[fellhellion]

hi for the love of everything hello

[agalychnisspranneusroseus]

Got any trans HCs for the amphibia trio? I love the many different interpretations I've seen from this fandom

I don't know about specific headcanons, I know I'm considering making Anne trans in RiAAU but I haven't decided yet.

In one hand: it would be interesting to think how she deals with her first periods because, well, amphibians don't have those, and Hop Pop assumes she's dying (she doesn't tell anyone else because she's so embarrassed). Not that he tells her that, but it really freaks him out. He thinks she has some sort of internal damage, and it's only after months of research that he finds out about some rare mammalian species, such as a few monkeys and rodents, that experience the same cycle Anne goes through. The whole point of this is that it makes Anne feel even more out-of-place. She doesn't remember her world or her parents, only that she came from "somewhere" (possibly another continent) full of people of her species, and she wonders if things would have been easier if she grew up with her biological family. I mean, surely this would be easier. It just serves as a reminder that she knows nothing about her species, not even its name, and she has no idea of how her biology works or what is good and bad for her or how long she'll live or what changes she'll go through.

.

BUT, on the other hand: Trans Anne. Let's start with the obvious: amphibians don't have penises or vaginas and they reproduce externally, meaning they like... release eggs and sperm in the water and they mix without the involvement of either parent, meaning no one knows what the cultural significance of a "penis" or a "vagina" tends to be in most human cultures. As a literaly 3yo, Anne probably didn't have an extensive understanding of s.ex and gender, and it wasn't like the clothes she showed up with told Hop Pop much. She just knew that, as time went on, she found herself relating more and more to the female frogs of Wartwood, and she almost subconsciously began to refer to herself as a girl. There wasn't any big coming out moment, more like a point in which, after months of ambiguity (this kid kept using different pronouns for herself) she just settled on some good ol' she/her and began picking somewhat girly clothes when Hop Pop took her to the market.

It's not like the concept of trans people doesn't exist in Amphibia, it's just that Anne didn't realize that was her situation until, at least, meeting Marcy, and noticing the differences between them. It's not like either of them had ever seen another human from up close, so they didn't know what to expect anyway. Anne's only encounters with Sasha beforehand had consisted on magical girl swordfighting in the sky and whatnot. Certainly not enough to discuss their unique biology, which is something Marcy is very excited to discuss, since she's never met anyone with her same "condition" before, and she wants to know everything, so she uses her as her little rat lab whenever she has the chance. Even then, since she also lacks all knowledge of human s.exual dimorphism and its cultural implications, she doesn't associate anything about either of their bodies to any specific gender that could possibly be asigned to anyone based on biological feautures. Since Sasha remembers the most from Earth, she's probably the only one who could maybe possibly remeber her mom or the kindergarden teacher saying something about "the difference between boys and girls", but by the point she's in speaking terms with Anne, and by the time she realizes their bodies are different, she doesn't really care.

That's not to say Anne doesn't experience dysphoria or that she never undergoes any kind of physical transition. It was probably around the time her voice started to change during puberty that she realized her case may be kinda unique: neither Marcy nor Sasha's voices have changed that much, she can tell even though she only sees Marcy in person like once every 3 years and all the words she exchanges with Sasha consist of death threats and insults. Plus, there's a clear difference between """male""" and """female""" voiced in frogs too. She doesn't want to sound like a man! She doesn't want to be anything like a man! Men are gross! Sorry Sprig, Hop Pop, but it's true. Men are icky icky yuck yuck and Anne is a girly girl. She doesn't want to turn into Stumpy! Or Buff Loggle! Oh, no, is that her future? She commits the triple mistake of 1) sending a letter to Marcy that same day, 2) knocking on Maddies' door promising her firstborn if she can save her from turning into Stumpy, and 3) she becomes obsessed researching mammalian biology in the archives. Bad decision. Bad bad. She's discovering things to feel dysphoric about she never even knew existed! Did you know mammalian mothers feed their offsprings with "milk" that comes from their "mammary glands"? Did Sasha and Marcy have those? She hates herself a little for checking out Marcy next time she sees her and she realizes that, indeed, in the past years she's grown a pair of those that Anne does NOT have. She notes that both she and Sasha are pretty much hairless. She used to think hair was a normal mammalian trait! That weasel that tries to eat the frogs every winter sure is covered in it!

Maddie shows up to her door with a bunch of new spells to try out, happy to have a willing subject. Most embarrassingly, Marcy starts doing her own research as soon as she gets Anne's letter and sends her all her discoveries, and now Anne feels mortified because Marcy knows about all the bad bad very bad changes she's going through (Marcy, for her part, is just fascinated by the nature of their "condition").

It takes a bit, but after a few very frenzied weeks, Anne comes to understad what's going on: her species had certain level of sexual dimorphism and she just happened to have been born with the supposed "sex" usually associated with "men" as a social category. When Hop Pop finds out, he burst into laughter. Oh, it was THAT all along! Anne made it sound so complicated, but it was just the same things he went through when he was younger, just the other way around ("Say what now Hop Pop?")! A few curses here and there and she won't have to worry about these so called "mammary glands" and "hair" anymore, though in the meantime, as Maddie perfects a human-friendly curse, she gets turned into all sort of different creatures. By the time it's done, she just wants to feel like... herself.

It's true that there are some things about her body that make her feel weird, like they don't quite fit in, but there are others she only worries about because she compared herself to Sasha and Marcy, which wasn't fair to anyone involved. Did she really want to fundamentally change parts of her body because of insecurities she developed last week over a book about lemurs? Then, a second set of fears come in: what will happen when she goes back to her place of origin? Because she does want to find her birth family. Will they recognize her, if they're looking for a boy? Will they think she's lying if she claims to be their daughter? If she changes only a few things but doesn't "go all the way", will people there think she's a freak? Will she ever be able to fit in with those of her species?

Does she really care so much about what other people think? She just wants to be herself. Some of the changes she's been going through are making her feel less like herself and more like she's being turned into a tax collector from Toad Tower. Those things have to go - her voice, for example. And she wants a more femenine silhouette (she may or may not show Maddie photos of young Mrs. Croaker as a reference). She wants a softer face. She's seeing her face changing in the mirror and she doesn't like it. She wants it to stay round and soft, not to grow hard and sharp or big and rough. She's not so sure she wants those "mammary glands". It's not like she ever thought about having kids, and the whole "breastfeeding" thing just seems gross, but after her research, and finding out she could have kids with, I don't know, maybe Marcy one day (a thought that makes her blush), she thinks it may be a good idea. She'll consider it. Maybe later. Her genitalia... well, she's used to what she has now. It already took her like 10 years to fully figure out what it was and how it worked and starting over with a whole new set just feels like too much work (also, the babies, the potential babies with Marcy). Frogs and toads have neither "penises" or "vaginas" so there's not a lot of information, and based on books about lemurs and her own empirical experience, comparing herself to other mammalian species isn't too useful. She'll leave it the way it is. She'll see if there's anything else she wants to change later, or if she wants to go back on something.

Marcy is surprised next time Anne visits Newtopia. In her letters, she described this strange transformation in excruciating detail, but seeing her in person now, holding her face in her hands, all she sees is the same Anne she's always loved.

A few more ideas:

HEADCANON: in Amphibia, two people of the same "s.ex" can reproduce through magic, which means there has to be a concious effort and intent. The external fertilization process there's no such thing as a pregnancy, and there's no such thing as s.ex. All reproduction is intentional, which means there's no need for abortion either. There are processes to destroy fertilized eggs and embryos, but they look completely different from human abortions.

Amphibians may perform acts resembling s.ex for pleasure or fun but they look different from human s.ex and have no relation to reproduction.

Andrias is the only person in Amphibia who knows enough about humans to know how they reproduce (a process he finds repulsive). He never tells Marcy, of course, though once she becomes queen, she finds his secret library and his hidden tomes on "alien biology", some of which talk about humans. He's also the only one who knows humans can have children on accident, and that Anne is the only human in Amphibia who could cause something like that to happen (he reads all of Marcy's correspondence). He knows his daughter is very close to this weird farm girl penpal of hers, and even though she's still a child, he worries for her future and the future of the crown. This new discovery could land the crown in the hands of a dynasty of aliens if he's not careful. Is it weird that he spends so much time worrying about his 12yo daughter getting pregnant from another 12yo? Yes, yes it is, but he already controls every aspect of her life, it's not like he's going to stop at her sexuality, future, real, or imaginary.

Man now that I wrote it all down, I think this option is more compelling than the first. Maybe I WILL go with this one.

[lloydfrontera]

wait lmao what I didn't know there was such a skip. I'm sorry this is comedy to me. so you're telling me they have this crazy ass dimension-jumping shenanigans with Javier tearing up as he finally finds Lloyd, his best friend, the most important person in his life, while it's a mutual statement for the both of them, and then we get no dialogue. and skip to Lloyd getting shoved into a hetero romance with no build up. sorry I can't believe this is real. this sounds like a joke and I choose to treat is as such. this is the most hilarious ending and the marriage now feels even more out of place hdufiskaoa9o

OH MY FUCKING GOD RIGHT?!?!?!! it is weird isn't it???? i'm not being crazy for feeling like it's a weird ass choice??? i felt like i was going insane!! i swear to god i felt like i was being gaslighted when i read it!!! there was no way that was the ending!! there was no way that ch 401 ended with one of the most romantic and heartfelt scenes i have ever read and then the next chapter just????? did a time skip where none of that was acknowledged and lloyd was just fucking married off to alicia??? completely off-screen if i may add!

i made a post about it before but i simply need to rant all over again oh my god

general warning for spoilers because i'm about to dissect the entire novel through a llojavi lens

AGAIN. SPOILERS WARNING FOR THE ENDING OF TGED.

i literally cannot express how much of a mid fuck it is when you realize that lloyd and javier's relationship is very much Thee Slowburn of tged. like. this is an indisputable fact. even if you don't think there's anything romantic between them, which, holy fuck that's such a fucking reach one must be really be in denial to not see it but whatever, even then you simply cannot argue that their relationship isn't the most important one in the entire story.

javier is the very first person lloyd talks to in the first chapter. he's the first person that welcomes him into his new life. he's the one he has to work the hardest to endear himself to. he's the one he spends the most time with. he's the one that follows him around literally everywhere he goes.

from the very beginning their relationship is given a special attention that few other things get in the plot.

through the entire story we get constant moments of them getting to know each other as people and getting closer as a result. they're constantly in each other's thoughts, which is very natural as they're in each other's company almost 24/7. it is actually hard to find a chapter where they not talking to each other or at the very least together. i cannot emphasize enough how,,, enmeshed and entangled they are with one another as characters. i mean it when i say they are a set do not separate them.

it takes lloyd 222 chapters to even admit to himself that javier is his friend and that he wants to keep him safe not because he's the protagonist of the story or useful to him or anything like that but simply because he cares for him and doesn't want him to die. because, and i quote, 'he thought he'd always be with javier for the rest of his life. just like now, he thought they'd spend all their time together moving forward. and like they always did, they'd be by each other's side during hard times. happy moments. relaxed days. they'd share all these moments as they exchanged insults and corny jokes, growing old as a lazy lord of a fiefdom and his knight. lloyd always thought so. the thought just came naturally, without much effort from him, much like breathing. lloyd believed that javier would always remain by his side as that was how it had been until now.' (ch222) <- actual textual quote. btw. if you even care.

and then. it takes javier 320 chapters, a hundred chapters more, to realize that he cares about lloyd much more than a knight cares about his lord's son. because he, and once again i quote, 'is [his] true master in [his] heart. lloyd was his friend. and now, javier wanted to protect lloyd. he would sincerely protect him with everything he had.' <- this is, if i may add some context, said as javier is fighting against a goddamn angel, literally heaven's will, to protect lloyd. after figuring out lloyd is a fake. that he's been lying to javier for several years about almost everything including who he is. and yet. this is what javier feels for him.

they are the definition of a slowburn. it takes them this long to even admit they are friends. and this is with us getting to see them together almost every chapter of the way. we get to see every step of the way. we see their relationship develop with all manner of detail.

and then. when you think you cannot get even more dramatic about them. guess what the major conflict of the plot is. guess fucking what the last obstacle for the story to get a happy ending is.

let me set the scene for you:

lloyd has just finished the jewel of truth, the artifact that will get him the answer he seeks on how to stop the restoration of fate, how he can stop destiny from making the original events of the novel come true and destroy everything he has worked and kill everyone he loves. he has javier at his side, who rushed to join him underwater to make sure he was safe and sound while using it, and he can't help but fondly think how lucky he is to have javier, who is loyal and true and has never abandoned him.

a quote of lloyd's thoughts in this scene:

That’s why, you bastard. I’m going to take care of you until the very end. Once I, your wise and older friend, solve the restoration of destiny problem, you’re going to enjoy the rest of your life by my side in peace. [...] He smiled at Javier and thought to himself. You’re my only friend, Javier. I couldn’t have overcome all the obstacles in front of me without your help. So, my trustworthy and reliable comrade, stick with me until I become a lazy lord and you become my personal guard. I hope we will be able to grow old together… -ch 327

as you can see. he's once again planning on spending the rest of his life with javier. canonically. not even an interpretation this is straight up textual i cannot emphasize enough

and then. the jewel of truth gives him the answer. how to stop the restoration of fate. it's very easy. very simple solution in fact.

either lloyd or javier have to die or otherwise vanish from existence.

that's it. there can only be one protagonist in the world and because of everything lloyd has done he's now being acknowledged by fate as the protagonist of the story along with javier. which cannot stand.

so that's the only thing stopping lloyd from getting his happy ending. he just,,, has to either kill his best friend or kill himself.

let me rephrase this from a narrative perspective: the major conflict of the story is now lloyd facing either the choice of letting everything he's achieved and everyone he loves be destroyed. losing his best friend, the person he cares the most about and has been developing an extremely close relationship through the entire plot. or dying himself.

lloyd of course then spends the rest of the plot trying to find a way to avoid having to die. that's literally what the rest of the novel is about. lloyd trying by all means possible seeking a way to not having to die. because at no point, does he ever consider letting javier die in his place even an option. he doesn't want to die of course, but he never saw javier sacrificing himself as the solution to that problem.

the entire conflict of the last part of the novel is lloyd finding a way for him and javier to be able to remain together without either of them having to sacrifice their lives for the other.

he doesn't succeed.

they end up in a battle down in hell where both of them try to give for one another leading to this absolutely delightful parallel

so fucking tasty oh my god i still go crazy when i see this set of illustrations actually

lloyd wins btw. he gets to sacrifice his life for javier. to javier's absolute heartbreak.

but lloyd doesn't die. he does end up stuck in korea tho, a place he would've rather died than go back to, so he has that going on for him. he's back in his goshiwon, absolutely heartbroken and without knowing what to do.

and then we end up with that scene. javier at his doorstep, having crossed dimensions, tearing up as he sees him and tells him how much he's missed him, looking at him with this face:

now. let's pause here. let's take a moment. take in everything i've just explained. everything that has happened to get to this point.

be honest with me. what would you say is the most natural way the story can progress from here.

take into account all that i have recounted and that i skipped so many other things of the same nature so we wouldn't be here all day.

what do you as a reader would expect to happen next

well, i'll tell you:

cut to black we're now an unspecified amount of time later lloyd has already had all the important conversations we've been waiting to see the entire time off screen and is now preparing himself for his wedding to alicia that we will also not get to see by the way

and you know what the funniest thing is. you know what is the cherry on top.

fucking guess who's the last person we see him talk with.

guess who's the person he ends the novel sharing a smile with.

yeah. Yeah.

i really don't know what else to say. i don't know how else to explain how insane this feels. how incredibly dissonant it comes across. i don't want to use the worse gaslighting like this but it's the closest word i can find to describe what it feels like. i feel like i'm being told something is happening when i can see with my own eyes it is not. or rather that i'm seeing something happen and i'm being told that no it is not and that i'm making it up.

i don't know what bk moon was going for. i really don't. especially when this is what he has to say about chapter 401 aka the chapter with javier coming to find lloyd in korea

clearly he feels very strongly about this scene too. it's the one he's been wanting to show the most, he must have analyzed it from every angle possible, must have put special care to get across what he wanted to convey with it.

so why does it feel like the last true chapter of the novel is meant to,,, undercut the feeling of it?? it almost feels as if the last chapter is telling us 'yeah yeah those two are extremely devoted to each other and would and have given their lives for one another and plan on growing old at each other's sides but don't worry :) it's nothing more than them being pals :) just two guys being really good friends :) see, lloyd is even getting married to a woman that's his real happy ending he's not gay or anything :)'

and this is not me saying that two friends cannot be devoted to each other. absolutely not of course friends can love each other platonically and that be more than enough to justify their devotion to one another.

but. it feels weird when the entire novel is dedicated to building up the relationship between lloyd and javier, taking so much time to make us really feel like their relationship is growing at a realistic pace, take almost 3/4 of the novel to even make them come to terms with how much they care for one another, spend actual years following their development,,, and then make lloyd just marry someone else. someone the novel really didn't spend enough time with to justify him developing feels for her.

this is not a diss against alicia i have nothing against her i just don't... buy that lloyd developed romantic feelings for her. much less that he acted on them that easily.

this is a man who took 222 chapters and several years in-universe to even accept that javier, the person he spent all day with, with whom he spoke almost every single day, who he had risked his life for and had been saved by several times at that point, was even his friend.

and now i'm expected to believe he's in love with someone else who, by comparison, he meets a couple of times and spends a little amount of time with.

well. i don't! it's not in character, it wasn't properly built up in the text and truthfully they don't have enough chemistry to make up for it.

i don't know what happened there. i don't know why bk moon decided to add a romance when the novel didn't need it. i don't know why he chose to make it happen between two characters that didn't have a relationship as deep as the one he spent the entire novel building up and promoting as the most important one. which may i add was between his two protagonists. y'know. the ones the novel is supposed to be centered around.

i don't know. i don't know what happened. i don't know if it was censorship, last minute panic, fear of opposition or rejection or actual obliviousness to what he had written looked like, i simply do not know.

i really hope it wasn't homophobia tho that would absolutely suck lmao

but uh. yeah. i do think the ending is very funny when you put it like that askhdsjkfds

[ottersandfandoms]

So at the Blitz hate party, Blitz had a lot of exes. A LOT. 

And I think this just shows how sex is his immediate coping mechanism when things get hard, as well as this desire to be in control and need for closeness. Blitz likes being in control, he makes himself the boss of his company and really just likes to boss everyone around. His whole life he hasn’t had any control in what’s happened to him, the fire was an accident, him being bought to be Stolas’s playmate, and just the overall lower rank of being an imp. He desires the feeling of being the one in charge as well as in control of his own feelings. In regard to relationships, if he is in control of the situation, he can’t get hurt. Of course we are shown this is not true as Blitz is clearly a very hurt individual. He is so desperate for this comfortable intimacy and understanding yet so terrified of being close to people. He both craves and fears love. It is this cruel paradox and cycle that he cannot break. A big part of what drives this is: if he lets people get close, it is not only himself who will get hurt, but THEM. His mother died because of him, Fizz was permanently injured, his sister is a drug addict, even if Blitz knows the fire was an accident, he still very much blames and hates himself because of it. He has built of this belief of himself being this great destroyer of relationships and people that it has become a self fulfilling prophecy. He breaks off these relationships because if he doesn’t, he will have to challenge his twisted beliefs and deep rooted self hatred. He rationalizes to himself that nobody would really want him, nobody is even capable of actually caring for him. His dad never wanted him. He was never enough. He can never be enough. And yet he is terrified of being alone so he gets with all these people to give himself this false sense of closeness and control. But he can’t allow himself the one thing he really wants: to be wanted. And this is why this party and the conversation with Verosika are so important. Blitz finally realizes that he is just hurting people more by destroying these relationships than he would by keeping them.

[zer0pm]

Trigger

Luis Serra x GN!Reader

A/N: Here it is. A one-shot to this imagine prompt I posted. Wanted to see if I could pull off a serious Luis and… may have gone overboard lol, but hope you enjoy nonetheless.

Warnings: character death (maybe ¯\_(ツ)_/¯), cursing/swearing

“Run, Luis!” you plead. “Run before I shoot you!”

The man chuckles under his breath, “Think you can get rid of me that easily?”

How did it come to this?

One moment, you and the team are making your way to Luis Serra’s laboratory to remove the parasites inside of you, your partner Leon S. Kennedy, and the US President’s daughter Ashley Graham, and the next, well…

“Condor Two, put down the gun! That’s an order.”

“I’m fucking trying!”

It happened so quickly. Luis’ suppressants wore off much sooner than any of you had anticipated and you keeled over suddenly, overwhelmed by scalding pain so intense that you were certain you were going to pass out. Luis was the first to rush to your side, he asked a series of questions with a tone uncharacteristic from his usual easy-going demeanor. However, his concerned inquiries were nothing but muffled noise as a deafening ring gnawed at every corner of your brain and your body grew so intensely hot it was as if you were being burned from the inside out.

It felt like torture.

It felt like you were dying.

Give in.

The moment you regained your senses, the situation only got worse. And here you are now…

Ashley is cowering behind Leon.

Luis is a ways in front of you with both of his hands up in the air.

Leon has his gun pointed towards you.

You have your gun aimed at Luis.

You try to lower your weapon, but your muscles wouldn’t relax. You try to step back, face away from everyone- from him, but your feet refuse to move an inch. The grip of the pistol in your hand tightens and you had to summon everything you had not to squeeze the trigger even though your fingers were violently twitching to do just so. Everything was hurting so much.

Give in, little lamb.

Leon barks at you to put down your firearm and you spit back that you were trying. You are trying, trying so hard. And you are failing. Something, or rather, someone else was hijacking you.

Do not resist, child.

“Shut up!” You snap. “Get the fuck out of my head!”

A flash of understanding appears across Luis’ face who has been carefully watching you this entire time. “It’s Saddler,” he says out loud. “He’s using the plaga to gain control.”

Your ears pick up Ashley’s frantic sobs and you remember that she experienced the same thing, she knows all too well what was happening to you at this moment. Saddler is trying to turn you against your companions. More specifically, he wants you to-

Kill Luis Serra.

At just the thought alone, your fingers threaten to take the shot. You manage to wrestle control back to your other hand, swiftly bringing your free hand over your disobedient one and slotting your finger behind the pin without a second thought. The pin pushes against the skin of your digit so hard that it was beginning to break skin, but you endure. Your whole body is shaking.

Poor child. You are only prolonging the inevitable.

“Run, Luis!” you warn through gritted teeth, grateful that you still have your voice. “Run before I shoot you!”

At your words, the Spaniard grimaces, his lips turn into a thin line, his grey eyes darken. Never before have you seen such an expression on him. Then, he chuckles under his breath, “Think you can get rid of me that easily?”

The nerve of this guy, you swear…. Thankfully, Leon became the voice of reason.

“Move out of the line of fire, Luis,” he ordered. But the other man didn’t budge and you can feel the palpable urgency in Leon’s voice. “Come on! We gotta get out of here.”

“I’m not leaving,” Luis spoke up, his eyes directed towards you. “I’m not leaving you.”

Any other time this would have been touching. You and him have been stuck together throughout this entire horrifying adventure so of course you would forge a bond. While there were countless times where you wanted to punch him in the face, there were more times where the man’s ever present smile and unparalleled flair stopped you from doing so. You became fond of Luis and his antics, especially of all the times that he tried to charm you with that Spanish bravado unique only to him (not that you would ever admit any of this to him nor admit that he had affected you in any way). And it was because of your fondness that you knew you had to throw all sentimentality away the moment you were losing yourself to the voice in your head.

“This is no time to act all chivalrous, Luis Serra!” You shout desperately. “Saddler is going to make me kill you if you don’t beat it.”

“No. You haven’t lost. Saddler hasn’t taken over completely. Otherwise, we would be hearing him speak right now. Pero no,” the Spaniard counters, his stubbornness matching yours. “You can fight this.”

His bull-headed faith stirred something within you. A desire to do as he says and resist the virus consuming you. He was giving you hope. Spreading it from himself to you. Like an infection.

Kill him.

You snap back to reality. “We’re not doing this. You have to run. You have to get away!”

Leon interjects once again on your behalf, “Ashley needs to get to the lab fast, Luis. If your equipment can cure us both, I can come back and fix this. But we have to move. Now.” Despite his rationality even you can tell that the blond agent was threatening to go over the edge off the tension between you all in his attempts to sway your mutual ally with reason. “We still have a chance.”

Unfortunately, Luis being Luis, a man of honor and integrity, he refuses. “No,” he says firmly. “I won’t take that risk. If we don’t beat this now, it’s over.”

Before you can fully register the weight of his words, his actions portray his intentions clearly. The dark-haired man began closing the gap between you two. Panic pours over you like a bucket of ice water and you are practically screaming inside for your body to listen to you. To lower the damn gun and get away from him. To keep him away from you. To keep him safe. It was no use.

Like cattle up for the slaughter. Kill him now. Take the Amber.

“Stay back!” To your terror, your hands involuntarily lift the gun so that it was pointing straight at his face. The stubborn man didn’t flinch and he did not heed your warning.

“The last time someone sent me away,” he speaks calmly, “I lost them forever.”

He continues walking straight until he was well within the sights of your pistol. If you shoot now, no matter how fast you moved your hand away, it wouldn’t matter. It would be fatal.

And yet, there still isn’t an ounce of fear in Luis’ eyes.

What the hell is he doing? Is he actually trying to get himself killed?

Yes. Kill him.

You squeeze your eyes shut, shaking your head wildly in the futile hopes that whatever gripped its hold over you would finally relent and disappear. Luis must have sensed the agonizing conflict within you as you hear him gently call you out, effectively pulling your focus back to the surface. Your name upon your lips felt like a soothing caress upon your raging mind. When you open your eyes, he had a smile across his lips. It was different from the coy, teasing ones he usually wears around you. It felt sincere and comforting, like he was silently assuring you that everything will be okay. His grey eyes captures you, the look in his gaze is intense and unwavering. The way he’s staring at you now makes it feel like you are the only thing in the room to him.

“Otra vez no. Not again.”

He grabs the barrel of your pistol and you thanked whatever gods there were that you still had the strength to stop yourself from firing your gun. But when you thought the man would help you move the gun off his person, he shocks you even further. With a slow push, he lowers your aim until the gun was positioned right over his chest where his heart beats.

This guy really wants to die!?

Leon shouts out before you, “Are you out of your fucking mind?!”

The man looks over his shoulder slightly, he seems to ponder over Leon’s words and after a moment, he sighs with a somber nod.

“Puede que tengas razón. I must be.” He smiles sadly. “The most insane man on this whole island.”

Luis returns his attention to you, his expression relaxes ever so slightly at the sight of you despite the terrified, confused look upon your face.

“Escúchame,” he began, his voice low in an almost intimate whisper. “When I took the plaga out of my body, I did it out of a sense of duty. Not out of a desire for self-preservation. I’ve already led a pretty shitty life, you know? The world would be better off without me in it. Pero, I first wanted to correct my mistakes. Set things right. That way, uh, when I finally died, I’d have left doing some real good for once.”

His words were shaky and you come to the conclusion then that he was nervous. Yet amidst his evident anxiousness, Luis seemed like he was genuinely speaking from the chest for once with none of the dodgy, playful attitude he usually wears like a tattoo upon his skin. He was a completely different person before your eyes. Knowing this, knowing he is showing this side of himself to you, made each word out of his mouth weigh heavily on your heart.

“But then we met. Chained together by some sick twist of fate. And from that moment on, we’ve been stuck together, fighting alongside each other, protecting one another. Sure, I may have abused my charm to get you to accept my services and I’m fairly certain that you despise me now for being the cause of all of this suffering but….” he pauses, it was first time you’ve ever seen the man like this. As if his life depended on every word he was giving you and he needed to get it down right.

After another moment passes, Luis chuckles lowly like he just remembered a sad joke before catching your gaze again. “Being by your side, it felt like I was finally breathing for the first time in years. Breathing like a man who wants to live for something worthwhile. And it’s all because of you.”

Your eyes widen at his raw confession.

Luis continues, not waiting for you to respond, “You are the light that pulled me from the darkness. My light. Mi luz. And if it makes me crazy to want to stay with you to fight this virus when I’m just a trigger pull away from death, then so be it. I’m crazy. But I’m not leaving your side. No hay manera.”

No way. He’s being completely real right now and you swear your heart bursted out of your chest. Again, he doesn’t wait for you to speak.

“¿Comprende?”, he moves his free hand to your neck, not to wrap around your throat, rather to cradle your cheek in his palm. His touch felt warm and his eyes reflect his burning resolve. “I’m not going anywhere without you. So you have to fight. Fight against the darkness, mi luz. Fight, and let’s get out of here together.”

When he finished, you were crying. You don’t know when the tears started flowing but you know you must be quite a sight with the heavy wet streaks down your face. Luis didn’t seem to mind though, nothing but pure adoration on his dashing face.

“You are the worst, you know that?” you finally say after what seemed like an eternity, reigning in your sobs, deeply moved by Luis’ heartfelt declaration and faith in you. He laughs at your half-hearted snark. “For the record, I don’t despise you. Not even a little.”

Soft smiles and lingering looks exchange between you two. In his eyes, you saw deep longing and hopeful promises that needn’t be said aloud. You returned them with a silent nod, acknowledgment that his affection was not one-sided and the man graces you with that radiant smile you have grown to adore.

Luis really does have a beautiful smile.

It almost made you forget for a moment that the infection was taking over you.

Do it.

“Leon,” you croaked, straining to get your words out, but remained firm in your conviction. Your fellow agent meets your eyes and a mutually understanding was made. “Do it.”

Confusion furrows Luis’ brow and the sound of Leon cocking his gun made the man tense.

Poor little lamb.

“I’m sorry, Luis.”

“¡NO!”

Shot fired.

[coridallasmultipass]

brocal for the ship bingo?

The OTP to end all other OTPs... (Man. This wound up being basically Cori's Masterpost of BroCal. AKA... this got long and has some images, since I realized I can post my own art directly instead of just a text link to it lol.)

Wasn't actually expecting this to wind up with a bingo? But I got basically 2?? (Will explain the lighter heart later.) This is A LONG post, and definitely gonna get SUGGESTIVE, bc man, am I obSESSED with BroCal. I'm just gonna go thru each checked box, since I don't know how else to structure this post lol.

Read More to save ppl's dashboards:

I want them to make out with blood: OKAY. I HAVE A WHOLE THING PLANNED FOR THIS CONCEPT. I AM NOT GOING TO GO INTO DETAIL ABOUT IT JUST YET BC I ACTUALLY WANNA WRITE IT. I'm obsessed with this one fanart of Bro licking Lil Cal, and it spurred on an idea I outlined and really wanna write: https://coridallasmultipass.tumblr.com/post/739969858334294016/hiiii-mutual-i-am-secrecy-asking-if-u-have-anymore

((Sorry for the plain text links, Tumblr app is NOT cooperating with me right now to add hyperlinks. I'd post the image directly if that one was mine.))

Basically, I just really need to see Bro and Cal making out with blood in their mouths, and I started a whole convoluted, unrelated outline in order to make that hapen. It'll probably just be a really short thing that ends at the uh climax, since otherwise it's gonna end up sadstuck. And I don't like sadstuck lol.

Undeniably t4t: Bro and Dirk are always trans for me, and Lil Cal's got that uh... what percentage did I calculate it out to be? 13% of Dirk is in Lil Cal [ My shitpost calculations: https://coridallasmultipass.tumblr.com/post/746702663327072256/i-ran-out-of-tags-rambling-about-this-so-im-just ] so Lil Cal is at least 13% trans because of that much of Dirk being in him, plus however you feel about the other components being trans. LMAO this is ridiculous to type out. Moving on.

EDIT: FUTURE CORI INTERJECTING WITH A:

"Lil Cal Top Surgery Healing Progess: Day 1"

Terrible for each other affectionate/derogatory: I don't even know where the affectionate/derogatory split occurs. I multiship BroCal as both Bro/normal puppet Lil Cal and as Bro/evil juju puppet Lil Cal, and whatever combination in between or outside of that. Terrible in that Bro is so obsessed with Cal that he doesn't have normal relationship/social skills and uses Lil Cal as both a crutch and motivator alternately, in a terrible cycle, or maybe rather... spiral. And also terrible in that Bro is caught in the allure of playing the role of puppeteer while also being a puppet for the darker parts of Lil Cal, whether he actively knows it or not. (Honestly though, I feel like it's dismissive if you try to blame all of Bro's faults on Lil Cal like this tho, which is why I tend towards liking Lil Cal as just a regular puppet a lil bit more. Or at least, a regular mildly supernatural puppet since that can be a little more entertaining if Cal can get into mischief while no one's looking or give off the vibes of his mood more directly, rather than like entirely inanimate or 'just LE, trapped in a puppet body.' Again, I like all of these concepts.) ((I mean that can also be a whole post of its own, like, by the time Bro gets ahold of Lil Cal, are any of the other components still alive in there? Like, are ARquius and Gamzee still in there or did Caliborn kill and consume them entirely? Idk how it works, man. This is why I like Lil Cal as his own person, maybe just influenced by the feelings of the others. LaCroix: CalGamARquius essenced water. Lil Croix.))

They need to get weirder with it: YES YES. 1000% YES. I need entirely shameless Bro doing entirely shamless things to Lil Cal. I want them inseparable and doing unspeakable things to each other. I want Bro taking full advantage of Cal having a puppet body and all the intimacy that comes with making repairs and being elbow-deep in stuffing.

Playing with them like dolls cute/psychological torture: This is the same divide as with the 'terrible for each other' point, so I'm just gonna go with the cute one, since the torture one is self-explanatory. I want them fucking married. Like. Full mushy cute romance type of relationship that Bro has never felt for any of the people in his life (cough aromantic cough). I made this comic not too long ago, and I often fondly look back on it, because I adore the concept of Bro being lovey and romantic and everything out of character around Lil Cal because he feels safe and loved and comfortable around Cal:

[ https://coridallasmultipass.tumblr.com/post/750602227910131712/brocal-4-lyfe-so-i-had-this-idea-of-dave-being ]

I made a post a long, long time ago (not gonna link that one bc it was personal and I was being very obviously mentally ill ["C'mon, like you're not being obviously mentally ill while typing paragraph upon paragraph about BroCal still in 2024 like 10 years later??" Fair.]) But the gist of it was that, like, having objectophilia or objectum sexuality is like, from an outsider pov, it's a way to express love to yourself. You filter all your self-hate through the object you love, and you get back unconditional love in return.

Lil Cal is never gonna hate Bro, no matter what Bro does. As a regular puppet, Lil Cal doesn't have the capacity for hate. And so that only brings them closer, since Cal is never gonna reject Bro for any reason. (Back to being a crutch. RSD is real, and Dave is probably a big trigger for that since he's not on the same wavelength of weird as Bro [not blaming Dave, obviously, this is a post about BroCal].) Bro can experience receiving positive attention from Lil Cal, without feeling 'fake' or uncool by expressing that same attention or affection directly to his own self. (Things are always done through multiple layers with the Striders, aren't they?) ((And I'm not saying Lil Cal doesn't love Bro, or that their relationship is just pretend - it's real, I'm just like, 'What's going on behind the curtain in the mundane situation?/ How is the relationship appealing?' Lil Cal luvs Bro 5eva 4 lyfe and that's a hard fact. Could cut diamonds with that shit.)) Example: maybe Bro is dealing with a bout of body/gender dysphoria and is trying to take out his frustration with working out, and it's not helping, even if he's powered through a set better than normal. Then, he notices the way Lil Cal is watching him, and he can feel the excitement seeping off Cal. He can sense the echoes of a wolf-whistle ring out through his mind, and it's like. Okay, none of that shit from before matters, he's got all the validation he needs right there in Lil Cal. Maybe flex in Cal's direction, Bro?

Oh, so back to being cute: isn't it wonderful how the template maker phrased it as 'playing dolls'? But yeah, I want all the mush and everything. Bro has a whole wardrobe for Lil Cal for every minor event that occurs in the Strider household. I want them going on genuine dates. Maybe even... holding hands. Bro blushes for the first time since he was 16. He even gets to take Lil Cal with him when he goes out to DJ or put on a show. Not to mention the whole website business. (I've talked about Cal's role in that before, but I'll mention it in a moment...)

They will die in a heart shaped pool of blood: I mean, kinda did happen, even tho Lil Cal didn't perma die right there. I don't think this one needs any explanation, since it basically happens in canon.

'You should see the other guy...': Okay, so. About 11 years ago, I had a really great idea. About how smuppets enter this world. I expanded on it in the following more-recent post (adult only content lol): https://coridallasmultipass.tumblr.com/post/741683686717669376/back-in-the-day-my-friends-called-me-insane-when-i

To sum it up, whenever Bro makes a new smuppet design, he then gives it a video debut on his website, where uh, Lil Cal births the smuppet like it's a horror movie scene, fake blood and poly-fil gore all over the place as the smuppet crawls out from the viscera. Bro then gets to play aftercare by lovingly and gently cleaning up and restuffing Lil Cal as they get to admire their new creation and rake in the dough lol.

So it's technically not a 'you should see the other guy' kinda situation, but it does involve one of them being... idk what word would describe it. Injured by the other? Usually a character loses a fight and says this to act like they got out of it better than the other guy, but... We could have someone knock on the door during the filming of a scene like that, and Bro has to answer it with fake blood up to his elbows, and be like 'You should see the other guy.' (But obviously, that's a terrible idea and would cause more trouble than it's worth... Maybe worth it for a persistent door to door salesperson, though.)

Though, I guess I should also say, I'm not opposed to Bro beating on Lil Cal in or out of the bedroom. Or in the case of animate Lil Cal, Cal choking out Bro. In or out of the bedroom, lol. Depends on the situation, like I said I will ship this ship any which way. But my preference for animate Lil Cal is to be like a totally normal puppet around Bro (or mushy in-love with Bro) and then evil-murder-puppet towards anyone else in Bro's life, like a... toxic yaoi guard puppet. (New Phrase Achievement Unlocked!) Bro brings home another guy to have sex, who tries to stay the night due to the late hour, but the guy wakes up shortly after to see Lil Cal standing there with a knife in the dark, eyes glowing red. Panic ensues when the guest screams and freaks out, and by the time Bro's got a light on, grabbing his sword, ready for a ninja vs ninja fight (bc an intruder would've had to bypass all the traps), Lil Cal is just innocently splayed across the desk chair, no knife in sight. Relevant post (well, the caption on the post too, saying how Bro can't seem to hold onto any relationships besides Lil Cal):

[ https://coridallasmultipass.tumblr.com/post/741830516962164736/i-want-you-so-youre-mine-always-selfishly ]

Uh, lol, also Cal choking out Bro in the bedroom, adult only drawing: https://coridallasmultipass.tumblr.com/post/754328907438800896/i-wouldnt-wanna-be-my-ex-when-he-found-out-who

Thinking about them always and forever: Listen. My Tumblr as proof, I've had BroCal on the brain for at least 11 years at this point. Definitely longer, since I first started reading Homestuck. I fucking love puppets and dolls and plushies and I always have. Man, if I hadn't deleted Tweets (automated app I used to do, and I couldn't choose what to save) from when I was in high school, you could've seen me @ ing my fave band when they were taking lyric suggestions on a fan-inspired album, where I was telling them 'make a song where the theme is puppets' and, while I don't know if they saw that or took the suggestion (they had responded to me before bc they weren't huge yet), there is indeed a song titled "Puppets" on that album, and it was my favourite song on there. Point is, I was fated to ship BroCal before I even knew it existed.

Sicko 2 sicko communication: I mean, does this even need explaining? Bro and Cal aren't just on the same wavelength of freaky, they're the fucking source of the wavelength, and it's causing a feedback loop between them. And it does as feedback does, which is, it amplifies with time. (Going back to the spiral symbolism here, lol.) ((Actually, time can play a symbol here, too, I guess, but idk how to word it, I'm starting to run out of steam.))

Let them have a happy ending: God, I need this so badly. I know Bro's story ends in Homestuck, but like. Pls. Someone needs to officiate their wedding. Currently placing the dreambubble order, but I can't organize a wedding by myself. OH speaking of. In that lil comic I did above, where Bro is accepting Lil Cal's proposal, I had the Natural Born Killers wedding scene in mind. I was gonna draw that as a follow up, but I think I have too many WIPs going. Just two people on the run, saying "I do" in a scenic but completely ordinary roadside location. Idk why, I keep going back to that movie for things related to Bro (I mention it in a very important scene in a longer WIP I've been writing, as something Bro watched and internalized as a kid lol.) It's not the best movie lol. Anyway.

The devotion omg: I feel like I have already gotten my point across about this, but let me reiterate:

[ https://coridallasmultipass.tumblr.com/post/735842968450269184/in-the-name-of-iconic-magical-girl-anime-ill ]

Bro and Lil Cal absolutely beat the shit outta Jack Noir before he gets prototyped. And even then, they fight together till the death, like. C'mon. Nothing more romantic than fighting a losing battle side by side. Also, like, Lil Cal having his own protective chest for safekeeping as seen in the Strider living room? Like, you don't just have a protective case for any old thing, especially something meant to be handled, especially something that is regularly used to smack other things/humans. What I'm saying is, Lil Cal is durable and resilient, and yet, Bro still has a case for transporting Cal safely. Oh, wait, I just thought of something funny, what if Lil Cal goes feral like a cat, and basically the chest is like a cat carrier so Bro can drive without being constricted lmaoooo, I've been typing for hours can you tell?

Kind of homophobic: Listen. I HAD a Cal. Took him to college. Staked my claim on the top bunk bc I am royalty. Proceeded to not have anywhere to set my water cup and had to use a cardboard box as a table up there. Spilled water. Melted Cal's sharpie-drawn face. And then proceeded to cry. I have a WIP of Lil Cal 2, but that requires actually remembering to work on him. I wanna do better by the pattern, too, since I rushed to finish the first. I have all the material! I have the project started! So it's just a matter of reordering my WIP priorities, honestly.

Where is all the fucking content?!: For realzz. I was actually venting about this the other day (didn't end up posting it), but it's like, either there's no BroCal content, or there IS BroCal content, but I can't reblog it for reasons I don't want to get into on this post. I'm dying of thirst in the ocean, basically. Whatever. This just means I need to make more BroCal content myself, which I am more than happy to do. I've just had a rough past few months, so I'm glad I got to type all this post out, and hopefully I can get back to creating soon.

Last one! I hope this one makes up for the absurd length of the post, it's prob my new fave idea I just came up with on the spot.

[TW drink spiking by a stranger mentioned in this.]

Committing atrocities as their silly little activities: I think we all know what this means, but I am going to ignore that elephant with my special x-ray vision. Because this is a BroCal post. I'm digging deep to the meat and bones of this. Honestly, this could go multiple routes, it depends on how you take your Lil Cal.

One could place emphasis on the 'guard' part of the, ahem ahem, toxic yaoi guard puppet. Maybe someone is actually trying to harm Bro, and Bro legit can't do anything for reasons outside of his control - let's say his drink got spiked a while after he invited a stranger home that he thought was chill. As Bro gets shoved down on the futon, his memory of the night is only a few flickers. Familiar orange plush, roiling around above him like a dancing windsock. Flashes of Lil Cal's face all distorted and stretched wide like a funhouse. J-Lo and Ice Cube on the TV. But when Bro is finally able to fully wake up in the morning, everything is as if he just got home alone last night and passed out on the futon. Cal looks totally normal and content tucked under Bro's warm arm. Except when Bro gets up, there is a pair of shoes too big to belong to him at the door. Maybe Bro knows. Maybe instinct tells him to run. Maybe he does, but he's running towards Lil Cal, every time.

[wellijustfinnihedoneofthebooks]

Blackwood farm doodles because wow this is really the book of all time

Closeups and lineart below the cut

[mikesbasementbeets]

[sir-lunar]

Hello! I love your art, and in general your presence in the fandom! I've seen your art for a while but I'm mostly a lurker tbh.

If you can and want to of course, could you tell us some of your headcanons for villainous characters and some drawings on your them?

Have a good day!

1. I’m sad to say I had to sit here for awhile desperately trying to scrounge around for any memories of me possibly having any Villainous headcanons-

The thing is, I never really have/develop any headcanons when I’m into a fandom??? But uh, here are some possible ones I suppose:

Flug makes Black Hat’s coffee every now and then. He knows how he likes his coffee by heart now (probably after lots of practice).

Actually, chances are it wouldn’t even be coffee because knowing Black Hat it’s probably acid or something… hold on, that would be kinda nice. The idea of Flug making a specific acid for Black Hat’s drink :)

(Also, yes I’ve seen the official Villainous Comic similar to this idea, but I imagine Flug would most likely change the acid to Black Hat’s taste. Probably make it “less sweet” haha)

Maybe, deep down, I mean REALLY deep down, Black Hat does (or could learn to) care about the crew. And, perhaps, if it really came down to it, the crew are the only ones who really care about Black Hat. They’re a family, albeit not a healthy one, but one nonetheless. Call me an optimist-

Flug and Demencia view each other as siblings. To me, they very much treat each other like siblings, and I love that they have that dynamic 🥲💕

I know most of these probably/definitely aren’t canon but hey, it can be nice to think about ¯_(ツ)_/¯

Also that they’re not very interesting sorry

2. I’m guessing you mean if I have any drawings of my headcanons? I haven’t drawn any before since I never really think of headcanons…But honestly, I really liked the idea of Flug making acid for Black Hat, which I literally just made up while writing the reply to this ask so I made a little drawing for it:

Also thank you so much!! I’m extremely flattered 💕 I feel incredibly grateful to be able to contribute to the Villainous fandom! I remember seeing amazing fanart from skillful artists on Tumblr that just made me fall more in love when this show years ago. Of course, there’s still amazing Villainous artists today, but it does make me feel nostalgic thinking about it :,)

[faunandfloraas]

You have been sending a lot more i.n lately is there a new bias wrecker 🧐

since I've never claimed a bias, how could I have a bias wrecker

[pinkyjulien]

Further up on the road,

further up on the road

Where the way is dark and the night is cold

One sunny mornin' we'll rise I know

And I'll meet you further up on the road