#of trust and comfort and understanding

[fragilecapric0rnn]

i can't stop thinking about tai and shauna. how we see them start out as teammates about to fist fight at a party. as adults who only call each other on burner phones when there's an inkling of disruption of their peaceful lives. but as the story unfolds, so does their friendship. so does the fact that their lives are anything but peaceful.

how sleeping side by side in the attic turns into the "im not going to let you die from a botched abortion" all the way to "you almost died anyway let me hold you" and even decades after it all, tai still goes to shauna when she starts to struggle. you leaned on me out there all those years ago and im leaning on you out here all these years later. you shared your secrets with me then and you share them with me now. i didnt judge you then and i dont now.

how they're still 17 even when they're 42. how they'll always be 17 in some ways in every way. something something, taissa saying but did i actually do those things? something something darkness as a metaphor for trauma and how it never leaves you and follows you wherever you go and you'll always be the age you were when you experienced it.

[poorly-drawn-mdzs]

There is a platonic explanation for all this. Right?

[First] Prev <–-> Next

[thwackk]

a while back i started making my own teen titans reboot after watching the show because i just wanted to for fun. and was planning to redesign them all and made some of their character arcs a little better and made gave them slightly different dynamics with each other n everything but i only got dick and raven done. ive drawn starfire’s but it’s uncolored

[springsketches]

He doesn’t understand. We aren’t convinced of anything. And we aren’t stuck together. We’re one. Decided to make some fanart of my interpretation of the wild together. Idk if you could tell, but the wild is my favorite princess, ha ha.

[s0fter-sin]

soap and ghost, after months of flirting, of having each other’s backs and saving each other’s lives, of knowing the other better than they know themselves, finally getting together

ghost letting himself free fall onto the bed, soap following, always following his lead. they barely pull apart enough to get their shirts over their heads, hands running over muscles and scars and holding close

soap kisses every new scar that’s revealed to him, from the thick keloid divot over his ribs from some kind of puncture to the innumerable slashes and stitch wounds holding his torso together until he’s mouthing over his collarbones; the tips of his fingers lightly caressing the edges of his mask

ghost who’s been so quiet, so overwhelmed by soap’s touch that all he can do is sink into him, panting gasping breaths, finally pushes out, “don’t ask me. please…”

soap freezes, mouth hovering over his skin. “ghost…?”

ghost’s face is tilted away, eyes held so tightly shut they tremor while the rest of his body stays lax beneath his. desperate. resigned. “please don’t ask me, johnny.”

soap lets his hand fall from the mask, coming to run soothing circles over his clothed hip. “why?”

“because i’ll say yes,” he confesses and it’s great and terrible; a warning and a relinquishment laid at soap’s feet. “i’ll always say yes to you.”

for a long moment, there’s nothing but their shared breaths, nothing but their hearts beating for the other. until soap finally leans down to press a kiss to the corner of his hidden mouth; his lips meeting faint raised scar tissue he might never see

“i’ll never ask.”

ghost’s eyes drift open and they catch on soap’s; on a sea of promise and fierce protection

“i swear… i’ll never ask, ghost.”

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh 😔

[ricesinspo]

☆ — reactions to screaming and crying II. by @ricesinspo, credits appreciated!

— ☆ —

[★] running to someone else because you're not sure what to do, "help! they're crying, what do i do?????"

[★] running to someone else, but to 'report misbehavior', "ugh they're being annoying! stop them!!"

[★] asking "what's wrong?", only to give half-hearted advice that is barely assuring, if even at all.

[★] sitting by their side; as in being just there. perhaps you're not quite sure how to help.

[★] staying quiet. saying nothing. staring disapprovingly for a while, then, "... are you done."

[★] "you know this is hard for me too, right? you're making this even harder. so stop it."

[★] "what's wrong with you?! say it! don't just scream and cry as if anyone's going to understand!" (<- is the person making it difficult for them to open up)

[★] "you know crying won't solve anything, right?"

[★] "what happened? this isn't like you at all..."

[★] ^ the above but more condescending, "where did my good and cheerful child/friend/[relationship]/[name] go?"

[★] "suck it up."

— ☆ —

[morganmnemonic]

So it's basically established that Alastors staff is the source of a lot of his power, right? Like, as soon as Adam breaks it, Alastors radio voice breaks, his kaiju form disappears, and he can't do anything but run away.

What does it mean, then, that he handed it off to Charlie in cannibal town for a few minutes so she could sing her song? What kind of display of trust is that? He's clearly uncomfortable without it, taking it back the very moment it doesn't look like she needs it anymore. Is it just that he knows that Charlie can't really hurt him? That if it came down to it he could call in his favor to get his staff back? Is it because he's surrounded by no one but Rosie and her cannibals? He feels safe enough to let his guard down in the closest thing he has to a home in hell. It's the second most vulnerable we ever see him, and he does it so casually. What kind of trust is implied in that simple action?

[leona-florianova]

Would be seriously hilarious if Denji Chainsawman ends up finding out hes ace. I mean it would be bummer for him, but with the way his life is going, the irony wouldn't be a surprise.

[mrstsung]

Me @mrstsung @arttrampbelle protecting all my fave iterations of shang tsung from nrs and fans. Having a blorbo/ f/o that you are very very very picky sharing with and don't really like sharing is difficult. Especially when you see said character in a certain way that both fans and canon just doesn't really understand. I've just been very protec mode of this character and self ship just because it's kinda been my comfort character rn.

I know that it seems silly to some but this character means a lot to me personally rn.

Anyways.

We have

mk:conquest shang(under my chin)

Mk:2 arcade/mk:shaolin monks shang tsung (with the yellow and black hat)

Mk:95/mk:11 shang tsung(in front of conquest shang)

Mk:12/mk:1/young shang tsung(my own hc version of him since i hate "canon" verion of that shang. He's the one waving,giddy and smiling)

And finally old man shang tsung, mk:legends/mk:9/mk:11 shang tsung

All of them have unique qualities i love. Shang tsung while i treat most iterations as separately as possible. All of them share one things in common. They're full of heart and soul uwu <3

Used a base.

[dangans-ur-ronpas]

byakuya togami is someone who suffered through a competition that didn't recognize family ties or status, and so in the events of thh he believes he exists as a being outside of the game - not that he thinks he's not a participant, but he's more like someone who is above all the others. someone who's seen this scenario before and knows how it goes, and can know the characters well enough to predict all the plot twists. his actions of chapter 2 are exactly for the reason he said; to make things more interesting, to purposely throw a wrench into the investigation and raise the stakes for everyone, himself included, because he is someone who exists outside the spheres of existence for all these people. he never doubted that he wouldn't have been able to save himself at the end of it, because the characters - as bumbling as they were - would have figured it out. he can manipulate the corpse because it is a doll to him, because chihiro was never a 'real' person in his eyes. and neither was anyone else.

(even kyoko and makoto were characters, albeit annoying, observant ones. the ones that looked out of the pages and back at the reader, that you can't help but see parts of yourself in, flaws and all, until they look back at you and point out all the flaws you never noticed in yourself. they're always surprising him, being unpredictable, and it makes this game feel less like a contrived theater play and more like a real competition).

what chapter 4 does is it destroys those conceptions. aoi literally slaps him into reality, because she should have been just another character beneath him, outside of his realm of existence, someone who never should have been able to even dream of interacting with him in such away. he can really get hurt here. he doesn't get shaken up by it, but it irks him. he thinks he knows everything about everyone involved, because for his life up until that point, he's had to learn and know, had to roughly understand the thoughts and drives of the common masses so they can be manipulated and the beliefs and motives of people like him so he could outdo his siblings.

but then during the trial, he gets surprised, he gets proven wrong, and he doesn't understand, and it needs to be explained to him by someone he previously considered lesser. because despite everything that he's done and accomplished, he has never tried to understand the meaning of human connection and just how far people might be willing to go for the sake of those bonds - and without that understanding, he is no better than any of the others around him.

[carnivalcarriondiscarded]

This is just an idea but

What if you made a whiteboard and invited everyone on stream to join it? Just a fun thought is all!

picturing this made me Scream In Fear and also run shrieking into the woods, never to be seen again

[haveihitanerve]

Gregor: I am so lost on what to do, my class voted me class president and I don’t even know how to start

Lizzie: just think like a leader. Ask yourself what Ripred would do and then do that. It’s probably the smartest and most diplomatic course of action.

Gregor:…

Lizzie:… what?

Gregor: you and I have a very different image of ripred.

[truewizardfacts]

would you be my friend?

friendship is not so easily earned! you must go on a quest to the highest, most dangerous mountain top and obtain the sacred RUBY from deep within the chasm of the core!! fight the dragon that possesses it and pick up a box of marshmallow supremes on your way out!!!!

[pendinganchor]

“we never see billy change his ways in canon”

because he dies saving all their lives?????????

[throughpatchesofviolet]

I've been doing a lot of thinking, lately, and I ended up reflecting on my identity a bit, yesterday--mainly through Sherry, since she's my conduit for self exploration and reflection, but specifically in a situation where she's trying to explain herself to Heathcliff.

Specifically, I was thinking about how I experience romantic attraction, and how Sherry--even just based on her source material--is very much some flavor of aromantic and asexual. I don't really use any labels, and neither does she, but that's because I have had negative experiences with them.

Anyway, something about Sherry trying to explain to Heathcliff that she doesn't really feel romantic love is very cathartic to me. I project onto her a lot, so she's maybe had an inkling of romantic attraction once or thrice (one of her little crushes was Hubert, to keep it in line with my canon lore), but it's never gone anywhere, and usually fades pretty quickly.

I feel Heathcliff wouldn't really understand what she means--he'd have a hard time wrapping his head around someone not feeling (romantic) love, especially since he's known that feeling pretty much all his life--but he'd also be the first to defend her from anyone who thinks her lack of interest in romance is "weird." Even if he doesn't completely understand her feelings, he cares about Sherry, and he knows how it feels to be treated differently because of who he is, so why wouldn't he stick up for her?

Like I said above, Sherry doesn't use labels--she simply knows romance isn't something she needs to be satisfied with herself. Yes, she may eventually find someone she feels genuine, long-lasting romantic attraction towards (Heathcliff--much, much later on), but she's come to terms with the fact that, if she doesn't, she'll be okay on her own.