#oc: hel

[baileybooradly]

Local Dragonborn and Listener is a stoopid clown kisser

[krokaxe]

Dog Classification with Tarin, Harper, Hel and @koilarist's Damitri

[pissfaggot-transsexual]

I've decided hel is British. or Irish i can't decide

[wardenwyrd]

happy WBW! i am so intrigued by prisma and wonder if you could go into a little more detail abt the colour coding? :)

Thank you for the ask! Conveniently, this is actually the subject of my brainrot and thus you are a very kind mutual. Sorry if this is a bit incoherent btw. I'll deep-dive the specific components at a later date.

The colour coding is a huge part of Prisma both in it's conception and worldbuilding. Each story revolving around their respective protagonist is coded a colour (I.E, Jack's story and red); themes, ideas, and symbolism regarding this occur both in a meta way and in an in-universe way.

Neat fact: Prisma is a play on the word "Prismatic", nodding to the fact that white can be split into the spectrum of colours by a prism.

Quick Breakdown of Prisma:

Prisma is the setting of these stories, and colours - hues are the primary power/magic system. A surreal other-land where figurative can become literal and vice versa. Hues are it's fundamental building block, existing both as an abstract but also a resource. Here is where our three protagonists come in: at some point in their stories they become 'Key Figures', a facet of that colour embodied in a person. I'll elaborate on that particular concept in another post.

I'll give you the rundown on each protagonist and their relation to the colour coding. These aren't the only aspects of the hues, but the main ones.

Jack, Red -

“It doesn’t matter what powers you hold, or the trials you’ve faced; as long as I reach into the four corners, my Judgement is tangible irregardless.”

Red watches over rules and conventions. It's a hue of hierarchy, of domination and submission, of judgement. It works with the pre-existing fabric of things, tending towards tangling things in it's rules rather than violating it's own tenets.

There's also another aspect integral to red: Mediums. In Prisma, a Medium is not someone who merely gazes ghosts, but possess sight that stretches past horizons; the domain of a medium is to wrench meaning from things. Mediumship as a quality is inherently linked to the hue of red.

What this means for Jack, my favourite red-eyed little bastard, is that his power is in pulling at exposed threads. People constantly transgress all sorts of rules - personal, natural, even physical rules; it just isn't noticed. Jack as a key figure is an Arbiter. By acknowledging a transgression the appropriate punishment is applied automatically as a principle of Prisma itself.

He can gaze at the True Names of things, unravel their nature and bring forth what lays dormant.

As a whole it also ties in with Jack's character and background. There's more to it but I'll elaborate on a dedicated post.

Hel, Blue -

Blue is to expand and grow endlessly. It's boon and plight is that everything that that it is will behold genesis, but all that they are is the horizon's boundary

The sky, the ocean; a roiling pit of genesis from which life sprung. Blue is desire and manifestation - the self crystalised into something tangible. In it's purest form as a hue it is creation unbridled. However, blue - deep, roiling blue, horizon spanning azure - is crystallisation of self. It's dominion ends past the boundary of self, past the ownership of such a minor existence.

Blue can create vast shapes and forms, even spring life to being with it's lustre, yet it has no control over that which it did not create.

Hel first wields this hue in the form of the Principle class artefact 'The Flask', a portion of the sky stolen and inverted long ago, bound by it's own genesis. Hel's character arc is about identity and assumptions, of presumed boundaries and humanity. And how enough imagination can transcend flesh.

Absorbing The Flask at the precipice of death something much vaster, and above all free. The key limitations of this hue remain true, but post-rebirth Hel's entire body is comprised of blue, they let it seep into the ground and spread themselves vast and wide. Something brilliantly inhuman.

Dorothea, Purple -

Pocket watches running in parallel and paradox to the march of moons

Such an awfully royal colour, and so fitting is it for sovereignty to be it's domain. Many things hold power over others: the moon over night and the passage of time, the land from which things sprout, and of course what every person owns: themself.

Dorothea's sovereignty is to fragment - split things into parts, isolate them and take ownership. If she wins ownership over something she can even fragment it's time; send things backwards, freeze things into a single state, steal something's time spent.

Red, Blue, and Purple form a colour triad, and one of purple's specialities is 'borrowing' from these. Out of all the hues Purple is the only one able to use aspects of another by collecting fragments belonging to them.

To the Lilac Sovereign what may be someone's present is merely a puzzle to rearrange to their whims.

Without subjects sovereignty means nothing. Thus, in pursuit of her own royalty Dorothea fragmented herself to become her very own pawn.

Extra Tidbits :

The powers a hue possesses has a lot to do with the associations and symbols connected with them, and while each hue has a scope of it's own they can present in several ways. A key figure is a pure manifestation and expression of the hue, often taking a specific thematic direction. Hues are used by others in the form of materials imbued with it naturally, artefacts, or by acquiring it as a part of oneself.

Red as a hue is violent and bloody and passionate, essential yet bitter like blood. That's kind of why I went with hierarchy/rules. Also got some prey/predator stuff going on.

Blue, to me, is a colour of imagination, creation, and things so vast it's terrifying. Think like life arising from the sea.

Royalty for purple, obviously, but I think it's a very moon-ish, celestial and mystical colour. Time, both as an invention to understand the passing of events better, and as a natural mechanism are very big here.

There are other hues and such and they do stuff but I'm focusing on blue, red, and purple as they're the colours of the respective protagonists.

The colour triad dynamic is kind of:

Red is concerned with rules and convention, judging and causing conclusion in the present.

Blue is creating things anew in the present that persist.

Purple isn't tethered to present: rearranging and altering the state of things.

ALSO: I really didn't want to do like "Red=Fire" or something and I wanted something symbolic to fit my surreal little world so the hues do not function in such a straightforward way.

[worldsentwined]

I set aside the Edgy OC ask meme you reblogged a bit ago knowing I'd definitely want to ask you about your Dual Citizenship OCs :3 Can I get 1 and 14 for Hel? (I'm *so* curious about this asshole (affectionate)'s backstory). Alternatively, tell us about 7. with Zephyr!

Oooooh yes amazing please always ask me about these characters! (Also hi I set this ask aside because I couldn't make my brain think about the answers but I just finished reading a book that had a diabetic character with a number of inaccuracies and it lit the spark of "annoyed by every piece of diabetes media" that got me writing this story in the first place).

What memory would your OC rather just forget? Hel probably has a LOT of these from its time as a HelperBot, honestly. I've shied away from thinking about specifics because like. The kind of things that happen to someone to leave it so bitter about everyone and everything? Probably not great. And the whole idea of HelperBots - beings created for the specific purpose of serving people rich enough to afford them - also points to a strong possibility of Very Bad Things Happened Here. I think some of those bad things happened to Hel specifically, but others happened to other bots it spent time around, and Hel wasn't able to help them. (Which leads to all kinds of interesting questions about how the robot revolution may have happened in the first place because the bots, designed to help but powerless to help each other, had to dismantle the whole system instead).

That said, as much as Hel's past is littered with memories that should come with a nuclear waste site warning, I don't think it would allow itself to forget the worst things. Hel emerged from its traumatic past with a strong sense of justice, and it wants to make sure its fellow bots won't be exploited again. Allowing itself to forget would make it complicit if history were to repeat itself.

How does your OC want to be seen by other characters? I think this varies a LOT depending on who is doing the perceiving. We see Hel through Tevin's eyes, and Tevin has more or less a human perspective despite being (technically speaking) a cyborg. Hel presents itself to Tevin and the other human roommates the way it wants humans to perceive it: enigmatic, angry, anything but helpful. It doesn't want anything to do with them, but since it has to, its goal is to make them uncomfortable. I think this bit from its introduction scene is a good example:

“Oh yes. That’s why we all exist, isn’t it? So we can be nice and helpful. Thank you for your feedback, Tevin!” Hel’s normal voice is a low, mechanical growl that it adopted specifically to make people uncomfortable, but the last sentence comes out in a perfect customer service cadence.

In the same way that Hel won't allow itself to forget the harsh history of humans and bots, it won't allow anyone around it to forget, either.

Other bots are a whole different story, and this is part of what I'm still trying to resolve with Hel's character arc. I don't think it's any less abrasive with them (assuming they even converse through means where tone is relevant) but it goes to greater lengths to make itself understood, because it actually cares about their opinions. It takes care to only do this in ways that the humans around it can't perceive, though - I imagine there have been many conversations between it and Lexie on private channels, even when they're also talking to each other out loud.

And because I love them, I'll also answer the Zephyr question:

What's one way your OC has changed since you first came up with them?

What a perfect question for Zephyr! They've probably changed the most since I first started spitballing characters onto the page for this. Originally they were meant to be like, a tech bro who was all about the scientific advances, someone who had never known actual hardship and is living their best life. But as the story developed it became clear that a person like that wouldn't still be on earth in this story - they'd have sided with the rest of the humans and gone to space. So they gradually turned into someone more nuanced - idealistic to the point of naivete, more hopeful than Tevin but not without their own baggage. I started thinking about what it would mean for someone privileged enough that they could have gone to space to just...decide to stay behind. What (or who) they might have given up, what they might feel about their personal losses even as the societal changes they supported are coming to pass. What happens if the dream they've worked so hard for isn't all they thought it would be? What if it takes more work than they expected? I also wanted to tap into the "just graduated college and gradually realized it's harder to find companionship than it used to be" thing. Zephyr's desire for connection stands in contrast to Tevin's reluctance to let anyone get close, which is part of what makes the two of them so fun to write together.

Anyway, thank you for asking and continuing to care about my blorbos even though I haven't worked on their story in a while!

[ambrosegraceart]

Some OC art - These are actually my middle school OCs I’m revamping, based on the three children of Loki and Angrboda

Originally posted July 2021 - September 2022

[sweetest-honeybee]

Wah

[bugbugdraws]

One year at Hels Tek... Hels to Play AU by @aquaquadrant & @lunarcrown

LISTEN OKAY, in HTP au there's a WHOLE YEAR Tango was experimented on before he even got put in the blaze farm and we don't talk about it!!! AND NEITHER DOES HE (understandably so...)

As an angst enjoyer I had to get this out of my system. Sorry not sorry

[toasterdrake]

got mad thinking about HTTYD3 again and decided to funnel it into design practice and a little retelling exercise. ohh what a Night Fury hunter character could've been...

(not supposed to be a redesign of Grimmel, but a separate character to replace him as an antagonist. he's also quite similar in design to Drago -- who i think is a wonderful villain, for the record -- so i wouldn't expect to see him in any canon HTTYD media.)

when characters like Dagur and Ryker go on about wearing a Night Fury's skull as a hat i've always been curious to.. actually see a villain who delivers on that and proves themselves as a threat prior to meeting the heroes. a character who doesn't kill dragons because he has a vendetta against them like Grimmel or seeks to control them like Drago, but just wants the social status given to people capable of killing the most dangerous.

and then being around the riders' age; someone like Astrid or Dagur who are young but already so good and so accomplished at what they do, brutal and efficient. someone to both reflect Hiccup, and be his opposite. a rival. the kind of person who would have bullied him if they knew each other as kids, but also carried through on his initial goal right at the start of the first movie: killing dragons for status.

anyway, i don't think it's a perfect design yet, but it sure was fun to develop :) Set has a wonderful face, btw

[serennes-art]

more comm progress!

[mistfallengw2]

A legendary fine norn ask game

1. How are they building their legend? What do they want it to be? Are they being successful? What's their greatest achievement? Do they really care for it?

2. How do they feel about norn society's expectations and traditions? Are they comfortable in norn society? Is there anything they wish was different?

3. What's their family like? Are they still around? Do they like them and get along? Are there any particular expectations coming from them? Is there anyone noteworthy in the family?

4. Where are they from? Were they born in Hoelbrak, in one of the many homesteads and villages, or somewhere not in the Shiverpeaks? Did they like the place? Did they travel often or stayed long in the same place?

5. Which Spirit of the Wild do they have a connection to? How was the connection forged? How does their Spirit influence them? What do they think of their Spirit? Do they revere any other Spirit?

6. Can they shapeshift into Spirit Form? What does it look like? Can they do only one kind or more? Is there anything unique to it? If they can't, what's the reason behind it?

7. What are their thoughts on Jormag and the Sons of Svanir? Have they ever had to deal with either directly?

8. Are they a good hunter? Do they like it or is it just out of necessity? What's their most impressive prey? Do they keep trophies from their hunts? Do they prefer to hunt alone or with others? What weapons do they use, if any? Have they ever taken part in a Great Hunt?

9. Do they enjoy moots? What's their favorite part? Is there anything they don't like? Was one ever thrown in their honor?

10. Did anyone mentor them or did they learn things by themselves? Would they have wanted a teacher or a different one? Was there something they wished someone had taught them before they had to learn by themselves?

11. Do they have a job/occupation? Did they ever change it? Are they happy with it?

12. Are they close with anyone or do they keep everyone at arm's length? Do they make more enemies/rivals or friends? Are they involved in any drama? Do they have any meaningful friendship or bond?

13. Do/did they have a pet or a companion of sorts? If not, would they want one?

14. Do they have any heirlooms? Are there legends behind them or do they only have sentimental value? Or did they earn/find someone else's?

15. [Free space for 3 pieces of trivia about your norn!]

[holymaccaronii]

It’s lore dump time :3 (each day this AU gets even further from looking like it’s inside the ihnmaims universe BUT I SWEAR IT IS!!! IN MY HEAD!!!!)

So euurm these are concept designs for some of the models that I once mentioned in another post, in a few words, funny robots that live in a settlement on the moon and that are divided in a hierarchy. I’m gonna really try my best to explain myself abt this, even with my English, so enjoy!!!1!!

-All the robot units that inhabited this “kingdom” were divided into a hierarchy. The units were named after planets, though the hierarchy didn’t necessarily follow the order of the planets to rank them (from higher to lower ranks of units we have: Sun (HEL-102), 34RTH, M3RCUR1, V3NU2, N3PTUN3, UR4NU2, M4R2, 7UP1T3R, 24TURN, and PLUT0 respectively.)

[Important details to take note of: all robots consisted of a “shell” (empty body parts/model) and inner cables/systems that brought that shell together, thus a robot was able to change models by transferring its cables to another one (similarly to what snails do). We call robots with both a model (shell) and inner cables a unit. We call the shell alone models, and these own the names with both letters and numbers. The ranks are named after the proper name of the planets].

-Units of the hierarchy:

The monarch, HEL-102 (they/he), was considered the “Sun”: supreme leader and the only one to give permissions for any important activities or movements done around. The insides of its body contained the encapsulated remains of his original human body, still alive though unconscious. Although he did have a solid model, they also enjoyed to move around without it as an amalgamation of cables.

The monarch’s closest subordinates that communicated any events to them were the M3RCUR1 (Mercury) units: they constantly supervised the city around and practically were the sun’s secondary eyes. The M3RCUR1 units were the ones to decide if a unit was worthy of keeping its model/rank or not: those who did an inefficient job on their rank could be downgraded to the model of the rank below (with an exception of 34RTH units) forcefully.

The V3NU2 (Venus) units were in charge of entertainment and sometimes tidiness inside the monarch’s palace. They had a lot more liberty to choose the shape of their model. The wax inside them could be colored and dispersed at their will to simulate clothes, and their screens could show a face of a character in order to act in a play. Even so, they also offered many other entertainment spectacles such as circus shows, dances, and even simulations of tv shows.

The E4RTH (Earth) units were considered as high ranks despite them having the N3PTUN3 units as their superiors/caretakers/teachers: they were in charge of supervising the seeds and embryos now stored in a vault inside the moon where the original AI was kept. They were considered valuable as their programs and physical models were being adapted to help humans regenerate Earth’s nature and biodiversity with plenty of strategies and methods (involving plant propagation, care of embryos, etc etc.), + they were built with the materials closest to the core of the original AI. These models were not allowed to access the city itself, and were safely kept inside a dome where they were constantly trained, upgraded and tested for the efficiency of their programs in different situations. For some reason, they weren’t allowed to touch each other either.

The M4R2 (Mars) units were mostly authorities for the army that directed the investigation, recollection and attack missions to Earth. These missions had the objectives to 1: investigate the bowels of AM as much as they could, occasionally the surface too, 2: recollect materials, mostly metals, to replenish most of the models and 3: slowly but gradually attack AM’s systems as their army was exponentially growing. M4R2 models were usually seen in two versions, as one type usually took charge of the investigative missions and the other of the offensive/defensive ones.

… (Missing a few units to draw yet.)

Ok as a last comment now I have a lot more material to doodle with, so expect them being silly very soon (and perhaps serious too). I also wanted to explain their common behaviors and other stuff but I’ll leave that for another post.

[krokaxe]

I'M YOUR DOG • Hel and @koilarist's Damitri

[pissfaggot-transsexual]

god i missed drawing

[sigyn-foxyposts]

"Loki's family, side profiles"

I couldn't stop thinking about the quote: the first born daughter is always the female version of her father. Which immediately made me think about Angrboda and Loki's daughters! (At least my versions, sorry Moder maybe next time? Also I realized the twins could've been more interesting if I drew their grown versions)

Anyhow, Hel looking like Loki and Trollkvinna looking like Angrboda! Then I decided I should draw everyone else in the family and their unique features. Because side profiles are so fun to draw when I don't struggle, I hope they're not too weird looking! Don't mind the titles I gave them btw ✨

[salmonpiffy]

Messy doodle of Laufey (My version of Atreboda fankid)