#obviously swearing

[jubshead]

So we’re in agreement that this is canon… right?

[uncanny-tranny]

[biggest-gaudiest-patronuses]

i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

[taytei]

he did, indeed, hit my like a stampede

[captainofthetidesbreath]

"Ah. Your distraction worked. Could have set it when we were farther away." / "Désolé. I didn't say it was a good plan."

[isbergillustration]

The Holiest Love

[formulanni]

Sponsors as The Devil:

This card represents being seduced by the material world and physical pleasures. Also living in fear, domination and bondage, being caged by an overabundance of luxury, discretion should be used in personal and business matters.

Ravage, violence, vehemence, extraordinary efforts, force, fatality; that which is predestined but is not for this reason evil

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls @brawngp2009

[the-magpie-collective]

Wyll seems to be the only companion who intentionally and repeatedly uses the mindflayer tadpole to communicate. I did a quick search through the dialogue files and the only other instance I found was at the beginning of Act I, when Lae'zel is captured by the tieflings, she'll use the tadpole to demand you free her.

And yet, Wyll is one of the companions most against using the tadpole's powers. Arguably, I'd say he's more against it than anyone save for Lae'zel. Which is why I find it so interesting that out of all of companions, Wyll is the one to latch onto and make use of this facet of the tadpole's powers.

The first time Wyll can use the tadpole is when Mizora bids him to rescue Zariel's asset. If the Player succeeds on their perception check, they can bargain with Mizora to free Wyll from his pact. Wyll link his mind with the Player's Character in panic, demanding to know "What are you doing?"

Then again when Wyll is finally reunited with his father, he uses the tadpole to show his father why he pacted with Mizora. Instead of explaining in his own words, he shows him the cultists as they attempt to summon Tiamat into Baldur's Gate. He'll do the same for the Player Character if his father isn't saved, even when he is freed from his pact and could say it in his own words. If the PC refuses to let Wyll show them, he will explain it, but clearly prefers to use the tadpole.

Finally, Wyll will also use the tadpole to bid farewell if he has a falling out with the player character, telling the player "Godspeed, and may your journey be true."

For Wyll, who had spent the last seven years under a devil's thumb, this narrative choice to use the tadpoles to communicate is telling. One thing all of these scenes have in common is that they all emotionally charged moments. They are also moments in which, in my opinion, it is very important for Wyll to convey his sincerity. Wyll has spent the last seven years always dancing around the truth and now here comes along a power where not only can he tell the truth, he can show the truth as he sees it, so that there is much less risk of being misunderstood. A power like that has to be irresistible.

Just another thing I wish was explored more in depth in game.

Edit: Thank you to everyone who pointed out instances when other characters also use the tadpoles to communicate <3

Turns out Wyll/Lae'zel's writer is the only one who bothered to use proper tagging in the dialogue system ('MINDMELD' if you're curious). This is why I can never find what I'm looking for in the dialogue files smh

[valewritessss]

How do I tell Annabeth haters that they’re not being more feminist for hating Annabeth instead of Rachel? Why do we always gotta hate someone? Can these two girls just exist and not be blamed for shit.

Because first it was “Rachel is getting in the way of Percabeth so she’s a bitch”

But now it’s “Annabeth was so mean to Rachel she had so much internalized misogyny”

Like why did y’all switch up??

I mean good for Rachel but like bad for society this just set us back because wtf

If you can’t blame one you have to blame the other? Honestly they think they’re being such a girls girl for that but it’s just getting worse. God forbid a girl has a crush on an attractive guy and god forbid the other girl who has severe trauma revolving anandonment hates her for it.

[helpimstuckposting]

Steve agrees to play D&D as long as Eddie plays too, so they get Will to DM. Somehow, Steve rolls three nat20s in a row and Eddie’s like ‘no fucking way, not possible, give me those’ and rolls with Steve’s dice. He immediately gets a nat1

[uncanny-tranny]

I dream of a future where all forms of AAC give people the option to swear, to talk about "gross" things, and to have as full a range of vocabulary and topics as the users want. It is no exaggeration to say that limiting a user's ability to speak on certain topics because they cannot access the speech through their AAC is silencing.

[astrobei]

maybe my number one stranger things pet peeve is when people write max mayfield like she’s an asshole who hates her friends (especially mike) as if her love for and memories of her friends did not give her the strength to realize she wanted to live. as if her love for her friends didn’t literally save her life.

[trek-tracks]

Okay, hear me out. TOS 4 is the time travel movie. So AOS 4 is the time travel movie, but it's not about whales.

It's about a conversation AOS Spock had with TOS Spock before the latter died, when TOS Spock mentioned that things didn't really go irrevocably wrong in his universe until Admiral Kirk disappeared with the Enterprise-B. AOS Spock wonders what repercussions this has had on his own, somewhat more distressing universe, and when the AOS Enterprise bridge crew finds itself assigned to protect Earth by examining an unstable temporal ribbon that seems to be crossing through the galaxy--well. Spock wonders. Is this the Nexus? They find out soon enough that it is. And since Spock's the first one in, technically, the Nexus gives him what he wants, which is what the Nexus has--the ability to cross universes as well.

Now everyone, out in two groups on separate missions has to resist succumbing to the temptations of the world of the Nexus while they try to rescue Admiral Kirk, making sure his mission is still completed (so as not to destroy anything for the TNG folks' reality) but that he survives, so that they can figure out how to get through the Nexus and pop him back in his universe right as he's supposed to leave on the Enterprise-B. AOS Spock is sure he can figure out those calculations somehow. Some of the temptations are funny, some are sad, but we find out where Uhura and Sulu and Scotty are in their lives, and where they want to be.

Like Spock got to meet TOS Spock, TOS Kirk gets to meet Kirk (and Spock, and McCoy, and eventually the rest of the bridge crew). AOS Kirk learns that the life he's been envious of all this time didn't turn out well in the end because TOS Kirk ran toward duty alone despite what he had, and TOS Kirk learns that a) he could have suffered so much more loss, b) he's just one of a set of infinite possibilities, just like AOS Kirk is, and c) he's been wasting eternity exploring those other possibilities of happiness in the Nexus when he could have been content with what he already had.

He finds out what happened to TOS Spock, and it's agonizing. He sees this weird young Spock and Bones, both of whom could bench-press him, and he misses his Spock and Bones so much that the Nexus starts trying to change the fantasy world, to their detriment. It's only when the crew sticks as close as possible together and all concentrates on wanting the same thing that they're all able to shift the Nexus to their goal. Then Picard shows up. Things get complicated.

We hear, from Generations: And in the end, what did it get me? An empty house...Not this time.

and from Star Trek V: I knew I wouldn't die because the two of you were with me.

I thought you said men like us don't have families.

I was wrong.

TOS Kirk decides that, yes, he wants to leave, and he wants to go back. But they're not entirely sure how to line up Picard's plan and TOS Kirk's plan and the AOS plan and have it all work. It's a lot to figure out.

To simplify things, AOS Kirk decides he's going to volunteer to go die in TOS Kirk's place so that they can return TOS Kirk and at least one of them will have a decent ending, because his own life still feels so uncertain. This seems like it's going to work until his Spock and Bones both read him the riot act. But it's Bones who really goes off.

Karl Urban gets a great speech as Bones about how both Spock and Kirk met their counterparts, a chance which he will likely never be afforded and neither of them learned anything from it. Spock went off and punctured the walls of a universe even though TOS Spock indirectly destroyed AOS Vulcan through it. Kirk is trying to run away and die again because he doesn't know what to do with himself, even though TOS Kirk had an unhappy ending to a good life because at the end he ran away and tried to die again. Bones just tries to pick up the pieces. You don't fix things by tearing them apart, and you don't fix them by tearing yourself apart. You fix them by healing the rift. AOS Kirk's eyes light up. They're going to fix the rift.

They're going to give this random meaningless villain what he wants, throw him into the Nexus, he can have infinite joy, then they're going to seal it and heal it.

After all, AOS Bones says. He had a drink with TOS Kirk at the man's insistence, even though the Saurian Brandy didn't taste like anything, and Kirk told him he could cure anything from a rock to a rainy day. The tasteless brandy? Apparently Bones is the person who can actually perceive that nothing here is real, so he doesn't want anything except for everyone to remain safe.

From Beyond: Better to die saving lives than to live with taking them. 

Bones says: Better that no one dies at all. This time, no one dies.

So TOS Kirk and the Bridge crew go with Picard to subdue Soran and honestly, it's not that tough with all of them. Nobody had to die. And as they fix the rift, with TOS Kirk and Picard's Enterprise about to be thrown back into their universe on one side and the AOS Enterprise into theirs on the other, Picard suddenly realizes that he never clarified how they were getting Kirk back to his own time. And how will they explain his status?

TOS Kirk grins. Good thing I know how to slingshot around the sun, he says. And when they report me missing, I'll just say I didn't go in the first place. Clerical error. Who are they to argue with an alive man?

AOS Kirk has so many questions, but the two of them merely salute each other, and then they're thrown back.

Back in his own time, TOS Kirk walks into a Starfleet Academy apartment, and hear him say:

Bones, I heard you got laid up with Andorian flu and Spock was taking care of you, and this I just had to see! How many hypos? Don't let him talk you out of any, Spock. They're all important, every single one, even ones he hasn't heard of.

A pause.

Yes, I know I said Starfleet needed me. I just thought maybe you two needed me more this time.

Back in the AOS universe and Spock's calculations are totally off in getting home, because he didn't account for the gravitational pull of--

Vulcan. The planet that apparently still exists.

TOS Spock still came into their universe--he was always going to live longer than his ties to his Enterprise family. But his actions had been tempered, less destructive, which had clearly resulted in the Enterprise being able to save the planet. They were going to have to find out how.

Not everything had changed, of course. Nero had still been Nero, they had still come together. But Jim only vaguely remembers dying, now, as though it had happened to somebody else. He feels more settled than he ever has before. Some of that's the time travel revision, and some of that's the meeting with his alternate self, and some of that's Bones' yelling. Spock feels a sense of closure. Bones is just relieved that nobody died this time.

Uhura suddenly and quietly alerts them to the chronometer. It's a week before they left, which means there are now two Enterprise bridge crews on Earth, and that they need to lie low for a week to avoid running into themselves.

What should we do, Captain? she asks.

Jim smiles.

Let's go to Yosemite.

[sysig]

The familiarity is not very comforting (Patreon)

[chocopinda]

The sun has set on their faith..

[phaedraismyusername]

This is possibly way too specific BUT for any of my urban/contemporary fantasy or magical realism type reader girlies who are also eagerly following the whole Kendrick dragging Drake situation then BOY do I have the rec for you

White lady steals a magical golden comb from the Jamaican river spirit River Mumma to open a Jamaican restaurant in Toronto, consequences occur, and she gives the comb away and our protagonist has to set off on a Wizard of Oz style quest across the city to try and get it back from (and i swear I'm not lying lol) DRAKE who's refusing to return it because he's a fucking hack lol.

Yes it's a weird book but I really enjoyed it and I genuinely don't think there will ever be a better time to recommend it lol