#oakley street

[11oh1]

[iii-of-ender]

in florida rn gonna try and sniff you out with my mutual finding senses lol

NENDJJD????? holy shit im in the oakley danger zone

[redcarpet-streetstyle]

[hel-looks]

Pyry, 20

“I’m wearing a random sports shirt, Rick Owens (drkshdw) kilt pants, NATO desert digicamo shoulder bag, Salomon Gore-Tex sneakers, and Oakley SL Det-Cord glasses. I feel like my biggest inspirations are nature mixed with the urban way of life in today’s society.”

1 July 2023, Helsinki Pride

[orangechickenpillow]

If I had a nickel for every time a tragic lesbian love story set in the colonial 1600s absolutely ruined my life, I'd have two nickels, which isn't a lot, but its---

Actually, it isn't a lot. Give me more.

[fearsmagazine]

OUT OF DARKNESS | Official Trailer, Poster & Images

Set some 45,000 years ago, a group of six people are struggling to find a new home having embarked on a perilous journey across the narrow sea. Starving and desperate, they seek shelter and set out towards distant mountains, hoping to find the caves.

Chuku Modu and Kit Young in Bleecker Street's OUT OF DARKNESS Credit: Bleecker Street

As night falls, eerie sounds in the landscape hint at the presence of something dangerous and monstrous. As As tension unravels the group the determination of one young woman reveals the horrifying acts people resorted to in order to survive.

Chuku Modu in Bleecker Street's OUT OF DARKNESS Credit: Bleecker Street

OUT OF DARKNESS is directed by Andrew Cumming, screenplay by Ruth Greenberg, and stars Safia Oakley-Green, Kit Young, Chuku Modu, Iola Evans, Arno Lüning, & Luna Mwezi.

Luna Mwezi in Bleecker Street's OUT OF DARKNESS Credit: Bleecker Street

OUT OF DARKNESS is being released by Bleecker Street Media in theaters nationwide February 9th, 2024.

[bella-but-not-hadid444]

“girl you are not a mysterious depressed detective from the 1950s. stop daydreaming” you’d like that, toots, wouldn’t you?

[moviehealthcommunity]

Out of Darkness (2024)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Out of Darkness has several scenes lit exclusively by the light of campfires, which flickers constantly. A late sequence has some lightning, which starts off very tame and dim in the background, but goes on to create severe flashes.

Shaking cameras are used a few times in this film.

Flashing Lights: 8/10. Motion Sickness: 4/10.

TRIGGER WARNING: One scene has graphic gore, human euthanasia, someone experiencing convulsions, cannibalism, and on-screen vomiting, all in about 3 minutes. A teenager is preyed upon in sexual ways, with an assault attempted.

Video ID: Admin Brandon's review of Out of Darkness

[horrorpatch]

Official Trailer - Stone Age Survival Horror Film OUT OF DARKNESS!

[11oh1]

playingpassengerprincess

[themnmovieman]

Movie Review ~ Out of Darkness

Describing Out of Darkness as simply a horror film would be selling it short; it’s an acute exploration of human nature and survival, punctuated by moments of genuine terror that brilliantly keep viewers on the edge of their seats.

Out of Darkness Synopsis: 45,000 years ago, a stone-age community tries to defend itself against a mysterious enemy. Stars: Safia Oakley-Green, Kit Young, Chuku Modu, Iola Evans, Arno Lüning, Luna Mwezi Director: Andrew Cumming Rated: R Running Length: 87 minutes Review: I had too many lights on when I began Out of Darkness the other night. Watching it from home, where even the tiniest of bulbs…

[luizkichta]

Street Wear Brazil 🇧🇷

[literaryvein-reblogs]

Writing Reference: Topographical Elements

Ideas for Naming your Fictional Places

Buildings and stones brough, burton, caster, church, cross, kirk, mill, minster, stain, stone, wark ⚜ Examples: Crossthwaite, Felixkirk, Newminster, Staines, Whitchurch

Coastline features ey, holme, hulme, hythe, naze, ness, port, sea ⚜ Examples: Bardsey, Greenhithe, Sheerness, Southport, Southsea

Dwellings and farms barton, berwick, biggin, bold, by, cote, ham, hampstead, hamton, house, scale, sett, stall, thorpe, toft, ton, wick ⚜ Examples: Fishwick, Newham, Potterton, Westby, Woodthorpe

Fields and clearings combe, croft, den, ergh, field, ham, haugh, hay, ing, land, lease, lock, meadow, rick, ridding, rode, shot, side, thwaite, wardine, worth, worthy ⚜ Examples: Applethwaite, Cowden, Smallworthy, Southworth, Wethersfield

General locations and routes bridge, ford, gate, ing, mark, path, stead, stoke, stow, street, sty, way ⚜ Examples: Epping, Horsepath, Longford, Ridgeway, Stonebridge, Streetly

Hills and slopes bank, barrow, borough, breck, cam, cliff, crook, down, edge, head, hill, how, hurst, ley, ling, lith, mond, over, pen, ridge, side, tor ⚜ Examples: Barrow, Blackdown, Longridge, Redcliff, Thornborough, Windhill

Rivers and streams batch, beck, brook, burn, ey, fleet, font, ford, keld, lade, lake, latch, marsh, mere, mouth, ore, pool, rith, wade, water, well ⚜ Examples: Broadwater, Fishlake, Mersey, Rushbrooke, Saltburn

Woods and groves bear, carr, derry, fen, frith, greave, grove, heath, holt, lea, moor, oak, rise, scough, shaw, tree, well, with, wold, wood ⚜ Examples: Blackheath, Hazlewood, Oakley, Southwold, Staplegrove

Valleys and hollows bottom, clough, combe, dale, den, ditch, glen, grave, hole, hope, slade ⚜ Examples: Cowdale, Denton, Greenslade, Hoole, Longbottom, Thorncombe

NOTE

These elements are all found in many different spellings. Old English beorg ‘hill, mound’, for example, turns up as bar-, berg-, -ber, -berry, -borough, and -burgh. Only one form is given above (Thornborough).

Several items have the same form, but differ in meaning because they come from different words in Old English. For example, -ey has developed in different ways from the two words ea ‘river’ and eg ‘island’. It is not always easy deciding which is the relevant meaning in a given place name.

This resource does not distinguish between forms which appear in different parts of a place name. Old English leah ‘forest, glade’, for example, sometimes appears at the beginning of a name (Lee- or Leigh-), sometimes at the end (-leigh, -ley), and sometimes alone (Leigh) (K. Cameron, 1961).

Source ⚜ More: Word Lists ⚜ Notes & References ⚜ Worldbuilding

[fearsmagazine]

OUT OF DARKNESS - Review

DISTRIBUTOR: Bleecker Street Media

SYNOPSIS: Set some 45,000 years ago, a group of six people are struggling to find a new home having embarked on a perilous journey across the narrow sea. Starving and desperate, they seek shelter and set out towards distant mountains, hoping to find the caves. As night falls, eerie sounds in the landscape hint at the presence of something dangerous and monstrous. As tension unravels the group the determination of one young woman reveals the horrifying acts people resorted to in order to survive.

REVIEW: Oliver Kassman, the producer, described OUT OF DARKNESS to director Andrew Cumming as a horror movie set in the Paleolithic era. Both filmmakers were inspired by classic horror movies such as "Alien" (1979), "The Hills Have Eyes" (1977), "The Texas Chainsaw Massacre" (1974), and "The Thing" (1981). They shared an appreciation for environmental terrors, astonishing world-building, and the fundamentally human horrors depicted in these movies.

Kassman and Cumming aimed to create a setting that would allow their characters to symbolize various aspects of human nature, including the good, the bad, the heroic, the evil, and the tragic.

In this intriguing plot, a captivating ensemble of six characters takes center stage. The core group of four is bound by familial ties: a father, his pregnant wife, their young son, and the father's brother. An elder and a mysterious woman, referred to as "the stray," complete the ensemble. The narrative begins by recounting their arrival in this hostile land and gradually unravels the intricacies of their group dynamics.

Their lack of provisions in this harsh environment make the group's immediate priorities securing food and shelter. As night falls, an unseen entity abducts the son, escalating tensions within the group. Ultimately, they are compelled to venture into the predator's lair, the dark forest.

What distinguishes these characters is their freedom from the complexities of contemporary individuals. Guided by simple beliefs and basic motivations, their primary focus is survival. As a result, the story offers a compelling examination of the human condition. When the third act unfolds, the characters are faced with the chilling consequences of their actions.

I found this to be a refreshing and unadulterated study of human nature, an engaging exploration of the fundamental concepts of good and evil. In contrast to many contemporary genre films that rely heavily on effects and horror icons, this narrative delves into these profound themes with a raw and authentic approach.

Filmed in Scotland, the movie presents a unique landscape that deviates from typical expectations of a "stone age" setting. While vegetation is present, the environment exudes a barrenness comparable to a desert. Despite the absence of live animals, the production designers skillfully showcase the predator's presence through its handiwork. The cinematography masterfully generates an intense atmosphere as this entity stalks the characters at night, contrasting the sweeping grandeur of the landscape during daytime. The film's sound design and score are exceptional, predominantly relying on a variety of drums creating the base of the score and chilling creature sounds that amplify the tension as the unseen predator moves in the darkness. A remarkable sequence depicts one of the characters engaging in a fierce battle with the predator while the others anxiously listen by the fire. The intense sounds and hair-raising battle cries heighten the suspense.

While the costume designs were well-crafted, I did have some reservations about their presentation. The costumes became suitably distressed as the film progressed, but they initially appeared too pristine and lacked a convincing level of aging. Additionally, the leggings or pants worn by the characters didn't quite capture the essence of the Paleolithic era. However, as the film unfolded, these concerns became less distracting. Despite these issues, I encourage viewers to not let them detract from their enjoyment of the film.

The film "OUT OF DARKNESS" showcases an outstanding ensemble cast. With exceptional talent, these actors skillfully portray the primal drives of their characters. Their performances are further elevated through the use of body language and expressive facial gestures. Dr. Daniel Andersson devised a unique language for the actors to speak in the film. Dubbed TOLA, an acronym for "The Origin Language" and the Sanskrit term signifying "weighing of gold," this language is a fusion of Arabic and select Basque vocabulary. It not only adds depth and intensity to their performances but also flows seamlessly from their lips.

"OUT OF DARKNESS" is a film worth seeing for its daring undertaking set in a specific time period. Under Andrew Cumming's artistic direction, the story, production values, and performances are skillfully interwoven. Similar to compelling science fiction, this film harnesses the power of horror elements to explore profound aspects of the human condition.

By situating the narrative in the past, the film distills it down to fundamental concerns, crafting a compelling tale of survival. I was thoroughly impressed with Andrew Cumming's achievement and eagerly anticipate his upcoming film projects.

CAST: Safia Oakley-Green, Kit Young, Chuku Modu, Iola Evans, Arno Lüning, Luna Mwezi, Rosebud Melarkey, & Tyrell Mhlanga. CREW: Director - Andrew Cumming; Screenplay - Ruth Greenberg; Producer - Oliver Kassman; Cinematographer - Ben Fordesman; Score - Adam Janota Bzowski; Editor - Paulo Pandolpho; Production Designer - Jamie Lapsley; Costume Designer - Michael O’connor; Make-Up Designer - Niamh Morrison; Sound Designer - Paul Davies; Creature Effects - Robert Allsopp and Associates; SFX Supervisor - Mike Kelt; Archaeological Consultant - Dr. Rob Dinnis; Key Academic Advisor TOLA language - Dr. Daniel Andersson. OFFICIAL: N.A. FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/h7b4Mxh3fJM?si=sem-GfS2DC6ju5Yy RELEASE DATE: In Theaters Feb. 9th, 2024

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[eroticlamb]

Pattie Boyd and her then roommate, Mary Bee (along with Wee-Wee the cat), photographed at their home in Ovington Mews, Knightsbridge, London, March 1964 ♡ Featured in 16 magazine

"I remember taking George there for the first time. Mary’s and my little bedroom with twin beds was directly off a tiny square hall. When we came in, Mary was sitting up in bed reading a book and wearing a hat. She didn’t normally wear hats in bed; she didn’t normally wear hats full stop. The poor girl had had no idea I was bringing George home, and when we popped our heads around the bedroom door, I’m not sure which of them got more of a fright. He wasn’t impressed by our choice of music. We played him “My Boy Lollipop” by the Jamaican artist Millie Small, which we both thought was great. He couldn’t believe we liked such an awful song." - Pattie Boyd about her old house on Oakley street.

[mysunshinetemptress]

Tex Headcanons

A/n I have never done head-canons before so I’m so sorry if these aren’t what were expecting…

Tex is the the only girl and youngest of three, her brothers Tristan and Jesse.

Tex is a daddy’s girl all day long that man is wrapped around her finger.

Tristan and Jesse are bull riders much their mother’s dismay especially after Tex’s accident when she was younger.

Mitch and Tex have been best friends since the first day of kindergarten, their parents used to think they would end up together, getting married until Tex came out.

Mitch calls Tex Oakley after Annie Oakley a famous sharpshooter, she beat him shooting rubber ducks at a funfair when they were ten and it’s stuck.

It’s Tex that introduces Dakota and Mitch to each other playing wingman at a party and although she doesn’t know it yet she will “best man.” at their wedding.

Tex doesn’t have many girlfriends before Leah, sure there isn’t a great selection in the back arse of Montana but none of them have ever made her feel like Leah does.

Tex never believed in love at first sight, always laughed at Mitch when he described himself falling in love that way with Dakota, Tex doesn’t believe in love at first sight until she sees Leah in Nashville.

Tex can’t sleep in the months between the first time she sees Leah till she finally hears from her again, she stays out late riding in circles, she’s up early often dragging Mitch with her into the mountains, she’s can’t sleep with out seeing Leah, and so she has to keep her mind occupied best way possible.

Tex doesn’t go anywhere without her hat, since the time she was three years old and her dad bought her her first one she refuses to leave anywhere without it, and it’s rare she will take it off. She’s even worn it to prom much to her mother’s disappointment.

At first it was to be just like her dad, but after her accident it became away to hide her scar

Any of the girls she has been with before Leah have never been allowed to take it off her or wear it.

Tex is tough on the outside like most women of Montana her face very rarely gives anything away unless she is around Leah, Leah makes her crumble.

Tex isn’t a girlie girl but also not a tom boy she’s just Tex.

Tex will only answer to Tex when Leah calls her. Leah is the only person she will allow call her such a silly name, Tristan tried to once thinking he was funny and she left him stranded in Wyoming for an hour.

Tex is amazed by England the first time she ever visits, it’s her first time outside of the US, what she’s even more amazed about is the strangers that come up to her in the street and ask for a photo, Leah tells her it’s because of the hat.

Tex loves Leah’s family, they are much like hers in how close they all are and she feels at home with them.

Tex isn’t much of a hugger, sure if you ask she’ll give you one but it takes her a minute to get used to Leah’s constant touches weather that be Leah holding her leg, her hand or wrapping her arm around her.

Tex is going to marry Leah she knew that from the minute she lay eyes on her, she’s just waiting for an appropriate time

Tex loves Leah but when the question arises about long distance and eventually where they are going to raise their family she can’t help but clash heads with the blonde and say Montana