#now you must understand

[singsweetmelodies]

I need attention please ❤️

but you haven't given ME attention 💔

[to-be-a-dreamer]

I can’t stand that TikTok trend that’s like “just saw Hadestown and my boyfriend is walking the entire way back to the hotel without looking back at me to prove Orpheus was a chump” because not only do they not get the whole point of the Orpheus and Eurydice myth they also Were Not Paying Attention to the musical they just saw.

Hate people who see WSS as “just a Romeo and Juliet retelling”. Hate people who see Hadestown as “Just an Orpheus and Eurydice retelling”.

Hate people who watch a musical that takes a classic story everyone knows and uses it to explore/critique our modern society and only see it as a funky retelling.

Not Getting The Point of WSS is one thing because it’s more subtle and it can be really easy to just see it as a modern R&J, especially if you don’t really know R&J.

How the fuck do you watch Hadestown and see it as just an O&E retelling? It is one of the most heavy-handed political musicals out there how are so many people missing the point?

Orpheus has to fail. Not because that’s how the Greek myth ends but because that’s the whole point of the message of Hadestown.

Social reform is hard. Changing the world is one of the most challenging things you can try to do. So often we see people try to make a difference in society, to change some kind of injustice in the world. And so often we see those people fail. It can feel so impossible to actually do some good in this fucked up world because we see these people who are smarter and stronger and more qualified than us fail over and over again.

Why do we even keep trying?

Because we have to.

Because one day, someone will try and they’ll succeed.

One day Orpheus won’t turn around.

One day the people of Hadestown will get to see someone escape and they’ll know they can escape too. Only then does the world get to change.

So we have to try. We have to keep singing the sad song, no matter how many times Orpheus turns around, because one day he won’t.

In the Greek myth, Orpheus fails because he loves Eurydice.

In Hadestown, Orpheus fails because we fail.

We try and we fail to make a difference. We try and we fail to change the world for the better. We try to see the world for what it could be and it keeps letting us down.

But we don’t give up. We don’t stop singing.

Hadestown is genuinely one of the best musicals ever. Full stop. This musical is one of the reasons i wish I was smarter because I would love to be able to do an entire thesis on this show and all the themes and messages in it. Some of them are subtle. Some of them aren’t.

It is not just an Orpheus and Eurydice retelling. I am begging people to hear the real message.

Never stop trying to change the world.

One day we’ll make it out of Hadestown.

We just have to keep singing the song.

[ricky-mortis]

Richie doodles bc my two current WIPs are actively trying to murder me dead.

Feat. my trans + hard of hearing HCs

[moeblob]

A lil guy !

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[fumifooms]

Chilchuck Tims has 4 daughters

Izutsumi’s relationship with the whole party is very fun and heartwarming, and her relationship with each party member has something unique and special, but besides Senshi being the mama hen I really love how Chilchuck looks after Izutsumi in a father-ish way. He’s the only one in the party that sees her like an actual human girl lol. He treats her with respect while not letting himself be walked over, and I think there’s something to be said about it, esp since Chilchuck knows how it’s like to be infantilized and pet like a cute thing much like our favorite catgirl. He does handle her like a guy who has 3 adult daughters, parenting instincts kicking in

Listen I knooow the party is breaking up with the end approaching but I’ve been thinking a lot about if Izutsumi decided to stick with anyone and I think it’d be really nice if she stayed with Chilchuck. I love Chilchuck’s store so much, I have so many headcanons and fic plans involving it, but listen.  I feel like Chilchuck would be a good person to look after her, she’s still a teen and shown not to be mature enough to know what to do with herself and feed herself right yet, she could become Chilchuck’s store mascot like a cat that’s always lounging inside hehe.  He gains another sort-of-daughter and she keeps her favorite pillow, a loss-loss deal on his end but Chilchuck is too responsible to not take her in if needed mwahahaha Izutsumi would have no remorse, he’s ready to suffer for her comfort

Ok girl we get it he’s your dad

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[iphigeniacomplex]

[It is abominable, unquenchable by touch] by Diane Seuss

It is abominable, unquenchable by touch, closer to the sublime than sentimental, more animal than hominid, I've seen it in the eyes of birds weaving on a stem of ragweed, voracious, singular, there is no one like me, Dickinson in her narrow bed, her cold clenched hands, her penmanship unreadable, even following a recipe for black cake, her black cake came out strange, lusher than the template, and every freak I ever met had that same look in their eyes, armless, threading a needle with their lips and teeth, legless, rounding a corner on their cerulean cart, monarchic, imperious, wild, sad, and like every virgin queen, the need for love revolting and grand.

[rockingtheorange]

Why is Nick such an asshole to Taylor and the film? He already toldAmazon he will nto be doing the sequel.

I don't like answering this type of questions so I'll make it as complete as I can, so people can get a life outside their own expectations. (I'm not defending Nick, I'm stating facts.)

First of all, let's not spread false rumors. Nick has not dropped the project. (I'm baffled on how this rumor could start in the first place)

Nick signed a contract for the sequel, he has responsibilities towards it, and consequences if he doesn't follow it. Regardless, it's not us who decide the terms. If he ever decides to leave the project, he'll make a choice and ponder the consequences.

"He could do more". Well, he also could do less. He's an actor and does his job however he feels like. (Do y'all care about every single aspect of your own jobs or studies? Bet you have priorities, right?)

In pop culture, there's this conception of the artist "owes his fans". While I'm inclined to love fanservice of all kind because it makes us, fans, feel appreciated, no one forces us to be a fan, meanwhile the artists are forced to do fanservice as long as they want or their contracts stipulates that.

Now let me go onto the specific part of Nicholas' life and personality.

Let's remind ourselves that we can be the biggest fans and yet know nothing about our favorite celebrities. They show us what they want us to know, it's our choice to decide what we want to follow, hear or understand.

As far as we know Nick, he's always been a quiet reserved person, who suffers from anxiety, doesn't like big social events and hardly uses social media (especially in the recent years)

He's somewhat a fearful person who decides to step outside his comfort zone. We can know that from his song Comfort.

Nick has talked about how one of his "great fears is being misunderstood." You can read about it in the article RWRB related from BritishGQ in which he compares his fear with Henry's experience.

Nick has been showing multiple times in multiple occasions how he loved Henry and loved playing him. He wouldn't have said "yes" to a sequel if he didn't want to. (I'd also say it's a big deal since Nick has always only played in project that didn't get a sequel, and he consciously decided to agree to it.)

In Nick's career, we can see how diverse and interesting his characters must be. He's drawn to peculiar characters and when he finds one, he puts everything he has to offer into it. This leads him to focus on other characters that aren't the same static one from a year or two ago. (He moves on to the next project, and I don't see anything bad about it.)

Working a lot means schedule conflicts and Nick has always had this problem. If he doesn't work on something new, he rests while doing his little hobbies. (Does he need to attend every social event if he doesn't want to? Do y'all ever rest? And if you don't, can other rest instead?)

I added my personal opinion in parenthesis so it doesn't get confused with the facts. Nick is a human with personal interests, ranked scale of values and personal life.

If you don't want to be a fan, don't be. If you want to be a hater, talk it to the wall instead of harming or annoy others. If you have expectations over other people, learn to manage what you can't control. If you think you're in control of someone else, you're not.

Now, excuse me I'll go back to watch RWRB with Henry played by Nicholas Galitzine, the actor who took his fragile character and held him in his hand, and protected him.

[forcebookish]

the way that phoom is crying and how bittersweet this moment is for him but the look on vicha's face is just pure happiness

SOMEHOW THAT HURTS MORE??

forced to dance and re-experience his death every night for 23 years in a place that only reminds him of who he lost and yet he's just so happy to be reunited, in the most uncomplicated way, knowing that he's where they're meant to be for the remainder of eternity

because phoom thinks it has to end, but vicha knows it won't

[ardentrob]

Cassette Beasts is such a good game, I had to doodle some of my favourite Remasters

[yeehawitsjakee]

[silverskye13]

In which there is a gift.

[beatcroc]

obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed

[funzige-gedachten]

One thing i particularly enjoy about souvenir pop is 80s sound which i also talked about concerning Stephanie. I hear it in lips and mesto duhov aswell, these have an almost post-punk like sound (and Stephanie sounds more new wave to me). And i THOROUGHLY enjoy this. I think it was Nace who mentioned that he really enjoyed the synth-y 80s sounds and that they were playing around with that and i am SO very thankful for that i am LIVING.