#now apocalypse icons

[slashericons]

[tiny-smallest]

Sonic Movie Universe prediction: Robotnik is an orphan because of GUN

I think what was supposed to be, tonally, a silly throwaway line is actually winding up to punch us in the face later.

Bear with me.

I barely remember the first movie since it was so long since I watched it, but aside from one, maybe two, of the comic universes, this line is the first time we have ever gotten anything at all about Ivo Robotnik's personal backstory. And it's that he's an orphan. In a story series that explicitly sets him up with a human identity- none of that Eggman stuff as his identity, not even a whisper of the name until it's a silly insult Sonic throws out later- this movie bothers to give him a Normal Human Society Firstname Lastname and a job.

(Okay, so Robotnik isn't exactly a normal human surname. But it's established canon that is the family name so. Suspension of disbelief.)

A series that we know will later delve, at least a little, into the story of Professor Gerald Robotnik WHO IVO APPARENTLY, ACTUALLY, DEFINITELY KNEW IN THIS CONTINUITY, AS HE HAS A SPECIFIC GRANDPA NAME FOR HIM AND NEARLY CRIES.

The original line was a ridiculous rebuttal to Tom during the fight in the house during the first movie. "Rub that in my orphan face," he says in response to Tom sharing a detail of his childhood during Silly Action Scene Banter. While there is a sort of tension there since the movie universe makes no bones about Sonic being an actual child and he is confirmed to be an alien, thus making the danger present of government capture and experimentation very real and kind of horrific, the scene as it plays out isn't overly out of character for something you'd expect in a Sonic movie. And although Robotnik is the threat here, he plays a large part in also keeping the scene lighthearted because of how utterly he fails to respond like a normal human being to literally anything. The comment about being an orphan at least makes sense based on what Tom said, but it's still weirdly personal and, therefore, kind of inappropriate to say. Like dude back up you're trying to kill a child why are you sharing your trauma with me that's uncomfortable.

Which brings me to the obvious point of that line- it's not just to make the scene funny, it's to show us how set apart from other humans Robotnik is. This is a man who has no idea how to interact with anyone, like, absolutely nobody, and every single scene he's in reminds us of this, including this one.

Now that the third movie has explicitly drawn a line between Shadow's backstory and themes of pain and loss, and we see Gerald Robotnik weeping over what I think is Maria's body in the aftermath of the murder (jesus that's dark) I have to connect a few dots of my own.

The first movie had another piece of foreshadowing they threw at us, this one way more obvious: at the end of the first movie, a government agent is sent to speak with the Wachowski couple. He tells them that Ivo Robotnik has been thoroughly erased from existence. As far as any documentation of him ever existing on Planet Earth, there is none. He hasn't merely disappeared- it's like he never was.

If they did this to Ivo after this catastrophe it's not a stretch to think they did the same with Professor Gerald. Hell, I thought that after movie number one. "That has to come up later- we have a character the government explicitly turns on in this series. Like, as a major plot point. The defining moment in several characters' stories. No way does their ability to erase someone not come up later."

But now I think they went a step further.

They've already murdered a little girl and broken an old man in their efforts to contain the genius they were frightened of.

Personally, I don't think it's a stretch to think that Ivo Robotnik, very young himself at the time most likely, is an orphan because GUN decided to eradicate the entire family line in an effort to prevent anyone like Gerald Robotnik from ever existing again.

Except. The son survived. Well shit. Uh. Stick him in an orphanage and keep an eye on him, I guess.

And where does he end up as a adult? A branch of the government. Where they can keep an eye on him.

(More than that, if they did erase Gerald, Ivo clearly remembers him... so Ivo may have joined them specifically to look for traces of the grandfather he knows existed and who doesn't seem to have any records proving that whatsoever. But that's Ivo's motivations and we're talking about GUN's, so, moving on.)

It's likely based on his sheer intellect, assuming Ivo wasn't embellishing too heavily, that he didn't have to grow for very long before that brilliance was obvious. Though the government's decision to let him live was strategic, weighing the gamble of assassination with the gamble of him inheriting the genius and deciding that risking him having the same genius as his grandfather was better than trying to kill him at this point, the gambit ultimately failed. Even though he was more than likely still only a child, they'd let him live too long. In just a few short years he quickly became a very real threat to the government- as in, if given a reason, he could be a very real threat. And nothing Ivo does is ever subtle or quiet, so his genius was probably very loud, and there was likely lots of attention, making an assassination impossible, because if there would be too many questions before, there would be an insurmountable amount if he died or disappeared now.

So, since they couldn't kill him, they continued to keep an eye on him and took him on at the government when he was old enough with the intention of keeping their enemies closer. Except all of their caution still wasn't enough and he went rogue the first time he was presented with the opportunity to grab at power they didn't already have, power capable of things beyond their wildest imaginations- a monster of their own making.

Ivo, who never asked for what happened to him, very likely a victim of circumstances he had no hope of ever controlling, who responded to this trauma by making his choice that power mattered more than anything- more than morals, more than hurting people who are just like he was once. That shaping his own world after all the horrors he planned to do in pursuit of that may finally, finally "be enough."

(Be enough for what, exactly, Ivo. You never did explain that. "Who knows? Maybe that will be enough." Elaborate.)

Whether he knew the truth about why he had suffered or not, Robotnik made his choices. He stood at that crossroads that demanded he make a choice about what kind of person he was going to be in the face of all the pain and loss, and he made his choice. This movie is about Shadow making his.

If this movie really wants to beat us all to death it won't just draw comparisons between Sonic and Shadow, but Shadow and Ivo Robotnik.

(If this movie wants to exorcize our souls after we're dead, if it intends to be a trilogy and not make more movies in following the original vision for Sonic Adventure 2, it'll place Ivo at a new crossroads, and this time, he'll make a different choice.)

(Especially since Professor Gerald, in a much worse state of madness and malice than Ivo, who the movie is setting up specifically as someone Ivo loves, admires, and almost certainly misses, probably won't.)

[filmbropilled]

apocalypse now as vines cause I fucking loved this movie

does anybody get my Vietnam war movie autism

[thatgeekwiththeclipons]

Happy 94th Birthday to Academy Award Winning, BAFTA Winning, 2x Emmy Winning, 4x Golden Globe Winning, SAG Award Winning actor Robert Duvall! ^__^

[test-type]

rummaging through my google drives trying to find an archive of my icons,,, having to remake icons every time i want to write keeps me stalling rip

[soraeia]

Just a happy Earth goddess thrilled to have Death and the other Riders back (including Pest, I guess)

[nascentwaves]

Exi'vuro is 100% the type to listen to heavy metal bands.

[aplovesmovies]

“You’re an errand boy. Sent by grocery clerks, to collect a bill…”

Apocalypse now (1979) Dir. Francis Ford Coppola

[rainbowgod666]

Honey (love the transgender hunter icon. You're so real for that) with all due respect this puts the bar for anything i might ever produce as an artfor to require the actual murder of someone. I understand this is the "Magnus Archives And Whatever" bit between this and night vale i think i would have to drop a nuke irl just to get even a HINT of recognition. Like come on sweetie did you seriously think i knew anything about TMA when i made that post?😇

SEASON 5!!!

It's finally here!!! wooo!!!

This one took me longer just because it's spring cleaning time

[harrison-abbott]

[takunwilliams]

Dennis Hopper RIP legend

[redlettermediathings]

[icarusredwings]

Watching interviews from the olden days and finding gold.

Finding out that Hugh Jackman having to "be the alarm clock" for James Mcavoy and Micheal Fassbender because of how hung over they were is simply hilarious.

Also finding out that James slammed them into a Lexus (only doing 12 miles an hour) got thrown 10 feet, immediately got up and looked back to see Micheal (who was once on the back of the golf cart) now sitting upright in the drivers seat after smacking his head on the seat and got a gash scar on his leg from it- Only to start "maniacally laughing" and literally RAN AWAY once blamed, Is also so young cherik coded.

These crack heads definitely were getting into some nonsense trouble.

Micheal saying he thought the scene from the strip club with charles and angel "I thought we looked like the two old men from the muppets"

Micheal calling the x men "Charlie- boy's kids". Perfection.

Also the way James looks at him when ever Micheal just bursts out into song is so pure. The "wow this idiot... thats my idiot." Glitter in his eye.

James finding out that Micheal isn't american by driving up to him on a vespa, and screaming at him in his normal voice is so funny.

"Fuck you erik-"

"His names derik."

"How long has he name been derik?"

"Since the begining- you just keep calling him that."

Even the bloopers of Hank and Charles are such a vibe.

"Hold your breath but make it look like you aren't holding your breath" Man these leather suits gave them so many problems fr.

"I already said im not a man. I cant jump this damn wall!" I think storm says as the director goes right up to hugh and is like "Litsen when I say so youre gonna jump this wall" and hughs like idk about that mate. "Ill be talking to you through the big microphone that everyone hates" says the director. "Were gonna take the batteries out if it" says someone else.

Hughs stunt double: *screams*

Hugh: Let it go sis

Hughs stunt double: *dies*

Something about how the directors talk to hugh and how hugh speaks directly to multiple set members makes me feel like half the cuts they had to make was because of him joking and being a silly theater kid LMAO

Everyone randomly dancing all the time, including old magneto.

James too. The blooper of him violently killing a bug on the chess set in the plane scene is so "insane charles" iconic.

Also poor Evan peters. He kept slipping everywhere. And theres so many shots where hes just standing there in charater getting absolutely soaked while charles and Logan do some ridiculous shit lol. Him at panels is so awkward too. Describe your character " hes a little weird uhhhh hes fast. Hes quick. He talks fast he runs fast..... uhhh its like at the atm waiting for the bastard infront of you to move out the way" "I wish my dad magneto could try these 😀" "thats my dad"

Evan also wishes they would have done the scene in apocalypse where he tells him hes his son and all the metal in the room drops. Im someone has written this already but that sounds great.

"THATS MY SON, QUICKSILVER!" Shouts Micheal multiple times. "My boy!" "Its in the genes darling." "I had him when I was very young 😁"

[devine-fem]

This is the post about Damian Wayne being whitewashed that will probably go ignored because it dives deeper than pointing at a Damian Wayne and urging DC to draw him darker. I don’t particularly care about likes but I feel like we should emphasize whitewashing in detail and not just pointing at Damian and being like “he should be darker than this!”

What is whitewashing?

Whitewashing is deeper than the color of someones skin, it boils down to the way they act, are perceived and is portayed over all. If you take away a character’s cultural roots in any way then you are whitewashing them.

-

Let’s start with The Brave & The Bold. No one talks about this but this is a perfect example of whitewashing. In the Brave & The Bold writers took Damian Wayne and just emphasized the Wayne in his name. Damian’s culture did not fit their narrative so they entirely erased it.

Bruce Wayne married Selina Kyle and after had a baby, no, that baby was not Helena. It was Damian. Damian Wayne and only Wayne. He had no connection to Talia whatsoever. They erased Talia and the Al Ghuls entirely from Damian’s story.

This is an example of how his whitewashing goes deeper than skin. He’s now entirely white, drawn as white and lives as a white kid. They changed the way he acted, was perceived and portrayed.

Then because that’s not enough. His identity was a very blatant copy of Tim Drake. He takes Tim Drake’s suit, he takes Tim Drake’s backstory and he takes Tim Drake’s iconic catchphrases, its extremely jarring. This is another example of whitewashing, taking away his personality and to fit a white character.

The Tim Drake curse.

Another example of whitewashing would be the continuous attempt to make Damian Wayne more relatable by watering down his personality and making him reflect Tim Drake. Tim Drake was Robin for so long and so loved that it has a lasting effect on other characters as well. As long as Damian wears that “R” that was celebrated at its highest when the character wearing it was fair skinned then I doubt he’ll ever escape this. This is whitewashing because erasing his personality is also erasing his roots on the most basic level. In his stories, he becomes an average highschool student, pursues romances, indulges in feel good family fun, gets bullied, and wears suits and changes his hair once again to reflect Tim Drake. I don’t even have to mention how light he is.

The Three Horsemen of The Pale-skinned Apocalypse.

On the left we have a portrayel of Damian Wayne with light skin and blue eyes. Not only that but in this comic, they didn’t even get his culture right… the writer must had thought he was japanese… he’s not… he’s part Arab and Chinese but genetically dominant and visually POC.

In the middle we have a Damian Wayne called “Ian.” It’s just Ian. This is an example of whitewashing because if you didn’t know; Talia named Damian after the word “Damianos” which means ‘to tame’. To erase his cultural roots in his name then you are whitewashing him. And Jonathan Kent, a visually and socially white character regardless of the immigrant-kryptonian allegory, did not get this treatment. Those characters seem to never get this treatment as we know.

On the right, we have Damian’s newest installation, the one DC twisted their comically large spoon into their Witch’s caucasian cauldron and used their magic to zap Damian with that Tim Drake curse. Damian’s eyes are green, not grey or blue and his hair is thicker than that, not straight and thin. Nor does he act like this. This is an example of whitewashing. You are changing how he acts, is perceived and portayed.

How to avoid this?

It’s simple actually, just exercise the way he was originally portayed which sadly has never been wrote exactly right since he was first introduced but as you can see:

This Damian Al Ghul-Wayne flaunts his culture in the way he dresses and acts. This Damian Al Ghul-Wayne speaks his native languages when it’s convenient to him. This Damian Al Ghul-Wayne is connected to Talia and grew up in the league of Assassins. This Damian Al Ghul-Wayne made his own Robin suit.

He has brown skin, he has soft green eyes, and look at his monolids, his hair is also thick and his face is dinstinctly shaped as well. The easiest way is just to portay Damian as he is; An Arab-Chinese kid.

For example, this artist made a conscious decision to study the way Damian Wayne looks before drawing him. Even adding distinct features like a nose bump which we never get to really see from him.

Why does whitewashing happen?

The idea that a person of colors’ features and culture are not appealing to the audience and needs to be altered to fit the norm in order to be palatable.

In fandom.

If you portray Selina Kyle as Damian’s mother then you are whitewashing him. If you change the way he acts in fanfiction because you don’t like it then you are whitewashing him. If you draw Damian Wayne lighter than what he’s supposed to be than you are whitewashing him. If you demonize the Al Ghuls and put the batboys in place of them then you are whitewashing him. If you change the meaning of Robin for him then you are whitewashing him (this does not include reverse robin AU’s for example) and if you make him do any action that’d align him with what an American kid is supposed to be doing then you are whitewashing him. But let’s say you make a AU where the point is his personality is different or his upbringing is different, this is not whitewashing, this is having fun. To have an initial subconscious mental bias when it comes to a POC character is different, entirely different.

And about other races… Damian Wayne is one of the few Arab-chinese portrayels in Media, please do not alter this, even if its to make him any other variant of POC. Damian Wayne is Damian Wayne and if that’s not interesting enough for you then use a different character that is that race. <- do not fight me on this.

We as a collective should focus on portaying Damian Wayne. It’s deeper than skin. It’s crazy because its really not that complex…

In conclusion, be mindful of why you were invited to this Damian Wayne function…

[thatgeekwiththeclipons]

Remembering 2x Academy Award Winning, 2x Golden Globe Winning, 3x BAFTA Winning actor Marlon Brando! ^__^

[inkspiredwriting]

Love, Hate, and the Hargreeves

Five Hargreeves x Fem!reader

Warnings: none

Five Hargreeves had always been known for his sharp mind and sharper tongue. Y/N, his girlfriend, was no different. Their relationship was a fiery mix of love and playful antagonism, a dynamic that often left the rest of the Hargreeves family in stitches. Today was no exception.

The siblings had gathered in the living room of the Umbrella Academy, the air filled with the scent of popcorn and the sound of laughter. Klaus had found an old box of family videos and insisted on a movie night, much to everyone’s amusement.

Y/N and Five sat on the couch, bickering over which movie to watch.

“I’m telling you, Five, ‘The Princess Bride’ is a classic!” Y/N argued, holding the DVD case up for emphasis.

“And I’m telling you, Y/N, if I have to hear ‘As you wish’ one more time, I might throw myself into a time vortex,” Five retorted, rolling his eyes.

Diego snickered from his spot on the floor. “Ah, the sweet sound of true love.”

“Viktor,” Y/N pleaded, turning to him for support. “Back me up here. ‘The Princess Bride’ is timeless, right?”

Viktor smiled, enjoying the show. “It is, but watching you two argue is better entertainment.”

Luther, munching on a handful of popcorn, chimed in. “You know, Five, for a guy who’s been through the apocalypse, you’re surprisingly bad at picking battles.”

Five shot him a glare. “And for a guy who’s part gorilla, you’re surprisingly bad at shutting up.”

Klaus, sprawled out on the other couch, giggled. “Oh, leave them alone, Luther. This is their foreplay.”

Y/N and Five both turned a shade of red, but neither was willing to back down.

“Fine,” Five said, crossing his arms. “We’ll watch ‘The Princess Bride’. But if I start quoting it sarcastically, you have only yourself to blame.”

Y/N grinned triumphantly. “Deal. And for the record, if you don’t cry when Inigo Montoya gets his revenge, you’re heartless.”

Five smirked. “Oh, don’t worry. My heart’s in perfect working order. Unlike some people’s taste in movies.”

As the opening credits rolled, the siblings settled in, occasionally glancing at Five and Y/N, who were now sitting unusually close, sharing a bowl of popcorn. The movie played on, and true to his word, Five couldn’t resist a few sarcastic comments.

“‘My name is Inigo Montoya. You killed my father. Prepare to die.’ Classic line,” Five deadpanned. “Really hits you in the feels.”

Y/N nudged him playfully. “Shut up and watch, smartass.”

Halfway through the movie, during the iconic fire swamp scene, Klaus leaned over to Diego, whispering loudly enough for everyone to hear, “Do you think they’re actually fighting, or is this some weird foreplay we don’t understand?”

Diego chuckled. “Given how they are, it’s probably both.”

Y/N threw a piece of popcorn at Klaus. “We can hear you, you know!”

Klaus caught it and popped it into his mouth. “Just saying, you two have the sexual tension of a rom-com.”

Five rolled his eyes but couldn’t hide a smirk. “And you have the brain of a goldfish, but we still keep you around.”

Laughter erupted, and even Y/N couldn’t help but join in. The teasing was relentless, but it was also filled with affection. The Hargreeves were a dysfunctional family, but they were a family nonetheless.

As the movie reached its climax, Five found himself genuinely engrossed. He glanced at Y/N, who was watching with a look of pure joy on her face. Despite their constant bickering, he loved seeing her happy.

The final scene played out, and as the credits rolled, Viktor turned to them, grinning. “So, how was it, Five? Are you a ‘Princess Bride’ fan now?”

Five shrugged, trying to look nonchalant. “It wasn’t the worst thing I’ve ever seen.”

Y/N beamed. “I’ll take that as a win.”

Klaus jumped up, stretching dramatically. “Well, this was fun. Let’s do it again sometime. Preferably with more popcorn and less bickering.”

Diego smirked. “Less bickering? With these two? Not a chance.”

Five stood, pulling Y/N up with him. “Come on, Y/N. Let’s leave these amateurs to their popcorn.”

Y/N laughed, following him out of the room. “As you wish.”

The siblings burst into laughter again, and Five couldn’t help but smile. Their love/hate relationship might be a source of endless teasing, but it was also what made them, well, them.

As they walked down the hallway, Y/N slipped her hand into Five’s. “Thanks for watching the movie with me, Five.”

He squeezed her hand, his usual sarcasm softened by genuine affection. “Anytime, Y/N. Just don’t expect me to quote it back to you.”

“Oh, I wouldn’t dream of it,” she teased.

And with that, they continued down the hall, ready for whatever adventures and arguments lay ahead, knowing that as long as they had each other—and the Hargreeves’ relentless teasing—they could handle anything.