#nothing hits anymore

[rooh-afza]

am I over anime or have I simply become more discerning

[curesforwritersblock]

tumblr: the only place where the news of the attempted assassination of a former president was conveyed via an old supernatural meme and is somehow still less popular than gay porn

[madamemiz]

sad: falling out of a hyperfixation

tragic: watching your beloved friends and mutuals fall out of the hyperfixation while you're still in it

[arcanagoat]

lost little hound

[sea-jello]

hong kong miku,,,

[catboy-a-day]

catboy 170.. me rn.

[onaperduamedee]

Anasai of Ryddingwood. Each of her poems was written as an elegy. This was for her father. She left instructions; it can be read, but should not be spoken out loud, except when it was right to do so. She did not explain when it would be right to do so.

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[vi-visected]

that post that goes “sorry my love language is acts of service and i’m only good at killing people/things” or whatever is so jason todd it hurts

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[devotedlystrangewizard]

really the evil dark urge/pre-canon dark urge is just about the shit we do for parental approval turned up to the max. doing everything for bhaal. praying to him in the stormshore tabernacle(?) leading to

that is his love! he literally kills you to show he loves you! that entire letter for forgiveness being several paragraphs of "i promise i will perform my duties and not allow this to distract me". the fact that the dark urge was literally crafted by his hand, personally, to be the embodiment of murder. the fact that he will destroy you if you resist. the fact that you will lose yourself if you fail.

[theimpossiblescheme]

Staging concept: Ophelia carries around a book that she uses to press different flowers and plants. At one point we see her actually pressing one of the flowers Hamlet's given her before, and we get the impression that she wouldn't part with this book for the world. During the "Get thee to a nunnery" scene, Hamlet rips the book out of her hands, and she goes diving after it to make sure he didn't damage it. And during her final "mad scene", she starts tearing out the relevant pages (rosemary, pansies, fennel, columbines, etc.) to give to everyone present. Laertes is the only one to get the significance of his sister giving away parts of her prized possession, and it adds an extra layer to his grief.

[motogpnewbie]

Tik Tok decided to make me feel things today Pt1

[thyandrawrites]

Do you ever think about how Dabi's "people live to laugh" quote has some dramatic irony now that it effectively predicted his ending and how fucking cruel it was. "whether we laugh or cry, the sun will rise again, impartial to it all" and hero society goes back to thinking the league of villains wasn't made of human beings, so it's okay to rejoice of the fact that they were put down like dogs. "so let's smile, himiko toga. People live to laugh" and Touya's last scene was about how what will kill him won't even be his injuries, but likely just plain old heartache. His heart so full of grief for the life he couldn't have, it threatened to give out, and his own doctors asked his family to leave him there to cry his eyes out alone

[thaliagrayce]

y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!

How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!

I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.

Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.

[puhpandas]

This might come off as controversial, but Steel Wool is not immune to criticism. I don’t like how Steel Wool is treating Gregory for numerous reasons, but them setting him up to be a bad person feels wrong when no other child character is treated this way. They don’t want to acknowledge him as a victim and like okay, we get it, we hardly see his trauma, but hello? Is he not still a child? How is he any different from other kid protagonists that wanted to live in this franchise?

There’s a higher standard for the games sure, but it’s weird to me that background book characters get treated way better. They don’t want him to be exactly like Cassie, which understandable, but we’ve already seen few Cassie characteristics from him? To ignore that is ignoring a big part of his character. Why would he do anything in the story then if he was just as bad and destructive as they portray him as? He still needs motives, even if they want to strip him of any characterization so we never feel bad for him. They’re actively refusing giving him positive attributes because they’d hate it if he started challenging other characters/fans favs, but that’s what makes a good story compelling. It feels like they’re taking their anger out on him through their writing if that makes sense?

I’m a little concerned he’s gonna be the one who dropped the elevator because it feels true, otherwise why would RUIN be so full of blatant Gregory hate? They want us to hate him, that’s quite all there is to it.

them never showing us him as a character on a normal day and only when hes in a life or death situation making a split second decision that could decide the fate of himself and everyone he loves definitely has something to do with it. they only show his 'blunt' decisions to do something bad for a good reason, and not what he would be making that decision for. we never get to see him just be a normal kid, we never get to see him after sb deserving to have that happy ending, we only see the bad

but I dont feel like this is just. we hate this 12yo character and like the other one better so we're making him evil and shitting on him. they probably do want people to see the bad things he did for a reason that we dont know yet.

them framing Gregory as cutting the elevator whether he did it or not was very blatant in that decision. it feels like they want to give him a 'redemption arc' in the eyes of the fandom in come kind of way since people have disliked him from the very beginning. like they want us to see him do these bad things, and then maybe theyll actually show us that he didnt want to do these things later, and maybe things will be different.

like, I cant be the only one who feels like Gregory and the elevator is a setup for something. obviously to trap cassie down below, but in that case they didnt have to make Gregory be the one do drop it, just blatantly the mimic. they want us to believe this for a reason, and that would be to show us at the very least a reasoning later. I dont believe that reason is just "we fucking hate this child character and want everyone else to as well" that's just. crazy to me.

they wouldnt make Gregory do many kind things for other characters if they hated him. they wouldnt have had him comfort cassie on her birthday and make them canonically close friends if they wanted to make him genuinely heartless.

keep in mind that with SBs nuked characterization and no focus on Gregory since then, we havent even gotten to see his pov in a long time. just Cassies so far, and Cassies story is pretty much built off of perspective. the MIMIC is literally a tool to make characters perspectives about eachother change or distort because it would frame a character as doing something they didn't

mimic is literally going to be used to cause confusion and distrust within characters and it literally did that and accomplished that in ruin. cassie is going to believe Gregory cut the elevator whether he did it or not. and that's why I genuinely believe he didnt. why on earth would they introduce a character that's main purpose would be to do bad things to characters in another characters name to cause drama and then just. have the character have actually have done it lmao.

TLDR: I dont believe steel wool would steep as low as to make a 12yo kid trying to survive actually evil or even just hate him as the creators, and I also think the story of cassie and ruin and beyond is designed off of making Gregory look bad (the mimics purpose as a villain being causing uproar and doing bad things in another characters name to cause distrust from another) from Cassies perspective so he can appear later and disprove those beliefs as a sort of 'redemption arc' to cassie and the fans