#not to mention a storyboard artist

[rust3d-anchor]

@min-play is so cool

That’s all i gotta say.

[parentsday]

climbs out of my hibernation, hey do you guys know that in the parents day episode storyboard animatic, the david monologue scene that we view through the perspective of max has a photo frame titled ‘famiglia’ in the background. the scene that is basically the writers nudging you on your shoulder signaling that this is the kind of affection and understanding our neglected protagonist doesn’t get at home and yet strives for has a family photo in the background while he looks at david. david who is currently talking about how much he wants to make this kid realize that he is deserving of happiness no matter how little his own family cares to make it happen. scene framed to be viewed through the lens of a specifically familial bond. thought some of you would love to have that information

[bbuzz28]

I would like to state that I absolutely love Stanford Pines…however, I can’t help but wonder what it would have been like to have had the storyboard version (screenshot taken from one of the og artists IG’s)

LOOK AT HIM AND TELL ME WE WEREN’T ROBBED

[sergeantsporks]

The Wizards fandom was crazy. Sometimes I'd make a silly little headcanon post and the Voice Of God (the writer) would appear in my notes and go "yea, sounds right" like wtf was up with that

[sushidoodles]

My first attempt at a storyboard!!!

[gongedtornado]

h*zbin/h*lluva enjoyers fuck off from my page plz 🙏

[foursidecity]

Anyways I think everyone should go watch win or lose, I feel like 90% of what I'm seeing is posts about how they censored a trans character and 10% of people actually praising the show for what it COULD do with what they are given, im not saying disney didn't do a bad or whatever, but it's one thing to to recognize the failings of a greedy corporate entity, and another to completly ignore and degrade the writers and artist that poured their souls into this series and that character

Here's what DIDNT happen:

-Disney didn't remove the trans plot line because of the election, theyre just like that. Theyve done it before theyll do it again regardless of the political climate, don't blame this on trump, blame it on network execs<<this is a fairly new take and it's so stupid. Animation takes time and the editing was done a year before the show released

-the character is still in the show, and will have her own episode still in the next batch of episodes released, we really don't know much information about her now still, and I'm holding out hope theirs even a small refrence to the original storyboard/script. But really at this point we just don't know how much has changed

-disney stepped in, pixar had nothing to do with the changes, only pointing this out because the writers at pixar obviously wanted this character to happen, but disney didn't want that story to be told on their platform, it's important to. You know, know your enemy and not just point fingers at everyone in the vacinity

-Chanel Stewart voiced Kai and is a trans voice actress, I don't see alot of people mentioning her and you should, she put alot into this character and was obviously really upset when her story was changed

This post isn't about letting disney off the hook, by all means pirate it, I actually encourage you to! But how often do you get an animated show about co-ed sports? That's something in it's own right that I'm amazed they were even able to keep in script, how often do writers get to try to make trans storylines that resonate with and include trans people? Even if it didn't go through, we know about it, talk about it!! Spamming 'fuck disney!!!' Under every pixar post isn't doing anything

[kianamaiart]

Hey hey! You’ve probably been asked this a lot but what made you want to start creating I Don’t Want To Be A Magical Girl?

Also I drew Akia in my style!

Hope you’re having a great day btw ! :0)

First of all this is so rad!!! I loooove how you drew her

And what made me want to make I Don't Want to be a Magical Girl... It was a lot of things! (im assuming you mean the pilot in general)

The idea started off as a stupid doodle/character design practice. It wasn't gonna be anything more than that. I just felt like drawing a cute character with a gun really hahaha.

It's not a particularly original premise and I didn't plan to do anything more with her (as I do with most of my ocs/designs). But I actually did really like this one and couldn't help but think of little ideas and scenarios with her. Things started ramping up in my brain more when I realized I could attach a personal story and personal experiences to it to make it feel less cliche. That's when I started designing the other characters and coming up with bios and stuff

And then that was gonna be it again. I'd maybe do a comic here and there but there was a combination of things that happened that led to me jumping in and making a pilot.

First of all, I had a two month hiatus coming up so I had so much time. I also decided to step down from my directors position to be a board artist again in the coming season. So I really wanted to get some storyboarding practice in and what better way to do that than with this character I ended up really liking? I also don't have a portfolio and I'd been wanting to make something that's very me rather than my work from an existing show.

I'd offhandedly mentioned to my editor at disney that I wanted to do a board for these characters and she told me she'd help me make an animatic if it ever came to that. I couldn't pass up that opportunity! Now, since it was gonna be an animatic and I didn't want it to just be my scratch, I reached out to a bunch of VA friends to see if they'd be interested and they were!

Then other than having that support, just seeing my friends work on their own personal projects has been really inspiring and made me want to also do my own thing! Me and my friend group had just made a whole video game for our friend as a bday present which was so creatively fulfilling and made me realize like "oh my god we're artists we can literally just make stuff".

In the past I'd been so afraid to share my original work and for similar fears I've never wanted to showrun despite having the opportunity to pitch. While it's flattering to be wanted there was this pressure that felt like "oh you HAVE to make something, you're wasting your talent otherwise." (lol this is ironically the thesis of idwtbamg). And as a qpoc, i'd felt this extra layer of pressure to have to make something perfect on all fronts because if i fail in any capacity, i'm failing my community. it'd just be another another reason for people to say "ah queer media and work centering poc just can't succeed." then on the other end, i can only do and write what i know and feared that other people in my community wouldn't resonate with it or would feel like it's inaccurate to their own experiences.

but that's an exhausting way to feel and i've finally decided for myself that i'm just gonna tell stories that are authentic to me and it will reach whoever it needs to reach~ this realization was kind of the final step i needed to push myself to go all in. and now we're here!

[youreverydayfangirl]

THIS IS WHY WE CANT HAVE NICE THINGS

pairing: max verstappen x singer reader

summary: the one in the wake of reputation, people begin to forget and a new story is written

warning: ill come back to it (i didn't but theirs nothing just vague mentions of past mental health issues and online hate)

a/n: only one more part :(

face claim: sabrina carpenter

f1 masterlist

main masterilst

series masterlist

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The atmosphere of the set was buzzing with energy, y/n sitting in the directors set as she watched the chaos in front of her unfold. Her makeup artist was adding the final bits of eyeshadow to her smokey eye as y/n rewatched some old takes of a scene. Max watched, slightly awkwardly, from the side, a soft smile on his face, his reflection expressing awe.

From the corner of her eye Y/n could see him staring at her and turned to face him with a playful smirk, "How do I look?"

"Like your about to break the internet." Max said, a little smirk on his face though his eyes shone with pride.

She rolled her eyes, laughing. "You say that every time."

"Because it’s true every time," Max shot back, his grin widening.

As she went to get up Max kissed her shoulder quickly before letting her get to work. She laughed slightly at the simple display of affection before whispering in his ear, "You're my good luck charm, Verstappen." He watched as she ran off, intensely aware of the box that sat heavily in his pocket.

"Just don't forget me when you're topping the charts Schatje."

Before the cameras started rolling Y/n made eye contact with Max from the set, mouthing an I love you.

(this was set before they got engaged just an fyi)

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yourusername GETAWAY CAR MV IS OUT NOW <3

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Y/n felt very secure, hidden away in her trailer which was only illuminated by the soft glow of fairly lights strung along the edges of her mirror. She lay on the couch going through her storyboard, Max on top of her, weight heavy. His head rested on her chest as his hand absentmindedly played with the hem of her top, occasionally pressing kissing against her stomach.

“Shouldn’t you be getting ready for your cameo, Mr. Superstar?” she teased, glancing down at him with a playful smirk.

Max grinned up at her, his eyes twinkling with a mischievous sparkle. “I am ready. My job is just to stand there and look good, right?”

“Pretty much,” Y/n quipped, running her fingers gently through his hair. “And don’t forget to smolder. That’s very important.”

Max chuckled, closing his eyes as he leaned into her touch. “I’ll smolder for you and only you, liefde.”

The door to the trailer creaked open, and y/ns assistant peeked in. “Y/n, five minutes to set.”

“Got it,” she replied, her fingers pausing briefly in Max’s hair. The PA disappeared, leaving them in their little bubble of quiet.

“You’re gonna kill it,” Max murmured, his voice soft but sure. He sat up, leaning forward to cup her face with both hands. “Every time I see you work, I fall for you all over again.”

Y/n’s cheeks flushed, and she let out a small laugh. “You’re ridiculous, you know that?”

“Ridiculously in love with you,” he replied, pressing a tender kiss to her forehead, then her nose, then her lips. “Now go show everyone why you’re the star.”

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y/nsprivate someweirdo took over my trailer and started hogging everything

y/nsfuturehusband HEY THATS NOT NICE!!!

-> y/nsprivate KIDDING AND I LOVE AND THANK YOU AND I LOVE YOU

-> y/nsfuturehusband CALL ME RN PLEASEEEEEEEEEEEEEE

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maxverstappen1 🖤

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The soft hum of the TV filled the quiet apartment, but Y/n wasn’t really watching. She sat curled up on the couch, knees drawn to her chest, her fingers absentmindedly tugging at the loose threads of her hoodie. Her eyes were fixed on nothing in particular as her mind raced with negative thoughts and memories she wished she could forget.

Max walked in from the kitchen, holding two mugs of tea. His smile faded the second he noticed her expression. Setting the mugs down on the coffee table, he knelt in front of her, his hands gently covering hers to still their nervous movements.

“Liefde,” he said softly, his voice laced with concern, “what’s going on?”

She shook her head, biting her lip as tears welled up in her eyes. “I don’t even know how to explain it,” she whispered.

Max’s heart ached at the sight of her like this. He slid onto the couch beside her, wrapping his arms around her tightly, as if he could shield her from the ghosts of her past. “You don’t have to explain it,” he murmured. “You don’t have to do anything. Just let me be here for you.”

Y/n let out a shaky breath as she buried her face in his chest, her tears soaking into his shirt. “I hate feeling like this,” she admitted, her voice muffled. “Like I’m broken or something.”

“You’re not broken,” Max said firmly, pulling back just enough to tilt her chin up so she’d look at him. His blue eyes were filled with unwavering determination. “You’re strong, Y/n. Stronger than you know. What you’ve been through doesn’t define you. You’ve come so far, and I’m so proud of you for that.”

A small sob escaped her, and Max wiped a tear from her cheek with his thumb. “And when it feels too heavy,” he continued softly, “lean on me. You don’t have to carry it all by yourself. We’re a team, remember?”

She nodded, her grip on him tightening. “Thank you, Max. For always being here.”

He pressed a kiss to her temple, resting his cheek against her hair. “Always, liefde. You’re stuck with me.” He whispered softly, playing with the ring on her finger.

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francisca.cgomes IM OBSESSED WITH YOU

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yourusername MRS & MR VERSTAPPEN - 24/11/25.

maxverstappen1 couldn't be happier to call you my wife

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a/n

MERRY CHRISTMAS I HOPE YOU ALL GOT SPOILT

ALSO PRAYING FOR MY SWIFTIES IN MOURNING THIS IS FOR YOU

Hey everyone, I just wanted to pop on her and say thank you for all of the support you guys have given me since I first posted this fic. As a writer it is something that's very difficult and vulnerable to put your work out their and for this series to receive as much positive attention as it has gotten is nothing short of remarkable. Sorry for how long its taken for me to get this part out but i've just been struggling with the motivation to write it more or less cause I haven't wanted this series to end but it needs to one way or another. This part marks the official end of the series although I still will write and publish thank you aimee at some point as a bonus chapter since it doesn't really fit into the main post category. I will also at some point post the insta and other snippets that I came up with that just couldn't fit into the main story line of this series. Its sad that this is over but their will be many more things to come. As a bonus note part of the reason why I haven't been super active is i've been working on my book (wrote 10K+ words last week) which i'm super excited about. Also (again IK) the first part of my charles series should be up tomorrow so check that one out if you want :). I've kind of made the decision that this series and the charles series (with a short lando series in the future) exist in the same universe so i can keep max and y/ns story existing in that one aswell (purely because i can't let this series go). The first part of the charles series will be up tomorrow so check that one out if you want. I love you all so much and will miss this series so much :(.

@lyannesworld

@pippyth3hippy

@scorpiomindfuck

@syddddddddddddd

@paigem00

@toldyouitwasamelodrama

@lilsiz

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@xjval

@oikarma

[swampjawn]

Dungeon Meshi just keeps getting more consistent as we get closer to the dragon.

(^Another beautiful cut from Kai Ikarashi, who did the childhood memory sequence from the living armor fight, as well as a bunch more from that episode)

The first half of episode 8, focusing on Marcille and Falin's magic school days, can't help but feel very reminiscent of TRIGGER's past work on Little Witch Academia.

In fact it was a fitting crew for this episode, because episode director Yuuichi Shimodaira, storyboard artist Yuuki Yonemori, and of course series director Yoshihiro Miyajima all had significant roles on Little Witch Academia (Shimodaira and Miyajima directing several episode each, and Yonemori doing key animation).

Yonemori even mentioned on Twitter that it felt nostalgic.

This whole section is all about character acting, and draws a stark distinction between the body language of Falin and Marcille.

This straightforward little cut of tiny Falin carrying her dungeonium illustrates her whole essence through simple character acting. You can infer that she's carefree and whimsical from the way she bounces up and down with each step, and that she's physically kinda weak from the way she sways a little as she lifts the jar onto the desk.

And same with this walk cycle when they enter the tiny dungeon! She wobbles clumsily back and forth and her cheerful confidence shows that she's done this dozens of times before,.

If you were to draw a straight line from her head through her spine, it would rotate back and forth, pivoting at the feet rather than the hips, which makes it feel like she's not really bending her legs as she walks.

Meanwhile, Marcille carries herself in a way that's much more reserved.

But she sees an openness in Falin that she hadn't considered as a possibility, and in the modern day, we can see that she's influenced by her. She's mostly dropped the air of importance and dignity, and now allows more of her own clumsy, energetic nature to shine through.

In fact you could see this burst of energy (the type of frantic jerky movements that we see her do all the time in the modern day) earlier as the first instance where she was inspired by Falin and momentarily couldn't contain her excitement.

There's more yummy animation analysis juice where that came from, because I broke down the whole episode in this video! (and the second half is where the animation really starts to be off the proverbial chain) Thanks for reading and watching if you're interested!

[screamofdespair]

越智浩仁 Hirohito Ochi is also one of those veteran artists who have been involved in the production of Detective Conan since the very beginning, with a style of his own. He has worked on a vast number of episodes, particularly those featuring the Detective Boys, and initially collaborated mainly with the Animation Director 大河原晴男 Haruo Ogawara in the early stages of the series production. Like his peer Masato Sato, he was also appointed as the series director (505 to 666) during an extremely difficult period, primarily working on openings and endings. One of the differences from the others is that he also wrote his own original scripts for the series, the most well-known being : Dracula's Villa Murder Case and A Cursed Mask Coldly Laughs.

Let's take a look at his work during Detective Conan's prime.

One of Ochi's distinctive traits is his use of experimental colored backgrounds in transition scenes, blending them with the tone and style he wants to convey. He incorporates onomatopoeia, manga speech bubbles, pastel pencil backgrounds, cartoonish scenes, and even typography. This use of almost childlike backgrounds not only adds style but also emphasizes the fact that Shinichi has the body of a child.

A diverse framing palette, offering a bit of everything…

With a preference for low-angle shots, often playing with Conan's size in the process.

Unlike Sato or Yamamoto, who make the scenes where Conan finds clues or is in a moment of reflection more dynamic, Ochi prefers static backgrounds with a blue gradient, even later in the anime.

He is also obsessed with the mid/late afternoons depiction, which can range from a simple orange to red.

What's interesting about the Ochi episodes is that they make full use of Gosho Aoyama's early artstyle. The scenes are very dynamic and exaggerated, using Masatomo Sudo's flexible designs to the fullest, with Ogawara further enhancing this sensation (where the adaptations of Magic Kaito have failed doing this, for example).

The scene in the top right, was animated by the very famous Character Designer 岸田 隆宏 Takahiro Kishida.

Ochi wrote, storyboarded, and directed episodes 88 and 89 Dracula's Villa Murder Case, which are of great quality. There are inspirations from Dezaki's direction (notably Oniisama E), which is not surprising because he is a reference for everyone, as well as from the Japanese movie Evil Dracula (the atmosphere, the hallways, the manor, the sofa in the center, etc...).

Oniisama E (1991) Dir : Osamu Dezaki

and Evil Dracula (1974) Dir : Michio Yamamoto

His creativity when it comes to adapting chapters has always been evident, using everything at his disposal, both in the framing and the photography : #176 opening scene.

Not to mention perhaps his most well-known episode, which he wrote, storyboarded, and directed : #184 A Cursed Mask Coldly Laughs. It takes everything from episodes 88 and 89 and elevates it : the atmosphere, the theme of the curse tied to the mask, the suspense, and an extremely unconventional way of solving the mystery, visually simple yet complex in practice, in a very Aoyama-esque manner. One could almost believe the episode was written by Aoyama himself, though that is not the case.

[bibluebutterfly]

Okay so I’m taking a risk here by talking about StaticMoth (as some fans will come at your throat if it’s mentioned), but let’s do it since I discovered something interesting.

The main thing being, I noticed that throughout these last few months, there has been a steady rise in StaticMoth fanart (which would make sense as StaticMoth has gotten a lot more shippers since the Instas were confirmed as noncanon), with Viv herself liking the more comedic/wholesome pieces.

Then upon closer inspection (aka, seeing one specific artist pop up constantly and finally deciding to check her profile), I realized that the Animation Director for Hazbin and Helluva has a LOT of their own StaticMoth fanart, with Viv even sometimes commenting on it.

So I’m now beginning to suspect that StaticMoth will NOT be as abusive as we were initially led to believe.

Check it out

(Smiles is the animation director for Hazbin and Joel is Val’s VA, just to be clear) that, and if you check this account you’ll see that they are all a BIG VoxVal fans, and Smiles also mentions how she worked with them a LOT in the show.

Now call me crazy, but I don’t think this woman, or any of them would ship StaticMoth as hard as they do if one was abusive and the other wanted to get away from them. And since the art that Viv likes is actually really sweet at times, I think that StaticMoth will actually be a functional couple.

I mean they also get a playmat and the only couples who get playmats are the canon functional/going to be functional couples (ie. Chaggie, Stolitz, M&M, and Fizzarozzie)

Also while I’m at it I may as well mention that they WERE included in her Valentines post. And in that gif, we have Vox is smiling evily at Val while he isn’t looking. That doesn’t really scream “abuse!!” to me.

Ironically, the last time I saw behavior like this from the team (Viv liking fan art, animators and storyboard artists making their own cute fan art, playmats before canon, etc), it was about Fizzarozzie, and they turned out to be the healthiest couple on the show.

Coincidence? I think not. (Art below is done by Hunter B, a storyboard revisionist and Vivziepop herself)

Now don’t get me wrong, I DONT think that they will be in any way healthy, but I don’t think it will be abusive. Or if it turns out Val does hit Vox to the point of breaking his screen, I think Vox will in return rip his arm out. If they’re abusive, it will be on both ends.

And since Vox has been appearing more in trailers and promos than Val, I think he will be the bigger, more prominent character. And it has been confirmed by many that Vox will very much be as bad as Val. He’s the most powerful the the Vees, and is clearly the head of the group. At the very least, I highly, HIGHLY doubt he will be the uwu babygirl that some fans think.

I think StaticMoth will have a “evil couple” vibe where they probably aren’t head over heels, (their one true loves will almost definitely be money and themselves), but they have a blast bringing other people down together. They will be equally awful, we’ll hate them, but we will LOVE to hate them.

Or I’m dead wrong, and this post will age like milk.

[anonbeadraws]

✨art vs artist 2023!!✨ I feel like I achieved a lot! -Storyboarded and lined over 60 pages for a comic - Completed a body horror comic that's just been published in an anthology, my first published work that's just my art! - Added to two tarot decks! - Coloured two comics! - Completed many commissions! - Became Art Lead for Confluence and have been building that world with a team of wonderful people! And people have begun playing it!! - Currently finishing up a larger comic project with a great indie crew, all my art! Next year, I want to focus a little more on original art/graphic novel ideas and making that, rpg calender I mentioned like, a year ago!!! And I'm so happy and grateful you're all here on this journey with me, thank you so much!✨ ✨ Tip me here|commissions ✨

[shiftingwithjaidyn]

🎞️ ⋮ writer/fame dr

★┊ BASICS .ᐟ

timeline:

this dr takes place around late august of 2022 due to the fact i intend to be part of one of the films i work on right from its beginning

locations:

los angeles, california (main)

vancouver, canada

new york, new york

san antonio, texas

london, england

notes:

i scripted out a lot of things that occur in this reality (due to the fact i scripted the timeline of everything somewhat similar)

some movies in my filmography are book adaptations that do not exist in this reality however exist in mine and most tv-shows in my filmography are cancelled shows in this reality so i decided to make them continued in my dr (just incase of some confusion hehe)

★┊ ABOUT ME .ᐟ

name: lilian maricel villaécija

nicknames: lily, lia, celia, mary/mari

gender & pronouns: demigirl || she/they

birthday: august 11th, 1980

height: 5’6”/167 cm

zodiac sign: leo

mbti: enfp

nationality & ethnicity: american || filipino-chinese

occupations:

screenwriter

script supervisor

production designer

director of photography

make-up artist

storyboard artist

aesthetic:

★┊ CAREER .ᐟ

movies:

center stage (2000)

in the mood for love (2000)

uptown girls (2003)

eternal sunshine of a spotless mind (2004)

pride & prejudice (2005)

the devil wears prada (2006)

black swan (2010)

if i stay (2014)

la la land (2016)

lady bird (2017)

the glass castle (2017)

to the bone (2017)

the greatest showman (2017)

oceans 8 (2018)

crazy rich asians (2018)

always be my maybe (2019)

little women (2019)

all the bright places (2020)

pieces of a woman (2020)

last night in soho (2021)

everything everywhere all at once (2022)

one last stop (2023) [film adaptation of the book by casey mcquinston]

tv shows:

grey's anatomy (s2-s13) || 2005-2016)

rupaul's drag race (s5-s14 || 2013-2022)

rupaul's drag race: all stars (s2-s5 || 2016-2020)

anne with an e (s1- || 2017-present/ongoing)

the marvelous mrs. maisel (s1-s5 || 2017-2023)

pose (s1-s3 || 2018-2021)

instinct (s1-s3) (2018-2023)

the umbrella academy (s1-s4 || 2019-2024)

the haunting of bly manor (s1 || 2020)

bridgerton (s1- || 2020-present/ongoing)

yellowjackets (s2- || 2023-present/ongoing)

★┊ RELATIONSHIPS .ᐟ

╰┈➤ FRIENDS

(i have a lot of friends due to the fact i've been in the industry for quite a while now, but these are just my closest)

trixie mattel

shea couleé

katya zamolodchikova

kate walsh

emmy raver-lampman

sandra oh

nicola coughlan

gemma chan

simone kessell

a huge special mention as well to @ixzotica a.k.a. aaliyah sinclair in my dr!! the one and only best friend, neighbor, sister, and platonic soulmate of mine in every single universe <3

╰┈➤ PET

name: mari-pusa (Mariposa)

nicknames: mari, choco butternut,

gender & pronouns: female || she/her

birthday: january 15

zodiac sign: capricorn

mbti: istj

breed: tortoiseshell

╰┈➤ S/O

gonna keep him a redacted for now as i am not yet comfortable sharing much about my dr but i just wanted to let u guys know he's an actor, he's a libra, and that he exists HSHJSHDSHKJHL

★┊ EXTRAS .ᐟ

links:

patter banner || gradient divider || star divider || heart divider

note:

feel free to ask me about this dr or any shifting related thing in general!! i'd really appreciate it! : ]

[patar-fuifui]

Guys.. I'm glad you guys are eagerly awaiting the updates for SEB, but please understand that I am just one artist working on this comic and this will take time. Time I barely have because hey! Life is a thing.

Comics take time, even more so when you have to do virtually everything on your own. There's writing, storyboarding, drawing the whole thing out. Polishing takes time. While I do have an editor with me onboard and my friends to throw in their input, it's still me alone who has to do everything else. Not to mention I was busy packing my belongings including my PC because of the big move that happened this past year. And then I got COVID. It fucking sucked being out for nearly two weeks because of that.

I have to stress that with each answered inquiry over the timing of next volume, I receive 4 more in its place. Scourge Eternal Blackout is a passion project that receives no monetary gain and I would like to keep it that way. However.. as of late I've noticed it has been reuploaded on other sites without my permission. In future uploads, all pages will have a watermark on them. Thank you for taking the time to read my post, and thanks again for understanding.

[briskchips]

HELLO!! big fan of your animatics!! How do you make them and do you have any tips for inspiration, planning, and what software do you use?

Thank you! I'm glad you like them!

I think the realization that revolutionized the way I think about storyboarding the most is that you HAVE to let your imagination drive. I start off every animatic with super loose, super messy, barely legible sketches, with wrong anatomy, janky movement, etc. Instead of focusing on making it look good, I can just focus on setting it up for its potential, and starting my motivation at the highest point it can be. I never let my first draft take more than a few hours over the course of like 2 days max, or else the drive dissipates.

If I start a board right away with the cleanest, most beautiful art I can muster, I'll kill my own motivation, like "Oh god, in my head, I imagined a huge spinning 3D camera shot here, with a bunch of dancing characters. That last panel alone took me like 30 minutes to draw, I don't wanna do this! I'll draw a simpler, flatter scene instead." and then it ends up looking nothing like how I imagined, and I get demotivated before abandoning the project. But if I start with super messy lines, just barely enough to get the idea out onto a screen where I can watch it, the excitement and imagination will drive, like "Wow, this shot with a huge spinning 3D camera and all these complicated characters looks SO COOL! It's gonna take a lot of work, but look how interesting it looks already! I can't give up on this!"

For reference, this was puppet boy's first draft!

Storyboarding is a bit different from a lot of other visual art mediums because it takes a LOOOOT more work before it starts feeling rewarding. Learning to manage your own motivation is a huge part of building the skill that I feel a lot of people don't mention.

But when it comes to learning how to finalize it, study up on your storyboarding rules! Learn about perspective, anatomy, screen direction, and learn to draw FAST (that's a big one). Draw out shots from your favourite movies, study their composition and take note of their camera/character movement, and how it aligns with the shots sandwiching them. Learn from other artists (I recommend Toniko Pantoja, he's a very experienced board artist who makes a lot of videos abt improving your boards and what it's like to work in the industry), and PRACTISE! Your first piece of art, whenever you try anything new, is going to SUCK. You're gonna think its bad. That's just how art goes. But the next time you do it, you'll always, always, improve, even if just a little, even if you can't see it for yourself.

The biggest thing to keep telling yourself when making storyboards is DON'T GIVE UP YET. YOU'RE SO CLOSE TO MAKING SOMETHING COOL. And then you have to keep telling yourself that over, and over, and over, and over, through all the sighs, and the frustrated rage-quitting, and the exhausted temporary give-ups, and then eventually, those animatics you keep building in your head get to be real! And it feels incredible.