#not the point of the post but might as well tag it

[ginnsbaker]

All Of Your Pieces (1 - Honey! I shrunk the kids! 18+)

Summary: Wanda accidentally shrinks your kids while trying out a spell that would benefit both of you in the bedroom; Jimmy and Darcy attempt to find out more about the Hex, particularly when they discover a remarkable detail about you. Pairing: Wanda Maximoff x Female Reader Chapter word count: 3k+ | Tags: Smut, Campy Humor, Language

A/N: I've been working on this series since late August and have finally figured out what to do with it, enough to share it with you all. The story will be told in three parts: Westview (The Missing Town), Pre-Westview, and Post-Westview. This follows some events in WandaVision, but it's very canon-divergent. It's going to be different from my other works (I've never written humor before and I'm quite insecure about that), as this one is very plot-driven but at the same time, still very much Wanda x Reader (especially in parts 2 and 3). Updates will be every Wednesday. Chapters will be 2.5–3.5k words long, except for the ending chapters of each part, which are twice as long. So, without further ado… More author's notes here.

Series Masterlist | Main Masterlist

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“Honey! I shrunk the kids!” 

Wanda bursts into the basement, apron billowing out like a cape. Except, there's no draft down here; that apron shouldn't be moving like that at all. But then again, considering your wife’s claim, maybe the laws of physics are taking a day off.

You glance up from the miniature model home you’re meticulously working on, unsure if you heard her right. Did she really just say that? 

“You what?”

Wanda, flushed and a little breathless, skids to a stop in front of you. “Okay, so I was experimenting with a new spell, one that was supposed to…” She bites her lip, hesitating, her face glowing a deeper shade of red. “...it was supposed to do something else, but it backfired and... well, it’s not important right now!”

“Jesus, Wanda.”

Your poor, beautiful, occasionally clumsy wife stands there, teetering between a freak-out and a fit of giggles. 

“It was an accident! I didn't mean to!” Wanda shrieks, causing the room to tremble from her panic.

Wanda's powers have always been a wildcard. You can child-proof the entire house in a day, but that definitely doesn't cover child-proofing Wanda herself—especially not when your kids are involved. Luckily, the boys have inherited some special abilities of their own, which leaves you as the sole non-superpowered member of the household. With that in mind, you know better than to panic. Getting worked up alongside her would only escalate things, and you’re not exactly keen on being shrunk next.

“Okay…where are they now?” you ask as calmly as you can manage.

Wanda takes a deep breath and leads you to the living room. You trail her in silence, clutching at composure. It can’t be that bad, right? The distant sound of playful music trickling through the house almost makes it seem like everything’s fine. You hadn’t really noticed it before, but now that you think about it, it’s like your brain has learned to associate that kind of tune with situations that somehow always end in collective sighs of relief.

Sighs, giggles, and applause—sounds that don't belong to Wanda or the boys.

Where are they coming from?

Before your mind can completely sink into the oddities of your life here in Westview, Wanda halts in the middle of the living room. Your eyes dart around, searching for Billy and Tommy, but they’re nowhere to be seen.

“Where?”

“Right there,” Wanda points toward the coffee table, her finger trembling slightly.

You squint in the direction she’s pointing. Next to the TV remote, two tiny figures wave up at you—your sons, each about the size of your thumb.

“Oh my god, they’re tiny!” you gasp, covering your mouth with your hand. You expected them to be at least half their normal size—a size they might grow out of eventually.

“Shhhh, Y/N!” Wanda hisses, pressing her index finger to her lips. “The neighbors might hear you.”

Neighbors. Which usually means just Agnes from next door. There’s literally several meters of spaces between your houses, but somehow, she always manages to hear things she shouldn’t and pries like she’s in some perfectly timed routine.

Wanda kneels by the coffee table, her eyes soft. “I told them to stay right there until we sorted this out.”

The twins start making noises, sounding like tiny bells, though still hard to make out. You pull out a magnifying glass from your back pocket—has that been there the whole time?—making sure your sons are okay. As soon as the lenses zoom in on their faces, you're relieved to see them laughing uproariously, seemingly unbothered by their predicament.

“They seem... happy?” you say, lowering the magnifying glass.

“They think it's hilarious,” Wanda grumbles, her lips curling into a pout.

“So,” you sigh, pushing yourself to your feet. “Any ideas on how to fix this?”  You're tempted to suggest just letting it run its course, waiting for the spell to fizzle out, but you know Wanda wouldn’t go for that. She's fiercely protective of the twins, and you can't blame her—it’s all her handiwork, after all.

Then you hear it—a hiccup. Another follows, and then another, each one a little louder than the last.

Before you know it, Wanda's a sobbing mess.

You cup her face in your hands. “Hey, hey...it’s okay,” you murmur, gently brushing away a tear with your thumb.

Wanda’s breath hitches as she looks at you, her eyes brimming with worry. “What if I can’t fix it?”

“We will,” you promise, looking into her eyes.

A collective ‘awww’ rings in your ears, pulling you out of the moment. What the hell—where did that come from? You've had this creepy feeling of being watched lately, and it's only getting worse.

Wanda brings you back to focus when she nuzzles into your palm. “Oh, Y/N, I don’t know what I’d do without you.”

You give her a small, lopsided grin and plant a kiss on her forehead. “Good thing you’ll never have to find out.” Something passes over her eyes as soon as you say it, but it vanishes in a split-second, replaced by a moment of inspiration.

“Wait,” she bursts out, stepping away from your embrace. “I think I have an idea.”

She heads straight for the fridge, and you trail after her, holding your breath.

“I’ve been trying to reverse it, but my magic isn’t cooperating. It’s like... it’s tangled,” Wanda mutters, yanking things out of the fridge.

You scowl, arms crossed, watching her. “Tangled? What do you mean?”

“I don’t know. The more I try to fix it, the worse it gets. Like it has a life of its own,” she says. she says. After a few more seconds of rummaging, Wanda finally grabs a tetra pack of chocolate milk—the twins' favorite.

“I’m hoping this will do the trick,” she says, giving the carton a shake.

You cock your head, clueless on what’s going on. “Honey, what’s going on?”

Wanda mumbles, barely glancing up as she vigorously shakes the carton. “Just doing what it says—’Shake well before serving.’”

You roll your eyes, muttering, “This woman...”. Then louder, you ask, “I mean, what’s the chocolate got to do with our tiny children?”

Wanda stops mid-shake, a look of realization dawning on her face. “Oh, right,” she slaps her forehead. “You can’t read minds. I keep forgetting,” she chuckles, setting down the carton with a sheepish grin.

There it is again—a chorus of laughter from somewhere far off. Your mouth twitches at the sound—it’s really starting to get on your nerves. You make a mental note to bring it up with Wanda later.

Wanda gathers herself, then pitches her plan. “Instead of directly casting a spell on the twins, I think it’s safer to enchant this chocolate milk.” She picks up the carton again, giving it a final shake. “The idea is to infuse the milk with a spell that will gradually restore them to their normal sizes.”

You nod, beginning to understand what she’s trying to do. “Sounds less risky than zapping them with more magic head on.”

“Exactly,” she agrees, her eyes lighting up with excitement. You’d swear she’s getting a kick out of this macabre parenting hack—kids and all. The background tune keeps playing, like a promise that the universe won’t let things turn to shit. You’re wondering if maybe Wanda hears it too.

“This way, the magic is diluted and can adjust more naturally with their systems. It’s like... sneaking the cure into their bodies,” she says, snapping her fingers, red swirls of magic emanating from them to the carton of milk.

“I'm so proud of you, baby,” you say, leaning in for a quick kiss which she happily accepts. “For finding a fix, I mean. The whole shrinking our kids thing? Still not great.”

–

“What kind of spell do you think Wanda was going for?” Darcy asks, her eyes fixed on the credits rolling across the screen before it fades to black. She’s really gotten into Wanda’s little show, a welcome distraction from the freezing depths of hell that is New Jersey in November. Though exciting things are finally happening to her, the timing couldn't be worse. 

“No clue,” Jimmy mutters, his attention glued to the laptop in front of him. It’s been two days since Quantico sent him to look into the bizarre case of a missing town—a phenomenon almost unheard of in the 21st century. Upon arriving, they discovered that the town in question, Westview, was enveloped by some sort of anomaly—or a Hex, as Darcy has started calling it, referring to the hexagonal shape of the barrier encasing the town. 

Around the same time as the discovery, S.W.O.R.D. agent Monica Rambeau was quite literally sucked into the anomaly by accident. The only breakthrough has been Darcy Lewis’ detection of the signals, providing them with a window into the mysterious shroud, even helping them identify some of the show's characters as actual residents of the town.

But overall, they're still desperately trying to piece together why this is happening and how to stop it.

Darcy peeks over at the data on Jimmy’s screen. “Find anything new?”

Jimmy sighs in frustration. “No, not really. Everything we dig up just adds more questions instead of answers.”

“Like what, for instance?”

Instead of answering directly, he slides a thick file across the table toward her. “See for yourself.”

Darcy catches the file and starts flipping through it. Murmuring, she says, “So, Google finally returned search results?” The stack of papers is downright daunting. Jimmy’s right—any mountain of information would raise more questions than answers.

“No, not Google,” Jimmy corrects her. “Stark's highly confidential database did. The woman Wanda's married to in Westview? She’s not in any public records. Turns out her records were wiped clean two years ago.”

Darcy looks up, puzzled. “Why would Stark's company have this?”

“Just read, Darcy. It’s all in there,” he says, turning his full attention back to his research.

Darcy frowns slightly and begins scanning through the pages more attentively. It takes her a few minutes to piece together the information she's reading, with her mind going in different directions and still burning with curiosity about the spell Wanda botched.

Finally, she reads aloud, somewhat incredulously, “Subject was recognized as S.H.I.E.L.D.'s youngest marksmanship prodigy prior to recruitment by Stark Industries following the dissolution of S.H.I.E.L.D.. Subsequently provided tactical support on multiple classified operations in conjunction with the Avengers initiative.”

She sets the file down thoughtfully. “Kinda reminds me a bit of Romanoff or Barton. Total badass. I hadn’t pegged Maximoff for that crowd.”

“What crowd did you have Wanda filed under?” Jimmy asks, just out of curiosity.

Darcy’s gaze drifts off, a dreamy smirk on her lips. “Honestly? I always pictured her—or anyone for that matter—swooning over someone more…mythical hammer than tactical espionage.”

Jimmy snorts to himself at Darcy's whimsical take and says, “Of course, you’d say that. Thor's everyone's type.”

“He’s yours too?”

“Yeah, why not,” Jimmy shrugs, his tone more reluctant than sarcastic, which only amuses Darcy more.

“So,” Darcy begins, “Wanda's settled down in New Jersey, married to a woman? I mean, good for her. They all deserve a break. Maybe even an early retirement.”

Jimmy lets out a long, tired sigh, like he's just about done with everything. Darcy notices and raises an eyebrow. “What now?”

He barely glances up. “Like I said, everything’s in there. Just keep reading.”

Darcy groans but goes back to the file, flipping through the pages again. She’s about to make a snarky comment when something catches her attention—something that has her eyes practically popping out of their sockets.

“It… it says here Y/N’s dead.”

“That’s right,” Jimmy responds without missing a beat.

“Not snapped five years ago. Dead-dead.”

“Yep.”

Darcy stares at the page, disbelief all over her face. “That can’t be right, can it?”

Jimmy finally swivels his chair to face her, looking as tired as he sounds. “That’s what I’ve been trying to wrap my head around for hours. If aliens and superheroes are real, maybe bringing someone back from the dead to star in a sitcom isn’t so far-fetched, right?”

–

You carefully pull the blankets up over Billy, smoothing his hair and whispering a soft good night. Tommy’s already half-asleep, but you make sure to tuck him in just as snugly, brushing a kiss on his forehead. Wanda stands in the doorway, watching you, her heart swelling in her chest. You were so clueless when she first had the twins, but now, being a mother just seems to come naturally to you. 

And you pulled it off in a week, while the twins stretched into six-year-olds just as fast.

“Honey,” you call softly, noticing the way she’s lost in thought. “Aren’t you going to say good night to our boys?”

Wanda steps into the room, giving each of the boys their good night kiss. You pucker your lips, silently asking for your turn, and she playfully swats your arm, whispering, “Not here, baby.”

You pout, giving her your best puppy-dog eyes, which only makes her smile. Without warning, you grab her hand and hurriedly pull her out of the boys' room, making a beeline for your bedroom. Wanda’s laughter fills the hallway, and just as you reach the door, you suddenly sweep her off the ground, lifting her into your arms.

Wanda lets out a shriek, her laughter infectious, and you can’t help but grin, even as you let her thump onto the mattress—a sloppy, graceless drop. You follow her onto the bed, rolling onto your stomach to peer down at her, still sporting that stupid smile.

“So, about that kiss you owe me,” you whisper, hovering closer, teasing her with your proximity.

Wanda nods distractedly. “I think I can manage that,” she murmurs, and then her lips are on yours.

It starts simple and sweet. Though soon, her tongue is gently nudging your lips apart, and it quickly becomes anything but. Her hands slip down to your back, pulling you close until her heartbeat hammering against yours. You break away, lips trailing down to her neck, exploring every dip and hollow, your tongue darting out to taste her skin. When you hit that spot just behind her ear, the one that always drives her wild, she gasps.

“Don't start something you can’t finish,” she warns, her voice already thick with want.

“Who says I won't?” you shoot back with a wolfish grin.

You both fall into a familiar routine, as easy to slip into as the back of your hand. There’s no hurry, just the two of you moving languidly—whispering against skin, giggles turning into sighs and breathy moans. Sometimes, being with Wanda feels like a desperate need, as if not having her completely would literally be the end of you. But it’s moments like these that are your favorite—the ones where you’re barely even trying, yet she still comes apart at your touch, at the mere feeling of your fingers on her. 

Eventually, you both settle down, a contented sigh escaping you as you curl up against Wanda, your skin slightly damp with the effort of your love. You like this, being the little spoon, hiding your face in her neck like you’re hiding from the world, though you vaguely recall a time when it was usually her in your arms. 

As you’re staggering on the edge of sleep, Wanda’s fingers gently massage your scalp, her lips dropping soft, pensive kisses on your forehead. You're almost out, but one last question keeps you from drifting off entirely.

“Wanda, that spell earlier that shrunk the boys—what was that about?” you mumble, your words slurring into the dream nipping at your consciousness.

Wanda’s laughter rumbles through her chest, nudging you slightly from your drowsy state.

“Come on, tell me,” you coax, giving her side a playful pinch to keep her talking.

“It’s embarrassing,” she mumbles, her face turning a delightful shade of pink again that spreads down her neck and chest. Her coy reaction wakes you up some more. As a twisted kind of payback, you run your tongue rough over her nipple, snatching a sharp gasp from her. Moving up, you hold her flushed cheek, making sure she’s looking right at you. Your thigh presses between hers, and it doesn’t take long before she’s wet and ready again.

“Are you going to tell me, or do you plan on sleeping with a wet pussy tonight?” you whisper, brushing your lips against the corner of her mouth. Under different circumstances, Wanda would scold you for your crudeness, but right now, she's too worked up to care. Your dirty mouth has always been one of the most irritating yet irresistible things about you. Even having kids hasn’t changed that.

“I was trying to... enchant your...” she starts, but then your hand tightens on her butt, spurring her subtle grinding movements. By this time, she’s practically dripping onto the sheets, her thoughts scattering as the tightening sensation below her stomach builds.

“My what?” you push, smirking as you watch her fumble for words. You hoist her leg, resting it on your shoulder, laying her wide open. You slide two fingers inside her, fucking her slowly while your thumb brutally circles her clit. As she hesitates to answer, you hook in another finger, drawing a sharp cry of pleasure from Wanda. Your gaze stays locked on your wife, a part of you as surprised as she might be at your boldness tonight.

All day, she’s haunted every corner of your mind, fantasizing about stealing a quick, desperate moment while the twins are asleep or at Agnes’s. But there’s been something—an unnameable restraint—holding you back from indulging those wicked impulses. It isn’t until the boys are asleep, the house quiet, that those invisible chains start to loosen. That’s when you can finally allow yourself to desire Wanda the way you really want to. The way you’ve always been meant to.

“Your... clit,” Wanda finally spits out, seeing you've drifted off, stuck in your head. “I thought I could make it... well, longer. Like a...” She chokes on the words, too embarrassed to finish.

“Like a cock?” you throw out crudely, looking down at her impishly.

Wanda nods, mortified but also a little defiant. “Wanted you to fuck me with it,” she mumbles, finding her backbone now that the secret's in the open.

“I am fucking you,” you whisper hotly right into her ear. “But if you want it like that, all you have to do is say the word.”

Wanda clenches around you at the thought of doing it like that in the near future, her breath hitching. “Please,” she mewls, the word dripping with need. 

“Good girl,” you growl, cranking up the pace as you drive your fingers harder inside her, making her gasp and arch towards you. “You can come.”

With a choked whimper, Wanda surrenders, her body seizing as her orgasm washes over her. She soaks your wrist, the clear fluid trickling down onto the sheets, but you don't stop, pushing through every pulse of her release until she's quaking, utterly wrecked beneath you. You patiently wait until her spasms subside before slowly pulling your fingers away.

Wanda's hand shoots out, stopping your movements. “Stay,” she implores, sounding like she's on the verge of tears. You're momentarily startled by her reaction, concerned something might be wrong. Swiftly, you slide your fingers back where they belong, nestled deep inside her.

“Okay, baby, I’m not going anywhere,” you murmur, pushing back the damp strands of hair sticking to her forehead with your free hand. Exhaustion begins to cloud your senses as you sink down beside Wanda, still keeping your hand where she wants it. 

“I'm sorry for needing you so much,” Wanda murmurs, her voice shaky with tears you can't see, your cheek pressed against the pillow beside hers.

“Don't be,” you mumble, half-lost to sleep as she clings to you more tightly. “I’m here.”

“You love me,” she says, a hint of wonder, of fear.

You nod, lips brushing the nape of her neck. “And you love me,” you murmur back, your eyes slipping shut. “I'm not going anywhere, Wanda.”

“For now,” she whispers to herself, once your breathing evens out in sleep.

Tears betray her then, and she clamps a hand over her mouth to keep quiet. But just before her sobs fully break free, she flicks a finger, a thin red wisp of magic ensuring you stay deep in sleep.

With you unaware, Wanda surrenders to her grief.

[samandcolbyownme]

Summary: Who knew you could find a lot more than a basketball game at The Garden.

Warnings: Swearing, heavy flirting, mostly fluff

Word Count: 2.4k | unedited

⊹₊｡ꕤ˚₊⊹

“We should probably go find our seats.” You nudge Laura, “I think the game is about to start.”

“We have time, relax.” Laura laughs, “Have you ever been to a basketball game like this before?”

You shake your head, looking around, “No, the only basketball game I’ve been to was my high school team, who absolutely sucked.”

“Well, the Celtics don’t suck.” She looks at you, “That’s who you’re rooting for, right?”

“Well yeah, obviously.” You shake your head and pull your phone out of your pocket. You snap a picture of the court, tagging the team before posting it to your Instagram story.

“Alright. I’ll catch you guys later.” Laura turns around, “I’m so glad you got offered courtside seats.”

“Yeah, I don’t know how. They just dm’d me asking if I wanted to come, I figured it would be fun and I know you like them so.”

“I could kiss you right now.”

You laugh, “That’s okay. I’ll just settle on you buying me dinner afterwards.”

“Oh that’s a good deal.” She glances back at you as she walks towards the steps. You follow her down and find your seats at the end of the court.

You look around, feeling kind of underdressed at some of the other girls are dressed up, heels and all.

“Stop that. You’re good.” Laura nudges you, “You dressed perfect.” You furrow your brows, “How do you know when I do that?”

“I know you.” She smirks, “A little too well, at that.”

“It’s kind of scary.” You laugh, turning your attention back to the court.

Halfway through the first quarter, you pull out your phone, snapping a picture of your jeans, sneakers, and the game that’s going on.

Taking a video and adding it too while you’re at it.

You’re an influencer at a popular basketball game, might as well give them the publicity you think they invited you for, right?

“This is actually quite entertaining.” You lean in to Laura, booing when the crowd boos. You were getting into it.

You bring your phone up, smirking as you see an Instagram notification - Christopher Sturniolo replied to your story.

You angle your phone, smirking at Laura, “Look who just-“

“Girl, you better get on that.” She nods, “What did he say?”

You tap on it, biting your lip as it opens into the thread, if you look closely I’m in the background of that video.

You click on the story and rewatch it, smirking when you see a quick glimpse of Chris. You swipe out and type back, Look at that, you are. Enjoying the game so far?

As you stare down at your phone, Laura nudges you and you look over at her, then to the direction she’s pointing.

A smile washes over your lips as you see Chris, Nate, and Matt on the Jumbotron.

You watch as they all smile and wave and then sure enough, your face is on it. It rapidly changes to a smile, to a shocked expression, then to a happy expression as you and Laura both wave.

“Oh my god that was embarrassing.” You mumble as you sink down into your chair, “I didn’t expect that.”

“We’re beautiful women sitting courtside at a Celtics game, what did you expect, y/n?” Laura laughs and cheers as Nick and Mikayla appear on the screen.

You clap and yell before returning your attention back to your phone, reading Chris’ message, I am, you?

You tap the screen, tilting your head slightly, It’s definitely something new. I’ve never been to one of these games before, but it’s exciting. Go Celtics!🍀

“Oh my god.” You lay your hand over your face, “I’m so stupid. You would think, just by how this conversation was going, I never spoke to this man before in my life.”

Laura turns your phone towards her and she can’t help but giggle, “Noo! That was cute!” You roll your eyes at her and look up at the game that has restarted.

You couldn’t help but find yourself looking for Chris through the moving bodies on the court. It’s not that you and Chris have history, per se.. it’s more or less feelings that neither of you have displayed for one another, yet.

You’ve done a video with them before, and you’ve stayed friends with all of them afterwards, and surprise, you’re more close with Chris than the other two.

You look down at your phone as it vibrates and you can’t help but smile as you click on Chris’ message, Atta girl, but we gotta get you to some more games. You’re from Boston for Christ sake lol.

You smirk as you answer back, Is that you offering to buy my ticket? Because if so, count me in.

“Was that.. too straight forward?” You look at Laura and she shakes her head, “You know what you want, and I say you just better go for it.”

You chew on your cheek, the smirk returning to your lips as you watch the chat bubbles bob up and down before his message comes through, I’ll take you to every one of their games if you don’t mind traveling.

“Oh he is so into you.” Laura mumbles with a smirk, “Ask him to go to dinner afterwards, it can be as a group or whatever so it’s not awkward.”

“I will, just.. give me a second.” You go back to typing out your response, If you think I’d have an issue with traveling, then you clearly don’t know me at all lol

You weren’t even interested in the game anymore, you were more interested into talking to Chris.

Chris responds, there’s another game here on the 12th, I can get us tickets right now. Or the 13th at the Barclays Center in Brooklyn.

You take a deep breath, Why not both? I can get the Brooklyn ones if you want?

You hit send and you bounce your leg, trying to keep your heart from racing out of your chest. You glance over the court, seeing Matt and Nate pick on him for smiling so hard.

“How’s it going?” Laura asks and you shrug, “May have just planned out one if not two dates.”

“look at you go, girl.” She smirks at you and your phone vibrates, sending an excited chill up your spine. He sends a screenshot of the gotten tickets and you smile as you shake your head, Looks like it’s a date, or dates? I don’t know, but I’m excited to understand the world of basketball better.

You look around, clapping when the fans wearing Celtic clothing clap. Your attention is ripped from the game instantly as soon as you feel the vibration, hell it wasn’t even on it anyway, Well, since we finally scheduled a date, I guess it’s safe for me to say you look gorgeous tonight.

You purse your lips as your cheeks heat up, It was safe before, way before lol, but thank you. You look good in green, it almost makes up for the shots you took earlier.

You and Chris are always teasing each other, so it wasn’t anything out of the ordinary for one of you to start picking.

You look up, watching him cover his face as he laughs, turning to tell Nate and Matt, what you assume is what you said you saw.

Ohh fuck, you saw that? Now it’s even more embarrassing.

You can’t help but giggle, You were under a lot of pressure, we know lmao.

It’s almost like Chris wasn’t interested in the game either anymore, he would answer back almost instantly, Yeah, the pressure. We’ll go with that. Do you have any Celtics merch?

You glance down from the game, Look over and see.

You set your phone down and move your hair out of the way of the Celtics logo on your white crew neck. You stare over at Chris and he gives you a smile, raising his hand to give you a thumbs up.

He looks back down at his phone and yours vibrates, I like that also you know what I just realized? I have your number, why are we talking through insta?

You laugh slightly, I honestly have no idea.

Right after you hit send, you get a text from him, Hi.

You smirk, Hi, how’s the game?

“Moved onto texting I see.” Laura teases as she sits back down, “Here.” She hands you a drink, “Figured you could somehow manage to quench your thirst a-“

“Alright.” You cut her off, “You’re going to make me blush even more.” You laugh and take a sip before you steal some of her popcorn, “I didn’t even know you left.”

“You’ve been glued to your phone, I didn’t want to interrupt anything.” She smirks and shakes her head, “It’s about damn time something happens between the two of you.”

“Shut up.” You roll your eyes and look down at your phone, I don’t know, I haven’t been paying that much attention to it honestly.

Same here. I’ve been a little distracted, you look around, realizing that it’s halftime, “Huh, halftime. That was fast.”

“Well th-“

“Can it.” You laugh, “I know.” You look down and bring your phone up to read your new text, Distracted by what, ma?

You glance up at him, smiling slightly when you see Chris actually paying attention to the game. You look back down and type, Oh you know, just by this cute guy finally asking me out on a date, I’ve only been waiting for.. oh I don’t know.. months now.

You hit send and immediately look back up, giving Matt a weird face when he looks at you with a smirk.

He laughs and your attention turns back to Chris, who immediately picks up his phone and starts smiling like an idiot, Months huh? Man that guy fucking sucks.

You let out a slight laugh, He definitely made up for it though, well almost….

You look up, watching some of game while it takes Chris all of two seconds to reply, Almost huh?

You answer back just as fast, I mean, yeah. He bought me tickets to see two basketball games and I’m just hoping he’d ask me to dinner after this one, but we’ll see how it goes.

Your heart was racing. You’ve always thought that the two of you were better off as friends, but now that you think about it, you were always each others, just never official.

“God you guys just need to meet at half court and have a passionate kiss.” Laura smirks, tilting her head, “That would actually be so romantic, all of the people cheering you guys on.” She sighs, “I need to find a boyfriend.”

You laugh, “As much as I would love that, I think we’ll settle on keeping the pda to a minimum.. for now.” You smirk and look down at your phone, Do you want to grab dinner after this y/n?

I would love to, Chris, you smirk and nudge Laura, “I have a date after this.”

“About damn time.”

“You’ve said that already.” You laugh, looking around. You clap and cheer, glancing up at the scoreboard to see the Celtics leading, “Hey, we’re winning.”

“I’ve known that.” She laughs, “I’m not in world Y/n Sturniolo.” She looks at you, “That has a nice ring to it.”

“Don’t rush things.” You look away, tilting your head as you think about it, “It does though, doesn’t it.” You laugh, looking back at her.

You look down, tapping on the text, If you want you can meet me over here when the game is over, that way we’re not swimming through the crowd up there trying to find each other.

Laura and I drove separate, so that works out perfect, and hey. Celtics are winning!!

“I guess it’s a good thing we drove separate.” Laura laughs and you show her your phone, “I literally just said that to Chris.”

She laughs, “Oh my god.”

You laugh, shaking your head, “We are one.”

“Kinda scary.” She looks at you and you both break out into laughter, quickly switching to cheering and clapping when the Celtics score more points.

You could really get into this basketball scene.

You get another text from Chris, that’s because you’re just a lucky charm🍀

You smile, We’ll see if that’s the case on our second and third date. You set your phone down, turning towards Laura, “Is this actually happening?”

She nods with a smile, “It is. Do you want me to pinch you?”

“No, no.” You stop her as she reaches over and you laugh, “I believe you.”

Chris texts back, I’m ready for this game to end now haha, you glance up at the scoreboard, texting back, Just a little bit longer, I think you’ll make it.

You see the texts bubbles pop up, I don’t know, I have a date with this really pretty girl and to me that’s more exciting than this basketball game.

You feel your cheeks heating up and you quietly inhale as you type, Aww, you can be nice.

Yeah I thought the same thing about you.. kidding kidding.

You laugh, shaking your head and you jump slightly as the buzzer goes off. The fans uproar with excitement as the Celtics win and you stand up, cheering, clapping and jumping around with Laura.

You bring your phone up, Guess what? Games over.

You tuck your phone into your pocket and look at Laura, “Do you want to walk over with me and then we can all walk out together?”

She nods, “Yeah, that’ll probably be best.”

You make your way around the court, weaving in and out of people while you look for Chris through the crowd. You spot him, keeping your eyes locked on his as you lead Laura with you.

You give him a smile as you walk up to him, “Hey.” You look at Nate then Matt, giving them a smile, “Hey, guys.”

Chris immediately takes your hand into his and interlocks your fingers, “Ready?”

You give his hand a squeeze and you nod, “Ready.”

⊹₊｡ꕤ˚₊⊹

Thank you so much for reading, I know absolutely nothing about basketball, so sorry if nothing makes sense, but I tried to just keep it focused on texting Chris. I hope you enjoyed! I love you and I will catch you in the next one! 🖤

Likes and reblogs are majorly appreciated!

[jweekgoji]

Will you write for some Yandere!Orion Pax x reader? 👉👈

Yandere!Orion Pax/Reader [TFO/hcs]

tw: yandere themes, gn!cybertronian!reader, very brief mention of murder/death, mostly soft!yandere!Orion, overprotective, dependent behavior. word count: ~1000. a/n: i love making headcanons.

Orion is an obsessive, clingy and overprotective yandere that's for sure.

Orion is focused on you 24/7 in his mind, every time he's going out with someone else, he will constantly think of you. He's not having a fixation on you, like D-16 would with his darling, more like a thoughtful «I wonder if they will like it if I give it to them» or «if I COULD transform, I would be carrying them around everywhere!». His thoughts are mostly innocent, even though they often lead him to cause even more trouble. He will seek out a thousand risky stunts to do just to impress you, and he doesn't really care if Darkwing will beat him up because of it.

It is no secret that Orion is clingy. I already described it in other posts, and I will ramble about it again, but that silly guy does NOT know how to keep his servos to himself. Yandere Orion just can't comprehend the fact that you may not like it. You can find it weird, rude or just not tactile, and if he finds out, that's a pure torture. At first, he might find it funny and not take it seriously, you're probably in that «edgy, no nonsense and independent» phase some bots have, so he finds it his own personal goal to warm you up to him.

If you're somehow still adamant about it, I can see him trying to restrain himself from just squishing you against his frame the second he sees you in the same room with him. Cogless tiny Orion will be a sweetheart, so he always finds a way to satisfy his own needs without crossing the line. One day it's a simple touch on your shoulder, then he will try to hold your servo if lucky, and maaaaybe even give you a tiny peck on the cheek as soon as you look away from him. Touch is his love language!

Yandere cogged Orion/Optimus is a huge sweetheart but when he's tired and emotionally drained, the only thing he wants is to wrap his arms around you and hold you close to himself. Stay like that and don't say a word, it's not like you have a chance to escape.

Orion doesn't look like a person who thinks about his own safety. You will watch him running around Iacon from another trouble he got himself into, and he will even drag D-16 with him. Even though in his mind, it's for a better cause, If you're really close and dear to him, he also wants you to be the part of this adventure because he desires the better future for everyone and for both of you specifically. Together.

As Orion, still young, idealistic and naive bot, I never see him taking away your freedom. If you wish to tag along with him on the race, even though it's the most dangerous thing ever, especially with both of you not having any t-cogs...he will gladly accept it! As yandere Orion always cares about your well-being, but it's never the boring «I will lock you up just so you will always be safe» type of overprotectiveness. He neglects his own well-being to the point where he will gladly lose an arm or a leg if it means protecting you, and he doesn't care that he might die because of it.

You should constantly remind him to check Ratchet at least for once, but he will jokingly dismiss it since he's more concerned about that tiny dent on your frame. How did you get it? Do you need him helping you to polish? Orion already drags you to medic, meanwhile he is standing there holding broken metal pieces of his own body and like “that's just a scratch!”.

We all saw how Orion got protective over Elita once she was fired by Darkwing. His first thoughts are "yeah, I will NOT let that slide" even though he is two times smaller than their supervisor. Orion is a fighter for justice, for his darling he's a true gentleman, or...tries to be at least.

He's not that type of yandere who will murder someone if they hurt you, because his own beliefs are strong and unclouded. Yes, in the heat of battle, when it's either your life or the life of the enemy, he will never hesitate to end them, but even then he feels guilty about it (especially if we talk about young Orion/Optimus). If he actually ends up hurting someone, he will be devastated, and might as well take a long time to process it all.

How did it happen? How could he let this happen? He fights for freedom, for everyone, no matter if they're enemy or not, they all deserve at least a one chance for redemption. There will be a time when Orion blames himself for it, it corrupts his spark slowly, to the point where he thinks of himself as unworthy of you.

As much as Orion is an inspiring, he's self-conscious. The more not-so-happy events you go through together, the more he becomes dependent on you. You're a part of Orion's life, he can't shine brightly without his little satellite.

Yandere!Orion would constantly need you by his side. It doesn't matter where he is going, as long as he is with you. During his lowest moments, he wants you to reassure him and give him that comfort that will keep him at bay. He didn't mean to hurt anyone, but that worry and spark of rage blinded him, leaving his own servos dirty in the stranger's energon.

Young Orion is one of the softest yanderes to deal with. He still has to learn a lot about his own place in this world, his motivation, and his strength. Everything felt so easy when you were just two cogless bots, but the more time passes, the harder it is to deal with more complex feelings. Jealousy, disappointment, and regret. At the end of the day, you're the only person to keep him sane and not to collapse from the responsibilities on his shoulders. The problem is, it is too hard to get rid of that dependence.

[sasheemo]

C'è sempre una prima volta (there is a first time for everything)

Pairing: Melissa Schemmenti x Butch!Reader

Tags: One-Shot, Established Relationship, Strap-Ons (Rr), Frist Strap-On Experience (Rr), Smut with Fluff, Sexual Stereotypes, Mommy Kink and Praise Kink if you squint until your eyes hurt

Summary: You and Melissa have been together for almost a year and she wants to try something new in bed, you’re just taken aback by her request.

Word Count: 2.4k

Read on AO3

A/N: this was originally posted on 13.05.24 (AO3 only), but since I'm putting together a Masterlist, I decided to post it here too so that I could include it. This was the first fic (or anything really) I ever wrote , also english is not my native language so sorry for any mistakes you might encounter. I added some Italian here and there in the fic and you will find the translations in brackets.

You had just finished giving your beautiful girlfriend her second orgasm of the night when she looked at your straight in the eyes asking if this time she could use the strap on you. You were both lying on your bed and she was still panting and high from her orgasm, but she seemed pretty serious about her question. 

Noticing your surprised - and kinda worried - expression, Melissa asked you what was wrong.

“No no, nothing! Just to be clear, I’m not saying no … it’s just that nobody ever asked me something like that. I honestly never thought somebody would even want to have sex with me with a strap”

“Ma cosa stai dicendo?! (What are you even saying?!) Why would you think that?” 

“Well, I mean, usually butches are seen as tops and I guess in my case that is what was always expected from me in a relationship. When I say that nobody ever asked something like that to me I mean it. I always felt like it was implied that if someone was supposed to use the strap in bed…that would be me. And nobody actually ever behaved differently, proved it wrong or cared enough to talk about it I guess…” you replied plainly but with a hint of hurt in your voice

Melissa looked at you with an expression you couldn’t quite decipher. Was it anger? Was it disappointment? Was it sadness? “Hon, I never expected anything from you since the day we met. It’s not about other people’s expectations, what you think you owe them, it’s about what you want. As for me, I just want you. All of you without any stereotype, expectation or limitation. Fuck everyone else and their opinions!”. You look at her lovingly, knowing she is telling the truth as you never felt any kind of pressure from her, from day one you could always be your truest self with her. 

You prop your head forward looking for her lips, but you notice that she doesn’t move and lets you come to her. Once you’re an inch away you feel her sultry voice brushing your lips “Now, do you want me to fuck you senseless with that strap or not?”

You instantly switch your gaze from her mouth to her eyes just to find two piercing emerald pools looking straight into your soul. That look alone could have you coming in seconds. Every. Single. Time. 

“Yes please.” a whisper comes out of your mouth as you lower your gaze

“Good girl. Now, we are going to start slowly and if I hurt you, if you’re uncomfortable or if at any point you change your mind, just let me know, ok? Guardami (look at me) and tell me you understand.” 

You finally look back at her and your stomach just drops. There she is, fully naked lying next to you. This gorgeous, fierce, stern, dominating and yet so reassuring woman. “I do, I understand.”

On that note she gets up without saying a word, takes the strap that had been sitting next to you on the bed for the past minutes, and proceeds to put it on. Still lying in bed you look at her. You have to admit the sight was just mouth-watering. It wasn’t the strap, it was Melissa wearing it and knowing she was about to fuck your brains out with it.

Once she’s done she hops on the bed placing herself between your legs, before starting to caress your sides, chest and abdomen with her hands. You ease into her touch as you start to feel her nails scarping down your hips and upper thighs. You whimper as moans start escaping your lips.

“That’s it baby, rilassati (just relax) and let me make you feel good.” with that she pushes your legs a bit more apart, while tracing your inner thighs with her nails. 

You start to feel that familiar buildup in your lower abdomen and wetness pooling between your legs. 

“Mel, touch me please.” comes out of your lips almost as whisper

“I am touching you” her eyes snap up at you and a familiar electricity shots through your body when you recognize that look on your girlfriend’s face.

You’re enjoying this, but so is she. Probably even more than you right now. Teasing you and filling you up with anticipation. 

“Mmm, I-I need you inside of me Mel…”

“How badly?” She asks in the sultriest voice while her fingers run up your thighs and down your hips stopping before reaching where you need her the most. 

You cry out at her stopping and move your hips involuntarily. “So bad Mel, please, just ple-ahh!” Air gets sucked in your throat when you feel her fingers sliding through your folds. 

“I’m afraid we’ll have to change the sheets once I’m done with you. You’re dripping now e non ho nemmeno iniziato (and I barely even started).” 

You knew she was probably right but there was nothing you could do about it. She was just incredibly hot and you melted under her touch every single time. 

You didn’t even have time to form your thought about what she just said as you felt two fingers sliding into you.

“Oh my God Mel fuckkk” you screamed feeling how easily her fingers entered you. Melissa started moving them at an excruciatingly slow pace. As if you needed any time to adjust given how wet you were, she was just teasing. 

Seeing how desperate you were, starting to move your hips to get more friction, your girlfriend got the hint and picked up her pace. Wet sounds and moans filling the room as her pace fastened more and more. 

You were already getting close when you suddenly felt Melissa slipping her fingers out of you. Crying at the loss you shot her a pouty frustrated look, just to see her getting up on her knees and centering herself  between your legs.

You started to internally panic a little bit. You were aroused as fuck but this was still something new for you. As if reading your mind, your girlfriend looked at you. Her glance holding a warmth that would otherwise be out of character in a not so new situation. You gave her a silent nod and bit your bottom lip in anticipation, worry and arousal. 

Just a few seconds later you felt the tip of her cock sliding through your folds, stopping just above your clit. You moan, still biting your lip,  and your hips start moving again. 

She slides her cock up and down your pussy a few times to spread your wetness around and on her cock, before finally aligning herself to your entrance. You prop yourself up on your elbows just in time to see the tip disappear between your folds. 

“Am I hurting you baby?” Melissa checks in running her left hand across your thigh.

“No, please keep going Mel, I need more.” you cry out almost ashamed at your neediness. Melissa’s worried expression turning into a satisfied and mischievous one. 

In one swift motion she fills you up completely. You are surprised at how this is not hurting at all, you truly are that wet for her. Not that you doubted it. 

With her eyes fixated on yours, Melissa starts moving. Her hands are on your hips as she pulls out almost completely before sliding back in. She does that a few times before picking up her pace and setting a nice rythm, which is unfortunately not enough for you at the moment. 

“Fuck Mel, more! Fuck me harder baby please!” you cry out trying to reach for her thighs, your nails scraping the sheets. 

You whimper and moan at the sudden loss when a few seconds later you don’t feel her cock inside of you anymore. You look at her just in time to see drops of saliva dripping down her lips and feel them landing on your clit.

You feel every organ you have dropping, not just your stomach. “M-Melissa did you just-“

“Spit on your pretty cunt? Yes I did, why?”

“It-it’s just s-” that’s how little you manage to say between moans before she starts spreading it across your pussy with her cock. 

“It’s just so what baby?” She’s looking at you with a lustful grin and deep dark eyes. She bites her bottom lip waiting for your answer while she keeps sliding her cock over your wet pussy. 

“It’s just so hot.” you moan starting to move your hips again . “Please Mel, fuck me.” you’re basically crying out now and her eyes turn even darker. 

Without you even realizing, she suddenly slams her cock back into you, full lenght sliding in even more easily than before. She starts pounding you at a deliciously atrocious rythm. The sound of her hips colliding with your inner thighs fills the room and makes you both wetter. 

“You like feeling me deep inside you, filling you up? Mh?” her voice cuts through your bliss and you just close your eyes to try and not come on the spot. 

“Mmm fuck … fuck … yes! Yes I do, please don’t stop!” 

“I want you to look at me, open your eyes. Now.” The emphasis she puts on that last word made you quiver and you instantly opened your eyes. 

You couldn’t avoid looking down at where her cock was disappearing inside of you and coming out glistening, just to be slammed back in. Again and again. 

The rythm she was keeping, the sounds echoing through the room, her beautiful boobs bouncing at her every movement and her eyes never leaving yours. Everything was building up inside of you and you felt so close. 

Your moans and your breathing were frantic now. One hand gripping the sheets and the other gripping the strap’s leather belt across one of Melissa’s hips. 

She knew you were close as she bent forward to kiss you hard. It was a very sloppy kiss, tongues swirling in between moans and pantings. She placed her hands on both sides of your head with her perfectly sharp white nails gripping the sheets. You scratched down her back with both hands making her arch and hit a spot inside of you you didn’t even know existed. 

She was looking down at you, red curls falling all around you as you placed both your hands on her hips gripping the leather harness so tight “I-I think … I’m going to.. c-come” you cried out looking at her, pleading with your eyes.

Her hips were on autopilot, pounding into you with an animalistic rythm. “Ask nicely bimba (baby girl).” she whispered with a smirk plastered on her lips.

At this point you just couldn’t talk anymore. You felt so full and intoxicated by everything she was doing to you. You knew you couldn’t come without her permission though. So you took one last glance at her cock going in and out of you so quickly “Mel please PLEASE let come on you cock, please I can’t take it anymore!” was the pathetic cry that managed to escape your lips. 

She smiles down at you before swinging her hair to one side with a swift motion of her head, just a second before you feel her right arm slipping between your bodies. Her hand reaches  your clit while she starts thrusting into you even harder. You weren’t excepting that, you didn’t think for one split second her rythm could actually increase even more than it had. 

Her fingers start drawing fast circles on your clit and your legs start to shake. “Come for mama pretty girl.” with that permission you just moan loudly and let go. You see black and feel your pussy clenching around Melissa’s cock as one of the most powerful orgasms you ever experienced rushes through you. 

Yet she doesn’t stop. She gradually reduced her thrusting rythm to accompany you down your high. Not stopping even when you reopen your eyes, flustered and panting. Now going deadly slow, she starts feather kissing your face before connecting your lips in a long passionate kiss. Her movements now come to a stop but you both moan loudly into the kiss as her cock is still inside of you. 

“I’m going to pull out now, please relax for me baby, you did so good.” She says before giving you a kiss on the cheek, lifting herself up and pulling her cock out of you. She removes the harness and places everything at the end of the bed before coming to lie down next to you. 

She perks up on her left elbow and starts tracing figures on your abdomen with her right hand. Sharp nails causing you to have goosebumps all over. You turn to place your left hand behind her neck, pulling her into a loving kiss. You scarpe the back of her head, slightly pulling on messy red curls, while you kiss her passionately hoping all the love you feel for her will be felt through that kiss. 

She kisses you back with the same intensity, making you feel all the love in this world. You part after a while because you smiled into the kiss and Melissa is now looking at you with an amused and puzzled expression. So you also perk up on your elbow, to be directly in front of her and look her straight in the eyes. 

“I never thought I’d let anyone have me like that, let alone enjoy it as much as I did. Thank you for wanting to try this with me. You’re the only person I’ve ever trusted enough or wanted to try this with.” 

Taken aback by your words, her mouth hangs slightly open for a few seconds. Her eyes light up with tenderness and emotions most people wouldn’t imagine Melissa capable of showing. 

“Thank you for trusting me with this and for allowing me to see you like that. You’re incredibly beautiful amore mio (my love).” Melissa says before closing the few inches separating your mouths. And in that kiss you both feel how special your love is. 

You stay a bit like that, lying naked with your lips on her forehead and her face resting on your chest. Bodies intertwined as you slowly drift into sleep grateful for the amazing girlfriend life put on your path. 

[meirimerens]

You probably have already made a post about this (in which case I apologize for bothering you) however I really love how you render and color! Do you have any tips?

Hiiii so I probably indeed already answered something like that but it’s probably time for an #update + realized i can put pictures and it would probably help actually. Slay okay.

THE BASICS: have brushes you like. I have my faves, they’re in my #brushes tag (click below), you might also see them on the screen of my paintings in wip lol. Typically i thicken them up for rendering AND, now this is integral to my liking of rendering these days + the look: COLOR JITTERING. In procreate that’s tap brush -> color dynamics and i adjust the stamp & stroke jitter in the « hue » category. I have my fave brushes quadruplicated as thicker No Hue, 3% color jitter, 5%, 13% depending on the desired look. What this does is give intrinsic interest, variation and depth to your colors, and that way you can have more fun when colorpicking. This will come back again later.

STEP 1: a lineart you like. Doesn’t have to be clean tbh some of my fave linearts from current works were quite messy. ALWAYS colored.

STEP 2: on a layer underneath the lineart, put down flat colors. See what % of color jittering brings you the most #joy. I will do flat colors or i will sometimes already define some areas of light and shadows.

^ you can see the subtle color jitter in the « white » of the shirt and the green of that first image. Second is to show the already defined areas; if i know i want a different hue on here. something else for some pizzazz: tint a color with an adjacent one. not really visible in these screenshots but in matador, at some point, i added an orange tint to burakh's sleeve, the one closest to the red cape.

STEP 3: the shadows. On the same layer as above (you can duplicate it before this so you can always come back to it later if you need to redo), put down your shadows; the trick: COLORPICK FROM A PIXEL WHERE THE COLOR OF YOUR LINEART AND THE COLOR OF YOUR FLATS INTERSECT. You might have to recolor your lineart (use the « alpha lock » feature of your layer or something of the sorts) until you’re satisfied; i typically redden it in the face and hands.

STEP 4: put down the highlight. I typically do highlights the complimentary color as the shadow: if shadow bluer, the highlight is redder (-> pinker), etc.

STEP 5: now this is the scary part. Before proceeding if you’re #scared, group your lineart and colors, duplicate the group and merge one of them so you can always come back to them unmerged. MERGE YOUR LAYERS. You heard me. Merge lineart and color. From then on…

STEP 6: render. Render, render… PATIENCE… est mère de sûreté bien sûr. Here’s my secret: I NEVER BLEND. I ALWAYS COLORPICK. COLORPICK where two colors meet and you’ll have the perfect transition color.

tip: always have an all-black layer set to color mode above all layers that you can toggle on and off to check your values.

This is more of a fun thing i like to do even if i haven’t done it often: use some hints of a geometric brush to add interest when using an « organic » brush (or vice-versa, I’d guess, but i rarely render with geometric brushes). Exemples again:

And well Das Preddy Much It… Your Turn Now….. and because i realize a short demonstration is better than a long speech, have a speepvideo of the two pieces I’ve used as exemples one after the other (matador first to 44 seconds in, moschophoros second). the very beginnings are cut because we’re focusing on the above steps.

Your turn……. To play.

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[bekilybi]

Oooh, a challenge! (And my first one of these!!!)

I was worried I didn't have anything, I've been so busy with life I haven't made time/had energy to write (or draw) any fanfic, but I realized I DID have something. I don't know if I'll be posting it to the world at any point, more of a personal writing exercise, but it's a Halsin/female Tav fic. The scene is based on (AKA: ripped entirely from) some dialogue you can have with Halsin in camp when he's traveling with you before he joins your party.

Some background, Faen is a ranger druid who is also half-drow, and very out of practice being around people, but this group is bringing her out of her shell, especially the captivating archdruid Halsin <3

(also, since it's mostly dialogue I allowed myself 7 short paragraphs.)

As she skinned the rabbits she’d caught for dinner, Faen half-listened to Halsin, Gale and Shadowheart make idle small talk over her shoulder as they cleaned and chopped vegetables for the stew. “So! Halsin,” the name in Gale’s voice made her ears prick up. “How are you faring out here at camp?” “Wonderfully!” The warm eagerness in the druid’s voice made her heart skip a beat. “If I’m honest, the grove was too comfortable for my tastes; I felt removed from nature.” Her hand stopped moving as his words washed over her. She felt a surge of kinship, knowing how much she always itched to leave her own granddad’s circle, to be back alone in the wilds. She turned furtively to catch a glimpse of the conversation. Halsin had his back to her, but she could clearly see the wizard and cleric. "Really?” Gale exclaimed and shook his head. “Halsin, we truly have very different ideas of comfort." “Well,” said Shadowheart, a familiar smirk in her voice. “if there’s anything I can do to make you less comfortable, let me know,” she teased, catching Faen’s eye knowingly. Faen blushed, spinning back to fillet her kill. She didn't see Halsin turn to see where Shadowheart looked, but she heard him chuckle. She'd die of embarrassment to see the soft smile he cast her way before turning to the group again.

Might tag some people later once I look up their usernames :P

Last Six Lines

Thanks for the tag @coreene.

I've got a number of things to write but tonight I've started on a little very self indulgent Chase fic. This is my comfort for me. I've earned it.

The voice is young, clear. The scent of coffee and hand sanitizer mild against the ocean salt of his unblemished skin. Now it is you that struggles to listen to everything as you take in the sight before you: the clear blue eyes, the soft lips that you know will light up a room if they just curved into a smile. Hysteria – uncontrollable emotion or excitement. You’d let him write that in your file. Hell, you’d even live up to the meaning, if only for his acknowledgement.

I have issues, I'm well aware.

tagging @auroraesmeraldarose @acrowsrockcollection @medra-gonbites @serenaoffaerun and anyone else.

[magnetic-rose]

man as i'm rewatching all of a:tla i really want to make a post about what are (imo at least) common misconceptions about the show and characters.

like a very common one that i see parroted way too often is "katara is too mature/motherly and babies aang," with the implication that her romantic love for him makes no sense.

but i'm more than halfway done with s1 and i think the fandom forgets that katara is a 14 year old girl. she's not a young woman, she's a child. and often times she's mischievous and funny and childish. she's usually right there WITH aang participating in his shenanigans. she even creates her own shenanigans. the show spells it out for the audience in episode one where katara and aang are penguin sliding and she says "i haven't done this since i was a kid" and aang replies "but you are a kid." one of the reasons she was so mad at sokka and gran gran for kicking aang out of the village was because "he brought laughter back."

and that's why they work and that's why she falls for him. he brings levity back to her life. he allows her to be a goofy, silly kid. they often support each other's little games. she cheers on him when he's riding the giant koi fish (until she gets distracted). they play in the river. she wears the necklace he makes her. he wears the goofy hat she makes. he goes along with her fortune-telling obsession.

and if anything, sokka is usually the voice of reason between them, trying to reel aang and katara in. and yet sokka gets the fandom reputation as the chaotic fun guy and katara gets the reputation as the "mom" who's telling people off. she's aang's biggest partner in crime and yet fandom treats her like the exasperated mom friend.

[journey-to-the-attic]

one thing about ik is that she will always reach out

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[itty-bitty-sunshine]

Silly monsters based off my eclipse oc and @clovergreensocks moon bot Refri

Been having fun trying to learn how to draw non humans

[bezzygom]

nenekasa or something

[a-loose-collection-of-ants]

A true and 100% historically accurate account of Hamilton's first meeting with Andre

+ Bonus Lafayette

[wisteriagoesvroom]

happy "breaching the top 10 f1 rpf pairings on ao3" day to landoscar nation 🎂 because it's all about.... two people that are so much the same yet so different. australia vs the uk. oscar's cool collected calm versus lando's ricocheting personality. twitch streams and side hustles and multiple endeavors vs singlemindedness of racing. purity of craft vs embracing everything life throws at you and trusting that it'll all work out. the rivalry that isn't (well it is, but not really). pushing each other to be better. making heart eyes in a taylor swift video, reaching out to your teammate in silverstone after surviving a media maelstrom and him being pleased and stepping closer because he's been given permission to. making fun of your resident weeb for reading the words "kit kat" but just in a japanese accent.

it's being so ridiculously competitive that you'll hide in a burning bin in the name of fun for a game with made up points and then squinting at your teammate ringed with the bright light of the sun and laughing at how stupid this all is. it's making fun of your teammate's music taste that you can hear through the thin walls of the drivers' rooms. trusting the journey. mimicking each other's body language. knowing it's for the marketing but winking at the camera together anyway, like we're all invited to be in on the joke. two parallel lives woven in two different garages with almost identical specs. being so comfortable you have this weird rapport that is kind of a cipher and unknowable to anyone outside of the immediate network or team, but it's so assured and quiet that for the first time the person who's been the person who was once the younger teammate steps up, acts older now, and becomes comfortable with the silence.

it's knowing your best friend was on their renault team and not saying anything about it in public but the motorsport world is so small and specific and the experience so surreal that surely some laylines are just strangely predestined. it's about growing up together. it's watching the brit upstart in a generation of two other brit upstarts chase his dream and give up everything to win and get velcroed to the seat because he's kind of small, just like you, but you dream bigger than anyone dares to dream and you identify with the other's self belief that says you, too, could stand on that top step one day. it's you following the little blue-suited guy racer on social media and liking sooo many of his posts over the years, and not even bothering to hide that fact when you've probably become that goalpost for someone else one day, too.

it's chapter 2, with 3 more to go. it's watching your teammate win his first sprint race and finding it in yourself to be happy for him even when you're sad that it wasn't you. it's publicly saying that the rookie is not a threat, he's a threat who makes you race better. it's making fun of newbie's first day at mclaren and finding him unknowable. and he arrives with all this hype and pressure so what can you do but focus on you and step up your game, but he's always in the background and the periphery, chasing and chasing with this hunger that is unbelievable and unfamiliar because it's always humming in a way that made you mistake stillness for idleness in the past. but now, you know: still waters run deep, so you swim harder, too. drop the dj-ing. become more disciplined. train more. do things that don't matter, less.

because the future is vast. the future is happening constantly if you're ready to meet it. and maybe destiny will be kind, and your names will be remembered. your name, inked on a trophy in the precious metal of kings, and dreamers. your name, inked in gold.

but today, you're 22. you're 24.

you're driving a car as fast as you can, and everything that's possible, feels like it could be possible, right now.

[ocelotlesbian]

genderswapped them for lesbian purposes. girl yaoi!!! (≧▽≦)

also if you look very closely at the pixels on her teeth you can see that i gave mitsugirl cute little green braces. i thought that was worth pointing out ^_^