#not the point of the post but might as well tag it

[darkficsyouneveraskedfor]

Get Lost

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You get caught in the corn maze after dark but you don’t think those footsteps belong to someone trying to help you find your way out.

Characters: Lloyd Hansen

Note: this is the fifth and final of my autumn fics as decided by all of you!

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

Jaden points across the dash, receiving a swat from Alexandria as she tries not to veer. 

“Hey,” she cries out, “don’t do that. I can’t see over your ugly sweater.” 

“Oh, whatever, Lex,” he snips, “I was just trying to show you that.” He points again, this time without blocking her view, “you see that sign ahead?” 

“Sure, I see it,” she leans over the wheel as your nail taps across your phone screen. You huff. You wish they’d stop arguing for one moment. “A maze?” 

“A corn maze. Doesn’t that sound fun? I haven’t been to one since I was a kid.” 

“Of course, you haven’t,” you scoff and let your phone hang carelessly in your hand. “We’ve all seen that movie with the evil kids. Who wants to go running through a field?” 

“I do,” Ashton says, “better than driving around looking for those shoes that don’t exist.” 

His girlfriend, Samira, laughs and leans into him. You blow a raspberry. 

“It’s all the way out in the middle of nowhere,” you sneer. 

“Well, Mrs. Xanny, you never want to do anything so your vote counts for nothing,” Jaden retorts. 

“Excuse me,” you roll your eyes. 

“I’m up for it,” Ashton raises his hand. 

“Me too,” Samira mimics him. 

“Me three,” Jaden declares. “So looks like you two are outvoted.” 

“Whatever,” you mutter and Alexandria sighs. 

“Fine, but nobody better leave me behind. I’m not getting lost because of you idiots,” she growls. 

“Don’t worry, Lexi, I’ll hold your wittle hand,” Jaden teases. 

The others laugh and you go back to your phone. You’re more interested in the new heels at your favourite boutique than some dirty and scarecrows. Alexandria steers on as she continues to snap at Jaden to stop distracting her. Her driving is a lot scarier than anything that might be hiding in the maze. 

You swipe and tap and tune out the world around you, especially the two lovebirds exchanging not so subtle touches beside you. Jaden had to insist on sitting in the front. Finally, the car rolls, the axle jostled by the lumpy ground, and you look up at the gray sky. You hate daylight savings. 

When the wheels are still, you’re reluctant to get out. You could offer to watch the car until they get back. It’s cold and you don’t feel like slogging through soil and seed. 

“Hey, Lex,” you begin. 

“If I’m going, you’re going,” she snips as she undoes her seatbelt. 

You curl your lip and make a face at her back. The others are already out of the car. Jaden’s bouncing eagerly, Ashton’s staring at the gate to the maze, and Samira is draped off her boyfriend’s arm. They probably just want to find a dark corner so they can makeout. They are so high school. 

“Fifteen bucks?” You read the sign above the table, “blech. I could put that towards my hair appointment tomorrow.” 

“Oh, boo hoo,” Jaden snorts. 

“Don’t act like you don’t have the money,” Samira jeers. 

You call these people ‘friends’ lightly. You all just kind of stick together out of familiarity. Most people you’ve met aren’t much better so why risk downgrading. 

You take a step and feel your tall heel sink into the mud. Ew. 

“Oh, my boots,” you whine as you lift your sole, the muck dripping off of it. 

“Wash em after,” Ashton says. 

“These are Louis’,” you snarl. 

“And you have at least three identical pairs at home. Lighten up,” he barks back. 

You cross your arms and seal your lips with a wry smile. You’re not arguing with him. He’s been a jerk ever since you turned him down at his sister’s twenty-fifth. You suppose it was his birthday two, them being twins and all. Not that he looks very much like Alexandria. 

You trod after the four others, trying not to step too deep in the mud. You growl at the ground. You know what’s not dirty, a salon or a store. 

“Nice boots,” a deep voice rolls over you as you join the queue for tickets.  

You lift your head and look over at the man nearby. He steps up next to you as you eye his bristly upper lip. It’s a look, not a good one. 

“Brave girl going in alone,” he comments. 

You frown, “I’m not,” you step closer to your friends and they chatter. 

“Oh, coulda fooled me,” he remarks as he reaches into his jacket. “So, those Louis boots... those are last year’s...” 

“How would you know?” 

He shows the lining of his jacket. Also Louis. He pokes his fingers into the interior pocket and slides out a pack of gum. He pushes out a piece and pops it in his mouth. He tucks the pack back into his pocket and drops his hands to his hip. 

“So,” he chews the gum loudly. “You’re not really dressed for a maze.” 

“And you are?” You scowl, looking him up and down. He copies your posture and does the same to you. 

“I’m not here for the maze, baby girl,” he winks and snaps the gum. “But you have fun.” 

He turns and struts away before you can respond. Your lips open in confusion. What could he mean? You blink and shut your mouth, stepping up between Alexandria and Ashton. 

“So, how long are we going to have to stand around?” You ask. 

🌾

You hold your phone up in irritation. Your bars are totally gone. Great. This maze thing is so fucking boring. What are you supposed to do now? 

You sniff and shake your head. You sigh and put your phone in your jacket pocket, keeping your hand in the fleecy insert as the chill creeps up your leggings. You guess you’ll have to help or whatever. 

“Alex--” you look ahead then back, and side to side. Your heart leaps and you rush forward as fast as you can on your six-inch heels, “Alexandria? Ashton?” You look around the next corner and the opposite way along the other pathway. “Samira?” 

You spin again, your ankles tangling together. You blink as the tall corner adds to the dimness setting over the horizon. You gulp as your heart pounds in your throat. You slip your phone free once more and turn on the flashlight. 

You aim it ahead and listen for voices. You don’t hear much past the dense wall of stalks. As you brush a bit too close, you cry out and back away from the hanging husk. You shake of the crawling sensation and turn back and forth again. You lost your sense of direction. 

You look up at the sky. The clouds are thick, you can see neither moon or sun. You stop and pull your phone closer. You bring up your maps but it’s just a blank screen. Still no signal. 

Fuck it. Just walk, you’ll find the way. 

You shine the light ahead of you, your heels sinking into the mulch of footsteps, husks, and stones. You walk unevenly over the soft ground. You mumble obscenities as your arches start to bemoan the height. If you had known about this special excursion, you could’ve worn your Uggs. 

There’s a scuff, a strange echo of your own steps. You stop but it keeps going. You squint and twirl around, the light glinting off the corner and slicing through shadows. “Hello?” You call out. 

The footsteps continue but no one answers. You can’t tell if they’re ahead of you or behind you. Or to the left. Or right. You sway back and forth. This is getting weird. 

You take a breath and set your feet. You nearly trip as your heels dig in once more. You grunt and pull them out. You’re about to just scream for help. 

A sudden rumble makes you squeal. What the hell was that? You twist around and it happens again. It’s laughter? Someone’s laughing at you? 

You look at the tall stalks of corn, searching between the tight rows. 

“Alright, not very funny. Ashton....” you holler. 

The laughter gets louder. 

“Jaden,” you hiss. 

The laughter stops. 

“I really am not amused, okay? I want out. I never even wanted to do this stupid thing--” 

“Those boys are long gone, sweet peach,” the voice drawls around you like the wind, “I’m all man.” 

“Where are you? Who are you?” You ask. 

“I’m right behind you, baby, and I’m your knight in shining armour,” he purrs. 

You gasp and turn around. You beam the flashlight of the phone in the man’s face. You only get a glimpse of that short brown mustache before the cell is knocked from your grasp. 

“What are you tryna do? Blind me?” He snarls as your phone disappears between the corn. 

“What-- What do you want?” You step back, dragging your heels from the mud. 

“I wanna help, baby,” he slithers. “You seem lost.” 

You blink at him. He’s a dark silhouette against the greyness trapped in the maze. You bristle and look over at the corn. 

“Sure, I’ll just grab my phone, thanks--” 

“Ah, ah,” he comes up to meet you, blocking you with his arm. “I don’t work for free, honey pot.” 

“Fine, then go away,” you spit. 

“Woah, ho, you haven’t even asked what I want in return, sweetie,” he brings his other hand up to touch your cheek and you flinch away. 

“You’re not getting it, dude,” you back up. 

“Just a little suck. Hell, you give the little guy a nice kiss and I won’t even make you finish the job--” 

“Ew, no way,” you smack his hand down as he reaches for you again. “Fuck off--” 

He’s quick. He grabs you by your jaw and snarls as he looms over you, “for such a pretty mouth it sure is fucking filthy. Won’t matter what I put in it--” 

“Hey,” you grunt and writhe in his grasp, twisting your hands around his thick forearms, “get off--” 

“I’m trying, trust me--” 

You ram your knee up and feel the crunch in his pants. He wheezes and lets you go. You shove him and stagger backwards. You look at the corn one last time. Your phone is somewhere in there. 

As he cradles his crotch and snarls, the urgency of the moment slaps you across the face. Fuck your phone. You need to get away from this creep. 

Thank god you got insurance on your cell plan. You turn and lift your knees. You land on your toes, keeping your heels off the ground as much as you can. You’re not going very fast and you know you look ridiculous but you don’t care. You want to go home. 

You pump your arms as you breath hitches. You hear groans and another set of steps, just like before. You get to a corner and turn before you crash through the corn. You heave as you race away, ankles threatening to bend. At what point do you just ditch the Louis’ and mourn them with your phone. 

You cough and slow down. Shit. You’re in terrible shape. You look over your shoulder, your breath foggy in the plummeting temperature. You don’t see him. You don’t hear him either. Good. 

You turn-- 

“Boo!” The man startles you so you shriek. 

You stagger back as he cackles and you hurl yourself forward. Your feet catch as your heels stab the ground and you stumble with your arms flailing away from him. Your shallow breaths thunder around you as you charge through the maze only to find yourself trapped at a dead end. 

You stop and waver, lungs filled with fire. Fuck, fuck, fuck! You stomp with each internal proclamation. 

“Look, sugar tits, you can keep running and I’ll keep chasing,” the man struts up behind you as you spin to face him. “But it all ends the same way.” He sets his feet wide and cracks his knuckles. “And since you bruised my left nut,” he snarls, “you can kiss that better first.” 

“Uh, like why are you doing this?” You ask. 

He chortles, “like because I can.”  

You snarl and cross your arms, “you’re a loser. And you’re old. Like, can’t you find someone your own age to creep on?” 

He laughs louder but there’s not much humour in it. He stalks closer and your defiance glimmers, just a little. You don’t know where he gets off. Does he really think he can just tell you what to do? 

“So, I knew you were gonna be a handful,” he grabs you by the neck and you wince. You slap his wrist and he tuts, bringing his other hand up to grope your chest, “in more ways than one.” 

“Hey, fuck--” you grit out. “Hey!” 

“Look, sweetie, it’s a simple transaction. I pull my pants down, you keep those teeth to yourself, and be real nice to me,” he glares down at you. “The way you crushed my balls, you’re lucky I don’t make you lick my boots.” 

“What is wrong with you?” You growl. 

“Oh, a lot,” he smirks. “Now, those boots must kill your feet so...” he jerks you roughly, “on your knees.” 

Your eyes tinge just a little but you won’t cry. Not because of him. You gnash your teeth and grimace at him as he peels his hand away. 

“You got one thing going for you, baby, and that’s that pretty face. I can change that, trust me,” he warns. You swallow avert your eyes. He chuckles again, “god, I love that pout.” 

You bat your lash and fight to keep the litany of insults inside. You caterpillar faced fuck. You viagra powered moron. You overgrown frat boy. 

“The next time you open your mouth, it better be to gobble my cock,” he sneers, “so don’t even say it.” 

You look at him again. You set your eyes and your jaw. You step closer and he lifts his chin just slightly as he stares you down. 

You grab his belt and he twitches. You unbuckle it and whip the ends aside. You pop the button open and yank the zipper apart. He watches you, his eyebrow tweaking. You push his fly wide and roll your eyes as you feel his naked pelvis beneath your fingertips. Of course, this weirdo is hanging loose. 

You reach under his pants and angle his hard dick through the teeth of the zipper. You stroke him up and down with a dry, tight grip. He hisses and shifts his weight. 

“Careful, like sandpaper,” he rasps. 

You tut and look down. You huff. You move one foot back and bend your leg. You put one knee to the ground then the other. You make a face as you come level to his tip. Ugh. 

“Don’t look so fucking enticed,” he barks. You roll your eyes again and he swats your head. “Keep doing that and your eyes are getting stuck.” 

Old. Man. 

You pump him again and slowly, inch by inch, lean in. 

“Ah, I said kiss the left one first, then you can get to the main dish,” he puts his hand on his hip. 

You swallow and push down a tide of disgust. You lift him and lean your head to the side. You crane around and pucker, pressing your lips to his left ball. He twitches and groan. 

“Damn, those lips are soft. Do the other one.” 

With bile brewing in your stomach, you obey. You pull back and put his tip to your lips. You narrow your gaze at his pelvis and spread your mouth around him. You wet his swollen head then work your way down his length. He might be a desperate loser but he’s not small. 

You bob up and down as you take more and more of him. He curls his fingers into his hip as his other hand goes to the back of your head. He urges you on and you bat his hand with yours. You push back against him and flick your eyes up. 

“You are a stubborn one,” he rebukes. 

Your lips meet your hand and you pump him emphatically with both, popping off his tip so he whimpers. He clutches a wad of your hair as his eyes gleam desperately. 

“I kissed it better,” you wipe your mouth, “you show me the way out, and you might just finish, old man.” 

He stares down at you. Agitation and amusement battle across his expression. He takes a breath and lets it out. 

“One last kiss and I’ll get you out,” he says, “And then you’ll get me off.” 

The cold air swirls around you and the darkness floods through the corn. You squeeze him slightly and put a sloppy kiss on his tip with a loud muah. You let go and tickle along his length. You grab onto his arm and pull yourself to your feet. 

“I want out. Now.” 

“Alright, princess,” he snickers. “Don’t you worry, I got a throne you can sit on when we’re home free.” 

[creatingblackcharacters]

hi there; first, thank you for making this blog and all the lessons you do, i really appreciate them as a Black person because it highlights a lot of struggles i face with fandoms in general, and why i dont interact more in certain spaces. it makes me feel seen

with regards to your questions, i'd also like answers to them from nonblack fans, especially nonblack anime fans. i don't even mean consuming anime with overtly racist caricatures of black characters (because numerous anime fans pirate their anime and never send a cent to the creators anyway), i mean how can they make fanworks of it?

how can they look at something that they are told is wildly offensive, but then defend with "well, this is how it looks in canon"? where is the line drawn between what's okay and what isn't? as long as it's slow and gradual, is there no line at all?

these are probably just rehashings of your own followup questions, so please excuse that, but i do have an anecdote

i joined a casual anime server the other day and a lot of folks were lamenting one Black character's racist design and how often those on social media will replicate it without thinking/caring. The thing that struck me is that, I've checked this character's tumblr tag regularly for a long time. There are always people who will post art/fanworks of this character with his racist design. Yet hardly ever, if ever, (outside of Black fans) have I seen any of these folks- the ones in the discord server- try to talk to artists/writers/fan creators/etc via asks/replies/etc. There's a notable amount of people in that server and a notable amount that agreed the design was outright racist and that they'll never make fanworks like that, and yet still silence

i'm not entirely sure what would be the line, or the "okay, that's enough" moment to spur any of these folks into action. i'm not sure if there is one. the only reason i don't make my own "hey what is wrong with all of you" post and blow up is because I've made a wonderful little friend group in this fandom who get it, and I don't want them to get caught up in whatever happens if I were to make a post like that

And this is just for getting people to stop using the canon design of the character, i.e., to stop drawing him as a racist caricature. This isn't touching on the people who 1) lighten his skintone [he's been horribly whitewashed over time, which has been reflected in some fanarts and fan merch], or 2) give him a looser hair/straight hair texture, rather than his type 4 hair (there's also #3, which is fanfiction with straight up slurs, and horribly racist writing in it that my friend heavily warned me not to read, but that was more of a one-off case and I've had the creator blocked a long time now).

my point being, we (Black fans) can't even get folks to stop with the caricatures, which we have to start with, and then there's even more of an annoying uphill battle with the other stuff. I'm just so tired of all of this; it makes me want delete my own works and turn away from fandom all together because i can't stand it.

trying for polite and assuming ignorance hardly ever works, speaking bluntly doesnt work at all, making public posts hardly goes anywhere (partly because of how rarely people reblog things anymore, partly because it makes people 'uncomfortable' to share this information with others). Black fans so obviously need help to combat this, and yet it's like sitting at a tea party and hearing all these pretty words in this one setting, yet nobody does anything different/better when the party's over/outside this setting.

sorry for dooming a bit, but like, genuinely i would like to know where the line is for nonblack folks? what is the point/are the points where you would speak up against antiblack racism? have you ever considered speaking up? if there's ever a moment you recognized antiblack racism and didn't say anything, why didn't you? did you consider how your lack of speaking up might affect your fellow Black fans? or how Black fans may be interpret this as silent agreement with the racists/with the racist 'norm'?

..those could maybe be alternative ways of asking your last followup question?

(if i've made any blunders or overstepped here, please let me know!)

No, I'm glad you spoke up! I too would like to see answers!

[tin-wufborf]

Tin's Favorite Sterek Fics (Part 20)

Hello lovelies, and welcome back to Tin's Favorite Sterek Fics! It's been a while, and for that, I'm sorry. I've been (and still am) going through a bit of a depressive episode. November's typically a tough month for me for a couple of reasons, but it hit harder than usual this year. Still, I wanted to come back and bring you another installment of Tin's Favorite Sterek Fics, just in case anyone needs a little Sterek to get them by like I have.

Side note: I'm actually thinking of doing a some, like, "feature" posts where I rec a single fic at a time, regardless of whether or not I've already rec'd it through this series, and actually explain what I like about the fics. Give a little endorsement, if you will. As much as I love all of the fics I have recommended throughout this series, I definitely have some go-to staple fics that I re-read with far more frequency than others. I can think of at least 3 off of the top of my head right this second...

Idk. Would any of you be interested in that? I might do it no matter what, just to have something to engage my brain a bit, but I have also been nearly catatonic with brain fog and just a general exhaustion of life, so. We'll see.

Okay, enough of my yappin'!

As ever and always, thank you all so much for all of the love and support you've shown this series. It genuinely warms my heart when I get a notification for this series, and I appreciate you all so much. I hope you've all found some new favorites and/or got to dig back into an old favorite or two along the way. There won't be too many more parts, but I'm going to try to stretch this bitch out to 25 parts because it's a tasty number to my brain.

I hope you're all having a good day, if not a great one! Smoochies and squeezies, lovelies!

List and links to previous parts below the cut.

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DISCLAIMER: This is me warning you all that some of the fics I've included in this list may cover explicit, dark, and/or "taboo" subject matters. I cannot express enough how little I care what anyone thinks about any of that; all I want is for you to use caution when reading anything I've listed here and to please review and heed whatever tags the authors have provided in order to keep yourselves safe. Your experience from this point on is your own responsibility, not mine and not the authors'.

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Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20

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The Horror of Our Love by Melpomene (Aconitehart) (E | 1/1 | 4,941)

"I'm not wearing a muzzle," Derek snaps.

"Look, if you wear this then we're golden! There's no way you can bite through this, Deaton said so."

"Oh well, if Deaton says," Derek says snidely. It's a silly argument. Sure, Deaton is shady and enjoys bending the truth on occasion, but unless it's a complex assassination plan he wouldn't lie about this. Something that Stiles knows that Derek is aware of.

"There's really no reason for him to lie," Stiles points out. "What's your real problem with it?"

"It's demeaning," Derek says through gritted teeth.

"What? No! Lots of werewolves have to wear one of these," Stiles says, waving the muzzle around. The leather and clasps jingle.

Derek sneers at him. "Wolves who can't control themselves."

"Pot and kettle, buddy. Wait, wait," Stiles says hurriedly when Derek turns to leave, "let's just... let's try it, okay? Come on, have I steered us wrong before?"

-

In which Derek can't control himself while having sex with Stiles and needs to be muzzled.

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Burial Rituals by aurevell (G | 1/1 | 4,989)

The necromancer freezes halfway over the fence, stuttering to a halt the second Derek flashes his red eyes. It’s an awkward pose to hold: leg hiked up over the waist-high bars, hands gripping the rail for balance. The fence’s wrought-iron spears dig into his calf a bit as he settles, clearly caught off guard.

“Uh,” he says lamely, his face pale in the scant moonlight. “Shit.”

Derek guards an abandoned cemetery. Stiles is the necromancer trying to break in.

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Devoured by Hedwig221b (E | 1/1 | 5,298)

Breathless, Stiles shifted his gaze up and went red from the knowing smirk on the deific face. The man’s red eyes sparkled in the moonlight, glowing like two fires on the tips of the candles. One of his thick eyebrows was lifted in amusement.

He was the most beautiful being Stiles had ever seen. As was probably expected, considering he was the god of sexual desire.

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Satisfaction Brought It Back by Snare (E | 1/1 | 7,223)

Derek doesn't know how nobody else seems to notice the large, ever-present bulge in Stiles' jeans. He can't help but be curious about it, he just - he just wants.

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Lay Me Out by Melpomene (Aconitehart) (E | 2/2 | 8,967)

"This is weird," Stiles tells him. His hands are still on Derek's chest. "Is this weird? Are you even sentient enough to think things are weird?"

Derek's tail wags back and forth, brushing against his calves and stirring up the fallen leaves. And the licking? It doesn't stop. Derek keeps at it, licking Stiles' cheeks, his forehead, that sensitive spot behind his ears. Stiles tries to twist away, much braver now that he hasn't been mauled, but there's no escape.

"Okay," Stiles croaks out. He pushes at Derek's shoulders, his chest. "Let me up, big guy, come on."

When Derek doesn't move, Stiles arches up, trying to wriggle free, but then he feels something wet and sticky against his stomach where his shirt has ridden up. He cranes his neck down and sees Derek's dick. It's distinctly non-human; red, with a tapered tip. Clear fluid drips from it.

"Oh holy god," he says, horrified and fascinated. "Is that - oh fuck."

-

In which Derek has sex with Stiles while in the Alpha form

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to be with those I like by sheafrotherdon (E | 1/1 | 9,323)

It's Deaton who tells Derek that Stiles is back in town, a broken marriage behind him, his daughter in tow.

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How We Got Here by Areiton (E | 1/1 | 9,718)

Maybe if you fight the creatures of the night together like they did, if you bury enough friends and strangers and enemies, you don’t lose touch.

He thinks that’s why he and Derek are friends--because Derek understands his nightmares, understands the nights when he can’t talk, and the nights he can’t stand the dark.

OR: Against all odds and expectations, Stiles and Derek have become respectable adults ( WHY?) and friends.

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Lunches, Knitting and Definitely Not Dating by attackofthezee (noxlunate), noxlunate (T | 1/1 | 10,107)

“So, I uh, managed to get myself pregnant.”

“You what?!”

“Got myself pregnant. Y’know, up the duff, knocked up, a bun in the oven, in a family way, eating for two, with child. I could go on Dad, really, stop me before I exhaust the list of pregnancy euphemisms. There’s still caught an 18 year STD, my eggo is preggo, building a person-“

“Stiles.”

“Hosting a parasite, harboring a fugitive-“

(Just a weird mpreg fic with Derek and Stiles totally kinda dating without realizing it, and Stiles figuring out this whole having a baby thing.)

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(they say) this should feel something like fire by dallisons (E | 1/1 | 11,163)

Drip. Drop. Drip. Drop. Drip.

"Turn it off." The pack looked up, stunned into silence by the first words they'd heard from him in weeks.

Stiles stood, trembling - his knees weak. He tried to run and collapsed, his bad leg failing him once again. Derek caught him. "Turn it off," he said, his voice unmistakably a growl.

The water continued leaking from the loose faucet, and all Stiles heard was Erica's blood against the concrete. Drip. Drop. Drip. Drop. Drip. Drop. Drip.

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Whatever Our Souls Are Made Of by Lissadiane (NR | 1/1 | 14,953)

It's a cold, snowy night and Stiles is halfway through his shift at the campus coffee shop when a tall, dark and handsome stranger walks in, one who seems unaware that he's being haunted by a wolf.

In which Stiles Stilinski sees the ghosts of animals with unfinished business, and Derek Hale is unaware that his dearly departed sister left a few things unfinished.

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Untouchable by Hedwig221b (E | 1/1 | 17,128)

The day Stiles Stilinski entered the Berkeley campus was the day all the alphas went absolutely fucking nuts.

See, omegas were rare, even more than redheads. Got to be extremely fucking lucky to even see one in a lifetime. They were supposed to be these ethereal creatures of beauty and elegance, irresistible and blinding.

And Stiles Stilinski was exactly that.

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Camaro '68 by ZainClaw (E | 1/1 | 17,707)

Derek huffs, arching one eyebrow. "I'm not a fugitive." "You look like a fugitive," Stiles insists, practically beaming. "Maybe you should start wearing cardigans."

In which Stiles is a hitchhiker and Derek a runaway whose paths cross at a gas station in the California desert.

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Cross a Canyon (with a broken limb) by theroguesgambit (T | 1/1 | 18,010)

“You never graduated,” Stiles says, just to say it. To test it out in the open air. That's... huh.

--

Stiles spends his senior year battling troll-gremlins, taking on an unexpected tutoring job, and definitely not falling for a certain sourwolf (even though everyone else seems to think he is).

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Do You Wanna Date My Avatar? by Renmackree (T | 9/9 | 18,399)

Scott frowned, grabbing the game case and reading it out loud.

“Become the Hero you've always wanted to be. Battle monsters, witches, dragons, and all the mythical beasts of the World of Fantasy. Play as a Human, Elf, Dwarf and other special races included in the basic game. Stiles this so stupid. Who the hell would want to play as a Werewolf?” Scott threw the game back on the bed and leaned back in the chair.

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We Only Get Better by Ninna_7 (T | 8/8 | 22,741)

Stiles doesn't call him these days. Not since he left Beacon Hills that last time. Not since Stiles left the FBI internship programme in favour of studying Forensic Psychology at NYU. Stiles has texted him a few times in the past, but he never called. Not anymore. Back then, however, whenever Derek received a call from Stiles or called Stiles in return, it was purely for survival's sake. So Derek doesn't know what to expect from this call. If he's being honest, he's scared of it.

x

Or: It's been years since Stiles and Derek last spoke, but a phone call from the human reconnects them. They have the chemistry, the history and the shared trauma. With time and each other, maybe they can have more.

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part-time soulmate, full-time problem by Renmackree (E | 1/1 | 27,111)

Stiles had seen it all in his five years of supernatural shenanigans, but never in his life would he have guessed returning to Derek's old stomping grounds in New York, especially under the guise of Derek's magical Mate.

It was going to be an exciting summer.

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The Light in the Woods series by DiscontentedWinter (5 works | G-M | 36,507)

1. The Lights in the Woods (T | 8/8 | 12,293) To honour a treaty with the people of a strange land, Derek Hale, prince of the kingdom of Triskelion, has to marry Stiles. 2. The Gift of the Trees (T | 1/1 | 4,780) Stiles is everything that Derek ever wanted... almost. 3. Moonflower (G | 1/1 | 3,331) Stiles and Derek's son finds his magic. 4. The Path of the Wolf (G | 1/1 | 5,206) Faolán has to find his own path. 5. The Heart of the Wolf (M | 4/4 | 10,897) Etienne Argent is rescued by a strange young man in the woods.

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In Any Version of Reality by alisvolatpropiis (E | 7/7 | 39,853)

Standing next to not-Derek – whoa, holding not-Derek’s hand? – is someone who looks remarkably like Stiles. Is Stiles, a slightly-altered replica, just like this guy both is and isn't Derek.

It’s not like looking into a mirror – one, because looking into a mirror actually makes some kind of sense, and two, because not-Stiles looks older too, mid twenties maybe. And the tips of his short, spiky hair are dark purple, and he’s got a lip ring and he’s shirtless and covered in tattoos and what the holy hell?

“Time travel?" He's sufficiently freaked. Somewhere in the back of his mind, he hears his dad laughing.

“Not exactly,” not-Derek says, and shit, even his voice sounds exactly the same, disconcertingly gentle. He gestures behind him, and Stiles looks over his shoulder, where behind him, scattered across the porch and in the front yard, are more…Dereks and more Stileses.

Fourteen total, including the two at the door, he notes distantly, eyes feeling like they’re about to pop out of his head from bulging so hard.

Seven other Dereks. Seven other Stileses.

Seven Derek and Stiles pairs.

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The Moon Gave Me Permission by Melpomene (Aconitehart) (E | 9/9 | 57,572)

“I probably shouldn’t tell you this,” Scott says, eyeing Stiles’ fries. “But Derek Hale is back in town. I saw him at the gas station the other day.”

This piques Stiles’ interest. Oh yes it does. Like any good true crime aficionado, Stiles has his favourite case. His pet cold case. His hometown murder. The thing he brings up when he’s tired of small talk and just wants to get real.

The Hale Family Fire and the suicide of Katherine Argent.

Stiles knows this case inside and out. He’s racked up thousands of karma points on reddit for his thoughtful analysis, his pictures of the crime scene, and of his reporting of local gossip. Beacon Hills is a small town, small enough that Stiles is the only one on the Unresolved Mysteries subreddit to have actually seen the burnt out shell in person.

He’ll tell anyone who listens what he finds fascinating about the case. Absolutely no shame. He’s read all of the articles, he’s pestered his father’s deputies for more information, and he’s read every cold case compilation book that so much as mentions it.

No one knows this case like Stiles does.

-

In which Derek Hale is a man with a dark past, and Stiles is completely obsessed with him.

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The Soul Knows What the Heart Wants by isthatbloodonhisshirt (wasterella) (M | 9/9 | 163,779)

“Holy—shit,” Stiles breathed, Bacon stopping in what he was doing, still staring at him intently, as if begging him to understand, for someone to finally understand. Stiles felt like he’d been electrocuted and he leapt out of his chair, kneeling in front of Bacon and grabbing at his furry face. “Holy shit! Oh my God, are you—wait, holy—you’re not fucking with me, right?!”

Bacon let out two quick barks, which Stiles chose to interpret as ‘no.’

“Oh my God, are you a real person in there?!” Stiles shouted in the wolf’s face, staring him right in the eye. He was still holding the wolf’s head with both hands, but Bacon dipped his muzzle in confirmation and Stiles officially lost his mind.

“Oh my God!” he shouted again, releasing Bacon to clutch at his own hair. “Oh my God! Dude, for real?! You’re—holy shit! Holy shit!” He didn’t know how to react to this news. He had no fucking idea how to react. This was a person?! But how?! How was this a person?! People didn’t just turn into wolves!

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************************************************************************

[the-gay-trashmouth]

Hi I would like to address these tags! Obviously no hate to you, I get what you mean, I just wanted to respond! Because I definitely don't hate Curly or think he's fully responsible for Jimmy's actions, but I do hold him in higher standing than Swansea in terms of responsibility.

As the captain, he had the most power in the situation and he had a lot more resources to use after he finds out what Jimmy did before the crash. even after Jimmy says to his face he could "crash the ship and they'd be remembered as heros" after Anya tells Jimmy she's pregnant, he does nothing to stop him from going into the cockpit. It's not until the sirens are going that he runs back to see Jimmy on the ground outside the door. Jimmy was literally telling him to his face that he would rather die than see consequences, but Curly doesn't take it seriously and let's him just. Go?

I definitely see how I could be interrupting Swansea too charitably.The idea of him protecting the only other entrance to medbay is more of a speculation than canon, and I definitely acknowledge that he could very well have seen it as "none of his business" until Daisuke died, or he didn't want to ruin his chances of getting Daisuke off the ship by pissing off Jimbob, but either way, he was just the ship's mechanic. He couldn't demote Jimmy, or open anything that needed that captain's scanner or security codes. He didn't even know what Jimmy did until After the crash. By then, all he had was the utility closet, an axe, and the one cryopod, and he made sure Jimmy didn't know about it for months. I think there's enough in the game to point either way in terms of how much he tries to help Anya, but in terms of resources, power, and time, Curly had the most opportunities to do something and yet sat back and let Jimmy continue to do whatever. Not without guilt, mind you, and not without a genuine attempt to make sure it all worked out, but he still let Jimmy continue on like nothing happened.

As for the company docking their pay, I also mentioned this as Curly being specifically incentivized not to do anything, but I don't think that excuses his actions. They might get their pay docked, but Anya has to live with her rapist in a ship with no locks on the sleeping quarters. I understand fearing consequences, but that's just ignoring her safety for his (and the rest of the crews) own monetary gain, which I don't see as a point in his favor but it does add more nuance to his decision.

My ending point (which came way late in the post, it was just me rambling for a while) was that while both Swansea and Curly do what they think is best, it's too little and too late. Curly thought keeping the peace would fix it, Swansea thought hiding things and just keeping out of the way would help fix it, neither of them took real direct action that would have stopped Jimmy. But even despite that, in real situations of abuse, there often isn't a "right" answer, and it's understandable when they get stuck in place trying to figure out which way to go. There was no way to guarantee Jimmy wouldn't have gone off the handle earlier if confronted. Like I said, what happened was no one's fault but Jimmy's, and on a larger scale, The Pony Express, due to multiple ways they fail Anya and incentivize coverups, but Curly, as captain, had a responsibility to protect his crew, but he chose to see the best in Jimmy, and he didn't take him seriously when Jimmy tells him Exactly who he is. Until he's forced to.

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[nalyra-dreaming]

Hi Nalyra, how are you? I hope you’re having a great day.

I only joined the iwtv fandom after s2 aired and I’m so happy I found it. I am however very confused by the level of Lestat hate though. I understand that 1x05 was a big deal for the fandom. What I don’t understand is how they’re still holding onto that but can ignore everything Armand stands for and has done. The Lestat hate also spills over into downplaying Sam’s performance which is maddening. I should’ve know, I’ve been on this hell site for way too long. The obsession with Armand in this fandom is just so huge (He killed Claudia, brainwashed and emotionally manipulated Louis for 80 years, no?) I don’t mean that I want everyone to hate Armand. I just feel like I missed something joining the fandom so late. (I’m strictly talking show here)

I thought I’d ask your insight cause I love reading your answers and take on things.

Hey nonny,

so... the way I see it, the very long hiatus between s1 and s2 made parts of the fandom believe that Lestat is the "big bad abuser white demon™"... because 1x05 and the "we had to kill Lestat" is what stuck in people's brains, and was left to fester for almost two years. People who doubted the tale were accused of being racists and abuse apologists, people who pointed out that Loumand might not be the big true romance the same.

The official podcast host called Armand "so much more healthy" for Louis, and some people took that for the truth, and not for the opinion of someone (who had also obviously not read the books). They literally ignore what Armand did for decades, choosing to go on and on about the big bad abuser, and "patriarchal domination", as they have been fed by the tale, never ever taking the step back to look at the tale, and that we know that it has been tinkered with, as Assad called it.

Hating Lestat was seen as the morally correct response, and certain people reflected that belief unto other fans, accusing them of what they faulted the fictional characters for.

This need to morally justify liking or watching is relatively recent in fandom and it is extremely futile for the VC and therefore IWTV.

They‘re all terrible and monsters by our standards.

Giving a more nuanced portrait of Lestat as built on the books brought me a lot of hate and accusations on my fics.

Certain parts of the fandom have also convinced themselves that the show is not at all based on the books, despite the show returning to all emotional main points, and the writers and creators posting their tagged books for all to see.

They have convinced themselves that Lestat, the main character of the VC, will not be that, but will be the abuser throughout, portrayed to be the antagonist.

To be honest, I wish them good luck.

You... are coming in to a more complete picture, and S3 will then add more to it still.

And I'm glad for it!

I am glad that the fans coming in after s2 might be more... chill about some things, because some things have already been clarified.

I hope they are.

I‘m glad you enjoy it here 🥰

I would advise to block freely, and to ... keep the long hiatus in mind, and where this came from, maybe. It might be easier to understand.

As it is, and going by the s3 trailer, and what the writers posted, and what has been stated already.... well, they are keeping quite close to the books.

And with that the very thing Rolin Jones has already stated will happen - namely Lestat taking (quote!) “the show hostage“ - and (quote!!) “setting the story straight“.

Sam and Jacob are co-leads after all, the show built on Loustat.

Some people seem to love to forget that.

[maddiem4]

Well, I wanna be working on a novel right now, but apparently it's time to make a certain kind of post again, as is periodically necessary, because young queer folk keep trying to reinvent the Hayes Code for a variety of misguided reasons. So you know what? Let me lead with the TLDR, and then give my reasoning. If you DNI stuff like incest, I am not just going to unfollow you, I am going to block you.

Now, if you're the type to make assumptions, you might be surprised to hear that I'm not into incest. Sorry to disappoint. Well, unless you count selfcest, but people don't usually lump those together except by technicality. But incest is really not my thing.

That said, I have mutuals who are into it, and harmless about it. Whether it's fictional, RP, or consensual, it's not my business and it hurts nobody. Get used to those words, they're gonna be a mantra here. Further, I've seen how Hayes Queers (hey, I needed a term for them) talk about harmless members of their own community who give them The Ick. The post I'm writing here is a direct reaction to seeing a Hayes Queer post from someone I followed! Reading that, and the comments on it. And lemme tell you: y'all are very quick to throw your peers under the bus with the exact same logic (respectability politics, personal disgust, "making a bad name for us as a larger group", lurking threat to our moral purity) that the conservatives are using to argue for the mass extermination of queer folk. You are bringing pitchforks and tiki torches to the party. So no, I am not going to give you access to my vulnerable mutuals. That's the heart of it. You are a danger to your community, and I'm going to limit the scope of harm you can do. The broader queer/kink communities have worked hard to define harm more carefully than "well I just personally think it's gross." Scat and piss are gross to me, but my mutuals who are into those things do still deserve love and safety, not to be sacrificed on an altar of conservative family values for imaginary "one of the good ones" points. I have a responsibility to look out for my people. So do you, FYI.

So here's the recipe for living online with people whose kinks aren't your business and hurt nobody: learn to scroll past those posts or block those tags, or even block that person. Be an adult. The world does not exist to be personally palatable to you. You are not being harmed, you're being inconvenienced. If you can't handle that, you're the one bringing real-world (rather than imagined) danger to your community. Fuck's sake.

This also finally convinced me to look up what "proshipper" means after seeing it in discourse for years, these dreaded dangerous devils who apparently must be purged from the internet, and... holy fuck, how is this contentious? It literally just means you can disagree about fandom pairings without harassing people? That's just mature behavior in a shared space. That's what the argument is about? Oh my god. If you're arguing about this in 2024, your Aunt Maddie is fully ashamed of you for real.

The dumbest part is that people get doxxed for saying the stuff I'm saying, and maybe it'll happen to me. Guess I'll roll the dice. Which comes full circle: if you're looking at this post and trying to decide how to punish me for it IRL, you are literally being the danger. Stop and think for 30 milliseconds. Maybe I have a point that you are a bigger threat than two trans girls who like to pretend to be sisters for sex reasons. And I don't wanna hear no trauma excuses from any of you little monkeys, fetishes come from trauma a decent percentage of the time, so a lot of the people you're persecuting are victims of the same kind of assault as you.

This is more words than I ever should have to write about a self-evident topic. I know if you're young enough and still figuring out a lot of life stuff from scratch, it may not be self-evident to you. But hopefully it is now before you fucking hurt somebody. Thanks.

[magnetic-rose]

man as i'm rewatching all of a:tla i really want to make a post about what are (imo at least) common misconceptions about the show and characters.

like a very common one that i see parroted way too often is "katara is too mature/motherly and babies aang," with the implication that her romantic love for him makes no sense.

but i'm more than halfway done with s1 and i think the fandom forgets that katara is a 14 year old girl. she's not a young woman, she's a child. and often times she's mischievous and funny and childish. she's usually right there WITH aang participating in his shenanigans. she even creates her own shenanigans. the show spells it out for the audience in episode one where katara and aang are penguin sliding and she says "i haven't done this since i was a kid" and aang replies "but you are a kid." one of the reasons she was so mad at sokka and gran gran for kicking aang out of the village was because "he brought laughter back."

and that's why they work and that's why she falls for him. he brings levity back to her life. he allows her to be a goofy, silly kid. they often support each other's little games. she cheers on him when he's riding the giant koi fish (until she gets distracted). they play in the river. she wears the necklace he makes her. he wears the goofy hat she makes. he goes along with her fortune-telling obsession.

and if anything, sokka is usually the voice of reason between them, trying to reel aang and katara in. and yet sokka gets the fandom reputation as the chaotic fun guy and katara gets the reputation as the "mom" who's telling people off. she's aang's biggest partner in crime and yet fandom treats her like the exasperated mom friend.

[journey-to-the-attic]

one thing about ik is that she will always reach out

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[itty-bitty-sunshine]

Silly monsters based off my eclipse oc and @clovergreensocks moon bot Refri

Been having fun trying to learn how to draw non humans

[bezzygom]

nenekasa or something

[a-loose-collection-of-ants]

A true and 100% historically accurate account of Hamilton's first meeting with Andre

+ Bonus Lafayette

[wisteriagoesvroom]

happy "breaching the top 10 f1 rpf pairings on ao3" day to landoscar nation 🎂 because it's all about.... two people that are so much the same yet so different. australia vs the uk. oscar's cool collected calm versus lando's ricocheting personality. twitch streams and side hustles and multiple endeavors vs singlemindedness of racing. purity of craft vs embracing everything life throws at you and trusting that it'll all work out. the rivalry that isn't (well it is, but not really). pushing each other to be better. making heart eyes in a taylor swift video, reaching out to your teammate in silverstone after surviving a media maelstrom and him being pleased and stepping closer because he's been given permission to. making fun of your resident weeb for reading the words "kit kat" but just in a japanese accent.

it's being so ridiculously competitive that you'll hide in a burning bin in the name of fun for a game with made up points and then squinting at your teammate ringed with the bright light of the sun and laughing at how stupid this all is. it's making fun of your teammate's music taste that you can hear through the thin walls of the drivers' rooms. trusting the journey. mimicking each other's body language. knowing it's for the marketing but winking at the camera together anyway, like we're all invited to be in on the joke. two parallel lives woven in two different garages with almost identical specs. being so comfortable you have this weird rapport that is kind of a cipher and unknowable to anyone outside of the immediate network or team, but it's so assured and quiet that for the first time the person who's been the person who was once the younger teammate steps up, acts older now, and becomes comfortable with the silence.

it's knowing your best friend was on their renault team and not saying anything about it in public but the motorsport world is so small and specific and the experience so surreal that surely some laylines are just strangely predestined. it's about growing up together. it's watching the brit upstart in a generation of two other brit upstarts chase his dream and give up everything to win and get velcroed to the seat because he's kind of small, just like you, but you dream bigger than anyone dares to dream and you identify with the other's self belief that says you, too, could stand on that top step one day. it's you following the little blue-suited guy racer on social media and liking sooo many of his posts over the years, and not even bothering to hide that fact when you've probably become that goalpost for someone else one day, too.

it's chapter 2, with 3 more to go. it's watching your teammate win his first sprint race and finding it in yourself to be happy for him even when you're sad that it wasn't you. it's publicly saying that the rookie is not a threat, he's a threat who makes you race better. it's making fun of newbie's first day at mclaren and finding him unknowable. and he arrives with all this hype and pressure so what can you do but focus on you and step up your game, but he's always in the background and the periphery, chasing and chasing with this hunger that is unbelievable and unfamiliar because it's always humming in a way that made you mistake stillness for idleness in the past. but now, you know: still waters run deep, so you swim harder, too. drop the dj-ing. become more disciplined. train more. do things that don't matter, less.

because the future is vast. the future is happening constantly if you're ready to meet it. and maybe destiny will be kind, and your names will be remembered. your name, inked on a trophy in the precious metal of kings, and dreamers. your name, inked in gold.

but today, you're 22. you're 24.

you're driving a car as fast as you can, and everything that's possible, feels like it could be possible, right now.

[ocelotlesbian]

genderswapped them for lesbian purposes. girl yaoi!!! (≧▽≦)

also if you look very closely at the pixels on her teeth you can see that i gave mitsugirl cute little green braces. i thought that was worth pointing out ^_^

[meamiki]

vtuber loop !!!

[reverse entry au? the reverse isekai part of it? tangentially related to this post here, and also the last part of this post too]