#might as well tag him at this point

[a-loose-collection-of-ants]

A true and 100% historically accurate account of Hamilton's first meeting with Andre

+ Bonus Lafayette

[cuppajj]

squish

[dreamsy990]

drew some of my fav ody designs! wasnt originally meant to be also replicating the styles but thats sort of just how my brain works. except i didnt copy the lineart styles of anyone here so its DEFINITELY a bit uncanny for a couple of these (LOOKING AT YOU QINNY IM SO SORRY) but whatever

the designs featured here (from left to right) belong to: me, @gigizetz, @neal-illustrator, @irunaki, @bigidiotenergytm, @qinnyanimation, and @foopsie-daisy

[fascinationstreetmp3]

I have what you're looking for. High quality. Befitting a man of my tastes. I have a room over on Divisadero, not too far a walk.

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[sengenism]

The Ishigamis and The Gifts of Science

Dr. Stone is a love letter to humanity and its sciences. The main character, Senku, often acts averse to all forms of affection, and the only love he doesn't deny is his love for science. But Senku is so so full of love. He just expresses it in a way other than physical touch or words of affirmation. He gives.

But let's go back to the one who taught him so– Byakuya Ishigami, his father. The love of Senku's life.

Byakuya is introduced in the tenth chapter of the manga as a dotting father who sells his car to present Senku with scientific instruments he will need for a more efficient research. This car is Byakuya's means of transportation, and given that he is crying and shaking in this scene, it could not have been easy for him to lose it. But his love for Senku is so big, that he wants to support his son's passion even if it means sacrificing a great convenience for him.

And Senku? Senku truly fell in love with science at this moment.

If there is anything that Senku is, he is Byakuya Ishigami's son through and through. They may seem like two very different people, as Byakuya is an openly affectionate guy while Senku is more closed off with showing his true emotions. But Senku takes more from Byakuya than not, and one of them is by showing his love and/or care for others through giving the gifts of science.

And it starts with Byakuya.

[Bodysuit Acquired!]

Byakuya had failed his first attempt at being an astronaut ten years back, but he doesn't give up and tries again. Senku then creates a bodysuit that manipulates muscle movement to help Byakuya pass his swimming test. And while the bodysuit doesn't quite help Byakuya to swim, the thought Senku had put into it had motivated Byakuya more than ever to pass the test. This is one of the fundamentals of gifting– sometimes, it really is the thought behind it that matters.

This motivation is what Byakuya credits during his interview with JAXA for passing the tests. He understands that Senku might not have given him any words of encouragement, but this bodysuit was all the words that were needed between them. Senku wants Byakuya to achieve his dreams just as badly. It's the way Senku shows his love for his father.

And it's the way Senku shows his love for others too.

[Glasses Acquired!]

One of the primitive aspects of the Ishigami village is that it considers bad eyesight as a type of "disease". Fuzzy disease, to be exact.

Suika wears a melon mask at all times to help clear her eyesight, which Senku later reveals is due to the pinhole effect. She, however, has never told Senku or the others about having the fuzzy disease. Senku himself notes how odd it is for her to wear a melon around, and confronts her about it once he decides to create glass. This is one of the most beautiful scenes in Dr. Stone, as Suika finds out that her disease was never a disease, and is finally able to see as clearly as the others. Senku basically gives her perfect eyesight, something she didn't even know was possible before.

[Antibiotics Acquired!]

One of the most beloved people in this village is the priestess, Ruri. Two of Senku's new friends, Kohaku and Chrome are deeply affected by her unknown fatal disease. Senku is such a person who would help a stranger even if there is no benefit to do so (though he would never admit to it), what more a person who his new friends truly love and care about. He cures Ruri of pneumonia, giving her a chance to live a life without the worry of it being her last day every day.

[Cola Acquired!]

Senku forms an alliance with Gen, who plays the role of Tsukasa's spy, for the promise of a bottle of cola. Both Senku and Gen are aware that the cola is only a front for Gen's loyalty to Senku and the Kingdom of Science, for Gen needs his superficial reputation as a comfort and cannot simply join them if there is no personal benefit for him to do so.

This cola is also the first gift post-petrification that Senku brands himself on, probably because it represents the first gift that is not out of necessity and leans toward a comfort/luxury that they both used to enjoy in the modern world.

For a modern man such as Gen, drinking his favourite soda in the stone world might have been one of the happiest days in his life.

[Cotton Candy Acquired!]

Senku cares about people so much, even if the people in question have tried to kill him. Senku sees Homura as a soldier who is merely following the orders given by her leader, but he also sees the Homura as a lonesome girl sitting by herself on trees day and night.

As usual, Senku hides his kindness and care by showing an evil ulterior motive, such as turning Homura to their side using the cotton candy, but Ruri points out that this is a facade. Similarly to Gen, a person with such an ego is unable to seem as if he is doing something good out of the kindness of his heart.

[Stove Acquired!]

As winter approaches, the elders in the village are worried about losing people to the cold. Senku hears about this and creates a stove which has a multi-purpose of cooking and also radiating heat for the people to stave off the coldness of winter. And speaking of winter...

[Christmas Acquired!]

Senku hangs up lights in the tree for the "light bulb test" on a random night. Except the date isn't random at all and he drops enough hints for Gen to catch on that it is the night of Christmas. The significance of the day is only appreciated by Gen and himself, as they are the only modern timers in the village. It is for the sake of nostalgia, but Senku would rather be caught dead than admit that he is a sentimental guy with such irrational feelings.

And well, it all comes back to that scene with Byakuya, doesn't it? If you recall, Byakuya calls himself "Santa" while giving the scientific presents to the young Senku. This indicates Senku received them during Christmas. Which means... Christmas is a sentimental day to Senku and his father. An anniversary of Senku receiving his Christmas presents from Byakuya, which led to his deeper dive into his science obsession. The beginning of it all, one would say.

And even though he's dead and buried, Byakuya never stops giving. He gives Senku the Ishigami village to provide Senku with allies. He gives Senku Lillian's music, because he believes in the light of music and understands the importance of media to society. He collects platinum till his last breath, because he believes that Senku will need it someday. Byakuya keeps on giving to Senku, because his love for his son is so huge and unconditional. And because he promised.

Surely, there is no greater love in the manga than Byakuya's love for his son and Senku's love for his father. Byakuya could easily win ten billion best father awards... well, not like there's much competition for that in shounen mangas.

[dinsverdika]

I've been plagued by the thought of Logan just lying on top of Wade for days. Logan's heavy, one could say he's the perfect weighted blanket. Wade could easily move him away if he wanted but he can pretend to be a poor helpless guy who doesn't have any other resort but to accept being cuddled into the mattress (and the constant rumbling coming deep from Logan's chest is quite nice, too.)

It strokes Logan's ego a little, Wade would probably make an innuendo about it and Logan would threaten to stab him but he wouldn't actually bother because he's feeling too comfortable to do anything else than just lay there.

[swhhdr-wthhr]

i know i haven't uploaded a new chapter for this fic in over half a year... and i probably won't any time soon... but here's some lore explained w/ virgil

[lord-squiggletits]

A Tarn headcanon that I want to use but haven't had the chance is about him code-switching the way he speaks out of surprise (or maybe character development in some fic scenario idk). This guy, back when he was Glitch, was delivering combat banter like "break their toys and send them running home crying." Petty as hell (which admittedly didn't change when he became Tarn) but also like... more crude and funny and "common" kind of humor compared to the present-day Tarn persona where, aside from pettily mimicking a guy's stammer, he tries to be all sophisticated and stuff.

I just really want there to be a scenario where Tarn is saying some shit like "Fool that you are, you falsely believed you could escape Decepticon Justice, here we arrive to dispel your ignorance with extreme prejudice" and then whoever he's hunting goes "your Megatron suck me good and hard thru my ports" and Tarn goes "you little shit I'm going to fucking kill you"

[lunarharp]

the ghost

[raphaerolo]

Art Wip Game

@artisticallyill you asked about the Battle Cody & Obi so here it is

This one is definitely a bad name. While technically accurate, it's not the defining thing about this. Battle Cody & Obi is the name of my drawing that is my Codywan FMAB AU. Truly the title says nothing, and idk what i was thinking when i named the drawing but it's my fmab au

Here's it is so far:

In this au, the jedi are the state alchemists, Obi-Wan is a general and a state alchemist and a highly revered one but I don't know what his alchemy specialization is yet. Cody is his right hand who watches his back and has several big guns and people are scared of him.

I imagine this drawing to be them fighting Maul, who would absolutely just set a bunch of things on fire, not even with alchemy but with straight up matches cuz he's petty like that and Cody and Obi-Wan are trapped by the fire and waiting to see where he strikes next.

When I was ideating this, I realized that their dynamic is already pretty similar to Mustang and Hawkeye, especially with the "we can't date cuz you're my superior officer/subordinate" and the "i will flirt with others as a tactical move but it's fake and the real adoration only comes out with you"

Find wip game post here

[calamarispiderart]

FUCK i meant to send the other ask to this art blog but uhmrmmm answer on whichever one u see fit lol:3

for ur cccc doodles sometimes i see u draw mind w like a bag of blood attached to him(i forgot the medical term lol) i was wondering how u got the idea for this concept and if theres any reasoning behind it its so cool:3 YAY UR ARTS AWESOME BTWW

hihi!! ohh yes his iv... B:•] i draw mind with an iv all the time for a few reasons, the most banal of which being simply that i feel it suits him! ive always heavily associated mind with medical imagery... iv is the default but i really should draw him with more things going on than just that !!BX•P

for specific thematics though, theres a few layers to it.

one is the idea of mechanical things - iv drips are on the lower end of this in some ways, but medical tools to support the physical (flesh) body hold a particular match to the image mind is said to present... ive sat in the hospital waiting room with my nanny in the past and had an iv drip myself and some of the tools they use to measure and support someones life look so... solid, metal and plastic and tubing.... mind is frequently associated (most obviously in a fanon sense but also within the album itself with his voice FX and lines like the mechanical hands line) with robotic imagery, sometimes going so far as making him an actual robot. however!! he is so human!! he is just as human as the other two, and if anything his (implied and somewhat explicit) denial or attempted dissociation from that makes him even more so.

so... putting him in a thematic position where hes reliant on external, mechanical things to keep himself (his body-flesh-brain) alive, its very fitting for him to me.

it also lends well to an air of mutual fragility and firmness. mind is a very intense and firm character, stubborn, but he is also, to me at least, very fragile... so opinionated, so pushy, so unwilling to accept the possibility of being wrong even in the better times of the album... that speaks to a fragile personality. he cant accept or even consider the possibility of not being right.

ive always had a strong image in my head of him leaning a little bit too far, heavy, on his iv stand for support, with an intense glare, knuckles white from how hard hes holding the metal. inherently an unstable position, but so sure and so defensive and so strong willed... weak in body, reliant on the solidity of metal, stubbornness and your own grip to keep you up... theres a really good contrast there.

and! well theres always more to say but another aspect of that design trait for me is blood. all three of hms are so... bloody, to me. lifeblood, violence, lots of things to do with blood. heart is the most blood-associated to me but... ahh, ill try not to ramble too much with the other two because the focus is on mind here... they all bleed in different ways. for mind, to link back into the prior thematics ive alluded to, he keeps his blood outside of himself. technically. thats whats in his iv, at least. his own blood, or a form of it. ignore the potential medical inaccuracy haha!

in keeping his blood outside of himself, feeding it back in through a controlled drip, that is intended to reflect again his attempt at separation from humanity - more specifically, from bias. human error. when heart calls him a machine, while it is a metaphorical insult... i find the insults people choose to use tend to be a bit personal as well. particularly so with these two. they pick things that are meant to dig, and that requires a level of truth. so... to some extent, mind doesnt Want to be biased by humanity the way heart (and soul...) is. he wants to be above it all, and since blood is blood is flesh is life is animal, it feels right for him to try and keep all his blood outside of himself. but! in doing so!! it again betrays his own existence!!! you can see his blood, its right there, and when i draw them fighting, the iv tends to be easily caught in the crossfire. hes created a vulnerability in his attempt to be invulnerable. hes a very ironic guy in his existence.

hummm potentially more to be said but at risk of getting repetitive ill stop here. these are all the main things i can think of. so! yeah B:•]

i think its really fun. iv drips are just generally fun to draw as well, theres lots of different designs... i get pretty stylistic with minds because i can, but the parts of an iv are just generally so fascinating and fun to draw to me..! you could potentially say all of this is just an excuse to draw those ?!!? (jokes...or is it?!?!?)

hummmm thank you for the ask!! B:•∆ always nice to have an excuse to ramble about my thoughts on these things. hope youre doing well B:•]

[bringerofdarkness-fancomic]

yeehaw, baby. we got an update on this form

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[ikemenomegas]

good-ending!kakashi and itachi need to have a little former traumatized geniuses cooking club where they get comfortable with making little "mistakes" and putting imperfect dishes on the table and improvising without needing to explain themselves like it's life or death

[imminent-danger-came]

So, this parallel, right.

That parallel and the 4x11 shadowpeach fight as a whole:

Macaque: "No that's YOU! You're the one always running off! Looking for more power, more sources of immortality—you're the one who wouldn't quit while were were ahead! Not the great sage, he's got to drag EVERYONE else into his mess!" Sun Wukong: "You're not in this mess, you're still free! Everything I did was for us!" Macaque: "You did it for yourself! You've become like this, obsessive demon! I told you going against the Jade Emperor was a bad idea, but no, Wukong doesn't listen to anyone! He just does whatever he wants! You put yourself here, not me."

(4x11 A Lifetime of Mistakes)

-

A large part of Wukong's motivation to keep getting more power was the freedom of it—the more power you have the easier it is to do whatever you want. It's easier to ignore everyone else and focus solely on yourself. It's also easier to ensure yourself and your loved one's are protected and have the ability to do what they want.

So, a punishment where the great Monkey King is imprisoned and trapped for hundreds of years? It's effective and tragic and fitting. Wukong wanted to have the freedom to protect the people he cared about, and in trying to reach for the power to do that, he completely had his freedom removed. He went from the mountain, to then the circlet, and then all of a sudden he had morals and was bound to those.

And then I think about his end of s3 choice to go face the Lady Bone Demon alone. Once again Wukong was trying to protect his loved ones (not to mention the whole reason he went after the Samadhi fire to begin with was to have the power, the freedom to stop LBD (which in itself is another case of SWK believing he needed to be stronger for such freedom)), but he also wanted to make sure MK and himself both had agency. He didn't want MK to have to fight LBD, and he didn't want LBD to end the world.

This is exactly the sentiment he tells Macaque in the 4x11 flashback:

Sun Wukong: "It's so we don't have to worry about anything or anyone ever again! Just living a lazy life, sitting in the sun, eatin' fruit, and doing whatever we want!"

But where does it all lead him?

To possession, imprisonment. Once again Wukong no longer had the freedom to do what he wanted (which is to protect the people he cares about). Once again in his attempts to help his loved one's, he only hurt them.

This can be applied to his relationship with Macaque, to MK in s2, hell, even Wukong trying to get the map in the first place left him powerless, which then led to him and the gang being imprisoned in 3x02. It's a familiar pattern, one we see with antagonist and protagonist alike.

MK in s2 trained to become more powerful, which in the end only strengthened LBD and forced him and his friends on the run. Mei in 3x12 protects MK by letting herself get captured and placed into LBD's crystal. Mei in 4x05 goes to protect MK, breaking her sword and leaving her vulnerable to being captured by Kui Mulang ("How am I supposed to protect everyone without my sword?"). DBK reached for more power and then became possessed by LBD, hurting his wife and son. Azure reached for the Jade Emperor's power and bound himself to that role, jeopardizing Peng and Yellowtusk in the process.

It's a cycle of reaching for power, endangering others, and then being imprisoned.

So anyways, here's why MK is going to lose control (his agency) next season and hurt his friends with his own- *get's shot*