#not sure what to call the first one

[azulhood]

If anyone deserves to go apeshit, it's Jazz. Like she's got a lot on her plate. Her parents keep trying to kill her little brother, and are probably neglectful. Her brother, and his friends, is constantly in life threating danger. Her godfather (Is vlad Jazz's godfather?) keeps trying to kill her dad and take his place. There are ghost attacks on the regular, most (all) of them involving her family in some way. There's a government agency who wants to take her brother apart. Her breakfast, lunch, and dinner try to kill her. And her brother is literally half dead. add in the fact that she's always just wanted to protect Danny only to find out he died in their basement, and that's a whole can of issues. There's just so much stress for her. So, I think she deserves to go apeshit. Maybe she finally snaps when Danny gets hurt/captured/made fully dead. Or maybe she's at a point in her life where she's safe enough to go apeshit, Danny isn't in danger, she isn't in danger, nobody's in danger. She could end up joining Harley Quinn and Ivy, just having a grand old time pissing off Batman. She could end up in Central city and starts robbing banks with Captain Cold. She could end up in Gotham for school, becomes a crime boss and Red hood's rival/frenemy (My personal favorite idea) Let Jazz be the feral badass she deserves to be!

[alopecoiddaydream]

Anyway since I'm about to finish DDLC here are my favorite poems

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[ganondoodle]

since tumblr always has to suffer my personal vents and breakdowns and rants and annoyances you get the most wips and pics of unfinished stuff, im sure that makes up for it

the (unfinished) shiekah arm concepts that made me want to explode and i dont think im gonna work on again

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[nebuladreamz]

hey chat i thought ratatouille was like. playing it up. comfort/nostalgic food pretty visuals and symbolism and fun stuff, usual pixar magic

so guess who got hit by like 14 trucks

[seiwas]

for writing game, iwaizumi + assistance <3

hope this sparks some inspo and thank you in advancee

hi there!! thanks for sending in a prompt 🫶

contains: friends to lovers (ish), halloween parties, reader is dressed as catwoman, expletives, iwaizumi is thiiiiis 🤏 close to murdering seijoh4 (jk)

iwaizumi + assistance

this is a set-up.

iwaizumi knows he shouldn't have fucking believed anything the boys "promised" him back when they assigned him this costume.

the suit is fucking tight, spandex digging into his groins and all other crevices that definitely should be aired out after after a few hours. he's had to constantly readjust his stance almost every few minutes, the black fabric compressing his thighs and torso, significantly constricting the range of motion his shoulders and arms are typically used to. if anything else, it could double up as a back brace from how rigidly straight it's kept his posture all night.

he'll give it to makki though; he did outdo himself sourcing this year's costumes―this batman set looks pretty damn legit.

except for one tiny problem.

there's no fucking pee hole. it's a zip-up, zip-down one-piece situation. and that normally wouldn't be a problem, except that oikawa "accidentally" knocked over a cocktail straight into his pants, the sickeningly sweet liquid now seeping straight into the fabric and past his boxers―cold and sticky as it touches his skin.

and so, the problem: his pants are wet, it makes him want to fucking pee, and coincidentally, the only vacant bathroom is across the hall, at your apartment.

this is why he believes this is a set up. that, and the fact that you're dressed in an outfit strikingly similar―just with cat ears.

he's been asked five times in this party if you're in matching couple outfits.

it catches him off guard, flusters him because of how badly he wants to say yes. but, you're just friends, and he doesn't even think you like him that way (despite mattsun and oikawa practically begging him to confess. makki tells him he thinks you're going to do it first).

so he politely smiles and says no, but you look good, your costume clinging to you in all the right places. thank fucking god he has a cape because he's pretty sure he spent the first 30 minutes in the party hiding his boner.

"hajime, it's fine, i swear," you stand beside him in front of the conveniently locked bathroom in oikawa's apartment. from the other side of the door, he's pretty sure he hears mattsun and his girlfriend mumbling. maybe fucking? who knows. "you can just use the bathroom in my apartment."

he glances at you before closing his eyes, contemplating, before finally agreeing to you.

"okay."

if he's being honest with himself, friends is definitely an incomplete label to what you are. as oikawa's neighbor, you are conveniently around all the time; and oikawa being oikawa, the ever-social butterfly, he's somehow managed to carve a space for you in the friend group.

(never mind the fact that oikawa's sniffed him out from the moment he first introduced you.)

you were a crush, then a friend, and now you're someone he picks up from work and drives back home three times a week, because he "has to train oikawa." you don't question it, even when you both know he stays over for dinner way past the gym's open hours.

"you know where it is," you open your apartment and urge him in.

"sorry again," he turns to face you.

"yeah, yeah, just pee!" you laugh, shoving him towards the bathroom door.

getting out of the suit is manageable, and he's able to wipe off a bit of the cocktail that's leaked to the suit and his boxers just to make sure it isn't gross and sticky when he gets home later. peeing is a big relief once he gets it over with, but it's when he has to suit up again that things become difficult.

stretching out the spandex one body part at a time is a workout in itself―the hardest task being when he has to pull it over his shoulders, adjusting it to fit properly over his arms and chest.

but then the zipper breaks.

and he truly thinks makki has fucked him over.

iwaizumi contemplates what to do next for a good, good while. he tries calling oikawa, only to no success every time; no way in hell is he calling mattsun in the middle of having sex. and calling makki isn't even an option; he'd never hear the end of it.

then you knock on the door, your voice soft and concerned as you ask, "hajime? you good in there?" you hit it spot on, too, "do you need help with your suit?"

iwaizumi presses his palms to his eyes. he's a rational man, straightforward and logical in thinking. there is literally no other option for him right now but to ask help from you. again.

fuck.

.

it's 30 minutes later when oikawa barges in your door, and the sight that greets him is iwaizumi in nothing but a hoodie (the hoodie you borrowed some time ago) and his boxers, with his hands on your waist as you hover your hairdryer over the crotch of his batman costume―cat headpiece off and all.

"you finally got together?!"

[freaky-flawless]

Headless Headmistress Bloodgood redesign!

I've been wanting to redesign her for a while, in a way that would marry the aspects from each of her designs that I like. I'm pretty happy with how she turned out!

At some point I would like to design some more Monster High teachers and staff, because no matter what gen, that school is struggling.

[authoratmidnight]

Unfortunately I have robots on the brain + a love for a good heel face turn.

So fuck it, Knock Out/Break Down defection.

It starts with Breakdown getting abducted by M.E.C.H. and Megatron writing him off as dead/not worth saving. After all, he let *humans8 get the drop on him, whatever happens is his own fault.

Knock Out is appalled and rightly so. They're just, gonna abandon one of their own? He's not a flier tho so going to rescue Breakdown himself is not going to be fast.

Which means that when the Autobots end up rescuing him, there is no Decepticons to show up. No one ever arrives to save him. Only his enemies.

And by the time Knock Out *does* show up, there's no one there. No Breakdown, no Autobots, no M.E.C.H. and he has to return dejected and empty handed. And worse, no one seems to care. (this also means he has no idea of Breakdown's fate, is he alive? dead?)

So they drag him back to the base so Ratchet can patch him up cause he is in rough shape mind you. And it is just, weird all around.

On the Autobots' side of things is the glaring fact that there is a Decepticon in their base. He's not trying to kill them but like, he IS there. It's so weird.

On Breakdown's side it's the fact that his enemy is helping him, providing him aid. That his enemy seems to care more about him than his own comrades. And of course, watching how they interact with each other, with Optimus is eye opening. The differences between them is startling.

The rest of the Autobots do respect Optimus but they don't live in fear of him, not how they do around Megatron. He's not scary, he doesn't yell lose his temper at them, he doesn't strike them and break things. He's, nice.

And while they banter with each other and sometimes argue, it's never mean spirited or cruel.

He stays there for a bit to recover and he starts to wonder, what he should do? He can't possibly go back to the Decepticons, they'd never take him back, especially after this. But, it's clearly not safe to be out on his own given that M.E.C.H. is out there and what they did to him.

So he does the almost unthinkable. Asks if he would be allowed to stay with them for now. Just while he decides what he wants to do. If he has to stay in the base then he will. They decide to allow it because well, he hasn't really done anything to them thus far.

Trying to interact with them is so awkward though, and he spends most of his time doing essentially grunt work around the base. The first one to speak to him and extend a hand is Bulkhead. They are rivals after all and Bulkhead is the only one he has a prior history with. It's so weird not trying to punch each other out, even if Bulkhead says they can go for another round at a later time and he will kick his tailpipe.

(the whole time Knock Out is moping and feeling disheartened cause he just wants his guy back)

Eventually, the Autobots do sort of warm up to Breakdown. When he's not punching them out he's not really so bad.

At some point, he goes out on a mission with Bulkhead (listen, he's recovered and he can't stay inside all the time, he's going stir crazy, and if anyone can handle him it's Bulkhead). And leaving the shielded protection of the base alerts the Decepticons that he is alive, cause they have his life signal again.

And Knock Out is not taking no for an answer on going to find him. He'll piggy back on Starscream or the Seekers if he must.

Cue a VERY dramatic meeting of Knock Out and Breakdown, made all the more tense and dramatic given that he's in the company of an Autobot and NOT trying to fight him. Naturally, Knock Out tries to convince him to go back, and it IS tempting, if only cause going back means Knock Out is there. But he can't exactly guarantee that Breakdown won't be punished for, all this, so he has to decline.

Insert a moment of him really showing which side he's on (perhaps not even consciously) when he protects Bulkhead from another Vehicon or something. Bulkhead is shook cause a part of him was expecting Breakdown to go with Knock Out. this doe sin fact help endear him a bit more to the Autobots.

But now, Knock Out knows that Breakdown is alive. And by the Allspark he WILL be reunited with his partner one way or another. Of course, he can't contact him, he's shielded by the autobot base. But he does leave it from time to time, and then he can pick up his signal. Ofc he keeps this a secret b/c once it came to light that Breakdown was siding with the autobots he was marked as a traitor. No one talks about him anymore, and they certainly aren't gonna try and bring him back.

He absolutely is plotting ways to get out and meet with him/contact him, to at the very least just talk with him. And eventually somehow he does. Catches Breakdown when he's out alone (or at least, the bot he went out with is not in the immediate vicinity to be seen). And it's tense and emotional. Cause Breakdown is still deeply hurt that no one but his (former) enemies came to save him. Makes a bot think. Knock Out swears he did try to come, he was the only one that wanted to.

The conversation is interrupted when whichever Autobot was with him comes back and Knock Out books it. Even if he wanted to leave with Breakdown, there's some thing he needs to take care of on The Nemesis (basically purging any files regarding either of them/deleting them from the database so they can't be tracked anymore).

Which he does do and has to beat one hell of a hasty retreat when Soundwave catches on and alerts the others as to what he's doing. This is effectively his point of no return. He ground bridges out, with Cons on his tail. And calls to Breakdown for a rescue (I'm thinking, before they parted on their last meeting he gave him some kind of communicator or something).

Breakdown is quite surprised when he does get a distress call from Knock Out, who is currently running for his damn life cause if they catch him they will kill him. And frankly he does like living.

Breakdown DOES end up going to get him, by plugging the coordinates he got into the ground bridge and bridging out (he's watched Ratchet AND Knock Out do this, he knows how to do it). Which also means the Autobots are chasing after him cause dude what the hell??

They do manage to find Knock Out, still running for his life. And Breakdown is gonna bring him back even if they complain (also he may or may not be wounded, I haven't decided yet, tho wounded would be some fun :p)

So now the Autobots have TWO Decepticons in their base and boy is it weird. Also now they gotta explain this to Optimus (who more just wants to know why Breakdown went behind his back, you could have asked bro. (Better to beg for forgiveness than ask permission I suppose).

Also explaining this to the humans. Breakdown was one thing but Knock Out? oof.

(Knock Out has some second thought upon meeting the humans b/c oh NO they're everywhere and gonna get their grimey weird hands all over him and yes ok he knows his alt mode is sick as hell but NO they can't go for a spin in him! Someone help!)

It would, imo, be a really funny dynamic. Also Knock Out has dirt on the Cons I'm sure. He is a petty bitch

(The second amusing option I had for getting Knock Out there was finding him while out on a mission, maybe after he sneakily purged what needed to be purged, and he just goes 'well, if I'm not being invited back, I guess you'll have to take me prisoner?' and Breakdown just rolls his eyes and "apprehends" him and brings him back. Literally no one is buying this at all lol)

Part fix it fic, part heel face turn, all totally shameless KOBD lol

[mariatesstruther]

okay but sarah celebrating tommy every year for mother’s day

[tehb3stsk4t3revr]

You know what? Screw you. -gives your IKEA lamp the flu-

[little-eye-guy]

more chibi style testing, ft dragons from @dumpsterfirepropaganda and @jragons-fr-hole, and of course my own wonderful pomelo

i'm considering opening a shop for these but we'll see!

[sylver-drawer]

I want to remind everyone that Jennette and Ijekiel’s relationship in the novel never improves. Ijekiel may have ‘moved on’, but it wasn’t really of his own accord—it’s because Athy literally encouraged him to go with Jennette (which I’ve already mentioned whose encouragement stems from her rose-tinted glasses of dehumanizing both Ijekiel and Jennette). Jennette, whose feelings and psyche we’ve delved into multiple times throughout the novel, hates Ijekiel’s falsity the most. She may be afraid of his anger and frustration, but that’s because it would be so foreign to her—but at the same time, it would be relief because at the very least it means it’s Ijekiel finally laying his feelings bare to her. But Ijekiel made it clear to her during his rejection that he has no intention to ever be genuine to her—that he will keep up his mask, monitor his emotions closely while still spitting out cruel words as if he were angry, though he dare not present so. That’s what scares her most, and what she despises terribly.

So the novel ends with Jennette exiled to outside of Obelia, waking up after attempting to off herself with her magic, alone with the man who just conveyed to her that he will never be genuine or truthful with her. In Ijekiel’s side, the woman he loved just told him to go with Jennette—who he has SO much unpacked baggage with already, being that he never saw or acknowledged Jennette as a woman (not romantically, I’m saying he constantly views her as a child despite her being an adult and having multiple enigmas, personal conflict, and growth through the years), still and will always view her as someone who will chase after him and ignore his feelings or opinions (which stems from an image he himself wanted to uphold, Jennette always wanted him to give his true opinions and gave him PLENTY of times to reject her and her requests), and overall just has so much pent up feelings and resentment for Jennette for little things throughout his childhood that’s too much to resolve without a proper heart-to-heart with Jennette—which he already resolved to never doing.

Which ends the novel with both of them at basically their most uncomfortable, stuck with the person they very much never want to be around. It’s hell. It’s gonna be hell. They’re practically strangers—people who’ve been around each other for nearly two decades, but don’t know the first thing about the other. And now it’s extremely awkward because of their fight, and the line Ijekiel drew that because of Jennette’s extremely fragile mental state, will force Ijekiel to have to be the first one to reach out. And he won’t. Because he’s not used to reaching out, especially to Jennette of all people (as Jennette’s always been the one to try and reach out, and he’s always been the one to put up a mask and comply even if he truly wishes not to).

And we know this is true, because Athy and Lucas literally talk about it at the end of the LP sidestories. After Athy comes back from her LP adventure, she decides to take a trip and visit Jennette and Ijekiel—and Lucas states something along the lines of how they don’t even meet eachother’s eyes (Athy takes it as both of them not dating, which I’m completely confused about, and chalk it up to Plutus forcing a pairing somewhat, as when we last saw them they couldn’t even be called friends). When Athy and Jennette exchange letters, there is no mention of Jennette and Ijekiel’s relationship. Athy even remarks that, before Jennette started exchanging letters, her letters with Ijekiel were mostly of Jennette’s condition because (she) was worried about her (not that Ijekiel talks about Jennette on his own, Athy has to inquire about Jennette—which was also what Ijekiel was jealous of right before his rejection of Jennette, that Athy only seemed to love and ask about Jennette in his presence). Nothing has improved since the official end of the novel, and it’s the last we see of them, and I honestly don’t really have much faith that it’ll improve anytime soon. At least, not without Athy’s intervention, but that would require more of Athy’s own growth.

[wu-wakfu-undertale]

Re-watching wakfu for the first time in years and s1 Yugo was so silly???

dude discovered he could make portals at will and his first thought after actually acknowledging it is "i can do so many cool pranks with this"