#not sure if any of this made sense

[glaringapollo]

Gonna post my headcanons about The Long Quiet here and reblog them to my art blog since there was some interest in them-

Under cut to avoid spoilers.

So when I first saw the demo my initial assumption on The Long Quiet was that they were a kenku. While I know that's not actually true now due to the AMA it's something I refuse to give up bc imo it just fits, you know?

Though now that I've seen the endings of the game, my thoughts about how they're a kenku have shifted slightly.

I think the NARRATOR is a kenku, and The Long Quiet is made in His image.

Now, the main reason I immediately went to kenku, is because kenku's cannot "talk" themselves. They repeat words they've heard before in the voices that spoke them. Which lends itself perfectly to the voices that make up The Long Quiet.

I think the Narrator took the voices he had heard himself in his lifetime and used them to weave his god (though I wonder if some of that was unintentional. Maybe he meant to give his god a voice, but couldn't remove those voices from the personalities attached to them).

They are the voices that shape The Long Quiet, and I also have opinions involving them and the endings but that's another thing all together.

I also see The Long Quiet as the god of "space" in that they ARE reality itself. Life exists WITHIN them. The imagery of everything fading into textured black, is that the textured black IS The Long Quiet. They exist within themself.

Which makes The Shifting Mound, time. Which brings us back to Homestuck ideology lmao.

TLDR;

The vessel of The Long Quiet is molded in the Narrator's image of a kenku, the voices that the Narrator used for his own. Those voices had pieces (echoes) of the personalities of the people who spoke them which helped shape The Long Quiet and their decisions.

[gummybearstastelikesadness]

When Danny enters the Fenton portal for the very first time, he still trips and shocks himself but at the same time damages the inside of the portal enough that it can’t sustain itself past the point of changing Danny’s molecules.

The electricity and damage done to both Danny and the portal isn’t something Danny, Sam, and Tucker can cover up and his parents find out immediately. They’re more concerned about their son then the portal (they have the blueprints for the portal and can rebuild it later but can’t replace their son if something happened to him) and go through a lot of things emotions regarding the existence of ghost human hybrids.

Danny’s new biology could easily be passed as meta human traits. Unfortunately President Lex Luther had just recently passed laws against meta humans. Meaning they can’t risk people find out about Danny’s new powers, at all. The Fentons decide that Danny should live with one of Maddie or Jacks relatives off grid until he can control his new abilities better.

luckily Jacks sister, Martha, and her husband have experience with a super powered child and after their son moved to the city could probably use a hand on their farm. All Jack needed to do was call.

[nelkcats]

Haunted City

Danny could admit that pretending to be a "regular ghost" was pretty fun. He could hide in one place and scare people who were waiting for an open door and a creepy laugh.

Honestly, Danny could do a lot more than that, the ghosts people believed in were nothing like the ones he knew. He wondered if there were simply different types of ghosts, or supernatural creatures; it was quite likely, considering that the ghosts of the Realms weren't even of the same dimension so it wasn't a fair comparison.

Anyway, the halfa had spent a couple of days "haunting" Gotham. The place was too leggy and they needed a little excitement in their lives. Of course, this led to some rumors about a spirit suffering or something similar, he didn't really care.

The "heroes" of Gotham didn't seem to share his opinion, going through all the places that had been "attacked" (they were just jokes) and looking for some explanation before calling Justice League Dark, Danny had fun scaring them a little in the process.

But he wasn't too interested in being exorcised, banished or whatever they did with rebel ghosts, so he settled on a mansion that was too big for its few inhabitants. Scaring billionaires was almost therapeutic, although the butler didn't seem too impressed by his (minimal) efforts.

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[kyonshi-8610]

no ref hand practicey the sequel: dwarven women

[puppyeared]

personal character design headcanons + brainrot

Note: the re-bound!au does NOT belong to me, it belongs to @chipper-smol I’m just not normal about it lol

[misfitmiska]

Re-read Spy x Family while waiting for season 2 and had the urge to draw something fluffy. :3

I definitely over-rendered it but I was just having way too much fun messing around with the blending modes. x)

[tiny-pun]

On writing pain

Okay so for once this isn’t an actual prompt but more so a tip:

If your character is supposedly in pain that lasts more than a couple of days or even weeks and months, eg. Because of a bigger wound or of a (new) disability… you most likely should show this in more ways than just the occasional “gasp and clutching the wound”!

Having such constant pain will have at least some kind of emotional impact: the stress of constantly being in pain, the constant push and pull between just succumbing to the pain and laying down until it goes away or just ignoring it and powering through. The balancing act of not overdoing it and being hypervigilant to the point you just hunch down to avoid worsening it.

Additionally you have to think about how to treat all of the different pains. How connected are they really? How much sense does it actually make to take pain meds ? Are there enough? Do I trust my doctor/s, to actually listen to me and take my pain seriously? Am I over exaggerating my pain? Am I underselling it? Am I annoying my doctor? Should I just wait and hope it goes away? It’s probably nothing anyway. But what if it’s so much worse ? What if this pain is just covering up something truly awful? But what if I’m making such a fuss now and tomorrow I can jump around like always? How unnecessary it would be to get so many people involved. Right ? This is especially hindered by poor use of words aka incapability to communicate. ( My head is just … kinda fuzzy?/Everything hurts?)

Another factor is how much they want to openly tell others about it. And whom they could possibly even tell and all the whys and hows surrounding it. And how hard it would be aka how long they’ve know each other and how much time they spent together. The hiding and lying adds more emotional stress and also possibly leads to neglect of any medical help. The “overt” complaining about the pain/situation can be exhausting and thus a different kind of stress. Especially if they’re feeling childish/unheard or otherwise ashamed about voicing anything but positive emotions but the pain is just too much and too consistent.

This can also lead to a constant comparison of how far into their recovery they “statistically already should be” or just the plain old “I could do xyz SO EASILY before”. Or worse: they’re comparing themselves to another (equally) wounded/disabled character. Wether it’s an internal belief or externally expected: if the character believes, that their wound/pain is comparably minor or should be easily overcome by themselves; and especially if they have a certain goal in mind, by which they should be back to their regular power and it’s not look in good … well then you certainly have a nice cocktail of stress and anxiety.

And if during the time of their supposed recovery, they end up getting some minor but more common sickness, eg. A cold or a stomach bug, it might not be their first thought. In fact they might do any and every test possible BUT think of the common cold. Not bc they’re necessarily stupid but bc of the fear, things might go to hell after all. Especially if the symptoms of both illnesses are similar enough. Anything else will just not be in their radar.

Also how would they like to be taken care of ? How much of that is a facade to please others ? Do they actually want to be hugged right now or are they just trying to please someone yet feeling suffocated? Do they just want their dead siblings soup and is a companionable silence enough to know they’re gonna be fine? How honest are they towards not only themselves but to others? And how much can the people and the situation itself even give that to them right now? (Do they need silence but they’re currently lying low in the city’s biggest hotel next to the market place?)

For all of this it doesn’t matter how big or small the pain actually is. What matters is that it is seemingly constant and only very slowly going away. The combination of constant physical pain with so much emotional turmoil and back and forth between opposing ideals aka stress can translate to even more physical pain aka psychosomatic pain. Headaches, breathlessness and even bigger issues such as literal heartaches can be the result.

This all can lead to spiralling and in the worst case a (temporary) depression. I dont think I have to explain how that could look like.

And one last thing: If the character is used to being in life or death situations, no matter if it’s due to multiple fights or an already existing disability: the common cold might be worse to deal with. They could be so used to dealing with the possibility of death that anything less than that is ironically unbearable. During a basically fatal stabbing they might just say a cheeky joke but freak out during the common cold.

Disclaimer: I am not a doctor. If you have the same pain for more than 6 week pls get it checked out if you can! And get well soon. These are just possible ways to write, what kind of thoughts and issues any type of constant pain (fatal or not) could cause.

[anghraine]

jenndoesnotcare replied to this post:

Every time LDS kids come to my neighborhood I am so so nice to them. I hope they remember the blue haired lady who was kind, when people try to convince them the outside world is bad and scary. (Also they are always so young! I want to feed them cookies and give them Diana Wynne Jones books or something)

Thank you! Honestly, this sort of kindness can go a really long way, even if it doesn't seem like it at the time.

LDS children and missionaries (and the majority of the latter are barely of age) are often the people who interact the most with non-Mormons on a daily basis, and thus are kind of the "face" of the Church to non-Mormons a lot of the time. As a result, they're frequently the ones who actually experience the brunt of antagonism towards the Church, which only reinforces the distrust they've already been taught to feel towards the rest of the world.

It's not that the Church doesn't deserve this antagonism, but a lot of people seem to take this enormous pride in showing up Mormon teenagers who have spent most of their lives under intense social pressure, instruction, expectation, and close observation from both their peers and from older authorities in the Church (it largely operates on seniority, so young unmarried people in particular tend to have very little power within its hierarchies). Being "owned" for clout by non-Mormons doesn't prove anything to most of them except that their leaders and parents are right and they can't trust people outside the Church.

The fact that the Church usually does provide a tightly-knit community, a distinct and familiar culture, and a well-developed infrastructure for supporting its members' needs as long as they do [xyz] means that there can be very concrete benefits to staying in the Church, staying closeted, whatever. So if, additionally, a Mormon kid has every reason to think that nobody outside the Church is going to extend compassion or kindness towards them, that the rest of the world really is as hostile and dangerous as they've been told, the stakes for leaving are all the higher, despite the costs of staying.

So people from "outside" who disrupt this narrative of a hostile, threatening world that cannot conceivably understand their experiences or perspectives can be really important. It's important for them to know that there are communities and reliable support systems outside the Church, that leaving the Church does not have to mean being a pariah in every context, that there are concrete resources outside the Church, that compassion and decency in ordinary day-to-day life is not the province of any particular religion or sect and can be found anywhere. This kind of information can be really important evidence for people to have when they are deciding how much they're willing to risk losing.

So yeah, all of this is to say that you're doing a good thing that may well provide a lifeline for very vulnerable people, even if you don't personally see results at the time.

[nineshrike]

Call me a Stolas apologist if you'd like, but Stolas wasn't wrong to portal Blitzø out.

Blitzø had basically just challenged Stolas to take his turn at insulting him, let's go, let's have everything out, let's make this breakup a fight to remember, remind me why I don't deserve you -- and Stolas. Doesn't.

Because that's not how fights like this have ever gone for him. Stolas's past relationship wasn't like Blitzø and Verosika trading insults in Spring Broken; it was standing still and quiet while Stella hurled abuse at him. He's stood up for himself against her, yes, but how can he stand up against Blitzø? When Blitzø's right, and when Stolas is seeing Blitzø through such rose-tinted glasses?

From Stolas's perspective, there really isn't anywhere the conversation can go after that. Anything else that is said will just make the situation worse. So he ends it. And, honestly, even if Blitzø was reaching out at the end there, he still hadn't had time to process, and I can't really see an emotional reconciliation happening that quickly. It probably would've just devolved into another argument. At this point, space and time are the best things for both of them.

[the-patrex]

I have seen a LOT of discourse about the finale so here is my final opinion on it: I Liked it I thought it was Very Bad

[muiromem]

Kathryn Janeway - "The Fates"

The Moirai of Greek myth. The youngest, Clotho - the spinner who controlled life, choosing when a person was born and weaving their thread of existence. The middle one, Lachesis - the allotter who measured out the length of this thread and decided a person's destiny. And the eldest, Atropos - she who was inevitable that ended a mortal's life, cutting the thread and choosing the manner of their death.

[biblically-accurate-dca]

it's your/our/my special day!

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.