#not saying it should be all you consume

[nerdypagan1]

I mean. this is, to be fair, true.

'Irredeemable media' is such a funny concept to me because it's never used for stuff like Birth of a Nation or A Serbian Film. It's always The Owl House or My Hero Academia because these people only watch things for children and can't stand any conflict more complex than Super Mario Brothers.

[budugaapologist]

still dont see how so many people say that dawntrail is poorly written in comparison to other expansions like. what, did you realize you had to learn about a new culture and immediately not care anymore lmao? you've done it before, was this one not white enough for you?

genuinely i think more people should do side quests during msq so idk you can form a heart about the characters you're interacting with if you struggle with that and understand the land better so when impactful shit happens your illiterate ass can actually read and have empathy. theres no excuse for this.

if you can't handle storybuilding and character introductions from the expansion that feels like stormblood and shadowbringers had passionate gay sex that got one of them pregnant and birthed a beautiful daughter they both love and care about then idk what to tell you, maybe youre just lame and can't read. best of luck with that.

[bakudekublogblog]

talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi

[radley-writes]

Cannot believe that 'access to quality art and writing made by other people is a luxury not a right, and artists and writers deserve to be compensated for their labour, because as much as I believe in the ethos of UBI, we live in a post-capitalist hellscape, and creators need to eat' is a controversial opinion in Leftist spaces.

[chronically-ghosted]

day before a 5 day holiday weekend. office empty. got me thinking thoughts.

[psalmsofpsychosis]

not gonna lie homos and homies, there's something incredibly, incredibly depressing about Batmanverse and the concept of Batjokes in particular, and it's not the murder murder stab stab death plots.

It's the collective unmentioned canon agreement around these characters never being able to escape the confinements of their narrative.

they get pushed to the very edges of their predefined thresholds, they toe the lines of their stories, they poke it and probe it and sometimes even flirt with the possibility of crossing the bounds of their narratives, but they never break throught the structure. they never go over the line, always sorta of wiggling in place; batjokes in particular is the most enticing and intriguing stagnant 85+ years story i have ever seen.

There are unspoken rules around who Batman is, what he will and will not do, and those rules are rarely questioned, if ever. No matter what he does, he cannot be in love with a man, and he cannot ever love Joker in particular. He cannot experience mental and emotional peace. he cannot kill and he cannot show sincere emotional vulnurability, he cannot experience his love in an open and unashamed way. His narrative thresholds confine him to a socially sanctioned image that is meant to be familiar and tangible to the average straight dude, and it's quite frankly exhausting to witness. Whatever happens to Batman's story, he never arrives at physical emotional or mental peace and on a foundational level his tale never changes, not really. You can almost feel it when he constantly bumps into this unspoken narrative rules and stops in his tracks, each and every goddamn time, for 85+ years. It's like a keyed up nutcracker toy soldier bumping into a wall, stumble back two steps, bump into the walls, stumble back two steps, bumpt into the wall,

As someone who loves stories that love to question their own narrative points and break through them and do something different, staring at Batmanverse comics for too long at a time lowkey feels heartbreaking, nothing ever truly changes in this bitch.

[skitskatdacat63]

Vettonso x Similar Helmets

SV Germany 2012 x FA Monaco 2013: Gold & Dark Red

I think a lot about Vettonso and their mutual relationship witn gold. They're both golden boys, they're both seen lit gold by the sunshine on many podiums throughout the years, both have worn golden boots, and as you can see here: both have worn golden helmets. The parallels in these particular helmets makes me feel insane. Both are: gold with dark red accents, both have their birthplace's coat of arms(Bergstraße and Asturias), both have team animal motifs, and both have symbols to represent their two championships(You by now know the signifigance of the ones on Fernando's helmet, but I think the ones on Seb's are actually a callback to his Formula BMW days when he used to put the smiley stickers on his car for every win.)

And did you know both of these helmets were designed by the same helmet design company? Yep, both of these are JMD helmets. I know JMD helmets are/were pretty popular, but still, there's something to me about Fernando commissioning the same designer that Seb has been using since he was a literal child. Parallels, am I right?

SV Japan 2010 x FA Japan 2023: White with Black & Red

Haha I remember @protocolseben and I discussing this a bit back in September when Fernando's helmet dropped. I honestly think Seb is such an innovator and trailblazer in terms of helmet design, and you can see his influence in helmet design as recently as this past season. I'm not sure if he was the first ever driver to don a matte white helmet with red accents as a representation of the Japanese flag, but it certainly envoked him in my mind when I saw Fernando's!!

I think Fernando's is pretty similar to all of Seb's 2010-2012 Japan helmets but I like this one the most so! I think if Seb wasn't restrained by the Red Bull logo, he def wouldv'e put the red circle where Nando put his so I think Fernando did a really good job, even if unintentionally, at emulating Seb's sense of design.

SV Singapore 2012 x FA Singapore 2012: Sparkly!

Like I said in the one above, it's crazy how much Seb influenced helmet design. He was pretty much the pioneer of sparkly helmets for Singapore, right? It drives me absolutely insane that there's actually pictures of them together in such similar designed helmets. It's kinda funny actually that even though they're pretty deep in the championship fight at this point, and Seb just got one up on Fernando; Fernando is wearing a helmet that is a direct influence from Seb!!! Is that not insane???

Also, Fernando trying to be camp with trying the now in vogue sparkly Singapore helmet, and Seb accidentally completely blew him out of the water with his outrageous light up LED constellation helmet. But god yeah....to have pics of them in matching helmets from this era particuarly makes me emotional ;;;

SV Hungary 2021 x FA 2022: Pink with Dark Blue

I really could've picked any of Seb's 2021 helmets, but I thought this one matched the best with Fernando's main 2021 helmet(with the color pallet.) Also one thing, it's crazy how much control BWT has as a sponsor, I don't think I've ever seen another sponsor go so hard at having a chokehold on individuality. I like that we got pink liveries and pink helmets, but I don't think they should have that much control.

I'm almost kinda sad there wasn't any Miami GP in 2021, because I think that was the only unique helmet Fernando had in 2022. But these match pretty well! Pretty in pink!! It's crazy that their parallels in the 2020s are ongoing even before Fernando actually takes over Seb's seat. Thanks BWT I guess?

SV Abu Dhabi 2022 x FA Abu Dhabi 2022: Fernando's Seb Tribute Helmet

AND HERE WE HAVE THE PIÈCE DE RÉSISTANCE!!! The ultimate conclusion, it literally couldn't get better than this!! This is still unbelievable, like how is this an actual thing that happened!? Fernando intentionally branding his helmet, the only symbol of individuality in F1, with his rival's flag colors, HIS FLAG!!!!! Not to mention the literal "Vettono Best Moments" collage he posted alongside it....and the hand-holding....and everything that happened with them at Abu Dhabi 2022....

But god, after years of incidentally making parallel helmet designs, Fernando decided to officially tie the knot of the red string of fate, and make a helmet directly referencing Seb's. I think it's funny because as I said with two of the previously mentioned ones, those Fernando designs are pretty much inspired by Seb's, and here he is openly making one directly inspired by Seb. I don't really have words for how this actually makes me feel because it's just. Yeah. The most open and clear declaration of love and respect and admiration one could ever make. TO ME.

[mermaidsirennikita]

I'm gonna need people to stop blaming BookTok for the election because of one dumbass outlier's frankly insane comparison of Donald Trump to "morally gray" dark romance heroes (because I'm gonna be honest, anyone seriously comparing any presidential candidate to a romance novel character is just... operating on a very specific level)

and start looking at the rightward swing of Gen Z, the same generation that has a puritanical fascination with censorship and fear of the depiction of sex

(and let's be honest, probably a fear of sex in general)

[watermelinoe]

Have you seen this post?

ivyblooms (dot) tumblr (dot) com/post/742518636794839040/ormondhsacker-randsexual-scifigrl47

It’s theories why men don’t write fic, and it’s got such a libfem take at the end, essentially saying: “Fic is written by marginalized groups in order to see themselves in canon, so cishet white males don’t need to write fic because canon already caters to them”

The observation is correct (female fandom is more creative than male fandom) but they come up with the wrong explanation bc it’s only “cishet white males” they’re willing to dunk on.

Gay men and MoC aren’t represented in most mainstream media either, but they aren’t the ones writing 300k fics to resolve this. So the differences between male and female fandom can’t be explained by the need to “see oneself in canon”. Creative fandom and fic especially is a majority-female hobby. But female writers aren’t trying to “see themselves in canon” either bc all they ever write about is fictional men. I’d say that women ACTUALLY write out of intense and often romantic passion for the (usually male) characters, which compels women to generate endless fanworks to satisfy their romantic ideals and numb the pain of their dull realities. Men also have dull realities, yet the fandom divide is purely male/female and the reason is money vs passion.

Women’s passion for fictional escape is so great that they’ll write a 300k fic saga for free if they have to. Do you honestly think any man capable of producing 300k words of creative writing would share it FOR FREE? No, he would try to publish it as an original novel to make money off his labor. Men aren’t socially conditioned to perform free labor like women. Women are conditioned to generate free resources for others while men hoard resources, only giving them away if something of equal or greater value is promised in return. That’s why YouTube (monetization) is male-dominated and they will never touch Ao3, because it’s illegal to make money off fic. It’s the one female-only space men aren’t interested in.

Men live by the motto “If you’re good at something never do it for free.” Whatever passion and creativity men possess comes second to their need for material reward. Women dominate fandom bc we value love and connection more than squeezing money out of every opportunity.

i don't even have anything to add to this bc i think you hit the nail on the head, it's not about "seeing yourself" in the work at all it's about intense passion for the work and the characters and the relationships, and male characters get much more love than female characters do! it's literally the urge to get out your beloved toys and put them in elaborate situations

[narwhalandchill]

oh my fucking god i feel. SO stupid rn at How i didnt make the (super sane very normal just absolutely. Yes. Surely) connection earlier but uhh

so anyway im now like 89% certain that whatever the "traces" of the narwhal that remain on ajax and facilitate their (ever-growing) innate connection are like. an actually fundamental aspect of it (them?) more or less.

why? because if you consider its pov just for a moment. the narwhal was literally about to depart teyvat for good. it had nearly finished consuming the primordial sea and preparing to breach surface to finish the job by eating the french for the leftovers their human bodies were made from. its an interstellar voyager it does not linger on planets it devours. it goes glug glug and it leaves.

and like if it wasnt for traveler intervening its confirmed through narzissenkreuz and renes world formula that teyvat wouldve just been destroyed. no one could have stopped the narwhal not neuvillette not focalors not anyone.

so what was the one other thing it did right before going for that french brunch? calling for ajax. getting them reunited in the primordial sea. like all the possible implications aside bc theres many different ways to speculate on the exact reasons why and the nature of that link. the point remains.

it wasnt leaving teyvat without finding him.

like the narwhal is about to fucking Dip from this cringe planet and whatever part of it that ajax carries within himself his narwhal Absolutely wanted to be reunited with. what the fuck am i supposed to read from that. hoyo???????!??! answers?!?!?!

and its not only the calling from the narwhal side itself either bc this is ALL coinciding with the growth of a 'restless power' within ajax and his vision malfunctioning (the things celestia is literally confirmed to harvest energy thru to repair its damaged authority) and his connection with the narwhal reaching an actual conscious level (arguably subconscious n emotional too bc i find it Curious his mood is poor right as the narwhal is repeatedly described as positively malding to the point its boss fight mechanic is literally a rage meter). ajax' power is growing. his destiny is starting to shift and something is drawing him to fontaine... right as the narwhal is getting close to finished with the primordial sea. funny how it overlaps eh. how it aligns 🤨🤨 why are they orbiting each other like this (they should kiss)

(& not to even Mention how ajax just Happened to get that absolutely exponential and borderline unbelievable feat of power spike in extending his foul legacy endurance as massively as he did. while. within the primordial sea. with his narwhal. who had at that point all but incorporated the power of that sea into itself. i s2g if childe was getting passive home turf co-op bonus exp with a 4x multiplier automatically the whole 40+ days 💀💀)

[thegreatyin]

How did you manage to handle not one, but FOUR separate accounts in fl? I recently made the account for my HD little guy but having to do the tutorial again just seems miserable

there's... weirdly several answers to that question, actually??

a HUGE part of it is due to the way FL is structured. the 10-minute action timer is a core part of the game on a fundamental level, and the fact that i can very easily run out of stuff to do on one character and thus have an excuse to quickly and easily swap to another is just... convenient? satisfying? i'm not entirely sure how to explain it. the fact that i can make progress even while i am fundamentally simultaneously Not Making Progress is like pure dopamine for my freak insane awful little brain. there's just something really pleasing about spending all of my actions pursuing The Goal Of The Day™ on one account before casually swapping to another and doing the same without feeling like i'm wasting time or acting to the first account's explicit detriment. the downtime helps! the recharge time helps! the structure really really works!!

i'm technically only actively playing three, maybe two accounts minimum. the only reason the fourth (the one that'll be my future BaL playthrough) currently exists at all is so i can get his earlygame completely out of the way now and not have to waste time running through it all later, when what i actually want to do is play the ambition i've made myself wait a full year to play. and also getting free goodies as seasonal stuff happens,, something something surprise tools to help us later. the only two accounts i'd say i'm really "actively playing" at the moment are caeru and lark- and of the two, lark takes the most priority, since his ambition is the one i'm currently pursuing in earnest. for a couple months now- despite being My Main FL Character- the scoundrel has actually been pretty inactive on a gameplay front outside of the occasional progression in TLC and discordance content. purely by virtue of having Very little left to do outside of Very long-term grinds and vanities. they're in their "now what?" "now you can start playing the game" era. they've graduated to previous protagonist background cameo in a sequel anime series. they're like the yin FLPC equivalent of red at the top of mount silver. they're Literally just vibing rn. i only keep posting about them regardless because i'm insane and i will never ever ever ever ever let that bat go. but yeah, big TLDR, outside of doing the bare minimum to keep making waves/notability up every week, i'm not actually spending that much time on accounts i'm not currently actively interested in playing. and that accounts for way more gaming spoons than you might think.

i have a virtually lifelong history of playing MMOs, especially and specifically world of warcraft. i was born in the endless grind for useless video game pixel vanities and/or bragging rights. molded by it. you all have merely adapted to doing the same piece of content a pointlessly excessive amount of times for literally no reason besides whimsy and folly. me? i've done my time. i've served my sentence. i've spent weeks doing the original burning crusade netherwing dailies. i've devoted days to running praetorium over and over and over again, back-to-back, nonstop, long before square enix cut it in half and made it NOT take at minimum an hour and a half per run. i've perfected my silverwastes + auric basin goldfarming strategies. i've (almost) crafted dragonwrath tarecgosa's rest. i've killed the sha of anger so many times its dying scream of agony is embedded into the very fabric of my being. ""only"" doing making your name content four times over? that is nothing to me. it means nothing to me. it is so infinitesimal i can do the persuasive seduction quests in my sleep. it's not a matter of handling misery, or having the capacity, or even sighing as i remember the brass embassy raid segment of the watchful questline seriously i don't know why i keep forgetting that exists or what even is my problem with it i just am so consistently mildly inconvenienced by it and its highly specific resource requirements and it is the worst thing ever. maybe i'm just so used to the scoundrel's near-infinite money and troves of disposable items that i've completely forgotten what being poor is like. despite having done that step 3 fucking times now. ahem. anyway. i have transcended the feeble mortal bindings of my resistant-to-grinding flesh and ascended to a higher plane of enlightenment, they may call me insane but they will be the ones left laughing when they see what that "insanity" has wrought, i've usurped them, i've usurped them all-

hacks and coughs and awkwardly clears my throat. i mean. uh. um. Ahem.

the empress' court artistry + tales of the university nerfs helped too.

[incesthemes]

my hot fandom take is that discouraging authentic interaction with fanworks through arbitrary "rules" and increasingly limited and prescriptive scripts of "acceptable" interactions damages fandom as a community perhaps just as much as passive, entitled consumers who demand free labor from fan creators without offering interaction in return

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[silusvesuius]

N*loth is literally prime NPD representation and that's just how it is. Dat's just how i feel . if iiiiiii hear anyhing ab him needing to be humbled or put in his place i'll just tear my hair out right here and match his look. not even trying to lift him up or defend him i'm just defending the mentally ill skajrim characters nobody wants to understand,

[blue-mood-blue]

What if Hua Cheng had memorialized the temple?

I don’t think he did, canonically. I imagine that was a memory he wasn’t keen to linger on, especially not to such an extent as to record it, to hover over the details in his mind and commit it to physical imagery. But I could see where he might - maybe catharsis, so that night can exist somewhere outside of his head. Maybe twisting, spiteful justice, so the world won’t be allowed to forget what it did to his god. Maybe just desperation, to record every shard of Xie Lian that he has in an effort not to lose a single piece while he searches.

It wouldn’t be graphic; I think it would be something more stylized, more symbolic. Xie Lian is tied to his own altar. He has replaced the divine statue that should be there instead, the god made present the way he was for Hua Cheng once, the way he was for all of his people once. He is surrounded by blades, but they aren’t piercing him yet. Hua Cheng can’t do that to him even in paint. Bai Wuxiang is not featured, because Hua Cheng would not force any version of Xie Lian into that monster’s presence, but there is a ghost fire hovering near. There is a small, crushed flower on the ground at the foot of the altar, like it was dropped from the Flower Crowned Prince’s hand moments before. The entire tableau holds its breath in the anticipation of something horrific.

It’s painted in a shadowed corner, with a cloth hung in front of it. Not out of shame, or even because of Hua Cheng’s own trauma - out of respect for the prince’s privacy, unwillingness to make a moment of such incredible, painful vulnerability a spectacle to anyone else without the prince’s say-so.

That doesn’t stop Mu Qing from finding it.

Mu Qing, who was already horrified, Mu Qing, who was looking for Xie Lian to drag him out of the caves immediately because he’d seen a statue that suggested things he would rather not think about in regards to his former prince… Mu Qing brushes the curtain aside in that tucked-away corner and stops.

A hundred blades are pointed at His Highness. A hundred faces leer and sob and stare. And Xie Lian sits at the center of it all, head lowered, waiting for the slaughter.

Is it so unreasonable that Mu Qing takes it for a threat? Is it so unreasonable of Mu Qing to drag Feng Xin to what he’s found, for the both of them to slip an arm around each of the prince’s own and pull him away from wherever that altar is somewhere in the complicated network of twisted, obscene worship? That thing painted on the wall - it can’t have ever happened. They would know. Mu Qing and Feng Xin, who spent every day of their early lives with the prince, beside the prince, trailing along behind the prince… they would know. They would have been there; they would have prevented it. This is the fantasy of a ghost king who laid ruin to thirty-three heavenly officials and found his thirst still unslaked.

(Mu Qing does not consider the eight hundred years of Xie Lian’s life he knows nothing about. Feng Xin does not consider the eight hundred years of Xie Lian’s life he knows nothing about. It’s a habit they’ve grown skilled at, over eight hundred years.)

They don’t explain to Xie Lian, so Xie Lian has no opportunity to explain to them what they saw. And Mu Qing isn’t wrong, when he concludes that Xie Lian has been stalked and watched and hunted since he was seventeen. He isn’t wrong. He just doesn’t know, yet, what direction the threat is coming from. There’s no time for anyone to tell him, or Feng Xin, who tied the restraints and provided the sword.

They’ll find out. Masks are made to be removed.