#not from personal experience

[mochisnz]

when someone sneezes and you bless them and they give the most embarrassed and whiny little “thank you” ???? man i live for that shit

[softelectriclight]

Maturing is realising you can have a little bit of Mitski in the playlist and still be okay

[bugtoot]

why are the pants pooping sugar free gummy bears still allowed to be sold in the US of A

get RID

[hoofpeet]

14 year old artists listen to me right now (gripping you by the shoulders) STOP caring about your "internet presence" right naow. Draw slower and stop trying to boil your art down to an acceptable marketable brand

[cat-in-a-mech-suit]

Being forcefully raised as a woman is not any less traumatic and emotionally repressive as being forcefully raised as a man. Femininity is not inherently pure and safe. Coercing someone to perform femininity is not any less toxic than coerced masculinity. Being dysphoric around femininity or having trauma from women doesn’t make you a misogynist.

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[alfheimr]

the L in law stands for LOVED...its his birthday:)

[switchbladedick]

NEVER!!!!! kill yourself because on this earth there is a special little freak made in heaven just for you that shares ALL of your kinks (EVEN THOSE ONES YES!!!!! I WAS ALSO SURPISED!!!!!) and you NEED to survive long enough to fuck nasty together

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[thereweredragonshere]

When ur forced to look like ur having a good time cuz otherwise you’ll offend people

[lykoiii]

but it's a necessary evil

[mossycobblestonewrites]

DC X DP PROMPT #15

Despite what most people would think, Danny was an excellent driver. It took a lot of hard work and extra classes, but he is by far the safest driver of the family. So safe in fact that others often make fun of him for it.

'You'll get there eventually with Grandma driving!' 'It's like going even a fraction over the speed limit is gonna give you a heart attack or something'

It was fine. Danny was proud about being a safe driver. It's what he worked for! His family already contributed to enough property damage.

Driving in Gotham was a very different experience from driving in Amity. His new friends made fun of him even more now.

It was one of these playful ribs that he shot out his favorite reply (one he hadn't gotten the chance to use since moving).

"Well, you know what they say; you should only do one illegal thing at a time!" Danny thought he was hilarious (as his species was still technically illegal), the Batkid (you decide) overanalyzed (as usual).

[blitzos-horse-ranch]

I gotta thank Spindlehorse for accurately showing exactly what someone looks like when they're just done with themselves. When they don't want to be them anymore.

I'm suing for emotional damages.

[bet-on-me-13]

Clark grows up on Amity

So! When Clark's shup landed on the Kent Farm, it unfortunately started a bit of a Fire. It was pretty bad, and by the time it was put out most of their Crops had been burned up.

Using their Savings, the money from the remaining Crops, and some goodwill from their neighbors, the Kent's managed to get enough money together to move to a new Town to start over. It also helped that in a new town nobody would question them suddenly having a Baby despite Martha not being Pregnant.

They Move to a small farm on the Edge of Amity Park.

Clark Kent grows up in Amity Park, goes to Casper High, and befriends Danny, Sam, and Tucker as his childhood friends.

When his powers come in, they are the first ones to know. When Danny has his Accident, Clark is there to help him control his new abilities. When Clark has to move away for his new Job in Metropolis, they are all there to wish him good luck and throw him a Going Away Party.

As Superman, Clark is more open to joining a Team since he used to be on Team Phantom.

When Justice League Dark is formed, Superman is a Suprise Member, since he actually had a lot of experience with the Supernatural.

When Kon is born, he turns to his best friends for help and advice on his to deal with the situation. Danny had Ellie in very similar circumstances, so he is more open to the idea of adopting Kon since he has personal experience with Clones made by Madmen.

Thoughts?

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[1eos]

'tumblr is full of 14 year olds' wrong tumblr is full of 24 year olds who just don't do anything. and that's okay