#not from personal experience

[mochisnz]

when someone sneezes and you bless them and they give the most embarrassed and whiny little “thank you” ???? man i live for that shit

[softelectriclight]

Maturing is realising you can have a little bit of Mitski in the playlist and still be okay

[bugtoot]

why are the pants pooping sugar free gummy bears still allowed to be sold in the US of A

get RID

[hoofpeet]

14 year old artists listen to me right now (gripping you by the shoulders) STOP caring about your "internet presence" right naow. Draw slower and stop trying to boil your art down to an acceptable marketable brand

[cat-in-a-mech-suit]

Being forcefully raised as a woman is not any less traumatic and emotionally repressive as being forcefully raised as a man. Femininity is not inherently pure and safe. Coercing someone to perform femininity is not any less toxic than coerced masculinity. Being dysphoric around femininity or having trauma from women doesn’t make you a misogynist.

[alfheimr]

the L in law stands for LOVED...its his birthday:)

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[wren-kitchens]

im annoyed and a little pedantic so can i just say as a blanket statement

queerbaiting is when the promotion for a FICTIONAL STORY intentionally hints towards two characters having a romantic relationship, without any intention to follow through in the show, in order to get queer people watching without discouraging the homophobic enjoyers of the show

queerbaiting is NOT:

a celebrity who you think is queer because theyre gnc or they have a 'vibe'. that is a real person and they cannot queerbait

two friends of the same gender pretending to flirt with each other for fun. those are real people and they cannot queerbait

a show with two characters of the same gender who are canonically friends that YOU PERSONALLY think would be better in a relationship. that's not bating, that's shipping, and subject to opinion

there are more but those are the main examples of people misunderstanding what queerbaiting is and being mad at something that isn't actually a problem

[lykoiii]

but it's a necessary evil

[blitzos-horse-ranch]

I gotta thank Spindlehorse for accurately showing exactly what someone looks like when they're just done with themselves. When they don't want to be them anymore.

I'm suing for emotional damages.

[bet-on-me-13]

Clark grows up on Amity

So! When Clark's shup landed on the Kent Farm, it unfortunately started a bit of a Fire. It was pretty bad, and by the time it was put out most of their Crops had been burned up.

Using their Savings, the money from the remaining Crops, and some goodwill from their neighbors, the Kent's managed to get enough money together to move to a new Town to start over. It also helped that in a new town nobody would question them suddenly having a Baby despite Martha not being Pregnant.

They Move to a small farm on the Edge of Amity Park.

Clark Kent grows up in Amity Park, goes to Casper High, and befriends Danny, Sam, and Tucker as his childhood friends.

When his powers come in, they are the first ones to know. When Danny has his Accident, Clark is there to help him control his new abilities. When Clark has to move away for his new Job in Metropolis, they are all there to wish him good luck and throw him a Going Away Party.

As Superman, Clark is more open to joining a Team since he used to be on Team Phantom.

When Justice League Dark is formed, Superman is a Suprise Member, since he actually had a lot of experience with the Supernatural.

When Kon is born, he turns to his best friends for help and advice on his to deal with the situation. Danny had Ellie in very similar circumstances, so he is more open to the idea of adopting Kon since he has personal experience with Clones made by Madmen.

Thoughts?

[1eos]

'tumblr is full of 14 year olds' wrong tumblr is full of 24 year olds who just don't do anything. and that's okay

[mossycobblestonewrites]

DC X DP PROMPT #15

Despite what most people would think, Danny was an excellent driver. It took a lot of hard work and extra classes, but he is by far the safest driver of the family. So safe in fact that others often make fun of him for it.

'You'll get there eventually with Grandma driving!' 'It's like going even a fraction over the speed limit is gonna give you a heart attack or something'

It was fine. Danny was proud about being a safe driver. It's what he worked for! His family already contributed to enough property damage.

Driving in Gotham was a very different experience from driving in Amity. His new friends made fun of him even more now.

It was one of these playful ribs that he shot out his favorite reply (one he hadn't gotten the chance to use since moving).

"Well, you know what they say; you should only do one illegal thing at a time!" Danny thought he was hilarious (as his species was still technically illegal), the Batkid (you decide) overanalyzed (as usual).

[gay-otlc]

Actually I think we should talk about how incredibly fucked up it is for sapphic women to say shit like "I'm no better than a straight man 😔" when attracted to a woman in a way that isn't 100% pure and wholesome, or act like men's attraction to women is inherently dirty, predatory, or objectifying.

[motherwench]

jeanette lee, a brooklyn-born pool player nicknamed the “black widow” for her tendency to wear all black outfits and “lure [her] opponents to the table and eat them alive.” some of my favorite photos of her :)

her vogue article here. sports illustrated article here.

photo creds: 1 - drew endicott via vogue. 2. 3. 4.

[eileenleahy]

very very weird when people act like only trans & nb people have complicated relationships with gender and are the True Understanders of the violence of our deeply gendered world. beyond the fact of how troubled cis girls and women grow as they experience gender in a misogynistic world, are we supposed to act like every poc doesnt become aware at some point of just how eurocentric gender expectations are, and how dysphoric that makes you? how alienated from your own body and sex? this is just me talking from the experience of being forcibly held down and waxed at 8yrs old for being a hairy latina and constantly getting called manly at school for having a mustache and body hair. sighh i really just need white trans people to stop pretending they intrinsically have an understanding of gender so far above everyone else's