#not following the project correctly

[maxwell-wagnerbutolder]

Holy Moly I did it wrong

[poorly-drawn-mdzs]

You can wash off the makeup, but the mascara still runs.

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[sysig]

Do you remember? Nope! (Patreon)

[dilfosaur]

well i haven't spilled my guts on tumblr since i was in college but it's the platform that's felt The Most Mine thru the years, so

let's talk!

i've had a huge chip on my shoulder that i wanted off before the year ends. very bad professional experience to follow

so firstly to get ahead of the speculating, i'm not naming names or anything. some of you will puzzle out who i'm talking about, but please don't bother anyone especially not on my behalf. i've worked hard to distance myself from them the past few months. shit happens, especially when you're a dumb bitch (that's me!)

but also this person was someone i considered a close friend and it makes me uneasy to possibly direct backlash at them. "then why post about it" bc i did intermittent work for them for over a year. this is just about that. so hear me out

basically it started off fine. i initially did some commission work for good pay, then was invited to become more involved with their team. unfortunately as i became more involved with their operation it became more disorganized over time. projects started then forgotten, constantly shifting schedules, lapsing communication between roles, confusing financials, and often inconsistent if not late payments. during mid 2023 i was doing colorist work, sometimes on a one day turnaround (all while also preparing drawfee's summer merch launch). the payroll wasn't set up correctly so i wasn't paid for that work for over a year (more on that later), tho to be fair that was largely my own fault at first as i just didnt realize the payments didn't go thru lol

i always consider myself decently capable of separating friendship and coworker-ship; i run a company with 4 wonderful friends, going strong for almost 5 years. that didn't really work out in this case. by early this year our friendship was on the rocks; work issues fed into personal issues and vice versa. so as the rest of this shit plays out, we had just had our first "big fight" which i felt very bad about and added to all the upcoming tension

a huge point of friction was the fact that i really wanted to work with them to make a music video for one of their songs. i've always wanted a chance to make a music video, was confident in a concept i came up with, and even did some concept art for the idea. everyone insisted they loved the concept and that we should do it, but we kept pushing it back for various reasons. it ended up becoming a huge sticking point for my frustrations, which i tried to express productively. TLDR, we eventually got around to discussing it seriously around april.

i planned to ask for $4000 with negotiable add-on for the whole project, which was my Friend Discount price. i was offered a contract for $1000 flat rate, as they insisted that was the only budget they had for it.

don't ask me why i signed it lol. i didn't even counter offer

there was some girlmath to it: i wanted an extra 1k for a student scholarship i provide every spring and well, there it was. but if i had to guess, i saw it as something i just couldn't back down from any more. i caused these folks- my friends- a lot of problems bc i dug my heels in so deep to chase this project, so fuck it we ball

i had about 4 months to solo a 3 minute music video. they wanted it done in august so they could release it before summer ended, bc "it was a summer song". to be fair i was asked if i needed them to pay for anything extra like assistants (which i would have to find and manage) but i was so immediately overwhelmed that i didn't wanna slow down to wait on that process lol. there was very minimal communication other than brief progress check-ins every few weeks. i did everything for that project myself: the original concept, character designs, storyboards, layouts, backgrounds. i even did the editing/compositing for the final cut of the MV. the only favor i did myself was limiting the amount of it that was actually animated to simple loops and motions. hardly my best work but it was work still done

i did it all in between my full time job. i ended up having to take nearly a month away from most of my drawfee duties (with the support of the others) to make the august deadline. i only ever asked for a 3 day extension (notice given about a week in advance, around the same time i was given the final song file lol). i finished the music video at 6am on the final deadline and recorded drawfee the next day on 2 hours of sleep

but it was done, coolies. the team was very happy with the final product. honestly, without getting into it, those were a very emotionally taxing 4 months. on the professional side, i regretted agreeing to the project and especially for the dogshit rate they offered. i felt like a hypocrite- as someone who always wanted to advocate for younger artists demanding their worth in a world that's getting increasingly hostile toward creatives, i failed myself

so when i met with the manager to discuss the release plan, i told them to do whatever worked best for them as i only had one request: i wanted my credit removed from the project

tbh... like... lmao this dramatic bitch right!! but really, i decided that bad practices only breed worse business. friends or not, it was unprofessional of me to accept such a low paying job so i just didn't want my name used in association. everything felt so muddled to me and i was just really tired at this point

the manager was very understanding and then offered that i could be paid more. they said that their team "was surprised" i accepted their low rate and they would be happy to up the amount. this confused me as the initial budget seemed pretty set and at no point between april and august was i offered a better rate. i knew these guys weren't made of money. so, i declined. i didn't want to put anyone out of their means over work that was already done and agreed upon. but more importantly, i was over the whole thing and didn't want to prolong the project with a contract renegotiation. i just insisted my name be removed

they decided to use a pseudonym (which i was fine with) so they could create a story about a character who made the MV (this sounds really convoluted but i don't know how better to put it without getting specific, sorry). that way if people asked about the credit, they could speak comfortably about it without signaling that something went wrong behind the scenes. ok, kind of a silly narrative imo but whatevs. and maybe this is where i finally went truly wrong but. yolo i guess

i gave the name "D. Smithee", D as in dilfosaur and Smithee as in Alan Smithee. look it up for fun film trivia ig! was it passive aggressive of me to reference that in this context? yeah, honestly. but i thought it was kinda funny and really not that deep. if it was a problem, i have other real, non-cheeky pseudonyms i regularly use. the manager accepted it and all i had to do was wait for them to post the video and i could leave the whole experience behind me

a week later i received a message from the manager that my pseudonym had been denied by the rest of the team bc one of them got the reference. fair enough lol. however, they decided that rather than ask for a different name, the were going to make one up for me that they liked and would "fit the [story]", without asking me

and that! is when i finally snapped!

i was so tired of giving them concessions at this point and having a credit made up for me without any input from me felt genuinely violating and unethical. i started to Panic bc of how stressed i was, and asked for my overdue payments (aka the $500 still owed on the MV, and the colorist rate from a year prior that was never paid even tho i reported it in january) to be scheduled ASAP as i was leaving the work discord immediately

i finally told them off for exploiting me throughout the months while i kept trying to just be nice and finish my contact cleanly. in return i was told that it was unfair to say that as i agreed to everything- i accepted their cheap rate and denied further payment so that was all settled, and it was ok to change my credit without my consent bc i "said they could do whatever with the release". i called bullshit, ended the convo as kindly as i could, and cried lol. they agreed to ditch the pseudonym and just give no credit. that night was the last i heard from anyone on that team

and the real kicker?

august came and went. then september, october... and they never released the music video

and i don't know why, because i was never contacted about it. i've been removed from the picture entirely i guess. 4 months and boatloads of stress. just. up in smoke. i don't know what i expected honestly

it's hard to not take everything that happened personally and as done in bad faith. i really do, honestly. i've had plenty of shitty deals in my almost 10 year art career, but it hits different from people you saw as friends. but to the point of "why not keep it private", i have never felt so disrespected as a professional as i did this past year. i can toy with money and credits and other formalities all i want, but my work- my ideas, my labor, my effort- is still so important to me. i felt like the biggest idiot for doing so much work, pouring so much of myself into a piece for someone's use, for what has amounted to nothing

but more importantly i hated myself for undervaluing my work, even if initially i thought this person was a trusted friend. money is not really an issue for me- drawfee is my main job and i am fine and comfortable. it's so important to pay artists appropriately but i often undersell my own work bc i value the collaboration and passion between creatives more than the reward. i think a lot of artists tend to feel the same, and it often makes us easy to take advantage of. it's so difficult to find the balance between passion and making a fair living, and i think there's some shame within ourselves when artists choose to prioritize that passion

i wanted to finally get all this off my chest bc i was ashamed of every choice i made. things like this happen all the time i'm sure and hiding these mistakes only make it easier for it to happen to other people

tldr always value your work and protect your passion from people who just see it as a product. and don't give cheeky pseudonyms i guess lol

(and again pls don't bother anyone involved about this. a lot of chaos has left my life as i moved past all this, and this is me closing a door without opening new ones hopefully lol)

this shit was truly

so ass.

but i'm moving past it now

but on a nicer note. outside of all of this nonsense, i made lots of good memories this year. i'm truly so grateful to the many wonderful people in my life who keep me going even when i fuck up big time!

and thank you to all of you strangers who, despite everything, give me the time of day. especially if you read this whole thing. you're a real one :')

happy new year!

[yuujispinkhair]

its time for single dad!kuna and his albino kiddo, uraume x elementary teacher!y/n

OMGGG THAT SOUNDS SO COMFORTING AND SWEET 💗😭 Okay I had to write this! I hope you like it!

Single Dad!Sukuna x Reader (female). Fluff. 800 words. Divider @/chilumitos

When you start your job at the new school, everyone warns you about a certain pink-haired, tattooed dad.

"Oh you have Uraume in your class? Well, good luck then."

"Why?"

"Oh, it's not the child that is the problem. It's the dad!"

Your coworkers tell you about this huge, grumpy man who always barks out orders and complains left and right the whole time because he thinks his child isn't getting treated correctly.

When you first meet Sukuna, you really are intimidated by him. He is tall and muscular, almost filling out the whole doorway and towering over you. A very attractive man, but scary with those tattoos that tell you he must lead a life in crime or at least must have been involved in something like that at some point. He sneers at you while his eyes sparkle threateningly,

"A new teacher, huh? I sure hope you will do a better job than the ones before you. I won't accept any carelessness when it comes to looking after my child!"

Sukuna's voice is harsh, and his gaze is full of anger. But you listen patiently to him and realize that this is just a man who is worried about his child. A child who doesn't really have any friends and is sick all the time and gets bullied for it.

You can understand Sukuna. Can understand the helpless anger you see in those maroon eyes. Like a tiger who is ready to kill for his cub but doesn't know how to handle the everyday tragedy of his child being an outcast in school.

You smile warmly at him and tell him in a soft voice,

"I understand that, Mr Itadori. You are worried about Uraume. I promise you that I will have a close eye on them. I won't look away when someone bullies them. Uraume is a lovely child and amazing the way they are. I will do my best to guide them on their way to becoming a confident and happy person. Thank you for coming to me with your worries."

And you see this big, bad, angry man falter and blink at you in confusion because, apparently, none of the other teachers ever reacted the way you did. But he catches himself after a moment and tells you he will watch you closely before he leaves without a farewell.

You keep your word and look after Uraume, praising the child for the exercises they excel in and sitting the whole class down to discuss with them that it's not okay to make fun of others for the way they look, etc. Teaching them that everyone is different and that this is okay. You even assign group projects, where you pair Uraume up with some kids who you know are sweet and won't be cruel to them.

Three weeks later, you walk out of the school in the afternoon when all the kids have already left, jumping when a low voice speaks up next to you. Sukuna is leaning against the wall of the building, smirking at you, maroon eyes wandering curiously over you,

"I came to thank you, Miss. Uraume told me about how much fun they are having at school now and that they even found two little friends. They told me you are the best teacher in the world."

You break out into a big smile, eyes filled with happiness,

"I am so happy to hear that! Uraume is doing so well! I am so proud of them and so happy that they enjoy coming to school now!"

And Sukuna pushes himself off the wall, taking a step closer to you. So tall and broad, but he doesn't seem all that intimidating anymore. There's a little smile tugging at his lips, and his intelligent eyes are warm when he tells you in a low, velvety voice,

"All the other teachers ignored my complaints or refused to talk to me anymore and sent me to the principal, who was just as incompetent. You are the first one who took my words into account and let actions follow. I thought this school was a hellhole, but you changed my mind."

You chuckle softly, feeling a bit flustered at the intense gaze out of those beautiful maroon eyes and the praise coming from this attractive man.

"Thank you, Mr Itadori. I am glad."

"Sukuna."

"Hm?"

"Call me Sukuna, please. It will sound nicer if you call me by my first name while we have coffee together."

And with that, his grin grows broader, and he jerks his tattooed chin toward the little café down the road, making your heart flutter excitedly as you smile back at him and nod softly,

"Yes, that sounds really nice, Sukuna."

[shooting-a-wizard-with-a-gun7]

Don't get me wrong, I love Destiny 2 raids but sometimes it's like, Okay PEECHAN1000 we'll do the complex stuff, here's what we need you to do: first you have to kill the 17 elite wizards in this room without getting hit by the global shockwave that goes off every 5 seconds (it will instakill you and everyone will have to restart the entire encounter) then you'll get two buffs, one will last for 30 seconds, the other for 20 seconds. When the first buff runs out, but before the second buff runs out, you'll have a ten second window to pick up one of three glowing orbs hidden around the room (to find out which one you need, determine which day of the week and the exact minute on the hour it is and follow the flow chart we posted in discord) then run to a square that is not the boss's least favorite color and do three counter clockwise circles and shoot the smallest of 50 knights exactly ten times. If you did it correctly you will hear a tiger's growl, if you did it incorrectly you will hear a lion's growl. If you don't do this in time, we wipe. Do all of that three more times, this will open the passage to where we'll deal damage to the boss, but don't go though it yet! Next you'll have 30 seconds to run seven laps around this spire of floating platforms while jumping through rings, each lap you will pass a large projection of one of the presidents of the united states, decide which president this is and make a mental note of each president's full name and consecutive years in office and birthday. Then you'll have 20 seconds to call out to us the name of every president you did not see while running laps. It will be more helpful to the rest of us if you could list them in reverse alphabetical order. This will give you a buff which will last for 10 seconds and will allow you to deal damage to the boss. Now let's go over damage phase. Remember the years those seven president's were in office and their birthdays?

[cosmosarcana]

Hu5h

[kusanagi-haruno]

⋆ ˚｡⋆୨୧˚ NIGHTS LIKE THIS !

ఌ sum: Ever since Gojo saw you, he’s been nothing but love struck. And as time passes, you find yourself feeling the same.

wc: 3.2K

Warnings: Fem!reader, Gojo is basically obsessed with you, Uni AU, Modern AU, Eventual smut, Porn w plot, Making out, Oral (F receiving), P in V sex, Light choking, Praising, Pet names: Pretty girl, beautiful, sweet girl.

a/n: originally this was written for my friend with a different character, but I decided to change it to gojo so I can post it here for you lovelies :)!!!!

Lovestruck Gojo! who forgot how to breathe when he first saw you enter the lecture the first day. His eyes raked over your form, taking in every detail from when you first entered through the door to when you sat down. He bit the inside of his cheek when he saw you sit a few rows in front of him. He ignored the stinging pain that followed after biting the wall of his mouth, too entranced by you to even care.

Lovestruck Gojo! who grew more frustrated as the weeks passed. He cursed his inability to go up to you and just talk. The way your lips seemed to shine every time he looked at them, how the outsides of your eyes creased when you smiled just made him so nervous.

Lovestruck Gojo! who swears his prayers finally have been answered when you two were paired up for a project. He sat up a little bit straighter when the professor announced your name next to his. He swore the sun shined a little bit brighter that day.

Lovestruck Gojo! who’s heart raced when he noticed you make your way towards him at the end of the lecture. He pretended not to notice you, which was hard because he knows he’s noticed just about everything you had to offer. His heart raced when he heard your voice speak to him, in his head was a million thoughts scrambling through his mind.

Lovestruck Gojo! who’s voice cracked when he spoke his first words to you. “I’m sorry?” He questioned when he realized he didn’t respond to you. “Want to exchange contacts? It’ll be easier to keep in touch this way,” he heard you ask. It felt like his breath got caught in his throat, the softness, the perfection of your voice paralyzed him. He knew he had to answer this time, he had to make a good first impression.

Lovestruck Gojo! who hurriedly agreed to give you his number. After that brief conversation, he watched you walk away. He swore his heart would jump out of his chest any moment now, however he wouldn’t even be mad, not when the reason his heart was beating was because of you.

Lovestruck Gojo! who swears he’s on cloud nine. Ever since the both of you have been partnered up for that project, the both of you have slowly gotten closer and closer. Everyday he would wake up with one thought in his mind, you. When he got ready for your guys’ daily meet up to slowly progress on the project, he made sure to look his very best. He always double checked to see if his hair was laid correctly, that his teeth looked white as ever, and that his clothes smelled perfect.

Lovestruck Gojo! who silently congratulated himself every time he made you laugh. Sometimes you would catch him staring, but you found yourself not being bothered by it one bit. You couldn’t deny that you undoubtedly caught feelings for the man in front of you during the time you guys spent together. You found yourself blushing everytime he remembered your coffee order, even more so when he paid for it everytime.

Lovestruck Gojo! who felt like his world was destroyed when the project came to an end. He should’ve felt any form of happiness, but he couldn’t. Not when he had no excuse to see you anymore. When he rolled over in his bed, he felt like sinking into it just to never come out again.

Lovestruck Gojo! who groaned when he heard his phone buzz signaling he got a notification. He silently debated on ignoring it, almost positive it was a random notification from a random app. Although he twisted and turned, soon facing his phone on the nightstand beside him with a small hope that maybe, maybe, you texted him.

Lovestruck Gojo! whose heart went from 0 to 100 the moment he saw it was you who texted him. He immediately opened the notification and read your text, he smiled so hard that it hurt. “Party tn, wanna come? We can let loose a little as a little celebration for finishing that stupid project :).”

Lovestruck Gojo! who never got ready so fast in his life before. He made sure to reply to your text before doing so, he’d rather die than have you think he purposefully ignored you.

Lovestruck Gojo! who had no idea just how fast your heart was beating. Your friends pressured you into texting him, knowing just how much you liked him. You didn’t know whether to curse them out or hug them, but the thought diminished as soon as you saw he replied to you, agreeing to come.

Lovestruck Gojo! who felt the same as he first did the very first second he saw you when he saw you tonight, in front of him. He clenched his fists when he took note just how many other men were in the same building as you, almost hard enough to draw blood. All negative feelings vanished when he locked eyes with you, and instead new ones blossomed. He took note how you styled your hair, and wore a little more makeup than usual. His eyebrows furrowed when he thought that you wanted to look good for somebody else.

Lovestruck Gojo! who slowly lost himself in your eyes. The both of you agreed to dance with each other, mirroring each other's smiles. He lost track of time, not that he cared though. The only thing he cared about was the feeling of your arms around his neck, your eyes looking right at him and fuck the glossiness of your lips. Everything about you was perfect, and he wanted to kill every man who looked at you tonight.

Lovestruck Gojo! whose body felt like it was on fire right now. He doesn’t know who leaned first, but he couldn’t give a fuck about that. Not when the feeling over your soft, plushy lips against his sent his mind, body, and soul to heaven and back. He could only focus on the small, shaky breaths that escaped your lips when he sucked particularly hard, and fuck he loved it more than he should. What’s new though, he always loved you way more than the normal amount.

Lovestruck Gojo! who almost whined when you finally broke the kiss, but what you said after instantly made up for it. “Wanna get out of here?” He didn’t know how a person could be so fucking adorable, but you break his expectations everyday.

His silently nodded, little pants escape his lips as you take his hand and lead him out of the party.

As soon as the two of you barely make it to your dorm, you’re pushed up against the door. You let out a gasp when your head meets the firmness of your dorm door, but quickly the pain turns into pleasure when he takes the opportunity of your opened mouth to slide his tongue into your mouth.

You feel his hands touch every part of your body, trying to memorize every part of you. You hear him chuckle against your lips when you let out soft whines when he touches a particularly sensitive spot, and fuck did that make you wet.

“Such a fucking pretty girl,” he mumbles into your mouth. You let out a whine at the praise, your hands resting against his firm chest. His hands rest on your hips, squeezing them whenever he finds himself feeling too much of everything.

He often found himself denying that you were real, but you were here, under his touch, kissing him. Him, of all people. If he told his past self that he’d up like this with you, his past self would laugh, or faint, either or.

You find yourself slowly backing up until you hit your bed with him looming over you. The both of you take a second to just look at each other, a million things spoken with just one look. Both of your eyes gazing at each other full of lust and love before leaning back into each other with more passion than before.

“G-Gojo..fuck,” you moan out as you arch your back. The man on top of you started to slowly roll his hips against yours, the feeling making pleasure flow through the entirety of your body, no area left untouched. “I- ah..I know baby I know”, he coos, feeling the same if not more.

You feel his big hands tug at your shirt, a silent demand to take it off, and you do with no hesitation. Gojo is awestruck, absolutely entranced with how beautiful you look. Every part of you is absolutely perfect, fuck he feels like the luckiest man alive right now.

He detaches his lips from yours, a small string of spit hangs between the both of you. His hands move from the side of your face to your chest, then slowly down to your hips before resting on the side of your stomach. He leaves soft kisses against different areas of your stomach as his hands roam your torso, silently worshiping your body.

“Fuck you’re so beautiful,” he praises, his thumbs stroking the sides of your torso. You let out soft airy breaths in response to his delicate touches, each kiss igniting a small flame in the same area he kissed you.

When he finally makes your way down to your waist, he looks up at you, silently asking for permission. You give him a slight nod and lift your hips to help him remove your pants. Once Gojo throws your bottoms on the floor somewhere you start to get flustered. Almost your whole body is exposed while he’s still fully dressed. Guess you’re going to have to change that.

You softly call out his name, to which he answers with a small hum. His face is near your clothed pussy, so when he hummed you felt every little bit of it. You subconsciously opened your legs to the feeling of pleasure that sparked through your body as, and let out a squeak when he places a small kiss to your clothed pussy.

“Gojo..” you whine. “Y-you’re still dressed,” you pant out. You feel him chuckle from in between your legs and you let out another small moan in response. “Aww, is my poor baby embarrassed?” He mocks, a small smirk gracing his features.

“N-no..” You mumble with a small pout, but the both of you know otherwise. Gojo quickly rids of his shirt and leans down to give you a quick peck before moving down to your pussy.

You feel your panties are wet, and he sees that they’re wet, and you should feel embarrassed but you don’t.

Gojo tears off your panties and before you can complain, he licks a long stripe from your pussy to your clit. You buck up in response to which his hands fly to your hips to hold them down. After that he makes quick work of making a mess out of you.

You release moan after moan when he repeatedly laps your clit, showing no sign of stopping. The lewd noises of your wet squelches and his sucking fill the room, along with your whimpers and his groans.

As he eats you out the small praises he drunkenly says are lost on your ears. The only thing you can focus on, can even comprehend, was the feeling of his tongue against your wet pussy and oh, the finger he slipped in your poor little pussy.

“Such a good fucking girl, taking me so well,” he praises when he sees you take his finger with no struggle. When your legs twitch he knows you're close and speeds up the thrusting of his one finger and the speed of his tongue against your clit.

“Ah, ah fuck! G-Gojo,” you scream out, so close, just one more second and…

You let out a sob when you feel his finger quickly slip out of your sobbing pussy, and the feeling of his tongue no longer working on your clit. You could almost cry at the lost orgasm.

“Y-you’re so mean,” you sniffle out. “Can’t have you cummin yet baby,” he says shakily. His breaths come out in pants, his thoughts all over the place but the only constant is you.

He leaves a trail of kisses along the inside of your thigh, sucking on them every few kisses. He mumbles soft praises in between, “You're so beautiful, my pretty girl, doing so well.”

When he decides your thighs are littered with enough marks, he moves up your body coming face to face with you. His two fingers prod at your mouth, silently telling you to open your mouth. You obey, your tongue swirling around his thick fingers, tears threatening to spill your eyes.

While you’re working on his two fingers he took the liberty of slowly rolling his hips against yours. He kisses your cheek when he removes his fingers from your mouth, and slowly trails them along your body till he reaches your pussy.

The both of your lips connect when he slowly drags his fingers lightly down your body till they stop at your entrance. He coaxes you to breathe, staring into your eyes as he teases your clit.

He starts to pump his fingers into you, your juices coating his fingers. As you start to loosen up even more he slides another finger into you. The feeling of his thick hands inside of you make you feel impossibly stretched. It feels so good, everything feels so good fuck.

As you near your orgasm you pull him close to you, whimpering and panting wanting, needing to finish as his fingers ruthlessly attack the spongy spot inside your pussy.

“Pleasepleaseplease,” you whine fucked out on his fingers. “Please Gojo let me cum,” you lean in to kiss him but he pulls back, teasing you. He pretends to think, already knowing the answer. “You’ve been such a good girl,” he growls out. Matching his thrusts with his words. “Guess I should let you,” he finishes and kisses you.

His fingers speed up making your legs twitch as you reach your climax. Your moans are beautiful against his ears, he can never get enough of you. You’re so perfect.

You call out his name when you cum, your juices spraying out and coating his fingers. He slows down his tempo to help you ride through your orgasm, swallowing your cute little pants and whines.

“How’s my sweet girl doing?” He coos, cupping your cheek and using his thumb to caress the side of your face. You lean into his touch, still blissfully fucked out on his fingers. You let out a hum to signal you’re still with him.

Red coats your cheeks when you hear him say that you taste so fucking good. You use both of your hands to grasp on his forearm that’s attached to the hand on your cheek. “Mm Gojo,” you softly whisper out his name, not completely sure what the real goal was. You just wanted to say his name.

“I know baby, I know,” he quickly places a peck on your forehead before leaning back and quickly undoing his belt and jeans, leaving him in his boxers. Still in your fucked out state you don’t notice just how big he is.

He makes quick work of his boxers, throwing them in a random corner of the room before leaning down over you. “Is this okay? Are you okay with this?” He asks, and you could almost laugh if you weren’t out of breath. Of course you were okay with this, more than okay. “Yesyesyes, just let me feel you. I want you. Please,” you breathe out, looking straight into his eyes.

And something in him just snaps.

Hearing you beg for him, how utterly desperate you sound, it’s too much, you’re too much. His feelings for you are too much. He drags you to the end of the bed and places your legs over his shoulders. He shoves your full length inside of your pussy and you cry out. He’s so big…

You barely have time to adjust before he pulls back out and slams back into you. You grip onto his back, nails scratching down the entirety of his backside. “‘Ts too much- Ah!” moan after moan fills the room, the lewd sounds of your skin slapping against each other is basically drowned out by both your cries and his grunts.

The ruthless pace he sets makes your tits bounce against his chest, and he doesn’t fail to notice. His mouth greedily sucks on one while his hand fondles the other. “Oh my god! You feel so good ah..,” the sound of your cute little moans do downright dirty things to him. It makes him want to fucking ruin you.

When he decides your right boob is marked up enough he moves to your other, spitting on it before continuing his same merciless treatment on it.

You feel like your soul left your body when one of his hands lifted your hips a bit so he could thrust deeper into you. His cock is filling every single bit of you, and your pussy is greedily sucking him in.

“Ngh..Gojo feels so good. Your cock is filling me ah! so well,” you chant out his name like a prayer.

Once he declares both of your pretty tits taken care of he wraps a hand around your throat and makes eye contact with you. “Beautiful girl..taking me so well. Perfect, you’re fucking perfect,” he praises against your lips.

Both of you are near, you can feel his cock twitching inside of you and Gojo can feel how your pretty pussy is gripping him even more tight. It’s basically calling out his name, pulsing around his dick like a needy little thing.

“Gojo!” You scream out when you cum for the second time that night. Just a few more thrusts and he releases inside of you as well, spilling his warm cum inside of you.

His pace slows as he rides out his orgasm while also helping you ride out yours. “So perfect..did so well, pretty girl, did so fucking good,” he whispers. He continues to let out sweet praises as both of you continue to catch your breath.

You weren’t sure when you closed your eyes, but when you reopened them you were now in the bath against a firm, hard chest. You close your eyes again, relishing the feeling of being relaxed against him.

Gojo on the other hand is still in awe, he can’t, will not believe that you’re here with him. Leaning against him like this has been routine for years, like you guys have been together.

He rests his cheek against your head and you softly hum. His hands gently rub incoherent shapes against your hips as the two of you seek comfort against the both of each other.

Lovestruck!Gojo who kisses the crown of your head as his arms snake around your waist. His hold tightens, and you let it.

Lovestruck! Gojo who promises himself to keep holding you like this now, and in the future. Who promises to never let you go, and you’d never dream of letting him.

[yieldtotemptation]

DEALS ft. Miyeon

... is this thing on?

written as a very late addition to @i-am-lifeform24's project.

miyeon x male reader smut

2k words

"Now that you're done with that," Miyeon starts, her voice firm, confident. The voice of someone used to giving you orders. "Take off your clothes."

The command hangs in the air between the two of you, and suddenly you’re under a microscope—but where most people would squirm, you stand tall.

"Okay."

"Okay?" If she was expecting a challenge, she wasn't going to find one here. After all this time, you know what she's looking for—what she expects from you—someone that can match her, that can meet her on her level. "No questions?"

"That is the deal," you answer matter-of-factly, your t-shirt already half-way over your head. "Money for my time, anything goes."

"Anything," she echoes, her usual stone-cold expression betrayed by a hint of excitement playing in her eyes, somewhat surprised that she managed to push the terms of a contract once made between two teenagers who didn't know any better into new territory.

Anything used to just mean silly tasks—cooking, cleaning, doing all the things that would absolutely not be suitable for her to do—but all just being an excuse for keeping Miyeon company.

That was until now.

Still, you don't have time to think about what’s changed between you fixing her sink and her watching you take off your pants—she’s decided that now is as appropriate an occasion as any to test your limits, and you’ve never been known not to oblige her.

It's only when you're stepping out of your briefs that you catch it—that break in her facade, the slight blush that creeps up her cheeks, that indication that maybe Miyeon isn't so far above the rest of Earth's mortals as she would like you to think.

"Having trouble finding somewhere to look?" You can feel her eyes following you, scanning up and down your body as you fold your clothes neatly, placing them on a corner of the nearby couch.

"The opposite." Whatever crack you just saw in Miyeon's composure is gone as quick as it arrived, and she's all business again, walking over to you, heels that let her meet your eyes clicking against the cold living room floor. "I don't have anywhere I don't want to look."

It's no secret that you feel the same—she's an absolute work of art. It's in the sway of her hips, the curve of her waist, the swell of her lovely, petite breasts under her sheer, near see-through shirt. But you're not here to just admire her. You're here to serve, to satisfy, to be of use.

She stops, close enough that her exhales become your inhales, close enough that the smell of whatever she's wearing—something smoky, something ludicrously expensive—drives you wild.

Close enough that when her eyes alone make you twitch, she feels it brush against her waist.

"Look at me."

Another demand obeyed—all part of the deal.

Maybe it's the light, maybe it's the proximity—her eyes are darker than you remember, a deep brown that would swallow you whole, if only you'd let them.

"Hands," she says next, and she's taking hold of your wrists, pulling them to her, to her body—her unfathomably-tight waist—squeezing down on your fingers to make sure she's locked in your grip. "Now kiss m-"

You're jumping the gun, pulling her closer to you, pulling her lips into yours, warming your tongue with hers, tasting sweetness, tasting her eagerness—or more correctly, her neediness.

She’s opening the door a little, letting you discover a part of her that she's been hiding from you, truly meeting her for the first time—her left hand finding the nape of your neck, her right reaching down below, wrapping fingers around you, holding you against her.

"Mmmph..." She's moaning into you now, her hands are on the move, feeling, stroking—soft, delicate fingers taking your full measure, all the way from the tip... all the way to the base.

It’s making you grow bigger for her, too big for her dainty grip, but she squeezes back against you, gliding her hand up and down, up and down, again and again—all for her pleasure, showing you that no matter how good she's making you feel, it's making her feel better.

That’s when you break the rules for the first time, taking the initiative and running your hands up her back to the lift up her shirt, wanting to catch just a glimpse of more of her flawless, porcelain-white skin. Before you can boldly make your move, she's pushing back against your chest with her free hand, releasing your lips and leaving you with a groan, halting you in your tracks.

"No," she whispers, her eyes darkening with something that isn't quite anger, but is definitely a warning. "Not yet."

A gulp and a nod is all you have for her in response, but it's enough to satisfy her—enough to return her lips to your body, to continue her excruciatingly delightful movements over your shaft.

Her breath is hot, heavy, as she plants kisses on your neck, your collarbone—tracing lines down your chest with her tongue, leaving a trail of goosebumps in her wake. Miyeon's eyes lock onto yours as she continues her expedition, watching you watch her work—watch her make you unravel.

Every movement is intentional—the lower her lips get, the slower her strokes, each more deliberate, each one a silent experiment of how much you can bear.

She takes her time, until at last, finally, she's on her knees before you—no longer stroking, no longer moving—just breathing on you, staring at you, frozen in fascination at your length—at what she's done to you.

And then she licks her perfect, pretty, pink lips.

"Miyeon-" is all you can muster, but it’s too late—she's taking you in—inhaling you—warm—fucking hot—lips wrapping around you, forcing you to hold your breath as she brings you deeper, deeper into her throat.

You had expected teasing, torture even—but not this—not her tongue sliding under your shaft, not her moans around your cock, not her eyes watering as she breathes you in, making a mess of you until her nose has met your chest and your tip has met the back of her throat.

It takes all your strength to keep your knees from buckling as she keeps you there, keeps you down her throat, testing herself against you. The pleasure is overwhelming, intense, but for the two of you it's the power play—she's the one looking up at you, her makeup smudged, eyeliner a disaster—yet she's in complete and total control, feeling your body tighten from just a flick of her tongue, feeling you get closer and closer to the edge.

"Gah-" she rises back up off you, unsheathing your cock from her throat, a glob of her spit following behind her, a glistening bridge from her lips to your tip. She's grinning wildly now, so fucking pleased with herself, so turned on by having conquered you—having conquered your cock. "I did it."

But you don't get to recover—how silly of you to think she would let you—and her lips are back on you, lightning shooting up your spine as she takes in half of you, before releasing—again and again and again.

She's bobbing up and down, putting on a show for you—letting you see how her cheeks hollow, how her lips take you in, how you make her eyes water and how her tongue does it’s best to break you—a masterful dance that somehow makes you feel both worshiped and utterly dominated.

"Mmmmm..." A flick of her tongue against your tip lets you know that she's tasting you, tasting the warm pre-cum leaking past her lips. "I fucking knew it," she murmurs, her voice low, but loud enough for you to hear. "Knew that you would be this big—knew that I could take whatever you had."

"God, Miyeon—" you eke out a groan as she starts to stroke you again, keeping up the pace, keeping up the pleasure.

"Knew that you would taste this good—knew that it would feel this fucking good in my throat."

She doesn't wait for an answer—doesn't need one—her tongue is already back on you, painting your cock with her saliva, up and down, around and around.

It's her moans around you—she's loving this, loving doing this to you—so much so that she doesn't even mind it when you thread your fingers through her hair, pulling on her more forcefully than you intended, desperately pushing more of yourself into her. She takes it, welcomes it, confident that if it came down to it, she would be the last one standing.

You still try—stopping her head still and start to move—start to pound away. Her eyes widen, but she doesn't pull away, not even when you pick up speed, not even when her moans get muffled and you're hitting the back of her mouth, not even when you're the one setting the pace and burying your cock down her hot, tight throat.

It's in her eyes—the challenge, the suggestion—use me, break me if you can—cum—give it to me.

Her hands are on your hips, beckoning you, pushing you to go faster, to fuck her face harder—encouraging you, egging you on. And so you do—you give in to the instinct that's been burning in your veins since she first made you strip for her—you fuck her mouth, her throat, ruin that gorgeous, fucking irresistible face as she struggles to keep up.

Tears are streaming down her eyes now, her breaths coming in ragged gasps around you, but she never looks away—her gaze holding yours, telling you that she's okay, that she wants this—that she can take this.

You shouldn't be fucking her face this hard—it shouldn't be possible to—but you keep going, groaning—"Miyeon", "fuck", "God"—and just when you're about to slip, just when you're about to completely fall apart in her mouth, she forces herself off you, seizing back control and holding you at your base, aiming directly at her picture-perfect visage.

"Cum for me," she squeezes you, wringing you, wanting you. "Do it."

You throb, you explode, you cum, you obey—because that's what she’s asking of you.

It takes every effort to keep your eyes open—to see Miyeon—as you feel the orgasm ripping through your body, the heat spilling from you and onto her face, her chin, her neck—onto a carefully manicured eyebrow, and an undeniably cute dimple. Your cum showers her, paints her, masking her with your release.

And Miyeon takes it, takes all of it, eagerly, smiling up at you through the mess, poking out a tongue to taste as much of you as she can, despite it still overflowing and dribbling down the corners of her mouth.

You shake, you want to collapse, but Miyeon keeps her hold on you, looking up at you like you're her fucking property—and maybe in this moment, you are. Her eyes are glazed over, her cheeks are flushed, and through the cum you can see that devastating smile as she swallows and drinks what remains of you down.

"So fucking good," she whispers, her hand still moving, still stroking you, placing soft, sweet kisses on your exhausted cock, still sending those tingles of pleasure shooting through you. "I knew you would be amazing."

"Fuck, Miyeon."

But she's already rising, on her feet and looking at you expectantly, wiping the excess from her chin with the back of her hand. "I want more," she states. It’s simple. It’s a command. "Take me to the bedroom."

And she's already walking away, peeling off her clothes, soft fabric meeting the floor as you catch a sight of the lovely slope of her back, the perfect curve of her ass—her body bared before you, calling for you to take it.

“Come on,” she calls out to you, “we’re just getting started.”

You stumble forward, following after her—obeying her wishes.

Because why wouldn't you?

That was your deal.

---

A/N: thanks again to @i-am-lifeform24 for actually managing to get me to finish something. what a legend.

[doctormage]

I hate that I can always tell when the moon is in virgo I HATE it

[alyssumlovesthecosmere]

So, the other day, Crash Course uploaded a video in their Religions series, about Judaism. Now, I haven't watched any video other than this one, but if this one is any metric to measure by.... well, it's bad. Really bad.

To start, the introduction starts with "shabbat toothbrushes", where John Green describes to us how (some) jews will brush their teeth on shabbat, while ensuring to not break any of the melachot, or prohibited actions. This, in my opinion, as an orthodox jew, is.... quite a framing to start with. Especially since immediately after that introduction, John Green let's us know that there are other jews! who don't do this! and just... sir, I'm an orthodox jew. Sure, I don't do follow that rule on the shabbat- sorry, the sabbath which you then explain is the shabbat to jews (the word Sabbath comes from the hebrew Shabbat), but I follow a lot of rules that folks find strange! And I do not appreciate a video talking about jews sidelining orthodox jews. Framing the video in that way is clearly an attempt to make Jews seem more "mainstream", but it erases, estranges, and (this happens more later on) villifies orthodox jews. Which isn't fair.

But we just started this 13 minute video. At this point last night, I sighed and figured this was going to be just your regular old "Orthodox Jews are strange and bad" sort of video, and resigned myself to that. And then I looked at the sections of the video. One of which included Zionism in it. And I immediately got more worried, because John and Hank donated through Project For Awesome to UNWRA which are.... very linked to Hamas, including there being evidence of UNWRA employees participating in the Oct. 7th Massacre. But okay. Maybe this video will be fine.

Spoiler alert: It wasn't. It was so incredibly bad. John Green admits at the start of the video that Judaism is complex, great! Now explain tha complexity correctly! no. So he starts off his history with... Ya'akov Avinu, sorry- Jacob. Who's a descendant of Avraham Avinu, sorry- Abraham (John uses the english names and not the hebrew one and it just bothers me). Which like... no, Jewish history starts with Eretz Yisrael, the land of Israel. In addition, a large majority of his sources are non jewish sources which is just. Why. There are so many jewish sources on Judaism!

As this is getting long, I'm gonna put a tl;dr here and then a read more cut. The tl;dr is this - the video is a horrendously western view of Judaism video, that seems to be written by non-jews who don't have any expertise in Judaism. It is filled with misrepresentation of jews, especially religious ones, is severely lacking pretty much all of jewish history, doesn't mention MENA/SWANA jews at all, and is quite frankly a disappointment. I'm mad and sad and upset and most of all disappointed with crash course for creating this video.

Still with me? great. I'm wordy and I have twelve minutes of this video to go through still. To make this a bit more organized, I'm gonna go according to the sections that John Green himself gave, and give a summary of what he said and what is wrong or misrepresented there.

The Many Versions of Judaism (aka, somehow not our history nor our story) there are a few things wrong/upsetting here. First off, as I said above, the fact that he uses the English names. Second off, the fact that he, bafflingly, starts the story with Ya'akov getting the name Yisrael, aka when Ya'akov fights with the angel. John then takes this to explain that Jews today still wrestle with Hashem in our own way, but in a... shall I say tumblr style reductionist way. Y'know, the "jews shake lemon at gd angrily behind a denny's" way. This chapter is the only one that will ever mention the ancient Israelites, and never the tie to the land of Israel itself. In addition to this, he describes Judaism as monotheistic, but that "half of religious jews today believe in some other spiritual force, and not the gd of the Hebrew Bible" which had me going what in the what. Just. No. like, sure, i'm a vaguely agnostic-atheist religious jew and uh, no? And I found his source, and well, if I had to guess - the jews who responded assumed that the god they were being asked about was the one in the xtian bible - and so answered no, while John assumed said jews meant the gd of the tanakh, aka hashem. Third, his "devil's advocate" scene is just. Once again, putting down Orthodox Jews, and compares without change Jewish Religious Institutions with Xtian ones. To quote "for a lot of jews, it's more about action than faith", I'd argue, personally, that that line is correct for most jews, as our religion is not really one of belief (orthodoxy) but of action (orthopraxy). And also, I'll paraphrase "many jewish people consider following Jewish law to be the most important thing" yes! yes we do! and not just many, most, that's! the whole! shtick! for us!! (and yes i'm aware this is a simplification). He also manages to vaguely describe Judaism as an ethnicity, and explain that some Jews are connected to the ancestral history (without explaining what that is, no connection to Israel here no sirree), which I guess is fine-ish? (it does not)

The Written Torah So here he starts off with saying that we'll focus on the torah and not the tanakh, as the torah is how we jews conceptualize our relationship to gd and each other. Except that... we also use the rest of the Tanakh for that! (minor kudos to him for saying that the tanakh was written by the ancient israelites. Just no mention of why there were ancient israelites and then we had to come back). The torah gives us most of our rules, but the tanakh expands on them, and teaches us how we choose to treat hashem, how we treat each other. When Jews say the written torah, we do oftentimes also mean the rest of the tanakh. Frankly, going through his sources, I can't figure out what source he used for this claim, except that he uses a lot of non-jewish sources (like the britannica), and very few Jewish ones which is just... why, you can clearly see these jewish sources exist, why not use them? I understand that this is meant to be lighthearted, but he compares the five books of the torah to seasons of friends, which is kinda eeeh. And added to that, his descriptor for bamidbar or numbers is "the ancient israelites wander and suffer through the wilderness" (paraphrased). First off, it was the desert, and second off this is exactly where in the torah we get all of the mitzvot and how to treat each other and hashem. This is it!! why name the book/"season" wrong?? He then continues and talks about how the themes of exile and return are common in the torah, and continue to resonate today, and yet doesn't... explain... the history of us being exiled. Instead, we take a tangent into antisemitism, specifically the plague related kind. Which... fine, I know he's got a liking for that aspect of history, but there's so much more. Of course, he also mentions that the Pope was one of the influential people who pushed back against it and... just... sigh. We're talking the catholic church here. The same catholic church WHO BLAMED JEWS FOR KILLING JESUS TILL THE NINETEEN SIXTIES. If the pope pushed back against it, it was because us jews had more value alive, not because he thought we had inherent value as people. Of course, since we're talking antisemitism, John only talks about xtian antisemitism. The "happy dhimmi" myth is alive and kicking in this video, as there is absolutely no mention of antisemitism within the non-western world. IN ADDITION, by framing the antisemitism the way he did - that the "dumb europeans" attacked the jews but their religious leaders were against it, John inadvertently erases antisemitism by non religious people, and by religious leaders. Both of which are and were alive and well.

Zionism (aka, I had to put this in here otherwise the tankies would yell at me, and I made a mess of it) And then we have this digression, which makes zero sense in the context of the story John is attempting to tell, into Zionism. There is no reason for it, and if it had to be in the video, it should have, quite frankly, gone in at the end. But that is only the start of the woes that I have to say on this section. To start, the amount of sources here are negligeble as compared to the other sections (note the numbers, all previous sources were for the other two sections)

48. Encyclopaedia Britannica | Zionism 49. University of Michigan | Zionism  50. Ben-Israel, Hedva. “Zionism and European Nationalisms: Comparative Aspects.” Israel Studies 8, no. 1 (2003): 91–104. 51. Ghanem, As’ad. “Israel’s Second-Class Citizens: Arabs in Israel and the Struggle for Equal Rights.” Foreign Affairs 95, no. 4 (2016): 37–42. 52. Halpern, Ben (2004) [1990]. "The Rise and Reception of Zionism in the Nineteenth Century". In Goldscheider, Calvin; Neusner, Jacob (eds.). Social Foundations of Judaism (2nd ed.). Eugene, Or: Wipf and Stock Publ. pp. 94–113. 53. American-Israeli Cooperative Enterprise| Zionism: Anti-Zionism Among Jews

[copied from the source sheet]

I haven't read the sources, so I'm not going to talk about them, but the fact that only half of the sources seem to have been written by jews is... not great. At all. And then there's how John introduces and talks about the topic. John compares the themes of exile and return in the Torah and Tanakh to the narrative told by Zionists, and mentions Zionism being a political movement. All of this is correct. However, what John is very obviously missing here is the history of Jews within the land of Israel. He talks about how we wanted a state for Jews run by Jews, but doesn't explain that we wanted it in the land where we came from, a land where we have mitzvot, commandments, that are specific to it. A land that our holidays and calendar center. The fact that this is missing is one of the glaring issues in the whole video. He also mentions that Zionism views Judaism as a nationality, which is true. Judaism is viewed as a nationality in the modern sense through Zionism, but it's also a nationality, or nation, in the older sense, regardless of Zionism. In addition to that, while Zionism is the idea of having a Jewish run state for Jews, it does not preclude the existence of other, nonjewish, people in this state. Which is important for the next bit. He then adds that, quote "this is complicated for lots of geopolitical reasons, but suffice it to say, Jewish people are not the only people with roots or a current presence in the modern state of Israel." Which, I guess does mention our roots in the land, but it also completely flattens the whole story into, what feels to me, "Jews Zionists bad for wanting a state because there are other people". He then mentions the Druze and Xtian and Muslim Palestinians, which is fair but also why specifically the Druze? And if the Druze, why not also the Bedouin? Both are minority groups within Israel, and if you want to talk about minority groups, the Bedouin are equally as important for this discussion! (another friend later pointed out that the likely reason is that the pbs source John uses mentions the Druze (but as muslims, and not as their own religious group which. sigh. Druze are not Muslim), but not the Bedouin. And of course, we get a "not all jews support the zionist movement, but many do" yeah. a huge womping majority. For a reason. At the end of this section he says you can find "much much more" on the topic in the sources and I just have to raise an eyebrow, because I do not count these 6 sources as "much much more" information.

Then, finally, we're off of this ill-placed and wrongly done section, and back to actual religion things. You know. Like how John had said we'd be talking about.

The Oral Torah and the Talmud We start off strong, with an accurate description as to what exactly is the Oral Torah, and what its place within Jewish society and Judaism is. And then... John tells us that there are "two guys who started it". Huh? Who? Hillel and Shammai of course! what. so, to explain to all of you who have somehow read till here and don't know, Hillel and Shammai are just one pair in a long lineage of those who were, according to tradition, in charge of the oral torah. Even more so, they weren't the first in their generation of pairs! (this is the time known as the Zugot, or pairs). Hillel and Shammai are the seventh generation in those who lived during the time of the mishna being slowly worked on and getting codified, and Rabbi Yehuda HaNasi was the one who did all of the codification, FIVE GENERATIONS AND A TEMPLE COLLAPSE AFTER THEM. So I chose to go into the sources to figure this one out, because frankly I'm baffled. And as far as I can tell, this comes from the encyclopedia britannica (again, why) saying that Hillel and Shammai were the last of the Zugot and that they taught the Tanaim (those who ended up writing the mishna), but just. What. Why. John then continues on to explain who Hillel and Shammai are, describing them as "Shammai, the rules are rules type" and "Hillel, the gentle, caring, impossible to anger type". I just- again with the putting down of one side (the stricter side) for the not so strict side. In addition to the fact that that isn't even an accurate description. It would be more accurate to describe the divide and debate between Hillel and Shammai as realistic and unrealistic. Hillel's school of thought, also known as Beit Hillel, worked with and around torah with the understanding that those who will be following it are people, and will make mistakes and need leniency. Shammai's school of thought, known as Beit Shammai, on the other hand, wanted people to strive to following the Torah in the most idealistic way. We follow Beit Hillel nowadays because they were better at taking day-to-day realities into account, but we remember Beit Shammai's halacha because we want to be able to fulfill our mitzvot in that way, and if human life didn't get in the way, we would do so. John Green stop putting those who keep stricter (or more idealistic) halacha as "bad" challange: level impossible. John Green then says, as is correct, that at around 200ce we started writing things down, but once again, he neglects to mention why we felt we needed to shift from oral to written (the answer is the Romans wanted us no longer jewish and we had lost our Temple and were going to be expelled from our holy land again, see, that's two sentences, is that so hard to say?) John Green then correctly explains that they way the Talmud was written down was by layers upon layers, "literally circling each other" however, that's only one portion of the halachic debate, and frankly, the Talmud is definitely not the central rabbinic text today. That's the Shulchan Aruch, which is based off of the Talmud, but collates all of Halachic debate into a masterpiece of a lot of books. It, too, has the layers upon layers thing, because why waste good paper space??? There are more mistakes here, in understanding that the Talmud is The Central Halachic thing, which again - look above I corrected it. I'll also happily admit that he's correct in saying that when we refer to the torah we mean both the written and oral ones. But we still have two sections to go, and I am still as wordy as ever.

Branches of Judaism Here is where I started to go from mildly annoyed at how he treats orthodox jews, to flat out mad. See, instead of explaining the differences between branches in a neutral way, John brings up differences that will make people feel things. He gives examples of questions - can women be rabbis - which will have listeners biased towards those communities that allow it (and yes, it is an issue within orthodox communities, but guess what! these communities are also trying to work within their framework of halacha for women's equality), or "can you push an elevator button on shabbat using electricity when the law says to refrain from creating fires and sparks on that day", which is an extreme oversimplification of the whole argument and discussion about electricity on shabbat, which will lead viewers to, once again, view those who do those things as backward, strange, and weird. And trust me, there are so many other halachic questions that can be used (such as can one heat food on shabbat, considering fire and heat, or how you deal with the dietary laws of kashrut), and idk. Maybe at this point I'm nitpicking, but as an orthodox not exactly a woman, it bothers me! It alienates me from the discussion, and it's really frustrating. He comments that the options you can choose are "unwavering, flexible, or somewhere in between", which to me shows a complete lack of understanding of what the orthodox framework of working with halacha is (too long; don't have time to explain - we can't strictly disagree with stuff but we can slowly push for change that may eventually end up disagreeing with something or another). He then explains Orthodox, Conservative, and Reform Judaism. His way of explaining is, while technically correct, missing an understanding of how we different streams of Judaism practice. John describes the differences as ones of strictness vs openness, lack of change vs flexibility. In reality, the difference between the streams is one of precedence. How much weight do we put on something that was written 2000 years ago? How much weight does our current way of living have? Orthodox Judaism will answer that what was written all that time ago has significantly more weight, that they knew more about halacha than we do, to Reform halacha, which takes halachic rulings from 2000 years ago under advisement, but sees how much the world has changed, and makes the rulings accordingly. I won't touch on his specific examples, and suffice it to say that they were in line with what I said earlier about his examples. They're there to make you feel something about these strange jews he's talking about, and that something is not always particularly nice, especially to Orthodox Jews. He then mentions a few other options, which is fine (though I wish he expanded on the "people who say 'I'm Jewish' but don't identify with any particular branch" as, with everything going on, and his sorely lacking explanation in how Judaism and conversion works, may lead to people deciding to just say they're jewish). After that he says that there "are jewish atheists". Yes. There are also orthodox jewish atheists, I thought we covered the fact that Judaism prefers action over belief at the start? I'm confused as to why he felt the need to add that here near the end of the video.

Next, he talks about the different physical branches of Judaism, and mentions that due to persecution we got to many different places. Of course, he once again neglects to mention the ur-persecution, or ur-reason that we are so spread out - our expulsion from Israel, and the beginning of the Jewish Diaspora (he mentions the Diaspora by name, but not the first reason for it). It's a glaring miss, but not as glaring as what is to come. He then talks about three diasporic communities, and I quote "...unique communities emerged in each new location: Ashkenazi Jews in Eastern Europe, Sephardic Jews in Spain and Portugal, and Beta Israel in Eithiopia". One nitpick and one incredibly important correction. Ashkenazi Jews were originally from ashkenaz, ie France and Germany and eventually got to Eastern Europe as well - the name of the general European tradition is, however, Ashkenaz. The second, and more pressing issue, is that he says that Sephardic Jews are in Spain and Portugal. Those communities haven't been there in a Hot Minute, ie since the Spanish Inquistion. They've been in the SWANA or MENA region, with some exceptions for some Dutch, American, and British Jews. I had to look at his sources, because are you kidding me. Both (all three, if we include Beta Israel) sources are from britannica. Again. My first instinct was that maybe the issue was with the source! I was wrong.

The source for Ashkenazi Judaism (emphasis mine)

Ashkenazi, member of the Jews who lived in the Rhineland valley and in neighbouring France before their migration eastward to Slavic lands (e.g., Poland, Lithuania, Russia) after the Crusades (11th–13th century) and their descendants. After the 17th-century persecutions in eastern Europe, large numbers of these Jews resettled in western Europe, where they assimilated, as they had done in eastern Europe, with other Jewish communities. In time, all Jews who had adopted the “German rite” synagogue ritual were referred to as Ashkenazim to distinguish them from Sephardic (Spanish rite) Jews. Ashkenazim differ from Sephardim in their pronunciation of Hebrew, in cultural traditions, in synagogue cantillation (chanting), in their widespread use of Yiddish (until the 20th century), and especially in synagogue liturgy. Today Ashkenazim constitute more than 80 percent of all the Jews in the world, vastly outnumbering Sephardic Jews. In the early 21st century, Ashkenazic Jews numbered about 11 million. In Israel the numbers of Ashkenazim and Sephardim are roughly equal, and the chief rabbinate has both an Ashkenazic and a Sephardic chief rabbi on equal footing. All Reform and Conservative Jewish congregations belong to the Ashkenazic tradition

As you can see, britannica does in fact mention that Ashkenazi Jews were first in the Rhineland valley (germany) and france, and later moved to Eastern Europe. I have some nitpicking on that as what I said doesn't match but regardless. Ashkenazi Jews aren't in Ashkenaz according to John, they are in Eastern Europe

The source for Sephardi Judaism (emphasis mine)

Sephardi, member or descendant of the Jews who lived in Spain and Portugal from at least the later centuries of the Roman Empire until their persecution and mass expulsion from those countries in the last decades of the 15th century. The Sephardim initially fled to North Africa and other parts of the Ottoman Empire, and many of these eventually settled in such countries as France, Holland, England, Italy, and the Balkans. Salonika (Thessaloníki) in Macedonia and the city of Amsterdam became major sites of Sephardic settlement. The transplanted Sephardim largely retained their native Judeo-Spanish language (Ladino), literature, and customs. They became noted for their cultural and intellectual achievements within the Mediterranean and northern European Jewish communities. In religious practice, the Sephardim differ from the Ashkenazim (German-rite Jews) in many ritual customs, but these reflect a difference in traditional expression rather than a difference in sect. Of the estimated 1.5 million Sephardic Jews worldwide in the early 21st century (far fewer than the Ashkenazim), the largest number were residing in the state of Israel. The chief rabbinate of Israel has both a Sephardic and an Ashkenazi chief rabbi. The designation Sephardim is frequently used to signify North African Jews and others who, though having no ancestral ties to Spain, have been influenced by Sephardic traditions, but the term Mizrahim is perhaps more properly applied.

As you can also see, the britannica also mentions that Sephardi talks about North African Jews. What is that? SWANA Jews exist? and experienced persecution? Couldn't be. Surely all Jews are actually European and are colonizers in the land of palestine (heavy sarcasm and cynicism). I've got to say, I find the fact that using where Jews ended up for Ashkenazi Jews, and where they "originated" (in quotation due to the fact that only the name originated from there) for Sephardi Jews rather disingenuous, as the story being told erases the existence of SWANA jews to an upsetting and worrying degree.

Review and Credits Almost done. Just have to get through the review. John finishes up the story with something that I have mixed feelings about. He describes Judaism as a religion, but that being Jewish doesn't require a religious identity. I find the but annoying. It's not "judaism is a religion but doesn't have to be", it's "judaism is a religion and a people, and a culture, etc etc". Judaism is older than the concept of religion, we're a people, who can also have a set of belief and behaviour, but not doing them does not preclude you from being part of the family (unless, of course, you actively leave the family but that is a nuance not for here). The rest of his review is fine in my opinion. And now, the credits, which have a list of names that don't seem to be Jewish, but I can't find that about all of them (i know at least one of the people in charge of information for either this video or the series in general is definitely not Jewish)

I don’t know how to finish this, other than… Do better, Crash Course, do better @sizzlingsandwichperfection-blog.

[lazycats-stuff]

Please write Damian x friend reader who's really shy, and they have to make a school project together, and they do so at the manor, but because the reader is shy he doesn't want to meet the family. The family (to annoy damian) want to meet this friends, but Damian actually likes the reader and tries to protect him from his brother's

Hell yes. Oh I love this. The fam would do this. Alfred would be stopping them. I don't know why, but this gif is really adorable to me.

Summary: Damian has a crush and the boys decide to annoy them

Warnings: fluff, angst?, Damian comes out to Bruce and Alfred, shy reader... Mostly fluff though.

Damian Wayne, the son of Batman has a crush on his classmate. Yes, you read it correctly. Damian has a crush on (Y/N) (L/N), a shy boy in his class. Damian thought he was adorable and his shyness made him even more cute to Damian, but Damian knew for a fact that he didn't have a chance with (Y/N).

Anyone who dates a Wayne, will be in the spotlight. And being in high school doesn't make it any better. The pressures and the fact that the girls and some guys were throwing themselves at him and for that, he only got his reputation as cold, not interested in anyone.

That made it much more difficult to even think about approaching (Y/N).

And the fact he was suffering alone made it painful. He didn't tell his family, knowing that they would push him to talk to him, but they wouldn't understand the situation that Damian is in. For Damian, (Y/N) is something that is both within his reach and yet so far, far away.

Damian has come to terms with the fact that he will never be able to be with (Y/N). If only he knew about (Y/N)'s feelings...

But fate has some other plans. During a biology class, the teacher announced that he will pair the kids to make a project. Damian dreaded it because there are two bad outcomes that could come out of it.

One is that he ends up with a person who wouldn't do anything and would just use it for bragging rights and would annoy him to no end. It would be awful and Damian would have to control himself to not kill someone and not to cause a scene.

And the second one is the fact that there is a chance that he will be paired up with (Y/N). That wasn't bad per say, not at all, not by any means. But... The mere fact that he would be paired with his crush wouldn't be easy, not even for Damian. He may have a lot self control, but with (Y/N)...

Damian remained calm when he was paired with (Y/N). Only externally. Internally? He was screaming. How does he even approach him? How in the hell? Okay... Try to be nice...

Damian rubbed his lips, trying to remain calm and devise a plan. Approach him when everyone leaves the classroom. Then tell him and give him phone number so they can contact one another... Okay... That's the first two steps.

Wait... What about his family? Oh no... Well, that's a thing to worry about later.

Damian took a deep breath as he approached (Y/N). (Y/N) blushed already and look at Damian with an uneasy smile. " Hi Damian. "

" Hey (Y/N). Can you give me your number so that I can text you the time and we can contact each other. " Damian said as he took his phone out, allowing (Y/N) to put his phone number in. (Y/N) did just that, ever so nervously.

Damian watched in silence, waiting patiently. After that, (Y/N) quietly mumbled see you later and left. Damian followed him, but in a much slower pace. He walked to his own locker, getting his stuff and leaving the school quickly, going to the car to let Alfred drive him away.

During the drive, Alfred noticed that Damian was bothered by something, but he knew that asking was going to be like pulling teeth. Painful and no one would even bother to do it, but Damian wasn't an average person nor a child.

So all in all, it will be a painful conversation, no matter how they turn it.

" Damian, can we talk? " Bruce asked as he sat down next to him on the couch, Alfred setting down the tea for the three of them.

" About what? " Damian asked as he put a book down on the coffee table. Bruce and Alfred got ready for this. Alfred sat down next to Damian, but not too close, just keeping some space in between the two.

" Something is bothering you and we want to know what's going on. " Bruce has started gently and Damian's internal guard went up quickly. They clearly don't know what, but... How will his father react about hearing that he is gay? Oh God...

" Nothing is bothering me. " Damian lied quickly, but Bruce saw right through it.

" You can always talk to us Damian.. You can always come to me, I will never judge you. " Bruce said softly and Damian had to take a very deep breath to stay calm...

Is he really going to come out now?

" It's... " Damian started, clearly out of his comfort zone. " I have a crush... "

Bruce and Alfred smiled. Damian is in love. " And what's her name? " Alfred asked.

And here it is.

" It's his. It's (Y/N). " Damian said quietly, getting ready for rejection.

There was silence for a couple of moments before Bruce hugged Damian tightly. Damian was shocked at that, more so when Alfred hugged him too, but he didn't question it by any means. He hugged Bruce back tightly.

" Please don't tell me that you think we were going to reject you master Damian. " Alfred said from behind, still hugging his grandson.

" Oh Damian... " Bruce said quietly, making sure to squeeze Damian tightly. " I would never judge you for being gay. You are my son and I won't love you any less. " Bruce says softly, rocking his son a bit to calm him down.

Damian nodded, hiding his face, not wanting these tears to fall down. He didn't want them to be seen.

And the time has finally come. (Y/N) has arrived into the manor and Bruce made sure to tell his other sons to stay clear and away from the library today. He said a few warnings and the other three seemed to listen.

Again, seemed.

The project was going well. Damian has been calmer and (Y/N) has been quiet, but was working hard to make it the best project ever. Damian was impressed by that and more impressed that his brother's weren't bothering him or (Y/N). But there was a bad feeling in the back of Damian's mind.

Something was going to happen.

And Damian isn't liking this at all.

And he was right. After an hour, Jason popped his head in. Damian whipped his head around so quickly that (Y/N) thought he got whiplash. (Y/N) blushed slightly at the sight of Jason who had a smirk on his face.

Damian got up quickly. No. This is not going to happen.

" Out Todd. " Damian said as he walked up to him and started pushing him out.

" Oh come on, I just want to meet you frie-" Jason was cut off with the door slamming in his face. He smirked at the sight of the barely controlled anger from Damian.

Oh he loves to push those buttons.

Damian took a deep breath and turned to (Y/N) with a small smile. " My apologies (Y/N), Todd is annoying and he loves to push my buttons. " Damian said as he sat back down and (Y/N) nodded with a small smile.

" It's okay, siblings are annoying. " (Y/N) said quietly.

" Do you have one? " Damian asked as he moved a notebook out of the way.

" A single child, I'm afraid. " (Y/N) said and Damian nodded.

And everything was fine. Until one hour later.

Now Tim popped his head in and Damian was going to kill him.

" Out Drake. " Damian said as he quickly stood up and started pushing him out, still calm, trying to not scare (Y/N), who just watched in silence and wonder.

" Oh Damian, " Tim started, but Damian just threw him out and slammed the door. (Y/N) raised his brow, curious, but to hesitant to ask.

" Again, my apologies, they are just annoying. " Damian said yet again and sat back down, getting focused to continue working on the project.

The silence was nice and comfortable and the library was just peaceful.

That was until the doors opened for the 3rd time and Damian stood up quickly, pushing out Dick into the hallway, closing the door.

" What the hell is wrong with you three?! " Damian whispered yelled and Dick sheepishly smiled.

" I just wanted to check on you two, to see if you need any help. " Dick said quietly.

" Sure. Make sure that these two don't come by again. " Damian said coldly and went back inside, clearly annoyed, trying to calm himself. But the moment he set his eyes on (Y/N), he was calmer and less annoyed.

" Sorry, another brother is annoying today. " Damian said, taking a deep breath as he tried to calm down.

" Are they always like this? " (Y/N) asked softly and Damian nodded.

" I'm afraid so. " Damian said, glaring at the door for a second before he focused back onto the project.

After some times, they have actually managed to finish it. Damian was happy, but then this means that hanging out with (Y/N) is over. After this, they probably won't ever talk.

But Damian just couldn't let it go. He had to confess.

He had to.

But is he brave enough? Maybe.

" (Y/N)? Before you go, I need to tell you something. " Damian said once they were outside.

(Y/N) nodded and waited for Damian to speak.

" I... I like you. A lot... And... You are allow to say no, but do you want to go out with me? " Damian asked softly.

(Y/N) was outright speechless. Damian felt the same way? This had to be a dream...

" I would love to. " (Y/N) said, blushing like mad and rubbing the back of his neck.

" I'll text you the plans later. We can go tomorrow. " Damian said and Alfred got the car ready to drive (Y/N) back to his home. After (Y/N) and Alfred left, Damian slowly turned to his brothers who were eaves dropping.

" You 3 have 5 seconds to run before I get you. " Damian said coldly and the three quickly ran. Damian chased after Jason.

Bruce simply sipped his coffee. It's not worth his nerves. Or annoyance. Or even the agitation.

Bruce sigh. Just let it be.

[sysig]

Your Weekly TV Guide

On Monday you can expect:

2:30 PM: Handplates/The Sims 2

And Tuesday:

2:30 PM: Handplates

Wednesday:

2:30 PM: Dream doodles

Thursday:

2:30 PM: The Mouse and the Mermaid

Friday:

2:30 PM: The Sims 2

Saturday:

2:30 PM: The Mouse and the Mermaid/Just Desserts

Sunday:

2:30 PM: Bunnies and piggies

Thanks for tuning in! (Patreon)

[fromtheseventhhell]

Wait...Imagine it's an animated spin-off separate from GOT canon with Maisie returning to voice Arya. We get a book-accurate design and writing, starting with her leaving Westeros and traveling to Braavos, including her warging, connection to the North plot, and involvement in Braavosi politics.

They just shelved the Snow sequel, there's no way they could already be considering another GOT spin-off...right? Right?! 🥲

[himegureisu]

Expecto Patronum

Summary: Your lesson for the day is about the Patronus charm and after your demo, the students argue about Snape being unable to cast the spell. He proves them wrong.

Author's Note: I'm partially alive.

----------------------✨----------------------------

“The Patronus is one of the most powerful defensive charms. If cast correctly, you conjure a guardian. A corporeal projection of your most positive feelings. It can be quite difficult the first time so don’t be discouraged if only wisps of mist form. That’s good progress,”

Your students’ cries of Expecto Patronum echoed throughout the room as you slowly walked by correcting their posture and pronunciation. There were few promising attempts, however, there was much work to be done before they could fend off Dementors on their own.

“Can we see your Patronus, professor?” Neville disarmed and tiredly asked. Further, Luna added, “Is it an incorporeal or corporeal patronus, professor?”

“I can cast both,” you offered, “However, which would everyone like to see first?”

The Corporeal Patronus! They chorused.

In a wave of your wand, your Patronus emerged playfully eluding them and departed the classroom in a trail of mist. Your students were amazed at the sight of such a beautiful animal before they wondered aloud.

“Does that mean Professor Snape can’t cast the charm?” the question met with silence, but you urged, “What does everyone think?"

“I don’t think he can,” Ron interjected from the crowd, then Malfoy followed, “He can,”

They started to argue as you conjured your Patronus to send Severus a message. They were supported by their friends who believed he couldn’t as a former death eater and those who thought the man had redeemed himself throughout the years which were few and far between.

“What seems to be the problem?” his voice ceased the arguments and his presence by your side further silenced the children, “Professor?”

“They would like to see your Patronus,” you simply answered, and he briefly gazed at the crowd, “My Patronus? Why not yours?”

“They’re settling a debate so,” you trailed off, eyes on his silently pleading he’d indulge you, and he sighed, “Very well,”

His Patronus wandered tentatively in the middle of class before yours appeared. That’s when they realized yours and his were partners. They mischievously passed through students before disappearing in thin air.

“The Patronus is cast using positive feelings,” Luna explained from Draco’s side, “Don’t you think marriage gives such an incentive given how smitten the Professors are with each other?”

Your cheeks flushed and his arm around your waist tightened at Luna’s words, suddenly aware of the depth of your bond. On his lips, a small proud smirk formed and your heart swelled in happiness.

“The things I do for you,” he whispered, pressing a gentle kiss to your temple as you both watched the students quarrel, “Thank you,”

[ts2nostalgia-zine]

SUL SUL, DEAR SIMMERS!

We've got something special for you! 🩵

Yes, you've read correctly! With the amount of artistic talent of all sorts that has amassed over the years and the persisting loyalty to this game, we felt like it was about time to call the production of a free, digital zine for the summer of 2025 into action!

I'm intrigued. But what's a zine?

For the sake of brevity, let's ask Britannica: Zine, a small-circulation print or online publication that is produced through noncommercial means and is meant to appeal to a niche audience. The term zine derives from fanzine, an amalgamation of the words fan and magazine.

How can I contribute?

There are a number of ways! From edits using any of the games, to digital art, writing and physical crafts, you can put your creative talent to use! The central theme is Sims 2 Nostalgia, so while you are given a lot of liberty on your chosen medium, it should feature the characters, townies, NPCs, or even objects from the pc game and its spin-offs!

Sweet! How do I apply?

We're so ready to welcome you on board! While we are planning on a big-scope project, we cannot predict the number territory of applications and thus haven't set a specific number of spots in stone. All you gotta do is fill out this form and we will get back to you after the deadline, January 29th!

This should cover the most vital points for now! Further zine specs and details will be covered on the faq page we're currently setting up, or follow post application. But if there's a burning question you think you need answered right away, shoot us a DM! 🦙

See you soon!