#not every character needs to be romanized or saved

[moeitsu]

I love The Boys, and I love the fandom (sometimes) but with everything happening in season 4 I’m getting really sick of the Homelander sympathizers.

Yes, we saw how tragic his childhood was in episode 4. And there’s nothing wrong with feeling sorry for his tortured upbringing. He’s a very complex character but he is still the villain

Not only is he the tortured villain but there is no “misunderstanding” about the way he acts. I’m really repulsed by the amount of fan-girls who romanticize a rapist and a murderer.

Homelander can be a fun character to dive into and explore in the context of the show. But that’s it.

[pottersdune]

My Roman Empire for Haladriel will always be that Galadriel could have tried to turn Sauron to good the same way that he made attempt after attempt to turn her to darkness.

Imagine if she just once tried to reason with him, negotiate with him or provide conditions for his compliance. I believe he would have made a lot of concessions just to keep her with him. To be clear, I don’t think she should have done this or is in any way responsible for what he turned out to be, it’s just an interesting concept to explore.

She asks him one question on the raft: rule or save? Which he answers incorrectly. And from then on, she’s done with him. Not because they don’t have a connection or even because of Finrod. It’s because she fell so deeply and the betrayal hurts her so profoundly. She also feels like it was all an illusion and Sauron felt no connection (which we the audience know is false).

Galadriel is well and truly heartbroken throughout season 2. In every conversation she has - with Gil-Galad, Elrond, Adar, Celebrimbor, she is completely depressed. Elrond says Sauron is still in her heart, Galadriel admits that her world has lost all color without him. It is in every acting choice Morfydd makes over both seasons.

With this in mind, the best storytelling device and most heart wrenching thing the show could possibly do is have a full circle and honest conversation between Galadriel and Sauron. Galadriel needs to be honest about everything she felt for him. He needs to be honest about what he felt for her. And the gut punch will be that they had that conversation too late.

It can be after the fall of Numenor or in the last episode of the series where it’s clear that nothing can come of it because at that point he’s truly irredeemable. In order to have a satisfying relationship arc to the central relationship the entire show is based on, this is necessary. We didn’t get it in the season 2 finale and got a bunch of nonsense Marvel-esque lines from Galadriel.

To the showrunners, put the lore bros and neo cons and tradwives aside and focus on the story you have told. Admit that the entire angle of this adaption is about Sauron and Galadriel and their push and pull dynamic (which lasts for 3000 years). Trying to satisfy the loudest and angriest voices on the internet is going to satisfy no one.

Empty action sequences with binary representations of good and evil doesn’t make for a compelling story. The best story telling for a TV show format is character driven and relationship driven. Honor that. Capitalize on the insane chemistry of these actors. Otherwise, your entire story has lost meaning, cohesion and heart.

[redhoodinternaldialectical]

Every time I learn something new about Batman: War Games I lose my mind a little bit more cause just, just fuckin, look okay so here's the thing:

Stephanie Brown tries to implement a contingency plan of Bruce's just after he fires her from being Robin and because of that gets tortured to (almost) death and no one knows she survived.

THIS STORY RUNS IN THE NEWS:

So, you know, anyone who might be paying even half a fucking ounce of attention to news about ROBINS would definitely absolutely notice this!!!

And then very very soon afterwards Jason comes back and specifically targets Black Mask to ruin the criminal empire he tortured Stephanie to get

As a way to torment Bruce about the fact that he doesn't take care of the nastiest criminals and they continue killing people

And how Jason should have been the last to die

and SOMEHOW

these two things are in no way related and Jason has nothing to do with or say about Stephanie Brown, fellow Robin, fellow martyred soldier, fellow child dead due to Bruce related villains.

HOLY DEAD SIDEKICKS BATMAN, DO YOU COMPREHEND THE MAGNITUDE OF MISSED OPPORTUNITIES HERE????

please walk with me down a timeline in which:

Lost Days Jason at first just tries to go after the Joker and can't because who he's really mad at is Bruce.

Then he sees Who Really Killed Stephanie Brown and the utter horror of another Robin dying on Bruce's watch (not just dying, but tortured to death!) is what convinces him to try to straight up kill Bruce via car bomb

Roman Sionis is no longer merely a tool against Batman, but another figure to demand vengeance be brought upon, another attempt to give Bruce a chance to right his wrongs and do what needs to be done

The confrontation with him and the Joker being all the more tragic due to how obvious Bruce's answer would have to be once Jason knows Bruce isn't going to avenge Stephanie either

Does Jason, once he escapes the rubble after UtRH is over, kill Black Mask anyways? Does he decide to avenge her himself? Or does he think that she too would demand that of Bruce, and find his death by a different hand unsatisfactory?

If he doesn't kill Black Mask, then when Steph is back, I feel confident he approaches her, tries to reach out to the other dead Robin, almost certainly makes the offer now that he can ask her. Does she take him up on it, gaining an ally and slipping into a far darker role? Does she instead refuse, either appealing to forgiveness or far more interestingly refusing both vengeance and forgiveness? How would Jason handle a refusal, which I gut instinct feel is more likely?

If he does kill Black Mask, then when Steph is back Jason drops his corpse at her feet like a loving housecat with a dead lizard and she has to grapple with her feelings about having someone really and truly avenge her!!! Like how DO you react to someone who you have been warned is wildly dangerous and mentally unstable coming up to you and saying, "I'm glad you're back, like me. I'm sorry you're back, like me. I made sure you could rest knowing he was dead, because I know what it feels like."

Like no matter how each character reacted to this happening there would be so much high stakes emotional shit to explore with both of them!! Revenge I feel like is such a pivotal thing for both characters, they mirror each other in so so many ways, they could be really interesting together if DC would just fucking let them!!!

Jason had a criminal father who he missed and wanted to avenge. Stephanie had a criminal father who she wanted vengeance on.

Jason started off as a fairly gentle soul who progressively became more violent and more hopeless as he was exposed to genuine horrors during his time as Robin. Stephanie starts off violent, angry and rash and finds her own courage and hope through her time as a crime fighter despite of the horrors she's been through.

Jason went to Africa and died there after Bruce failed to save him. Stephanie was taken to Africa via a fake death in order to save her from Bruce and the vigilante lifestyle.

I just...

There's just...

There's SO MUCH HERE I am genuinely fucking confused as to how this is not all deliberate?? And it's all just left on the cutting room floor because for no reason apparent to me they all just decided Stephanie and Jason were not gonna interact!

AAGHHHH!

[wolfy1298]

Don’t you ever wonder what kind of secrets and plot points Venti keeps hidden? He claims to be the weakest amongst the Seven-and that could be true given his whole 500 year slumber and poison and all- but he’s still a god. AND one of the original Seven. You gotta be good at SOMETHING to survive for this long…

He’s also the only archon so far that doesn’t have a second story quest so what is he hiding?! We have accounts of him literally shaping the land with ease from both the Golden Apple Archipelago events and his character stories. We know that he has close relationships with the Hexenzirkel and somehow managed to avoid conflict with them??? And there’s also the fact from the skyward sword series that he was originally a catalyst user before picking up the bow in honor of Amos. He’s pulling a Childe when it comes to weapons he currently uses and the ones he’s proficient in.

And don’t even get me started on his connection with Istharoth and Celestia! Mondstadt already has the Thousands Winds Temple AND the nameless island where both Venti and Istharoth were once worshipped. And from Before Sun and Moon, we know that the Thousand Winds (which Venti IS A PART OF) were once called the Thousand Winds of TIME, all of whom were created and controlled by Istharoth. AND THEN you have Venti suspiciously appearing in the right place at the right time again and again and again. He even self proclaimed knowing every song: past, present, and future. Hell he’s probably one of the only few beings in Teyvat who can naturally bypass Irminsul because of his songs: Nahida already shown it’s possible to save deleted info if rearranged into fiction so the same should work for songs and poetry. And there’s also what the hydro fungus in Nahida’s second story quest said about changing forms. That you need time for growth to occur. And Nahida - an ARCHON- had trouble maintaining her fungus form for even the short period of time. She was even told that to do so for longer, one would need to bypass time itself which is near impossible. AND YET VENTI CHANGED INTO THE FORM OF HIS FRIEND IMMEDIATELY AFTER RECEIVING HIS GNOSIS AND HAS YET TO CHANGE BACK OR TIRE FROM FATIGUE (as we know it). HOW STRONG IS HE. Sure, the yokai in Inazuma and Adepti in Liyue can all change into a human form, but we know in game that it takes a long time and steady energy to take on a human shape, and the Adepti all seem to have that ability naturally: there’s no bending the laws of nature if it’s already natural to them. So what’s Venti’s excuse?!

As for Celestia: there’s already written in the statue of Barbatos “the gateway to Celestia” and what not. And Khanreia! In the chasm AND in the Caribert quest, Barbatos and Mondstadt keep getting named dropped. According to Dainself, the city in the chasm is supposedly OLDER than Khanreia and possibly the Seven, yet BARBATOS of all beings is mentioned in the records you find??? And in Caribert, it’s a Mondstadtian woman who that one bloke had a child with. Never mind that Mondstadt is where Kaeya and Albedo - the two characters with confirmed Khanreian origins- end up! There’s also the fact that Khanreia seems to base its gods and names and whatever around Norse mythology….which has strong ties to GERMANIC HISTORY. WHICH MONDSTADT IS BASED OFF OF. And Enkanomiya, which was once ruled by Istaroth, is Greek origin. Suspicious considering all the connections to HERMES Venti keeps portraying. (And then there’s also a connection to all three places with the hexenzerkel with their Chinese names? Like I think I read somewhere that Alice is Aries(?)/Eris(?) and Nicole is actually Nike in the Chinese version? Which are very much based in Roman/Greek origins)

Oh and something I forgot to mention earlier with the whole Istharoth connection. Mondstadt’s saying “seeds of stories, brought by the wind, and cultivated through time”. SUSPICIOUS

Anyways, this has been my nonsensical Venti theory rant

And you’re stuck with me @worldsokayestmagicalgirl

[fictionaltrvlr]

Roman Empire this, Roman Empire that. I don’t really think I have a Roman Empire-

The Overwhelming Hatred of Rachel Zegler

This rising star of a 22 year old woman is being torn apart by men and women alike and I’m so tired of it.

I’m disgusted by the amount of hate she’s getting and you best believe I’m gonna lay it out. I’ve tried to organize this but I’m really tired so bear with me.

Main Controversy

Her saying that it’s no longer 1937 and Snow White doesn’t need to be saved by the prince is not her saying that women can’t want to have a husband or a family. Simply that they don’t need a man to give them value.

And to be clear, yes, okay? Yes. Women should be allowed to soft, they can want families, they don’t need to be badass to be happy. They can fit “traditional” roles. Women can want different things. Meg March, the icon that she is, “just because my dreams are different than yours doesn’t mean they’re unimportant.” 100% yes. But Rachel wasn’t saying otherwise.

She said the prince was a bit of a stalker so they’re not doing that this time… and yes? The prince was weird. I thought we agreed on that. Snow White was 14 in the original and got kissed while she was unconscious by an adult man… but sure, ✨iconic✨.

And it’s fine if you don’t like the *apparent* girlbossification of Snow White, but people are acting like Rachel wrote the movie?? Did it ever occur to people that maybe Disney wants the “girlboss independent woman who doesn’t need a man” picture presented?

She’s doing press for the movie, is she maybe taking the direction Disney gave her?? Also… we. haven’t. seen. the. movie. The teaser only just came out!

Strike Comments

Her comments being popularized during the strike is already suspicious enough. Is it not in the studio’s interests to portray the strike and those taking part in it as unreasonable?

Her saying she deserves to be paid fairly for the hours she spends in a dress playing an iconic Disney character is completely valid. She wasn’t saying she’s the most amazing actress ever or that she plays the hardest roles or does the most complicated stunts. Just that she deserves fair pay… like every other striking actor and writer??

Childhood Relationship With The Character

Her saying that Snow White scared her as a child and she didn’t revisit it until she got cast. Why does that matter so much?? There were scary things in that movie! The witch, the poison apple, the forest coming to life and trying to grab her.

Tastes change as we grow and Rachel has shared her excitement about getting to play the character now.

She was a child. *screaming*

The Extremely Different Treatment Men Receive in The Same Situations

May I present, Robert Pattinson?? Mr I hate these books and felt like I shouldn’t be reading them?? Mr Edward is creepy?

He mocked and joked about the Twilight series every chance he got and people ate it up. They loved it and still do. He’s funny, he’s confident, he’s so real for that.

Harrison Ford wanted his character to die off and said it had run its course. He was praised for his humour and honesty.

Oh but Rachel is ungrateful. She’s rude, she’s cringe, she’s mean, she’s annoying. She’s irredeemable, she’s overbearing, she’s smug, off putting. There’s just something about her that we don’t like…

She’s pitted against other successful women, like Halle Bailey. She’s pitted against Kristen Stewart. Against Elle Fanning, Jenna Ortega. Ignoring, may I point out, how hated so many of these women have been at the different points in their careers?

This is how Brie Larson is being treated and now she wants to leave Marvel too.

Women can be sarcastic. They can joke and speak their minds. They don’t have to package every thought with a pretty little bow so it’s palatable to you.

Rachel’s statements are being misinterpreted and twisted. But on top of that, even if she was what people are saying, have we forgotten about Tom Cruise? Leonardo DeCaprio?

These men are insufferable and problematic and yet some of the biggest names in the industry and, again, confident. Boss. In charge. Charismatic. Not annoying, not petty, not “oh you should be grateful you have anything!!”

Let me pull out Taylor Swift for a hot second because she does a wonderful job of describing the different ways we talk about men and women.

A man does something and it’s strategic. A woman does the same thing and it’s calculated. A man is allowed to react, a woman can only overreact. […] A man shares his experience in writing and he’s brave. A woman does the same thing and she’s over sharing, she’s over emotional, watch out!

America Ferrera when she said that the only difference between being bossy and being a boss is that one is a woman.

People need to listen to “All American Bitch” again -

I know my place, I know my place, and this is it! I don't get angry when I'm pissed I'm the eternal optimist I scream inside to deal with it All the time I'm grateful all the time I'm sexy, and I'm kind I'm pretty when I cry Oh, all the time I'm grateful all the time

And not that women need to be grateful because they don’t, but just to be clear, she is grateful.

She has expressed how lucky she was to get Shazam and how much she enjoyed it and made amazing friends. She was excited to play her version of Snow White. She shared pictures of herself as a child dressed as Snow White. She’s thrown herself into it.

Conclusions

Hate trains fun, I get it. But let’s not pile on young women when they’ve not even done anything wrong. Question why all of a sudden everyone hates this person, what are the facts, what else is going on, what confirmation bias do we have?

There is something so much worse to me about seeing other women tear her down. Like yeah, men will be pigs, but what are you doing? It’s so sad.

And women like hunting witches too, doing your dirtiest work for you, it’s obvious that wanting me dead has really brought you two together… (Mad Woman, Taylor Swift)

Rachel seems like such a joyful person and people are out here bullying her like she kicks puppies on the weekends.

Claiming to be a feminist because you want a wide variety of princesses (ie, ones that get saved by their prince), and then sending death threats to another woman for possibly appearing as though she holds a different opinion about one princess - is not only a contradiction, it’s just baffling.

Anyway stan Rachel Zegler

That’s my speech, please do contribute collaboratively if you want :).

[holylulusworld]

A home, not a house (5)

Summary: You are in trouble and need fast cash. For the longest time you tried to be a good girl, now you need to break the rules all over again.

Pairing: Mobster!Dean Winchester x Thief!Reader

Warnings: angst, language, criminal reader, mafia au, kind of hostage situation, mentions of character’s death, fluff

A/N: A short epilogue to this story.

Catch up here: Our house (4)

Wrong House masterlist

Outside. After weeks of being locked in to keep you safe, Dean finally allowed you to leave the house. It still feels odd to walk next to the dangerous and broody man.

He whistles a song he heard on an old mixtape he played on your way to your destination. Dean nods at a group of men as you nervously tug at the sleeve of your jacket. You’re unsure what will happen today.

Benny said Dean is a nice man, and that he likes you. But his brother seems to dislike you. You don’t know what to think of Dean’s change in behavior.

“Come on, sweetheart. You’ll like my surprise,” Dean suddenly wraps his arm around your shoulders. He leads you toward a large gate as the men follow him and you. They look like an army, except for the fact that all of them are wearing suits.

They open the gate for you and Dean, holding it open for you to enter. The moment you step through the gate you gasp loudly.

“Welcome to the right house, sweetheart,” Dean snickers because the house you wanted to rob lies in ruins. Only ashes and dust are left of the formerly impressive mansion. “I bet you’re happy you tried to rob the wrong house.”

“That’s Dick Roman’s house,” you press your right hand to your mouth. “What happened? Why did it burn down? Why did you bring me here?”

“He got to know about your plans, and that you wanted to rob him. Dick Roman wasn’t the kind of man to forgive you so easily. He’d hurt you, or worse. I had to do something. That I got rid of my archenemy was a bonus.”

“You killed him?” You whisper so no one can hear you. It’s unnecessary, though. The men standing behind you and Dean belong to the mobster. They wouldn’t dare running to the cops to rat Dean Winchester out. “Why?”

“I told you.” He sighs deeply. “Dick Roman wanted you dead. Your nice friend Trenton ran to him to tell that bastard every detail about you, your family, and our relationship.”

“Relationship?” You say more to yourself than Dean. Can you call it that? Dean kept you hostage after you broke into his house. And even though he didn’t hurt you, Dean still scares you to the bones.

“You’re my thief from now on,” he pecks your cheek before walking toward the ruins that used to be Dick Roman’s home. Your heart flutters, but you still don’t know what to think of Dean.

“He did all of this for you, cher,” Benny suddenly stands next to you. He’s damn stealthy if he wants to be. “Dean is not the kind of man talking about his feelings all the time, but you can be sure about one thing. He’d do anything to protect you.”

“Dean didn’t have to burn Roman’s house down for me.” You sniff. “I didn’t ask him to do so. I would never ask someone to hurt people.”

“Cher, you’re living in our world now. The world we are living in is a hard, and dangerous one. If you want to survive you must be even harder, and more dangerous. Most importantly, you must make sure that people fear you and respect you.”

“Benny, he killed a man and burned his house down. What kind of man does something like that?”

“A good man,” Benny shrugs when you look at him, bewildered. “You won’t find a better man, Y/N. Dean may be a hard and dangerous man, but he’s willing to give up everything to save someone he loves. You should be honored that he’s willing to do anything for you too.”

“I think we are done here.” Dean joins you and Benny, he looks at you, one eyebrow cocked. “Why the scared face? Trenton and Roman are gone. No one will hurt you on my watch.” He cups your face with both hands. “No one, sweetheart.”

Back at Dean’s house, you are pacing your room. He killed two men for you and burned down a Roman’s house. Benny told you his boss did all of it to keep you safe. But can you believe him?

“Hey, sweetheart.” Dean walks inside your room. He sighs seeing you pumped up. “I know it was too much to take in. All I wanted was for you to see, that you’re safe now. With Trenton and Roman gone, you can go wherever you want.”

Dean longingly looks at you when you stop pacing. “Wherever I want to go?”

“Yes,” he slowly steps toward you to cup your face. “I had hoped that you want to stay here, with me. I know you do not trust me yet, but maybe, you are willing to give me the chance to prove to you that I can be a good man for you.”

“Dean I—” This time he presses his lips to yours, silencing you for a moment. You close your eyes and softly kiss him back. Tomorrow is another day to think about the future. For tonight, you are willing to think about giving Dean a chance…

The End, for now...

Tags in reblog.

[five-miles-over]

Joaquin Phoenix Characters Masterlist

updated 08 November 2023

Multiple Character Headcanons and Listicles

• Joaquin Phoenix Characters as University Students

• Joaquin Phoenix Characters as Cupcakes

• Joaquin Phoenix Characters - Sleepover Headcanons

• If Joaquin Phoenix Characters Went on Dates

• Joaquin Phoenix Characters as Comfort Foods

• Holiday Gift Ideas for Joaquin Phoenix Characters

• Commodus, Abbé, and Joe as Parents 

Abbé de Coulmier from Quills

• The World’s a Broken Bone: The Abbé comforts the reader - a nurse at Charenton - when they have a severe migraine.

• Let Me Save You: A crossover with Thomas Sharpe from Crimson Peak

• The Ballad of Mona Lisa: The reader confesses to the Abbé about fantasies that they have been experiencing lately. (Smut)

• Abbé de Coulmier x Light Academia (aesthetic board)

Arthur Fleck from Joker

• Yandere Arthur Fleck Headcanons

• Arthur Fleck and Joker Jealousy Headcanons

• NSFW Headcanons

• Yandere!Arthur and Yandere!Joker Dealing With Rejection in Public

• Joker and Cruella de Ville Crossover Headcanons

• Arthur Fleck x 50s Retrocore

Bruno Weiss from The Immigrant

• Bruno Weiss x Roaring 20s (Aesthetic Board)

Clay Bidwell from Clay Pigeons

• Misery Loves Company: Clay meets the reader at a bar and the two of them have a much-needed break from their troubles.

• Hey Good Lookin’: Clay loves it when his girlfriend sits on his lap and asks him for a kiss (fluff)

Emperor Commodus from Gladiator

• Imagine Teaching Commodus to Slow Dance

• The Courtesan: The reader is a dancer that catches the eye of Emperor Commodus at a party

• ‘Till I Hear You Sing: A song-based fic based on “Til I Hear You Sing” from Love Never Dies

• What I Did For Love: Continuation from ‘Til I Hear You Sing’. A song-fic based on “What I Did for Love” from A Chorus Line

• New Girl: A high school AU of the movie Gladiator. The reader has recently moved to Rome and is now a new student at the Roman Educational Institute

• Paparazzi (Hollywood!Commodus x Reader): Another Gladiator AU in which the reader has a chance encounter in Rome with Commodus, a world-famous actor hounded by paparazzi.

• All Love Can Be: Prince Commodus meets the reader through their fathers working together, and eventually decides to ask for her hand.

• Handsome: The reader gets a little drunk while spending time with Commodus, and turns a bit childish and dorky.

• The Festivals of Saturn: Commodus’s first Saturnalia as a young sixteen-year-old co-emperor.

• Lay All Your Love on Me: Commodus falls unconditionally and irrevocably in love with a confident young woman along the seashores of Lanuvium

• Lose Me In the Sight of You: All you wished for was the blessing of Lady Juno that you would find a good husband, yet little did you know that a certain Emperor has grown passionately and hopelessly obsessed with you. (TW: Yandere)

• Emperor Commodus x Vampire Aesthetic

• Commodus’s Outfits as Chocolates

• Similarities Between Chuck Bass from “Gossip Girl” and Commodus from “Gladiator”

SERIES: ALONE WITH YOU INSIDE MY MIND (COMMODUS X READER) - ON HIATUS

The young prince (and soon to be Emperor of Rome) Commodus falls in love with you, the daughter of a nobleman, and nothing will stand in the way of his obsession.

Chapter 1

Chapter 2

Chapter 3

SERIES: AFTERMATH (COMMODUS X OC) - ON HIATUS

A sequel to the events of the film Gladiator, in which Emperor Commodus survives the duel with Maximus

• Chapter 1: The Impossible Dream

• Chapter 2: Proud of Your Boy

• Chapter 3: The Point of No Return

• Chapter 4: Look Down

• Chapter 5: Beneath a Moonless Sky

• Chapter 6: These Palace Walls

• Chapter 7: Wait For It

• Chapter 8: Something There

• Chapter 9: Be Prepared

• Chapter 10: Twisted Every Way

• Chapter 11: All I Ask of You 

• Chapter 12: History Has Its Eyes on You

Max California from 8 MM

• Max California x Dark Academia

• Max California Proposing to You (Headcanons)

Ray Elwood from Buffalo Soldiers

• Ray Elwood Taking You Out on a Date Would Include...

Willie Gutierrez from The Yards

• Blackout: The reader is Willie Gutierrez’s new neighbor, and the two of them accidentally meet during a power outage

• The Light Blinking at the End of the Tunnel: The reader offers some much-needed comfort to Willie after finding out about his dark past.

[brujitaadinbo]

I'm back again with my crazy posts about DINBO parallelism and other iconic couples from cinema or any material. I have had a lot of things to do but I have taken the time to watch Batman content, because I love it, it is one of many favorite characters I have. Watching one of the cartoons of this character I saw a beautiful reference to Catwoman---Batman, in that connection that they have always had.

They are both wounded people, trying to move forward, healing on their own and then healing together, but the process is long and good, there is still a lot of development left (plus they are going to want to exploit Batman every time they can with more movies or series, ect)

Selina and Bruce are a magnetic couple and they complement each other, they don't need to be cheesy or be together all the time, because in their intimate moments, they show each other everything. The hero in the making and the antihero who seeks redemption.

Very much in the style of Din djarin and Bo katan; These two are more possessive of their responsibilities and more closed BUT they recognize well when they feel attracted, when they feel good working together and taking care of each other, sharing moments, living in the moment without labels.

It's something I love; in many comics and series such as Batman Rush Selina and Bruce understand each other very well, so much so that Catwoman and Batman also coincide and suddenly even their hidden personalities come to light. So they work as a team, their romantic dates destroy criminals and save the city, kicking ass.

It reminds me a lot of Din and Bo in their adventures with Grogu, solving problems together, traveling, having adventures, destroying imperials.

I love that Batman in his own way is protective of Catwoman but I feel like he can improve that, he is a very dense character and still has things to fix, just like Selina.

Something like Din; He doesn't talk much but he shows with actions that there are people he cares about and will protect them at all costs, just like Bo.

Din and Batman have as much in common, as do Bo and Selina.

And hey, I don't deny that they have a long way to go to become a healthier couple, but hey, with so much that they've been through, who would be completely fine?

Who is not sick in some way in their emotions???

For the same reason, I relate them to DINBO because both couples fight to be better, more balanced, even if they separate for a while or are together at another time.

I love that both Din and Bruce, although they don't talk much or don't express themselves well at all, when they do, they are very tender and know how to melt the heart of the person they are talking to with their words. .

Just like when they talk to Selina or Bo and they almost always leave them speechless, they don't know how to react. As much as to flatter them or to apologize to them and even an I love you like Batman says in the comics to Selina or a "I'll serve you" to Bo Katan.

And now to close this post; I love how Batman and Catwoman have that very particular and acid humor, their own silly jokes and she accepts them. Like when she gets pregnant, they don't know it yet and he offers her a "Bati bucket" for nausea or when they are already checking Selina and she tells him "it's cancer" he with a soft smile tells her "it's not." and she takes it with her typical humor LOL

It reminds me a lot of Din and Bo's humor, their own jokes "the element of surprise" and those knowing laughs. Or that Bo is ironic about the pog soup thing.

That Din tells her "that's what happens for stealing imperial ships" and she responds that way. Very consistent with their personalities.

I love it and I will continue sending DINBO, getting information and parallels as long as I can. And batman and catwoman are my roman empire.

this is the way.

[katerinaaqu]

I’m nodding along with your posts cause the thunder saga ending just didn’t sit well with me at all. I feel like once again Odysseus is being characterized as a villain and a totally ruthless, selfish person when that’s just NOT who he is in the Homeric myths. I really enjoyed the start of the musical and I admire Jay’s talent for making music. But it’s missing Odysseus’ character by a long shot and it’s missing the heart of the Odyssey

It wouldn't be the first time. Many post-homeric sources depicted Odysseus as an amoral bastard who would sell anything and anyone to achieve his goals. For instance post-homeric sources have HIM instead of the will of the gods be the one to orchestrate the sacrifice of Iphigenia and leading her to the altar.

Unfortunately Odysseus seems like free game to be turned into the villain of the story since antiquity. And that is because his methods were going against what ancient Greeks considered honorable (aka direct fight) so they strifed to use Odysseus as an example of what one shouldn't be doing plus many who created anti-war plays like Eurypedes wanted Odysseus as the symbol of anything going under the table in a war. Basically the shady aspects of war. In a way it made sense in antiquity even if it was overplayed.

Romans were also divided but many depicted Odysseus as the absolute villain because he is the taker of Troy. The ancient Roman progenitor is Aeneas who runs away from Troy after the massacre. In a way Odysseus is portrayed as the villain by the romans because he took their mythological ancestral city.

However indeed what bothers me is that this musical was not supposed to be some rewrite of Odysseus's persona. It was supposed to be an adaptation from HOMER'S Odyssey and homeric Odysseus is in my opinion the most solid Odysseus. He is not a goodie guy of course. He has tons of flaws and he made many gray decisions but he was still the hero. Not the lowkey villain. He was incredibly loyal to his friends and crew and didn't abandon them before any danger.

The Musical I think ruined his potential. Not just the thunder saga but almost everything from the end of Storm till now. Odysseus does not speak his name to Polyphemus out of his fatigue anger and insult after a week of seclusion and torture. He speaks it out of spite because he just lost his friend (that same friend that was killed off for the sakes of dramatics given that Polites is mentioned only once in the homeric poems and that is on Circe's island), he doesn't sell himself to Circe to save his men apparently no price needed to be paid. He didn't remain a slave for one year close to her. He doesn't get strikes by guilt by ACTUALLY talking to his mother in the underworld or by fear by talking to Achilles or by doubt by talking to Agamemnon. He gets zero definitive answers from Tiresias. He gets no advice from Circe he gets not his experience with Sirens. He didn't gear up to protec his men from Skylla even if Circe told him not to because she was immortal and there would be no point...

Why would anyone claim that they make an adaptation if they do not follow literally anything from the plot?

I absolutely agree. I got my hopes way too high at Troy saga because I loved the way he actually used the Iliou Persis half-saved phrase and turned it into an amazing dilemma. Those first songs were amazing and spoke volumes for the characters. However the more we move in the more disappointed I get.

Yes I still feel happy that a fellow artist shows such passion over music and how he started everything by himself and all but now I feel like he just seeks to change everything from the original and I fail to see why...why must this potential masterpiece be turned into yet another "loosely based on" thing like every typical mainstream Hollywood film? I think my expectation at first increased my disappointment now.

Quite frankly I got a glimpse of Calypso too and they seem they want to turn the story of the poor man practically being raped for 7 years and held prisoner into a bubbly romcom...seriously no...

[dedalvs]

Random question:

So a while back I read something where someone was talking about how if English spelling were reformed so every sound had a unique symbol that we’d lose the “visual alliteration” of Cape Cod.

I cannot figure out what that means. Are those /k/ sounds not both [k]? The only difference I’ve been able to notice is a feeling of the airstream moving outward in “Cape” and inward in “Cod”, but I can’t tell if that’s due to vowel influence or what.

Let's back up. The "someone" who was talking about this was either (a) wrong, (b) uncooperatively pedantic, or (c) imagining a very specific, non-alphabetic spelling reform of English (e.g. spelling English with logographic or syllabic glyphs).

Assuming (b), the only way that English spelling could be reformed such that the C's in Cape Cod would be different is if the spelling reforming was as sensitive as a narrow IPA transcription. If that was the case, then there are some transcriptions of English that would transcribe the first as [kʰʲ] and the second as [kʰ]. This level is detail is phonologically important for some languages. English is not one of these. A sensible spelling reform would spell those the same, whether C (because all instances of [k] become C) or K (because all instances of [k] become K). A nonsensical spelling reform would actually spell aspirated and unaspirated voiceless stops different, but even then, these two would be the same, as they're both aspirated.

The airstream is the same for both (egressive). What you're feeling, I expect, is the very slight movement in tongue position as the initial [k], which is palatalized, moves backward to an unpalatalized position. The reason you feel this is the tongue doesn't have to do anything in between the onset of the first word and the onset of the second. The tongue gets in position for [e], and in this position you can pronounce [k] well enough, then with [p], your tongue doesn't have to do anything; the lips take care of it. This means your tongue body can remain in place. For "Cod", it moves back as the tongue prepares to pronounce [ɑ] (or whatever back vowel you have there). Notice also that the tongue body has to go down, the tongue tip retracting slightly to pronounce [ɑ]. That's all part of it.

Now, assuming (c), yeah, that's indeed going to happen. Consider Japanese katakana. This is how "Cape Cod" is spelled: ケープコッド /keːpu koddo/. The relevant characters—the ones that begin each syllable—are ケ /ke/ and コ /ko/. And, yeah, they're different, so you do lose the visual alliteration. However, what you lose in visual similarity you gain in economy. To write /ka, ke, ki, ko, ku/ in an alphabet you need 6 different letter forms and 10 total glyphs. To write the same thing in katakana you need 5 different letter forms and 5 total glyphs. Consider an old style text message, which had a hard character count. A syllabary allows you to fit more letters in than an alphabet because each character encodes more information. When it comes to sheer character count, then, the Japanese writing system is much more efficient when it comes to writing Japanese than the English Romanization is.

Of course, that's for Japanese. For English it doesn't make as much sense because of our overabundance of consonant clusters. Typing lava in an alphabet takes 4 characters; in a syllabary, it takes 2. Typing straps, though, requires 6 characters in an alphabet and 5 in a syllabary. That doesn't save you a lot space—and a syllabary like Japanese's throws in extra vowels that have to be there, even if they're not pronounced, destroying its efficiency by, essentially, adding extra noise to the signal. Returning to straps, you have 6 characters, and all elements are vocalized. In katakana, you'd have to do ストラプス /sutorapusu/. You save a character with ラ /ra/, but then you have a whole bunch of vowels you have to remember not to pronounce.

Long story short, if you were going to reform the English spelling system, I don't think a syllabary (or even an abugida) makes sense, and a logography would be quite a thing to drop on the unsuspecting populace, even if it would be more equitable. This is why I guessed that what you overheard wasn't (c) and was likely (b).

Anyway, that's my 2¢. Hope it helps.

[thepumpkincorsair]

So, I watched the first episode of “Those About To Die” on Peacock.

I enjoyed it, and Im willing to do write ups if folks would be interested…

Since I wana talk about details, and I dont wana spread spoilers, everything is below the readmore.

What I liked: 🔵 And what I disliked: 🟠

Total Ranking: 8/10 - very good, worth the watch 👍

🟠 It dove into the Intrigue right away, which made it hard to watch while doing other things, but I can appreciate a show that grabs you by the shoulders and shoves you down into the couch to pay attention.

🔵 It wasn’t boring, quite the contrary, I felt fully engaged throughout the episode. Theres a lot of small moving parts to the story, and it orchestrates together incredibly well so far, even for Episode One. The writing is very well done, which is a lynchpin for me on a show like this. You cant pretend to be an intrigue type series without a proper plot. And, in my opinion, they’ve set their plots well right away. Tenax getting those shares in Blue was a great con, which had clearly been going a while, but we only saw the tail end of it. I see this little setup as a great look at how the writers DO their work. Connections matter, money does more than talk, and if you play the game wrong, you die. Don’t trust anyone.

🔵 I REALLY enjoyed the historical aspects of the first episode. Like, yes, this plot happened, its a historical fiction and a number of these characters exist in history, but its not just that. Its the small details, the different knives in different cultures, the veterinary care of race horses, the deities from more than just the main roman pantheon, the drinkware, the VARIOUS clothes from various cultures and climates…. And yes, women often went topless when they were a sxwrkr. Gotta advert.

🔵 ON THAT SUBJECT: can we talk about “3 sesterce… and Im tighter than both of them.” MY BOY, YOU ARE RIZZIN TOO HARD AND I LOST IT. Please, please let him be in future episodes. Omfg….

🟠 I am forced to concede the accuracy isnt PERFECT, the horses wore modern driving bridles to go with their ancient styled chariots. However, Im realistic about how many horses are trained today to pull anything without blinders, and how much safer modern bridles are. I’ll also note: I absolutely saw the animal handler grab the horse differently (calmly) before the riot surrounded it, then direct the horse to dance in the crowd. Great training with the horse! Bad camera angle. Lol

🔵 I also really like this cast so far. Everyone fills their roles incredibly well.

Hopkins doesnt even need an introduction, the mans a legend and brings all his experience to the stage with him every time. -chefs kiss-

Rheon was great in GOT, he plays calculatingly unhinged exceptionally well. But I wont lie, seeing him in a more commanding, level headedly calculating person?

Hashim….. HASHIM!!! Im SO excited to see where his character goes. We haven’t seen much of him in Ep 1 just yet, but he’s clearly going to be one of the main players. Im not familiar with him as an actor, but I’ve enjoyed his performance so far, and I REALLY appreciate the story being told.

Martins is also incredible. She does a fantastic job of knowing the danger her characters children are facing, but also knowing she HAS to play her cards right to save them. She personifies the strength and determination of a mother perfectly.

🔵 Quite honestly, I have to give points to that whole plot-line in general. That point of view is something we’ve had hidden from us (in America) for so long, that I think a LOT of people have… become calloused. I hope seeing it will potentially help others come to an empathetic understanding. This isn’t glossing over what happened, or whats likely to happen to any of the three children.

🔵 I also want to gush over actually SHOWING the wider Roman Empire, we get to see the direct effect of their influence in both Africa and Spain so far. Egypt was their bread basket, and without that grain, youve got problems. The Berber Coast has animals, and people they want, and we see money exchanging hands for the purpose of those ends. We see how the locals were told they’d be treated fairly, paid properly, and even eventually become citizens, like the Spaniards, only to have those promises thrown aside as soon as the Romans have better money to make. These people gave the Empire everything it wanted, but the Empire is never satisfied.

We also get to appreciate how far west the empire went when the Spaniards are trying to sell their horses. (Plot-bunny: Andies are dancing horses, exceptionally athletic, and a prime choice for chariots, though, a standardbred is the usual choice for modern cart racers)

🟠 I will say the CGI isnt the best. You can tell exactly when they change from live action to CGI. But this is a minor issue for me tbh. Its passable CGI, and they use it to avoid putting animals or people in danger which, obviously, I appreciate. A chariot wreck was shown, annnnnd it was pretty darn accurate to how messy those would have been. Not good times y’all. Not good times. Also, the ramifications of a major concussion. Oof. At least the guy would have barely knew what was happening? Still.

🔵 The sound effects were enough without being over the top. Often times when theres gore to show, theres all these extra squelching noises and gratuitous blood… not this time. It’s actually… pretty durn accurate. Don’t ask how I know. I don’t wana tell you, and you dont wana know.

Overall, it was a really solid first episode, and I plan on watching the rest.

[andreal831]

If you don’t mind, can you make a post ranking all of the mothers in TVDU (e.g. Esther, Lily, Hayley, Caroline, Liz, etc)?

Ranking of TVDU Mothers, Worst to Best:

16. Dahlia

While Dahlia is not Freya's biological mother, she raised her. She was the only maternal figure Freya had over a thousand years. It goes without saying why Dahlia is dead last. While she is an excellent villain with a complex backstory, it doesn't change the fact that she was awful to Freya. So much so that Freya tried to take her own life, causing her to lose her baby. Dahlia had no love for Freya, only seeing her as a tool for power. She was ready to discard Freya as soon as a more powerful, easier to manipulate option came along. Dahlia never viewed herself as Freya's mother, which explains why she put no effort into being a good one.

15. Kelly Donovan

It's honestly surprising how good of a guy Matt is considering he had Kelly as his only role model. Kelly abandoned her kids when they are both in high school to chase after a man, forcing Matt to work nearly full time to afford to live and take care of Vicki who had a known drug problem. She only ever showed back up when she needed something and wound up causing havoc in her children's lives. While we can feel sympathy for Kelly losing her daughter the way she did, Kelly then continues to abandon her son, forcing Matt to deal with the loss on his own. Matt throughout the series is seen struggling much more than his friends due to his financial insecurity and his very warranted emotional attachment issues. Every other male character is given slack for having mommy-issues, but Kelly really did a number on Matt and he is given no sympathy by anyone. Not even the other parents on the show who could have stepped up and helped.

We also can't forget her SAing her son's best friend, Tyler.

14. Greta Sienna

We don't know much of how Greta was before Klaus killed her husband, but Greta allowed her hate and need of vengeance to consume her, shifting her focus away from her children, Roman and Antoinette. While she did care for them, risking Klaus' wrath to protect them, she then largely abandons them to lead her cult. Greta attempts to influence her children with her ideals, however, when Antoinette does not follow her beliefs, their relationship seemed to suffer. Roman also spent 50 years desiccating before Greta saves him. When they are reunited she uses him to get close to Hope, putting him in danger of angering the Mikaelsons. She then drags Antoinette into the conflict by manipulating both her daughter and Elijah with lies. Greta repeatedly put her own anger and hatred over her children, and it almost cost them their lives.

13. Lily Salvatore

We are told that Lily cares for her sons, and we even get glimpse of it throughout the show. But like Greta, Lily largely abandons them for her cult. She gets some credit for attempting to take her sons and run, but then quickly loses them for letting her son take the blame for the missing money and be beaten by his father. Lily then fakes her own death, forcing her sons to mourn her, all the while leaving them behind to face the abuse she was aware of from their father. While she is a ripper and potentially worried about harming her children, the fact that she didn't hunt down Giuseppe and kill him puts her pretty low in the ranking. Damon and Stefan would have been better off being orphaned at that point. But we see her getting control of herself enough to form her new family, never once going back for her children.

Even when she is released from the prison world, she prioritizes her new family over her sons. While I have sympathy for Lily for what she likely went through with her husband, it doesn't redeem her as a mother. Stefan does attempt to repair their relationship, but it is in a large part due to his forgiveness and less of an effort on her part. She is a better mother to her heretics, but even then, prioritizes Julian over their needs until the very end. She gets a couple of points for sacrificing herself to protect her heretics, who she viewed as her children more than her own sons, however, it does little to help her rank as a mother.

12. Isobel Flemming

Isobel does get some credit for knowing she wasn't ready to have a child since she was only a teenager, hoping Elena would have a better life with the Gilberts. But her caring more about her ancestor, Katherine Pierce, than her own daughter puts her pretty far down on the list. It seems that a lot of her actions against Elena are either from being compelled by Klaus or just fearing him, however, nearly all of her actions throughout the show seem to be putting her own daughter in harms way.

While Isobel clearly never wanted children and does not appear to be very maternal, she at least had the compassion for Elena to tell John to get Elena away from the Salvatores. While, as an audience, we may love the supernatural relationships, as a mother, Isobel did not want Elena to be invovled in the dangerous, supernatural world.

11. Katherine Pierce

Katherine was forced to give away her daughter and that clearly stuck with her. We see glimpses of the mother Katherine could have been had her life been different, but that unfortunately wasn't the mother Nadia had. Katherine did attempt to search for her missing daughter when Nadia was still a child, which is more than a lot of these mothers do, however, when given a second chance with Nadia, Katherine struggles to bond her.

Like everyone, Katherine has some valid reasons for her actions, but it doesn't fix how she treated her daughter. Much of their relationship seems to be Katherine using Nadia, prioritizing Stefan over her own daughter. She gets some credit for being by Nadia's side at the very end, however, it's a little too late.

10. Esther

This is a complex one because on one hand, Esther tried to murder her children multiple times. But on the other, she truly did lover her children in the classic toxic, Mikaelson way.

Esther only has her children thanks to her sister, Dahlia, and a bargain they made forcing her to give up her first born child. Esther is clearly devastated by this deal when she realizes just what it cost her, effecting her relationship with each of her children later.

Like Lily, Esther should have done more for her children to protect them in an abusive household. However, unlike Lily, Esther never leaves them. She does attempt to shield them from Mikael's abuse, often putting him to sleep or lying to Mikael to protect her children from her mistakes. Even after Klaus murders her, she still shows him forgiveness. Yes, she is attempting to kill him at that point, but I can't fully blame her.

At least the next time when Esther comes back, she attempts to give them another option rather than just death. While her actions are questionable, she does it out of love, which is more than a lot of the mothers on this list can say. At the end she sacrifices her life for her children. Similar to Katherine, it is too late, but it is clear she has a complex relationship with all of her children. They all show a fondness for her at points, signifying that there is mutual love there. Her sacrifice at the end at least allowed her children to attempt to remember her fondly.

9. Abby Bennett

At least when Abby abandoned her daughter, she left her in good hands. It is clear Abby loved Bonnie, but for whatever reason decided she couldn't raise her. However, watching her prioritize her adoptive son over Bonnie was devastating. Bonnie didn't deserve that.

She gets some credit for showing up a few times when she was needed, however, the fact that she didn't even know Bonnie died shows just how out of touch she is with her own daughter. Abby's motivations are unclear as to why she couldn't be more present in Bonnie's life. They hint at it a few times, but the fact that Abby didn't even bother to show up for Bonnie when Grams died or when she lost her father speaks volumes.

8. Liz Forbes

Liz and Caroline have a complicated relationship. Liz ends up raising Caroline on her own after husband abandons them. However, Liz's focus on her career tends to put a strain on their relationship. It only gets worse when Liz finds out Caroline is a vampire. Liz takes a lot of time, but eventually comes around to it and accepts Caroline, even saying she is proud of her. Liz standing up for Caroline against Bill was such a great moment for them.

Liz has the benefit of living longer than a lot of the mothers which allows her and Caroline to repair their relationship and even develop a close bond.

But she loses massive points for ignoring the twenty-something year old man hanging around her daughter and then later befriending him. Yes, she didn't know what Damon did to Caroline, but still. I need her to be a little more invovled in Caroline's life and recognize what she was going through. She is a cop after all.

7. Carol Lockwood

Carol is yet another example in the series of a mother allowing their child to face abuse at the hands of their father. Like the other examples, we can't dismiss how difficult it can be for a woman and her child to escape abusive men, especially when they are well connected like Mayor Lockwood was. Carol seemed to be a better mother after the death of her husband. Although her elitism likely contributed to much of Tyler's bad behavior in the early seasons.

Carol gets massive points for never turning on her son even when she finds out he is a werewolf. While Carol doesn't appear to be an overly affectionate mother, she did everything in her power to protect her son with no hesitation. She was definitely in over her head trying to protect the town from the supernatural, it was still clear that her son was her priority. Her last words were trying to protect Tyler.

6. Pearl

The worst thing Pearl did to her daughter was befriending Katherine Pierce which led to them being separated for a century, leaving Anna alone. We don't know much about their long lives, but it is clear Anna and Pearl had a close bond and clearly loved each other very much.

5. Jenna Sommers

Again, Jenna is not biologically a mother, but she does become Jeremy and Elena's legal guardians after their parents die. Jenna is still so young when she takes on this responsibility, balancing school on top of managing two children mourning their parents. Jenna is far from a perfect parent, often letting her emotions cloud her parenting, however, she has a closer bond with her children than most of the parents on this list. She allows them to be messy and imperfect, but makes sure they still feel loved and safe. In her last moments, she spends them trying to protect Elena.

She gets massive points for finding Damon hanging around her teenage niece weird. But does lose some for not actually doing anything about it. Jenna likely would have been even better had they trusted her with the truth. A lot of her struggles was her attempting to make sense of what was happening with only half of the information.

4. Caroline Forbes

Caroline clearly loves her daughters and would do anything for them. If we were only looking at TVD, then she would be right up at the top. But we can't ignore Legacies. While the writers do a better job of implying Caroline is invovled in the twins lives, there are just too many moments that it didn't make sense for her not to be present. She essentially, like so many of the TVDU moms, abandons her daughters due to writing.

I haven't seen Legacies, but even I know that Lizzie dies and becomes a heretic and Caroline doesn't come back for an entire season. While I believe the excuse is that Caroline is seeking a way to end the merge, the twins are still years away from the merge and her daughters needed her. Especially with how neglected they felt with Alaric prioritizing Hope. It's a shame the writers ruined Caroline as a mother because she was clearly dedicated to them when they were little.

3. Freya Mikaelson

While Freya wasn't Hope's mother, she essentially becomes a surrogate parent to her when the rest of the family is forced to separate. Freya is willing to do anything for family and oddly enough that does lose her some points. At times she does allow her determination to keep her family together to put Hope in questionable positions. But it always comes from a place of love. She is also one of the few family members that stays connected with Hope after she loses her family. Freya would do anything for Hope and she proves it by being willing to turn into a vampire and take the Hollow to save her. Even though Freya is a late arrival to the Mikaelson family, she winds up having one of the closest bonds with Hope out of any of them.

She and Keelin also have a child later, so honorable mention to Keelin because, even with zero evidence, I just know Keelin would be such a great mom.

2. Sheila Bennett

We don't know much about Sheila as a mother to Abby, but she took on that role for Bonnie and excelled. Sheila was one of the few adults who was actively invovled. She would do anything for Bonnie, even watching over her from the otherside. Anytime Bonnie needed her, she was there. They had such a special bond and Grams died far too soon. Grams knew just how kind and selfless Bonnie was and attempted to protect her from herself multiple times. But Grams wasn't much different, performing the complex spell, knowing it would likely take all of her energy. If Grams had lived, I just know she wouldn't have allows Bonnie to be taken advantage of the way she often was throughout the series. Sheila Bennett was a force to be reckoned with and no one was allowed to hurt her granddaughter.

Again, extra points for warning Damon to stay away from Bonnie, but she could have held that same energy for Stefan. We needed more mothers protecting their teenagers from being preyed upon by these 100+ year old men.

1. Hayley Marshall

There's no question who the best mother, no best parent, in TVDU is. From the moment Hayley decides to keep Hope, she does everything in her power to make the best life she possible can for Hope. Not only does she protect Hope's physical safety, but she also protects her emotionally and mentally, something that is missing from a lot of the other parents. Hayley will do whatever it takes to protect Hope, even if it is not a popular decision.

She was at a large disadvantage since many of the threats to her child were leagues more powerful than she was, but she never backed down. The amount of enemies she faced off with, knowing she likely didn't stand a chance, all in the name of protecting Hope. She was ready from the beginning to die for Hope and inevitably did.

There is also something to say about the bond they have throughout the show. Hope clearly feels safe and loved by Hayley, even when her life is in complete chaos. I don't think a mother-daughter bond comes close to the trust and love Hayley and Hope have for each other (besides Grams and Bonnie). Hayley had to be killed off in TO, because there is no way Hope would have been able to go through what she did in Legacies if Hayley was around. Hayley got one phone call from Alaric and dropped everything, traveling halfway across the country to bring Hope home. She disciplines Hope, but also talks to her, making sure she understands the deeper reasons for why Hope was acting out. There is nothing Hope could do that would make Hayley hesitate for a second to love and protect her.

I just know if Hayley had heard about a 150 year old vampire (Roman) hanging around her daughter, she would have immediately gotten invovled. She had gone down that path and wasn't about to let Hope get dragged down it as well.

Honorable Mentions:

Jo Laughlin - If Jo had been given the chance, she would have been a great mother. She was a very maternal person and loved the twins so much. Unfortunately it's hard to judge since Kai took that chance away from her. Valerie Tulle - Valerie is another one that I am just assuming she would have done a great job if given the chance to have her child. While she did a lot of questionable things, at the end of the day she was a compassionate person who would have done anything to protect her child. Miranda Gilbert - Miranda seemed like an overall good parent, seeming supportive and compassionate to Elena when she was having issues with Matt. I honestly don't remember how much she knew about the supernatural world or the vampire hunting her husband's family was into, so potentially problematic if they were dragging their family into the supernatural world. However, we don't know much about Elena's mother, but we do know how much she loved her. Hayley's Mother - Again, we don't know much about Hayley's mother, except for the fact that she agreed to her daughter's arranged marriage when she was an infant and that she sacrificed her life to protect Hayley. From what we are told, it seemed like Hayley's parents were on the right side of the war, but it is hard to say. Nadia Petrova - We assume Nadia had a child so she is in the honorable mentions as a mother, but we have zero information on what she was like as a mother. Kai's Mother - I'm just going to assume she was awful. We know Kai grew up not being allowed to touch others, and being isolated. We don't know anything about his mother, so it could be that she had no control over her own life, but considering she is never mentioned, it doesn't seem that her kids have fond memories of her. Tatia - People often forget that Tatia had a child, but she did. We know she took her child and ran to protect them after her husband died in battle, but not much else. There is no mention of what happened to her child after she died. However, she was a mother so she gets an honorable mention.

[anthropologyruinseverything]

New fic series! WWE Mafia AU

Welcome to what is essentially my dark romance, junk food series. I want to practice writing in the genre so here we go! Plz see CW warnings. There are 3 fulls stories and a 1 shot planned, I will be writing stories and one-shots as part of this universe as time goes on. As of right now Jey, Damian, Roman and Tama are in the works but I’d like to expound so hit me with recs!

(They may take time to write)

Now on with it.

18+ only from here plz - minors dni

Sea & Moon

Jey Uso x IndigenousFMC

Summary: Nokomis “Kiki” Levy was a normal twenty year old college student whose biggest concerns were passing chemistry and what graduate programs would want to see on an application.

Joshua “Jey” Fatu is thirty-one and has recently been appointed heir apparent of his father’s branch of their families shadowy enterprise and needs to prove himself up to the task.

Their worlds collide when Kiki’s father, a detective with SFPD, gets too close to Jey’s family business. While they start as enemies there is an undeniable burn between them. Will a much larger threat be their end or give them a chance to thrive together?

🚨It’ll be a dark journey for the Levy girls, please heed content warnings that include mild n0n-con between main characters, dubious consent, violence, mentions of difficult topics such as substance abuse, mental health issues and more. There will be various k!nks such as prim@l play, masks, captiv!ty, 🔪 play, ch0king, and more. The boys are morally grey to black but love and obsess over their ladies.

There is an HEA for everyone! I probably won’t post more than the prologues and one shots here on Tumblr and leave the really dark stuff on AO3. I will post links though and just drop a comment if you’d like to be tagged in any further updates.

## Prologue

**Nokomis “Kiki” POV**

⭐️*character note, Kiki has vitiligo which affects her face over her right eye, her hands and other other areas.

It was just supposed to be another regular movie night at home with my sister and cousin, nothing unusual or life altering. The same sort of thing we did almost every Saturday night since we could remember. I didn’t think twice when my folks decided on a last minute date night while we three girls piled onto the couch for comedies and popcorn, waving them off as if I’d see them in a few hours.

I wished I’d hugged them tighter and longer. As if that would have somehow stopped what happened next.

Not long after my parents had left my dad’s retired K9 partner Atlas started going insane, running back and forth to the back door and barking. I assumed he was interested in a rabbit or some other critter like a possum in the backyard so I hushed him and sent him to his crate for acting so crazy. In the long run I’d probably saved his life but I had still wished for his protection with what came next.

We never heard the back door locks being picked or footsteps in the kitchen. Between the movie, our laughter and the occasional dog bark nothing else penetrated our space and like most college students on a Saturday night our minds weren’t on the dangers lurking in the shadows. We didn’t know anything was wrong until Kai went to the kitchen for drinks and her scream alerted Kiri and me to our unwelcome visitors.

I’d never felt so stupid and slow as I did when the large men in masks appeared in the doorway, one with a particularly vicious face mask, long black hair and icy gray eyes held a long knife to Kai’s throat, clutching her tightly to his front with his other arm. Every time I ever swore to myself and my parents I would fight back went out the window when I realized it might actually cost my cousin her life. Instead I reached for Kiri’s hand as we stood frozen to the spot. Her light brown eyes were blown wide in fear and her normally tan face had gone ashen.

Everyone was quiet except for Atlas’s enraged barking.

The shortest man was still at least six feet tall and he wore a black mask with red spiral designs that covered his lower face. Withdrawing a gun from a shoulder holster he indicated the elderly german shepherd. “Shut it the fuck up.”

Instinctively Kieran and I both moved to stand between him and Atlas, her fingers digging into my hand tighter than ever before while her other came up in a placating gesture as I spoke. “Please don’t hurt him, he’s old and scared.” She turned to me with frightened eyes and indicated I should comfort him with a jerk of her chin. Dropping I tried to soothe him and at least got him to quiet down to a whimper.

The next thing I became aware of nearly made me lose control of my bladder. A harsh, cold metal gun barrel was pressed to the back of my head as Kiri’s hand was wrenched from mine.

“You girls gonna behave?”

I swallowed past the thick lump in my throat and nodded, hating that every inch of me was paralyzed. What happened to being an officer’s daughter who could stand her ground? All I could think about was that knife pressed to Kai, that gun leveled at the back of my head or at Atlas. If I didn’t behave they could be hurt or I could be killed. I risked glancing up at Kieran who was so still and quiet, being held by the largest of the three. His purple and black mask was monstrous like the tattoos on his exposed arms.

“Stand up slowly. Where’re your parents?” Out of habit when someone stared at me intensely I let my hair fall forward over my face even as I did what he said. His dark brown eyes looked black in the dim light of the living and the comedy kept playing in the background offering a ridiculous soundtrack to such a grave moment. Everything felt surreal in the flashing lights.

“N-not home.” My voice shook even as I tried to sound calm. “Our dad, he’s a cop, he’ll be back soon.” As if supplying that information would make him think twice.

The tall one chuckled, responding in a deep voice that fit his intimidating stature. “We know mija. He’s why we’re here.”

Kai’s whimper brought my attention back to her and the man holding her. He was far too interested in running his knife down her chest. “Hey! Stop it!”

Kai was two years younger than us and as such we’d always been protective of her. I realized what I’d done when those cold gray eyes flashed to me.

The man with black eyes didn’t hesitate, stepping in uncomfortably close to put the barrel under my chin. “Behave.”

“Okay. I’m sorry.” Survival mode engaged apparently. I realized we were truly fucked when he tugged his mask down to reveal an equally black beard but handsome face. “Leave a note D. We’re taking them and their old man can turn himself in when *we’re* ready.”

The last thing I remembered for a while was Kai crying out and a sharp prick in my neck before everything went black.

———

**Joshua “Jey” POV **

Catching the purple haired girl as she fell I moved to set her on the couch with the other two so they could be tied up. We’d come looking for Detective Levy and we were leaving with his twin daughters and their cousin. Not the worst all things considered but still not my plan and I didn’t like it when things didn’t go according to plan.

“You said he’d be here tonight D.”

Damian tugged his mask off with a shrug, accepting the roll of duct tape Roman had retrieved from his bag. He passed me one as well and we went to work taping the girls wrists, ankles and mouths.

“I’ll talk to J.D.” Unlike our family Damian ran a crew of people he’d collected with no ties aside from shared interests. It made them difficult to trust and easy to be angry with as far as I was concerned. I owed Damian my life, not them.

“Do that. Let’s get the fuck outta here.

Roman, you can mess with her later.” He was preoccupied with the pretty little woman he’d pounced on in the kitchen, running his hands up her thighs over her pajama pants. Instead of answering he just rolled those alarming eyes of his and threw her over his shoulder. I took a second to really assess the young woman in front of me. Her name was Nokomis, one of the detectives two daughters. College student majoring in biology and member of the chess club. Of course. What I hadn’t known about was her vitiligo and I found myself more interested than I should have been in the beautiful patterns on her skin. A particular blaze over her right eye was especially striking.

Shaking the thoughts loose I followed his example and so did Damian with his new charge. Our SUV was parked in the alley behind the house and it had been easy enough to blow out the lone street light a few days prior. We put our two in the third row while Roman climbed in the center with his prize. I felt a twinge of pity for her. Capturing his interest so intently was not an enviable thing for anyone.

I waited until Damian was pulling the car onto the street to speak. “Obviously this changes things.”

“No mierda Jey.” Damian’s irritation was obvious. He knew I hated it when jobs went wrong and I knew it irritated him as well. Not to mention bad intelligence was always followed by a period of mistrust and I knew J.D. was already on thin ice as it was. “You were serious about holding them?”

I looked back at the middle row to find my cousin petting the woman in his lap even as she seemed to struggle against him. It would have been funny if I didn’t know him. “Yeah. Can have some fun but don’t kill ‘em.” I looked pointedly at Roman.

“I don’t kill women Jey. Just…like to play rough.”

“Yeah with professionals, not college kids.”

“You sure that’s a good idea? She saw your face cabrón.” Damian cut in. He had a good point but I wasn’t worried. If I hadn’t thought through this possibility I may have been more stressed about the decision.

��Nah, when they see what we do to their old man they’ll be too scared to say shit and we’ve paid off or killed anyone else who could do shit about it anyway.”

He flexed his broad shoulders and stole a glance in the rear view as the other girls were coming to and shifting around in the far back seat. I wasn’t blind or dumb and while he wasn’t as obvious as Roman I could see he was interested in the little one he’d held onto.

“Could let off some steam.”

I smirked. It wouldn’t be hard to seduce them, a few drinks and some promises and they’d be pliant like most other females I dealt with on the regular. I’d be lying if said I wasn’t intrigued by the girl who stared at me in the rear view, her light brown eyes looking golden in passing streetlights. I could see the defiance in them.

Good. Maybe having to wait a few more days to end the cop who got too close and couldn’t be bought wouldn’t be so bad. Not with some pretty company.

[zzthekaiju]

Geez...

Call this whining, but now that Wingard's out of the director's seat (here's hoping they either get Dougherty back in the saddle OR someone like Guillermo del Toro on the line), I've been noticing a LOT of people wanting the next Godzilla movie to basically be "Godzilla gets fed up with humanity and turns on us all". And I really don't want that for a number of reasons (reinforces the bias against reptiles, been done before a million times, personal bias, etc.), particularly one specific detail...

It renders Serizawa's sacrifice, and the overarching themes of coexistence in the Monsterverse, entirely pointless.

That heart-tugging scene of him putting the fate of the world and its number one guardian above his own, of him making one last connection with the beast that inspired him, that moment they lock eyes before he gives his life to save him...it all goes down the drain if the ultimate endgame of the Monsterverse is Godzilla becoming our greatest threat when the OH SO PERFECT AND SQUEAKY-CLEAN APE gets to be the hero all the time (don't get me wrong, I love this version of Kong, but it just feeds into the "mammal good, reptile bad" trope I despise so much). Everything Serizawa and Monarch stood for as a whole ends up being for nothing if that's how it all goes down. And really, we've now done the whole "Godzilla gets pissed at us because of the actions of a few" thing with the Mechagodzilla situation.

NOW, I'm not saying Godzilla needs to be totally spotless. Absolutely not. I'm fine with him being kind of a jerk at this point...but what if he changed? What if, instead of just keeping him that way...we saw him develop? Y'know? As a character? Which is what he very much is, and NOT some glorified plot device?

Listen, making our relationship with Godzilla the centerpiece of the conflict isn't a bad idea. Not at all, as a matter of fact. A good way around it could be that the new monster he has to defeat is Hedorah, or a monster very much like Hedorah (considering the involvement of Yoshimitsu Banno, it feels inevitable). A horror conceived by our hubris and lack of care for the Earth. And yeah, Godzilla would be really angry at us...but he could also be tired. Overwhelmed. Borderline depressed at his Sisyphean life of having to undo every mistake we make. Maybe the real conflict could be him trying to find something, anything that makes his job worth it and not him not feel completely out of place in a world that's changed so much in the centuries he's been dormant. Maybe Monarch and/or a new cast of humans could help show the Big G that we appreciate him. They already teased this with how he acts around the Roman Coliseum (the novel confirms that he's homesick, awww), so why not give him that sort of emotional arc like they did for Kong? Maybe even give him more than just one scene with him and Mothra together, and show why their relationship works so well, ESPECIALLY when Big G's having a crisis! A unique jerk-to-nice-guy plot! I don't know, something that doesn't begin and end with him doing nothing but destroy things. That was cool for a while, but we need to get out of this "Godzilla can't be relatable because reptile" bunk that I have no doubt the higher-ups think. Heck, give him that son that Wingard clearly wanted to give him. Maybe the twist is that Little G absolutely adores humans and convinces his old man that they aren't so bad. That would work amazing! The possibilities are endless!

That, or they could go with my pitch for a "Godzilla X Mothra" movie. Please...?

I'm kidding, Twitter user Riamus came up with a WAY better premise, to be honest.

[forlornkiller]

I think this ending was so good for this show because it keeps everybody in a state of motion. We’re able to almost picture or envision what the future is going to be like for them because some cycles are destined to repeat but each character has such different destinies you know? this show is so amazing every scene has so much to unpack…. im only gonna choose a couple moments but I hope they resonate

comparing Kendall and roman��…. I think we all knew that roman was abused by Kendall growing up but in previous contexts, it seemed like he had changed…. at least yelling at Logan for his direct abuse but to see Kendall do that to Rome was fucking heartbreaking man . tears in my fucking eyes like he does not. deserve this. nobody fucking deserves this and fuck Logan Roy and every fucking abuser that willingly and even gleefully chooses fucking abuse. kendall seemed resigned to his fate to abuse his brother but it’s just not true man. maybe there was more sorrow than glee in his abuse but only maybe. and either way it’s not fucking right. The acceptance of their nothingness is different yet the same…… so many things are different but the same do u know what I mean ?

Kendall, with protection, but never able to do anything again is a fate i can accept for him. It was really interesting to see how their relationships with other people were again and may I just say. I think it’s quite incredibly clear what Kendall and Stewy had and currently flirt with…… i love that but I hate that for them. As delulu it might be for Stewy to think he can save Kendall, he totally thinks that and who knows . maybe some cool fuck shit happens and Kendall’s able to keep one relationship in his life he cares about. but I guess we won’t see .

Oof going back to Roman’s dig about Rava and her kids…….. i think his relationship with them is so fucked and there isn’t enough time for repentance. He spent so long holding onto a dream that was never real and not even worth having in the end, and knowing that so much of his life was around this one thing. seven years old to now….. maybe some intense psychotherapy and retrospection for years is what he needs. it’s probably the only thing he’s gonna get

,, and in this sense I almost wonder if Connor and Kendall are closer than ever as eldest boys. Connor was never offered the dream, and he never became anything. Kendall is what happens when you offer it and it disappears, making u realize it was never really there in the first place. Might’ve been something, but definitely isn’t now. I also think reducing Connor to nothing is not a fair characterization but he’s not really something either.

Shiv……… i wish there was a way free for her. I’m not the greatest at imagining shiv futures but I somehow see purgatory yet nothing at all. She got the deal, she didn’t get CEO and her reputation got a bit fucked but she’s still married to the CEO. whose baby she’s pregnant with. And who she doesn’t like, i don’t think. Because hurting her has been the way she understands love, i think she’s more into Tom than ever and i think she needs him. He holds a lot of power but in the end he offers love one way, she doesn’t respond that way and they stay together but apart. I can’t tell anymore if it’s real or fake. I think Shiv believes what she said, that once you say all the worst shit to each other you can still be together but part of that is WANTING to be together. If you say all the worst shit and at the end don’t know if you want to come back, then I think you shouldn’t get back together. They just keep making bad decisions. Sometimes relationships are best when both people realize how close they are is not how close they actually want to be or should be. Tom offering his hand in the car…….. she called him a phony and I think I agree. There might’ve been love there.. an opportunity to win love but Shiv doesn’t fight for those things, she takes them as givens. A lot of the tragedy in succession is about timing. Bad things happening right when things were getting good, maybe. The consequences of their actions meet later actions and become perfectly destructive. Okay i got distracted back to shiv and Tom i can’t tell who is trapping who with this baby. I am incredibly sad for this future child and wish that Tom got out now, fuck waystar royco and take his piece of shit and go!!!! but they’re in too deep now.

Switching to tomgreg 🤩 sucking the dick of white supremacy, but maybe making changes internally about how things are done. Tom is better than Logan on most levels I think, and great at his fucking job. Will he be able to counter Logan’s legacy with his own consider his part in advancing Logan’s? Wash his hands free from sins?? i don’t really think so but I think he might want to…….. i always have hope like a dumbass hehe but yea I have been wanting Tom and Gerri team up since the beginning on season 4 and while it’s sad to not see that in action, im glad it’s a definite future. I think she’ll see that Tom can actually be competent. Okay sandwiching Tom and Gerri with Tom and Greg, that sticker shit was fucking cute and I totally thought they were gonna kiss before that. Their fight was so fucking funny LOL i did genuinely enjoy watching that. Fed my tomgreg soul for sure 😌

In regards to mattson (and then I’m going back to Gerri and then I’m gonna SLEEP!!) i think what he wanted with his numbers happened, them getting lost in the deal dazzle? It went through and now everybody’s fucking rich. The thing is idk all the legal business stuff so is this gonna fuck everybody over in a couple weeks to months? No clue but for now Mattson’s kinda on top of the world. I really don’t like him tho hehe i hope he gets smashed to death by a pile of his own blood bricks. I wonder if Tom will actually be his front man, or try to kill him at some point too? The urge to serve is so strong in him…… but do I firmly believe that with a healthy kinky relationship with somebody PERHAPS GREG. he would be able to fulfill that and also rule the world? Absolutely man it’s just abt balance 😌 my belief that the acceptance of bdsm would fix so many things in our society & in succession is unshakable okay don’t question me. ANYWAYS

Gerri….. a queen as always. Roman pining from afar is so sad so tragic reminding himself of her with every drink he drinks and thought he thinks. One of THE biggest regrets and him saying that he’s nothing, that all the sibs are nothing? I think in this moment it’s true. I can feel how that is truth for him. With Gerri’s brief flashes of emotion during the funeral ….. i have hope. Succession aside, i really believe have faith in love and its power to save lives & transcend death. I think what they had bw them was real, and with the scripts as well I don’t think that connection was faked. What makes my heart hurt is that in the past it seemed like Gerri was the only one in the room who cared if he was hurt. She can’t necessarily protect him but she sees him. He doesn’t have that, the three sibs don’t have anybody that really loves & knows them enough to be able to deal with this trauma but I don’t think hope is totally gone. I’m an optimist in the end

God this is fucking long I’m a wordy person but overall? GOD i love this show!!! I really think they ended it at a great spot in this way where things keep going. Nobody’s story ever really ends, it feels like it does and to the person living their story it might but being able to watch their lives? You realize that it doesn’t end. I think Jesse’s commentary on the fear behind ending Succession here is super valid though, because there is a message here that is ultimately anti capitalist. If we were able to really see, at length the way we’ve seen the first cycles, how their cycles continue I think it would really wake a lot of people up to how things operate in this society. The longer this nation goes on, the longer the abuse this nation was founded from goes on. I’m going to end here but wow this show has given me so much to think about when it comes to love, abuse, capitalism, society & American culture as a whole like goddamn. What a show man what a show

[justgottafinishthischapter]

Writing Worlds: Homosexuality in Historical Settings

As someone who loves period romances and craves romantic relationships between queer men, it’s very alluring to write queer romances set against the backdrop of historical settings and time periods. But, due to the treatment of homosexuality for a lot of our world’s history, it can make it tricky to know the best way to handle this topic. Consider this to be a sister post to go along with my Writing Romance: Courting post. The two go hand-in-hand.

ESCAPISM VS REALISM

The first hurdle is to decide whether your story is an escapist fantasy or favors realism. In an escapist historical queer romance, the queerness is simply not an issue. The prince can flat out tell his parents to arrange his marriage to male suitors, and the only real reaction is his mother immediately listing off good matches for him. The conflict has nothing to do with the fact that the relationship is between two same-sex characters, and would work just as well for a heterosexual romance story. With an escapist fantasy, you can show the Count of Yorkshire navigating the hardships of courting by having multiple young men vying for his hand, or the whirlwind romance as he catches the eye of the Duke of Orleans. And this romance can be just as open and public as any straight relationship. This option would fall under Historical Romanticism, the term used for when historical settings are made to be more idyllic and favorable than they likely were in real life. The only media where this approach tends to show up often is Fantasy, in worlds where homophobia simply never really existed. The Elder Scrolls is one such setting where male gods are married to one another, other gods change genders and pronouns as they like, and your player character is free to romance anyone of any gender as well as adopt without anyone making biggotted remarks.

On the other hand, Realism in a Historical Queer Romance is going to come prepackaged with a lot of tension and angst, as it’s automatically a forbidden romance. Because homophobia is a real issue that real queer people deal with, having queer characters deal with these issues can help your queer audience feel seen as these fictional characters can relate to their own life experiences. It’s also just more historically accurate to have queer lovers needing to tiptoe around behind people’s backs and hoping they don’t get caught. However, due to this prejudice, it’s also very easy for such settings and stories to come off as depressing, and can perpetuate unpleasant tropes in queer media, such as Bury Your Gays, Unhappily Ever After, and downer Nomance endings. Because their relationship isn’t “appropriate” for public eyes, it makes it hard for the couple to have a truly happy ending. For someone who’s tired of dealing with homophobia in their own life, or it just being present in almost all queer media, it can be tedious for those who want an escape to enjoy two guys smooching while looking dapper in period costumes.

Homosexuality and Religion

As a medieval historian, I actually did a full research paper on homosexuality in the middle ages as a part of my final for one of my medieval history classes. I still have the paper saved, so let me share an abridged version. Pagan cultures might have had some issues with homosexuality, such as the Norse favoring the “tops” over the “bottoms”, a sentiment shared by both the Greeks and Romans. However compared to later eras of history, these Pre-Christian cultures had little problems with same-sex relationships. Every Greek God but Ares, Hephaestus, and Hades had at least 1 male lover, Emperor Hadrian had his boy-toy Antinous deified after he drowned in the Nile, and the Sacred Band of Thebes was made up entirely of same-sex lovers. The idea that homosexuality was wrong only emerged with Christianity. Just... not as soon as you’d think. Christianity became a wide-spread faith across Europe around about 300 AD, mostly spread by Constantine’s deathbed conversion to Christianity. However, it would not be until the 12th century that homosexuality as a sin would emerge. This shift first started during what is known as the Medieval Renaissance when Christian theologians like St. Ambrose, St. Augustine, and St. Jerome altered the theological discourse on sin and virtue. Prior to the Medieval Renaissance, the mindset was that simply being Christian and accepting Christ as one’s savior was all it took to get into Heaven. After the Medieval Renaissance, the focus shifted to individual sin and the worthiness of the individual soul. They came to view Earth as sort of a testing grounds or waiting room, and any temporary Earthly pleasure was a wicked temptation sent by Satan to lead men astray. How you did on the test impacted whether you passed or failed. One thing that was declared a sin was fornication without the prospect of procreation. And this went for everyone. Any sexual act that would not result in childbirth was a sin, because you were doing it for the pleasure, not for the purposes of making a baby. Furthermore, any position except Missionary was also sinful, again in an attempt to limit pleasure. Since cis-gendered homosexuals cannot procreate, any homosexual acts were universally labeled as a sin by happenstance. Later in 1179, Peter Comestor proposed to the Third Lateran Council a link between the biblical condemnation of sodomy with explicitly condemning homosexuals, and not just anal fornication as a whole, even stating that clerks found guilty of this act should be removed from office, and laymen should be excommunicated from the church. It is Peter Comestor and his stance on homosexuality that truly caused homosexuality to be labeled as a sin on principal, and is why so many modern Christians still believe homosexual relationships are sinful by nature. However, it’s worth pointing out that the time from when Christianity was a widespread faith in Europe (approx. 300 AD) to the Third Lateran Council (1179) is a span of 879 years. As of this point in 2023, the time between Comestor’s condemnation of homosexuality and the present is only 844 years. Meaning that Christianity has a longer history of tolerating homosexuality than it has condemning it. I say all of this because in any setting where Christianity is not a part of the worldbuilding, there is no reason to have homophobia, unless you replace Christianity with a similarly homophobic fictional religion, as George RR Martin does with the Faith of the Seven in A Song of Ice and Fire. As for Judaism and Islam, I’m at a loss there. My studies didn’t really lead me to those topics, and I can’t offer much insight there.

Handwaving Escapist Diversity

Let’s be real, we can’t even cast People of Color in fantasy stories without racists crapping their pants, so unfortunately, we’re going to face similar problems having queer couples openly courting each other in a historical setting. But, there are a few ways around this where we can have our cake and eat it too without the homophobes being able to hide behind “historic accuracy” as a reason to have a problem with queer romances in historical periods. It’s all about the genre. Let’s look at some of the genres we can use.

Historical Fiction: This is the base form. Any period piece is going to be historical fiction. However, Historical Fiction comes in a wide array. Historical Romanticism is the lighter approach, simply putting make-up on the era to make it more palatable and appealing. Think of Bridgerton where the dresses are shaped historically and the characters behave historically, but the Queen is a woman of color, and the dress materials are far more colorful and bright than they would have been at the time. It’s still the Regency era, just with a bit of rouge. On the other hand, there’s Alternate History. Historical settings where a major deviation has occurred in the timeline. Whether the Roman Empire never fell, the British crushed the American Revolution and took over the entire world, Christianity never caught on and the Roman Pantheon is the most widespread belief system, or the industrial revolution exploded even harder, resulting in a more Steampunk vibe. A major upheaval has altered the face of history, and your queer romance is set in an utterly changed world with a different timeline.

Steampunk: As I just touched on, your world can be more technologically advanced, however, Steampunk can also be a genre for completely fictional worlds, giving you a great way to have a story set in an era with an 1880s - 1910s aesthetic, but easily exist as it own world with its own history and values where homosexual relationships aren’t a problem. Steampunk is also the most optimistic and aesthetically oriented of the science-fiction -Punk genres, compared to the much bleaker and more cynical outlooks of Cyberpunk, Diesel Punk, and Gothic Punk.

Gaslamp Fantasy: Basically, Steampunk but with fantastical elements. It keeps that late Victorian - Edwardian aesthetic, but adds magic, faeries, dragons, vampires, etc. Now, Steampunk leans more Sci-fi, while Gaslamp Fantasy is more well.... Fantasy, so Gaslamp Fantasy does tend to lose some of the technological aspects of Steampunk, but it can also overlap with Magitech, a subgenre where machinery is powered and propelled by magical energy. So, you can very well have a Steampunk Gaslamp Fantasy where all of the steam and gears and machinery is powered by magic. It’ still Steampunk, so long as that train is powered by shoveling magic energy crystals into the furnace, instead of coal. Howl’s Moving Castle is a good example of how the two can coexist. There are normal trains as we see in Sophie’s town, but we also see Howl’s castle which can move because of Calcipher, a fire demon that needs to constantly eat a fuel source of one kind or another. The world is full of witches, magic, and curses, but there’s also muskets, trains, airplanes, zeppelins, and a castle that spews steam and smoke as it wanders the countryside.  

Paranormal Romance: Especially common with Vampires, but the fallout of Twilight and Alpha/Beta/Omegas in pop culture has also led to a rising interest in Werewolf stories, and a recent trend has also swept Faeries into the pop culture spotlight as well. All three offer stories where one or both of your characters is an immortal (or very long-lived) individual. Perhaps their world is homophobic now, but when they met and fell in love, it was perfectly acceptable. Perhaps being alive for 800 years piqued the main character’s curiosity and they decided to give it a try. The long history of homosexuals being demonized has led to a large percentage of queer people identifying with the monsters and villains of media, causing them to see themselves in the hated monsters, demons, and vampires that threaten the heterosexual heroes of old.

Historical Fantasy: For everything else that’s not within that Victorian-Edwardian window, Historical Fantasy has you covered. From Cyclopes and Sirens in Ancient Greece to Dragons and Goblins in Medieval France, or a mermaid ending up in an Americana freak show, this pretty much covers ever kind of fantasy romance in a historical setting that’s not covered by Paranormal Romance or Gaslamp Fantasy.

Renaissance Punk: It’s like Steampunk, but the world’s technology resembles the contraptions of Leonardo Da Vinci, as opposed to the clockwork, gears, and steam aesthetic plastered onto the turn of the 20th century that Steampunk offers. Also called Da Vinci Punk.

Space Punk: If you’re wanting to lean more Sci-fi, you can do Space Punk. Think Treasure Planet, though I could also call that Sail Punk. It has a very Victorian clothing and technological aesthetic, but then space is full of a breathable Ethereum, and even Doctor Doppler’s “space suit” looks closer to an old-timey diver’s suit. But the ship has solar sails, the mast charges up with a power source that propels the ship into space, lockets project holograms of still photographs, cybernetic prosthetics are technologically advanced, and aliens are a common sight, even for the poorest commoner.

Same-Sex Courting for Escapist Romance

I touched on this in my Writing Romance: Courting post, but I’ll cover it again because it’s especially applicable here. The rules of courting in the 1800s relied heavily on gender roles. So, how does one make sense of courting rules when the couple are the same sex? The basic rule of thumb is that whoever is higher in status is the one to be chased, while the one of lower class does the chasing. If a Duke is looking for a husband, does the Duke chase Viscounts or do Viscounts chase the Duke? Always, the Viscounts chase the Duke. A Duke is a valuable husband, a prize catch those Viscounts would want to have. What if the romance is between two men of equal class? Two Dukes falling in love? The one who would take the more passive role is likely to be whichever is higher in the line of succession. During the courting phase, an elligible queer bachelor is likely to recieve many gentlemen callers. They would come to the bachelor’s house where his family could keep an eye on him, and judge his prospects. They would bring gifts and trinkets, and sit in the tea room, sewing room, drawing room, or whatever room is used to entertain guests. Gentlemen callers would then talk with the bachelor, recite poetry, play the piano, or whatever else they could to impress the bachelor and his family. Again, as I said before, the one being visited by gentlemen callers is whoever is higher up in the chain of nobility. The Duke’s family is going to scrutinize every gentleman who calls on their son, while the Baron’s family is going to urge him to call on every queer man who outranks him. The other thing to keep in mind is inheritance. The first-born son inherits everything, so a second-born son or third-born son will get nothing from his father, or best case scenario, he will get a small fraction of the family fortune from his father or older brother. In order for these younger sons to stay in the lifestyle they were raised in, they will have to marry someone who is coming into his fortune. In a setting where women can inherit her father’s entire estate, a lesbian would function the exact same as a gay man. Ergo, any queer romantic lead who is not inheriting his father’s full estate must seek a first-born son who will inherit his father’s estate. Meanwhile, if your protagonist is a first-born son, he is far more likely to be chased by the younger sons of distinguished families. Finally, when it comes to the social season and courting at dances, queer nobles would likely wear something to distinguish themselves from the heterosexual nobles at the party. Something to let the other guests know their preference in dance partner. That way, gentlemen know not to ask the Baroness of Agincourt to dance, but that the Duke of Orleans is all too eager to receive male attention.

Lavender Marriages in Realist Romances

A lavender marriage is when a queer person marries someone of the opposite sex to disguise their homosexual dalliances, such as Renly Baratheon marrying Margaery Tyrell, or Laenor Valyrian marrying Rhaenyra Targaryen. In these instances, the woman knew her husband was queer and was willing to work with him to keep the secret. However, sometimes the wife wouldn’t know, and the husband was keeping his sexuality a secret from everybody. However, it was usually hard for a noble to keep his dalliances completely hidden from the court, as in both of these cases, both Renly and Laenor were well-known around court to be fanciful of male attention. Everyone typically knows the wedding is a sham, but tend to turn a blind eye to it regardless. I know I’ve been using male examples this whole post, but this does also work with lesbian romances. I believe the term is still lavender marriage with a lesbian, but I could be mistaken.

Actual Homosexuality in Historical Time Periods

Scholars debate the exact nature of their relationship, but in Arthurian Myth, King Galehaut is conquering his way across Arthur’s Kingdom when he challenges Arthur to a duel for the throne of Camelot. However, upon seeing Sir Lancelot, Galehaut offers to concede to Arthur if he’ll introduce him to Lancelot. From then on, Galehaut and Lancelot became Very Close Special Guy Friends, and it’s suspected that the pair might be lovers, or at least that Galehaut is in love with Lancelot.

Leonardo Da Vinci was involved with one of his male models, Pietri Bandielli, who Da Vinci used as a model for Jesus. Which also means, If you pray to the white version of Jesus with the little beard and long brown hair, congratulations! You’re worshiping a gay Italian male model that used to have sex with Leonardo Da Vinci.

Hans Christian Andersen fell in love with the son of his financier, Edvard Collins. But, when Collins became engaged and later married to Henriette Tybjerg, a heartbroken Andersen wrote the story of The Little Mermaid as an allegory for his unrequited love. Collins was the handsome prince who didn’t return the mermaid’s feelings, Henriette was the Temple Girl who stole the mermaid’s love, and Andersen himself was the mermaid, unable to verbalize her true feelings, and suffering great pain just to be near the one she loves.

It’s mostly speculation, but it’s believed that Richard I of England had a clandestine homosexual relationship with Phillip II of France. The majority of evidence comes from one particular courtier’s writings who described them as eating from the same dish and not being separated by their beds at night. However, it’s hard to say if this is evidence of a homosexual relationship, or just the flowery prose writing of the time describing a very close bromance.

Edward II of England had little interest in war. Hoping to toughen up his son, Edward’s father assigned a squire to Edward that excelled in tournaments, Piers Gaveston. However, this backfired spectacularly, as Edward fell in love with Piers. Gaveston flaunted his sway over the king, being so bold as to wear royal purple and the queen’s jewelry during Edward’s coronation. Gaveston was hunted down and beheaded by a group of barons, and Edward himself was killed with a red-hot poker shoved up his backside.

King James I of England was a well-known bisexual, even having a secret passageway linking his bedchambers with that of George Villiers. James’ male lovers experienced royal favoritism and protection, as James absolved one male lover for poisoning a political rival, and twice protecting Villiers from impeachment for incompetency. Following James’ death, Villiers was struck through by a sword.

Anne Lister was a noblewoman who often dressed in masculine clothing and kept a coded diary which recounted her many and varied lesbian affairs over her lifetime. Lister even earned the nickname Gentleman Jack, and is often regarded as the First Modern Lesbian.

Pirate ships were one of the few places where gay marriage was legitimate. Pirate captains could perform marriage ceremonies, and marriages between male crewmates was not uncommon, even having rules about sharing property and distrubution of goods among crew members with a married couple on-board. As well as the distribution of property following the death of a same-sex spouse.

While we know that brothels and prostitution has existed since Ancient Greece, in the 1700s, it was possible to find a Molly House. A house which featured male prostitutes who catered to male clients.

Women were not believed to have sex drives, so when two women loved each other, they were often called “bosom buddies”, and two women living together without a man in the house was called a Boston Marriage.

In the medieval era, it was believed that a woman’s womb was naturally cold and had to be kept warm with regular activity. If the woman was unmarried, the womb was to be kept warm by hand. But since using her own hands would be sinful, it often fell to the woman’s female servants to do the deed.

Men and women often existed in entirely disconnected social spheres. For a man, he would go to work where he would only work with men, after work he would go to a local bar or club that was exclusively for gentlemen, and following dinner, he would often retire to a private room in his home or another man’s home to sit, smoke, and talk with his male colleagues. Even within a single house, men would retire to the gentlemen’s lounge to smoke, while women would depart to the sewing room, tea room, or drawing room to have afternoon tea with the other ladies. As men would spend their entire days solely in the company of men, and the same for women, many men and women only spent time together in public spaces, during meals, and when going to bed. Even then, it was not uncommon to see households where the man and woman had separate bedchambers, and the woman would only sleep in the man’s bedroom when he desired sexual congress. Even the Palace of Versailles had separate chambers for the king and queen. This gave queer couples plenty of time to sneak around without anyone being the wiser.

This to Keep in Mind

One of the biggest issues behind the AIDS epidemic was the promiscuous nature of gay lovers in the 1970s. Because gay men had to be discreet, they would often have anonymous relations in public spaces like bathhouses and bars. This combination of unsafe sex practices and anonymous lovers caused STDs to run rampant through the community, and allowed the AIDS epidemic to have a devastating impact on the queer community.

In Victorian great houses, the footmen were effectively the “face” of the manor’s servants, so height and attractiveness was favored when hiring them. As such, footmen make for excellent romantic interests in a historical time period, since they’re required to be attractive to be hired.

The mafia has a long history of working with and supporting the LGBT community. In the 1920s, nightclubs in the black districts of Harlem would host drag balls, these events being known as Harlem Nights. The mafia helped these groups to meet without police interference for a kickback fee. Even the Stonewall Inn had Mafia protection. In a world where homosexuality is still seen as a sin, think about what groups are willing to turn a blind eye in the interest of profit.

Homosexuals were among those rounded up the Nazi Party during the Holocaust. Just as Jews were forced to wear the Star of David on their clothes, so too were homosexuals marked with a pink triangle. The Nazi Party also destroyed research on gender and sexuality, which destroyed a lot of evidence that had been gathered of queer existence up to that point in time. Today, the Pink Triangle is among the reclaimed symbols used by the queer community.

Queer people found ways to signal to one another. At different points in time, the visual cues have included wearing green ties, having a red carnation in their lapels, and in the 1970s, a bandana in the back pocket was a common way of indicating someone was a homosexual, and the color would even further indicate what they were looking for. Many modern slang words even started out as gay code words so that gay people could talk in public without drawing attention to themselves. Codes like “buns” for butt are still in use today, but got their start as codewords to keep gay conversations undercover.

While we often remember the Red Scare of the 1950s, we often don’t mention that there was also a Lavender Scare at the same time, which hunted down homosexuals just as the Red Scare hunted for communists. It was the belief that homosexuals would be more likely to undermine American policies or spread information to enemy nations, and thus had to be kept down.

Rich men often kept “actresses”, paying for apartments for them, paying for their food, drink, fun, costumes, and whatever else. If they really were an actress or otherwise a struggling entertainer, it was not unheard of for the wealthy benefactor to pay to get the actress roles, pay for tutors and lessons, or even buying them an entire theater. It’s not so hard to believe that a wealthy gentleman could keep a male model, actor, or artist in good stead, especially because artists in particular flourished in periods where rich people would sponsor and commission artists to paint for them. And this can work for either type of story, as a husband or wife would be equally annoyed to learn that the Duke of Orleans is keeping a young actor on the south side.

Gif Sourcing:

1. Bridgerton (2020 - present) 2. Game of Thrones (2011-2019) 3. Mary, Queen of Scots (2018) 4. Downton Abbey (2010-2015) 5. Victoria (2016) 6. Cloud Atlas (2012) 7. A Place to Call Home (2013-2018) 8. Mary Shelley (2017) 9. Brokeback Mountain (2005)