#not even for Trespasser I don't think

[elvenbeard]

OKAY SO.

As I'd mentioned back then in my Phantom Liberty Tour post, only a few of those who attended got to playtest the game themselves, while the rest got to see about an hour-long preview. And they didn't showcase much of the new abilities/skills beyond what they were gonna use in combat, and let's say... the V they showed was super flashy, his combat style looked super fun, but couldn't have been further from my playstyle xD Like... the finishers and stuff look amazing, but that's not something I'm gonna have much use for with my low-on-cyberware build that relies heavily on stealth and hacking really (but that I really really enjoy).

So I was a bit worried the whole time, low-key, how the fun would look like for a player like me. And now I finally got to play around in the build planner (https://www.cyberpunk.net/en/build-planner if you wanna have a go, but contains mild PL story spoilers - but again, you're reading this, so maybe you don't care as much for mild spoilers XD)

Looking at everything, especially the new stuff... MAN... :eyes emoji: x1000

I was worried Tech wouldn't be as useful for my low-on-cyberware build anymore, as it is very tied to that now BUT... it's also tied to the health item/ grenade cooldown, and, as before, enhances Tech-Weapons very nicely like... I think along with INT I'd like to make Tech my other 20 Ability. In combination with some of the new hacking abilities (overclocking your cyberdeck?? FUCK YEAH THAT IS... SO ÖAKHSFASDÖASJD that is *such* a thing Vince would do like öasjhdföasf when I saw that I screamed) it's so badass... I think it's gonna work really well together.

The only thing I haven't found that I'm a bit sad about was a Ninjutsu skill that let you pounce on enemies from above (I don't recall the name)... either I overlooked it or it's now integrated into some of the new movement stuff :O but even then, the new movement stuff?? Faster climbing?? Hello, where have you been all my life XDD

Also not to mention the abitlity to queue quickhacks that was teased in one of the trailers already like maaaaaan... Also a lot of counter-hacking abilities against enemy netrunners, CARHACKING... and I get the feeling, from some of the skill descriptions, how cyberware in general works (in the sense that, it reads as if you can upgrade it the way you could upgrade clothing and armour now? but not 100% sure, that would be awesome o.o) was really fundamentally changed.

Also, like... of all the arm cyberware the monowire was always the one where I said "this would be the one Vince *might* consider getting out of all of them, if he was forced to get one", and I don't really know how it was skilled previously... but now it's very closely tied to quickhacking and Intelligence, so one more reason why it would fit him the most XD Still don't think I'd get it cause... yeah, it would just not fit him as a character that much and the way he sees cyberware XD But I love that as a little sidenote.

I'm a little bit... hmm, not quite disappointed, but I would've expected something different from the Relic skilltree actually. I mean, it is very very cool, but also, again, the majority of the skills in there isn't really gonna be useful for my playstyle. And I wonder... if maybe you get advantages or disadvantages beyond extra abilities (read: story-related consequences) if you put a lot of points into it, with how these skills are unlocked >.> *suspicious noises*

But yeah... Usually I'm not looking forward to the updates as much cause... mods break xD But I really am looking forward to trying all of this in game now o.o But it's gonna be... such a difference like hhh...

I'm definitely not gonna start over a new save just to play PL, cause I simply don't have that time atm XD But I'm extremely looking forward to my 3rd fresh playthrough and seeing the skills grow over time instead of setting them all in one go xD

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[queenaeducan]

every day i put my head in my hands and wonder why (and when) all the living ancient elves (evanuris don't interact) were cut out of the game

[niofo]

so, we don't have a mabari in dav. you know last game we didn't have a mabari and we had a companion that sounds like sole-ass, i'm not pointing fingers but yk, coincidence? no mabari and we're teaming up with certain someone against a god or another? are they using the lack of mabari to signalize us things? omg bioware devs so clever, i can't believe they come up with such such a intricate system to let us know.

[tortoise-teapot]

remembering fondly that when i installed the trespasser dlc it corrupted my game completely to the extent i called the fucking ea helpline out of desperation. i was like "my man, I *need* to know what happens. i'm dying. i usually wouldn't do this, but this is very important to me and i'm freaking out." and this guy bless him i guess he recognized an Autism Event when he saw one and stayed on the line with me for an HOUR figuring this shit out. a lot of it was waiting for shit to install or load and he just asked me questions about the game and was genuinely interested and he's like "you know, everyone who calls about this game seems to like it a lot. i don't usually play rpg's but this sounds interesting" and... i don't even remember his name. one of the most comforting and helpful conversations i've ever had. thank you EA guy, i hope i gave you an excuse to just hang out during your shift, you rock. i think of you every time i start trespasser. which is incredible given how i'm usually already crying by the time the winter palace loads in.

[s2pdoktopus]

Omg I hate to say this but I really love Meihua

[icharchivist]

still thinking about how one of the first da4 trailer had a Titan waking up and trying to figure out at which point in development was it decided that ALL the Titans being made Tranquils were just like dead and therefore their time is over, despite also The Descent implying that a whole in the Veil stirred a sleeping titan and Cole saying "[the titans] want to wake up but they can't" in Trespasser.

Like, maybe it's my bias talking and I'm willing to admit that but I don't think the fate of the Titans was completely overlooked in Solas' original plan. I just think that once DA4 took the approach of "let the past go and focus on the present" the Titans had to be wrapped up, and since we never actually talk about Solas' motivations in game, it's left unclear whether Solas wanted to do something for the people he created Tranquility on -- but the original draft seems to imply that something was supposed to happen.

[thewardenisonthecase]

I honestly truly wish that I could enjoy inquisition as much as other people did, because every time i see a post about people praising inquisition all I can think is how much i hate that game.

[subconsciousmysteries]

Lana del Rey's exact wing (9w1 or 9w8) is torturing me. I see strong arguments for both. But I lean towards w1 after thinking it through properly.

Popularly everyone types her 9w8, probably because of the fallacy that 1s are all boring political types who hate art. Really 1 is the type that is MOST fixated on actualizing their ideals of beauty, so... yeah. That changes the game here completely.

I see w8 in her life choice to live Mad Max style and her constant focus on sex. Though that can all be explained away with her being an sx/sp. I see w1 in her prissiness, her extreme perfectionism towards her appearance and her highly stylized and polished music videos. Her focus on philosophy -- she got a degree in philosophy, few know this because it isn't really in her songs -- and also the tone of sarcasm as opposed to raw rage in most of her songs. She never overtly expresses her feelings of anger. But her songs are almost all sarcastically digging into the guy she is mad at by painting a pretty picture of how brutal and disrespectful of her (non-existent and invisible) boundaries he is. A w8 would be much more direct and also more minimalistic / ugly, less stylized than her. She has the 1-ish pursuit of perfect beauty

[medicinemane]

You know I gotta be blunt, it's not immigrants or trans people or any of those groups that are the problem with this country

To me there's really one major problem group... people who thumpa thumpa with their fucking car stereo and give me a headache by vibrating me inside my own private fucking home, infringing on my right to some fucking peace and quiet

Do something about them, they tangibly make my life worse, and rankly they're acting like a selfish asshole when they do that (whoever they are outside the car, that's what they're acting like in it)

Not even joking, immigrants ain't done shit to me and probably have made my life better in a whole lot of ways that I don't directly get to see

Trans people don't do me no fucking harm, had one live with me for free here for over a year and worst she did was annoy me by being a redditor

Meanwhile I'm trying to sleep after dealing with insomnia all night, but fucking subwoofer hanging out... fuck, I don't know, at the intersection on a dirt road? I don't know what they seem to just fucking sit there, are they chilling in front of the post office? I don't get it

Anyway, point is that's the person who is concretely causing me harm right now

How bout we crack down on the real menaces to society first before we even start dreaming about going after the people just fuckin existing?

[vivanightcity]

getting that 'damn i wish i had the follow through to make an animatic' feelings again since i was listening to this when deep in dragon age zone

and now i want it as Solas and a Lavellan who maybe agrees with him more than the game will let you.

[vileversas-blog]

It's kinda hard to make very many comparisons between prevoid rob, and him now, but in the small amount of screentime he does have before that, you can see that hes typically always around people or trying to talk to them. He went to Rachels party, was in the crowd of people watching gumball fight tina, greeted them on the street, and was even a part of the riot that broke into the wattersons house. But i think people also forget that just because he looks and acts differently doesn't mean he's a different person. I mean, when Gumball and Darwin forgot his name in "the pony" he was clearly mad about it, like he always is.

i wonder why it's so common for the fandom to mischaracterize rob as being shy/introverted, since he's pretty much the opposite

[ebodebo]

Tough As Nails—Save A Horse, Ride A Cowboy!

thinking about cowboy!simon riley… MDNI | part one |

next ->

He had become a nuisance. A pest, a headache. Every single adjective you can think of to describe a pain in the ass he was.

Your father's ranch hand, whom he hired all of six months ago, had become something of a bother, an inconvenience to you. He was annoying and stubborn. Narrowed his eyes at you too often for your liking. Scoffed when you would correct him. And scolded you when you would have people on the property when your parents would leave town—even going so far as to kick your guests off the property altogether.

But tonight would be different; it was the Fourth of July. You would happily throw your party in the barn your family owns, on the property they own. You weren't going to let him order you around tonight.

"What the hell is all of this?" Simon seethed, taking in the concrete floor covered in empty beer bottles and spilled grain. His booming voice caused some partygoers to straighten up, though no one dared to speak.

He clenched his jaw at the lack of cooperation. "Huh?" He paused, his fists clenching so hard they began to turn white.

"So, no one can speak?" He walked over to a guy sitting on a bale of hay, grabbed him by the collar of his shirt, and yanked him off the hay tossing him aside.

"Get the fuck off my hay." He gritted to the guy.

"Where is she?" All he could think about was the little pain in his ass who was responsible for this. The guy he pulled off the hay immediately pointed towards an old wooden outhouse away from the barn.

Simon rolled his eyes, sucking in a sharp breath. "If I come back and any of you are still here." He looked over everyone.

"I will not hesitate to shoot you for trespassing."

Safe to say, everyone in the barn scrambled out of the barn at that very second. Simon turned on his heels and stalked over to the outhouse, where he saw you leaning up against the outside with a guy's hands roaming your body, making out.

"What the fuck were you thinking?" You jumped at the sound of his voice, pushing the guy on you off your body.

"Sim—"

"Don't." He moved closer, standing directly in front of you, pointing his finger at you. "Don't Simon me."

"It's the Fourth of July, Simon. Lighten up."

"Do you realize your idiot friends spilled hundreds of dollars worth of grain and fucked with your dad's equipment?" All he had to do was glance at the guy just kissing you for him to go scurrying off.

"Shit, I shouldn't have left them alone. I wasn't thinking." You curse, looking up at him to meet his eyes.

"Ya, you're right." He stepped closer.

“You don't think." He gritted out before continuing.

"You're impulsive. Reckless."

Your eyes widen at his words. Who does this guy think he is? "Don't forget you work for me."

He lets out a deep, dry chuckle. "Actually, I work for your dad." 

"Whatever." You scoff as you take a step to walk past him.

"We are not done talking." He reaches out to grab your wrist; you swiftly turn your head to look up at him.

"I'm done listening to you." You grit out, eyes full of anger.

"Oh, is that it?" He scoffs out as you take a step away, only to trip over a wide hole in the ground, making both of you topple over, him falling on top of you. He's quick to plant a hand on the ground before, so his entire body weight isn't on you.

After you recognize the pain from the fall, you look up at Simon, who's on top of you, eyes boring into yours. Your pulse increases at the proximity, and your breath becomes more shallow.

His eyes blazed with fury, yours full of irritation. You can't help but glance at his lips, hovering not too far away from your own. This little action made him lose it. His self-control was already hanging on by a single thread, and the look you gave was what finally cut through. His lips crashed onto yours with such force that it took your air away.

It wasn't gentle or tender. It was desperation, months of built-up vexation. It was downright sinful.

You gasp once his lips meet yours but quickly return the sentiment. Your hands move to glide through his light hair, gently tugging on the roots, making him groan.

He yanks his cowboy hat off as he grips your waist to flip you so you are now on top of him, straddling his waist as he sits up.

"I thought you didn't like me." You smugly remark as he connects his lips to the side of your neck, and his hands start undoing buttons on your top.

"Like has nothing to do with this." He murmurs into your neck, lightly nipping at your sensitive skin, making you sigh.

"Keep telling yourself that, Cowboy." You jest, grabbing the back of his neck bringing him back up to your lips, already greedy for another taste of him.

He continues working on undoing your top buttons as his tongue collides with yours, and your teeth graze his own.

He cups your breast over the fabric of your bra as soon as he gets the buttons undone, making you whimper. His hand slips down to grip the fat of your ass as he leans in so his lips are lightly grazing your ear.

"You do it on purpose, don't you?" You could feel the roughness of his voice so close to your ear. You leaned into his lips grazing your ear.

"Do what?" You breathe out as his hand roams from your ass to the front of your belt, gently unclasping your belt buckle.

"You playin' dumb now?" He questioned, gently nipping at your ear lobe. The sensation made you let out a low moan before roughly grabbing his face and connecting your lips back to his.

He matched your hungry kiss, reciprocating an even hungrier one of his own as he tossed your belt off to the side and slid off your pitiful excuse for jean shorts down past your thighs.

He quickly undid his belt buckle and threw it off to the side, sliding his jeans down.

"You have no idea how long I've wanted to do this." You breathe out, reaching between the two of you to release him from the confines of his boxers.

His mouth went dry at your touch. "Do what exactly?" He choked out as you carefully pumped him up and down.

"Ride you." You casually said as you slipped your already-soaked thong to the side to accommodate him. He could have come at your words. He almost did, but a quick relay of the steps to clean an AR-15 suppressed the urge. 

You grip him and slip him inside your dripping cunt, hissing at the contact. He grips your hips and gently sinks you lower, groaning as you grind into him. 

He brought his face closer to plant deep, wet kisses on your lips before groaning into your mouth as you continued your movements. "Fuck. Just like that." 

Your entire body erupted with goosebumps, and your nipples hardened at the sentiment. You grip his shoulders tightly, but before you pick up your pace, you hear a familiar truck pulling up to the gate of your family's ranch.

"Is that—" You begin before he thrusts into you, making you moan and throw your head back.

"So fuckin' sensitive." He leaned into your exposed neck and licked a strip up to your lips that were slightly parted. 

"Better come quick, sweetheart." He pants, gently bouncing you up and down on his cock, fingers digging into the tender flesh on your hips. 

"Wouldn't want your parents to see you riding me. Would you now?" You let out a pathetic whimper, bringing your hand down to swirl circles on your aching clit, while he wraps a strong arm around your waist to hold you in place as he drills himself into you.

Each thurst, each swirl of your finger, made you feel a sense of nirvana you didn't even know was possible to get to. It was pure bliss. That and his dirty tongue were spewing such filthy words that were making you wetter than you ever knew was possible.

"Tell me you're about to come because—” His pleading voice sends a final wave of heat through you.

"Fuck. Yes, I'm coming." You yelp, slipping your fingers through his hair and pulling on the light roots again. He silently curses as he comes, gripping you tighter and pressing your chest against his own.

By the time both of your orgasms subside, he silently and gently eases you up to assist you in pulling your thong and jean shorts back on. Then, he casually fixes his jeans and grabs his belt to put back on.

You glance at him, picking up his cowboy hat from the ground and carefully wiping off some dirt that had gotten on it. Though he doesn't slip it back on his head, as a shock to you, he places the hat on your head. It was a little big on you, so it fell a bit more in the front, slightly covering your eyes.

"Keep it.” He says, bending down to pick up your belt and buckle, gently slipping it around your waist and clasping it. He gently pats the buckle clasped in the front, then looks down at you before speaking.

"You earned it."

a/n: who the fuck even wrote this

divider!

reblogs & comments are encouraged!

[neechees]

Late night thoughts, but seeing white ppl's reaction to landback & Turtle Island & Hawaii has really showed us that so many people still don't understand settler colonialism or why it's bad, or even acknowledge the fact that them being born in Turtle Island does in fact, mean that they have privilege as a result of that settler colonialism.

"My ancestors didn't do any of the killing, so they didn't do any colonizing" You being in Turtle Island is proof that they did in fact, participate in colonization. Even if you know for a fact that your ancestors didn't kill any Indigenous people, the colonizers that DID do that specifically did it so that other White settlers could replace the Indigenous population. That's what settler colonialism is. The settlers that moved here were just as much part of colonization of the Americas as people like Christopher Columbus was.

"My ancestors were mostly farmers" I said this so many times in the past, but yeah they were still colonizers. Natives were pushed off good, farmable land onto reservations (specifically areas that tended to be worse off for farming, crop planting, and hunting) specifically so that white settlers could have the good areas to themselves to farm. The U.S and Canadian government paid for White settlers' travel expenses specifically so that they could come colonize Turtle Island. The gov put out ads to "buy Indian Land!" And people definitely took them up on it. Plenty of poor White people trespassed onto what even was designated as land reserved for Native Americans, and that land automatically became theirs ( and disenfranchised from the tribe) for no reason besides that they were on it. One reason why so many White Americans believe they have specifically a Cherokee ancestor is because there's lots who faked Native lineage in order to steal land from displaced Cherokee. Theres a good chance your ancestors did any one of these things.

I think people have this image of what a "colonizer" is in their head and it's a moustache twirling white villian holding a sword or a musket, so much that they don't remember or realize that "colonizer" or "settler" does very much in fact does also include their pastoral great grandparents who were "immigrants"

[aperrywilliams]

That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

---------------

A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

---------------

You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 

[sky-scribbles]

I'm going to say something controversial. I think there's something Veilguard does better than any other Dragon Age game. Namely: incorporating the companions into the plot.

Look, I love Origins as much as everyone. But to be frank: you could cut every companion except Alistair, Morrigan and Loghain and the plot could still work. Once you've finished the mission where you recruit a companion, there aren't other main quests that involve them in any way.

Oghren and Wynne could have stayed home after their recruitment missions for all the difference it would make to the main plot. Sten, Leliana and Zevran could vanish and nothing would change, because once they're on your team, they don't interact with the main plot at all. (There's the Temple of Sacred Ashes, I suppose - but even then, you'd be going on that quest whether Leliana and Wynne were there or not, and it's very telling that they can both die here and next to nothing in the rest of the game is impacted.)

Again: I love Origins. This doesn't detract from any of these characters being great, or from the story being great. It just means there's a layer of separation between the two. They're involved in the story, but they're not driving it, and you seldom get to see them have strong feelings about it.

DA2 is a huge step up. Your companions' personal stories are integral parts of the main plot. You can't do the Deep Roads expedition without witnessing Karl's death and its impact on Anders. You can't enter Act 2 without seeing Varric's brother betray him, or watching your sibling either die or begin a new path in life. Act 2's climax happens because of choices Isabela and Aveline have made. Act 3's endgame is all about Anders making one enormous decision. Even Fenris and Merrill, who have the fewest ties to the plot, have strong reasons to be invested in the Mage/Templar conflict.

And then Inquisition just... backslides. There are multiple companions you don't need to recruit at all, or can send away with zero alteration to the main plot. Your companions don't like Corypheus because he's bad, but no one - except maybe Varric - has any strong personal feelings about him. They have no personal stake in defeating him, not like Alistair has a personal stake in opposing Loghain, or Anders in opposing Meredith.

We go to the Winter Palace, and Vivienne is not made a part of that story. We have a whole subplot about the Wardens, and Blackwall only gets a couple of extra lines, if you even bring him. Their personal arcs could have been somehow impacted by these missions, and they're just... not. Sera is packed with internalised self-hatred that manifests as trying to distance herself from elven culture, to the point of sometimes lashing out at other elves. And despite all the missions you do where elven history features... Sera's growth past that flaw happens entirely offscreen between the base game and Trespasser?????

IMO, this is one of the biggest reasons why Corypheus is such a bland villain. He doesn't make anyone grow, except by starting a plot for them to be part of. He doesn't challenge them emotionally. No one is invested in him. Because no one interacts with the darn plot.

Veilguard, though? Veilguard keeps your companions interacting with the story the whole way through. The Treviso/Minrathous choice affects both Lucanis and Neve heavily, and impacts who they become for the rest of the game. These cities are personal to you, even if you're not a Crow or Shadow Dragon, because your companions love them.

The Siege of Weisshaupt is beyond personal to Davrin and Lucanis, both of whom are entrusted with major parts of the quest: trying to kill the archdemon and Ghilan'nain. Lucanis is affected by his failure to kill Ghilan'nain for ages afterward. Davrin is haunted by survivor's guilt; he should have died when he struck down the archdemon. He's alive. How can he live with that?

Whenever killing the gods becomes a possibility, Rook hands the lyrium dagger to Lucanis. When the squad go to fight the gods' dragons with the Wardens, Taash is the one to flush the first dragon out. When you infiltrate the Venatori, Neve tricks your way in, and everything that happens is especially weighty to Bellara, whose people have been abducted. On Tearstone Island, because of how Lucanis and Spite have grown, they strikes true.

Did you not hate Elgar'nan before that mission? Because you probably will after you watch him capture Bellara or Neve, and see his fellow god kill Harding or Davrin.

You know what's a great piece of writing? There's no reason Emmrich shouldn't have been an option to deal with the wards on Tearstone Island; he's one of the ideal options to take out more wards with the Veil Jumpers in the final mission. But you can't select him to do it. Because Emmrich has far less personal investment in the Elgar'nan battle than the other two. This is Neve's city. This is the monster who tries to call himself Bellara's god. The game makes sure the characters who take control of the Blight at the end are the ones with the greatest stakes in doing so.

One of your companions, not you, wrests command of the Blight from Elgar'nan. The final mission depends on how well you've come to know each companion's skills. They're just... always involved.

And they're invested, too. The companions all have serious personal reasons to hate the antagonists by the end. Lucanis and Neve have either seen their city burn, or know it happened at the cost of their friend's (and potential partner's) hometown. Davrin has seen his order devastated. These are Bellara's and Davrin's supposed gods, and instead of helping the elves reclaim their history and culture, they're trying to enslave the world. Harding learns that the Evanuris maimed and destroyed her Titan ancestors.

Emmrich and Taash have perhaps the smallest emotional tie - and sadly I do think Emmrich especially gets underutilized in the plot. But heck, Taash is still hella motivated by the way the gods are abusing dragons. And Emmrich is tied thematically to the main conflict. He's facing the question of immortality, while nigh-immortal beings are right in front of him, proving how that gift can be abused. The final choice of his personal arc is whether he's willing to embrace his personal, mortal attachments, at the cost of consequences that terrify him... you know, the same question that Solas faces at the end.

And don't even get me started on how everyone is emotionally tied to Solas. Harding and Neve watched him kill Varric in front of them. Everyone not dead or captured has to watch him drag Rook into the Fade. Just about every companion faces some kind of huge regret or failure at some point, in constant foreshadowing for Solas's prison of regret: both the literal one he sticks Rook in, and the mental one of his own making.

Veilguard has its problems, but it absolutely shines at keeping its characters involved and invested in the main story. It gives them things to do, it gives them reasons to care. For all the flaws this game has, this part is good writing.