#not being allowed our cultures when we move to the US

[kanmom51]

Chapter 3 in the making

Traveling together to "film a show" was big (yes, this was to film a show, but we all know it was mainly to spend much needed time together, and if we didn't, let's be honest that we did, but if we didn't, then JK literally confirmed this for us in episode 1 of AYS). But back in 2023 when a public Jikook was a scarcity, left us with more question marks than anything else as to how this will actually be coming to fruition.

Enlisting together was HUGE. Like H U G E. Them being the only ones to do so not only within BTS but the first and only idols to do so. A choice made by the two of them. To do this together. With each other. Not with anyone else.

Are You Sure?! Do we need any words here? Like really? Because AYS was as loud as F$@&. No, seriously, idk what you want to call it, a soft launch, a smack in the noggin, whatever you do, it was quite clear to those who have eyes and a brain. With or without knowing who JM and JK are, their history, their culture. Louder to those who do know them.

Since their enlistment and even through Muse and AYS we got practically nothing from the two. Oh, we did have a couple of interesting pics from their basic training and graduation, a few pics from the unit, a shit ton of signatures, some more interesting than others (joint messages, pretty decorations...) and a few nice messages, but mostly silence from the two. This stood out even more so in comparison to the almost barrage we've been getting from NJ and Tae, both enlisted only a day before Jikook.

And then came December. With less than 6 months to go.

JK going live from his new place. Dare I say their new place? It's not like we haven't talked about this over the past 18 months. Speculating, wondering. But man (figure of speech y'all), these last couple of months, they are sure making me feel like what we saw as leaning to the delusional side or more so wishful thinking, ain't no delusion or wish, but more so a very possible reality to come.

But let's get back on track.

So, December gave us:

"We spend our free time together", "we sing together", "we sing while we shower daily together", not to mention JK's btw remark about seeking privacy away from others "to sing".

Then came JM in January with their "conversations before going bed" about "what kind of image we want to show" and "what kind of lives we will live moving forward".

And February rolls in and we think that we will be back to their silent treatment, but JK comes to us with a heartfelt message (they really feel the end and want out). But nothing prepared us for Hobi's birthday live and once again those two with their "we share a room" and "we have stories to tell, but not sure how much we actually can..." that won't scare us off, lol.

Funny how every single hysterical claim made by those who were hit so very hard by their joint enlistment has been shut down by the two of them by now!!

Anyway, do we see a pattern here? Can we call this a pattern? Is there more to come? Well, obviously there is post military service, but seeing as to how they have been in the past couple of months, I'm thinking that we will be getting more even before that.

I'm guessing that conclusion isn't a far fetched one, seeing what we got last night.

And OMG, that was another HUGE loud af Jikook statement.

Ribbon on right: "I love you 🖤"

Ribbon on left: "BTS Park Jimin and Jeon Jungkook".

Yes, a statement.

I stand by that.

Because even if you don't think it's anymore than a cute thing, just another thing that Jikook do together, then you are not seeing the cultural context here.

So, several content producers/directors that were Hybe employees (directors of I am still, AYS and JM's production diary amongst others) have left the company to open their own company (Idk too much about the company they opened, but my guess is that they will continue working with Hybe as contractors rather than employees, but also allowing them to work with other companies and create their own content, including producing a new boy band). And they posted the congratulation they have received.

From Hobi.

Hoshi and Woonhoo of Seventeen.

Each sending a separate wreath.

Zico

And there are wreaths they received from more than one sender. Joint wreaths. But this was from companies (joint ceos), or business partners. Not two separate idols or people.

Now, if you don't see what's huge here, let me show you the K side of this to maybe get some perspective (although, let's be honest, you don't need to be on the K side to see this is a couple thing).

Yes, I wonder the same thing!!!

There is more.

So much more.

The K side of things is literally going mad. Good mad.

And there is a reason they are.

This is most definitley not something friends, as close as they might be, would do. Not friends, not multimillionaire friends. They most definitley can afford two wreaths. And that's one of the points here.

Once again.

This was a choice.

Not to send separate congratulative wreaths. They sure can afford to do so. Even if they aren't on vacation at the moment and are in the base. Seriously, two young men closing in on their 30s, independently financially sufficient and so much more.

Yeah, this most definitley was a statement.

And the frenzy K Jikookers are in at this very moment is well enough proof to that.

Btw, haven't been to the dark side, don't know just how crazy and rabid the cult and antiis are going, but my guess would be...

Anyways, sitting here smile plastered on my face, I'm kind of starting to think, that this is maybe, just maybe, going to become our new normal. Jikook doing couplie things, openly, proudly, unapologetically.

And if this is them even before they are discharged...

What a great time this is going to be.

[ryanthedemiboy]

It could also be because it's the only acceptable time to recognise and connect with where we came from

“Why do Americans celebrate St. Patrick’s Day like that?” “Why do Americans celebrate Cinco de Mayo like that, we don’t even celebrate it in Mexico?” IT IS AN EXCUSE TO GET DRUNK AND EAT FOOD. Every popular American holiday is an excuse to get drunk and eat food. Labor Day. Veterans Day. Memorial Day. Halloween. Valentines Day. Fuck it, Leif Erikson Day. My family celebrates Guy Fawkes Day, for some reason.

[starlit1daydream]

On the subject of Equius Zahhak: hypersexuality and patriarchy.

It's been a hot minute since I promised to write something like this, and I've been meaning to test a new writing style for these big posts anyways - so I'm going to try my hand at explaining my personal interpretation of Equius Zahhak.

Equius is one of my favourite side characters in Homestuck, and though the individual components of his characterisation are intentionally facetious and humourous, all of these components then come together to form a fantastic and deeply layered commentary, however unintentional.

Let's begin with the basics: our introduction to Equius proper.

The narrative makes it clear from the start how you're meant to feel about this guy for starters - he's a creep and a weirdo. Nepeta says as much in their very first interaction on-screen:

This is backed up by the narrator themselves exhibiting a discomfort with him, painting him as a cryptic and eerily observant loner:

Once again, he's making people uncomfortable. Discomfort is going to be a very common theme going forward, particularly once we tap into Equius' personal interests and the justification behind them.

The next sign is when we first see him properly on-screen, and the narrator is immediately mortified by the state of his room and advises us to move on with the story.

So, immediately, any cognizant reader knows what's up. This guy is a joke character. A punchline, a fool, a weird asshole with no redeeming qualities. This is, of course, the intended reaction.

...Which then brings us to the subversions involved with Equius' character. Every single off-putting and strange thing about him is subsequently repainted in a more flattering light by the conclusion of his screen-time.

What begins as an overcontrolling, possessive demeanour towards Nepeta becomes a genuine, albeit perhaps overbearing desire to protect his moirail from harm. The context of him being Vriska's neighbour helps us infer that he's very, very aware of the dangers of FLARPing.

What starts as a bizarre and testosterone-poisoned obsession with strength becomes more of a fleshed-out character flaw. It's an inherent fault that Equius cannot control that brings him more distress than anything else. We'll delve into that later.

This is not, of course, to say that Equius is without genuine fault. You are still meant to find problems with his behaviour, of course you are; the Aradiabot fiasco is an intentional violation of personal agency based around an unhealthy obsession. He allows himself and his moirail to die because of his refusal to disobey the vapid and classist hemospectrum.

Okay, so why is he like this?

I'm glad you've asked. This is where this delves more into conjecture, based around a few different things.

The state of the internet and online culture at the time of Equius' inception; and the ramifications therein.

What we know to be true about the aspect of Void, and how Equius interacts with it.

The added retroactive context of Hussie's handling of queer topics (as a non-binary person themselves!), particularly on the subject of gender identity.

Let's start with point one.

Equius and hypersexuality.

At the time of Homestuck's inception, it was a veritable fact that the internet was overrun with overt sexuality, oft for the sake of shock value as opposed to arousal. Screamers and shock sites like 2girls1cup, goatse, Mr. Hands... (that last one is particularly relevant).

I cite Mr. Hands in particular because therein we get to the use of bestiality as a gross-out punchline. This is what Hussie's invoking with Equius; you're looking at this guy and seeing a gross freak who hangs horse porn on his walls. It's appealing to the fact that:

Homosexuality was considered a funny punchline.

The furry fandom was considered a funny puchline.

Bestiality was considered a funny punchline.

And so, this thirteen year old child hanging gay horse porn on his walls is meant to be played for laughs.

But with the retroactive lens we're looking at this through now? It's not only deeply disturbing for reasons I don't think I need to explain, but it's also a portrait of unhealthy teenage sexuality and the ramifications of exposure to explicit content at a young age.

Because it's a veritable fact that Equius does not understand boundaries and has a deeply flawed relationship with his sexuality. It's the kind of hypersexuality induced by childhood exposure to sexual material, and I would go as far as to call it a kind of CSE.

Need more proof of this? Dave Strider. Bro's weird sex puppets and usage of pornography as a punchline undeniably fucked Dave up, and explains the way he so regularly uses sex, particularly gay sex as a source of humour. Dave is the same problem that Equius rises, played seriously at a point in the story wherein these things are no longer treated so facetiously.

Furthermore, it becomes clear that Equius does not actually understand what he is consuming and emulating. Pornography isn't pornography to him, it's fine art. He's uncomfortable and unhappy with his sexuality because he lacks a label for it and doesn't know what it is he's feeling. This is tied to his Aspect of Void; but more on that in just a second.

This is uncomfortable. It is meant to be uncomfortable.

Equius' toying with casteplay and power dynamics is a clear representation of this frayed relationship - and it also segues into our point about his lack of self-worth.

Equius, the Heir of Void.

The Void Aspect. The Aspect of irrelevance, secrecy, ignorance, simplicity and absence, amongst other things.

The Heir Class. The Class that indicates an overabundance of the player's Aspect that overwhelms them and embodies them.

Equius is he who inherits, becomes and is consumed by emptiness. Because Equius Zahhak does not have a sense of selfhood or self-worth. The inference brought about by his title as the Heir of Void is that Equius is overwhelmed by nothingness.

Combine this with his Dersite status and the consensus on Lunar Sway (Prospit indicating externalisation, Derse indicating internalisation) and you get a very clear image of how Equius' title translates.

An overwhelming, consuming sense of internalised absence and nothingness. This is where Equius' hemospectrum adherence comes in! It's a cover up to compensate for his purposelessness and lack of meaningful identity. He sees himself as being deficient in anything real or of substance, and so adheres to the system placed before him because it is the only thing he feels he understands.

Once again, this is uncomfortable and a real phenomenon amongst teen boys. We see it with Eridan, too; young and confused teenagers with no sense of purpose falling into harmful and bigoted pipelines because they have no sense of direction otherwise.

(In a roundabout sense this explains Tavros' role as well; The Page indicates a deficit in their Aspect throughout the session and so the trolls lacking Breath in the form of directionlessness fits fairly well).

It's almost like watching a young boy fall into the alt-right, or start feed into Andrew Tate-style snake oil bullshit. It's the exact same kind of exploitation on a much larger scale; because it's the whole of Alternian society orchestrated by Doc Scratch.

You know... the Doc Scratch meant to represent online groomers?

So, we've been over about all I can cover about Equius' sexual trauma, lack of boundaries and emptiness/lack of self. So, how does this translate? Particularly thinking on the last point, I'd like to give my two cents about a very interesting headcanon for Equius that's been circulating a lot lately.

Equius, and gender identity.

A transfeminine reading greatly enhances the content of Equius' character, and provides a narratively satisfying character arc and means of development for them.

(From hereon out, I will be referring to Equius by the pronouns she/her).

I've seen Nekropsii sum this up beautifully, and I'll paraphrase this interpretation to the best of my ability; Equius' manifestation of masculinity is akin to a poison to her.

It makes her into a grotesque, testosterone-poisoned freak that physically cannot interact with anything around her without hurting it. It is the metaphorical confusion and fury of dysphoria made literal. It is the emptiness and lack of self that I myself can corrobate as a trans woman myself.

Masculinity is a curse for Equius. Much like quite a few other Homestuck characters (Dave & Jake come to mind), Equius really fucking hates being a guy.

So, this ties into my final point.

How I personally would have developed Equius had she been given the screentime to keep being relevant to the story.

The transfeminine character arc seems obvious. I believe that, if a person would be willing and able to tackle the more obscene and deliberately uncomfortable components of Equius' character, you could make an incredibly raw and interesting portrayal of transition and identity.

What's more; this is corroborated by Equius' closest relationship. Nepeta Leijon, the Rogue of Heart. The girl whose role indicates the ability to share identity and selfhood. Nepeta could very, very easily function as a catalyst for Equius gaining her own identity and being helped through the transition process. It makes an already STRONG and stable moirallegiance all the more interesting and heartwarming to witness.

This is not to say that Equius should not have agency herself, of course; an important part of this development would be the formulation of an independent self without debilitating outside influence. It would be allowing herself not to be consumed needlessly by Void.

Equius, and further relationship dynamics.

Equius' relationship with Gamzee (which I have always read as a one-sided kismesis) is also very important to me. This is not healthy. Equius is using Gamzee as a vessel for her fantasies and lack of boundaries, and through her black feelings she vents out her frustration with her sexuality and intrinsic need to obey and serve someone of a higher caste.

I don't think I need to tell any of you how well that works out once Gamzee goes sober. (I'd rather not dwell on the topic of the Makaras too long; that's something for a wholly separate post - and one that I'm sure would end up being rather scathing towards Hussie).

Finally, Equius' relationship with Aradia. This is also one I feel is unhealthy and once again one-sided. It is the same principle as Gamzee; merely in the red quadrant as opposed to the pitch one. Equius is using somebody as a vessel to vent out her feelings of purposelessness and frustration, and deliberately ignoring the lack of reciprocation.

Both of these connections are similar; and both of them end with Equius getting her shit kicked in.

How one would retool and treat these relationships post-character development is up to them, but I personally think it would be healthier for Equius to step away from both of them. I don't think Aradia would want or need Equius' continued presence in her life, and Gamzee is notoriously terrible at relationships. (We know damn well how a reciprocated blackrom with him turns out, just ask Terezi).

Equius, in conclusion.

That's all I really have to say on this matter; a long-winded and ultimately self-serving wall of text that I'm sure will come off as masturbatory and stupid when I read over it again. That being said, I wanted to lay all of this down in one place.

tl;dr - Equius Zahhak is a complex and interesting character with commentaries on teenage hypersexuality and unhealthy masculinity, and reading her as a trans woman provides an incredibly interesting character arc for her in the long term.

[calder]

Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

[mead-iocre]

Marshmallow Keychains | Alexia Putellas x Reader

synopsis: want that cute (overly expensive) jellycat? Lucky for you you've got a very generous girlfriend.

warnings: none . But it is my first time writing for Alexia so consider that your warning lol

wc: 1k words

“Oh my god–  baby look at this one!” You hold up a small pink bashful bunny, showing it to you the girl beside you. You and Alexia were in London as your footballer girlfriend has a few days off of training. 

“Si. That’s nice, mi amor” She said in the most monotonous tone ever, but you didn’t mind her less than enthusiastic response, you were far too enamoured with the soft stuffed bunny in your arms. 

You put the bunny down and move on to the next adorable thing that catches your eye. “And they’ve got marshmallow keychains! These are so cute!” You've been roaming the store for a few minutes now, caressing and cuddling all the soft stuffies, much to the entertainment of your girlfriend. However, these marshmallows are different. The two marshmallows, one white and one pink, were holding hands and smiling sweetly at you. “I need them, Ale” 

Alexia just stares, seemingly unmoved by the cuteness of the little marshmallows with little faces. She raises a perfect eyebrow at you, unconvinced. “Do you, amour?”

“Okay maybe I don’t need it– but I do want it…” You look down at the cute keychains in your hands. Turning the price tag around, you visibly wince. If you were to buy two, that would be nearly £50 British pounds for two small keychains. You move to put the marshmallows back on the shelf, hoping they’ll still be in stock when you can willingly afford to splurge on them, but your girlfriend grabs them from you. 

“I’ll buy it for you” Alexia says sweetly with a kiss on your cheek. The bright smile you gift her has Alexia feeling like she’s on top of the world. Over the years that you've been dating, you've gotten used to Alexia literally throwing her card at you whenever she could. She knows that you can afford to buy things on your own, you've got a job that you loved and it pays well, but gift-giving has always been her love language. She liked taking care of you and you gladly indulged her. While you did not care much for designer clothes and luxury bags, you loved the little things– like the silly little marshmallows keychain that Alexia currently has clutched in her hand. 

You look around the rest of the store where there are shelves and shelves of stuffed animals. Rows of Jellycats lined the shelves, each one seemingly more adorable than the last.You gasp suddenly, grabbing onto your girlfriend’s tan arm nearly startling her. “LOOK OVER THERE–“

Leaving her behind, you literally sprint over to the shelf not the other side of the shop and pick up the object that caught your eye “A sandcastle with a little face– oh muy amable” You coo at the yellow stuffed toy in your hand. You snuggle the sandcastle in your arms, rubbing your cheek against the soft material. 

“muy suave, amor” Alexia corrects gently once she has made her way over to you. Unable to resist how cute you look, she lays a sweet kiss on your cheek. You’ve been learning Spanish, attending language classes and regularly being flown out to Barcelona by your very generous girlfriend. She insists that regularly exposing you to the culture and the environment will allow you to pick up the language quicker. It’s also part of the Spaniard’s plan to get you to move in with her as soon as possible– but she would never admit that to you willingly. 

The shopkeeper restocking a shelf nearby noticed your excitement. "Ah, you’ve found our special edition," she said with a warm smile. "We only received a few of those. It’s part of a summer series they released.”

You gasp and turn to Alexia with that look on your face. The look that can get you whatever you want– one that your girlfriend was very familiar with. Before you can say anything, Alexia is already rolling her eyes and reaching into her back pocket for her wallet. 

Smiling the biggest smile in the world, you reach a hand towards her gold amex card that she dangles in the air before she pulls back just before you can grab it. You pout at her. 

“Do not pout, mi amour.” Tugging playfully on your ponytail, she lays a quick smooch on the side of your neck knowing exactly how ticklish you are. You try to swat her away, but not before she somehow manages to steal one more kiss from you. “I just wanted to be sure– that’s all you’re buying, si?” 

With that, you turn to the kind shopkeeper from earlier with the biggest smile on your face. “Do you have any more limited editions Jellycats? My girlfriend is feeling very generous today” 

You both leave the shop with one big bag filled with seven new jellycats to start your collection, but with barely a dent on Alexia’s card. On your crossbody bag dangles the marshmallows keychain, and another pair is nestled inside the shopping bag that your girlfriend insists on carrying for you. 

A week later Alexia walks into the locker room, her boots in one hand, and her training bag thrown over her shoulder. She walks to her locker, putting her bag down on the bench. The locker room is loud with chatter, the girls catching each other up on what they got up to during the break.

Mapi is walking over to her locker right beside Alexia when something new catches her eye “¿Qué es eso?”

Alexia stops what she was doing and looks to where her teammate is pointing. “…Jellycat.”

At first Alexia had protested, or at least she tried to. You loved the marshmallow jellycat keychain so much, and made sure to hang it on every bag that you wore out– even when you would borrow one of your girlfriend’s very expensive, fancy bags. You could be using one of Alexia’s Louis Vuitton bags and the marshmallow keychain would be hanging on the side.

Alexia, on the other hand, was less than enthusiastic to use her keychain. During checkout, she had thrown in a keychain for herself last minute, thinking she could get away with you just knowing she has one just like yours. However, you insisted that she had to use it. You explained that the marshmallows would be sad if they were left behind just collecting dust on her bedside table. In response, she rolled her eyes and grumbled something about you being “a pain in the ass”— at least according to the little bits of Spanish that you could understand. 

The following morning, your girlfriend left you in bed– you with your messy hair, flushed cheeks, swollen red lips, and her with her hair neatly in a ponytail, and her training gear on. You watched with a smile on your face as Alexia left the house with a very familiar keychain dangling against the side of her Barcelona training bag. 

need me a rich athlete wife who can spoil me with jellycats too

also im really loving these shorter blurbs because it allows me to just write whenever im inspired without worrying about a low word count.

the euros final is tonight, if you care lol. may the least shittiest team win x

-- kisses, butter.

*This work is my original creation. Please don’t copy, share, or translate it without asking for my permission first. Thanks for respecting that!

[occamstfs]

Ni Hao!NYC

Morally conflicted journalist puts off questions of ethics until it's just too late. Finally assigned to put his name next inflammatory content Sam finds himself more than appreciating Chinese culture.

Various white to Asian Muscle growth and racial change ahead!

Like many, I saw the final pictures on twitter and had to do something with them haha! Ended up with a piece just a tad different than usual! Hope you all enjoy! -Occam

Samuel Johnston knew he worked for a rag but as long as the checks cashed he could afford to mute his conscience. They made money not from sales so much as some rightwing think tank who wants their views affirmed in any way they can get it. So he lays low and pens little puff pieces, avoiding anything too controversial and introduces himself as an accountant to anyone he cares enough to lie to.

He’s quite adept at staying out of sight and mind when it comes to the doling out of any especially charged or problematic issues. Making sure to bury his own work any chance he gets, even using a pen name in case someone accidentally stumbles on his writing. It’s gone well enough so far he thinks! Sam tells himself that really working for NY:Red isn’t that bad, surely it’s even good that he’s got the job rather than anyone who believes the shit they write. Right?

No job is without its problems, he tells himself. So far he’s done a commendable job keeping his nose down with an almost supernatural ability to duck away from bigwigs or management. That is until now as he’s summoned by name to his boss’ side. His proficiency at staying off the radar of management has kept him from a one on one with the man in charge for some time, but now he is sitting on the top floor outside of Mr. Howard’s office, surely waiting to be assigned some horrible project.

“Come in!” Sam hears the surly man shout before promptly stepping into the gaudy office. He’s immediately taken aback as somehow the editor looks almost younger than he does in the many pictures Sam has seen. Sam hides his shock at the man’s jet black hair as well as he hides the general fear and disdain that begins to send adrenaline pumping towards his mind. Mr. Howard doesn't notice at least, getting straight to business, “I can tell from yer writing that ya like the city Sam, can I call ya Sam?”

Samuel opens his mouth to reply but the chief just continues on, “Anyway I love all yer little toilet paper stories but how do ya wanna write with the big leagues?” This time Samuel stays strong and gets a word in before being steamrolled again, “Actually I-” “I’m puttin’ you on the most important case we have Sam. Surely ya’ve noticed all this, what's da word, influx? Invasion? Bah. All the Asian shit that’s startin’ ta creep in on our city’s culture!” Samuel makes an awkward face as despite knowingly working for the racist, it’s different to hear the words out loud.

He holds his tongue out of shock or fear and his boss continues on his diatribe, “The last couple a schmucks I had on the beat just up’n left me high and dry can ya believe it! Old friends I thought!” He grumbles as he scratches his chin, moving away his hand it seems his beard thinned? He shakes his head in irritation and Sam would swear he saw his jowls tighten and wrinkles smooth over. “Anyway kid. Go out and do some prelim research. Have something on my desk by Friday or yer out just like those galoots!” Samuel stands for a second unsure if he’s allowed to leave before his boss looks up to glare with eyes Sam would’ve sworn were blue when he walked in.

Sam rushes out the door and to the elevator, riding it back to his floor, debating between writing a preemptive resignation or keeping mum and keeping on payroll for one last week. Profiteering from a culture war he may be but he’s not about to regurgitate genuinely racist talking points. He taps his foot impatiently as he thinks about just how cushy this gig is though. “Fuck!” He decides to call the only other confirmed decent human being he knows here, his friend Nick who works in the fashion dept.

The two go to grab coffee at a chain next door, Sam tries not to notice how they’ve started selling Vietnamese iced coffee. “Fuck man I can’t do it! Literally just one conversation alone with Howard was a wake up call.” Nick smiles like he has no problems with working for the dirtiest rag in the city, “Chill out Sam. Huward had my manager on the same beat and he, uh, Hidaka said that is said to just look busy for a bit and we won’t need to worry about all this racist shit anymore.” Sam squints his eyes at his friend, he’s not usually so easy breezy about work. He also racks his brain trying to figure out who Hidaka could possibly be. That can’t be his boss. No way Howard would let someone not white lead a department.

Seeing Sam lost in thought Nick reaches out and grabs his hand in a way Sam couldn’t imagine him doing before this second. In fact as the second drags on he stares down in the hand in shock, feeling the warm hand squeeze his forearm. He looks up to his friend’s face searching for any clue to the cause of this odd behavior. Sam smiles awkwardly and half-jokes “Hah hah, uh- Who are you and what’d you do with Nick… Hah.” Nick bursts out laughing, patting him on the arm jovially and leaving a hand larger than Sam remembers resting on his own. “Hidaka-san just showed me how to worry less about this job un?”

Sam inspects him closely for anything amiss, it looks like he’s picked up a bit of a tan? His hair is messier than usual and definitely a little darker, his skin is alluringly smooth and Sam can feel the heat his body is generating despite sitting across from him. Looking at his clothes Sam finds another surprise, his shirt almost looks strained! As if Nick has been hitting the gym for sometime, maybe it’s just been a while since he’s seen his friend in person? 

Assuaged in the slightest, Sam ignores the glowering red flags and follows this lede, “Woah Nick have you been working out?” Nick blushes and Sam at the very least sees his friend is as shy as ever. He goes to scratch the back of his head straining his shirt almost to its ripping point as he responds, “Ah a little haha! どうぞ(please) don’t you worry about me. Since you have no desire to write the article, why don’t you go ahead and check out the little Asian market down the street for fun? It was quite a good time when Hidaka-san brought me earlier this week!”

Sam awkwardly smiles as he wonders why on Earth Sam is suddenly referring to his boss like this, it’s almost like he’s performatively speaking Japanese. Taking a second to pause Sam looks at the haircut as hands unseen style it into something fashionable he puts two and two together. Thinking to himself, ah! Nick must just be a weeb! Tension disappears from his body with a sigh of relief as he wonders how he didn’t notice before now. He gets up to follow his friend’s advice, what better way to stick it to the man than support the people he aims to malign right?

He bucks up and grabs a Vietnamese iced coffee for the road, tossing a “Sayonara,” at Nick with a wink to which he perks up and slightly bows. Man, how did he not notice before Sam thinks yet again. Blissfully unaware, leaving just as kanji symbols appear on Nick’s keyboard and his friend responds to an email in a language he didn’t know this morning. Blue eyes growing coal dark as his tanned, increasingly muscular arms tap away at the keyboard.

Sam spends the bulk of his day at the little Asian street fair and has an absolute blast. Any residual stains on his mind from his unpleasant morning absolutely fade away as he goes from booth to booth sampling cuisine and chatting with diasporic cultures the world over. Time flies as he goes into journalist mode and basically interviews first gen Chinese immigrants about their time in the city. He finds himself beyond immersed in the conversation, continuing to learn from the couple as the tables around them begin to pack up for the day. 

He offers to help the older couple pack up and they happily take the aid, striking him bashful as they talk of what a sweet young man he is. “Wa! 哇强 (strong) Too!” The wife chuckles as she jokingly feels his less than impressive arms. He was having a better time at this little fair than he ever could’ve imagined, enough so that he thinks about going to stick it to Huaward then and there. Huaward? Whatever. His mind slightly off put by whatever that was, in an uncharacteristic act of transparency, Sam lets it slip that he works for NY:Red. The expressions on the kind couple’s faces immediately sour and Sam is quite shocked that they even know what the paper is.

There is a glint in the husband’s eyes as he starts to motion Sam away from any further aid, “谢谢 (Thank you) for your help, Sam. There have been a few, hm, bad men wandering around from that paper and I uh-” He looks around his table and grabs some miijiu they hadn’t put away yet. His wife nods, her face somewhere between rueful and hopeful as she watches her husband offer Sam the glass. “Again, 谢谢, er thank you for your help young man, enjoy this for the road 好的? (Yeah?)” The two turn to each other and begin talking to each other in mandarin alone and Sam takes the hint.

Kicking himself that he fumbled the capstone on such a pleasant afternoon, though finding solace in the rice wine he’s walking away with. He is blissfully unaware as the couple watch him drink and head down the street debating if everyone from that paper really is an asshole. Grimacing as they think about the vitriol spewed at them by NY:Red readers they decide they had no other recourse. Pleasant as he seemed Sam was consciously working on the side of hate and that could not be simply overlooked.

Sam quite enjoyed the rice wine the couple left him with, it immediately smooths over any lasting regret or concern about his interaction with the couple. They don’t know anything about him! He’s nothing like his other coworkers. It feels as if he’s had far more to drink than the small container they left him with should allow, but every time he looks down there always seems to be more mijiu to entice him. It would be impolite not to finish their gift he thinks; his confident stride quickly shifting to a stumble as he wanders home. 

His phone goes off as he gets an email from his boss, Mr. Huang?  Can’t be right. He squints at the email, deciding he must really have overdone it on the mijiu and stuffing his phone back in his pocket. Beyond the obvious difficulties in ambulation being drunk, Sam is unable to notice as his proportions slowly begin to shift. His ever-so lanky body begins to feel dull and heavy as the warmth of the wine fills his chest to capacity and then some as he leans against his apartment door, wiping his feet on an unfamiliar doormat. 

He kicks his shoes off by the door on some new instinct and immediately goes to collapse on the couch. His small sofa creaking as he puts more than his usual dead weight on it. His legs that usually hang off the end lengthen even further as his thighs grow meatier. Pecs press into the cushions as he snores. He is swiftly ushered into an unfamiliar dreamscape, the jubilee of the fair and the bewildering amount of wine he drank produce a vivid carnival of culture in his subconscious.

He sees the old couple at their stand and begins to speak with them in their mother tongue, seeing the delight as a load is taken off their shoulders. His dreamself seamlessly conversing with a fluency unearned. Sam stirs in the waking world as his mind existentially changes to match his morphing body. His blond hair grows thin and longer as its tint stains darker. Twitching in REM the green eyes that he prides himself on speckle with brown before they are entirely overtaken, becoming a rich cacao like the thick eyebrows framing them.

The discomfort of a new language forcing itself into this memory begins to wane as he prides himself on how fluent he is in both Chinese and English. His hand goes to scratch his pecs and he smirks in his sleep as they pulse larger, knowing pride is not the only thing surging within him. At the edges of his mind he feels the memory of learning a language, words written on a blackboard in chalk, English and Chinese both. For the life of him he cannot recall which of the two he’s learning second. An alarm set on his phone blares and he jolts awake to get ready for work.

Throwing on a shirt, Sam freezes as he sees his reflection. Hundreds of little questions seize his mind, those aren’t his eyes are they? Did he dye his hair last night? Are those abs? God his arms look good don’t they!? As they race through his mind and grow rampant they fixate on how attractive he suddenly feels. Rubbing his pecs and feeling them bounce he cries out to himself, “该死！Uhhh, Damn I look good!” He poses in the mirror and takes in every new angle of his powerful body. Taking note as his body hair seems thinner, and decidedly darker wherever it remains. He looks close at his pit seeing his once dense bush of curly hair thin out and straighten, before the memory of even having dense body hair is washed from his mind.

His phone goes off again and his work is immediately brought to the forefront of his mind. “Fuck I didn’t read Huang’s message!” He finds email after email from his boss, only the first few mention the wretched assignment they last talked about. Sam’s eyes widen as he continues to skim through the emails as the topic lines quickly show some drastic re-prioritization from his boss. Only then does he realize that he’s been reading his boss’ name as Huang. His boss is white. Rather his boss’ whole identity is based around being white! Huang isn’t, right? Incredibly he clicks the last email, subject line Vacation, and is immediately greeted with a mouth watering picture of a powerful man. Everything comes to a stop as he can’t help but gawk at this man’s body.

Ni Hao Sanuel- take the day off shi de? Still only half dressed Sam balks at just how bizarre this is, rereading the name Sanuel he is thrown for a loop as his mind reconfigures this. Tearing his eyes from the man’s torso he finally looks at the cocky face and sees a thread he recognizes,  “天啊! (Holy Shit!) That’s Mr. Huang!” He shuts his mouth before he drools like a dog at his boss’ arms. God, this is unlike him though right? He tries to dig through his memories of the editor in chief as the caustic racist he was yesterday, but with each uncovered the image of Huang changes as this dreamboat playboy overrides more of what was.

Sanuel readies to just stay in for this day of assigned vacation before he gets another notification, this time from his friend, Nobu? An image of Nick flashes through his mind, a handprint burns on his arm, and the taste of Vietnamese coffee dances on his lips. “Meet me on the boardwalk うん？” Sanuel rolls his eyes at his friend tacking on Japanese like that, willing his mind not to think about how his friend’s contact ID now says Nobu. Must be one of those, uh, his own thoughts trail off as he successfully abandons concern to head to meet his friend.

Nearing the meeting spot he looks for his usually cleancut friend, the only body present however is a massive Japanese man awkwardly flexing at himself in a reflective surface. Sanuel shyly speaks up, “Ni Ha-, uh Hey? Have you seen a guy named Nick around here?” The apparent bodybuilder beams and goes to engulf Sanuel in a hug shouting, “Oi! Shan! took ya long enough!” His eye twitches hearing the name, as this man effortlessly lifts him off his feet in a hug far too intimate for colleagues, and certainly from whoever this stranger is!

Shan pushes against the massive man, his body heat broiling him on this already warm day. He strains his eyes looking at the man grabbing him and suddenly it hits him, “Nobu?” The man promptly lets him go and pats him on the back with a laugh he would’ve never expected to come from his sheepish friend in the fashion department. “Wanna go have some ice cream or something Shan?” He feels the need to push back against his friend calling him Shan but as he hears it a second time he can’t recognize the names as anything but his own.

Shan pauses as he sees Nobu stop to chat with some Japanese tourists and something about the picture doesn’t sit right. God it’s that talk with Huang getting him all worked up again that,uh, racist? He clutches his head as contradictions between his past and present collide in his head and he slams his eyes shut as he cannot determine what is true about his current reality. Shan falls to the ground with a deep thud, slightly hyperventilating, his body grows larger as he takes deep breaths from the stress.

Hearing him collapse Nobu runs over to help him up, this time with more effort as his friend’s comatose body continues to put on muscle and grow heavier. Still, having the impressive figure he does, Nobu rather easily gets him on a bench and sits next to him, “クソ野郎？(Fuck dude?) You alright?” Shan slowly nods as his friend throws an arm around him. Looking down at his own arms as they pulse with muscle, he feels his eyes strain as the structure of his face begins to change.

Shan's jawline sharpens and his skin smooths. Stubble that has been a cornerstone of hiding his facial blemishes vacates as his hair stains black and flops longer. He feels clarity grace his mind as he stares at large hands on the ends of pale, hairless, muscular arms and he wonders if he is even himself.

He voices these concerns to Nobu who just laughs them off. “Hah! Of course dude, same Shan I’ve always known!” “那- that’s not my name Nobu.” His friend grins shyly in concern for his friend's mind. “It can't be my name. I’m-” grimacing before he continues as it takes everything in his power to speak against the realities in front of him. Memories of a world quite far away, moving to New York long ago, the youngest in a family of Chinese immigrants, “I’m white aren’t I Nobu?” 

Nobu can’t help but laugh again at the beyond bizarre statement. He jokes about Shan hitting his head when he fell. “You’re the most 2nd Gen Chinese わるがき(brat) I know bro! Imma go get us some ice cream while you chill out.” Shan stares at his friend as he abandons him, feeling his eyes tighten as they shift into the monolid eyes that his memories swear he’s always had.

Shan retreats into his mind racing against his changing memories to find a pillar of truth to grasp on. He sees himself at the gym with Nobu, his black mop of hair flicking sweat into the air as he poses with his bro. He sees just yesterday at the Asian fair, helping an elderly couple pack up their table, twitching as he would’ve sworn that went differently. He remembers sitting at the office getting no work done as he plays on his phone, 是的！that’s it! His job. There’s something there, if only he can remember what the problem was there.

He sees Nobu begin walking back with sweet treats, Nobu works at the paper too. Oh 呃/Duh! He smirks as he goes for his wallet to grab a business card. His eyes see the obnoxious red logo he knows before they read text that will send him irrevocably forward, Shun Jiang - Ni Hao!NYC. His body fills with warmth like a machine overworking as his mind races with information about his new reality. Sweat drips from his hair as he can no longer even struggle to recall his claimed existence as a bystander at the vile paper they produced. His brown eyes steep to a dark black as they glaze over.

“Shan-baka! Here’s a popsicle!” Nobu shouts as he returns to his overheated friend who immediately bursts from his stupor. “混蛋!(Asshole!) It’s Shun- thought we were close!” Nobe smirks as he starts to eat his own ice cream. Unable to recall anything too in depth he feels a pause as he wonders what his Japanese friend is doing working for a Chinese newspaper, before he answers it himself. Clearly his subconscious is more at place in whatever new reality he faces. Their paper is for all NYC’s Asian immigrants. Nobu works writing, or more often modeling, for Konnichiwa!NYC! Huang really was a genius for the idea.

Shun smiles, thinking fondly of his boss as he enjoys the short break from the summer heat that Nobu brought him. Back at the headquarters of their paper everything shifts from the rag it was and into a paper connecting the disparate Asian immigrants of the city, printed in any language they can find translators for, Ni Hao, Konnichiwa, Annyeonghaseyo, Namaste!NYC. Each day striving for a better, more inclusive New York City. Shun beams with his new face, no longer burdened with the just concern of his peddling vitriol, instead possessed with a desire to spread his culture far and wide.

———————————————————————————

As I was writing I remembered a similar series by the now gone Dumb-and-Jocked!

If interested do check out Horizon Zero: One, Two, and Three for quite a different take on a journalism themed Racial Change!

[am-i-the-asshole-official]

Am i the A-hole for trying to protect a women focused space?

I'm the mod from the super one sided retelling of the "Refusing to change OC's sexuality to bi/pan" situation. Shin (the person who wrote that post) know i don't use tumblr so of course he bring the drama here so that people would judge "Laura" and me without knowing the full truth. Thankfully, a dear friend of mine who followed this blog told me about this and was kind enough to allowed me to send this ask using her account.

First of all, it's pretty clear that Shin is lying about his identity. Shin said he is a trans man but he admitted that he don't want to transition beside wanting flat chest. Shin also said that he is south east asian but his display name and his OC's name are all japanese, which is a huge sign of white weeb fetishizing japanese culture. The fact that his english and understanding of slangs is way too good to be south east asian.

Secondly, Shin joining this server knowing that 90% of the members are yumejoshi, he should be grateful of the fact that we even allowed those yaoi characters invading what basically a space for women. I know we advertised the RP as a non-shipping focus death game story but you should have read the room and know what type of people this space is catering to and not bring your gay character in if you didn't want him to be shipped with women.

Thirdly, if Shin was uncomfortable then he should have made it clear from the start instead of letting "Laura"s character flirting with his, like having him respond rudely or out right rejecting her or something. Shin said he is having undiagnosed autism in his bio then he should have understand how it feel when people don't state what they mean clearly. His OC still being nice to "Laura"'s OC even if he didn't like the flirting, of course she would misunderstand that his OC developed romantic feeling for her OC.

Fourthly, Shin said before that he didn't count alternate timeline versions of a character from a visual novel he likes the same as the original timeline version because of their different life experiences then why can't he do the same to his OC? Why can't he just agree to let "Laura" make an alternate version of his character if in his logic they are completely different people? Hypocrite much?

And finally, "Laura" was very upset about this and it took her a while to move on, she could have hurt herself back then because of you. Also, we had to revised our server's rules and banned all the non-yumejoshies, which cut several RPs short.

So who is really the A-hole here?

[lover-of-mine]

alright costume oracle, if the black Eddie outfit isn't a flashback to the coma, what do we think that all black ensemble means??

Okay everyone, please only address me as costume oracle from now on when asking about this oskaoskaoksaosk (I'm kidding, this just made me laugh so sincerely, thank you).

So, the black. First, the 611 comparison, I think the biggest giveaway that is not meant to be a flashback is his hair lol. But while they do look similar, the shirts are different, with different fabrics, different buttons, different pockets, so not the same.

Honestly, Eddie was in a lot of black in s7 and 2 out of 3 non-uniform outfits we saw from him include black tops, which is interesting considering his arc. And this isn't considering the fact that he has been wearing the black lafd top more than the navy one and the black jacket he was also in a lot.

It could 100% be the lighting but something that drew my attention right away is that black isn't all that vibrant. He was in black during most of Buck's bi arc and he meets Kim in black, but those are a lot more intense. I have a running theory that Eddie is chasing color, and at first, I thought that they were gonna put him in lighter colors during said chase. And I think I was partially right. Obviously with Eddie allowing himself joy being my biggest thing here, that baby pink color. So in my head, when he is playing in those lighting tones, he's closer.

So putting him in black, something that absorbs color and doesn't allow him to reflect anything back, a color that was very attached to him last season while he was in a relationship wasn't fully sure of or the thing with Kim is interesting. Talking about actual color theory, black is very commonly used as a color of mourning, so it could be Eddie mourning the life he doesn't want to leave behind. Black is also a color of mystery or concealment, so it could be Eddie hiding things, like the way he doesn't really want to move or be in Texas. Mostly I think that that outfit could be about a scene where Eddie is trying to resign himself to doing what he thinks is right even though he hates it, or hiding his true feelings somehow, trying to keep the peace, accept the criticism, end up back in a mind space where the belives he needs to be punished for hurting Chris. This is my safe bet.

But let's say we want to be a bit more daring in our spec.

I have multiple theories about what color Eddie could be while he confronts his parents about basically stealing Chris. For instance what I nicknamed the "let's talk about if I trust you with my kid" light wash denim, since they put him in that white undershirt, light wash denim button-down combo when we first see Shannon and he doesn't want to let her see Chris, when his parents are trying to convince him to give Chris to them in 315, and for the there's nobody in this world I trust with my son more than you scene.

Other theories include a yellow color if the scene ends up attached to his queer awakening somehow, of him accepting more of who he is in a similar way they used blue with Buck throughout his coming out arc, but I'm a lot less confident on that one.

And well, some cultures have black as a color attached to rebellion, and black is also at times used to indicate power. And Eddie was in black the last time he was in Texas and he was confronting the damage his father did to him. So it could also be used as he confronts his mother, the precedent is there.

He's also in black during the dinner he tries to ask Shannon to be a family again and she asks for a divorce, so the road to acceptance there could end with black since their relationship ends and "restarts" with black, since he's also in black talking to Kim the first time. And that's interesting since he doesn't really mourn Shannon in black, the scene we have when he's confronting those feelings head-on, are not exactly black, yes, we have the black shirt in 217, but the green jacket ends up being the focus there. And as much as they seem to be trying to distance themselves from the Kim of it all, this arc also has to include letting Shannon's ghost go, so also something to think about there.

So, to recap, safe bet is Eddie in mourning for the life he left behind or hiding how much it hurts him to leave LA. Getting a bit daring, maybe Eddie having some hard conversations with his parents or finally letting go of Shannon for real.

This got long as fuck and I'm sure how much sense it makes if you're not seeing the visions in my head, but if you read this, I love you 🫶

[gatheringbones]

[“The two of us have been swimming for a while, past the breakers. But it’s low tide, and the water is shallow and warm. We can stand with our faces above the surface. Curious about depth, I place a tentative foot on the ocean floor. When I do, my brain gets a jolting message. Something isn’t right. Something is burning. “I think I stepped on glass!” I call out with growing alarm, before turning and swimming as fast as I can. It’s not until I reach the shore that I realize I’m in so much pain that I can’t stand up.

As my wife runs to find help, I sit rocking in my black bikini, staring in confused horror at the puncture wound in the bottom of my foot. In this moment, I don’t know if I’ve been snagged by trash or bitten by something predatory. All I know is that the indescribably excruciating sensation is growing, throbbing up my leg. I breathe deep and even to keep from panicking, using a meditation technique I’ve recently learned: repeat to yourself LET on the inhale, and on the exhale think GO. I like the multiple meanings of this mantra: LET reminds me to allow and accept whatever is happening, whether emergency or insomnia, while GO instructs me to keep it moving.

The lifeguard, an absolute porno of a man with effortless abs and tight red shorts, soon appears with a calm explanation: I’ve been stung. In fact, he confirms that so many people have been stung today that his station is out of their safety kits—yellow plastic immersion bags full of hot freshwater, helpfully decorated with red and silver stingrays, in case there was any remaining confusion about the source of our pain.

While the station heats more neutralizing freshwater, I get a lesson on cartilaginous fish. When threatened by, say, being stomped on while it’s minding its own damn business, a stingray will whip its tail, releasing a venomous barb into the offending stomper. The neurotoxic venom, while agonizing, generally does not cause permanent damage to a mammal my size. The pain is, in effect, all in my head. This knowledge is transformative for me. It compartmentalizes my fear from my pain. The threat of the unknown, of being permanently harmed, is its own kind of terror. Pain—just the simple fact of physical pain, with no malice, no predation, nothing to be done except endure—has no more intrinsic moral or emotional meaning for me than any other sensation. And as a practicing sadomasochist, I’m no stranger to this kind of feeling. So on the beach, I cope by invoking Dune’s Paul Atreides with his hand in a ritual box of fire, reciting the “Litany Against Fear” (“I will not fear. Fear is the mind-killer. I will face my fear. I will let it pass through me. When the fear has gone, there shall be nothing. Only I will remain.”). The sun bakes brine into my skin. I breathe in, trying to imagine every atom relaxing (LET), and out, trying to release everything I don’t need (GO).

I stare at the waves, my foot awkwardly soaking in a stiff plastic bag of hot water. Ignoring the gawkers, I fantasize about synthesizing a neurotoxin to use for the purpose of torturing my fellow masochists, something that could make them feel this all-consuming intensity while they utterly trust that they are safe. Right now, my pain is pointless: the result of a misunderstanding between myself and the natural world. But pain, properly exchanged, can have all kinds of meanings: service, sensualization, entertainment, discipline, catharsis. I’m grateful that my experience with BDSM—first professionally, and then personally—makes this encounter more tolerable, even instructive. When you can empty something of meaning, you can usually fill it up too. Fill it with whatever you want.”]

tina horn, from why are people into that? a cultural investigation of kink, 2024

[just-a-ghost00]

Where is your path taking you?

Images are from Pinterest. I do not own them. The decks used for this reading are the following : Crystals oracle to determine the imagery representing each groups energy, Threads of fate oracle shadow edition, below the surface oracle, White Numen tarot.

Group 1 - Meteorite - Connect to your "star stuff"

If you were drawn to the meteorite, you might consider yourself a starchild. You may have a fascination for stars, astronomy and astrology, science fiction and alien theories. You may find it difficult to connect with people and feel like you belong in a group. You may struggle with your sense of identity. The meteorite oracle card states the following :

" When to use it : When you're looking to conduct more spiritual energy, try Nickel-Iron meteorite. When you're looking to chat with a friend in another galaxy, go with Chrondrite meteorite. When you want to feel aligned to that universal energy that pulsates through everything, try Pallasite meteorite." It feels like you're doubting whether you'll ever find people that are on the same wavelength as you. Well, good news for you. You're getting closer to your soul fam. As you're intuition and connection to the universe are getting stronger, you're able to sense people with whom you may match or your magnetism is doing the trick for you, since you're raising your vibrations. This card also tells me that you may be deepening your connection to the spiritual realm. I'm especially picking up on your ancestry.

Now let's take a look at your other cards. You got the card n° 35 from Below the surface oracle : Oarfish - Be the bigger person. Your kindness is your strength. Here your spirit team is reassuring you on your ability to love and be loved. They're asking you to trust yourself and your qualities. You also got the card n° 34 : Titan triggerfish - Your bold side. Make the first move. Oarfish is a very long fish that adapts well in the depths of oceans. It seems that in different cultures, it is a symbol of misticism, intuition and inner work. It invites you to uncover hidden talents and truths that will help you on your journey. The titan triggerfish is known to be quite protective of its territory and rather aggresive, especially during mating season. Though being bold is a great quality, it shouldn't lead to arrogance and agressivity. Looking at these two cards together, it seems like your journey is taking you to a new territory. You might start a new project, discover a new interest or find a new job that gives you the opportunity to meet your people. Other cards that you have include "dare to dream" and "self love" from the Threads of fate deck. The first card is related to air and the second to water. "Dare to dream" is an invitation to "step wildly into your dreams, to visit them often, to ask them what they need from you". The guidebook insists that though we feel like our dreams are out of reach because we don't know how to reach them, we should still pursue them as dreams coming true is a collaboration between you and the universe. "Show up forthem and they'll show up for you too". To me this also means that lucid dreaming could be a way for you to either manifest these connections faster or to help you identify them when you meet them. Pursuing a dream could very well be the door to new friendships and alliances. Have you ever dreamt of starting your own rock band or publishing a book? Now might be the time to give these dreams more substance by taking a first step towards them. On this card, an eagle's claw is depicted holding tightly to a ruby. The claw is surrounded by Buckthorn. The eagle, the buckthorn and the ruby are symbols of resilience and durability. The Eagle's energy allows you to see clearly through people and situations, to spot the connections between events and people. While the buckthorn helps you deal with external influences that might deter you from following your path, the ruby helps you with the internal factors such as self limiting beliefs. The "self love" card provides a similar meaning as it figures a magestic peacock. Your journey is leading you to a higher perception of yourself and more acceptance of your identity.

It also leads you to success, personal and material accomplishment as well as more opportunities to grow, for your last two cards are the ten of pentacles and the two of wands. On the first card can be seen three animals that resemble white dogs and on the other is a snake. These animals could be reprensentative of the energy of the people you're about to meet. You could be traveling a bit more in the future.

Group 2 - Chrysocolla - Be your own mama.

If you chose this crystal, you may feel quite vulnerable lately and emotionally overwhelmed. You may ask for external validation and help in making decisions for yourself, as you don't trust your ability to be objective and thorough in your analysis of situations and people. You might be in a state of confusion and exhaustion because of someone or something going on in your life. You may feel anxious about the future. Your path is taking you to more control over your life and being your own parent. Meaning that you'll learn to nurture and provide for yourself. You'll learn to be your own mental and emotional suppport, as life may take you away from loved ones. Specifically, I'm picking up on the energy of students or young adults that are leaving the parental home for the first time to pursue their career or studies. It could also be that you're leaving a relationship and being single again scares you. You will be healing your heart chakra on this journey to your independence. Maybe some of you were taught at a very young age that they were unable to live on their own for some reason, that they would always need somebody else to succeed in life. These false and self limiting beliefs became your truth and made you depend on people when in reality you only needed yourself. Looking at your cards, I can tell that your path is taking you to reclaiming your power. Your cards from Below the surface deck are the following : n°23 Coconut Octopus - You're on the right path. Keep going through the in-betweens. n°14 Giant oceanic manta ray - Life is a marathon. Don't burn yourself out in one sprint. I get a strong feeling here that you were manipulated and belittled by people around you, made to feel like you were incompetent or even unstable. That you were worthless, untrustworthy, following the wrong path. Your spirit team is begging you to wake up. "You're not crazy, they are" is what I heard. Your gut feelings are accurate. Your vision of yourself and the world is accurate. Your opinion is valid. You have to keep pushing and keep going. Don't doubt yourself, your skills or your intent. Your mind is clear. People want you to belive otherwise because they are scared of your light, your influence and your power. You mirror back to them their BS and it makes them uncomfortable. The reality is that they dispise themselves more than they dislike you. You have done nothing wrong. Your journey is thus taking you back to clarity and to your inner truth. The octopus is a very clever creature. Its brain functions in ways that are so complex even humans fail to grasp its potential. Your energy is so intense and deep people fear it. You are not to be blamed for their inability to grasp your potential. The giant manta ray invites you to slow down and meditate, to take a few steps back in order to see the bigger picture. It is a symbol of healing, adaptability and focus, as the manta ray is a swift navigator that knows where its going and never loses sight of its destination. The manta ray is also called the "devil fish". People have been misinterpreting its nature which could be something that oftens happen to you. The manta ray highlights the importance of choosing your source of help wisely, if you ever feel the need for external support.

Following these cards are "fate" and "The Magi" from the Threads of fate deck. These two cards are related to the element of Ether. There's a quality to you that people can't grasp. They can't put you in a box basically because you were never meant to fit in one. You are meant to expand and grow beyond anything they could even comprehend. Your path will lead you to great manifestation and a better sight. You could be among the people whose influence in life will be meaningful and well known. You could find your calling in spiritual and divination practices such as tarot, pendulum or chiromancy. Fate and Magi card remind me of Doctor Strange and the multiverse. Similarly to this character, your path may lead you to the awakening of the ability to consider all alternatives and roads to achieve one goal, but also to predict which are likely to be more successful. These cards remind you of the importance of boundaries and the power our actions and words hold. Especially the power and meaning of saying no. The fate card figures an egg resting on a pillow while the Magi shows a hand supporting an eye. It feels like you are currently incubating but soon you will hatch and be able to see the world clearly with your third eye.

Your last two cards are The Chariot and The Empress. The energy of these cards feel welcoming but also extremely powerful. Your path is leading you to stepping into your feminine and leading your life with dignity and grace. The Empress here is depicted as being active contrary to traditional tarot. She stands proud and ready to battle with anyone that would try to dethrone her. She is fierce and with the Chariot in her shadow, she is a force to be reckoned with. She knows where she's heading and will not stop until she reaches her destination. The energies of Cancer and Taurus accompany you on your journey. The Venusian energy of Taurus will help you attract love and nurturing experiences. The lunar energy of Cancer will help you see beyond the veil and understand the threads of fate and their intricate design. You will slowly but surely become the Weaver of your life. Like a manta ray, you will swiftly navigate through shallow waters and like a spider weave your way through the lies and deceit people might want to trap you in.

Group 3 - Rhodochrosite - Soften your heart.

If you selected this group, you may be going through a break up or mourning the loss of a loved one. A situation that was important to you might have ended unexpectedly which left you feeling lost and resenting what was happening. Rhodochrosite is to be used when your heart hurts. It reminds you that though you're hurting, you will heal and love again when you are ready. Your path is leading you to forgiveness and acceptance of that which you can no longer change. It will lead you to detachment and renewal in matters of the heart. The card n°18 from the Below the surface deck is associated with the broadclub cuttlefish. It states : rapid changes, let your flexibility serve you. The following card is the n° 12 represening the ambon damselfish. It states : don't be afraid of your voice, your opinion matters. These two cards suggest that this state of mourning won't last too long. You will quickly be presentend with new romantic opportunities or new projects and spirits are reassuring you. You will be able to move on and start anew. When these opportunity rise, don't be afraid to step in the light and let yourself be seen. The cuttlefish and the damselfish are both very unique and bright. They live in deep waters and can adapt pretty well to their environment. Like these two species, you are resilient and can make your way back to the top pretty quickly. Your other cards tell me that any limiting belief regarding love and relationships will be purged, as you have the destruction card followed by the versatility card. It was important that you do through this experience as it was meant to bring to light the toxicity and limits of your reality. Destruction is associated with fire whereas versatility is related to air. The versatility card reminds you that timing is very important and that forcing a situation to be when the timing is not right will only hinder your growth. It asks you how you can shift what is already existing in order to progress or to consider moving on when no solution can be found. Your path will lead you to a spiritual "spring cleaning". You will be going through your life, your possessions and relationships and ask yourself whether you truly need them now. You will be reassessing the value of your environment, your beliefs, your routines. Your approach to dating and entertaining relationships will be complitely different afterwards.

Ultimately, your path leads you to a new offer. An opportunity to be the main role in your life instead of a spectator. The knight of pentacles and The Emperor bring a message of patience and faith. You have to trust that at the right time and in the right place, what is meant for you will find you and you will be able to recognize it. They also invite you to be clear on your intentions. Especially if you consider dating again. Make sure you are clear on what you expect from a relationship, what you appreciate or what triggers you. Be mindful though of the power you exert over your life. Allow yourself to receive but do not shy away from your responsibilities. Your next partner may be a little bit controlling but also guarded. They need to take things slow and can be quite stubborn. But they will also teach you how to ground yourself and be in the present moment, not to burn any steps and feel things through to ensure you are on the right track. The signs of Aries and Taurus could be significant.

[useless-catalanfacts]

Translation:

El Español (newspaper): The victory of parents like Sonia: 107 schools switch Valencian for Spanish because of the Mazón law.

Response: Is it possible that Spain is the only country where it's considered a victory the fact that your children will be only monolingual instead of bilingual?

Surely not the only one (imperialist countries very often try to exterminate the languages of the countries they occupy, which also means not allowing their children to learn the language of the place they move to), but Spain and France are particularly aggressive against the local languages that aren't Spanish and French, respectively.

Schools in the Valencian Country and the Balearic Islands (where the local language is Catalan or Valencian, two historical names for the same language) are being pressured to remove the local language from the school and to teach only in Spanish. In fact, the Spanish nationalist and far right-wing government of the Balearic Islands has announced that Catalan-speaking children and Spanish-speaking children will be segregated in schools from now on (parents will choose which school to send them to, accompanied with the propaganda pushing them to choose Spanish schools), with the purpose of reducing every time more and more who gets to speak and learn the islands' language, imposing Spanish instead.

Everyone learns Spanish regardless because it's the government's language and it's everywhere (TV, radio, netflix, social media, etc), plus we study it in school as a first language anyway. It's impossible to grow up here and not learn Spanish naturally as you grow up. But the same is not true the other way around. If children from Spanish-speaking families, immigrant families, and those families who have believed the decades of being told "speaking Catalan makes you sound uneducated/rural/stupid/rude, only Spanish is good for your children's future and makes you normal", if their children are only exposed to Spanish at home and on media, and because Catalan speakers are already bilingual and have an inferiority complex so will always switch to Spanish when talking to a Spanish-speaker, these children will never learn the language of the place they live in, and they will be monolingual Spanish speakers. When the number of monolingual Spanish speakers grow, Catalan speakers will be even more marginalized and won't be able to access healthcare in our language (though we already don't half of the time), won't be able to go to the shops and talk in our language, won't be able to have services in our language, etc. And, thus, they will have made our language almost useless for our everyday life. We will disappear from public spaces, and people will stop passing down the language to their children. And the language will die, and with it our way of understanding the world, the words that describe our culture, or our ability to read what our ancestors wrote, our country's literature, or to understand the names of the places we live in.

The point was always to exterminate our language and culture, to create their made-up dream of a unified Spain where everyone is the same, which has never existed. As Franco used to say, "we want an absolute unit. With one language: Spanish. And one personality: the Spanish one".

Cultural diversity is a richness and beauty of the world, and every language has an equal right to exist. Don't let anyone convince you that your language and your people don't deserve to live.

[literaryvein-reblogs]

do you have any tips for writing and creating creatures for a fantasy setting? (something similar to the monster hunter franchise)

Writing Notes: Fantasy Creatures

BELIEVABLE

Special character types are abundant in fantasies. Some examples are fairies, giants, ogres, dragons, witches, unicorns and centaurs. We love these characters because they are so different from what we find in our daily lives. However, a good author can shape the character in such a way that the reader has no problem believing that such a being could exist.

PURPOSE

Before creating your fantasy creature, ask yourself: What is the purpose of including this fantasy creature? The reason this is an important distinction is that it will determine how much information about your creature you’ll need. If they’re only in your story for the plot, you don’t need a lot of information on them—just what you need to move your story forward. However, if they’re in the story for a longer, more intimate reason, you’ll need to know things like how they move, what they like, etc.

SELECTING YOUR CREATURE

Selecting a creature may mean borrowing a previously-created animal from myths or stories that are familiar to your reader. Here are sample articles describing common fantasy species and mythical creatures.

Read widely: There are a lot of really interesting myths and stories out there with creatures that might fit your narrative.

Do the unexpected: If you’re going to go with a widely-recognized creature, don’t be afraid to put your own twist on it. This will help your story stand out among the crowd and put your own mark on the genre.

DEFINE THE BASICS

Name: Choose names that suit the world you are building. Consider the culture, language, and history of the fantasy realm the character is from. If you’re finding that you’re a little stuck with what to name the creature you created, it’s okay to turn to other sources. If you already have a fictional language in your story, you might want to create a new word for your creature. If not, you may use this site: www.fantasynamegenerators.com. They also have a generator specifically on Monster Hunter.

Age: Determine the age of your character and how it influences their perspective and experiences.

Race/Species: In a fantasy setting, characters can belong to various races or species. Consider the unique traits and abilities associated with each.

Here is a general checklist for character building, but it might also aid you in making your fantasy creature.

PHYSICAL TRAITS

Appearance: Describe your character's physical features, from their hair/eye colour, height, build, etc. Is it large or small? Can your protagonist ride it? Eat it? How is it killed? All of these will be useful when you describe the creature to your readers. Consider how these aspects tie into their background or culture. You do not have to completely describe your character. Allow the reader to establish a view of the character or use other characters to describe how your characters might look.

Clothing/Armour: The attire of the character can reflect their personality, status, or the realm they come from.

PERSONALITY

Personality Traits: Create a list of personality traits. Is your character brave, shy, sarcastic, optimistic, or reserved? Think about how these traits influence their actions and interactions.

Motivations and Goals: What does your character want? Their goals and motivations drive the plot and reveal deeper aspects of their personality.

BACKSTORY

Origin: Where is your character from? What is their cultural background? How do these factors shape who they are? Backstory is essential, however take note of where and what you introduce throughout the story development.

Significant Events: Highlight key events in your character's past that have shaped them. Traumas, triumphs, and experiences all contribute to their development.

INTELLIGENCE

This is important because it will define how other characters interacts with the creature.

If it’s a minor character, will your protagonist constantly need to be checking in with it and giving it direction?

Or is it able to function on its own with little maintenance?

SKILLS & ABILITIES

Magic or Special Abilities: In a fantasy setting, characters often have unique powers or skills. Is this creature tied to the magic of your world somehow? If so, what kind of magic? How can it use magic? What does this mean for the protagonist and their journey? Define the limits and rules governing these abilities. Set some limitation or something that can prevent the magic to be limitless – even superman has a limitation.

Skills and Talents: What is your character good at? Are they a skilled warrior, a talented musician, or a cunning strategist?

FLAWS & WEAKNESSES

Imperfections: No one is perfect. Give your character flaws or weaknesses that they must overcome or learn to live with. This is part of their growth and development throughout the story. The character growth need not always be positive, they can also become bitter through experiences.

Internal Conflicts: Explore the inner conflicts. These can add great depth to your character and the reader can get to experience the inner workings of the character’s thoughts. Internal conflicts can be moral dilemmas, unresolved issues, or fears.

RELATIONSHIPS

Family and Friends: Define your character's relationships. How do they interact with family and friends? Do they have allies or enemies?

Romantic Interests: If this is relevant, consider the romantic aspects of your character's life. How do they approach love and relationships?

CHARACTER ARC

Growth and Change: Plan the trajectory of your character's development throughout the story. What challenges will they face, and how will these experiences change them?

QUIRKS OR HABITS

Mannerisms: Give your character unique habits, gestures, or ways of speaking that make them memorable. This will help create differences in your characters.

Hobbies: What does your character enjoy doing in their free time? Hobbies can add depth and relatability.

TITLE

Titles or Roles: If your character holds a specific title or role in their world, define it. Perhaps it is a royal title, a knight, or a librarian. Titles can reveal a lot about a character, their traits and personality.

ENVIRONMENT

This is where your creature will be found in the wild.

An creature's environment is reflected in their bodies: moles without sight (unnecessary in the pitch-black underground) have excellent senses of smell and hearing.

Mammals that live in the ocean have blowholes and animals that live in trees have prehensile tails, long, curved claws, or sticky pads on their feet.

What your animal looks like will be informed by where they live.

Here's an article on The Psychology of World Building

AVAILABILITY

Is this creature widely found, like deer, or are they rarer?

What’s caused the abundance or scarcity in their population?

This will affect how your fantasy world sees the creature and how your reader sees the protagonist for interacting with it.

RELATIONSHIP TO HUMANS

Is your creature revered? A nuisance? An almost-forgotten legend? A vital part of the local people’s diet?

Knowing these things will help you to navigate your story.

If your protagonist wanders into a town and they’re tasked with taking care of a local pest problem, that’s one thing. But if they kill a creature in the woods and then wander into town with it, only to find out that this town worshipped the creature, that’s a whole other plotline.

Try to create characters with depth and complexity, allowing readers to connect with them emotionally. The more thought and detail you put into building your characters, the more vivid and engaging your fantasy world will become.

Sources: 1 2 3

Hope this helps! If you find it useful in your writing, do tag me or send me a link. I'd love to read your work.

[directdogman]

hi hound, got a question for ya . kind of related to phone sex. Yippee

anyway, so i feel its kind of established in dialtown that being a phone head is equal to being amab, and being a typewriter head is equal to being afab (based on oliver and karens refusal to date types/phones respectively ofc) so i was wondering - what about people born with neither, like karen? would she be considered a form of intersex by society?

followup - how do like. Genetics work? like are they born with specific heads based on their parents (would karen be more likely to have a printer child, for example)?

Appologies for the long and strange questions, your game is rotting me as we speak

anyway, so i feel its kind of established in dialtown that being a phone head is equal to being amab, and being a typewriter head is equal to being afab (based on oliver and karens refusal to date types/phones respectively ofc)

Kiiind of. It's mainly a cultural thing. Basically, the tradition is to assign heads to babies based on the gender assigned at birth. Because of this, someone with a phone head is widely considered by others to be male, and vice versa for typewriters, and this is why many trans people in-universe switch, in the same way as someone might style their hair or change their wardrobe in ours. However, because the heads are modular (and can be changed), it's best to view this correlation as more of a cultural trend rather than a rigid system that everyone follows without exception, one of which I'll explain in the next part of the answer.

what about people born with neither, like karen? would she be considered a form of intersex by society?

Karen actually HAD a typewriter head before she was given the printer. A little bit of background context here: Callum Crown, the inventor of the phone head, invented his first ever cybernetic augmentations (his revolutionary prosthetic limbs) in order to help other disabled people gain mobility and independence. He wanted to give other people the same opportunities that his technology had given him.

When he moved onto the phone head concept, he never forgot about his initial goal of using technology to help people with disabilities. Karen's typewriter head was actually a developmental adaptation. Basically, it allowed a young averbal Karen to produce images, which assisted her in communication before she could learn to speak (and helped her learn to speak sooner than if she had never gotten the upgrade.) While it's quite a modern solution for a disability that wasn't well understood in Crown's time, it's absolutely in line with his philosophies and it's an application he'd be very enthusiastic about, if he was still fully conscious.

Similarly, there are NPCs in-game who have non-standard heads and aren't trans or non-binary, like Rachel at the Dialtown News Network, who has a teleprompter head! In much the same way Karen's head was switched for utility purposes, the same is true for many people who work certain jobs where these heads come in handy. Therefore, I think it's safer to say that someone's head type more or less correlates with their overall identity, with gender, occupation, or any other relevant circumstances factoring into what kind of head they might have.

There's a few NB NPCs in-game and the cultural way many express that is by having hybrid heads, or heads with elements of both phones + typewriters. Take Curie, the curator of the DT Modern Art museum, who has a typewriter head with a phone dial added to it. Gabby (the store clerk who sells phone parts in Uptown Dialtown) also mentions that this practice is common.

followup - how do like. Genetics work? like are they born with specific heads based on their parents (would karen be more likely to have a printer child, for example)?

Genetics don't factor into it outside of the cultural tendency to give phone/typewriter heads based on the gender of the child. Basically, all babies are born with an adapter, and right after birth, the baby is given their new head. Think about how difficult it would be to give birth to someone with a FULL-SIZED typewriter head! There's more than one reason it's set up the way it is, but that's the most important thing to mention. Hope this helps!

[iasirene]

A Marxist analysis of Effie Trinket

Effie Trinket is quite the character. She was created by Suzanne Collins as the archetype of the average Capitol citizen. Obsession with manners and appearances, ignorance and indifference to the plight of the Districts, and viewing the Hunger Games as a grand cultural spectacle to be celebrated, while ignoring its true brutality. Despite this, Effie has become a huge fan favorite among fans of the series, myself included. However, I view her with a more critical lens. In Marxist terms, Effie represents a class group called the petite bourgeoisie. Effie enjoys a position of privilege within the Capitol. She has wealth, the latest fashion, and access to exclusive events and parties. In spite of her privilege, let’s just say she is not living in the Corso. Effie is not, and will not ever be, in a true position of power over anybody. She is not a Crane, a Creed, a Heavensbee, or a Snow. Her last name is Trinket. “An ornament or item of jewelry that is of little value.” That’s exactly what Effie is. Not that she has no value as a person, but her position in society is based on servitude. She serves those at the very top while being blind to the suffering of those below her, i.e. The Districts. Effie’s complacency within the larger Capitol system can be understood through the Marxist idea of false consciousness. This means that members of a capitalist society do not see/justify systemic oppression, including their own. “This is the way things have always been.” “Some people are destined to be rich while others are meant to be poor.” In the world of the Hunger Games, Effie demonstrates this in her role as an escort. Her bright and cheery personality, her garish fashion sense, and her being very out of touch with the Districts. She’s genuinely surprised at the level of poverty she sees when she goes to District 12. Although this quote is from the movie, I believe it highlights her misguided way of thinking: “I don’t even think they let them have dessert, but you can!” While it appears that she has “power” over the people of District 12 by reaping their children year after year, she is simply a mouthpiece for the Capitol’s larger authority.

Effie lives and breathes her role as an escort, fully buying into the Capitol propaganda that she has been fed her entire life. She is not an outwardly cruel or violent person, but she serves a system that is built and continues its existence through violence. Effie’s obsession with the spectacle and pageantry of the games prevents her from seeing their true nature, it allows her to ignore the ugliness and focus on the beauty (it could be argued that this is a form of detachment to protect her own psyche). That is her false consciousness. Another aspect that aligns Effie with the petite bourgeoisie is her disposability. Her role as the glamorous Capitol escort is not guaranteed, but Effie does not see that which enables the Capitol to further exploit her and her labor. This is not to say that her character is a faultless, innocent victim. She is not, though she is merely a cog in the machine, that cog still moves. Her role as an intermediary between the Capitol and the Districts allows the games to continue. Who would watch the games if there was no spectacle? No glamor or beauty? Why do you think Snow changed everything? As mentioned previously, although Effie fully embraces her role within the Capitol and swallows up every bit of Panem propaganda, that is not enough to save her from being imprisoned. Her loyalty to the regime does not spare her from its oppression. Reflective of how in our own capitalist society, “hard work” does not save you from poverty.

Through Katniss’s perspective in the novels, we do see her warm up to Effie despite her initial (completely understandable) disdain: “.....Haymitch, Peeta, and I are ignoring her, but she made a real effort for us. Now, I wish I had thanked her for that.” Effie may not have become a Capitol rebel like Plutarch or Cressida, but according to Katniss’s POV, she demonstrates a small change from the woman we meet at the 74th reaping, but it must be noted that this is only because she was personally affected by the Capitol due to her growing attachment to Katniss and Peeta. She does not change because she genuinely questions her role within her society. Despite this, I still like her character. She’s complex, she’s morally grey and I love making up headcanons about her. In a way, many of us who live in the imperial core (the West) are like Effie-simultaneously victims and oppressors. We may be oppressed by our capitalist governments, but our exploitation of the imperial periphery (the Global South) allows us to live comfortably in comparison. But the question remains: are you willing to challenge the propaganda of your youth? Or will you retreat back to your own Capitol bubble?

[space-blue]

Distant cousins of the jungle's stingbat, the aptly named stunbat (Tsealìm in Na'vi) is a native of the Txepìva volcanic plains that hunts by diving from great heights and colliding with their prey head-first, stunning them.

Their head is blunt, with a threefold crest reminiscent of the great leonopterix's dual one, but significantly more ossified. Their neck is thick and muscular, to help support the structure, but also to weather the high velocity impacts.

The hands, small and with fused fingers in jungle stingbats, are much larger here, and used to catch stunned prey falling from the sky, or pick them off the ground as they swoop down. It also allows stunbats to eat on the fly, as it were, as the plains' chaotic environment doesn't always provide them with safe perching opportunities. 

Stunbats have short, prehensile neural queues that retract under thick, keratinous neck frills. The extra mobility of this limb allows them to make quick connections while in mid-air, front to back, back to back, or belly to belly, the latter being the more commonly seen one, accompanied by a stabilising "handshake".

The stunbat's vision is excellent. Early research by Eyris Makri with the Tuin clan of the Txepìva showed that their domesticated stunbats were able to spot prey up to 4 miles away, seeing clearly at ten times the distance of their Na'vi handlers. Their primary eyes show a high concentration of foveas, giving them enough focus to clearly distinguish prey moving against the complex backdrop of the plains and lava fields. 

Although the stunbat's barbed tail has lost most of its poisonous sting, it is still used in defence against larger predators. Their best defence, however, remains a Na'vi bow.

It is hard to tell exactly when domestication started, though the olo'eyktan of the Tau'un clan claims one of his ancestors was the first to tame a stunbat. We're told this happened during the "Time of Long Nights", but dating that event is equally complicated. Current estimations are a minimum of two millenia.

During that time, the stunbat's range remained tied to the volcanic plains of the Txepìva clans, although the species has been observed by Serafiina Hukkala as far out as Mons St. Helen. One must note that the stunbat is unlike our previous study case of the Viperhound, which are bred for various purposes. Interviews with Txepìva hunters (Makri et al.) suggest that their relationship to the Na'vi is similar to that of cats and humans, with multiple domestication events, beneficial to both species. Na'vi led breeding appears to be very incidental, as stunbats tend to fly off to find mates in the wild, rather than mating among their clan's flock.

This species is significantly larger than their forest cousins.

The most common uses of stunbats are for scouting and hunting. While hunting of small game is extremely similar to what humans once achieved with eagles, stunbats also take part in hunting expeditions for large prey. 

They are used to follow the movements of herds, but also to help separate young calves from their mothers, or the weak and wounded, by dive bombing them (Hukkala et al.) They understand complex orders, communicate with clicks and shrieks, and will come to hang on the queue or harness of their paired Txepìva to share more detailed visuals through Tsaheylu.

This is also how they are used for scouting. Serafiina Hukkala postulated that the stunbats' mated pair lifestyle influenced Txepìva culture by making the act of scouting a couple's task. Scouting, we must remind the reader, is a lot more crucial to the Txepìva, who have no qualms waging war against each other for the domination of water sources and fertile land. Raiding parties, while not frequent, are a banal part of life on the plains. Even small children learning to work with stunbats will be sent on sentry duties, often on the back of a Lenonin Hound. 

The reason mated pairs of stunbats are favoured is because of their long flight range and their ability to connect together in mid-air. This means one side of the couple can move far ahead, and report back to their partner, already extended to the edge of their range. A couple of scouting stunbats effectively covers double the range a single hunter would.

Stunbats are occasionally used to communicate with similar techniques. While one half of a pair can be sent to deliver a message to another tribe, the other remains with their clan (often brooding). The homing individual (whichever has best endurance, as both sexes feed and brood chicks at will) can find its way back to them even if the clan is on the move. More research is needed on their communication capabilities. 

When travelling or staying in temporary camps, stunbats are housed in loose baskets designed to let them hang onto the side. These carriers are custom made by every clan and come in many forms and sizes. Brooding stunbats are carried, either by a Na'vi who will fashion straps to turn the basket into a backpack, or tied to the back of Leonin Hounds.

In more permanent camps, the Texpiva craft treillis to give them places to hang from. Serafiina Hukkala reported a clan that arranged dried branches and material for firewood as perches, while Eyris Makri stayed with a couple who fashioned fake branches at the top of their tents, like rafters. Both heard reports of clans that house their stunbats along with their livestock, but the practice seemed frowned upon.

The bond between Na'vi and Tsealìm needs further study. It isn't as exclusive as with an ikran, but much more complex than with direhorses. Stunbats bond strongly with a small family node, and more weakly with the extended family and friend group. Tsaheylu is typically only done with their main Na'vi hunters, although the stunbat can be introduced and passed down to children. 

Emergency tsaheylu was witnessed twice by Makri, when a scout had urgent reports and the stunbat was sent ahead. Connection was made with the clan's tsahìk, who had a habit of bonding with every newborn stunbat. The practice, we were told, can be controversial. 

Hunter depicted without ornaments, to highlight the process of Tsaheylu.

Some clans craft harnesses for hunters to better carry and support their stunbats, while others prefer natural body-to-body contact. The folding or tying of the neural queue to allow for better access to the kuru/tendrils seems universal among all interviewed hunters and scouts. Different styles were observed and will be presented in our published notebooks, after our paper on the use of stunbats in skirmishes and outright warfare, as the Txepìva practice it.

Part II of @straydaddy (art and design) and @bluedaddysgirl (lore concept + final art entry) in-world collaborative study, "Introduction to the Txepiva clans, their nomadic pastoralism and niche selective breeding practices in species of stingbats and viperwolves". On twitter we are Knarme and Bluedaddysgirl

[davesbigwhirlwind]

My forced formal transformation story - the things we do for love...

Sam was the love of my life. She was more stylish, more cultured, more intelligent. I had a reasonable job and was a fairly popular and trendy guy, but I was punching above my weight and I knew it. But we clicked. There was a connection and it just worked. I'd do anything for her. 

We'd been going out for about 5 months when she suggested I should move in to her family home. She lived with her father in a large house alongside their 2 staff. Now her father was a traditionalist, and, like her, was very well educated and informed, and I liked the fact he was very direct. He was a successful business owner and by default seemed to be in business mode, and always wore a somber suit and a serious expression on his face. His wife had sadly passed, but I respected the great job they had done in raising Sam into the fine woman she was. 

He told me that he'd be glad of me to move in - separate rooms of course - but as our relationship was clearly serious he wanted to help us, but emphasised that he wanted to help me develop both intellectually and physically, and while he would take things slowly, he would require me to embrace both the learnings and recommendations he made to help guide me towards being a good husband, should we reach that point. 

I readily agreed. 

A month later and I moved in. Stephen started straight away teaching me much of his knowledge on everything from etiquette to literature, and the art of being a good partner. He explained the man's place was not about fashion, beauty and flamboyancy, but, rather about masculinity, dependability and stability, and being understated, while allowing Sam to take the limelight. He explained that the correct appearance was every bit as important as how you act and how would help guide me through these factors over the months ahead. 

The first change came the following Monday. I woke to find in my wardrobe that all my t shirts had been replaced by good quality white formal shirts, and accompanying white vests to wear under them. And I was gutted to see that my entire trainer collection had disappeared and been replaced by 3 pairs of, very traditional, formal lace up black leather Oxford shoes. Even when selecting my smartest dark jeans, they still looked very out of keeping with the formal white shirt, and pulling on the shoes the leather creaked as my feet adjusted to being wedged into the pointy toes. I tied the laces and saw my face reflecting in the incredibly highly polished leather uppers. Walking in these shoes was a challenge, as the smooth soles meant I had to walk much more slowly and with poise, in order to not skid. 

I would never have chosen these clothes but went along with it, with Sam encouraging me. I got a few wise cracks about shiny shoes at work but that was about it. I worked in IT so it had a fair variety of oddballs, from geeks wearing cartoon t shirts, to goths, so while my change in style was out of character for me, it wasn't a major issue. 

I also needn't have worried about the jeans not looking right, as, by the end of the week, these had all been removed, to be replaced by heavy, pale grey wool trousers, tightly tailored and with razor sharp creases that hung straight down with just a small break above the seam which grazed the top of my Oxfords. A shiny black formal belt was also provided. 

This became what I wore every single day. It felt particularly strange wearing this at weekends when seeing friends, and the wise cracks at work focused on it being my school uniform, but Sam kept me up, telling me how handsome I looked. If she was happy, then I'd cope. I no longer worked out at the gym, and I controlled the time I spent with friends to ensure I committed the time to my new family and to this process.

The following Saturday Stephen announced we'd be making a trip to his barber. 

I was straight into Anthony's chair, and with a glance on the mirror I got a last look at my prized hair. Everyone loved my hair. I got lots of great comments about it. it was long, luscious, tousled and framed my face beautifully being roughly parted to drape down and across my forehead and feel flowing to lying on my collar. 

There was no discussion as Anthony combed through my hair. For years my shoulder length hair has been roughly parted above my right eye, but now a very severe straight part was created on the far left side of my head with the hair scraped to either side of this stark white line. 

Without ceremony the clippers were powered up and ploughed up the left side of my head towards the part, while Anthony used his comb to angle out the hair so that the clippers left a slightly longer length at the top, but otherwise a fine pelt of military length hair was left three quarters of the way up. This continued round my head as my ears became uncovered for the first time. And boy are my ears massive. Alarmingly so. Jug ears without a doubt, and definitely having benefited from the hair that had very satisfactorily covered them for over 20 years. Next Anthony took his scissors and was cutting the top down with massive chunks. Nothing longer than an inch and a half remained. The next shock was just what a big forehead I had. With so little hair, my facial features were really standing out. A razor then took off the hairs at the back of my neck, that had never caused an issue before, but were now clearly too scruffy to remain, while my sideburns were removed to the top of ears.

Pomade was then rubbed into my hair and a comb carefully pulled the hair across my head, while Anthony styles a small quiff at the front and showed me how to re-create this. 

He showed me in the mirror the remains of my hair. The uniformly clipped hair ran over half way up the back of my head before tapering to a slightly longer length leading to a small ridge ran round my head at the point that the clipped hair met the wet-looking slicked hair on top. This ridge dipped slightly at the back, but still remained high up my head, allowing the virgin scalp to shine through across most of my head. This was very much a short, no-nsense business man's haircut

I went to sit with my cold - and much lighter - head, while Stephen got a trim. I realised he had an identical cut. Same left part, clipping, ridge, slicked quiff. Though Stephen wore the cut far better as he had far less expanse of clipped scale due to having a much lower hairline and smaller, rounder head. While my head was very clearly very elongated and egg-like. He also had small ears that sat neatly tucked into the side of his head, unlike my satellite dishes. I ran my hand down the back of my head, which sent a shiver down my spine from the bristles that were an alien feeling. 

Sam looked genuinely shocked when she saw me. I couldn't blame her as my features seemed to have moved round my face from this brutal cut. My massive pale gleaming forehead and giant ears exposed for the first time, and the brutality of the cut showing the elongated oval shaped head that had been hidden for so many years. I felt shell shocked, but Stephen offered a rare word of encouragement by saying how positive it was that the men of the house were now setting a clear standard on grooming. I truly hated this haircut and how it made me feel and look, but a part of me also really felt proud that Stephen wanted me to take on part of his style. This really was a defining moment of moving from fashionable to formal. 

Friends and colleagues either looked in horror or laughed but told me it would soon grow. However I very much doubted this would be allowed to happen. It was the second haircut 2 weeks later that got the worst response, as no one could begin to fathom why I would inflict this same style on myself for a second time. But this became routine that ever 2 weeks we'd both be shaved, trimmed and slicked to ensure the stubble remained short enough to pass muster. 

I think even Stephen realised I needed to get used to my new look as the next few weeks were more about using my new skills, such as Sam and I attending small dinners at home with close friends and associates of Stephen.

Then, an upgrade came. A plethora of very sombre ties in shades of navy, burgundies and dark green appeared alongside a navy double breasted blazer with rows of gold buttons running down the front sides. This became standard attire, as my heavily starched shirt collars now became buttoned to the top and digging into my neck, with a Windsor knotted tie, together with tie clip as standard from morning to night and the blazer whenever with company, and fully buttoned whenever I wasn't seated. I now looked like an off duty naval officer, but it did too make me sit up straight and hold myself taller as a result. 

A couple of other hurdles came over the next month. First I was taken to the opticians for the fitting of my new glasses. It was a surprise to me I was getting glasses, as I lived constantly in contact lenses, having only a small pair of rimless frames for emergencies. However the frames that had been chosen for me were big gold framed aviator glasses that filled the width of my face, and the frames glinted in the light as I moved. However as I was so myopic the lenses were extremely thick, and the lenses shrunk down my eyes (one of my best features, which now looked weirdly small and watery and hidden by these large rectangular fishbowl lenses, with strong reflections) as well as creating a very visible cut in the side of the lenses meaning my head looked like it had had chunks taken out of it. My contact lenses were removed and these became a daily dominating feature on my face, as the world now saw me as a bespectacled man for the first time. Due to the weight of the large panes of glass that now sat across my face, they kept sliding down my nose. They were adjusted, but the result meant the arms of the glasses dug into the side of my face, creating permanent creases in the temples of my head.

I also had my tattoo on my arm removed by Lazer. It wasn't appropriate. It was a painful correction. Both in the emotional loss of something I loved and the physical agony of it being eradicated. 

This was me now, this was my daily uniform. I didn't now need to spend time thinking about what to wear or what to buy, as it was already a given. When I stood beside Sam, she looked radiant and beautiful as ever, while I remain dependable and reliable beside her. Ultimately I was grey. Yes I looked very smart and could be very charming, but no one would give me a second look beyond my formal and traditional appearance. I admit that the old me used to like the glances I'd get from women checking me out, and I would flirt with women and preen myself to be as attractive as possible. Now no one I would have found attractive would give me the time of day, and if people stared, it was now for very different reasons This was me now. Formal, nerdy, a bit ugly. From my smartly quiffed hair and geeky big glasses and smart outfit. But I was fully committed to Sam, as it should be, and that was what mattered.