#not asking for any specific reason

[anexistingexistence]

Outside of the d.a.m.n. polycule crew, which character/couple is most likely to become or have been poly in the past?

[thephouseplants]

Guys If you could send a single image back to 2014 phannie Tumblr to Irrevocably fuck the timeline for shits and gigs what would it be?

[nureyevs-worst-alias]

are you. are you arthur-lesters-right-arm

Before I answer that I'd like to plead the fifth and I'd also like you to know that I have plausible deniability and a deadly firearm

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo

[meamiki]

Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[project-sekai-facts]

wait wait so speaking in terms of the eng translation, everyone in the cast uses they/them for mizuki?? or do people typically switch between the two??? the pronoun discourse when it came to mizuki (when it was really big a while back) stressed me tf out but i'd like to make sure i'm getting it right this time about what pronouns to use if that's ok

everyone uses they/them for mizuki on EN. There's old dialogue that uses she/her (I think all of it's from Kanade), but they stopped doing that very early on. The general consensus in the fandom nowadays is she/her though, due to it better aligning with how her story and gender is portrayed.

[lady-quen]

Hello Guild Wars 2 community! A new poll has dropped! 🐦‍⬛

(At least, hopefully new, lol.) I'm curious, which blessing did your Commander get on their first/canon go through the Raven Sanctum in the story mission "The Invitation?" Choose and tell me in the tags why they made their specific decisions :)

Compiled explanations from the wiki below for ease of access:

The trial choices in order:

Save the wounded man or save the healers

Save the spell tome or save the historical record

Save the queen or save the prince

Blessings:

Blessing of Daybreak

"When the fear of beastly claws and a child's pain is made sharp by the knowledge of elders, we make no mistakes. But do we grow?"

Healers -> historical record -> prince

Grace of Dawn

"When wisdom is favored in all things—a healing hand, a text of old, a beloved queen—we lose the sharpened sword of the truly bold."

Healers -> historical record -> queen

Consecration of Morning

"We seek to destroy monsters with sharp claws and icy breath, but do we protect ourselves from the beasts shaped like us, who prey on the young and vulnerable, who seek to rule us?"

Healers -> spell tome -> prince

Invocation of Midday

"When we flee from the things we fear most - the teeth of beasts, the storm of a dragon, a change of power-we risk running backward."

Healers -> spell tome -> queen

Supplication of Midday

"We favor the skill of healers and the wisdom of elders over the uncertainty of the future. But the young take chances, and the young push us forward."

Wounded man -> spell tome -> prince

Consecration of Evening

"We long for the comfort of a healing touch, an ancestral word of wisdom, a leader we know and trust. But comfort is fleeting, and with it comes inertia."

Wounded man -> historical record -> queen

Grace of Dusk

"We sacrifice so much—safety from the claws of death, knowledge of the ages, a steadfast reign—to propel ourselves forward. But if we move too fast, do we risk the inability to stop?"

Wounded man -> spell tome -> prince

Blessing of Twilight

"We try so hard to do the right thing. We heal, we protect our people, we preserve stability. But we cannot control how the winds of fate may shift, and a tight grip can sometimes hurt more than it helps."

Wounded man -> spell tome -> queen

[whatudottu]

Wouldn't it be funny for the hot doctor Knock Out to not actually be that big a fan of sex. Still tho- it doesn't stop him from tormenting his husband with horny thoughts <3

Hah, instead of leaving him cold and sleaveless in just scrubs alone, I gave dear KO a puffy racer jacket (you know damn well it's ruby red), and to give himself an excuse to wear it in the medbay and on the field, he's got the Decepticon medical symbol patched on his arms :)

hmm does the implied impregnation mean i need to tag this as something?

[good-to-drive]

Abuse, Silence, And Why Kevin Can Fuck Himself

I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture. 

Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse. 

It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity. 

It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore. 

I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving. 

One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.

The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.

There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives. 

As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence. 

Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.

And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away. 

Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life  – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).

The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need. 

What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence. 

In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.” 

It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied. 

Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.

In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work. 

It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.

When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity. 

It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).

If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?

Nothing. At least, not for people whose narrative must exist at the expense of another. 

And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.

Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far. 

But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.

[oldkamelle]

Still accepting Ideas? If so, Spy asking advice on Sniper on how to tell Scout that he is his dad.

[langernameohnebedeutung]

.

[kjones-fandom]

Songs that remind me of Andrew and Neil:

“Everything I did to get to you” by Ben Platt is Andrew and Neil’s song

“In a week” by Hozier also gives Andreil vibes

“Moments silence” by Hozier lowkey is giving andrew and Neil during the shower scene

“Work song” By Hozier is Neil coming back to Andrew after Baltimore

“As it was” by Hozier

“Francesca” by Hozier

“Say yes to heaven” by Lana Del Rey

Other:

“Bloodsucker” by CIL is Allison’s song

“Bubble wrap” by precious Pepala is Nicky’s song

“Cherry wine” By hozier is Kevin’s song towards Riko or Aaron’s song towards his mom if the song wasn’t about a romantic relationship

“Nobody’s soldier” by Hozier is Neil’s song

“Born to die” by Lana del Rey is Allison and Seth’s song

“Jackie and Wilson” by Hozier is Matt’s song when he was a freshman and was in love with Dan

“Arsonist lullaby” by Hozier is Renee’s song and I will die on this hill

“As good a reason” by Paris Paloma is Dans song and I don’t even have to explain why

“Art Deco” by Lana Del Rey is Kevin’s song

“Which witch” by Florence + The Machine is Allison’s song (it fits Dan and Renee also)

[clanborn]

i was going through ur art tag and man. u really like dear hunter (me 2)

i a,m normal about music

[itsahotminuteinbetween]

youve probably already seen them a couple times but i think you would particularly enjoy these sillies :3

Hello! I actually have seen art of em before (and am staring at the dandy’s world fandom with peaked interest actually) and they seek pretty neat!

…even though I know nothing about them and the closest comparison I have is gangle tadc and also probably my own personality thing…

[camels-pen]

Usopp: Zoro, where are my Shuriken Stars?

Zoro: why are you asking me?

Usopp: because you're the only other person who uses my locker

Zoro: oh yeah. i put them in the Cook's locker last night. wasn't enough space.

Sanji: what-

Usopp: space for what?

Zoro: me, duh

[willowser]

willow your text with bakugou hc is so accurate but now im just wondering how he is when you send pictures of yourself lol

you: hi :) (pic of pretty face reader)

bakugou: thumbs up

he’s so 😭😭😭 he loves your face TRULY but it would make you crazy

LMAOO i know 😭😭 he's so RIDICULOUS like i think you send him a cute selfie and his tummy gets tight and his face gets hot and he stares at it for a long time, but he just responds with "how are you?" LMAOOOOO i think he'd be the absolute WORST at snapchat too, like. he's sending you pictures from angles like

or if he DOES try it's like

DARK AS HELL CANT SEE A THING LOL he's TERRIBLE at it sigheisndjskqk