#not a fandom show

[freddos616]

i find it interesting that there are fandom shows like doctor who and then shows that attract fandoms like stranger things. in this essay i will-

[marisatomay]

People will claim to be a fan of some thing and then hate all of the themes and motifs and story lines and plot lines and protagonists and antagonists like man I don’t think that you actually like it here

[panvatar]

As an autistic monster fucker and a furry (stay with me) I feel confident in saying Laios is not a monster fucker. Laios hyperfixates on monsters like irl people hyperfixate on dinosaurs. Not once have I seen him interested in a monster sexually. He is all about fun facts and recipes.

He is, however, definitely a furry and I'd bet money he's got a fursona and a monstersona.

Thank you for coming to my ted talk.

[lynsstrange]

[applecidersstuff]

Percy Jackson is against bullying.

He is however very sad that neither Annabeth, Clarrise or Drew had met Octavian in camp Jupiter, because as much as he frowns on it he would pay any kind of money to see those three tear him a new one for acting like a little bitch he is.

[pudimdosubmundo]

Laios historian moment

[softestaries]

Chiron and Mr D: now that you've trained at camp for one (1) week it's time for you to embark on a quest to retrieve Zeus' lightning bolt and stop all out war from breaking out amongst the Gods.

Percy: are you aware that i am twelve years old

Chiron and Mr D: this is your dad's will

Percy: is he aware that i am twelve years old

[langernameohnebedeutung]

My favourite little x men thing is when someone is like "Give up, Magneto! You stand no chance against this plastic weapon/gun/suit I have built!"

And Magneto is like "I see. Whatever will I do."

and throws the surrounding infrastructure at them.

[venator-signum]

the pjo fandom on tumblr vs tiktok is so funny cause we've all (or most of us) have already read the entire series, we know what's going to happen so we can see the parallels and the tragedy behind it but on tiktok???

they're in love with Luke

they think he's so kind and nice and its wonderful he's percy's friend, there's no way that he'd be evil - I've seen theories that annabeth is going to be the one who betrays percy (prior to ep4)

the tonal shift is insane and I can't wait to see all these first time viewers lose their fucking minds

[seenthisepisode]

no offence but the reason tumblr is “dying” is, well, yes, of course the cursed like/reblog ratio and the change in user behaviour (because of people being used to how instagram and tiktok work) BUT also the lack of weekly shows. i say it with my whole chest, they don't produce captivating and engaging stupid weekly tv shows anymore because streaming killed that so you have spikes of activity here when Something happens in general fandom or up to three days after a new season of whatever drops and then it's a wasteland. this is obviously an old woman yelling at a cloud missing supernatural and the vampire diaries and pretty little liars and all these other shows type of post but honestly give me back weekly tv shows where i have something to watch for 40 minutes almost every day of the week after work so then i can read and reblog it on tumblr give it back for the sake of my sanity

[3amandimstillawake]

while we're on the topic of talking about changes the pjo show made that i love, im glad they didn't push the whole Annabeth saying she and Percy *have* to be enemies because athena and Poseidon have beef. Instead she's just this cryptid autistic strategist 12 yr old who stalks Percy and pushes him into the water. She's like "hmm this white boy will perfectly serve my purpose and schemes" and she's so real for that

[miss-americanbi]

i had a vision

[catchymemes]

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[elexuscal]

Danny Phantom, The Show:

geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!

Danny Phantom, the Fandom, After 19 Years of Fermentation:

a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!