#none of this is important

[that-was-tedious]

A live reaction of me watching the first episode of 911: WHAT DO YOU MEAN ITS BEEN GAY THIS WHOLE TIME WHY HAVENT I EVER HEARD OF THE LESBIANS?!

My friend who knew I was excited to watch a bi character on tv: So you could have been watching it for years?

Me making disgruntled noises: Yes and I need to learn how to do research

[imightbeatomato]

So. I'm relatively good at school in terms of like.. getting good grades on the stuff that I do. I'm not so good at the doing stuff. Like.. time management=bad. So I often start to think like.. what if I dont do certain things. And I want to delineate exactly what my thought process was in this instance.

So for one of my courses, 70% of the grade is based on 3 big tests. The remaining is split btw group work, and individual assignments.

I hate groupwork because I'm a socially anxious hermit. I know I can get good grades on the tests because they're open book and I'm good at tests. So assuming I get around 80% on each test, and did nothing else, what would my mark be?

Well it'd be 80% of 70 =70*0.80 =8*7

=8*8-8

=8*9-8-8

=8*10-8-8-8

=80-(3*8)

=80-24

=80-20-4

=60-4

=56

But then I realized that I could have done

70*0.80

=7*8

=5*8+2*8

=40+16

=56

and idk, I just find the process of simple mental math very soothing

Also, I only need to pass this to graduate bc its a required course. I hate this course. Its organizational psychology and I couldnt care less about how to make employees more productive.

Actually, I want to be a teacher and theres probably a good amount that would cross over into how to motivate students and stuff. Maybe I should be paying more attention....

Its still nice to know how little of my ass I need to put into this course to graduate tho bc I'm pretty burnt out rn and my room smells like cat pee and I have no idea why. I've smelt everything in here and nothing seems like its got the stink on it. Its just in the air

[xgoldenlatiasx]

I’m really glad that Aaron’s self-immolation for Palestine is getting attention, but on November 8th there was also a Congolese man who did the same thing for the genocide happening in the DRC. From what I read in the article above, his fate and identity are unknown but I think his story should be getting equal amount of traction and I haven’t really seen anyone talking about it on Tumblr specifically yet.

[a-cat-in-toffee]

expanding on my tags from this post

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[fingertipsmp3]

Local woman realises classmate she has a crush on looks a bit like Sideshow Bob, 8 dead everyone injured

[phoenixkaptain]

I love it when pre Original Trilogy era shows how much effort went into making the Death Star. It took decades, literal decades, and it took so much money and so many people and it was such a secretive thing and it’s staffed by millions because it’s the size of a small moon.

I cannot express how much all of the added information makes it so much funnier that Luke blew it up.

Luke destroys literally everything Palpatine built. He blows up the Death Star, which was referenced in universe as early as the second movie. He blew up the weapon of mass destruction twenty years in the making. And he blew it up pretty much directly after it’s first and only successful attack. It was operational for fifteen minutes, fifteen minutes that Palpatine had the thing he’d been building for longer than Luke has been alive, and Luke blows it up. First day retirement, but first hour retirement.

Luke convinces Darth Vader to turn back to the light side, a feat thought literally impossible by literally everybody. Sidious clearly doesn’t see Vader’s betrayal coming. Vader’s betrayal was not in his plans, nor was it something he was prepared for. Sidious is a powerful Force user with all four limbs while Vader is a man in the tin can Palpatine put him in. If Palpatine had seen Vader turning coming, he would not have allowed it to happen.

Luke literally should not even be alive. Palpatine almost definitely got Padme out of the way on purpose, and he almost certainly was trying for her unborn child as well (there was way too big of a risk that a cute liddol bebe would bring some humanity back to Anakin, and Palpatine did not want Anakin to have any humanity) Luke living is literally the first step in Palpatine’s ultimate downfall, especially once Vader finds out that Luke is his son. His very alive son. His son that is not dead, despite Palpatine claiming Anakin killed Padme. Implying that Anakin killed Padme and she posthumously gave birth. But, she didn’t give birth on Mustafar, which was the last place Anakin interacted with her. And once the mother dies, you have to get those fuckers out fast or they die too.

I imagine Darth Vader piecing all of this together is that meme with all the math floating around his head, because how could Padme have died by his hand and then given birth like two hours later?

Luke killing Palpatine is what ultimately leads to the dissolution of the Empire as an omnipotent entity. Luke killed the Empire. Luke spends a good amount of his adult life killing Empire remnants. We see that in the Mandalorian, since he’s so recognizable that Gideon immediately knows he’s fucked just by seeing an X-wing. We read it in Legends’ continuity, where Luke terrifies Imperials because he can walk into their changing room and stand in their for a minute and they don’t even notice.

Luke destroyed Palpatine’s life’s work. Everything Palpatine spent his whole life working towards, and Luke kills all of it. He blows up not one, but two Death Stars (he may not have pulled the trigger on the second Death Star, but without him, it never would have been destroyed). He convinces not one, but multiple Sith and Dark Jedi to return from the Dark Side. He is the only reason that Obi-Wan Kenobi, the biggest pain in Palpatine’s ass ever born, lives long enough to make it to the Death Star.

Palpatine went through so much effort. And just when he had finally won, when he finally had a weapon capable of destroying entire planets with a single blast, making it impossible for any planets or peoples to go against him, Luke shows up nineteen years late to the Jedi party with space Starbucks and a droid twice his age and almost singlehandedly destroys everything Palpatine ever had a hand in creating.

Luke manages to become even worse than Obi-Wan Kenobi, the ultimate thorn in the side of politicians, and Luke doesn’t even understand any politics. He wasn’t trained in diplomacy like Obi-Wan and Leia, no, he’s a farmboy who left home for the first time in his entire life, just this morning. And he is the one to destroy the Empire.

If they rewrote Star Wars and had it entirely from Palpatine’s perspective, Luke Skywalker would be his greatest foe. Luke Skywalker would be the final boss. Luke Skywalker is the antithesis of everything Palpatine believes in and he is the one character that Palpatine cannot predict. He isn’t as moldable as Anakin, he doesn’t respond to threats very well, he’s apparently impossible to kill via Force lightning (still the funniest scene of all times, the progression of Palpatine’s face falling and him looking like “what the fuck??? Is this kid rubber??? I’ve electrocuted him eight times???”), his unwavering faith in his father’s goodness makes Darth Vader want to be a better person, Luke Skywalker is the big bad of Palpatine’s story and—

There is nothing in this world that is funnier than someone’s biggest antagonist being Luke fucking Skywalker. Luke Skywalker, who saved the galaxy with the power of love and who shouldn’t exist, by Jedi rules and by Palpatine’s own attempts, and whose best friends are literally droids, which Palpatine canonically hates!

Everything about this is hilarious, this is the funniest thing in all of media, Palpatine loses absolutely everything to some backwater farmboy who fucking likes droids.

[fckingflaminghomosexual]

middle school boyfriend: messages me out of nowhere

me: 🧍‍♂️

[biggest-gaudiest-patronuses]

there's just... there is no reason to make yet another cop show in this day and age. copaganda is not only bullshit, it is a failure of imagination.

you want to watch brooding characters with dark pasts investigate crimes in an official capacity? just use private detectives (cops have a miserable solve rate anyway). want eccentric geniuses & their sidekicks solving mysteries? i present you with armchair detectives & neighborhood busybodies. oh, you're craving a workplace comedy-drama starring overworked protagonists doing their heartfelt best to resolve community conflicts? social worker office sitcom! bitch this is ACHIEVABLE

[zealfruity]

WHEN THE OLD MEN

Rex’s mug has “#1 Dad Grandpa Brother” written on it. The shirt joke makes no sense if you think about it any further in the context if star wars but shhhhhh i had to make the joke it was in my brain

[egophiliac]

my absolute delight at seeing that the riderboys DO in fact have special magical girl transformation sequences --

(now if they really wanted to commit they would go full sailor moon with the ribbons and bubbles and sparkles, hint hint toei)

[cubbihue]

I just have a quick question. Is Titania a part of your little fairy ask thing? I only ask because she and Oberon are seen as the rulers of all Fay creatures. This is mostly due to a funny thought of Jorgen telling someone that he doesn't actually make Da Rules, just inforce them.

After the Great Fairy Wars, Titania and Oberon receded from public view. Nobody's seen them since the wars ended. In fact, the current Fairy Generations have never so much as heard their names outside of history books. They're more like myths than real fairies.

Timmy likes visiting their statues at the Fairies' Supreme Courthouse, though. They have an air of calm and somberness to them. It's a nice place for a respite whenever he feels overwhelmed.

Bitties Series: [Start] > [Previous] > [Next]

[gunpowdercarousel]

"Oh my god I love her so much! She's just the cutest war crimina-!"

And I stop reading.

It honestly kind of bothers me just how casually the term 'war criminal' is tossed around these days.

Just because they've killed people doesn't mean they're a war criminal.

Just because they're mean doesn't mean they're a war criminal.

Just because they've FOUGHT IN A WAR doesn't mean they're a war criminal.

I get that Tumblr is always looking for big, funny new phrases to chew on like dog toys, but maybe we should pick something other than the one that has extremely awful real-world implications.

War crimes are some of the most unspeakably evil things humans can do to each other, and using 'war criminal' as an ENDEARING term is just kind of pathetic. Stop. If you're going to use it, use it properly. Don't make 'war criminal'' become some stupid, cutesy, utterly meaningless term.

Because honestly, that's something TikTok would do.

[princip1914]

That feeling when, after 33 years of Heavily Implied Situationship, a canon romance is established and then imploded in 3 minutes flat as a plot device to set up the final act of a trilogy for which there is as of yet no confirmed third part. 

[poorly-drawn-mdzs]

Today in awful pain due to cramps, but ended up laughing and cheered up because I said aloud, “My tummy hurts and it’s Wei Wuxian’s fault!”

There he is! That's the man that made your tummy hurt!!!

[bumblingbabooshka]

I know the most common fanon for Tuvok post Voyager is that he's mostly fine and one of more stable ones but I personally think it'd be funny if he cracked like a goddamn egg and went off the deep end for a few years before finding his way back to semi-normalcy. Janeway's like "Where's Tuvok?" and the answer is that he quit Starfleet, joined a temple, left the temple in the middle of the night to go wander around the desert, almost died but was taken in by a kindly old woman, lived with her for two months before she died, left the desert hut to alert her family and upon completing that task hopped on the first freighter off Vulcan, got stranded on a deserted asteroid after being the sole survivor of the crash, was rescued, mind melded with an alien who can see the future but died in the process and can't remember anything about it except for the vague feeling that he spoke with Kes, was brought back to life by Chakotay who told him that Janeway was looking for him [at which point he pointed out that Chakotay is also not in contact with Janeway and then ran away again], returned to Vulcan but only to find and climb to the top of a holy mountain which took several months and upon reaching the top he feels a sense of enlightenment which permeates his familial bonds as the first sign in almost a year that he's alive at all. Upon finishing his climb down the mountain he stays in a nearby village and serves in their temple for several more months until it's attacked by aliens because of some artifact hidden deep within the temple walls and he puts his tactical strategy to good use, fending off the attack. Harry Kim [with Starfleet] appears and is like "You need to go home, man. People think you're dead." Then he goes home and joins Starfleet again and he's literally only allowed back in because of Janeway and Janeway accepts him out of her love for her crew and also because she's kind of worried that he'll join an ice fishing expedition or cult if she doesn't. This only adds to the lore of Voyager as a cursed ship and her Crew as all-in-the-family maniacs.