#non spoiler review

[ink-of-fallen-stars]

The Plague

Albert Camus (author), Laura Marris (translator)

⭐⭐⭐⭐⭐ (5 stars)

This book is very focused on exploring characters, and the city as a character, throughout an epidemic. I usually am not a fan of slower paced books that aren't plot-based, but I absolutely loved this book.

If this book hadn't been written almost eighty years ago, I would have thought it was social commentary on the COVID pandemic—it is a fantastically on-point exploration of a city in an epidemic, and many places mirrored common experiences during the COVID pandemic. Not in a political way, but in a very human way.

This book is fundamentally very human, and explores human hearts, emotions, and beliefs. I found it to be very engaging and thought-provoking. It shows flawed people in a matter of fact way, and deeply explores their desires and their decisions.

It is very definitely a challenging read, though. Very dense prose, very slow moving. I had to reread parts as I went because I was struggling to keep track of what was going on. Wouldn't recommend for a light-hearted or easy read.

Definitely a book I would both seek to own and seek to read again.

[klarion-the-witch-boy]

Non Spoiler Review of LOKI, Season 02 Episode 01 (but it's less screaming from me, this time):

One of the things I said, after watching episode 01, was, "That had no right to be as funny as it was!" Another thing I said was, "I wouldn't mind watching that again (concurrent with just finishing the episode)."

In terms of the former, I was really engaged by the pacing of the show, and there was a laugh every few moments without taking away from the drama, or anything else. I was enthralled, entertained, enthused, ensorcelled, engaged, and entirely there for it.

In terms of the latter, this episode was just SO GOOD that I know I would have seriously and honestly enjoyed the episode just as much, watching it a second time right away, after only just finishing a watchthrough.

Normally, as a Very ADHD Person, I need some kind of secondary stimulus when I'm watching things, in order to stay present and engaged - no such need with Loki s02ep01! It had me, gripping me tight until the very end. I would have sat through the credits, happily, but I was watching with others, and they preferred not to linger (there's an end credit scene, fyi, and the co-watchers wanted to see it immediately).

Part of my ensorcellment is definitely that Loki is probably my absolute favourite MCU character besides maybe Pietro, and no we don't talk about that. Loki has been my ""favourite Avenger"" since 2012.

But dear god (of mischief), the humour was so spot on for me. So funny. I'd give examples, but I promised a spoiler free review, and I'm not one to break my promises, if it can be helped.

Excellent performances by Tom Hiddleston, Owen Wilson, Ke Huy Quan, Eugene Cordero, and Wunmi Mosaku. Especially Ke Huy Quan! I adored him and his performance and his character! His character is going to be a new fan favourite, for sure! If not, I'll eat my favourite pair of shoes.

Thank you for listening. No, I will not apologize for the rainbow lettering, everywhere.

[notaboutmeeee]

Saw the five nights at Freddie's movie and boy oh boy was it a dissapointment...

No horror or jumpscares (maybe 2 whimsy ones)

Backstories built on new lore that never gets explained so you for example have no idea why the villain did the villaneous things? And fnaf lore is known for being confusing but that's nothing compared to this movie.

Also they should've made it r rated bc this was laughable. Not scary, no fnaf essence.

Also did not like some of their new "interpretations" of the game. (all the dream shenanigans)

Can't believe I'm saying this, but please no more fnaf movies

(they had us in the first half ngl..)

[doozypear]

ACROSS THE SPIDERVERSE WAS TOO GOOD

[aroaceleovaldez]

they girlbossed Sally Jackson

[ciaomarie]

Claire certainly did try. She flirted heavily with a guy who forgot her name. She continued the pursuit after he gave her the wrong number. She slept in his barren apartment, drove him to drop off mail, coached him through a millennial frat party, listened to his war stories, helped develop a menu, stayed during his panic attacks, and had trauma sharing make-out sessions. She confessed her years-long crush and love for him on voice-mail, which he could save forever.

Then she heard him say that "it" was a waste of time. She walked away and never texted, called, or tapped a stupid Fak to interfere again. Even when they showed up to her job, she didn't get sucked in. Why? Probably for a similar reason that Carmy hasn't reached out to her. It was the idea of him, not the person that she was invested in. Also, she has self-respect and finally put the ball in his court.

I'm proud of Claire.

[returquoise]

ATLALA, aka Avatar the Last Airbender Live Action

Sooooo, I finished the first season and had thoughts (just like everyone else lol). First context, non-spoilery thoughts, and then spoilers under the cut, yadda-yadda.

Why context? Because for a lot of people OG ATLA was their childhood, and they have super strong feelings about it and about any adaptation that exists. I'm not one of those people.

The first time I watched OG ATLA I was over 20 years old, which means I was an adult and had adult viewpoints about the story – worldbuilding, character writing, etc. It was never the hallowed most perfect show ever for me. It was and still is a fucking good show with some amazing writing and worldbuilding but I did have some gripes.

So when ATLALA was announced I remained neutral – I've seen the movie that shall not be named and din't really like it but shitty adaptations have always existed. When we started getting photos and trailers and news pieces, I was feeling pretty positive about the visuals, but neither news pieces or trailers actually tell you shit about what the writing or worldbuilding is like. However, I was about 70% optimistic.

Because what indications I did get about visuals, writing etc, were very reminiscent of another adaptation that had come out recently, about a series that was actually a bit more important to me on an emotional than ATLA. I'm talking about One Piece, and OPLA which came out last August. I've been a fan of that for 10 years longer than ATLA, and while they did a lot of changes, the spirit of the story was there.

So I copied my optimism and good feelings from that, going into ATLALA.

Now, the thoughts.

Visuals are pretty good. There are moments when I can tell they left some visuals out due to trickiness/budget (the "is Zuko's ship real?" review after the premiere). Some things look fake or plasticy, some stuff is too clean. Bending looks a lot better than in the movie that shall not be named.

Writing has issues. Some of it is very expositiony which makes it wooden and the shots uninteresting (there were so many badly framed shots with characters just awkwardly standing and talking). There are some lovely bits of dialogue that gave me feelings, but those moments were in the minority. And some writing choices were also quite childish, even for an adaptation of a kids' cartoon, so I'm a bit confused about the intended age demographic – except there are some really violent bits in there, which leave me even more confused.

Pacing was either frantic or okay-ish. The writers clearly had trouble paring down the OG series, and then ended up cramming stuff together. I could keep up with it (knowing what certain characters roughly meant for the plot, even if they were at a different place and time), but I'm not quite sure if someone uninitiated in the OG series could. The last 2 episodes had probably the best pacing and even then there were some things that made me go "hmmm."

Some actors have issues emoting – main and extras. I agree that the Gaang has lost some of their flaws compared to the OG series. Maybe some of them will make more of an appearance in season two when everyone's more experienced at acting? Especially considering that they'll likely have stuff more spaced out there – there are some episodes I'm pretty sure they'll outright skip, just based on the choices in this season. But we'll see. There were some fun and interesting bonding moments between different characters.

Sokka, Zuko, and Suki were the standouts from the younger cast. Suki is considerably different from the OG but it was acted and written well, and is an interesting choice. Sokka's quips, while not as numerous as in the OG, were fun. Physical comedy is obviously more toned down because real bodies can't do the same shit as cartoons. More about his arc choices later. Zuko was a bit toned down from the OG but IMO also the closest to it. And as someone who's almost finished with a Zuko AU fanfic, I was positively cackling due to the fact that some of the choices made for the character are similar to something I've done in my fic.

As for the rest of the main kids, there'll be more in the spoiler bits, BUT, they're different, and feel less experienced in acting. They're not bad but some choices were definitely different than in the show and they offer interesting opportunities. We'll see how they pan out, but be prepared for some speculation from me.

Fight scenes sometimes had IMO slow moments in the choreo, and they could have been better. Some were excellent, some a bit ehhh.

On the whole, I think this is about 7 out of 10. Some moments were 8 out of 10. It's a passable adaptation

Spoilery thoughts waaaay down.

Whoo boy. Where to start here?

Let's start with the cramming. As far as I can tell from my notes, the episodes are roughly divided like so:

EP1: 3,5 and bits (Boy in the Iceberg, Avatar Returns, Southern Air Temple, half of the Storm, bits of Avatar and the Fire Lord)

EP2: 1 and bits (Warriors of Kyoshi, part of Waterbending Scroll)

EP3: 3 halves (King of Omashu, Jet, Northern Air Temple)

EP4: 1, 4 halves and bits (King of Omashu, Jet, Northern Air Temple, Cave of Two Lovers, half of Winter Solstice P1, bits of the Avatar Day,)

EP5: 2 halves and pieces of 3 (half of Winter Solstice P1, half of Bato of the Water Tribe, part of Southern Raiders, part of the Library, part of Siege of the North) AND timeskip mention of the Great Divide and the pirates from Waterbending Scroll

EP6: 2, two halves and bits (Winter Solstice P2, Blue Spirit, half of Bato of the Water Tribe half of the Storm, part of Siege of the North)

EP7: 2 (Waterbending Master, Siege of the North)

EP8: 2 and pieces (Siege of the North, Return to Omashu, bits of Northern Air Temple, part of the Library)

Waterbending Scroll is a bit of throughline because you see moments of training in pretty much all of the episodes.

Episode 1 was very full, and felt rushed at times. There were a few places where they could have shortened some parts (like the earthbender spy scene at the start) to give more time for other stuff. Biggest gripes are the convenience of timing – Aang going off to clear his head only for everyone to die that very night. HOWEVER, me and my friends talked about it being likely Spirit shenanigans going "fuck, Air Nomads are gonna die now, we need to deepfreeze the Avatar for storage." We also concluded that the sudden current of Sokka and Katara finding Aang was either physics we don't understand, or Spirit shenanigans. Also the thing about all the Air Nomads coming over for the Great Comet festival? And then having so few of them on screen? Sorry, but I ain't buying it. Having such a sparse population in one temple I could have bought (with caveats) but adding in the gathering, nah.

Episode 2, Sokka-Suki was beautiful. I think it works even with the removed downplaying of girls capabilities (this change also brought some other stuff to Sokka I absolutely adored in later episodes but I'll talk about that when I start ranting about the characters). This was pretty close to the OG episode in many ways and I really don't have other problems with it, besides the somewhat childish end discussion about hope and shit with Aang and Suki's mom (Suki having a badass mom is fun). Manifesting Avatars and being able to talk to them only at their shrines will be an interesting take on stuff. Because that will affect some stuff on later seasons and I'm not sure how.

(And considering how scared Aang is of the Avatar State this early on, we might end up skipping the Avatar State in the next season. At least partially. Because we did get a lot of info now.)

That's a very full itinerary and it was hardest to follow at eps 3-4 because there were so many things going on. Jet's and the Mechanist's conflicting storylines made for an interesting drama (though, again, hard to follow) and gave Sokka and Katara something to do – which they didn't really have in the OG Omashu episode, which was what Aang was mostly dealing with here. In my opinion these two episodes didn't get a proper handling, because they're one of the few instances were we get people from the Earth Kingdom doing questionable shit, but we don't really discuss it. And while everyone know marketing is a mistake (it makes no one happy), considering that this series was trying to sell itself as a more mature take, that feeling is left kinda lacking in regards to Jet and the Mechanist. I do appreciate Bumi being fucking bitter, like Yass, you go king, as well as the bit with the Earth Kingdom soldiers speaking of grief and mistreating Iroh. That complexity is what was left lacking with Jet and the Mechanist, and how Katara and Sokka dealt with that emotionally. Also loved Zuko getting hit by a broom and Iroh taking the fall for him. The Zuko-Zhao alliance was an interesting angle to take (after messing it up pfft) and establishing early that Azula is a master infiltrator? I liked that move, also the fact that there are Fire Nation rebels. Although I fucking loved the quick fake marriage.

5 and 6, despite being about as full if not fuller, were weaven together really well in my opinion. My biggest gripe with that two episode storyline was how the Fire Sage Shyu-Aang team-up was done – not that it was any better in the OG to be fair but it is more jarring in live action. I just about died at the 41st twist because holy shit that's an amazing angst take and I appreciate it so much. And while we do get Aang planting an acorn, it feels like a really small moment and I think the Hei Bai issue should have got a bit more attention as the episode was resolved. Koh was fucking terrifying and the appearance of Wan Shi Tong – and in the last two episodes the appearance of the celestial objects calendar machine, as well as the fact that Zhao got his dirt on Tui and La from a Fire Sage – leads me to believe we won't be getting the Library episode next season.

(The only way I can see Return to Omashu happening is if it's remixed with Imprisoned which was totally left out of this season, or we get the important info aka neutral Jing info all from the Swamp, or from a letter Bumi sent. I personally think Return to Omashu-Imprisoned remix is more likely, just so we can prep Teo and the Mechanist for the Day of the Black Sun which we saw flashing by on the celestial objects machine just before we finally got the confirmation that Sozin's Comet is still a thing. Although The Avatar State could also be remixed into this in a sort of "yes, Earth Kingdom needs to free Bumi etc but I can't do it in Avatar State, we need to be smart.")

Episodes 7 and 8 were pretty chill in pacing issues. I thought Yue was a bit too quick in warming up to Sokka but considering how it was explained I can accept it. Also, the fact that Tui and La are intelligent enough to not be fish 24/7/365 is a change that makes sense although the whole Ice Moon (is it the local Halloween?) thing was very out of left field. Women joining the fight was a wild update and definitely more of a modern take than an early 2000s take. Do I have other thoughts? Sure, but I don't want to write bajillion essays and I just want a general overview in one post.

Zuko is, like I said, a standout. Absolutely love his conspiracy board, and as someone who writes a fic with a more scholarly inclined Zuko, I loved him being able to draw, being the foremost Avatar expert in the world (you can't tell me there can be more than one or two people out there who know more than Zuko at this point, look at his research), and having opinions about calligraphy brushes. Ugh, my heart. There's some absolutely wonderful acting happening and he does action really well. Is he a bit less explosive than in the OG? Sure, but one must remember, that adaptations are just licensed fanfics. His abuse background is in the performance, and my biggest question is the Agni Kai. There was a certain desperation in his face, so he must have wanted to make an impression on Ozai, and maybe felt a bit more like he had the right to it – as this show made it clear he had been invited in the War Council and did not needle his way in. Also the 41st twist oh holy smokes I just about screamed. His flaw is still anger and trouble thinking plans through.

Azula (her bangs in the flashback crack me up, was that her emo phase?) is more obviously affected by Ozai's games in this. I know OG Azula has loads of fans and there are loads of deep dives into her character and abuse and etc, but this is actually the first time her writing has made it obvious to me. She's still cold and calculating, but she's affected by more things and that makes her into a more approachable character for me. I know many fans got this from the OG portrayal so I know this is a me thing.

Sokka is another standout. I saw an interview where the actor was like "I tried to interject and ad lib humour where I could" and I appreciate it, because a lot of them made me cackle. There was some really good humour there. As for his arc and conflict; I think it's really interesting that he tries to live up to his dad's image of a warrior, and doing it very much out of duty. It isn't so much that he wants to be a warrior, but he wants to be good enough and I think that came through wonderfully. He can be a warrior, but it ain't his passion. It also offers very interesting bonding possibilities and parallels with Zuko. My heart broke at that ice-dodging scene in episode 5, as well as his heart-to-heart with Katara in episode 4 (fucking SIBLING LOVE TRIUMPHS). Also absolutely loved the fact that he supported Katara being a warrior in the North. His flaws in the OG are self-esteem issues (nailed here), and a certain level of arrogance, that affected his attitude towards girls at times. The latter has been removed but considering it only lasted until episode 4 in the OG series anyway, I don't see it as a terribly big deal. We can still get his "it'll totally work out this way" arrogant moment at pretty much any point in the story in the future.

Katara has trouble emoting. I don't know how much experience her actor has with acting, but I hope she gets better with practice. There are some very nice bonding moments she has with Sokka and Aang that bring emotion out, but she's very stone faced a lot of the time. One could read it as a symptom of seeing her mother being literally burned alive but that depends on how her arc is written in future seasons, and how it's acted. I really like the parallel with Sokka, of him trying to be a warrior out of duty, while Katara wants to be that and has trouble getting the opportunity to do so. This came out really well in episode 4. The fact that she was made a fucking commander of sorts at North was amazing moment of proving to her that she can be, that she is, a warrior. I'm kinda sad her temper has been left out of the writing, because with her being a self-taught water bender (which I'm okay with because we see her practising every fucking episode) there's a threat of her sliding into so-called Mary Sue territory. Hopefully Toph's inclusion brings her temper out next season. She's also missing some of her naiveté, although having a crush on the first good looking outsider (with fucking mirrored shots) just like her brother is hilarious.

Aang is... to mature. He gets a lot of really good and morally and ethically right speeches, and while he expresses that he's scared and doesn't know what he's doing, it still feels too mature. He also doesn't have that many dumbass child moments (what was that episode he just went "oops" in, that was funny and felt childlike, and then there was the water fight he had with Katara). It could be because we're going through stuff so fast but it'll be hard to fix later. I kinda like how his connection with Katara is being the last of their kind and loss – and then the small really good acting in ep7 when Katara says stewed sea prunes taste like home, and you can just see him go "oh, there's still someplace she can belong to, unlike me." I loved his calligraphy brush discussion with Zuko, because there was the beginnings of a bond there. As a friend said, it's nice they removed the Disney princess like love at first sight thing from the OG. If this turns into a romance (I have thoughts on that... later) I feel like it has a better chance to grow organically. No, I never shipped Kataang, please refer to the context part of this post.

Suki had a fun isolated, but curious, and socially awkward vibe to her. She's obviously different from the OG, but it's a fun and interesting difference, as the most characterisation we ever got for her was badass. Yue was interesting, more assertive and playful, which I liked. I also liked the fact that she had obvious duties and was expected to be the next chief. Even if the Northern Water Tribe sexism was kept, this felt like it added some dimension to it. June flirting with Iroh was hilarious, enough said. Mai and Ty Lee are blanks of wood. Their writing, and the direction they were given was horrible, and they're a prime example of that awkward standing and bad framing issue I mentioned way earlier. Ty Lee could have at least been bending herself into a pretzel, and Mai could have been using a knife to dig stuff from under her nails or something. I hope they get better writing and direction in the future.

Iroh was honestly pretty enjoyable. There were some moments of skilled evasive answering, but I was left missing him saying that Zuko was like a son to him. They do have really good chemistry though and you can see the care between the characters. I hated the long monologue at the end of episode 6, that felt very much beneath whatever target audience they were aiming for, and failed show not tell. Not perfect but can improve. Also, that one part where they played Leaves on the Vine, I almost died.

Ozai being a manipulative, abusive game addict is different but offers him some agency and motivation besides megalomania, which I appreciate. He had a peculiar expression when he burned Zuko, and that smells like hidden lore to me.

That's probably every character I feel like addressing at this point. However, I did mention romance in Aang's section, and I have to agree with the other whispers on the net. The fucking scarf scene. At this point, it's more likely for this show to be Zutara than Kataang IMO. BUT before people go and blow up about it, some points; cartoons offer more leeway in visual age differences, I feel like they would need to extend ATLALA plot line to last several years (instead of like, 9 months it's in the OG) to make it visually make sense. The Fortuneteller (as well as Katara's obsession with love?), and Aang's love at first sight have all been written out. Cave of Two Lovers was used for sibling love on the first season, and we ain't visiting that location again, not with how efficiently we did pretty much all of the Omashu stuff this season. Most of the Kataang iconic moments have been left out deliberately. Does this mean we'll get Zutara? Of course not, but due to the scarf scene, as well as that rivals thing they have going (we literally have two fights between Zuko and Katara this season, and the water sprout she used to thwart his fireball in episode one, and if that isn't a traditional beginning of a rivalry, nothing is), it's certainly more likely at this point than Kataang.

But we'll see, just like with everything else. It's an okay start, it's far from perfect, but it does offer new viewpoints that I find fascinating.

What's in the future.

I already explained my Return to Omashu-Imprisoned-Avatar State mash-up idea above, and that we'll likely miss the Library. I also think Avatar Day will be left out. I do however think, that we'll get the Deserter next season. We also need a way for Aang to learn about the Comet coming again and if Library is out (and probably also the Desert), best chances are IMO the Swamp or the Fortuneteller (remixing those two together is also possible). Or maybe Yeong Yeong has spies and they tell him about the Comet and he tells the Gaang. I also think they'll be foreshadowing/setting up White Lotus a bit more than we got in the OG.

I don't quite have my thought together enough to make any other guesses, but we will get Toph, Ba Sing Se, and Azula's Mean Girls Squad, but no clue yet how they'll be remixed. Season 2 has a much clearer timeline structure, whereas season 1 had a lot of episodic stuff that doesn't timeline wise offer too many roadblocks for remixes, as we saw with what they did with Omashu.

I think that's about everything I can think off. If you have comments, please be nice. This was mostly rambling, and tin foil hat baiting.

[darkie-parkie]

First round of watching The Edge of Sleep on Prime and as a fan of the podcast, this show still managed to make my jaw drop multiple times. Everyone's acting is amazing. The practicals are to die for, and the ending is just so, so good had me gasping. Even if you're not a part of the Markiplier fan base like I am, this is such a perfect watch for the Halloween season.

I'm a firm believer anyway of new, unique shows not being swept under the corporate rug through tactics like hiding the show from main view and not promoting it, but this one especially is dear to me. If you're a fan of horror, please consider adding this to your October watchlist!

[ink-of-fallen-stars]

The Many Shades of Midnight

C. M. Debell

⭐⭐⭐✨ (3.5 stars)

Overall I thought it was a lot of excellent ideas, but not the best execution.

I loved the main characters, particularly Brivar—in the first section, he was honestly the only reason I kept reading—and the way their arcs were handled. The characters are flawed and are portrayed as such, but are incredibly relatable. The complexity of the cast, their backstories, and their relationships was gripping and made this a fascinating read.

The world-based conflict was also fascinating. While the setting is a rather standard medieval fantasy, the illness the plot is based around is such an interesting topic. I love the way it is set up and developed, though I wish this had been more consistently paced throughout. There were some things I as a reader would have liked to learn more about, particularly the religious side. And as much as I loved the illness, the book is a book about a fantasy disease with a doctor as a main PoV, so I was anticipating delving into that a little more. (This may just be because I was raised by a doctor and am going into medical editing if I can, so take this with a grain of salt.)

This book is very slow to get going, however. The beginning drags due to a combination of several things:

Consistently throughout the book, there are places where events are summarized rather than written out in scenes. In the beginning (and somewhat at the end), these summaries are events that would have been less confusing if written out as scenes, or omitted entirely. There's also places where it's the inverse—scenes that dragged and would have been more effective as summaries. This mostly happens in the beginning, and I was considering DNFing at several points until I hit part two.

After part two, things look up pacing-wise. This section acts on the setup of the first part (which was too long, in my opinion) and starts solving the problem. So the plot takes an incredibly long time to get moving, though once it's moving it's exciting. (I was up late for several nights in a row reading it.) The end felt like it could have been expanded on, and there were some parts that were too fast for me to keep up with, but it wasn't critical.

Some of the thematic elements of the story felt heavy-handed to me. Not exactly overemphasized, but not as well integrated as they could have been. Especially in the third section, honestly where I started feeling like things were rushed. There were also some plot points that felt like they were there for shock value, which rubbed me the wrong way. They certainly increased the stakes and forwarded the plot, but they didn't necessarily sit well with me personally.

Overall I enjoyed it! Would read another book by this author, especially to see if the problems are because of when this book was written (don't know if it's early or late in writing career or is a one-off), but probably not going to be a favourite any time soon.

[dexjarxenoengage]

Metaphor Refantazio: Non Spoiler Review:

⁃ Introductions: 2024 has been a very mixed and rough year with many ups and downs. With the death of many celebrities, such as Akira Toriyama (Creator of Dragon Ball, and lead artist of the Dragon Quest franchise and Chrono Trigger) and James Earl Jones and all (R.I.P.) But at the same time, this year was the biggest turning point for gaming. Such Persona 3 Reload and the DLC: Episode Aigis/The Answer, Final Fantasy VII Rebirth, Shadow Generations, and many more, this game has had some of the biggest ups and downs for me personally. But by far the biggest up for me was Atlus’s latest lineup in games: Metaphor: Refantazio.

⁃ My History with the game: This has been the game I have been looking forward to the most since the day it was announced. I have been in love with the Persona franchise ever since watching the P4 anime in late 2018. Since then I have loved Persona, its themes across 3, 4, and 5, among other things. Persona was indeed my reason for wanting this game to succeed, but my main reason for falling in love with this game was that I have not been more hyped for a game, let alone a JRPG in a very long time. So I asked my mom to pre order the game while I hopped into the Demo the moment it released.

⁃ My opinion on the story and the characters: I can’t go into much without digging into spoilers, but I have loved every character from the Followers up to our party members; most notably are Heismay, Eupha, and Strohl for the party members. And Alonzo and Brigitta for the Followers. From the main story and the follower’s “Social Links,” all of them were compelling to me as each story plays a role in the Traveling Boy (Canon Name: Will)’s journey to become the King. I’m an easy person to please most of the time. And you really don’t need much, as long as I love the characters, that is enough.

⁃ Archetypes: The Archetypes were EASILY the most hyped aspect of this game for me. Every design from each Archetype looks crisp. As far as gameplay goes, each one is unique from each other in terms of the skills you get, and which ones you equip onto the hero.

◦ My favorite part of doing so is that the weapons are synced with each Archetype. One of the criticisms that I hated being used against Persona 3 Reload, and the other Persona games past the original 3 and FES, was the lack of the protagonist (Makoto Yuki) having multiple weapons.

◦ My argument against is that 1. In a game like Persona, the aforementioned power matters more than the weapons both in story and gameplay. So IMO, it hardly matters. 2. The protagonist already has the ability to use multiple Personas via the Wild Card ability. Giving the protagonist more weapon types steals away the identity of the other characters that uses unique weapons (such as Yukari with a bow). With the only downside being not being able to use Axes after 10/4. 3. The Overworld gameplay is just hit the enemy before the latter does and hope you get the advantage. Changing weapons doesn’t change lackluster ways of getting a preemptive strike.

◦ The Archetypes comprises this gameplay aspect a great deal thanks to the fact that this game has action elements to it. Thanks to the way the Overworld combat works, there’s more to it than just hit the enemy to gain the advantage in Squad Battles. You can breeze through the weaker enemies.

◦ While at the same time, each Archetype is synced with a different weapon while also having a hero passive that makes equipping said Archetype feel unique. For example, the Mage Archetype, you get an AOE Atrack in the Overworld that heals your MP, thus making the grinding in dungeons and MP management easier. Because Archetypes and their weapon types are linked to one another, on type of the Hero Passives, it allows you to be creative with the Archetypes that you want to use, be it Squad Battles or Overworld Combat.

◦ And finally, unlike with Personas via the Wild Card, Archetypes (40 at the bare minimum) can be used by any party member of your choosing. This allows more customization options than in the Persona games. Major drawback being that some Archetypes are better off on different characters than others because of their different stat spread.

⁃ The Persona syndrome: Speaking of Persona, this is major contention going into the story and gameplay. Most notably, the Calender system, the Followers, and Akademia all taking after aspects from a beloved franchise.

◦ With these aspects taking after the main story missions that end in a game over past the deadline (like 4 and 5), the Social Links/Confidants (particularly the latter in 5, as each follower as a unique ability that will benefit you both in and out of combat) and the Velvet Room (where a mysterious man helps you cultivate your powers through the bonds you forged).

◦ Do I think Metaphor is flawed for taking these aspects into the game and make it less unique? IMO, No. It’s true that Metaphor’s writers and music composers have done the Modern Persona games before. On top of that, the interviewers have stated that Persona 3-5 played a huge part in the creation of this game, being planned all the way back during the time 5 was making its footing. However, Metaphor Refantazio is part of Atlus’s 35th Anniversary year. As a result, this game doesn’t just take after Persona, but many other of Atlus’s games up until now.

◦ For example, the Press Turn system in Shin Megami Tensei and Digital Devil Saga. In Metaphor, by hitting a weakness or getting a Critical Hit, you gain an Extra Turn Icon do what you want as part of your strategy. I mentioned Digital Devil Saga after seeing @bigklingy play both games where the characters transform into Demons in combat, just as characters in Metaphor do with their Archetypes. Devil Summoner and Soul Hackers are mentioned as part of the Archetype lineages the MCs use such as Eupha and the main protagonist Will. The Former has the ability to summon the Demons you see through the Atlus’s long history of games, such as Atlus’s mascot: Jack Frost (Hee Ho!).

◦ The Follower system IMO is MUCH EASIER to manage! Mainly because your dialogue options doesn’t affect if you can get to the next rank up or, worse case scenario, you reverse or break the Social Link (cough cough Yukari). Your dialogue options only affect how much MAG you get (which is the currency for obtaining Archetypes and unlocking/inheriting new skills). The only major prerequisite to move further with the link is one of your Royal Virtues/Social Stats (your gateway via interactions and the like), needing to ride in the Gauntlet Runner for your next Rank for your party members, or needing to fulfill a quest for them. Due to the fact that it’s easy to get through the requirements needed, it’s much easier to max out all of the Followers rank just in time for the before the final hours of the game.

◦ And finally, some hypocrisy that comes with the people that say the game take too much from Persona, the other side of the fandom wishes that they can date the girl characters that are Followers in the game (such as Catherina, a Paripus girl that many wish was a playable character). But my argument to this, which is already against the people that say it’s too much like P3 and whatnot, is that not every game should have to having a Dating Sims style of game. And I have honestly grown tired of this idea as of late because I just want either a canon ship or just no ship at all. Which is why I ship Eupha and Will so hard, even if the game doesn’t make it go as far as it could.

◦ There is more that I can say, but my final take on the Metaphor “ripping off” Persona deal is that Atlus have every right to take from previous games since this is releasing in their 35th anniversary. Dating Sims hurt any potentially good ship if it was canon. And finally, I think this game and story does a lot to show it takes from every Atlus related, NOT JUST Persona.

⁃ Final Thoughts: A few nitpicks I have aside, this is the closest a game has ever been for me to be a 10/10. It is one of my favorite video games of all time. And I certainly hope that this game is successful enough to become its own franchise in the near future.

[klarion-the-witch-boy]

A Non-Spoiler Review of the FNAF Movie:

Delightful! Something Critics would definitely hate but that Audiences could enjoy very thoroughly (as your local "Critics Don't Know Shit" truther, this is one of my highest compliments for a movie).

Ridiculous, in parts, but in a thoroughly delightful way. And are we really expecting a movie about haunted animatronics not to be ridiculous? No, I don't think we are.

The cameos were delightful! The sets were delightful! Freddy and Co. were delightful! I still don't know if I loved or hated Balloon Boy!!

Josh Hutcherson killed it in the movie! I wasn't expecting to so thoroughly enjoy his performance! I really want the pink sweatshirt that Abby wears in one scene (also seen in the trailer and therefore not a spoiler)! And Matthew Lillard!! Love him!!!

[captainhysunstuff]

A reactionary comic about rereading a fic that I recently recommended that was way darker than I remembered, lol. I still love it for how they pretty much drive each other crazy, but that word choice and the consent issues... *cringes* At least there are valid warnings beforehand, and the first fic was pretty PG. Sorry. *laughs sheepishly*

[grayrazor]

Alien: Romulus is an incredible movie that I’m not sure I want to watch again. Kind of a mix of the ultracaffinated pacing of Aliens with the more disturbing imagery of Resurrection or Prometheus. I was literally trembling when I left the theater.

There were a few references that I found a little excessively cute, but not to a Solo: A Star Wars Story level or anything. Was really surprised that they canonized the “Species XX-121” name for the Alien from the recent TTRPG.

Really nailed that retro sci-fi vibe, sometimes feeling as much like Blade Runner or Star Wars as Alien. Probably just felt that way to me because we haven’t seen much of colony life in this setting before, aside from the few glimpses of Hadley’s Hope in Aliens.

[alexwatchesshows]

I'm telling my kids this was The Bad Batch

I did watch Despicable Me 4 this morning and I unironically loved it so much.

[thevibraniumveterans]

《The Marvels (2023)》

MY NON-SPOILER FIRST IMPRESSIONS!

(Well, the film did come out in Asia earlier than it does in the US! 😅)

[ghosting-fox]

i just watched yesterday the fnaf movie and i. loved. it.

i'm going to give my non-spoilery opinion on the movie so if y'all wanna read, suit yourselves:

i honestly really really liked it. it's not canon-compliant (we already knew that), but there are a lot of references and similarities to the games and books (obviously); there are also some surprise references across the movie (one of them literally made me choke on air).

it's not really that scary. but even when there were scary scenes, most of us were giggling because we were all just so excited to see the gang in action :))

the movie played with some concepts and ideas that i've never seen being given that much thought in the games and while some people complain about this, i was honestly surprised and really happy they also brought those "what if"s to life

all in all, i had a good time. the atmosphere in the cinema was amazing, everyone was excited and giggling the whole time. it was like we were kids again :))

so just give it a shot. i say it's worth it :))