#nobody liked his poems

[everysabaku]

[iris-drawing-stuff]

Sometimes I just get the most nonsensical crossover ideas.

Doki Doki Literature Club! Milgram Edition

Does this make sense? No.

Was it fun to draw? Yes!

And that's what's important!

[reel-fear]

MIKE BLOCKED ME ON TWITTER FOR ROASTING HIS DUMBASS RESPONSE TO THE GRAPHIC NOVEL STUFF!!

grown ass man scared of the 19-year-old queer being mean to him over his public meltdown more at 8.

[romulusfuckingroy]

connor roy the type of mf to write poetry about his love for willa

[anotherpapercut]

remember when the dems in the us legislature were like "if they overturn roe we'll riot" then they overturned both roe and Casey and Biden tweeted about it and that was basically it

[nomaishuttle]

gd. i need to watch 10 things i hate about you again

[sageispunk]

y'all think making a poem about my professor being a mediocre white man in literature after he called me "faux poetic" will make him fail me🫣

[allthatdivides2]

my brain telling me to go back to reading reddie fic 24/7 by making me dream about them last night

[rubarb69]

Bg3 is a game about the importance of community; i find this funny since most of its fans are irony poisoned and trapped by wire and metal

And when i say "most fans" i just mean me, same as when i say "you" i just mean me.

(But your not supposed to know that)

Feeling that human connection not through love, or hate, but via pixels on a screen; its enough right?

Is there not beauty in that grotesque disconnection?

(There is, and its easier, but your not supposed to know that)

Is there a hole where your heart is and another where your brain is? has the void already filled both spaces?

In a way you cant ever go back from?

Maybe.

But i think its enough, it has to be.

(Its not)

[katakaluptastrophy]

There's a lot going on with tea in Harrow the Ninth.

It's "overwhelming" and "too much" for Harrow, yet John regularly summons her to sit alone with him and drink it.

You did not understand why anyone ate these biscuits or drank this tea.

In the scene where John gets Harrow to admit what her parents did to create her - nobody has to know! - the entire exchange is framed around descriptions of how much John is enjoying drinking his tea and eating his biscuits, and descriptions of how much Harrow does not want to consume them at all and yet feels unable to do anything else. She understands herself as "required to drink it."

When John tells Harrow about the Tomb and the Body, we again get multiple descriptions of his enjoyment of drinking tea. Harrow is having a much less enjoyable experience: "you had not known you were shaking until God himself reached out to still your wrist, so that you mightn’t spill your tea over your knees." He asks her if she likes poetry or biscuits, and she makes it clear she isn't interested in either. He insists she eats two biscuits, and begins to recite the Poe poem associated with Humbert Humbert's first victim to her by way of reminiscing about who he buried in the Tomb.

In moments where Harrow tries to assert her own agency, tea is there too. When she tells John about the Saint of Duty and Cytherea's body, her tea is "stubbornly undrunk" and John's biscuit crumbles into his tea. John is drinking tea when Gideon finds him interrogating Wake, and when the game is up and Mercymorn and Augustine turn on him, they both smoke and tap the ash from the cigarette out into John's empty mug.

Conversely, we see John drinking coffee by himself in the Mithraeum kitchen when he's not interacting with anyone. Harrow is also offered coffee by Abigail Pent, and "accepted a cup, mainly to warm her hands." Despite Abigail being another powerful figure of whom Harrow feels wary, there's no sense of compulsion or discomfort in this offered drink (despite it otherwise being a situation of gentle compulsion). Harrow feels able to accept it on her own terms. Which brings it roughly in line with how Harrow feels about physical touch from both John and Abigail as well.

But Katakaluptastrophy, you might be saying, sometimes the tea is just tea! Yes, but sometimes the author was a secondary school teacher in the UK, where this is a popular video for explaining the concept of consent to teenagers:

[inkskinned]

no, actually, where is the whimsy?

my ex had a best friend named larry who asked me once: what do you think comes after irony?

we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.

earnest positivity, i said, while my ex said, art self-destructs.

i stared at my ex. he stared at me.

his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!

it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.

and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.

my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.

which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.

but here's the thing: i wasn't wrong either.

the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.

so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.

and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.

where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.

it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.

this knowledge: where he said nothing comes after, my only instinct was what comes after is love.

[castielafflicted]

ok it might be 7:30am but hear me out. i have a 100k word fic right there.

[notlongtolove]

in eternal lines

spencer’s mind—brilliant and boundless—was one of the reasons you fell for him in the first place. but when the deadlines are looming, it takes everything in you not to snap. because while you’re good at literature because you have to be, spencer's great at it because, well, he’s spencer. 

pairing: spencer reid x fem!reader (second person, no y/n)

genre: angst, comfort, fluff... i don't know anymore

content: student!reader gets kinda pissy and snappy but she has a 3000 word essay due and a fever so go easy on her. and spencer is spencer, so patient, so kind :'

word count: 5.2k

note: as a literature major this was extremely self-indulgent... i'm sorry. i love lit student reader and i hope you guys do too! also aptly titled after the one and only sonnet 18 because it was the first poem we were given read in uni <3 (reader is basing her essay on george macdonald's 'the princess and the goblin' and isaac watts' 'divine songs' if anyone is curious; but don't read too deeply into her lines about it because i submitted that essay weeks ago and it's been relinquished it from my mind oops)

a line: You’d decided then and there that if you couldn't break the glass ceiling, you'd make a comfortable home just beneath it. Always looking up, never quite breaking through.

When in eternal lines to time thou grow’st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. - william shakespeare

You love your boyfriend. Truly, you do. After all, who else would sift through pages of Whitman’s dense poetry with you or debate whether Rossetti was really referencing Eve’s bite of the apple in Goblin Market? Nobody else ever cared enough to try. Spencer’s mind—brilliant and boundless—was one of the reasons you fell for him in the first place.

So yes, you love your boyfriend. But when deadlines are looming, and submission dates are bearing down on you, it takes everything in you not to snap. Because while Spencer can dissect poetry and prose with an ease that seems almost otherworldly, you sometimes feel the weight of comparison pressing on you. You’re good at it too—of course you are, you have to be. You’re pursuing a degree in it forgodsakes. But Spencer? He’s great at it because, well, he’s Spencer.

And while you can hold your own most days, a fair challenger when you come back from a particularly intriguing lecture too layered to dissect by yourself, there are times you feel like you’re running to keep up. Spencer will pull references from texts and obscure sources you haven’t even heard of, leaving you struggling to connect the dots. And that’s just literature. When he dives into his other passions—you don’t even bother to compete. Instead, you resign yourself to the couch, nodding and asking questions during the rare moments you can sort of follow the thread of his thoughts.

Having an IQ of 187 and an eidetic memory does have its perks. Everyone knows that.

Your friends see it too. Like today when one of them stopped by between classes to return an essay you’d been stressing over for days.

“Well, don’t you look fantastic,” she teased, smirking. “Guessing those leftovers weren’t as ‘fine’ as you thought?”

​​“Don’t even start,” you mutter, weakly grabbing the paper from her hands as you lean on the doorframe. You flip through the pages marked in red ink quickly with the little strength you have, eyes scanning briefly through the comments before you’re on to the next page, next page, next page. They’re not what you’re looking for. 

And then you see it. There on the last page, a definite red circle around it: B+. 

You’d expected it of course. B+—your ever-reliable benchmark. It's a mark of consistency you've been forced to be contented with. It wasn’t horrendous. It wasn’t amazing. It was fine. But you’d worked hard on this one. You’d hoped, maybe, for something more. You’d expected it, and yet, you don’t know why you still feel a pinch of disappointment.

“How’d you do?” you ask grimly, fighting the nausea creeping up your throat.

“Same,” she replies nonchalantly, scrolling through her phone.

You nod, trying not to dwell on the fact that she’d seen your grade before you did.

“Oh, you know it’s always the same,” she adds with a wry smile. “Solidly subpar, as per tradition.” 

The phrase stung a little more now than it had when you’d coined it back in your first year. Back when, after a string of middle-of-the-road grades, you’d decided then and there that if you couldn't break the glass ceiling, you'd make a comfortable home just beneath it. Always looking up, never quite breaking through. 

“Whatever, it was only 20% anyway,” she shrugs.

“Yeah…” you reply weakly, though the disappointment still gnaws at you. You can’t quite shake it. Maybe it’s because deep down, you know you do care—no matter how often you tell yourself you’ve accepted the fate of being perpetually average. You still want, so quietly, so desperately, to be something more. You’ve always had a love for literature: the way words flow across a page, imbuing meaning into simple phrases, transforming them into art. You’ve always admired the beauty of it. But passion doesn’t translate to academic brilliance, and appreciation doesn’t equal A grades. It’s a hard truth you’ve come to learn.

“How was class?” you ask, trying to steer your mind away from its current spiral. “We still on Faerie Queene?”

“Mhmm,” she hums, rolling her eyes. “Kristoff’s still rambling on and on about virtue and chastity. Ha. Imagine me living in those times—at the rate I ghost men, I’d be a certified whore.”

“Well, actually, they’d probably get to you first,” Spencer interrupts as he steps out of the bedroom, his tone slipping into that familiar, matter-of-fact cadence. “Virtue and chastity were considered to be absolute truths in the 16th century. A woman’s value was intrinsically tied to her perceived purity, which of course, was a reflection of her family’s honor.” 

If you weren’t so ill, you would’ve laughed at her face—eyes wide, mouth slightly open in disbelief.

“And then there’s the public shaming,” he continues, leaning casually against the doorframe with his hands tucked into his pockets already miles deep into his thoughts. “In fact, the entire allegory of Book III revolves around chastity as a cornerstone of moral virtue. Witch trials in the late 16th and 17th centuries often targeted women who were thought as sexually deviant or independent, framing their ‘sins’ as some sort of evidence that they were consorting with the devil—”

He pauses, glancing between you and your friend. “So yeah… considering all that, if you’d ‘ghosted’ a few men back then, they probably would’ve gone straight to accusations of witchcraft or worse.”

Your friend stares at him, “...Right. Good to know,” she says, blinking slowly.

“But you know, Edmund Spenser intended The Faerie Queene to be a moral guide for young men,” he adds as an afterthought, realizing he’s just indirectly affirmed your friend’s self-deprecating joke. Spencer shifts awkwardly but can’t help himself by continuing, “It was meant to instil chivalric virtues to shape a model English gentleman. So technically, your interpretation is, um, modern at best.”

Her expression—equal parts baffled, impressed, maybe even a little scared—almost makes you forget how sick you feel.

“So…” she says after a pause, “I’m guessing you’re Spencer?”

“I am,” he replies simply.

“Well,” she says, drawing the word out, “It’s nice to finally put a face to the name.” 

Spencer offers a smile, “Likewise.” 

“Anyway… I’m off.” She slings her bag over her shoulder, “Essay’s not gonna write itself. This one’s 30% by the way. God, I hate Kristoff but Burton’s a close second for sure.”

You wince at the reminder, the weight of your unfinished work pressing on you. The brief called for at least three secondary sources, and you’ve barely scratched the surface.

“Feel better soon, sweetie,” she says, offering you a sympathetic look. You manage a weak smile in return.

“Bye Spencer,” she says, her voice taking on a teasing lilt. “Take care of her for me, will ya?”

“Will do,” he says curtly, giving a small wave as you close the door behind her.

A moment later, your phone buzzes. He’s cute, her text reads. Another follows immediately: And basically a walking Wikipedia.

You start typing a response, but another text pops up before you can send it: Don’t dog on us for using ChatGPT now. You huff and click your phone off instead, tossing it aside. 

Therein lies another source of stress. Spencer is always happy to help you untangle a difficult text or interpret a dense poem, but he draws the line when it comes to your academic work. He never interferes directly. You’ve seen it yourself—The first time you handed him your laptop to review an essay, he’d made his comments verbally, pointing at sections on the screen while explaining his critiques in detail, but never actually touching the keyboard. You’d brought it up during an argument once, after a particularly crushing grade. Your frustration had spilled over: You’re smarter. You type faster. Why can’t you just fix it? But Spencer had only responded with something about “academic integrity” and the importance of maintaining the “code of conduct.” The conversation ended there, and after that, you stopped asking. 

Even yesterday, when you managed to scrape together 300 words for a draft, you’d handed your laptop to him, and again, he was careful to keep his boundaries. Too drained to make edits in real-time, you’d expected—maybe hoped—that he might step in more directly. Instead, Spencer quietly switched the document to “suggesting” mode, marking up your draft with precise yet detached annotations, never infiltrating or overstepping your own words. Spencer Reid is and always will be a stickler for rules. You try to hold yourself to the same standard. You steer clear of AI, no matter how tempting it might be. You know better. Well, that and because Spencer would never let it slide. 

But now it’s late and the thought of letting some website churn out polished, perfectly phrased sentences for you in seconds has never felt more tempting. The nausea has faded, leaving behind a fever in its place. Spencer’s in the living room, reading. You’d banished him to the couch—even the faint sound of pages turning, not to mention the speed at which he reads, was enough to derail your already fragile train of thought. You’d felt bad of course; he’d made soup for you earlier, fed it to you and everything. But with this essay worth 30% of your grade and your 300 words barely scratching the surface of the 3,000-word requirement, you don’t have it in you to be oh-so-sweet and ever-so-grateful. Not right now. You’ve nailed down the introduction—a quick overview of historical context, a sweeping statement on the authors’ intents. But now, the real challenge looms: The thesis. And you’re utterly stuck.

This essay argues that…  that…

You groan in frustration, flopping back against the pillows. So much for children’s literature. You’d chosen this class thinking it’d be an easy ride—fairy tales and picture books, how hard could it be? Yet here you are, being tasked with dissecting the significance of form and language. Now, the simple language and pretty pictures are anything but your friend, doing nothing to help further your argument. Your head throbs, your mouth feels like sandpaper, and the brilliant points you’d thought of in last week’s class are nowhere to be found, lost in the haziness of your mind. With a defeated sigh, you peel back the sheets and shuffle out of the bedroom, laptop in hand, every joint aching in protest. Spencer looks up from his book as the rustle of sheets catches his attention. His heart aches slightly when he sees you in the doorway, clutching your laptop and looking every bit as pitiful as you feel. He sets his book to the side. 

“How’s it going, honey?” he asks sympathetically, even though he already knows the answer from the state of you. 

“It’s barely going,” you admit with a yawn, tears prickling at your eyes from the force of it. They only add to your overall air of defeat as you cross the room and crawl into his lap, laptop balanced precariously on the armrest. “Brain’s foggy, can’t think straight,” you murmur in incomplete sentences. 

“Finalized your thesis yet?” he asks again, his voice gentle but patient. You shake your head, sinking deeper into his chest—It’s a silent surrender, as if giving in to the exhaustion and frustration that’s been building up. Spencer notices, brushing your hair gently away from your face, his hand cool against your hot skin. He presses the back of his hand to your forehead. “You’re burning up, hon,” he says softly, voice full of concern. “Why don’t we get you to bed, take a break for tonight, hm? You can work on this tomorrow.”

Tomorrow. The thought of putting everything off feels like both a relief and a burden. The idea of sleep has never seemed more appealing. But then, the thought of letting this drag on for another day—of pushing the finish line even further out of your reach fills you with dread. But you know you’re not in any state to be working on anything right now, let alone something worth 30% of your final grade. You know that you can’t focus, not when your body feels like it’s ready to give up and when your mind can barely hold onto a coherent thought. “Tomorrow, okay?” Spencer prompts again, calm and gentle. You know he’s right, so, despite the gnawing anxiety in the back of your mind, you nod. “Okay.” 

Spencer doesn’t push, just gives you a small, reassuring smile as he stands. Every movement feels like a chore as he guides you back to bed but the warmth of the blankets and the prospect of rest is more than enough motivation. He tucks you in, his touch comforting and steady. You feel like a weight has been lifted, albeit temporarily. Either way, it’s enough for now. You close your eyes, the thought of picking up where you left off tomorrow seeming almost bearable. 

You wake to the sunlight filtering through the curtains. It takes a moment for your brain to adjust to the new day, the stress of yesterday not entirely gone. But as you sit up, stretching slowly, mind less hazy and joints less achy, you feel a renewed determination, a flicker of focus that was nowhere to be found last night. Your mind is still whirling with fragments of ideas, half-formed arguments, and theoretical connections when Spencer strolls in with a cup of something warm for you.

“Tea.” he announces, handing it to you with a small, triumphant smile. “Decaffeinated.”

You frown, rubbing sleep from your eyes. “Need coffee.”

“Studies say caffeinated beverages stimulate the colon,” he counters matter-of-factly.

“Eww,” you groan, wrinkling your nose at him. “Why’d you have to say it like that?” 

“Exactly like that,” he replies without missing a beat, his tone precise and measured. “You’ve just recovered, and everyone knows caffeine is a gastrointestinal irritant.’

You huff, taking the mug from him. “Fine, but if I don’t finish this essay, it’s on you.” Spencer raises an eyebrow, completely unbothered by your protest. “Somehow, I think you’ll survive.”

You grumble under your breath but take a tentative sip of the tea anyway. It’s not what you wanted, but you can’t deny that he’s probably right—he usually is. The warmth seeps through the mug into your hands, grounding you just enough to pull your laptop over from the bedside table. Its practically empty screen blinks back up at you, as though it’s been waiting patiently all night. Hi again. Still here. Still empty. 

Spencer takes a peek at your screen and you can’t help but glare half-heartedly at the mug in his hands. Of course, it’s coffee. He’d get to enjoy caffeine while insisting you couldn’t. Typical.

“So, I was thinking…” you start, deciding to let the injustice slide for now as you scroll through your document.

“Hmm?” He looks up, his gaze meeting yours over the rim of his cup.

“What if I say that MacDonald’s pedagogy was more effective for children because Watts’s text was too directive. That works, right?” You look up, scanning his face for some form of agreement.

“That’s hardly arguable honey,” his words land softly, but you still feel your shoulders sag. “It’s an observation.”

"But—look at the words they use! It's so different. Here, look at the tone," you insist, nudging your laptop toward him. "There has to be something to be said about that, right?"

Spencer leans in, glancing at your screen before looking back at you. His expression is calm, composed, and maddeningly reasonable. "Watts’s text was meant to be read as a textbook. Of course it’s directive. You know that." 

Do you? You think you don't know much at this point. You don’t know what you know, and you don’t know what you don’t know. You groan, dragging your hands down your face as if you could physically scrape the frustration away. Darn you, Isaac Watts. Darn you, pedagogical learning. Darn you, whoever had the audacity to name this course a simple exploration into the history of children’s literature. 

Before you can wallow further, Spencer slides your laptop away. “How about we brush our teeth before crying over educational theories for children in the 18th century?” he suggests, his voice light. You sigh dramatically, dragging yourself to your feet like it’s some Herculean effort. When you shuffle back from the bathroom, hair slightly damp from washing your face, Spencer has taken over your spot on the bed, laptop resting on his legs as he scrolls through some article. He glances up when you flop down beside him with an exaggerated sigh.

"Feel better?" he asks, the faintest trace of a smirk on his lips.

"Not at all," you grumble. You don’t let him know that the brief pause in frustration has given your head just enough space to try again. 

It’s been hours, but you’ve finally narrowed down your thesis. It’s not amazing—far from it—but it’s something. It’s arguable, at least. Spencer’s been relegated back to the living room, his presence a vague hum in the background as you attempt to focus. You’d claimed you worked better in bed, though Spencer’s tried (and failed) to prove with statistics and studies that it’s just a placebo effect, a lie your brain insists on believing.

But right now, none of that matters. You have a thesis and on that note, an essay to begin. Or, at least, the faintest glimmer of one. And that’s when you hit a wall. Again. You sit cross-legged, laptop perched on your knees as you stare at the cursor, blinking like it knows you’re stuck. You wish it would stop judging you. You drag yourself—and your laptop thats become an extension of your body at this point—into the living room like a child seeking comfort. Spencer barely looks up from his article when you slump into the couch next to him.

“What about this?” You straighten your back, determined to sound confident this time, even if you're not sure where you're going with it. “What if I say that MacDonald’s use of fantasy is critical because it creates like, an emotional bridge and that makes it more effective for moral teaching and—”

“Well, yes," he says, like it's the most obvious thing in the world. Spencer doesn’t even look up from his article. "But that’s kind of a subpoint, honey.”

You stiffen, irritation rising like bile in your throat. “It’s not a subpoint. It’s a point.”

He shifts in his seat, eyes flicking up, finally meeting yours. His tone isn’t dismissive, but it might as well be. “How is that significant? What does it build toward?”

You grit your teeth. “Ugh, you sound like Kristoff.” You mutter, more to yourself than to him. You know it’s not fair to snap, but your patience is paper thin. You can feel the fever creeping back into your skin, and you’re not sure if it's the heat or the mounting pressure, but suddenly everything feels like a little too much. 

“Fine,” you say, swallowing your frustration, trying again. “What if I say that MacDonald’s narrative style is more progressive because it like, engages the reader’s emotions directly? And that’s why Watts’ text feels scarier?”

Spencer pauses. For a moment, you think you’ve finally hit something solid, his eyes narrowing just enough to show he’s intrigued. “And how are you planning to argue that?”

“Well, um… um—I… I don’t know!” You exhale sharply, throwing your hands up in exasperation. You sink back against the cushions, frustration seeping into your bones. “Something about how MacDonald’s vibe is all nice and charming while Watts is all like, ‘learn this or else’. 

“Sure I guess…” Spencer acknowledges, nodding slightly, a faint smile tugging at his lips. “But you’ll need more than vibes and a strong dislike of Watts to support it sweetheart.”

“Gee, thanks,” you say bitterly, rolling your eyes.

He chuckles softly, a sound that’s too calm, too collected, and somehow that makes it worse. He’s not wrong, but you’re still pissed off. You take a breath, steeling yourself for the next round of dissection. “Okay, then what if I say that MacDonald lets kids think for themselves, and Watts... doesn’t. Because of his moral authority and intellectual agency and whatever.”

Spencer’s eyebrows rise, just a fraction, but it’s enough. You feel a flicker of something—relief, maybe? It’s hard to say. His voice has shifted, just slightly, less detached now, more engaged. “You can build on that.”

“Really?” you ask, suddenly more hopeful than you’d like to admit.

“Really,” he confirms, leaning back in his chair. But then he tilts his head and furrows his brows in a way that makes you want to throw your laptop at him. “But you’ll need to define those terms and back it up with examples. Otherwise, it’s just a claim.” Of course. 

“God, you’re making this so much harder than it needs to be!” you snap, the irritation rising in your throat. “I get it, okay? I need examples. But you’re not even letting me work out a point before you just, I don’t know, shit all over it.” Spencer’s eyes widen, and for a second, you almost feel bad for snapping at him. 

“I’m just trying to help,” he says gently, but there's something in the way he says it—just a little too patient—that makes you bristle. You hate how right he always is, how calm he always looks, how much care he always has in his eyes even when you’re acting out. 

“You’re trying to help?” you repeat incredulously, shaking your head. “You’re poking holes in everything!” Even in your feverish haze, you know you’re being cruel—but you just can’t help it. All you can think about is how everything is slipping away, how your thoughts won’t line up, how your head is starting to hurt again. You’re not even sure if you’re angry at him anymore, or just angry at everything else. 

Spencer doesn’t answer right away. He glances at your screen again, a mess of quotes and bulletpoints. “I just want to make sure it’s solid, honey,” he says finally, his tone softer.

You scoff. “Yeah, well, you tore apart whatever solid lead I thought I had after two hours of work in just about five minutes, so thanks for that,” words tumbling out before you can stop them. Spencer’s silence hangs heavy in the air, and for a moment, neither of you speak. “Just… just let me get through this.” 

Spencer sits there for a moment, just enough for you to feel the weight of the tension shift in the room. “I’m not saying you can’t get through it. I just want you to get through it right,” he says carefully, his voice quiet but insistent. “That’s all.” There’s no judgment in his voice, just care.

But the heat, the fever, it’s all swirling inside you, and you can’t hold it together much longer. “Of course you are…” you mutter bitterly, already regretting everything you’ve said. It feels like every step forward just leads you straight into another wall, and you’re just too tired to keep going. It’s not that you want to push him away or that you don’t appreciate his help. You’re just too irritable, too exhausted. You just want the whole damn essay to be done—and you wish you didn’t need his help to make it happen. You want to yell, to throw something, to demand that the world stop spinning long enough for you to catch your breath. But all that comes out is a hollow, defeated sigh. 

You feel like you're drowning and you don’t want to drag him under with you. “I’m just…” You stop yourself, swallowing hard, trying to gather whatever little strength you have left. “I’m just so tired.” 

Spencer looks at you, eyes full of concern, but it doesn’t help. You don’t want sympathy. You want to be better—to be able handle all of this. You want to be able to write this damn essay on goddamn children’s books without falling apart. And it doesn’t help that you’re falling apart in front of Spencer. The same Spencer who can recite verses from Paradise Lost at the drop of a hat. You’d almost burst into tears the last time he did it after it had taken you an entire week just to decipher and analyze a single chapter with any real confidence. You can’t help but feel that pang of inadequacy every time he breezes through something you’ve struggled with, even if he doesn’t mean to make it look so effortless. You hate yourself for it. You can’t find a way to shake the feeling that you’re not doing enough, not good enough. Not for yourself, not for him. You feel the sting of it, it’s pressing on your chest, suffocating.

“I just… just feel like I can’t keep up with any of it.” You don’t say it with any anger, just exhaustion. It’s not even directed at him anymore—it’s just the fact that you feel so stuck, so far behind where you should be, where you so badly want to be. “Like I can’t keep up with you.” 

Oh. Spencer feels his heart sink. He’s always prided himself on being able to read people. He should’ve known better. He’d been so focused on helping, so intent on pushing you to reach the level he knows you’re capable of, the level he knows you want to be at—even if you keep telling yourself you don’t. The fever, the deadlines, the constant pushing—he should’ve known that it was all too much. 

“You don’t have to keep up with me honey, I’m right here with you,” he says, trying to get you to look up at him. You can’t meet his gaze. You feel guilty for snapping, for letting the frustration slip out, but you’re not rational enough right now to pull yourself out from this spiral of self-pity. It’s easier to stay here, in the anger, the frustration, than to face the embarrassment of it all. 

“I’m sorry,” he says quietly, his voice tinged with regret. “I didn’t mean to make things harder for you.” Spencer takes your hand, cautiously, testing the waters. He knows you don’t exactly want to be touched right now. He knows it makes you feel coddled. He pauses, waiting for your reaction. When you don’t push him away, he gains the confidence to cradle your face gently. You don’t resist, your tired eyes meeting his, heavy with sadness and Spencer thinks he can actually feel his heart break.

“You’re doing just fine sweetheart. You’re not falling behind. You’re just stressed. And sick.” He knows you’re feeling fragile, like any comfort might smother you so he threads forward lightly. “This essay? You’ll get it done. I promise.” It sounds right, and yet it doesn’t really help. It doesn’t stop the doubt that’s eating at you, the sense that you’re just not measuring up to everything you want to be. You feel like you’re barely treading water, no matter how hard you swim, the shore never gets any closer.

But for now, Spencer’s words are enough to quiet the panic—a buoy in your sea of sadness threatening to pull you under. You cling to it, knowing you’ll have to start swimming again soon. But for this moment, you allow yourself to stop. A beat. A pause. A breath—Just for now.

It’s only the next day that you manage to get the words on the page, not in any smooth, brilliant way, but they’re there. The sentences form, sometimes haltingly, sometimes with more confidence, until the essay is painfully but finally done. Not perfect, but it’s done. Relief washes over you, even as exhaustion lingers. 

The moment you hear the front door open, you practically leap up, laptop in hand, meeting Spencer before he can even take his shoes off. He raises an eyebrow, setting his bag down as you both settle onto the couch. Without a word, you hand over the laptop, nerves bubbling beneath the surface. You wait with bated breath as he begins to scroll, your laborious effort displayed in black and white. The sound of the touchpad clicking feels louder than it should in the quiet room. He asks a few questions, here and there—clarifications, mostly. Questions you answer with ease, surprising even yourself with the confidence in your responses. He nods along, his expression thoughtful, but not critical. Finally, after what feels like an eternity, Spencer looks up, eyes bright, a proud smile on his face. “It looks great, honey. You did a really good job.” 

You can’t help the grin that spreads across your face at his praise. “Really?” Spencer leans in, cupping your cheek gently, and presses a soft kiss to your lips. “Really.” When he pulls back, his forehead rests lightly against yours for a moment, his hand still cradling your cheek. “You worked so hard on this,” he murmurs. “So proud of you.”

Your chest tightens, but in a good way, and you can’t stop yourself from leaning forward to kiss him again, this time slower, savoring the comfort he always seems to bring. “Now," he pulls away just enough to smirk, "can I have my bedroom back, or should I just start setting up camp on the couch?” You laugh, rolling your eyes, but it’s full of affection. “Don’t even start.” Spencer chuckles, his arm slipping around your waist as he pulls you closer, the tension of yesterday long forgotten.

When you get your paper back, you flip through the pages, one after the other, looking for the feedback, waiting for the corrections, the marks that tell you where you inevitably went wrong.

Next page. Next page. Next page.

And then, there it is. On the last page, in a definitive red circle, unmistakable: A.

It’s an A. 

A goddamn A.

It doesn’t feel like a one-time fluke, not exactly, but you can’t shake the thought that this might be the only time you break through the glass ceiling you’ve spent so long looking up at. And who knows, maybe you’ll never push past it again. But for now, you allow yourself to relish in this singular moment of triumph. It’s enough. It’s more than enough. 

Because now you know that the other side is real, and that you can get there. But Spencer, the genius, the enigma, who’s always been a step ahead of everyone in everything academic, has always known.

And while everyone knows that an A in an essay that’s only a partial percentage of your overall grade isn’t anything compared to what he’s achieved, nothing compared to the academic milestones he’s already crossed—Still, he’s here, celebrating with you. You can see it in his eyes, even if he knows you’re not one to make a big deal of these kinds of things. His quiet joy is evident in the way he grins that little grin of his, the one that’s only for you. 

So, in summary, in essence, in all the words and ways you could possibly use to phrase a conclusion—You love your boyfriend. Truly, you do. After all, who else would read through your entire syllabus for the semester (frustratingly quickly), just because he knows you understand better when you can talk things out? Who else would patiently stick around, exiled to the couch in their own home, while you’re exhausted, irritable, and buried in deadlines? Nobody else ever cared enough to try. Spencer’s mind—though brilliant and boundless—isn’t the only reason why you fell for him. 

Because when the world feels too heavy, when the never ending lines of poetry and prose become too difficult to untangle by yourself, Spencer’s there reminding you—ever so gently, ever so steadily—that you can make it through, one word at a time.

⋆✴︎˚｡⋆ hi if you're here! thank you for reading! feel free to like or reblog or comment or reply!

[realian]

my biggest hope for the new Devil May Cry anime is that it doesn't lose what makes DMC so cool, which is the sheer brazen uncoolness of its characters.

Dante is a middle-aged man who is semi-unemployed and constantly late on rent because his shop is in the middle of nowhere and nobody knows what he does. every time he gets a job he destroys two houses because he can't help showing off to absolutely no one. he loves his mom, pizza, and strawberry sundaes. he doesn't smoke. he doesn't drink. he doesn't curse. his place of business is decorated with posters of scantily-clad women but as far as we're aware, he has never had sex.

Vergil is Dante's older twin by a couple hours whose superiority complex originates in how he's Dante's older twin by a couple hours. he spent his childhood reading William Blake poetry but doesn't understand it. he runs around with just a katana because he considers guns to be "cowardly." he has only had sex once in his entire life. this resulted in him becoming a deadbeat dad, but not even the archetypical "cool" kind because he is somehow convinced that Nero is Dante's kid. we have actual in-canon confirmation that if he wasn't part demon, he would be a melodramatic pretentious poetry-obsessed twink. Vergil abandons his pursuit of power not jusf for the sake of Nero but because Nero is his power realized - his legacy - the ability to protect loved ones without killing them. he loves Nero but will never under any circumstances admit it because he has the emotional maturity of a 12-year-old. instead he throws a journal of William Blake poems at him and jumps off a cliff.

compared to the rest of his living family, Nero is thriving. he has a job, a house, a wife, and several foster kids. when a suspicious hobo shows up on his doorstep he invites him in for dinner. he thinks Dante is his dad. Dante knows Nero is his brother's kid because he has never had sex. Nero is viewed by Dante as an incompetent child who needs guidance and protection despite Nero being a grown adult and being more mature than Dante and Vergil in every way and yet neither of them will ever acknowledge this. when Nero hears about Dante and Vergil's battle-to-the-death rivalry he decides it's stupid and shoves them apart like they're two kids in a playground brawl. he's the dad now. fuck you.

[struwberrii]

haikyuu!! boys crushing on you ₊˚⊹♡

here are some silly headcanons on how i think the shiratorizawa guys would act while they have a crush on you + eventually confess :3

characters: ushijima, tendou, semi, shirabu, goshiki

˚ 𝜗𝜚˚⋆｡☆

ushijima

its weird because he knows he likes you and everyone else THINKS he MIGHT like you but hes so blunt and deadpan that its hard to tell

he doesnt treat you differently than he treats any other person but hes very kind and generous

gives you random compliments though, like is hes thinking something he just says it to you

'you look very beautiful today' or 'are you wearing a new perfume? it smells nice'

but at the same time he accidentally insults you like hell ask you when the last time you showered was

because of this nobody can really tell exactly how he feels about you until he eventually confesses

he would probably be very deadpan and unromantic about his confession too, he would just straight up ask you to go out with him (˶˃⤙˂˶)

but TRUST once he gets you out hes bringing you flowers, hes buying you your favorite snacks, hes holding doors for you pulling your chairs out for you

u rlly gotta trust the process LMAO i feel like hes just a lil dummy

tendou

i feel like he wouldnt confess because hes rlly insecure and doesnt think anyone would ever have romantic feelings for him so you would probably have to confess

he does little things to let you know he cares about you, like hed suggest manga he thinks youd like or some songs or has movie nights with you and brings snacks

jokes around a lot with you and actually shows a vulnerable side when hes alone with you

i can see him inviting you out just randomly and casually, like bringing you to a bakery he likes or going to the park with you late at night to swing on the swing sets and chat

also compliments you very boldly but immediately gets super blushy and flustered and starts stuttering ( ˶°ㅁ°) !!

probably teases you a lot though but gets really nervy if hes too flirty about it

i feel like youd DEF have to confess but he'd probably be throwing you hints all night, complimenting you, buying you little keychains or snacks, holding your bags for you all that jazz

once you guys are officially together OH MY GOSH is he a different person, constantly flirting and teasing and now youre the one blushing and left stuttering by his words ( ꩜ ᯅ ꩜;) 

semi

hes actually very sweet and chill about it

like when he first meets you hed probably just straight up say youre really pretty and ask for your phone number

hed be shocked to learn that you actually have a lot in common with him

overall is just very flirty and romantic while crushing on you, like he makes it NO secret that he has feelings for you (˶ ˘ ³˘)ˆᵕ ˆ˶)

jokes about you being his girlfriend but surprisingly take a while to actually ask you out

despite that he still is very protective over you and literally treats you like youre his girlfriend

def writes songs for you and sends voice memos of him playing them on his guitar ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

i feel like he wouldnt really try to hard to impress you or anything, hed just feel comfortable being himself around you and doesnt want you to end up falling for someone who isnt him (as in him not acting like himself)

invites you out on dates often before officially asking you out

he ends up asking you out with a cute stuffed animal and candy at your doorstep

shirabu

lurks from the shadows

i feel like he would probably push you away and be kind of cold twoards you because he thinks your really pretty but doesnt want to have feelings for you

i feel like hed just watch you and like admire you from a distance

would probably be too scared to have a genuine conversation with you so he sends you annonymous notes

hes your little secret admirer ⸜(｡˃ ᵕ ˂ )⸝♡

his notes are so sweet though, like he writes you poems and tells you how nice you looked

i feel like hed be ok just being your secret admirer forever but he realizes he wont be your classmate forever so he ends up writing a note to meet him on the roof of the school during lunch

you end up meeting up with him and he asks you on an official date ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

goshiki

CONSTANTLLY trying to impress you (╥﹏╥)

just a big dork honestly

always invites you to his practices so he can show off his skills to you

if you compliment him hed probably be all blushy and smiley and hit you with the 'yeah it was nothin'

invites you out to play gacha machines and spends a bunch of money on you trying to win the figures you want

also brings you snacks and gives them to you during lunch (˶˃⤙˂˶)

honestly would do anything for your validation

tries to be cool and tough but you see right through that act almost immediately

probably invites you out to a movie and awkwardly tries to hold your hand but only ends up brushing hands with you

would try to ask you out after the movie ends but hed just be stuttering then ends up saying nevermind

you probably have to ask him out lol

even after all that hes STILL trying to act like a tough guy

[my-castles-crumbling]

denial - Jegulus Microfic - @into-the-jeggyverse - word count: 285 - cw: vague reference to a drinking problem, but not anything detailed or relevant to the story

"Regulus, we need to talk," Pandora says seriously, eyes full of gentle concern.

"What the fuck is this?" he sneers, taking in the circle of chairs, all of his friends sitting in them. Remus, Barty, Evan, Dorcas, Pandora, Emmeline, Sirius even McKinnon and Pettigrew are there. "Is this like one of those stupid Muggle interventions?" He says it as a joke, but nobody laughs.

"Have a seat," Sirius says importantly, gesturing to the chair next to himself, and numbly, Regulus sits.

"I-I don't even drink that-" he starts to protest, truly questioning if he has a problem, but Remus interrupts.

"We're not here about that, Regulus. We're here about something else." The older boy's eyes are warm.

"Well, what the bloody hell is it then?" Regulus asks, genuinely confused.

"You and Potter. It's getting ridiculous," Barty bursts out, earning a strict look from Dorcas.

But Regulus just turns red. "I-what?" he stammers. He and James have been hanging out together lately, sure, but...

"You're clearly in love, and you're both too stupid to see it. We've given you three months, and neither of you are the wiser. So we picked the lesser of the two idiots, you, and we're here to knock some sense into you," McKinnon shrugs.

"We're not in love!" Regulus nearly-yells, mouth falling open.

But most of the circle just laughs, and Regulus wants to scream.

"Alright, Reg. You made us do this," Evan warns.

And then, to his horror, Evan pulls out a small black journal, which he knows had hundreds of poems. About James.

"Get your head out of your arse, or we read them to the circle," Barty says pleasantly.

And suddenly, he can live in denial no longer.