#no point to this post other than to say just how much i loved this series ;-;

[forgot-my-line]

By actively making posts that put people down and make a public space feel unsafe, unwelcoming or not open/accepting of someone, you are doing the exact same things they are. If it's bad when they do it, it's bad when you do it. It's not a one-way street. You are being just as bad as they are.

I completely agree that we don't owe them Respect. They didn't show us any. I do, though, wholeheartedly believe that there isn't a single person ever who doesn't deserve basic human decency. That includes feeling safe in spaces that are open to literally any and everyone. And yea sure, most aren't helping, but what about the ones who are at least trying? what about the trump voters who are donating to trans health donation centers? or the trump voters who didn't get a say (for personal safety or other reasons) or were spoonfed misinformation, who are trying to right things now? Do they not count for something?

I'm also not saying we have to coddle anyone. I'm saying if we could stop making public spaces unsafe for some people, regardless if you like, love, hate or despise them, that would be just peachy. These spaces are where some people go to escape other oppressive forces, don't add to the list of people they have to avoid. Actually, in fact, don't coddle them. That won't help. What won't help either though, is isolating them. If we isolate people, we do the same thing as the people you are so against. You are being just as bad as they are.

Not every person who voted againt Harris is a bad person. I apoligize if this fact is upsetting to you. Some trump voters, as touched on ealier, weren't in a position where they could vote how they wanted to. I am well aware that this is a very hard subject to come to terms with. Not everyone has to see things like abuse or manipulation first hand but that doesn't mean it isn't a real thing that actively affects choices and decisions. Sometimes the only thing they could do to avoid voting for Trump, was to withhold from voting or vote third party. They didn't get a choice so why make them feel worse about it.

It's been made more than clear that these are the consequences of what happened at the election. Not only has it been spelt out for everone, their dead grandma, and their pet fish, but it's been spoonfed to each and every one of them. Repeating the same things over and over and over again only make people sick of listening to you. They'll see and hear how upset you and everyone are regardless

As for standing up for what's important to me, Unity has to be pretty high on my list. Sorry if my standing behind that ideal upsets you. Change isn't gonna happen if you stand alone, acting as if the entire world is against you. Rome wasn't built by a single person, just as it wasn't built in a single day. You need to have people in your corner.

As you said, Change doesn't magically happen. People work for each and every change that has happened, big or small. Shaming and tearing people down doesn't have to be a part of that work. I'm not saying shaming people won't get the results you so desperately want, I'm saying that there are much better ways of getting people to realize they are wrong and/or need to change than making public spaces an unsafe space to be and to make people feel worse about themselves than they already do.

It wasn't just this particular post that was the issue, but the fact that no matter how many political opinions and posts I ignored completely and scrolled past, posts like these still showed up on my dash. My passion is my compassion and ability to care for everyone. I'd much rather live in a world where every single living thing feels safe, at least in my presence, than getting into silly arguments with random strangers on Tumblr dot com. Responses like these are not only condescending, they actively miss the entire point I was making.

[neverenoughmarauders]

Lily's meaningless sacrifice

One thing that irks me is when people suggest that in canon, Lily had any idea that Harry would survive (this is merely a canon post, nothing to do with fanfiction). It irks me, partly because it's just incorrect and that's the sort of person I am. More importantly, however, it irks me because Lily not stepping aside when she had nothing to gain from dying is fundamental to the story.

Let's start with JKR own words from an interview in 2005:

MA: Did she know anything about the possible effect of standing in front of Harry? JKR: No - because as I've tried to make clear in the series, it never happened before. No one ever survived before. And no one, therefore, knew that could happen.

Lily knew nothing about the possible effect of standing in front of Harry. Lily was faced with this choice:

Scenario 1: Steps aside, and Harry is killed.

Scenario 2: Be killed, and Harry is killed.

Scenario 1 is (on the surface) objectively better (unless you're a DE and thus want less muggle-borns around). To Voldemort, it's a simple choice: In both scenarios Harry will die, in one, Lily will survive. In fact, this is what makes a lot of people defend Severus' choice to only ask Voldemort to spare Lily. Severus could not save Harry (and apparently it's totally cool not trying to save others if they bullied you).

Lily could not save Harry.

Lily's choice, as far as she is aware, is not whether to save Harry or not, but whether to save herself. And yet, Lily cannot stand aside. As JKR points out earlier in the interview, what Lily did is not that surprising to us readers ("I don't think any mother would stand aside from their child"). Why? Love. Because, as Dumbledore reminds us on multiple occasions: there are worse things than death - most notably in DH:

"Do not pity the dead, Harry. Pity the living, and, above all, those who live without love."

Love, and life with and without love is an undercurrent in the story. Lily's sacrifice is meaningless when made, and yet it's the biggest and most understandable expression of love anyone can show someone else. Lily cannot, and does not want to, live in a world where she has witnessed her son being murdered - especially when her husband has been murdered too. A world without Harry and James is no world for Lily Potter.

It is also - bear with me - not that different from what it was like to be in the Order at that time:

[Y]ou weren’t in the Order then, you don’t understand, last time we were outnumbered twenty to one by the Death Eaters and they were picking us off one by one...

“He — he was taking over everywhere!” gasped Pettigrew. “Wh — what was there to be gained by refusing him?”

The Order operated against the odds and were being picked off one by one. As Peter asks - what was there to be gained by refusing him? What was there to be gained from standing (metaphorically or not) in front of Voldemort's victims? I've said this before and I'll say it again, Sirius' answer is powerful:

“What was there to be gained by fighting the most evil wizard who has ever existed?” said Black, with a terribly fury in his face. “Only innocent lives, Peter!” “You don’t understand!” whined Pettigrew. “He would have killed me, Sirius!” “THEN YOU SHOULD HAVE DIED!” roared Black.

Only innocent lives. They weren't fighting this war because they were winning. In fact they were very much losing. But they were fighting because it was right thing to do. Many Order members chose to die, rather than to step aside and let Voldemort take over. Only in their case it didn't make a difference - or at least, it didn't feel like it at the time. Members were murdered, and Voldemort was just getting stronger and stronger.

What was there to be gained by refusing Voldemort?

I firmly believe this is a theme that is repeated throughout the book: not just love and choice, but the obligation to choose what is right, no matter the odds (the irony that this was written by JKR will never be lost on me), and how love is a powerful motivator to do just that. Doing the right thing might seem hopeless in the moment - wasteful even - but that doesn't mean it's not worth doing, or that in the end, it won't add up.

Imagine what Harry felt like at the end of PS/SS when he risked his life to stop Voldemort, only to realise that Voldemort would keep trying to come back:

“Well, Voldemort’s going to try other ways of coming back, isn’t he? I mean, he hasn’t gone, has he?” “No, Harry, he has not. (...) Nevertheless, Harry, while you may only have delayed his return to power, it will merely take someone else who is prepared to fight what seems a losing battle next time — and if he is delayed again, and again, why, he may never return to power.”

Harry Potter isn't about doing the right thing because it will bring you rewards, but because it is the right thing.

“Remember Cedric. Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave, because he strayed across the path of Lord Voldemort. Remember Cedric Diggory.”

This speech doesn't sit well with a few people because it sounds like you're asked to remember what happened to someone who did do the right thing (spoiler: he died). But that's not the point, of course. Cedric wasn't killed for doing the right thing or making a hard choice - Dumbledore asks the students to remember Cedric because the enemy is willing to kill innocent people indiscriminately. Standing aside will not be good enough against people like Voldemort. There is, as Dumbledore put it, a need to keep fighting what seems a losing battle. Why? Only innocent lives.

Both James and Lily die that evening because they are unwilling to let Voldemort near their innocent son as long as there is breath in their bodies. James had no choice (this irks me because he did, he could have run away - he could have not fought Voldemort in the Order to being with. They all had a choice, but not the point). Lily had a choice. And she chose, like many had before her, to fight what seemed like a losing battle. She died, not knowing that she had saved her son. Her sacrifice was meaningless - like so many before her - and yet her sacrifice changed the world.

In the end, by choosing to do what was right, she was granted the wish she most desired: Her son lived.

[bumblebeehug]

When do u think Natsu actually realized that he fell for Lucy and i know he treats her differently but can u give moments where it's initiated from his side?

This is going to be a long post so buckle up!

Okay, first of all: the Phantom Lord arc. Though I don't think he fell in love with her at that point of time, I think it was the events that seriously solidified his partialness to her. I'd go into detail but I can already feel a long post incoming, so I'll keep it short: Lucy telling Natsu that she loves being a Fairy Tail wizard, while crying over the fact that she didn't want to leave ↓

After just trusting her life in Natsu, jumping from an insanely high tower, with a mere belief that maybe she had heard him in the distance – I think it struck a chord with Natsu. Like, it would be normal to cry after a fall like that, but Lucy wasn't concerned about that aspect. Her head and heart was all about the guild, how she didn't want to go, and that resonates with Natsu. Natsu's entire life at that point is 1) Finding Igneel, and 2) being with/protecting the guild.

Then I'd say it's a pretty gradual build in their relationship. They go on a lot of missions, hang out together, and just in general spend a lot of time connecting. There's some Natsu-saves-Lucy, some Lucy-saves-Natsu, some hand holding (tenrou arc I won't forget about that, thank you anime team for adding that scene), and then comes the next pivotal moment. GMG arc and the dragon festival that follows.

By then I'd say Natsu and Lucy are very much in this friends-with-emotional-benefit zone: much more than friends, absolutely not yet lovers. But with Lucy's near-death experiences in her battles, Natsu has to refrain himself from getting involved each time Lucy gets beaten up - he becomes helpless, and the worry that's sowed inside of him gets watered each time Lucy still puts his faith in him, still trusts him to come out a winner. That entire section when Lucy's in the infirmary and she tells Natsu that her entire being trusts that Natsu can do anything, I think that's when Natsu falls in love.

Now wait!! He still doesn't quite understand that he loves her. But he understands that his feelings for Lucy are more tender than any other feelings he's ever had. He treasures her in a new, heavier way. She's become precious to him.

Precious. Where have we heard that... oh >:) ↓

Now the Dragon Festival was LETHAL in a trillion ways, but especially for nalu fans. The whole Future Lucy plot and the forehead touches and the Future Natsu and Future Lucy fighting in a wasteland moments and the Natsu skipping the final GMG match to save Lucy. And of course. Future Lucy dying. It's not the first time we see Natsu get so heavily affected - it happened in the tower of heaven, when Erza was ready to give her life up. But it is the first time we see Natsu see a friend die. Like, a team mate, someone who he's responsible for bringing to the guild. And after the whole GMG conundrum? Had a single more bad thing happened Lucy during the dragon festival, he’d probably turn into a demon right there and then. Dare I even say: their relationship was the strongest at this point in time.

After the GMG and the Dragon Festival, we get the Sun Village arc (I don’t like the Eclipse celestial spirit arc so I’m not counting it, same with Key of the Starry Sky arc — technically some nalu moments but not exactly building imo) and then another big one: Tartaros. Ooooh brother, THE best arc of all times, wish Mashima knew how to replicate it. But alas, he doesn’t.

The Tartaros arc isn’t exactly a pivotal moment where Natsu “falls in love” but rather an important aspect to understand his later actions. Like this guy goes through some pretty grusome stuff, learns a lot of complicated, bad things about himself, and finishes off the arc with losing Igneel — his father that he's spent ages searching for. Natsu's entire life is turned upside down, so he decides that he has to become stronger: cue, he heads off for a year to train.

His time away isn't very elaborated on — not from Natsu's viewpoint or Lucy's. But I think it's understood that he chose not to bring along Lucy because she could be put into danger too much for him to be able to concentrate on building his strength: he knew his training would be dangerous. During this time we also have the Gildarts-scene in chapter (idk i can't be bothered to look it up but y'all know the one ↓) which is kinda debated on — who was Natsu talking about here?

I'm still not certain on if it was a heart to heart on the Igneel-matter, or if it was about his guilt of leaving Lucy behind, like many theorise. I'm not even certain that it's limited to one of them — he could be talking about both. But at the very least, this entire year was one of those "distance makes the heart grow fonder" moments for him. He wanted to get back to his normal life with Lucy so bad. After all, it wasn't like him showing up at the GMG was in order to meet Lucy — had he wanted more training after that, he'd head off again, but I don't think he could physically bring himself to do it, even if it hadn't turned out that the guild had disbanded. Though that's just me speculating a bit.

And about the guild disbandment: oh jolly, he was not happy. He had finally taken the step to grow stronger to protect everyone in his beloved guild, and here Makarov went and disbanded it? Leaving Lucy completely alone? Lucy, who once jumped from a hella high tower because she was just so devoted to stay in the Fairy Tail guild? Yeah, I think that broke him a little. At this point there was just so much guilt involved around his whole relationship with Lucy, because now he had put her through so much pain only because he brought her to Fairy Tail that day in Hargeon.

The next arcs I'd say Natsu's trying to spend his time redeeming himself for the countless things he's done bad (getting the guild back together, just generally staying by Lucy's side as much as possible). And naturally he keeps getting hit by challenge after challenge (it's not easy to be a book written by his immortal brother, yk?). And it's even harder to watch Lucy die again, this time for real (he thinks bc he's stupid and also has a tumour that's nothing less than a ticking bomb) (give this guy a break lol).

Anyways: Lucy's death nr2. Natsu can't live a life without her. Now I know — he still doesn't quite understand that it's romantic love, but I think he does understand that it's pure love. No matter if kissing and reproducing was involved, all he knew was that a life without Lucy is completely unimaginable, so blinded by rage he becomes and decides to decapitate everyone in his way (sorry about that Gray).

The last couple of moments I'll go out of my way to mention as signs of love is 1. when he's won over Acnologia and falls towards Lucy, crazy relieved, saying "I'm home", 2. Gajeel pointing out Natsu's crush on Anna, Natsu basically saying "oh that's why I like Lucy so much" (I embellished it lol) and 3. "We're still gonna be together from here on out, right?" yeah that man won't ever leave her. Ever. It's just not an option.

Now since I've only talked about specific moments, here's what I have to say about his relationship with her in general:

Throughout the main plot line, we also see a shift in Natsu's behaviour. Someone here on Tumblr pointed out that Natsu always finds a way to shield Lucy if something unexpected happens, after not being able to shield her from Future Rogue. There's also the small detail of the order he calls out to people - it goes from being pretty random, to Lucy almost alwyas being on the top of the list: likely because she's always on the top of his head. And in general I'd say that Natsu initiates (i'm adding this entire paragraph bc i realised that you asked about when Natsu initiated stuff, more than when he fell in love lol) almost all of their interractions. It's Natsu who wants Lucy to join Fairy Tail, to form a team, he's the one who enters her apartment constantly, he's always searching her out - his interest in her is at a constant high so we never feel like we get "moments" that he's paying her extra attention. He has one setting, and it's "Lucy" cranked to the max. Lol.

I could also add some HYQ moments to the mix here, but they've been few and far inbetween, and also mostly played off as jokes, so I can't really consider them as moments when Natsu initiates his love. I guess his jealousy can be considered a sign? And when (spoilers from the manga) he runs around to protect her/save her from creepy-freaky-jail (the only one who made it freaky was him, with those wild fantasies lol). Maybe I need to jog my memory a bit, but so far there hasn't been any non-pervy nalu moments initiated by Natsu in the HYQ, aside from jealousy-chap. Sadly.

Hope this gave you the answer you were hoping for! Sorry it took so long, I started writing on it and realised it would be a bible so I put it in my drafts to fetch some pics to make it less wordy, and then I forgot about it, lol. But here it is!

[aiambia]

Okay hear me out: the answer is honesty.

Lucanis claims to be bad at romance and flirting but then tends to be rather charming in his romance scenes.

Why is that?

I don’t think he’s flirting on purpose and just thinks he’s bad at it. I think he’s just being honest and stumbles into being suave and charming by accident. Yes, some of his lines sound very flirty, but I think taking them at face value, as Lucanis just saying what’s on his mind rather than making an attempt to flirt, makes his romance feel much more genuine.

There’s a moment in his final romance scene (that I talk about here) that solidifies this idea of honesty for me: Rook can set Lucanis up for an easy flirty sex joke when they say:

“Stay up? All night? However shall we pass the time?”

But instead of making the joke or being flirty about it, Lucanis says:

“Would you talk to me? Your voice is a comfort.”

It’s an incredibly vulnerable moment packed into a single line of dialogue. It reaffirms Lucanis’s earlier desire to spend time with Rook now that they’re here, now that they’re back. It’s also an admission of how vulnerable he feels. He’s an assassin facing the hardest contract he will ever have to complete, knowing that if he fails to (help) kill Elger’nan, then the world ends. Under all of that pressure, the one thing that he wants as a stress reliever and to calm him, ground him, is not sex or romance or any sort of grand display. All he wants is to spend time with Rook and listen to their voice.

So then, taking what we’ve learned from his last romance scene and retroactively applying it to his earlier romance scenes, you can feel how genuine and vulnerable Lucanis is when you just take him at face value. Of course he doesn’t get why Rook likes him—he’s just being himself and doesn’t think he is or has done anything special to deserve their affection.

Now compare the idea of an honest and vulnerable Lucanis to the one time he actually does try to be flirty:

He pins Rook against the wall and he’s talking all suave, but then he panics and can’t commit to a kiss. He’s certainly charming, but trying to be so alluring puts him waaaayyy out of his element. It freaks him out (in combination with his self-doubt and issues he has yet to work out with Spite at that point), and he can’t continue. And then we never see him attempt to be flirty again.

When you lock in his romance, Lucanis implies that the dessert is a form of apology. He’s doing something special, not to flirt or charm, but to apologize and make up for everything he’s put Rook through. He says that the dessert “[is] nothing. Or not enough.” He can’t figure out any other way to express his gratitude and appreciation for all that Rook has done for him, except to cook something that they might enjoy.

During a Lucanis and Neve banter, she teases him saying that “Rook is good for you” and (if you get the banter while you’re not at the lighthouse) Lucanis doesn’t take the opportunity to flirt with Rook. He just says that Neve is right.

And then at the post-dealing with Illario cafe date, the most romantic thing he says in the entire scene is him saying that he never expected to be there with Rook, “…but here we are.”

None of this is flirting, and yet when he talks, it’s still charming. Why? Because honesty is charming. It’s vulnerable and the fact that Lucanis repeatedly trust Rook enough to be vulnerable with them is why he comes across as alluring.

It all culminates to a rather impactful “I love you” at the because he’s been so honest and genuine throughout the rest of the game. He says it and you know he means it. You can see the devotion in his eyes. There is no teasing or coyness because he doesn’t know how to do that (in a romantic sense).

Lucanis himself, in all of his honesty, genuine care for Rook, and appreciation for all that Rook has done is what makes him charming. He is a violently swinging pendulum of awkward and rizz god because he’s just saying what’s on his mind. Sometimes that honesty is going to come out sounding awkward as hell and sometimes he’s going to sound like he’s jumped out of a romance novel.

Lucanis doesn’t present himself to Rook as anything other than who he is, even when he tries to hide and protect Rook (and the team) from Spite. It makes his romance so genuine. You’re not falling for flirty and suave seduction from a professional assassin. You’re falling in love with a guy who expresses his feelings through food and tells Rook the truth because he doesn’t know what else to say.

Lucanis is a violently swinging pendulum of awkward and literal rizz god. How is he so bad but the coffee date cute af, and that scene in the pantry soooo goooood!?!?!

How does his confession never involve actually saying anything or physical intimacy of any kind and just him making a dessert (before you come for me, yes, I know most of his conversations are layered with romantic subtext), then later says he loves you with his whole chest?

Why does he consistently fumble when talking about romance or giving advice when with companions, but will pull mad suave lines on Rook?

This man has no idea why you like him but will turn around and say the cutest shit and demand to snuggle.

Sir... SIR...SIIIIIRRRRR!!!!!!

Listen here, babygirl. I WILL marry you. Don't try me.

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. You can tell Solas during the romance that you want to keep the Vallaslin, even knowing what it once meant, because it means something else to the elves now. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[katiekatdragon27]

Guys you don't understand how much I love these two. (Oh yeah, and Finn's there too)

Glisten: Awww~ Shrimpo, you remembered Shrimpo: B*tch I'm in LOVE with you, of course I REMEMBERED! Glisten: What!? Wait really?? This is very sudden wow! (You said you were straight?) Shrimpo: AAAAAAAAAA

Finn: (yapping) Shrimpo and Glisten: SHUT THE F*CK UP, FINN!! Shrimpo and Glisten: ... Shrimpo and Glisten: (kissing)

The first comic takes place before the two started dating. Shrimpo is really really really bad at expressing emotions other than anger and frustration, so anytime he tries to express anything, he just blurts out his feelings without thinking. Then he gets second-hand embarrassment lol. Glisten was pretty aware that Shrimpo liked him before, but he's pretending to be surprised to make Shrimpo "feel better" (also to mildly embarrass him lol).

Also, I think that Shrimpo and Glisten bonding over hating Finn is very based and true. They need that autistic man to SHUT UP/silly

I think Shrimpo and Finn are very cousin coded. Not close enough to be siblings but definitely got some familial genes going on imo (plz don't shoot me Shrimpbowl shippers🙏🙏🙏) Doesn't stop Shrimpo from being violent towards Finn tho, and Finn does nothing to deter it lol (he finds it funny). Also, Glisten throws no punches bc he doesn't want to get his hands dirty.

Finn: Sooooo?? How was the daaaate~ Finn: No need to be such a clam about it! Shrimpo: I'M SO KILLING YOU!

The second image takes place the day after this post lol. Shrimpo is recovering from a hangover covered in lipstick kisses and super conflicting emotions and Finn is NOT helping.

On the other end, I've been thinking about Shimmer a lot lol. So here is a doodle of her with her "sister aunt" Toodles, and Pebbles.

They all get along super well. In this pic, Toodles is like 12ish and Shimmer is 4 (but her weird biology made her age up to like 7 here). Pebble is pebble, that's all you need to know.

Also, I was in a horror-ish mood earlier so here are some Twisteds <33 (below cut cuz kinda scary):

I love you angst comfort. My sib pointed out while playing one day that Shrimpo looked traumatized as a Twisted, which like, fair, but it make me think.

Glisten: "They say you are not here anymore. But I think you are."

I had this silly idea that Twisted Shrimpo was infected by Dandy personally, and that whole conflict got Shrimpo's lower jaw ripped off. He is very violent and volatile, and very hard to calm down. But, when he runs into a twisting Glisten alone and scared, he comforts him (to the best of his ability).

Since Glisten is still able to be somewhat conscious, he realizes that the Twisteds are actually not completely gone like he originally thought, and it helps him keep his sanity longer, hoping for a way out for everyone.

Willpower is a crazy thing.

On the complete opposite note, I love you horrifying freak of ichor child.

Since Shimmer was made from the ichor itself with no sort of skeleton or solid foundation, her condition is very unstable. And the problem is that her body is affected by her emotions. On a bad day, she can suffer from lots of pain and her body literally melting away. That's when she hides out and waits for her body to stabilize again.

When she completely twists, her body completely falls apart, becoming a puddle of ichor on the ground. If she was an encounterable twisted, she would work like Sprout's puddle root things, but easier to maneuver around and avoid. Also, her antenna glow.

Mini yap session aside, I think I cooked on the art lol.

Anyways, the og images lol:

Have a good one pookies!

[vladdyissues]

Lately Ive seen some awful things about antis and haters making threats and getting artists banned from Tumblr and X. Im new to the Phandom and love pompep but Im scared i'll be targeted if I write and share pompep fics. How do you manage sharing your work so bravely?

Firstly, welcome to the Phandom—and especially Pompous Pep! I have a simple protocol for enjoying a drama-free Tumblr experience:

Preventative Action

1. Find your community. Follow other Pompep fans and supporters and reblog their things. Don't be afraid to leave nice tags; we love and welcome interactions :) You can also join the Pompep Discord server if you enjoy chatting (DM me for details).

2. Turn off anon asks. This will solve 99% of all potential problems, and you can turn it back on whenever you want. Antis are cowards who prefer to hide behind the mask of anonymity. They seldom have the courage to say something with their whole username.

3. Block the obvious haters. This is a big fandom, and at some point you're likely to come across people openly hating on pompep, either on their bio, pinned posts, or comments. Block them. For an added layer of protection, add their username to your Filtering Options.

4. Tag your work appropriately. When posting, make sure your work is tagged correctly (the #pompous pep tag is especially important) so people who like pompep can find it and those who want to avoid it can block the tag. Use Content Labels when applicable.

5. Try to avoid using the platonic tag (#badger cereal) and the romantic tag (#pompous pep) at the same time. Some fans are really touchy about this. I'm not, and I think there are legitimate cases where use of both is applicable, but if you want to minimize friction, just stick with one tag or the other.

If you're not sure which tag to use, ask yourself what your intentions are with your art or fic. Is the goal a romantic relationship? If so, use the pompep tag. If it's truly ambiguous and could be seen either way, use the platonic tag first. You can always add another tag like "okay to tag as pompep", just to let people know they can interpret it however they please.

Responsive Action

If the above guidelines aren't 100% effective, here's what you do:

1. Don't feed the trolls. If you receive any negative asks in your inbox, it's important to NOT engage with them. Delete them, ignore them, don't let them get to you. Antis thrive on attention, so let them starve. Eventually they'll move on when they realize they're not going to get a rise out of you.

The same goes for any negative comment left on your work. Just delete it, block the person who left it, and pretend it never happened.

These asks and comments may come in the form of questions. Example: "How can you ship Danny with Vlad? That's [insert gross accusation here]" Resist the urge to answer these questions. They are not made in good faith. This person just wants to start an argument.

2. Report any harassment. If by some chance you receive a seriously hateful ask, like threats of violence or abuse, take a screenshot for proof/safekeeping, then report the message and the user if they're not anonymous. If the ask is anonymous, use the meatball menu (•••) at the top right to report the message and block the anon.

Final Words

It takes time to develop a thick skin and Don't Give A Fuck attitude, but it can be done. You are a phan. You have every right to be here and enjoy this fandom in peace, just like everyone else. Anyone who believes in harassing others over silly things like which cartoon characters should be allowed to kiss clearly has nothing better to do with their life. The sooner you shut them out, the happier you'll be.

Regarding media: Artists attract a lot more negative attention than writers for reasons I won't get into right now, but if you're mainly a writer, you will enjoy a much quieter fandom experience. Wherever you post your stories—I recommend AO3; DM me if you need an invite—follow the same advice there as I've given here: make sure your work is tagged correctly; support your fellow Pompep fans by reading and commenting on their works, building that community; moderate comments if you're concerned about negativity; block and mute users if they give you any trouble, and you'll enjoy a much more positive fandom experience.

There is strength in community. When you start making new fandom friends, you'll feel a lot less lonely, and that will give you the confidence you need to really have a good time here.

Wishing you the best, anon!

[cupidhoons]

( 📢 ) ANNOUNCEMENT . . .

hi loves! i didn't want to make this post myself about what has been happening on blr these past few hours due to the fact that didnt want to potentially fuel the fire even more, however after thinking about it some more, i feel as though that i should speak up on behalf of my mutual and friend.

in my opinion, this started from someone checking author's and their authenticity of their writing. though the intentions are very much there and clear, it allows hate anons to rise and continue to spread towards many authors on this platform. it starts nothing but hate train after hate train to writers and it gives the community a toxic environment and it's not the first time that this has happened, either. it disappoints me to say the least that our community has hit such a low point where we constantly come at each other's throats with no regard of how the opposing party feels. not only that, but going as far as exposing and leaking a MINORS face and posting it without their knowledge at all to send hate to my mutual / friend proves my point further. its not only sick and twisted, but its also an invasion of privacy. i will not disclose who it is as it's bad enough that their face is just uploaded on a blog for everyone to see, and i will not be answering anons that has anything to due with this person.

many of you anons who send hate and think that you're remotely even doing anything do not understand how powerful and hurtful your words are. many of you guys do not understand that sending someone hate DOES NOT equal holding a person accountable and educating them at all. you all scream and shout that you want the old tumblr community back and complain how toxic it is nowadays, but none of you realize that you're part of the problem. it's pathetic and disgusting having to see stuff like this happen multiple times and never learn from it.

this is absolutely not what tumblr, especially enhablr, is about. it is not a community where we all send hate to each other and continue to bring other authors down consistently. it's a place for us to write and appreciate enhypen, it's a place for us to meet other engenes and make friends. it truly makes me upset that we've all lost the purpose of this community.

other than my thoughts on this whole thing, i can only pray and hope for the best for my dear friends who were affected in this situation. please continue to report the account and avoid interacting with them further. to my anons, please refrain from asking questions to writers and follow my request to take down the account.

[verdemint]

some pecco thoughts, maybe really stupid

but ive seen some posts about how pecco really wants to be perceived as a fair rider, a gentleman even and i totally agree with that, completely! and also the whole writing his own narrative and how important that is but also how its easier to be more well-liked when ur the underdog and ur losing and the valentino legacy of it all

but also i think we're missing the point that pecco for all his pettiness (like every champion and rider) he really wants to BE a fair, a gentleman rider, someone who does have rivalries but not toxic rivalries, where he can say him and jorge were kinda friends. he really tries so hard to be that

like u could see he was (even with the pain of losing) kinda genuinely happy for martin, when he said those words he was trying so hard not only to be perceived in that way but to ultimately be like that, to be . he's seen the chaos that a rivalry like those vales's had could bring, more then chaos is the anger, the resentment, those violent feelings but also how those could evoke love and devotion but still he tries so hard to keep it away. and this constant imposition on himself to be like that, to be perceived like that, the over explanations to the media, in his lil diary entries, this obsession with being understood (very much a la casey but im digressing) is not only for others, its first of all for himself. he wants to be like that and he tries so hard to suppress his other very human insticts (like anger or envy or pettiness that he still feels and sometimes cant control) and to become like that. so yes, about how important the public perception of him is but also how ultimately this desire to be fair, "un signore" is about himself and how he wants to be! thats the end goal, just to be himself and be accepted and appreciated not to keep pretending

im rambling but mmmh some pecco thoughts

its less about others than we may think

[pastalbird]

Emergency fundraising! (I got scammed)

This is gonna be a long post, so if you don't wanna read all of it, here's the summary:

I fell for a bank scam call while grieving the loss of my grandma and the election results. Now I owe PayPal 900 dollars and have no means of paying it.

I hate asking for money, but if anyone could please contribute with absolutely anything, I'd be endlessly grateful. We're in a rough financial spot at the moment, so this is our only option.

Any donations can be sent to

https://ko-fi.com/pastalbird

About 2 weeks ago, right before those harrowing election results, my grandma passed. With all that was going on, on top of my full time job and other life responsibilities and struggles, I was pretty rattled.

It was then I got a call "from the bank".

They were friendly and familiar, and asked me questions that sounded official, claiming my credit card info had been stolen, and making me go through different steps to resolve the issue.

(Looking back, it's frustrating how obviously scammy this was, but at the time I was under so much stress I truly didn't notice. Or rather I did, but dismissed it as paranoia.)

They had me try and send money through Zelle, where there was a request for 900usd. Since it didn't go through, they tried through PayPal, which also failed. They then told me to not use the account for 24 hours so they would try again the next day.

(Again, I know there were burning red flags, but unfortunately I didn't fully process it until it was too late.)

It got even more ridiculous, as they called the next day, asking me to redo all the steps and even demanding I go to an ATM.

I said I couldn't. They claimed my debit was "infiltrated" and that I had to mail them my card.

It was at this point I told my mom about all this, hung up, called the bank, froze my account, removed the account from PayPal, and changed my password.

I thought that would be the end of it... Until the next day, when I checked my PayPal and found my balance to be -900usd, meaning the failed transaction went through after all.

Another one for 800 was also pending, but luckily I managed to cancel it in time.

Immediately, I reported the transaction as a scam. However, PayPal said they couldn't return my money since "the transaction had been approved" and that "no unusual activity had been detected". I have called my bank once more, but they say it's out of their hands entirely.

We are in the middle of a move, my husband is coming to visit later this week.

We were already very tight for money, since my husband's boss was sick for half the year, meaning he got no work before July. And just last month we had to pay 2000 in lawyer fees for an unrelated issue, so timing could absolutely not be worse.

We do not have the financial means to cover this debt. I really don't know what we'll do now. Normally, I absolutely hate asking for money, but if anyone could spare anything, it would be more than welcome. We'd be immensely grateful.

[fluffyglass]

ok here is the official frankie fluffyglass ceo of wigglefunny explanation of the plot of Something Ain't Right (this will be LONG)

It takes place a bit after The Cost of a Snack (as evidenced by Shelda having a new snakified leg), and starts out with Wambus internally monologuing about how he knows what the journalist (whom I'll be referring to as Stranger or "the stranger" for the rest of this post) did to Gramble, that specifically being feeding him bugsnax in his sleep. However, if you've read COAS I'm certain you recall that Wambus was not there and did not see what Stranger did. So how does he know they did it? The answer might surprise you: he doesn't.

Wambus is projecting. In the past (before the events of the game, and even before the events of The Fight), Wambus fed Gramble bugsnax. This is represented by the repeated motif of Kweebles rather than Strabbys. While in the present Gramble has a Strabby arm, when Wambus fed him bugsnax, he had a Kweeble arm instead. On the third page, when the stranger turns around and has Wambus's face, this is Wambus's conscience reminding him of what he did.

Wambus then turns to denial, asking himself different ways Gramble could have become snakified. Sleepwalking, lying about it, et cetera, but Wambus knows these aren't realistic. He knows what he (and by his own extension Stranger) did. Stranger being lit in red and Wambus being lit in green represent the respective bugsnax they gave Gramble. Also from this point on, Wambus isn't snakified, showing that the following events all take place in his mind rather than in reality.

Gramble's body being covered by black squares (which I'll refer to as censors) is Wambus's mind trying to block out things he doesn't want to see. Stranger showing up out of nowhere is kind of just an outlet for Wambus to incite his own self hatred. He hates and wants to kill the stranger for what they did, because he hates what he did in the past.

Throughout the ensuing fight, Stranger and their dialogue is censored. Why? Because Wambus isn't fighting the stranger. It's a reenactment of another horrible thing he did to Gramble in the past, that being The Fight. The censored dialogue is what Gramble said during the fight (which is irrelevant to the story), mirrored by Wambus parroting his own dialogue from then as well. That's why some of the dialogue doesn't seem to fit (see "Not when you've hurt so many", and him cutting himself off from saying "Weepy little rancher").

Then is the Big page, the only clear memory of the entire comic. He's blocked out so many things, but Wambus is never able to unsee the look of horror on Triffany's face when she witnessed The Fight. He's not looking at Gramble. He doesn't want to see Gramble. He can only clearly recall the instant he knew he was Guilty. Guilty. Guilty.

The following page is mostly a blur. He sees Triffany (with Filbo hiding behind her; the two of them lie to cover this up later by calling it a fight rather than a one-sided assault. Also I'll mention that Gramble was so out of it that he can't remember The Fight either, so literally nobody can contradict the lie), then he sees Gramble, and then everything is drowned out by the knowledge that He Is Guilty. The last panel shows him waking up (now snakified again, this is real) in horror. Triffany next to him is censored because he can't stand to think about her face, looking at what he did.

Ummmm yeah that's basically the story of Something Aint Right. Other stuff that didnt fit anywhere else is the main pop colors being Blue and Orange which are Wambus and Stranger's fur colors, and Gramble's hat eyes always staring at Wambus.

This is the official explanation of a weird surreal art piece I made that is supposed to be speculative but I love talking about my own work too much to keep it that way.

Something Ain't Right - Bugsnax

[rafyki]

Episode 11 really showed Jack's growth

Okay, I know what you're gonna say: "but he lashed out at Joke! He threw him away again! He got so angry!". And like- yes he lashed out, yes he didn't stop to think, yes he got extremely angry. But that literally happened in the first ten minutes of the episode, alright? There's more than a hour after that, so please let's focus on everything else that happened too, and the fact that Jack acting like that literally only lasts for a short while (as I already said, everything happens extremely fast in this episode, if you really think about it he only stays made for less than a day, which is a perfectly valid period of time to need to sort through complicated feelings - hell, it's an incredibly short time, Jack got over himself extremely quickly).

Anyway, lemme go in order, because I'm not just talking about his relationship with Joke here, but about everything else too.

There are two main things about Jack's character arc (well, more than two, but I wanna focus on these ones now): first, his tendency to hold grudges and be hard on forgiveness and, second, the fact that he never stands up to power and powerful people in an active way (I'll explain better what I mean later).

As for the first, I made a whole other post about it, so I'm not gonna repeat everything again, but let's see how in this episode he got to the end of his growth in this aspect.

He's extremely mad at the start of the episode (rightfully so), so much that he goes on a rampage (we love to see it, tbh), even though he should know that it wouldn't end well.

When he wakes up, he's still mad - of course he is, he didn't have time to think and process everything yet, given that he was beaten unconscious until now. He gets mad at Grandma when she mentions Joke, and then he lashes out at Save and Hope. It's understandable.

But then? Then it only takes Hope saying this for him to calm down and put things into perspective

I think it's important to point out that here it's only been maybe a few hours since the hospital scene. And here, Jack finally has time to think.

This it when he finally stops and thinks and realizes that he was wrong, that he didn't have any right to be mad at Save or Hope (or, well, he does, but how should also be able to understand their positions, because he's been there too), because they're all in the same situation in the end; and he realizes that Joke only did what he did for him. This is the moment when he finally has time to think and realize he was wrong (both about Save and about Joke), realize that he doesn't want to lose Joke, that he misses him.

Let's not forget that the start of Jack's character growth was to learn to forgive. And here, he shows that he's finally able to do this.

He works together with Save and Hope, he trusts them. Why didn't he call Joke to join them then? Well, I think he probably wanted things to calm down first so that after that he would have the time to actually talk to Joke. He didn't have the time to do that in the end, and that's the tragic thing.

But we know that's what he planned to do, because that's exaclty what he says.

Anyway, let's move on or this will become way too long lmao

It's not only in terms of learning to forgive that Jack grew. It's also in the way he finally decides to actively act to oppose Boss.

I mean, Jack was caught in Boss' web of power since he was young, and he's had to deal with the fact that he couldn't escape it, couldn't defeat it, for years. And so, he always submitted to Boss, in a way.

Yes, when he was a debt collector he went against him, in secret (and sacrificing himself and his own money), until Boss found out and Jack had to bow his head againt before him. When Gradma was in the hospital, he let himself in Boss' grasp again and even when Joke and Grandma slapped some sense into him his way to oppose Boss was to simply tell him he didn't want to marry Rose anymore, but was still willing to work for him; now, we know that that only worked because Joke had stolen the ring. What would have happened if Joke hadn't done that? Boss would have refused, of course, and Jack would have had bowed his head again.

Until now, Jack's actions were often passive, a result of him having no choice. Even when he played the ladder game against Lompran, that wasn't a real choice.

Not now, though. In this episode, Jack finally realizes that he can't keep doing it, that he needs to fight back for real. And this is the first time that Jack realizes that he can't always do the morally correct thing if he wants to defeat people like Boss.

Jack has always had really solid morals, and he's always lived by the fact that he needs to be better - better than the corrupted people in power who use them and look down on them. And that means he can't accept theft as a valid way to fix things, even if it would be justifiable and it would make things easier. But he can't do that, because that would mean that he's just as bad as them. Poor people are always expected to do the right thing.

Until now. Because now Jack has finally realized that he can't play it fair against people like them, he understood how that world works, and he realized that he needs to play following their game's rules.

He's learned the power game's rules and he's ready to play.

And that's what he does. He's able to take advantage of Lompran's greed and use it for his own ends, and he's not afraid of risking his own or Save's life - because he knows at this point that they can't play it safe anymore.

He played the game but he also kept his morals, because he still didn't do it for himself; he played their game but he's still better than them

Jack has mostly been a passive force until now, but in this episode he's finally the active force - he's the one with the plan, the one who takes the lead. (Joke, on the other had, has always been the active force of the show, and in this episode he's the passive one, but I'll make another post about this another day)

And I think this will be obvious in next episode too, when he'll (finally!) get a gun and do everything that's needed to save Joke and everyone else from Boss.

And he finally understood that the world isn't black and white and that sometime you need to do something "bad" to fight back, both for youself and for others. And that that doesn't mean you're a bad person.

[elljayvee]

I loved the pace of this, the quiet and the different sorts of passages (echoing the halls of the Enterprise).

The thing that I've been struck by is how many people see this as K/S going canon, and I...no more canon than it already was? I'm second wave, really, having come into the fandom just as it really launched into the online era rather than the zine era. A lot of slash fans at that time considered Kirk canonically bisexual and K/S very near canon, both for the same reason: The Footnote in Roddenberry's novelization of Star Trek: The Motion Picture (this is what the hand-holding in Unification is calling back to).

This wasn't a wild or out-there point of view. It was much more controversial and underground in 1980, when Judith Gran's essay The Footnote: An Explication de Texte was first published, but when it appeared online in 1997, the slash audience (still frequently distinct from other audiences to a degree I think that people today might be surprised by) was largely ready for it.

The Footnote itself does a few notable things:

1. defines the Vulcan word "t'hy'la" in a particular way that justifies the rest of the footnote to exist. Why would you even do this? There is no reason to do this if you don't mean to imply that K/S is a possibility or even a probability.

2. Jim Kirk admits to having sex with basically every gender and species he can think of. Again. Why. This is so unnecessary unless the intent is to establish that he is emphatically Not Straight. (Also, it's the 1970s when this is written. A character like Jim Kirk stating that homosexuality was unobjectionable was a much bigger deal than doing it today would be. It's actually a little hard to explain how much of a bigger deal it was.)

3. Whatever the fuck else is going on in there it's the shadiest non-denial denials of all time.

Add in the lovely post-V'Ger "this simple feeling" hand-holding in the film and you have....something from the late 70s that's at least as canonically explicit, if not more, than Unification.

I'm not complaining about Unification, mind. I love it. I love the ending it gave them. I love the space it gives for their relationship to breathe, at the end.

I'm just saying.

It was already this canon. It's been this canon for 45 years.

[tiredassmage]

veilguard thoughts!

rook + solas parallels edition

spoilery ofc because my head's not full of cotton balls today and i haven't stopped chewing on it all since i finished the game! so! this is a little endgame heavy; you've been warned for what's below the cut <3

the final first playthrough counter has come in just over 67 hours and i am all but physically holding myself back from launching right into another one with another rook because i had a blast. i'll concede it was a bit heavy on the exposition in the first several hours, but what followed has certainly won my heart, and i think the game is visually beautiful.

but i'm not even looking to do a full review here, but i think one of the most fascinating things this game did was set up rook and solas. so, two parts of preface then: one, i was a little determined to love this game and hoped it would at least perform decent. that's my spite about it, lol, but that's not the point, so we're not here about that. two, one of my admitted concerns when they had first announced this game having its own protagonist was... that i wasn't sure there was another person to finish solas's story other than the inquisitor, and this isn't a solavellan thing for me, though my beloved canon inquisitor is a lavellan. solas's friendship wasn't the biggest hitch in inquisition for me, but it was important to my inquisitor. he wanted to prove his friend wrong.

i don't believe hallaren had a plan at the time for how to achieve that. he wasn't sure it was actually possible to convince solas the dalish were not as lost a cause as he seemed to believe, but he had to try.

and when i started veilguard, i wouldn't say i'd have anticipated the parallels of solas and rook, nor how well they ended up working for me. i admit: they got me. i didn't see that twist coming. and the hindsight of losing varric from the beginning makes a lot hurt (i say that as a compliment). i think it's easy enough to explain why i didn't see it, why (my, at least) rook didn't puzzle it out, but i also readily admit i'm historically bad at seeing these kinds of things, so you're free to be amused on your own time, lol.

anyway. regret. not becoming what you hate, what you claim to fight against. not being beholden to what you were or what you've lost. the game hits these beats several times, and i think its a real beautiful repeating thing they've done if you hammer all the companion's stories with the main deal, and i did the memories of the dread wolf as well. rook and the inquisitor have a conversation about it that about touches on all of it way more eloquently than i could summarize.

and, of course, part of the reveal is solas did dabble with blood magic on the matter of varric's death, did set rook up for the level of regret and grief they must settle with to trap them in the fade - a prison fit for gods, a prison fit for a god's regrets.

and this is where i transition into blorbo-specific thoughts. because i think part of what fascinates and delights me so much about the rook and solas, potentially two sides of the same coin deal is how tyr's relationship with solas starts and then develops.

tyr does not trust solas from the outset. which i think is where a very interesting presentation of similar (at their roots) choices begins, as varric says: in a bar, as all good stories. one of the first story notifications we get is how rook chooses to handle the bar owner: charm your way out, or a more direct approach, and we're told varric takes note of this.

varric's own plan is an appeal to solas's nature. to talk his way out. as is varric's way.

normally, i'd call tyr the kind of character (having played with him as an oc in various medias for oh... going on 2 years, is it? maybe 3? time's fake, different post) to also prefer talking his way out. but he doesn't believe solas will listen. so he rebukes varric's plan of just waltzing up and charming him with his babygirl eyes.

then at d'meta's crossing, he spares the mayor. not because he doesn't hear the concern that the greedy bastard will fall to said greed again, and not out of an entirely conscious mandate for live with the consequences of your actions, but... in hindsight with other choices, i'd argue it's... from at least a little of that kind of place.

he tries and fails to reason with the first warden. several times. in the heat of weisshaupt, and with the recent conversation with solas about whatever it takes on his mind, he ends up decking the man. the stakes are too high for risking the first warden staying on his high horse again if another attempt at reason fails, is the driver of the decision.

i'd chewed for a while on how that would seem to make tyr's commitment to "talking things through" indicated by that first choice in the bar inconsistent. it all seems justifiable at the time, and he didn't get to the place with the first warden he was out of intentional malice, but he still wound up there.

much of that is natural by the circumstances he was presented. by making calls with the information and under the conditions that were present at the time, as anyone, not just rook, would have to do under such circumstances, if they traded places. sure, some of it is also by solas's engineering of his conversations with rook. by setting them up to be a leader asked to make those hard calls. maybe even for arguably goading them a bit into a situation where whatever it takes was their only feasible option. which neve has a great comment on:

this is, i think, most directly about varric's death, but also, personally, i have to say is applicable for solas's intervention during blood of arlathan.

so, back to blorbo for a moment. tyr begins from a place that mistrusts solas's motives. the I'm quoting you here, "lies, treachery, and rebellion" kind of mistrust. and then, as things progress, as the team unveils more about solas's past in the crossroads and through the murals, it circles back to what I think motivated much of his comment to varric that talking with solas wouldn't work: that even if solas has any regret for what's happened, he's too stubborn to concede, too trapped by the mistakes of that past to ever admit fault, to hear himself sound like the 'gods' he claims to despise. tyr continues to take solas's advice into consideration the whole time, true, because it's... hard to discount the only potentially close to the problem kind of advice and knowledge they don't... exactly otherwise have themselves. he's not sure what the other shoe dropping in that equation is going to look like, but he's more convinced it'll happen than he is entirely happy with the situation.

the murals create... a hunch. or develop it. that rather than just being too prideful about the harm he'll cause by tearing down the veil, that solas is trapped in this plan by his regrets and guilt for actions of the past. at that point, tyr... has a better understanding about how they got to this point, but it kind of only solidifies his reservations that solas might actually be reasoned with.

the one moment this is changed, then, is during blood of arlathan. because frankly i think that was one of the worst experiences tyr has in the entire game. elgar'nan's influence in their minds, and an incident where they're trapped with no conceivable way out and potentially facing down an archdemon again, not so long after weisshaupt that the losses have stopped aching.

whatever his reasons or motivations and whatever else happens, solas saves their lives. tyr can't find a way around that one, and he's not even certain he wants to. because it's one of the definitive moments where he didn't have a plan, and he was terrified the tables had finally turned against them, and they'd fail.

it's not... trust. but tyr's also spent all this time working with his team on this concept that change shouldn't exactly be beyond anyone if there's a little effort put in. and whatever his own feelings are, varric wanted to believe in his old friend, and so does the inquisitor - both people he respects greatly, and he's constantly calculating their desire for a better outcome into the rubix cube that is trying to figure out how to stop the gods.

the problem then, is that solas all but instantly takes advantage of this... lapse. this faint relaxation of tyr's guard against his manipulations. that whole little incident with the fade after ghilan'nain's fall is all but immediately after, and its a betrayal nearly thrice or so over in rapid succession: that varric's been dead this whole time, that solas has manipulated him and how he feels responsibility for the team and the regrets that arise out of having to make hard choices, especially in times like these, and then on the other side of the fade, that solas has gone to minrathous, solas is playing "hero" about it all in tyr's and the shadow dragons' backyard. and to add salt to the wound, in minrathous, it's been blood magic all along.

and, y'know. solas says sorry, says he won't tear down the veil by his own hand, but hands rook the weapon to do it for him. sets them up again. so maybe that's more like... four or five times, depending on your count and categorization of it all.

and rook has a choice about all of this to make, a certain level of peace they have to make with it all to even get out of the fade. and how much to follow varric's advice about don't become what you hate - what you were fighting all along, or trapped by what you lost.

here's tyr's opinion that solas has more than likely been beyond reason because he's too far gone on his own path to even see that he's done exactly that: that he talks like elgar'nan's control, he's just dressing it up in a different way. that he's trapped by what he's lost and sacrificed and admitting that will be too much.

and here's tyr's inescapable bitterness of having been betrayed, of having spent so long trying to be careful with the god of trickery only to have danced right to his tune the whole time. a fiery emotional response for a threat to his home, to minrathous that he's tried very hard to protect and leave a smidgen better than he found it in this whole fight.

by circumstance... and by a little of solas's own design then, rook and solas confront the same trouble of what sacrifice being a leader demands. what cost is too high? how much is too much?

i had the pieces at that point for the ending with mythal, but now i had tyr bitter and a bit more resentful about solas - in a kind of pain about betrayal that was still asking why? about it rather than worried about if regret was present or meaningful. which is where this came from in my head akdfnas;dfnsadf

you're both thinking it. and the endings directly focus on whether or not solas succeeds in tearing down the veil, but the thematic part of it, to me, was... do rook and solas recognize where they might be held back? does tyr act on the pain and resentment of betrayal and swing blindly at solas as repayment? or is it bigger than both of them? is it about posing the question to solas about regret? how much is it like what drove solas to this point to act on that resentment? is it just retaliation? or did either of them learn anything from that prison in the fade?

and that's what makes the parallel, and it's what sets them apart.

and that's how, still, in the end, i have tyr who is willing to choose trying to reason one last time. for the sake of the advice of an old friend. for the people that brought them this far, the ones who chose to believe against the odds. and maybe, even, a little bit for himself. a choice against letting regret and resentment rule.

for the sake of it and because i couldn't get this game out of my head, i checked out the other endings, just to see, and i... think i like sticking with convincing him the best for both of them.

the trick with the dagger swap i think is the only other fitting course of action tyr might've taken from that point, and i think some of its elements reflect similar beats here about... learning from the past, if you will.

the accusation of likeness to the gods is still there. the banter about wits. i am a fool who finally met his match. one might argue that's for underestimating rook, which... fair enough, but i think... it also falls in line with solas's regrets, the appeal to be made to his nature, the... want, in the end, to be proven wrong. to find a 'better' way, as once he suggested to the inquisitor, and as mythal's release from debt and rook and the inquisitor's forgiveness, if you will, finally allows.

and that is... very satisfying to have said between them, when it's been on tyr's mind the whole time. and... they can both be proven wrong this way: for tyr, that solas wasn't beyond listening, and for solas, that there was another way.

for both of them that they could move on from what these trials have made of them, what they have done, and what they endured.

and man... man that was good. and so, so satisfying. it worked, veilguard. you sold me on these two as parallels to each other.

and that's just... one of many things in this game that gave me a lot of emotions, but this has already been. a helluva ramble, so if you've made it this far, congratulations and i salute you, lol.

i'm sure i'll do it all over again and have even more thoughts about even more rooks to throw around and chew on with this and what it'll reflect about each of them and that's. MMM. that's delicious. i loved this game. if my brain and time cooperates, i'm sure i'll have more thoughts and maybe even some writings for it in the future, we'll see where the blorbos take me. xD

[lightlycareless]

Do you think Naoya and his brothers feel a slight resentment in the change of Naobito’s behavior towards Naohime when compared to raising them? While Naobito is certainly not Grandpa of the Year, I’m sure his behavior is a significant improvement to how he raised his own. So I’m curious if they’d hold some anger towards him or Naohime(I doubt Naoya would but I think he’s feelings might be complicated) since it shows Naobito had the capability to be better but wasn’t? Or do they think that Naohime is just a Naobito whisperer Lol

Now isn’t this an interesting ask? This is a can of worms I feared opening because it might put some of Naoya’s relatives in a bad light but hey, that’s just how some families work haha.

Anyways, I won’t say much here, everything will be either on the actual post or afterwards :> I hope you enjoy my analysis of the situation!!

Warnings: none. Difficult family dynamics.

I would love to say that all of the Nao-siblings are responsible, mature adults when it comes to their feelings but let's be real, when Naohime comes along that’s when the real issues with their nephews begin.

Sure, they always considered them to be quite spoiled from Naoya’s willingness to give them whatever they want, followed by having an actual mother that cares for them, to finally, how they don’t seem to go through the same suffering they did when growing up around people like the Zen’in. (You defend them, Naoya is somewhat softer when training them, etc)

They don’t like the whole dynamic around your family…

BUT Naohime just takes it to a whole ‘nother level. At the intervention of Naobito, they finally realize that what they felt upon seeing your family… might’ve been akin to jealousy. It’s just that Naoya gets to experience that as well this time around.

However, the worst part of it is that nobody really expresses their sentiments, so they kind of just continue to grow bottled up inside them—and you don’t blame them. It’s the first time they get to see Naobito being… well, an actual human being and not the monster they grew up to fear and avoid, so they just don’t know how to process it.

Naofumi kind of gives you hints about their current turmoil, or at least that what affects those present at the estate—I dare say Naosuke and Naohito couldn’t care less about this because they’ve moved on, really. They’re rarely home anyways. And truth to be told, when they’re told about Naobito’s and Naohime’s relationship, they don’t really believe it— but outside of that, he’s used to never being up to anyone’s expectations so there’s no difference now :’(.

Naohiko is very vocal about it too, always complaining about how the old man “now has a heart” and how “ridiculous he looks” acting like that. He blames it to old age, that he’s growing senile, or he’s finally lost it, but…. Well, he won’t do anything outside that. Like Naofumi, he’s accustomed to never being to anyone’s expectations. Dare say, he probably has children too at this point, so he can’t bother himself to care about other kids that aren’t his.

Naoaki and Naoya though… they take it the worst.

Naoya is conflicted in the sense that he’s happy that finally one of his kids appear to be of his father’s approval (he’ll never admit it, but he’s unfortunately cursed to always seek his approval, one way or the other.) it’s just that… he never expected to see that kind of behavior coming from him. For the longest time, he believed it was too ingrained in Naobito’s DNA to be evil… alongside the eternal questioning of “what does Naohime have that I don’t to earn that kind of treatment?”

He eventually overcomes this when Naohime reassures him of being the best father ever (it’s a type of “Father adores Naohime, but Naohime adores me, so take that!!), because to him being a good father is much more important than being a good son (at least to someone like Naobito.) and besides, to compare himself to Naobito is… his worst nightmare haha. But all possible thanks to your and the kid’s support ♥️.

Naoaki… yeah, he’s the worst. He effectively hates Naohime, unjustifiably, but he couldn’t hate Naobito more so he has to take it out somehow, you know?

Now, he won’t do anything outrageous, but… he’ll try to diminish her achievements, make her feel guilty about what she does or doesn’t do, and most importantly, project his own insecurities onto her, like comparing her to her siblings. Naoaki genuinely believes she doesn’t deserve all that she gets, thinks that he's worked harder and such. Kind of a “I spent my whole life training to try to appease my father, and this kid is just born and suddenly she’s all he’s ever wanted?”

But by that point Naoya is the leader of the clan so if anything happens he’ll make sure to take the necessary measures to protect his family, though I think that Naoaki would rather live anywhere else than be under the control of his brother. So, kind of like Naosuke and Naohito.

Naohime is quite a spoiled kid, but nonetheless, she’s equally loved by you and Naoya, and Naobito, it seems haha. You really did come to change the Zen’in estate for good 😭😂.

TLDR: Naoya is a bit conflicted but eventually surpasses this situation because he loves Naohime too much to let such petty things bother him. (It took YEARS to get this mature version of Naoya OOF worth it) Naoaki already disliked everything that had to do with you and Naoya so now this is just— great lol. He’ll avoid Naohime most of the time… unless Naobito inspires her to mock him 💀

There you have it :> what I believe their thoughts would be regarding Naohime’s odd relationship with Naobito. They for sure think she’s some kind of Naobito-whisperer lol and those bold enough might use that to their advantage (like get favors and such, very bad influences indeed) but I also believe it doesn’t really matter since I envision that by the time she’s around Naoya is effectively clan leader. It’s a miracle that Naobito is still around by that point lol.

I hope you enjoyed my short analysis, and you don’t know how happy it makes me to read that y’all are interested in my other characters 😭!!!! It’s the highest compliment I could get, so thank you so much for sending in this ask 🥺♥️

Take care and hope to see you soon!!

[leandra-kinard]

I can see your point that there's a clash of intention/topic here from your perspective. However, for me it was an opportunity to make a connected/related "counter" point (also not solely aimed at your original post but the added screenshot as well), because I also feel posts like yours could - under certain circumstances and through certain readings - be adding to a general harsher rift between the two factions than necessary. I'm definitely not saying that was your attention, but personally it's something that, let's say, slightly miffed me about this whole conversation a couple of times now, in a variety of posts.

I do understand why you think I should have made my own post on it, rather than adding to yours. But then again, I do enjoy a conversation and polite debate rather than just "ranting to the void". I believe it can be very beneficial to those engaging in such a debate in good faith and the ones reading it. But that's my POV. So I guess this is where we both clash in our preferences on how to add/debate or not debate/add to such posts, and that is fine.

Regarding the main points you made, you know how you meant it and what context you brought it up from - so in that regard it's fully valid - but some people may take it as "Ah look, this person, too, says the Buddies are homophobic (in general/often)". Tumblr reading comprehension and all, you know?

I am also definitely not saying you are erasing anyone's experience. I'm just saying, in general, this tendency to point to homophobia sometimes does that - albeit unintentionally, I assume. It is a bit of a slippery slope, imho, because sometimes the people expressing their wishes for a specific type of queer story (like what they imagine Buddie could have been like) are queer people who have made those very experiences or similar ones themselves - lesbians who fell on love with their best friend and finally gave up on comphet behavior, or people who believed themselves to be straight and realized they were bi after all (not dissimilar to Buck). I know you're not saying these people all come from a place of homophobia, but I personally see a risk of it being read that way. Of people falling into that mentioned trap of dismissing ANY pro-Buddie sentiment as homophobic /otherwise problematic.

So, regarding the last statement you quoted, this was meant more generally to the Bucktommy fandom and not per se you or your post. We are not having a private conversation here, we are doing it in front of an audience who will approach both what you and I are saying with highly individual biases and viewpoints.

There is no issue with the things you said per se, but imho the risk of certain takeaways that I have already seen expressed callously by other people, e.g. "Most of the Buddies are straight women who are deeply homophobic" or similar.

The whole Silken debacle is cringe AF, and embarrassing for the whole 911 fandom. And we really do not have to talk about some of the much more vile and toxic things that were said and done. I am in absolute and full agreement to call those instances out and, like you, am disappointed to not see enough of such calling out from the Buddie fans. That is highly regrettable and cowardly.

I also understand (through posts like yours even more deeply than I already did before, as a 44 year old queer woman who lived with a gay guy for many years and has known many gay men), that many especially young shippers have a sort of watered-down image of the "ideal gay relationship" that isn't reflective of reality. There's nothing wrong with having certain preferences when it comes to reading and writing fic, but there IS something wrong with painting things outside of that comfort zone as icky or bad (like all that shitty discourse on Tommy being predatory and similar stupid takes).

In years of shipping and engaging in fandom I've seen takes that were bordering on or veering into (unintentional) homophobia, or rather bigotry towards gay men in particular, because so much of it is based on a sexually/romantically inexperienced and predominantly female perspective. There's a difference between how lesbians and gay men live out their sexuality and love life - at least in tendency - and it's important to acknowledge that and, as you said, read up on gay culture if one isn't too familiar with some things. Or to simply acknowledge that many preferences and approaches are valid and good, and, as you said, here's not a limit to what kinds of queer representation should be present in popular media.

Anyway, I also appreciate that you replied calmly and in good faith. Just to make it clear again, I do not disagree with the things you said or with pointing out these particular examples. I just personally think it is important to also remember (and remind others - the "audience" of these debates) not to generalize as a takeaway from these very valid observations.

the more and more time i spend on tumblr and come across insane Buddie takes and behavior, the more and more i am convinced that the small, vocal, toxic subsection of shippers who don't know how to behave are, how shall i say it?

homophobic

they don't seem to actually like gay men. the situation with richard siken is an example of that. what they appear to like is their made-up version of what gay men are like and what they do. there's no concept of nuance or an actual understanding of queerness that informs their ship.

and i don't think you do need to understand it. sometimes you can just enjoy something without looking into it differently. but if you're going to be out on main talking about Buddie this and Buddie that, then you absolutely need to do the bare minimum and inform yourself on gay culture and gay issues so you don't, you know, go after a gay poet because you didn't like his tone.

sorry, there's a reason gay men of his demographic don't take shit. it's because they took so much shit that a large percentage of them died. the ones that survived don't owe you a tone when you act like an idiot.

the internet is free. wikipedia is free.

use a search engine and educate yourself, just a tiny little bit, and stop fetishizing while holding onto homophobic attitudes